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#I have Feelings about some of the things I did in there
lymtw · 3 days
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Toji invites you over with a simple text of:
You busy tonight, doll?
To which you respond:
I don't think so... Not that I know of. Why?
Toji laughs through his nose when he reads your message. Even the way you text him has your timidness imbued into it. It's precious.
Come spend the night at my place. You told me you're off tomorrow, right?
I am, but are you sure? Driving home is not a problem for me. I can hang out and go home after.
You're staying. I wanna try something with you and it requires you to stay the night. You can't go home.
Oh okay! I'll be there in 10.
Drive safe.
Toji likes that you're very precise about the time you'll be arriving somewhere, and if you're ever late when it comes to spending time with him, you apologize profusely, nonstop. You won't stop blubbering about why you're late and how sorry you are for making him wait, even after Toji's expressed that he's more than understanding. He's the king of showing up late to plans, so he can't be a hypocrite and scold you when you don't do it often at all.
You're so sorry, though, and you don't shut up about it until he makes you shut up with a kiss. You're helpless, and you can't for the life of you figure out where to put your hands when you're so focused on the grip he had on your waist to pull you up against him.
He releases your lips, cracking a grin at the look of wonder on your face. He can't deny the pride that swells in his chest at his ability to disarm you and prevent you from having a total meltdown over a three minute delay.
Toji has gotten so much better at handling situations like these with you. It's only fair for him to gain satisfaction out of making you feel better. After all, you are a first for him. You're emotionally fragile, you're a nervous wreck, and your voice competes with the wind just to be heard. Toji doesn't set aside the fact that you're also beautiful, warmhearted, and you try for him. He sees your attempts to be affectionate. You'll slowly reach your hand out to hold his and then bail the second he catches you. He ends up having to interlock his fingers with yours because your embarrassment doesn't allow you to try again. He still appreciates that you leave your comfort zone for him and allow him to guide you towards new experiences.
"Stop with the guilty feelings, ma. We have all night and all day tomorrow. What's a couple minutes to ensure you get to me in one piece?" He says, comforting your droopy self. You look like a sad, abandoned puppy, now sporting rosy cheeks from his surprising gesture.
"Okay," you say, feeling a little more at ease. "What did you have in mind for tonight?"
"Follow me," he says, leading you through his living room to his kitchen. He pulls out a stool for you and points at it. "Sit." You want to laugh at the way he says it like he's teaching commands to a dog, but you know he doesn't mean it that way, so you obediently sit down like one anyway.
"Have you eaten anything?" He asks, silently hoping you have because he doesn't have anything to make you dinner. He would have to order in or pick something up.
"I ate a couple hours ago. Still pretty full," you respond, watching him reach up for something in his cabinets. There's now a tall glass bottle with a red label and matching cap sitting on the counter.
"How 'bout it?" He says, a large hand wrapped around the neck of the bottle. "We could go to the couch and watch a movie or something."
He's never seen you under the influence of anything, but based on your reaction, maybe he'll get a show tonight. He's always wanted to know what you would be like if you were more extroverted and outspoken. There's nothing wrong with the way you are, but if things keep going the way they're going between you and Toji, he's bound to meet your chatty alter ego at some point in the future. What better way to have this experience than in a secure place with someone who can handle their alcohol and take care of you if it turns out that you can't.
"Okay, sure." You giggle, excitedly.
You're a lightweight. Even the fruitiest, sweetest alcoholic beverage will quickly take a toll on you while you're sipping on it. Wine is a step up, so you'll have to try your best to keep it together for the sake of not looking sloppy in front of Toji.
Toji brings down two glasses, and pours out the deep red liquid into them. One for you, one for him. He hands the glass to you, and nods at your quiet "thank you".
Toji watches as you immediately take a sip. He sees the way your nose scrunches at what you consider to be a funny taste, but the second you put the glass down, you smile like nothing. You don't like it at all. You hate the bitterness, and the fact that it's made with fermented grapes lives in the back of your head.
"How is it?" He asks, holding back a chuckle. You're too sweet for your own good, pretending to enjoy this for him.
"I like it," you say, pressing your lips together.
"Yeah? I think it's kinda gross. Guess I was expecting more from a fancy ass bottle, but brands are gonna brand, huh?"
You giggle, almost involuntarily. You're one gulp in, and already you're starting to feel the effects.
One of your worst habits includes chugging drinks that don't taste good, just so you can get them over with. You even do this when your drink is messed up at coffee shop. You're too nice to ask the barista to remake it, so you suck it up and drink the incorrect beverage solely for the caffeine you hope it has in it. This time is no different. You hate the taste of alcohol. You don't do plain shots, you can't stand hard ciders, and wine is no exception, but you're doing this for Toji. He cracked open the bottle to share with you, so you're going to drink every ounce of the liquid in the glass, whether you like the taste or not.
You bring the glass to your lips again, taking a much larger sip. The glass is a little less than halfway now, and your eyelids are starting to feel a little heavy. Not in a sleepy manner, but you can't seem to hold your eyes open as wide anymore.
You exhale through your nose, shut your eyes, and then blink them back open to take note of your altered state.
"That was a lot. How are you feeling?" Toji asks, noticing a shift in your demeanor. You seem a little more sluggish now. You turn your attention to him, your eyes rolling when they turn to meet his.
"I'm good, how are you?" You ask, like it was the start of a conversation rather than an ongoing one. Your eyes almost shut completely when you smile at him.
"You're tipsy already, aren't you?" He asks, with a grin on his face.
"Pshh, what? No, i'm not," you say, contradicting yourself with a giggle. "Answer the question, baby. How are you?"
"Fine," he responds, lingering on the pet name. You've got loose lips, now. In any other circumstance, you would address him by his name. Most of the time Toji is the one giving you pet names, for the sake of flustering you. He loves the way you look at him when he calls you doll or sweetheart, somewhat shocked every time the words leave his mouth.
"Yeah? That's good." You pick up the glass one more time, sighing before you mutter, "'scuse me. Gotta finish this."
With that last sip, the glass was now empty. Even Toji thinks you drank that too fast, but he still has the courtesy to ask you if you want more.
"Mhm, I'll have a little bit more. Just a tiny bit." Toji pours as much as he did the first time, chuckling when you nod in approval of the quantity. "That's perfect. Absolutely, perfect. You're a genius, my love." You flash him a smile before starting on the next glass.
Toji was considering having another glass, but that was before you called him "my love" in a tone so warm that he felt like he just had a bowl of hot soup that was now settling in his stomach. That was before you smiled at him in such a free spirited manner. It was too late for him to see you in this state while completely sober, but he sure as hell wouldn't be adding anymore alcohol to his system. He can't miss something like this, so instead he leans forward on the counter, and intently watches your every move.
"I got something on my face?" You ask, dragging your sleeves all over your face. You examine your sleeves and they're clean. "You liar. You're looking at me like that for nothing." You squint at him, a slight scrunch in your nose to define your defensiveness.
Toji laughs, his focus now on the small pinch in your brows. "Don't go picking fights over nothing. It's not a crime to look at my pretty baby."
Your faux tough exterior immediately crumbles, the irked expression on your face dropping to the ground, at the sugary words he uses on you. Your face feels very warm, and now there's an indefinite blush on it. You can't stop smiling at the look on Toji's face. He's so focused that he's gone speechless, and you eventually break into a laughing fit because of it.
"Hey... i'm usually the quiet one. Why aren't you talking, pretty boy? Need me to shut up?"
The pet name has Toji glancing at your glass, noticing that it was full for less than five minutes. This was new— you being flirtatious towards him. He didn't have any complaints about it whatsoever.
Once again, the quantity of the wine in your glass was below the halfway mark. "Nah, baby. Talk to me. You must really like the wine, huh?"
"Mmm..." you lean forward towards him, with your elbow on the counter and your chin in your palm. "What makes you say that?"
He actually snickers this time, earning a sly grin from you. "You're chugging it like it's water. It's either you love it or it tastes like ass and you're dying to spit it out."
You pick up the glass again, one last time. "Let's find out if I like it," you say as if you're not on your second serving. You let the liquid hit your tongue, and you are instantly repulsed by the flavor. The glass is tilted all the way up, signaling that you've finished two cups of wine in less than fifteen minutes. Your cheeks are filled with the drink, blown up like a puffer fish, which makes Toji smile softly with anticipation for your reaction. Your tongue stays on the roof of your mouth, keeping the wine in your cheeks separate, to give you a break for a few seconds. You release the bubbles of your cheeks and your mouth is flooded with the bittersweet liquid. You swallow the burgundy mouthful and smile with your lips pressed together once it's all gone. The mouth drying effect of wine is your least favorite thing about it.
"So?" Toji prompts.
"It's-" you gag, clasping a hand over your mouth with wide, slightly teary eyes.
Toji's chest and shoulders shake as he contains his laughter, his lips pressed together tightly to stifle the smile threatening to show itself, but his eyes tell you everything.
"Wooo, sorry about that," you say, chuckling through the embarrassment. "It's good," you repeat, still muffled by your palm.
"Yeah? Want more?" Toji asks, holding up the bottle with a teasing grin on his face.
You almost gag again but manage to control yourself. "No, thank you. Any more and I'll doze off, and we both know that's not what i'm here for." There was a hint of sultriness in your tone, something Toji was not sufficiently familiar with. It was a completely welcome shift from your normally tentative way of speaking to him.
"I know why you're here, but I wanna know what you think you're here for."
You stand from your stool and lean more of your body onto the counter. Your hand reaches for his, and for the first time, you don't pull back before making contact with his skin. "To love on you, of course," you say, with those pretty rosy cheeks. Your eyes remained glossy and your nose was still red from trying not to bring the wine back up earlier, but Toji thought you looked so cute.
"Is that right?" His thumb brushes over your knuckles, feeling the softness against his rough fingertip.
"Let's go watch that movie you were talking about and you'll see what I mean."
Toji was loving this. Your confidence, your lack of holding back anything you had to say, it was truly baffling how you could be someone else entirely with just a couple glasses of wine.
You keep his hand in yours, and as if it were your house, you say, "come on," and drag him along to the living room.
This time you say "sit" and point at the couch. This time he's the obedient dog and does as you say, sitting on the exact cushion you were pointing at with a smirk on his face. He moves the couch pillow aside to make room for you, but you had another seat in mind. You take two steps towards him before slowly dropping yourself into his lap, straddling him.
"I see you're finally taking your seat on the throne, hm?" He grins, resting his hands on your waist. This is the closest Toji's been allowed to watch you giggle without you burying your face into his neck and it's a trip. He can see the details of the creases around your eyes and the lift in your cheeks as you smile. He feels fuzzy, and he didn't even finish his glass of wine, so he knows it's not that.
"Stop making me laugh and pick a movie, will you? I'm here for that, too."
He picks up the remote for the TV and turns it on. "How are you gonna watch the movie while facing me?"
"Actually,.. can I tell you a secret, baby?" You ask, wrapping your arms around his neck. Your fingers play with the hair that reaches towards the nape of his neck, combing through it gently.
"What's that, princess?" Toji asks, vert eyes flitting between your eyes and that sweet smile of yours.
"I don't wanna watch a movie. I... wanna look at you... and that's it." Your nails gently scratch the back of his head, eliciting a tingly sensation that makes chills run down his spine.
"That's cool, too," Toji says, turning the TV off again, not caring that it was on for less than a minute before you changed your mind. He sighs, adjusting his position beneath you. Your thighs are secured around his hips, your knees touching the backrest of the couch.
"You're so handsome, my baby. God, look at those eyes," you whisper in awe, before giggling and bringing your hands to his face. You trace the bags under his eyes with your thumbs while admiring the haunting shade of green that scopes on you. Toji's hand comes up to loosely wrap around your wrist. He's not there to stop you, he just wants to move along with you as you observe his face.
"I know I don't say this to you enough, but I find you..." you sigh, blinking slowly, "enchanting..." You lean in and kiss the left corner of his lips—his right, and feel the smooth, tattered skin beneath your warm lips. "and I love you," you mumble into the cicatrix. "So fucking much, baby. And i'm sorry that you'll never know exactly how much because you aren't me." You're looking at him with so much adoration and touching him with a delicacy that can't be put into words. It's a deadly combination, one that has Toji in a chokehold and forces him to soften up even more for you.
He tightens the hold he has on your waist, pulling you closer until your stomach is pressed to his, as a result. You being so affectionate towards him is making him feel really good, and you have no idea because you're too focused on appreciating him. He's subconsciously leaning into your touch, his softened gaze meeting your lovestruck one.
"Fuck. I love you, too, princess," he murmurs, squeezing your wrist in his hand. He pulls your hand down to his chest. "Want you to aim for my lips, this time."
"Okay," you say, smiling before closing the distance between your lips and Toji's. He can still taste the remnants of the wine you inhaled minutes ago, but it tastes much better and a lot sweeter on you. Toji can hear your high pitched little hums as you kiss him, happiness pouring into your kisses. You're trying so hard not to laugh in his face, and trying is the best you can do, right now. You never were good at hiding your smile from Toji. He can't see it, but he can feel the way your lips widen, and he's occasionally kissing your teeth when your sluggishness keeps you from matching his pace. With little pants leaving you, you drag your lips away.
He sighs, frustrated by the loss of your softness against him. "Baby..." he groans, the sound almost whine-like to your ears. He wants more, so much more of you, and you're ignoring him. You're too busy kissing his chin, and his cheeks, and the tip of his nose.
You drag your other hand down to his chest and keep your hands splayed out on it as you let your lips trail his jaw, lightly sucking on the skin. Toji can't help but think about how this version of you will be gone in the morning. You won't be as outwardly affectionate, you'll go back to second guessing every move you make with him and shrinking every time he steals kisses from you, instead of confidently kissing him back like you did a minute ago.
You make your way down his neck, pressing kiss after kiss on him before you move towards his ear. "I love you, Toji," you whisper, kissing the shell of his ear after. "Love you, love you, love you soooo much," you barrage, before throwing him off with a bite to his earlobe. You giggle like a menace into his ear, the warmth of your breath luring goosebumps out onto his skin.
He chuckles, repeatedly squeezing the soft skin of your waist between his hands. "Yeah? Tell me again," he murmurs snaking his hands beneath the back of your shirt. Your skin is very warm, and there's nothing to blame but Toji and that shitty wine for making your body react this way.
With uninterrupted hands, you course your fingers through his hair and lean in to bite him again, this time on his neck. Toji chuckles at how you instantly rush to soothe him with your tongue and a warm kiss, even when you inflicted zero pain on him.
"I love you, Toji," you repeat into the wet indentations you left behind. "My love... my handsome man... I cherish you, you know?"
Toji is practically purring at all the affection you're showering him with. The slurring of your words is blocked out and they remain clear as day to him. He manages to hum a deep little "mhm" to your last statement.
"It's just so hard to talk to you sometimes. You... you're so intimidating, sometimes. I don't expect you to understand..." you divert your gaze to his shoulder, not able to look him in the eyes as vulnerability takes sudden control of your emotions. "It seems like I don't appreciate you sometimes—all the time, but I do, Toji. I do appreciate you, and I can't ever say I love you enough to show it. Words aren't always enough."
Toji catches the waver in your voice and his eyes dart to yours. You're tearing up, and you're trying to still your quivering lips by pressing them together.
"Shit," Toji mutters under his breath. You have the saddest expression he's ever seen and it's messing with his heart. He pulls his hands out of your shirt so that he can swiftly pull you into his warm embrace. "Hey," he coos. You're shaking against him, holding your breath to avoid sobbing. Your lungs burn, but you'd rather feel that than make a scene of your tears. "Don't be sad, mama. What's with the tears, hm?" he murmurs. He can feel your tears dampening his shoulder, but the fact that you haven't made a sound is concerning. "Breathe or you'll die," he says, only half joking. He rubs a soothing palm against your back, his other arm around your waist.
You let out what sounds like a mixture between a choked laugh and a sob, slowly but surely regulating your breathing. You don't even feel like saying anything anymore because you know your voice will give way to even more pity.
"You're more than enough for me," Toji says, his chin resting on your head. "I know how you feel, you know how I feel. We're complete." He can feel the way you scrunch his shirt up into your fists. As if he would go anywhere without you. "I get you and you're stuck with me. Got it?" You silently nod against his shoulder in response. "Sit up and let me look at you."
You really don't want him to see you this way. Your eyes feel swollen and you don't feel presentable.
"I can't..." you say, barely audible. You release his shirt and let your hands go limp behind him.
"Why not?"
"I'm not pretty right now. Don't look at me."
"I'm gonna look at you," he challenges with a teasing grin.
"Toji, don't look at me."
"Too late, it's happening. Plan's already in motion," he says, sliding his arms onto your shoulders.
"Toji, don't-" He effortlessly pushes you off his shoulder and gives you a once over. You look defeated and you're unable to look him in the eyes, but at least he can see you now.
"Don't know what you were so worried about. You look the same but more blush-y." You finally give him your slightly reddened eyes, a soft smile appearing on your face. You look like your sober self. "Yeah, you look the same."
"Are you lying?" You ask, still not regaining the full strength of your voice yet.
"I wouldn't tell you if I was, but no, i'm not lying. You're so pretty." Toji wiped away tears that were stuck beneath your eyes, and you giggled. He washed away your sadness within a couple minutes. Toji always did this for you in exchange for your love and affection. He lifted your spirits when you didn't feel deserving of him, and with time, he got much better at recognizing the signs that came with this ridiculous idea you planted in your head.
"You're done loving on me? Already?" He asks in playful disbelief.
"You're not done with me? Do you actually want more?" You ask, hesitantly.
"Don't want more, I need more," he corrects, returning his hands to their rightful place on your waist. "Get all up on me, princess."
You giggle, leaning closer towards him to peck a kiss onto his cheek.
"Mhm, like that," he says, contently, when you pick up the pace and start smothering him. "Yeah, baby, there you go." His forearms go beneath your shirt, encircling around your bare waist and pulling you close to him like before. "Who's getting spoiled like me?" He says through a grin. You're holding back laughs as he continues to praise you for your affection.
"S-Stop," you say through a wheeze, not able to contain the sound any longer when you looked at him.
"What are you laughing at, huh?" He chases you this time, pressing his nose into your cheek before planting a light kiss into your jaw.
"You're so unserious," you say, turning your head as he keeps going with the kisses.
"Mmm... I'm serious about you," he says, feeling the vibration of your laughter against his grin. "So serious."
Your cheeks feel incredibly hot from how much you've been smiling. In this little drunken haze, things are so good. You're so happy, you're so affectionate, and you talk so much. This isn't like you at all, but it's not hurting anyone, especially not Toji. There was one minor slip, but you moved past it so quickly like the words never left your head to begin with. You're just so simple... so easy to take care of.
Toji notices the way your eyes are starting to lid with tiredness, and while he would love for you to doze off in his arms right then and there, you'd probably prefer waking up in a bed.
"Let's go to bed, yeah?" He suggests.
"What? No! I just got here... We can still talk, and kiss and- I'm not even tired."
Toji grins at the way you fight him on this, and he has half a mind to indulge you when you look so adorable, but he has to stand his ground. He's right.
"But, you are. You can't even hold your eyes open, anymore."
You feel sad again because the rest of the night would be going to waste if you both go to sleep early. You're there to spend time with Toji, and yet you feel like it's your fault your time is being cut short. You're thinking you shouldn't have drank the wine so quickly, if at all.
"Listen, doll," Toji says. He doesn't like the sadness that resurfaces on your pretty face. He doesn't think you should look that way because of him. "We're just gonna go lay in bed. We don't have to go to sleep. We can stay up as long as you want. Light on or light off, whatever you wanna do, let's just move it to the room."
You sigh, still not completely convinced that the night isn't over, but Toji managed to persuade you. "Will you carry me, please? My legs feel like jelly."
"Of course. What kind of person would I be if I let you stumble into the room on your own?"
You sigh, wrapping your arms around his neck and your legs around his waist, your face buried into the crook of his neck. "You'd still be my favorite person, but i'd be a little upset..."
Toji stands from the couch, humming in response to your quiet mumbles.
"...but not really upset. Just a little bummed. Not for too long, though, 'cause I love you, but I would expect an apology from you if I fell down," you draw out.
Toji cracks at your little ramblings. It's a ten second walk from the couch to the bedroom, and the whole time you were working through a hypothetical conflict.
"Yeah? You'd want me to say sorry?" He asks, setting you down on the bed.
"Mhm, and then I wouldn't be upset or bummed anymore," you mutter to yourself as you roll onto your back.
"That's fair. Want the light on or off?"
"Off," you blurt. "Let's tell scary stories," you trill, enthusiastically. You pull the blanket over your lower body until it reaches just below your chest.
Toji makes his way to the bed after turning off the light. He takes his shirt off, and out of habit lets it fall to the floor. "We're not telling scary stories this late at night," he says, joining you beneath the blanket.
"But, they're funny," you say, turning to face him. "I don't get scared, either."
"Depends on who's telling the story. I'm sure as hell not gonna feed you a nightmare, doll."
"Boo," you say, lowly. "Whatever, i'm over it already," you mutter, rolling your eyes.
Toji watches you grow more and more tired as you throw random, nonsensical topics at him. You're taking longer to respond by the minute, and you're dozing off while humming in thought. You shake awake each time it happens and try to keep the conversation going, but Toji just shushes you and tells you to go back to sleep.
"I can see the moon through the window," you mumble, looking past him.
"I know, shh..." he hushes you, again.
"There's only like... one star," you whisper, in awe.
"Baby, come here," Toji says, like he's about to lecture you about the rules of sleep, but really he's just thinking that if his body heat doesn't put you down, he's gonna have to stay up with you until you fall asleep on your own.
You scoot closer towards Toji, tucking your arms into your chest when he reaches out to pull you into him the rest of the way. His body exudes so much warmth, you feel like you don't need the blanket at all.
There was nothing left for you to say when you couldn't see or feel anything but him. It was as if you were gone the second he enveloped you in his arms. You were small to the brink of nonexistence, no longer there to tell him what your surroundings were, or to ask him thoughtless, silly questions. You were no longer there to fight off the sleep he only seemed to bring closer towards you. Feeling his warm skin against you made you change your mind about this invisible fiend that was pulling your eyelids down. You now welcomed the calls to rest from your steady heartbeats.
Your silence gave him the answer he needed, but for good measure, he poked at you with a whisper of, "Ma?" and waited a few seconds for your response. Nothing. He sighed and coiled around you tighter. Thoughts of the night ran through his head. Your soft, yet, occasionally bruising kisses and the imprints of your teeth on his skin, your unapologetic laughter, your certainty in using the pet names that claimed him as yours. He was weak for the amount of times you openly told him you loved him. It was a psychedelic dream, to say the least. One he hoped would continue once he followed you into slumber.
You woke up hours later, completely smothered by your bear of a man. All you could do was stare up at the ceiling, while you waited for Toji to wake up because he was literally breathing down your neck. His arm rested over your chest, his legs were tangled with yours, and his face was right beside your face. You weren't feeling the effects of the wine anymore, and luckily, you didn't have a headache or any signs of a hangover. You were back, which meant...
"What are you staring at?" A deep, raspy voice jolts you out of your thoughts.
You look at the handsome face next to you, and as if your heart can hear and see, it wakes up. "Nothing. Just woke up," you lie.
"Mm... you were staring hard at the roof. I thought it came to life or something," Toji chuckles. You smile, briefly, before looking at the ceiling again.
Toji releases you and flips onto his back, wanting to know what's so fascinating about the space you're looking at. "What are you thinking?" He asks, when he discovers nothing but blank space.
You take your time, not wanting to stumble over your words. Your heart skips a beat when he turns his head to look at you. In the time it takes for you to respond, you both could have gone back to sleep again.
"A penny for your thoughts?" he finally says, following the idiom with a question. "Did I even use that correctly?"
You can't help but laugh, nodding your head to answer his question. "I'm thinking about last night. Sorry if I said anything stupid."
Toji turns his body towards you again, thinking the only thing that's stupid is that he's still staring at the roof instead of staring at you. "You didn't. You were calm, from what I got to see, at least."
"So... boring."
"Not boring," he instantly catches. "You were perfect. You didn't have me running around chasing you, you weren't a brat—it couldn't have gone better, ma." He purposely missed something in his less than brief recount of the night to you. He can think back to the emotions that seeped through your little daze, and your insecurity about outwardly showing him love, all he wants, but there's no way in hell he's bringing that up to you, now. "You ramble a lot," he adds, a soft smile emerging on his face.
You can feel your cheeks warming up. "Oh god," you groan in embarrassment. "That's not- Sorry, that sounds... not so fun. Annoying of me, actually."
"Stop, it was cute," he assures, adding more fury to the blush creeping on your face. "Then you wouldn't go to sleep 'cause you kept seeing stuff outside the window."
You wanted to drown yourself in the blanket. Shame and embarrassment were winning their battle against you, as always.
"That was also cute," he says, watching the way your lips twitch as you bite back a smile. "You know my favorite part, though?" He says, grinning as he leans towards your ear.
"N-No, what?" You ask, trying so hard not to giggle.
"When you kissed me and told me you loved me," he murmurs into your ear like it's a dirty secret.
You snicker, the short sound of amusement evolving into laughter within seconds. You throw the blanket over your face and partially over Toji's face. The sight of your veiled body shaking with laughter lured out a couple chuckles of his own.
"That's funny?" He asks, pulling the blanket down, allowing you to see the sly grin he's sporting.
"A little bit," you respond, smiling— a remainder of your laughter.
"Silly girl. Come here," he says, dragging you back into his arms. There's no reason you should be awake at six in the morning on your day off. "Let's go back to sleep," he murmurs into the crown of your head. "We can go out for breakfast, later."
"Okay," you mumble, eyes shut already as you embrace the natural warmth of his body.
"One more thing," he murmurs. You don't raise your gaze, but your ears are open and you're listening closely. "Tell me you love me."
You didn't expect that, but you weren't going to deny him of such a simple thing. The words were easy to recite because you meant them with every fiber of your being. "I love you, Toji," you comply, immediately.
He sighs, contently, almost like hearing those words revitalized him. "Love you, too, mama."
That went out to every version of you.
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lxnarphase · 1 day
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As a society we need to appreciate Suguru fingerfucking fem!reader as if it was nothing but an everyday task.
yes i have an indifference kink.
━━ ❝ INCOMING CALL : S. GOJO!!! ❞
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☾₊‧⁺...synopsis : suguru isn't going to let a phone call interrupt his wrist work out, especially when he realizes who's calling
☾₊‧⁺...cw : suguru geto x fem!reader ft. satoru gojo, smut, fingerfucking, pre-established relationship, exhibitionism, voyeurism, dirty talk, begging, suguru and satoru being perverts, suguru is a bad influence
☾₊‧⁺...a/n : mmm iM A FREAK !!! sorry i couldnt help but throw gojo in there too for a lil extraness so i hope u like it, suguru is just a big meanie but i love it
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"oh, satoru's calling."
beep.
"hey, satoru, what's up?"
he was annoying. so, so, SO annoying.
only suguru would have the fucking nerve to whine and beg for you to leave the comfort of your soft sheets on the bed on your rest day to sit on the couch next to him while he watches some game show.
only suguru would pat your thighs, muttering a little 'open up, baby' without taking his eyes off the screen, acting as if he's more into it than you.
only suguru would smirk as he slips his fingers inside your soft pussy, humming as he slowly feels you begin to soak his fingers, teasing you on how quickly you get wet for him.
and only suguru would answer his fucking phone to gojo satoru of all people while he plays with your pussy.
"ehhh? you want to come over? but you were just here this morning," suguru hums into the phone, acting as if his fingers aren't swirling circles into your clit. it's so unfair, he's so good with his hands that you aren't sure how you're gonna be able to stay quiet. satoru never knew when to shut up, especially on the phone.
"aww, but i didn't get to see pipsqueak today!"
that makes you huff, annoyance crossing your features. you were not that small! satoru and suguru were just! abnormally tall!
before you can even mutter a snide comment, suguru slips his fingers back into you, smirking when you gasp so sweetly. your gushing all over his slender fingers and he's relishing the tight heat that envelops him.
"aww, satoru," suguru fucking purrs into the phone, not missing the way satoru's teasing comments pause for a moment nor the way you shook him a look. you know that tone, you know it better than anyone.
suguru is up to no fucking good.
"you're right, you did miss her. poor thing was so tired from last night, she needed to sleep in." suguru's focus is back on the TV, voice mischievous as he picks up pace with his finger, wanting to see if he could get you to crack.
"s-sugu," you whimper, a hand coming to cover your mouth. you didn't want to get too loud, the embarrassment of satoru possibly hearing you sounding worse than death. suguru nearly groaned into the phone, feeling how you squeezed on him.
"awww, baby, thinkin' about satoru hearing you is getting you this wet? hm?"
suguru's grip on your thigh to keep you spread for him is firm, his fingers digging into your soft skin as he holds you in place. it's so unfair how he continues to multitask so effortlessly, his phone in his other hand away from his face so he can say such filthy things to you.
it's unfair because it's just making you wetter.
"it's so cute how you get so wet for me, soaking my hand just from two fingers...now shh, baby, i gotta talk to satoru," he coos at you, leaning over to press a sweet kiss to your cheek, like he's not fucking your cunt open with those slender digits of his.
without hesitation, he maneuvers his fingers deeper into the plush, wet heat of your pussy, curling them in a way that made your body arch instinctively as he brings his phone back to his ear, talking to satoru like nothing is happening.
while satoru continues to talk suguru's ear off, you are struggling so bad. it's hard to stay quiet with the way he's touching you. you don't get it, why is he still on the phone? each stroke of his stupid fingers keeps you wound up, unable to think properly, which lets to a sweet whimper leaving you before you can stop it.
"shhh, keep it down, baby," suguru whispers, leaning closer to you, his breath hot against your cheek. "we don't want satoru to hear what a naughty little slut you're being for me, would we?" he's so cruel, his words only making you shiver at the thrill of the situation. feeling you clench on his fingers, he hums curouisly. "oh..? maybe you do. you wanna have satoru hear you get your pussy played with?"
you shake your head, not wanting to deal with the endless teasing from suguru and satoru from being in this situation. but while you was keeping your mouth shut, your pussy betrays you. you're so wet, the sounds of your cunt gushing and sloshing around his fingers start to get picked up by the phone, and satoru noticed.
he could fucking hear the wet slick noises of suguru's fingers messing up your soft slit, and the sound stuns him into silence. he glups, something suguru hears and can't help but smirk about.
he's got the both of you exactly where he wants you.
after a few moments of silence, satoru clears his throat.
"i-is, uh...is she there?"
he's...he's curious, so curious to see if suguru will keep playing this game, keep pretending like he's not fucking you open with his fingers so good that he can hear it through the phone. shit, he's getting so hard from this, he feels like a fucking perv.
suguru's eyes flash with something dangerous at satoru's shaky words, his smirk turning almost evil. you want to glare at him, do something for putting you in such an embarrassing situation, but you just can't. not with how good he's making you feel and how the thought of satoru hearing you makes your walls clamp on his fingers.
suguru maintains his composure, fingers never faltering their movements in and out of your dripping cunt. "mm, i dunno, satoru, what do you think," he asks coolly, his voice a seductive blend of mockery and affection.
"suguruuu, h-he's gonna hear me," you whimper as your arm reaches out to grip his wrist, trying to stop his fingers from moving anymore. it was so messy sounding, your face was on fire. god, why did you have to get so wet from suguru being so mean?!
your breaths come in ragged gasps, hips moving instinctively against suguru's hand, unconsciously seeking more. you just can't help it, he's playing with your pussy so good, it's making your brain mushy.
the squelching sound of your slick wetness is unmistakable to satoru. on the other side of the phone, he's got his phone squished against his ear as much as possible, desperate to hear all of your noises. he's...he's hard, but he can't touch, not yet, he doesn't want any distractions from this.
"fuck, i-i can hear her, suguru...i-is she really wet?"
"mhm. she's dripping, 'toru, all over the couch."
without missing a beat, suguru moves the phone closer to you, continuing work his fingers inside your dripping slit. if you say anything, he'd just smirk at you and say he's just repositioning so his hand doesn't hurt.
but you know he's moving it closer to give satoru a better chance of hearing all your noises. and it just makes you squeeze on his fingers, your juices dripping down his wrist.
"here, angel. talk to satoru for me, yeah?"
...oh, what the hell?
your brain is already fucking melting out of your ears, you don't even think about what would happen if you take the phone. your hand trembles as you take the phone, the other hand clutching at the couch cushions for support.
the moment you bring the phone to you, you can hear satoru's excited breathing, the anticipation practically radiating through the speaker.
"h-hi, satoru..." you manage to greet him, voice breaking as suguru finds another sensitive spot within you, his free hand now pressing down on your tummy as he really starts to fuck you with his fingers.
"h-hey, sweet thing," satoru tries to purr, but it just comes out like a desperate sigh, a mix of curiosity and arousal clear in his tone. "you...you sound so pretty..."
suguru doesn't relent for a moment, his pretty fingers plunging and twisting inside you. sure, he wants you to be able to talk to satoru, but that doesn't mean you have to be incoherent. no, he wants you to be unable to hold back those moans from him.
who cares if his best friend is on the other line?
"c'mon, princess, tell him how you're feelin'," suguru whispers into your ear, his breath hot against your skin. "let him know how good 'm makin' your pretty pussy feel right now."
his voice sounds so good in your ear, your grip on the phone tightening as you try to hold onto the last shred of your composure.
"s-sugu, don't talk t' me like that, fuck, 's so embarrassing..."
he knows you don't mean it, not when he feels your gummy walls clench on him like that. you like it, you like when he's mean, when he makes you talk to him and tell him how good he's making you feel. but it feels even better because you know satoru is gonna hear how good suguru, his best friend, makes you feel with just his fingers.
the sensation of suguru's fingers, slick and sticky with your arousal, moving relentlessly inside your soft pussy and pressing against that fucking spot that makes you gush all over his hands, is making having any coherent thought nearly impossible.
"s-suguruuu, i-i can't, 'm gonna—!"
on the other end, satoru bites his lip to muffle his groan, the mental image of the scene flashing in his mind. his mind is going blank as the wet sounds of his best friend's fingers and your labored breaths and broken little moans fills his ears.
but then, they stop.
you let out the prettiest little moan and satoru feel his cock throb in his sweats, the feeling of precum leaking out making him shiver.
god, he wants to hear you like that all the time...
"s-suguru, why'd you—?"
"are you coming over or not, satoru? wouldn't you rather see her than hear her? if you come over, i'll teach you how t' make her squirt."
that seems to be all it takes to get him to keen, a high pitched and pathetic whimper coming from satoru's end of the call. who knew suguru could get the strongest to make such a sound just from a simple set of words?
"i'm on my way right now, please, don't let her cum without me there."
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all rights reserved © lxnarphase | do not repost, copy, translate, or alter my work
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monstersflashlight · 2 days
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It’s finally here, I know I’ve been teasing with this story for weeks but life has been hectic and I wanted to do some requests, but here it is, the forest entity story. Hope y’all enjoy it!
The tree-hole debacle
Forest entity x fem!human || very light dub-con, tentacles (more like vines), bondage, squirting
Oh no. Oh, no, no, no... You kept chanting in your brain. You were trying to reach the fucking shiny thing you saw in the tree's hole and you got stuck. In the middle of the forest. All your torso inside a tree-hole and your legs kicking the air. You couldn't get out. You were stuck. You felt like you were living your own bad porno. Fuck.
You always knew your eagerness to pick stuff in the woods would bring you problems, but you never thought it would be in the shape of a tree. A fucking tree. You were just walking around the forest trying to find some good pieces to build some more fairy jewelry, who knew you could get stuck in a tree. And now you didn’t know what to do, how to get out. A spark of anxiety was creeping up your back. What if you died there? What if they found you dead in a tree-hole? They would think you are a weirdo. Well, in that they wouldn’t be wrong, but that would be so embarrassing. News would say something along the lines of “young girl found in a tree”, and that would be awful in so many levels. God damn it.
You tried crying for help, but you knew there wasn’t anyone coming, you never followed the path, confident you’d find your way back. And you always did, you have some kind of sixth sense about these woods, they called to you. And well, now you called whoever was listening to get you out of that damn tree-hole.
When you felt something creeping behind you, you started kicking your legs, trying to scare whatever animal was close. You didn’t want to be attacked by a random wolf or something. You didn’t even know what kind of animals could roam the forest, you were so careless in the way you explored the woods without thinking about it. You felt like a dummy now, a completely dumb woman who was now stuck in a fucking tree.
Something behind you let out a growl, you started to panic, moving your legs faster, making sounds to scare it away. A light caress to the back of your leg made you twitch, your whole body reacting with full on panic. But before you could scream, you were hanging out upside down, roots embracing your body. You were suspended in the middle of the woods, a weird creature made of leaves and some kind of mud in front of you. He slowly shook your body up and down, making you bounce in an uncomfortable way.
Your confusion, added to being upside down, made your head feel all kinds of dizzy. The roots around you seemed to come from everywhere, like he could control all the things around you. What was he? He answered you without having to verbalize your question: “I’m the spirit of these woods, and you, human, were asking for help. I came.” His voice sounded deep, like if he was talking from inside a cave, an echo of a real voice. Your body shivered.
“I- You- What?” Your confusion at everything happening was making your head spin. He turned you around, hanging you in an upright position this time, your feet still far away from the ground.
“You were screaming, the little creatures came to find me. And here I am,” he explained. His matter of fact statement made you think he was crazy. Maybe you were crazy. Maybe you did die inside that damn tree-hole and all of this was just an hallucination.
“Thanks?” You didn’t know if that was the correct answer, the vines and roots around your body wouldn’t stop twitching, touching, careful not to touch any of your most vulnerable parts. But hey were exploring everything else, caressing your hair, your cheeks, your legs… “Can you put me down?” You asked.
“No.” That instant denial should have scared you, but weirdly enough, you didn’t feel fear or panic anymore. Your body was calm, your mind completely quiet and relaxed. What kind of weird mojo was he doing to you? “You asked for the help of a forest spirit, you need to repay your debt now.” You looked at him expectantly, trying to convey you needed more explanation. He didn’t say anything.
“What the fuck does that mean?” You finally asked, a spark of anger rising inside your chest.
He nodded as if your question was answered like that and said: “I will take you now.” The vines around you started to pull at your clothes. You struggled against the hold, but they were so strong and tight that you could barely move some millimeters.
You struggled harder, screaming at him: “What? No!” You looked at him with all the fire inside of you. If looks could kill, he’d be killed right there, right now. But it wasn’t the case. He just looked amused at your struggles. But he stopped the vines from moving, some of them hovering over your tits and mouth, so close you could smell the petrichor smell they emanated. It was intoxicating.
“You have to pay, human. The balance must be restored.” That made no sense to you, he talked about restoring balance as if you had a debt with the forest or something. What?
“But I didn’t ask for your help.” He looked back at you skeptical, his dark eyes so expressive even though he didn’t have eyelids or brows. His face was so weird, but enthralling at the same time. “Okay, I did need help, but I don’t- I don’t want to have sex with you,” you lied through your teeth.
The truth was that you were aroused, the vines around your body were making you all kinds of horny. You always dreamed of being tied down, of being at the mercy of your partner as they took their fill off you. And without knowing it, he was restraining you, making all your fantasies come to the surface and making your pussy tingle. But you weren’t going to say that to him.
“What is sex, human?” The question caught you off guard, how could he not know what sex was?
“You… You said you’d take me.”
He was looking at you intently, like the answer to your unasked question was obvious and you were just dumb. Maybe you were. “I’ll give you pleasure so your juices can fertilize my forest,” he explained. You could what?
“You what? Fertilize? What?” And then it clicked. “You want to make me cum?” It seemed so random you couldn’t fully process what that meant.
“I believe that’s how humans call it, yes.”
You argued with the angel in your head, but the demon rapidly won the argument and before you could process it fully you were saying: “I- I- Okay.” Your voice was barely a whisper but he nodded and the vines around you closed more firmly against your body, making you shiver. It was weirdly comforting to be held so tightly.
You clothes were pushed away, thrown carelessly to the ground and you found yourself wrapped in vines and roots, suspended in the air. He opened your legs fully, exposing your holes to his eyes. He approached you then, his weird face close to your pussy, but not touching. The leaves around his head tickled the inside of your legs as he inspected you, his breath cold against your heated skin. You whimpered, being exposed to him so openly was embarrassing beyond belief, but the juices dripping off your cunt were even worse.
He reached around him and took some kind of leave, different to the ones covering his head. He squeezed it until a clear substance formed. He coated one of the vines with, the vine shifted into a wider form, cupping your whole pussy, coating it with the substance. At first, you felt nothing, but suddenly scolding heat ran through your body and you came. Just like that. You came faster than ever, he didn’t do anything, he didn’t touch your clit, your entrance… He just put some magical liquid over your cunt and made you cum. What the fuck?
You didn’t get to catch your breath before another vine was proving your entrance, making you moan loudly as it pushed inside. Two more vines appeared, framing your boobs and squeezing, some leaves playing with your nipples at the same time. The pleasure was maddening. The combined sensation of the vine entering you and the leaves was so overwhelming that you came again. This time your scream was cut short when another vine pushed against your asshole. Surprise and arousal made you arch your back, which was fruitless, the restrains on your body so tight you couldn’t move at all.
He was still close, observing the vines playing with your body, controlling everything but not touching you. You felt dehumanized, you were just a means to an end for him. And that made you hot. You could be anybody, everybody. He didn’t care. He just wanted your juices… And he was milking every drop off you.
The vine on your pussy pressed against your G-spot, the sensation too rough and raw. Some more juices gushed around it as you came again. He hit and probed and pushed and made your mind go blank as he transformed your body into a pleasure machine. You came, and came, and came. You were sure there was a river down your legs at that point. You were crying, tears running down your face as he assaulted all your sensitive areas at once. Your body felt like an exposed nerve.
When you thought you couldn’t take anymore, he pushed a new vine in your already overflowing pussy. You saw stars as the vines inside of you intertwined. You were so full, so sensitive, you couldn’t stop crying in pleasure, your voice long gone.
And then something inside of you broke completely and you were peeing. Peeing? No, squirting. He made you squirt. Your juices flowed over him, showering his leaves like summer rain. You ascended to another plane, the pleasure beyond human realm, the orgasm so good your brain broke a bit.
He stopped abruptly, his leaves shiny and his face contorted in some sort of a grin. “That would be all, human. You paid the debt to the forest.” You blushed deeply as he lowered your naked body to the ground, a bed of moss forming under you. “I’ll see you soon,” he muttered as he disappeared before your eyes. The earth literally swallowed him.
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nathaslosthershit · 3 days
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Tensions Fall (Teen Dad!Oscar AU)
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(part 2 to Tensions rise, also apart of this AU although these two fics can be read separately)
A/N: 7 weeks since the once happy couple have actually talked. 7 weeks since they shared a bed, but with their two toddlers starting camp for the first time, maybe they can try and mend their problems.
Warnings: Parental separation, a super mean mom like the ones I have to deal with at work, angst WITH A HAPPY ENDING
May 28, 2024
It had been 7 weeks since the fight in Suzuka that effectively ended Oscar and Honey’s relationship. It had been 7 weeks since Oscar had taken a leave of absence from racing in order to try and make amends with his family. He still trained everyday, he still worked with McLaren and did Sim Racing, he just never attended any of the Grand Prixs. 
It had also been 7 weeks since Honey and Oscar had shared a bed. 
Since that night she left their room, she had stayed in her kids’ hotel room till they got home. She then packed her things and moved into the guest bedroom. Things had been far from amicable between the two parents. In the beginning, Oscar had done all he could to try and make up with Honey but when she continued to give him the cold shoulder, he had given up and reciprocated her attitude. The children, about to turn 4 years old, didn’t know the full extent of what was happening at home. They knew that when they would go to their parents’ room in the morning, only Dad would be there, but this was easily explained away when Honey told them that Oscar snored too loudly and it kept her up at night.
They had of course also noticed how different their parents had acted towards each other, and how often their father was home now, but they just didn’t question it because at the end of the day, they were too young to begin to understand, and they still had two parents who loved them as much as they could.
Since the fight though, it was clear Oscar was making much more of an effort to take his kids out to do activities. At first it was nice, Honey got some time alone, something she rarely got anymore, but the more Oscar took over planning activities, the more she began to hate being alone. After three, almost four, years of being around her kids almost 24/7, the silence started to eat away at her. And in turn, her kids started to miss their mom more. 
Finally though, Honey had put her foot down, after a long conversation, ending in a fight, Oscar had agreed to more full family activities, even if it meant having to pretend with Honey that they were still the happy and perfect family. 
While their kids loved going to the park as a family, any parent around could see that the two parents watching their twins on the bench were fighting but trying so hard to conceal their whispered harsh words behind smiles. 
With the twins' fourth birthday coming up on June 8th, Oscar and Honey had been stressing on how they were going to plan their birthday while they couldn’t get through a conversation without being at each other's throats. They also had the kids’ first day of camp coming up May 29, a day that may seem insignificant to most parents, but as the kids had never been to preschool, nor a daycare, camp was their first introduction into that whole system. It was a big step for everyone.
Honey had been trying to prepare the kids the best she could for their first day at camp. She knew they didn't fully grasp the concept and she was nervous about leaving them alone, scared they would feel abandoned as child-care with non-familial adults wasn’t something they had experienced with their mother being a stay at home mom, only ever enlisting help from grandparents, cousins, and even ‘honorary uncles’ such as Logan and Lando. She had to keep telling herself that in the end, they will at least have each other. 
Oscar and Honey decided to make a day of it. Camp wasn’t until 9, so the pair took the very excited Hudson and Frances out to breakfast where the 3 year olds managed to cover themselves head to toe in maple syrup and chocolate from their pancakes, causing them to have to rush home to change, thus leading the family to a late arrival to the preschool building that the camp was held in. 
“We are so sorry, oh my goodness!” Honey said to one of the two teachers who were clearly waiting for them outside the door to the classroom.
“We decided to take these two to breakfast and they got more food on their clothes than they did in their mouths. Which reminds me, I added two extra changes of clothes to their bag in case they need it.” Oscar added, causing Honey to shoot him a glare that was luckily not seen by the younger of the teachers, as the younger teacher was too busy ogling at Oscar to notice. It was her that added the clothes to their bag, it was also her idea, he was being petty by taking credit.
After a few moments of silence as they waited for the woman’s reply, she managed to snap herself out of whatever daydream she was concocting only minutes after meeting the young father in front of her to reply with a quick, “No problem! We know how these kids can be.”
The older woman next to her clearly could sense her coworker was a little two focused on one of the parents and pointedly urged her to take their bags to their cubbies while she sorted the family out, which Honey was grateful for. She may have not been with Oscar anymore but that lady didn’t know it and had no right to eye fuck him in front of her and her children of all people. 
“Why don’t you all say goodbye out here, we are just about to start morning meeting with the other kids.” The older woman said as she stepped to the side to give the family privacy, thought she was close enough to hear all they would say.
Oscar and Honey both felt tears begin to form as they squatted down in front of their kids. 
“Alright, Mommy and Daddy have to go now, but you both are going to stay here and make some new friends. I know this is new and might be a little scary but if you guys get through today, we can all go get ice cream later. How does that sound?” Honey asked, nervous one of her kids was going to break down in tears at any moment. 
“Okay! Bye Mommy, bye Daddy!” Frances yelled as she ran through the open door to the classroom, clearly ready to get started.
Oscar and Honey weren’t necessarily shocked at what their very clearly extroverted daughter had just done, but they still had expected a little bit of pushback from her. They could see the older woman by the door laughing softly to herself at that interaction. 
Their son, Hudson, was less enthusiastic. He didn’t cry, which they had fully expected him to, but he gave them crushingly tight hugs, or as crushing as he could manage, and a quick kiss on the cheek before following after his sister.
Wiping away tears, they both stood up and laughed once they looked at each other's faces, realizing they were both far more of a mess than their kids.
“Wow, maybe we should have been giving ourselves pep talks for weeks instead of them” Oscar joked. Honey laughed, it was the first normal interaction they had had in what felt like forever. 
The older woman, still by the door, quickly joined in, “Oh don’t worry, we find parents are usually the ones with the most trouble at dropoff, but that moment they find you both after a day of camp or school, you will feel just how much they missed and love you. Plus you two are young, you’ve got plenty of more time to make more of those babies. You have grown yourself a real sweet family by the looks of it. Relax for a few hours! Enjoy the time off, maybe even add to your family.” The woman said, laughing, as she closed the door.
“Did she really just suggest we go make more babies?” Honey asked in disbelief.
“I think she did, yeah.” Oscar answered, just as confused as she was. 
The air felt light as they both walked to their car, relishing in how nice it was that they weren’t arguing, realizing how miserable they had been.
But that didn’t last long. 
“Come on, Oscar, you can’t be that dense! She was so clearly eye fucking you!” Honey argued. The conversation in the car had been light for a few minutes until Honey made a comment about the younger teacher and unintentionally started an argument.
“She was not! And if she was, who cares? We aren’t together anymore, you can’t get jealous over something as trivial as someone who thinks I am attractive. Sometime in the future I will get a partner so you better learn to stop being jealous.” Oscar yelled. He didn’t mean it of course, he knew even if he and Honey never got back together, he would remain single. She was the only one for him.
But what he had said, wording it in a way that made Honey fully think about their situation really tore her apart. Yes, they were separated, but she never felt like they were fully broken up. And from what he said, it sounded like he planned on moving on much faster than she ever would.
With tears rolling down her cheeks, she decided to not dignify his comments with a response. Once exiting the car, she swiftly went to the guest room she had been staying in since the separation and slammed the door.
After a few minutes in the car, Oscar had mustered up the courage to apologize, knowing what he did was uncouth. Hearing her cries as he walked up to her door made him stop just short of knocking, deciding maybe it was better to give her a bit of time for now and come up with a way to make it up later.
After two hours of contemplation, Oscar had decided to get a lunch reservation at her favorite restaurant that always had a live band playing. It was impossible to get a day of reservations but with a bit of bribing, he had managed to pull it off. What was also nice about the band was that they could sit and eat silently without any awkward silence. If they were going to fight, they didn’t need to speak. 
She wasn’t crying when he knocked on her door, having managed to seemingly get all her emotions out in the two hours by herself, then clean up to look presentable for pick up. But now she felt empty, like a shell of a person in a house with a man who once loved her to pieces but now seemed to despise her, and no kids because they were away at camp. 
“Come in.” Was all she said.
“I um, I got us a reservation to your favorite place. I understand if you aren’t up for going- or if you’d like to go alone, but I did kind of bribe them so one of us at least has to go, I fear.” Oscar muttered out fast, clearly sensing the awkward energy between them, not knowing whether they were going to ignore the fight or not.
But Honey’s heart burst at the idea of him trying so hard to get into her favorite place. She always urged him to use his name to get into places, like Lando loved to do, but he was always too humble to do it, so it meant even more that he had this time. 
“That… sounds wonderful. Thank you, Oscar.” Was all she said as she started to tear up again but quickly turned so he wouldn’t see. “Let me get my stuff and I can meet you in the car.”
The energy in the car wasn’t light like it was before, but it also wasn’t heavy. A comfortable silence stayed between the two until it got too much for Honey and she burst out into tears, seemingly unprompted. 
“Darling, what's wrong? Are you okay? Are you hurt?” Oscar asked, openly concerned for her well being for the first time in what felt like years.
“I c-can’t take it, Oscar! We used to have so much love for each other, god, you used to look at me like I hung the stars in the sky, now you can’t seem to look at me for more than a second without realizing how much you hate me now. Then after saying you are going to move on to someone else- you do this really sweet thing and I am- I am so confused and hurt and don’t know what to think or do!” Honey rambled, everything truly coming to the surface. Everything she thought, everything she felt, everything she had tried too hard to push down and pretend wasn’t there.
“Honey, I have never hated you for even a second,” was all Oscar was able to reply as he registered everything she had just said.
“What?”
“I don’t think I am capable of it. Truly. I have tried so hard to be the best I could be for you after the fight. I stopped racing, I planned more activities with the kids, but I couldn’t do anything right. I let rumors continue about you making me stop racing, which I wanted to stop but was told to leave alone. I took the kids to do activities and left you out too much. When you continued giving me the cold shoulder, I gave up when I should have kept fighting. I then tried to love you less, to make it hurt less, but I couldn’t, even if I acted like a dickhead to you. I am so sorry, Honey, and I would never in a million years be with someone else, even if you had an entire other family and were happily married. You are it for me, always have been, always will be.”
With all finally being said, the two went to lunch happier than they had been in weeks, ready to work on their relationship. It was surely not going to be easy, but how they had been these past two months had broken them enough that they were certainly willing to try. 
Near the end of the meal though, things once again got tense. These two couldn’t catch a break it seemed.
Zak Brown, CEO of McLaren, called Oscsar out of the blue and as the phone rang, Honey’s heart sank, awaiting Oscar’s reaction.
“Shit, I should get thi-” 
“It's okay. I promise.” Honey said, already feeling doubt beginning to creep in.
She couldn’t hear much of the conversation as Oscar quickly walked out the door to talk to Zak. He was also turned away from her so any chances of learning information by reading his facial expressions went out the window.
Finally, he returned to Honey biting her nails waiting for what he would say to her. She already started to panic thinking he could have to go to work, race again, and this vicious cycle would never end, that nothing would ever be right between them.
“What did he want?” She asked.
“Asked when I would be ready to come back to race. I said I didn’t have a date in mind. He told me to come in next week for a meeting on it, but I said I wouldn’t make a decision without talking to my family. I am not going to lose you all over this.” He reassured her. 
Honey smiled, doubt leaving as quickly as it had come. Until she herself got a phone call, this time from the camp her kids were at. Stressing that they had missed pick up, she realized after checking the clock that they still had an hour and a half. Confused once more, she answered the call.
Being told on your kids' first day away from you that there was an issue you needed to go deal with immediately, that you needed to fill out both incident and accident report forms wasn’t something that the young parents had envisioned for themselves. 
Rushing to the classroom, Oscar and Honey saw both of their kids crying in the hallway with the older teacher when they arrived, accompanied by another mother and her upset son. Concern laced their features as they took in both their kids, looking for any hints of injury on the two, but they seemed fine, apart from the crying.
“God, don’t tell me these two kids are the parents, no wonder this happened.” The other mother muttered under her breath. Before Oscar could question her, the older teacher spoke up.
“It seems there was a problem between the kids today.” She began, clearly trying to mediate the situation before it got ugly between the parents. “Mattias here stole a toy Hudson was playing with and pushed him over when he tried to get it back. In turn, Fraces bit the Mattias. It didn’t even leave a mark so I know it wasn’t hard, and both kids got a talking to as well as exchanged apologies, but it seems that they might need to go home early for the day to recuperate. We will certainly work on sharing and using our words tomorrow.”
Both Honey and Oscar were shocked. While Hudson was quiet and they had been worried it would make him a target in the future, and they knew their daughter was fiercely protective of her twin, they didn’t think she would result to biting.
“Wow, alright. You two, let's discuss this in the car, yeah?” Oscar said, ready to leave the place as he felt the wrath of the other parent glaring at him. “Really? You are just going to walk away without so much as an apology to me and my son? Unbelievable.” The mother scoffed. “This is why young people shouldn’t be parents. Clearly you two need to grow up just as much. I pray your already terrible daughter grows out of this and doesn't end up like you, spreading her legs too young and becoming up a teen mom because of it.”
Both Honey and Oscar were stunned. They had faced backlash before, sure, but never to their face, and never from someone so clearly in the wrong.
“Excuse me?” Honey asked.
“Oh, you heard me.” The mother replied.
“No, I don’t think I did, because what it sounded like was you were asking for an apology for something your kid started, because I am sure as hell my kids do not have sharing problems. Then when my three year old daughter retaliates to seeing her sweet and vulnerable brother being so blatantly bullied, even though she apologized, you believe you and your snot nosed brat deserve anything else. Guess what, we don’t owe you shit. And while you are so worried about how our kids will end up, why don’t you worry about your own child, who clearly takes after his bully of a mother. Grow up, asshole.” Honey retaliated. She shouldn’t have sworn in front of the kids but damn was it wonderful to see the look on that lady’s face. 
Oscar had never been more turned on by Honey in his life.
After the fight, the family of four got out of there as soon as they could, stopping for ice cream on the way home. They hardly scolded Frances more than a “If someone does something mean, you can’t bite them, use your words” to which she replied “Like Momma did with that lady?” 
The kids were playing quietly in their room once Oscar got alone time with Honey. 
“That was the sexiest thing I have ever seen.” He said, arms circling her waist.
“When I went full bitch mode on that lady?” She asked, laughing at the desire so evident in his eyes.
“When you stood up for your family, and cursed that dickhead out.” He replied as he started kissing her neck.
“I’m glad you enjoyed it, I liked it too but in a different way than you did.” She laughed.
Laying on the bed, cuddling as they basked in the love they still had for each other. Oscar managed to ask the question that had been plaguing him for weeks.
“Honey, will you please move back in here and be with me again? I miss you too much.” Oscar pleaded.
“Fine, but you need to work on another proposal. It is only fair since this all kind of started because of you.”
“Deal, this time I will knock your socks off with my proposal, but first I intend on showing you just how much I missed you.” He said as he began to kiss her deeper and more passionately.
Life was starting to get much better. 
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gay-dorito-dust · 3 days
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@thelightofmylife wouldn’t it be funny if I decided to reread your entire HSR writing list again (I in fact did)… lolol <3 I’m still thinking about your response to me btw. You’re very kind 💖💞💗 truly I can’t get enough of your writing and I suppose kind words
No pressure to do this request if you don’t want to, you can also take this ask as an invitation to chat too
( ´ ▽ ` )ノ
ahh! I was thinking ,,,, Sunday + Aventurine + Jing Yuan… and anyone else you would personally want to do …!! Giving them headpats because you love them soooo much!!! And receiving or asking for headpats in trade … <3 i think it’s a universal thing that headpats are <33 so good and lovely and good for showing love ;w;’ <3
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Jing Yuan will gladly accept your head pats, he finds your beaming face adorable as you gently patted his head as though you were being extremely cautious with how you gave him head pats.
He recognises it as your primary display of love after awhile and would create a routine where he would just sit himself in front of you, claim that he was meditating, and closes his eyes and waits until he felt you begin to pat him on the head and mutter ‘soft floofy hair’ under your breath as he fights back the urge to smile.
You really do want his heart and he didn’t want to go back to a reality where he did not know the power of your comforting head pats.
Someone could’ve been looking for him about something serious and when they’ve enter the room, they are greeted to the sight of him him dozing off all the while getting treated to some well deserved head pats from you.
A bird popped out of his hair once during a headpat session and you were scared off of giving him head pats for a while in fear of having another tiny bird fly out from his hair. Jing Yuan was a sad man that day and would stop fucking pouting until Yanquing asked you to put him out of his misery and give Jing Yuan his head pats, he couldn’t train with a moody general who didn’t get his daily head pats.
Jing Yuan wasn’t afraid of giving out headpats of his own. He gave Yanquing a couple in the past but he used them sparingly. You however, you could have as many headpats as you’d like from him and Jing Yuan wouldn’t complain, especially not as he got the chance to watch you melt under his touch to the point you were practically cuddled into his side with a look of pure content written across your face.
So if he were to see that you weren’t having the best of days he’d immediately start giving you headpats in hopes of making you feel better. Jing Yuan’s logic was that seeing as how your headpats always helped make his day just that little bit brighter. Jing Yuan could only hope that he could pay it forward to you in a way that let you know that he would always have your back, always.
Aventurine leans into your hand as you give him head pats and closing his eyes as he enjoyed any amount of affection you decided to give him.
He needed this, he really did.
At first he was afraid of what the implication meant but now, he would practically sprawl himself across your lap and silently wait until you were done with what you were doing to give him some head pats, whining that you don’t pay enough attention to him.
He wasn’t use to such gentle, loving touch such as yours and now that he’s gotten a taste, he’s become addicted and would always find a way to get you to give him head pats no matter what. He would ask but Aventurine felt as though he was only worth them when he’s done something to earn such affection.
He viewed everything as a transaction and your headpats were no different.
Until you told him one day that he didn’t have to ever ask to receive love and affection, at least not with you and that you would gladly give him headpats just for waking up.
Aventurine cried that night in your arms as you gave him soft, comforting headpats.
Now aventurine demands headpats for practically everything but you didn’t mind as you were more than happy to spend hours on end if it meant spending time with your lover and reassuring him of your love for him. It heals apart of him that he didn’t know needed healing before, you heal him with your unwavering kindness and compassion and he didn’t know how the appropriate way to thank you, other then to give you some headpats himself.
Aventurine’s headpats were soft, gentle, Alamo as though he was scared he was going to hurt you but they were reassuring and encouraging at the same time that made you feel as though you could move mountains.
His headpats were like a silent ‘I love you’ for a singular reason.
He would pat your head three times and linger there for a couple of seconds then patting your head three more times before repeating this a couple more times, even going as far as to adding in a couple of kisses to your face in between. He loved hearing you laugh but he loved it when you shown signs of being comfortable, being safe with him as that was all he wants was to make you feel safe and happy with him because that’s how you made him feel on a daily basis.
Sunday finds your need to give him head pats amusing and will gladly let you do so to your hearts content if it brings you so much joy.
It doesn’t matter if he was busy because Sunday will always make room for you and you head pats no matter what, and will stress the importance to his staff that a specific time slot remains reserved for you and only you because your head pats were pure magic to the Halovian.
His wings would flutter softly and in time with your head pats that you couldn’t help but giggle at how cute the sight was as Sunday tries to get them to stop, but ultimately just accepts that his wings had a mind of their own when it came to you and how reciprocal they were to your touch.
He defiantly needs them after a hard days work and will most defiantly collapse on your lap, wings drooping like a pair of dog ears in tandem to express his exhaustion, and sigh as he felt you begin to softly pat his head.
‘You’ve done amazing today honey.’ You tell him.
‘Thank you my dearest but all I want to do now is relax with you if that’s quite alright with you.’ Sunday said tired and you couldn’t deny him when he was like this, and for the rest of the afternoon you spent cuddled up with Sunday and giving him head pats as his wings tried to match with the pace of your pats.
Sunday does reward you with headpats of your own but they may not come as frequently as you might like but you understood that he was a busy man, when you do get your headpats its mainly when you were on the brink of falling asleep, so often times it felt like a dream. Sunday wishes he could give you as many headpats as you’d like but giving you them while you were half asleep was for the best.
Bonus: when he’s cuddling you from behind, his wings will try and give you headpats but end up hitting the sides of your face, so somethings you’d wake up to a pair of soft grey wings softly smacking you first thing in the morning.
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suiana · 2 days
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(yandere! ghost husband x gn! reader)
In many asian cultures,
it is taught to people to not touch any offerings or money that is left on the ground.
For if you do so,
you shall be married to a dead person.
however, you chose not to heed these warnings and picked up a heavy wad of cash that was left on the sidewalk of a forest.
you picked it up, happily thinking it was just some rich guy who dropped his money while on a nature walk, that you got lucky enough to stumble upon his secret stash.
so you brought it home with you, thinking of all the wonderful things you'd buy with this newfound money you got.
unfortunately, that was just the start of many unexplainable things that begun to happen to you.
"dude can you not close my door?! I'm trying to go on a date!"
you yell at the air, staring at your door which suddenly slammed shut. it had been a few weeks since these events had started occuring. and events as in, random paranormal events. yes, paranormal.
it all started when you found that thick wad of cash on the sidewalk of some asian country and brought it back home with you. you thought you were lucky to have stumbled upon such treasure. like, holy shit that's a few hundred thousand of dollars!
yet the second you stepped foot inside your house, chills ran down your spine and you couldn't help but feel absolutely scared to enter your home.
but you simply shrugged it off, thinking you were just overthinking and worrying over nothing. must be the scary asian ghost stories you heard.
you should've went to the exorcist the second you felt that gut instinct though.
because as the days went by, your lights started turning in and off by itself, your house would be cleaned meticulously even when it looked like a fucking dumpsite a few hours before, and more importantly, you'd start hearing voices of a man who claimed to be 'your husband'.
at first you wondered if you were schizophrenic. holy shit, were you hallucinating right now? why the hell was there this attractive voice that kept on talking to you from time to time?
but it wasn't you being schizophrenic, unfortunately.
for what you were experiencing was very much real. there was now a ghost in your house, or rather around you, that would not leave no matter how hard you tried.
and you came to live with it, until today.
why? because you were about to go on a date with this super sexy guy but then this... this ghost husband wouldn't let you!
freaking slammed the door when you tried leaving! like who even does that?!
"ugh, you're being unreasonable!"
you yell at the air, glaring angrily as you place your hands on your hips. you didn't know where this ghost husband of yours was, but you did know he was near you. i mean, the temperature drop was a clear sign that he was.
"me? unreasonable?"
ah, there he was.
you turn around to face the aur, glaring angrily as you feel your skin prickling. his voice came from behind you and he was whispering into your ear. he always likes to do that, you noticed. speaking from behind.
"yeah, you! dude i just want to get laid!"
you reply in irritation, hands on your hips as you shake your head. you wait for his reply, pursuing your lips angrily before shrieking as you feel him blow cold air against your nape.
"but you have me, don't you?"
"well I don't want you! I didn't know you'd come together with the money! and I can't even use the money..."
you mumble off, shivering slightly as you continue to glare at the air. god damn it, so much talk about being your husband and you don't even know how he looks like! heck, you can't even see him!
"I don't even know how you look like! how could you prevent me from going on a date with this sexy guy-"
in the middle of your complaint, you suddenly yelp as an attractive male, albeit a translucent one, stares right at you, an unamused face as he looks you down.
"well you can see me now."
he mumbles, arms folded across his chest as he glares back at you.
your mouth is dry, cheeks slightly pink as you stare at the man. holy moly! you have a hot husband?!
"holy cow! you're hot?"
"what's that supposed to mean?"
you stare at the male, jaw dropping before you slap your face and look him up and down. he was clad in a traditional outfit, looking expensive and absolutely drop dead gorgeous- well he's dead but... gorgeous!
"damn okay, I won't go on that date..."
you drool slightly, moving away from your door as you continue staring at your ghost husband dumbly, giggling as you walk past him onto the couch.
"of course you won't. you're already married to me."
your husband follows after you, a cold aura following him wherever he went, chilling the area. thankfully the heat in your body helped to warm you up.
"why didn't you show me your face earlier? you're so sexy..."
"well you never asked."
he shrugs before floating over to you and resting his head in your lap. his eyes look into yours, a lovesick expression in his eyes as he traces his translucent hand into your skin, making the area tingle slightly.
you stare down at him, pursing your lips before giggling stupidly and blushing. damn, you really did have a hot husband. even though he's dead, he's still your husband! you only wish he was alive... then maybe you two could get dirty and-
"you know i can still pleasure you right?"
the ghost suddenly deadpans, looking right at you as though he had read your thoughts. you blink at him, not registering his words before you suddenly choke on air and look away.
"oh, are you choking? don't die yet... i like your body heat."
your husband suddenly moves away from your lap, getting up to pat your back in a pitiful attempt to relieve you from your choking fit. all you felt while you coughed was the tingling sensation of cold hands.
"damn you can't just say stuff like that-"
"but you were thinking about it, no? i can hear your thoughts, you know."
you proceed to choke on air again, having yet another coughing fit as your ghost husband continues to pat your back with his cold ghostly hands.
"oh my god just kill me now... this is so embarrassing-"
"no, i already said i like your body heat and you can't die yet."
you immediately shut up, staring at the ghostly male with dead eyes.
before you know it, you're walking to your kitchen to grab a knife to kill youself just to spite him. but of course, you were stopped by your husband who immediately wrestles the knife away from you, smacking your head painfully hard before dragging you back to the couch where he begins to suck your warmth away like a leech.
damn him, maybe you should get an exorcist.
"you know i can hear your thoughts right? you're not getting rid of me."
damn him, you really are going to get an exorcist.
"what? darling i just said no!"
you're getting an exorcist.
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buckyalpine · 2 days
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I'm here for some angst and fluff rn. Bucky being sad no one trusts him after his metal arm is taken off during a fight.
-
Bucky stared at the dark grey metal that fell to the floor with a clank, his vibranium arm no longer attached to his body with just a few pushes to his joint. The fight ended, leaving the soldier lost as he picked his arm off the floor, fingers trembling around the cold material. It felt dead in his hand, the emotional weight of it far heavier than anything else he'd ever carried.
"Did you know they could do that?" Sam asked, eyeing Bucky carefully while he locked his arm in place, readjusting it with a swing. The gold plates shifted to recalibrate, his fingers flexing while trying to silence his thoughts that begin to run a million miles a minute.
"No"
Bucky trudged down the hall, his heart sinking when he could hear the soft humming from inside his apartment, his sweet girl already waiting for him to come home. He usually felt the weight of the world life off his shoulders when you were around.
Not today.
Not when he knew what he really was.
What he had been all along.
He let out a strained breath before rummaging for his keys and opening the door, the smell of tea, sugar and vanilla wafting through the kitchen and living room. He thought about escaping as soon as he toed his boots off, locking himself in the shower and calling it an early night, of course you'd understand but his body won over what his mind was screaming.
Your face lit up as soon as you heard the door creak open, setting down the book you were reading, excited to see Bucky after he'd been gone for days for a mission. Your happiness was short lived as he padded into the living room, the strained smile on his face doing nothing to mask the pain he was feeling. You could see the turmoil in his eyes, waves of emotion crashing over him before he could surface.
"What's wrong, bub" You coo softly, opening your arms for him. Bucky kept his jacket on, avoiding melting into your hold even though he craved it more than ever.
"Do people still think I'm dangerous?" He asks quietly, shifting away from you when he feels you pressed against his arm. Something so soft and sweet as you definitely didn't have any business being near something so terrible, disgusting, murderous-
"What? No baby, why would you say that?" Your heart breaks at the tears that begin to well in his eyes, his nose and cheeks reddening as he suppresses all the emotions that desperately want to bubble over.
"I-I had no idea others would be able to remove it" He whispers, chewing his lip till he nearly draws blood, avoiding your gaze to stare at the floor instead. The fluffy rug turns blurry as tears begin to escape, his throat growing unbearably tight. "M'still a monster" His voice cracks before the first cry slips out.
Your pull him into your chest as sobs begin to wrack his body, letting him lay on you while you wrap him safely in your arms. The feeling of your affection is too much for Bucky, he doesn't deserve it but he needs it; he feels selfish as he allows you to hold him, hiding his face into the crook of your neck.
"What happened, sweet boy" You coo against his hair, running your fingers through his soft locks. He continued to sniffle between whimpers, trying to calm down, fresh waves of emotion holding him down, his metal arm gripping onto the sofa cushions.
His arm was dangerous.
He was dangerous.
"During a fight" Bucky let out a shuddered breath before continuing, shame seeping through his veins. What would you think of him if you knew the people who had healed him still didn't trust him, "We were trying to calm things down. I didn't mean to do anything-I didn't-I was holding back, we wanted to talk things over, she-"
He bit his lip again as it trembled, still feelings the spots that were pushed, sending his arm to the floor, "I didn't even know what was happening. She hit my shoulder in a few spots and my arm fell right off"
You stopped your ministrations, your heart breaking into two hearing the pain in his voice. Bucky sounded so small, like an admonished child scared to tell the truth. He curled himself up further, still flexing his fingers, almost fearful his arm would fall off again without warning. You moved your arms to hug him tighter, wishing you could take away at least half the pain his was feeling.
"I didn't know they could do that" He said with defeat, still softly sniffling while you kissed the top of his head.
"You're not a monster baby" You knew how much work Bucky had put in, how much he struggled to get a hold of his mind again, how long it took for him to learn to trust others, to trust himself.
"Then why" You knew he was desperate hearing the plead in his voice. Why. Why did others still have control over his own body. Why were others still able to do things to him without his knowledge.
Why?
"I wish they'd told you why, baby boy" You brought your hand to gently tip his chin up, making him look at you, "Perhaps they have their reasons. Regardless, your heart is pure, Bucky" Your hands moved under his jacket and tshirt, stroking his bare skin, the feel of your pure hands already soothing his aching heart.
"They don't trust me" He sighed, sitting up again as his mind swirled. You didn't let him spiral for long, straddling his lap while his arms moved on their own to wrap around your waist.
"They do, bub" you shook your head, cupping his cheeks so he'd look at you. "They took you in and healed you because you were worth healing. You deserved it. I need you to remember my sweet Sergeant James Buchanan Barnes is a good man. The opposite of dangerous, a soft, sweet boy"
"Do-do you trust me" His voice was small again, looking at you through his lashes, nervously fidgeting with the hem of the Henley you'd stolen.
"I trust you with my life, Bucky" You took his metal hand, brushing your lips against the gold ridges before kissing each of his cool finger tips. "Every single part of you. Your mind. Your body. All of it"
The mental exhaustion of the day began to take it's toll as his eyes grew heavy, cuddling into you while you rocked him in a comfortable silence. You smiled at the soft snores you heard moments later as Bucky fell asleep in your arms.
"Let's get you to bed, baby" you whispered, gently waking him and taking a quick warm shower before jumping into bed. He was right back in your arms as soon as you pulled the sheets back, the grating voices not so loud any more.
Regardless of what the world though, had you.
A pure sweet angel.
She trusted him.
That had to mean something.
It would be a long road of healing but at least his had his angel to guide him.
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dunmeshistash · 3 days
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do u.... have a collection of half-foot hearing stuff... even just little moments withing the manga like when they cover their ears or when they push them forward (i.e. chil covering his ears for izutsumis eating sounds and half-foot marcille pushing forward her ears to hear the gargoyles)? im doing some headcanons for em :D also i wanna be 100% sure that nothing i say contradicts anything AHEHFFAHHAH thanks so much !!!
There's this extra about ears
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I can't really remember which parts they use their hands on their ears cause I never paid attention to it, I can put the ones you mentioned here plus the ones where I remember hearing was relevant.
Chilchuck hearing the mermaids
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Marcille Hearing the Gargoyles
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Chilchuck covering his ears cause of the eating (I didn't even notice he did that)
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Another interesting thing is that is not only their hearing that's above average, Chilchuck can feel changes in the air current
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ccsainzleclerc5516 · 18 hours
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She’s Not So Little Anymore
Pairing: Lewis Hamilton x reader
Warnings: none, dad Lewis yes pls
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“You’re not leaving the house until you change your clothes!”
“But dad-“ Harper stammered in a broken voice and teary eyes.
“There’s no but, I said what I said. You can go out with your friends after you put some clothes on. End of discussion.” Lewis told his daughter sternly before turning and heading towards the living room.
“I hate you!!” Harper growled bursting into tears and slamming the door of her room.
“Don’t slam the door at me!” He said in a raised tone. Sitting on the couch he sighed and rubbed his face feeling awful because of the argument between him and his fifteen-year-old daughter.
It was not natural for Lewis to yell and get into heated arguments with his daughter. The two have always had a special relationship - she was daddy's little girl for whom he would remove the stars from the sky just to make her happy. Harper loved and was just as close to you as she was to Lewis, but still, her daddy has always been her number one.
But since Harper entered her teenage phase, it has become very difficult for Lewis to accept that she is actually growing up, that she is changing, that she is interested in some other things that are actually normal for her age.
He really was having a hard time facing the fact that his little girl is not so little anymore. That’s why often broke out arguments between the two of them when Harper would stay out too late with her friends, when she would come home late or mention that she had a crush on a boy or for example like today when she would wear something that Lewis thought was too revealing.
Lewis did all this because he loves her too much and wants to protect her, but, of course, the teenager thinks that her father is working against her and that he is "purposely ruining her life".
Fortunately, not long after the argument, you came back from grocery shopping and found Lewis sitting on the couch looking at the switched off TV.
“Hi, baby” You greeted him happily, but you felt a strange energy in the air.
“Hey” He muttered not turning to look at you.
“Is everything okay?” You ask suspiciously, leaving the heavy bags on the hallway floor.
“Everything is fine except our daughter just told me she hates me”
You immediately knew what it was about. You were aware of how much it affected Lewis. You weren't always happy with some of your daughter's behaviors either, but you understood that it was just a phase and that it would pass, but you also understood that it was difficult for Lewis to face it.
You sighed walking up closer to the couch to Lewis from behind and bent down to wrap your arms around him.
“And that is why?” You asked pressing a kiss to his cheek.
“Because she thinks it’s normal to leave the house wearing a short ass dress that doesn’t even have any straps God forbid some sleeves” He says visibly upset and you can’t help but chuckle at him. “That’s not funny, y/n?”
“That’s not, but you are” You say making yourself comfortable in his lap. “You’re being too overprotective of her-“
“Of course I’m overprotective of her, she’s my little girl!” He cuts you off trying to justify his actions.
“Would you let me finish, please?”
“I’m sorry..”
“She’s no longer a little girl, Lew. You have to make your peace with that. Sometimes I don't like her clothing choices or her behavior either, but that's why we're here to guide her. But you forbid her too many things and she sees it as you trying to control her.”
“I just..” He sighs leaning his head against your chest. “I just want to protect her.. I miss the time when she was with me non-stop. We used to do so many things together now she only wants to hang out with her friends.”
“Baby, that’s normal. If it were any different, we would have been worried.” You assure him putting your hands on his cheeks. “You’re still her number one, you’ll always be.”
“Youe ability to calm me down amazes me.” He smiles at your soothing and comforting words. “I don’t know what I’d do without you. I love you more than you know.”
“I love you too, baby” You place a soft kiss on his lips. “Now go and talk to her”
Lewis immediately got up and headed towards Harper's room while you decided to sort the groceries you had brought into the house a little while ago.
“My princess?” Lewis said gently knocking on the door. “Can I come in?”
Almost the same second, the door opened revealing crying Harper who was still sobbing. What Lewis didn't expect was for Harper to give him a tight hug and start crying in his arms.
“Baby, what’s wrong? Why are you crying?” Lewis asked a little worried.
“Because you made me say that I hate you. And I don’t hate you, daddy, I’m sorry I didn’t mean it.” She cried. It stung her as much as it stung Lewis because Harper is aware of how special her relationship with her father is.
“Baby, it’s okay. I know you didn’t mean it. I’m sorry too.” He comforted her rubbing her back. “I don’t like when we can’t talk things out and I hate when we argue. We don’t do that, that’s not us.”
“I know we don’t do that. I don’t like it either” She said quietly.
“It’s hard for me to accept that you’re growing up and that you are no longer my little girl.” He lifts up her head to look at her. “I promise to try to be more understanding of your wishes.”
“Daddy, I’m always gonna be your little girl.” Her words warmed Lewis's heart. She knew what she meant by that. The love Harper has for her dad will always be strong and special and nothing can ever replace it. Lewis was grinning like a child thinking how he is the luckiest man in the world to have the two best girls in his life, Harper and you.
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nyxofdemons · 9 hours
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i cannot get over the way that blitz screams "LET'S GO" like he WANTS to fight with him, like he's ASKING stolas to lash out at him and tell him blitz is right, stolas DOES think he's insignificant and he wants him gone if blitz doesn't accept his feelings immediately, just so blitz has a reason to keep being angry and vent out everything bottled up inside of him.
i think all of this comes back to how blitz would rather people hate him than miss him, because at least then he feels like he's getting what he deserves, and he will actively sabotage relationships to MAKE people hate him so he knows they have a good reason - like his breakup with verosika and everything he did to her. if he GIVES her a reason to hate his guts then he gets to know exactly what it is he did wrong, and it's not just because of who he is fundamentally that's so despicable. i think he's TRYING to do the same thing with stolas here - on some level his anger is justified, of course, but i don't think this is entirely that. i think he's trying to provoke stolas into lashing out at him so they can have a huge argument, and blitz can make him feel as small as he does right now, and if stolas gets angry and hates him for whatever cruel things he's going to say, then blitz gets proof that stolas doesn't really love him, gives his self-loathing monster a taste of validation by knowing he is definitely the reason that all of this fell apart, and reaffirms his own warped self-image that he is incapable of receiving love or creating a good relationship.
blitz isn't expecting stolas to take him at his word - that this is nothing more than sex, and he actually thinks of stolas as nothing more than a privileged rich asshole he HAS to put up with - he's expecting stolas to fight back so blitz can keep yelling. but stolas loves him too much to lash out (at least right now,) and he's so aware of the power imbalance between them and feels too guilty about their transactional relationship to try and argue. HE'S being entirely honest about his feelings (and he's distraught and off his meds), so he's assuming that blitz is being honest, too - he really can't stand stolas, and he's been perceiving their interactions as stolas' classism being malicious rather than simply ignorant, so of course there's no way blitz would ever want to be with him. and blitz can't grasp that stolas genuinely cares, and doesn't want to fight with him, until it's too late to backtrack.
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hxnbi · 2 days
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⸻ ɞ "for you and only you"
them buying gifts for you ﹒﹒wind breaker boys ♡
꒷꒦ pairings: hajime umemiya, jo togame, ren kaji, akihiko nirei, hayato suo, haruka sakura, toma hiragi, kyotaro sugishita x gn. reader (separate)
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HAJIME UMEMIYA | 梅宮 一 ─ ✦ . ⁺ ♡
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A man who goes all out for occasions such as this, but not with the typical pricey gifts and extravagant items many might initially suggest. Instead, UMEMIYA chooses something somewhat whimsical, to the surprise of everyone and, at the same time, no one.
He dives headfirst into his garden, tending to plants with the same care and attention most people reserve for rare jewels. Why? Because in his eyes, nothing says "I love you" quite like a potted fern or a blooming orchid that he’s nurtured from a seedling and shoved into your arms. On various occasions when you would visit Furin, you would, to your surprise, unexpectedly catch your boyfriend with dirt under his nails and a triumphant grin on his face, presenting you with a beautifully grown plant.
"I grew this just for you!" he declares, utterly beaming with pride and happiness. "Don't you like it?!"
You laughed. Of course you did. It's why you fell in love with him, after all. It was like having a child in a teenage guy’s body. Of course, Umemiya loves to spoil you in other ways, too. If you were to ask him for anything, you would get it within a day. You ask, and you shall receive. He's all about giving you little thoughtful gifts on the daily and showering you with attention—his clinginess almost feels like a gift in itself, if you could call that so.
Still, he understands that material items and grand gestures only go so far. A cliche, yes, but regardless, Umemiya's gifts are not just plants—it's the love he pours into every small, thoughtful act. When he hands you a plant, it's not just a simple gift. It's a piece of his heart, cultivated and grown with you in mind. Some might say he’s overdoing it when he shows up with yet another rare flower or exotic herb, all the while practically suffocating you physically with all his affection as the others, like Hiragi, watch with either deadpan faces or in true horror like Nirei, the poor guy can never catch a break. Perhaps he is, but in Umemiya's eyes, showing his true love is never overdoing it. Never to you.
JO TOGAME | 十亀 条 ─ ✦ . ⁺ ♡
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Get yourself someone like TOGAME who pays attention to the little things. Not to say that the others don’t, but there’s just something about Togame that makes you feel truly seen at all times, even if he does initially seem like his mind is off in another dimension. At first glance, Togame might initally appear aloof, his eyes blank and glazed over as if he's contemplating the philosophy of life or trying to recall if he left the stove on when he left home that day. 
He’s got that spaced-out look, constantly unfocused and seemingly lost in his own world. But don’t let that fool you—despite that continually distracted look of his, lies a man who notices and knows everything about you. Never in a creepy way, of course. Because beneath that absent-minded exterior is a man who catches all the little details. Togame remembers your offhand comments, the fleeting glances you cast at little things that catch your eye, and even the snacks you like to munch on during your and his late-night at-home dates together. It’s almost comedic how he can be so scatterbrained one moment and then present you with a gift that’s so spot-on it feels like he read your mind.
It’s impressive and a little baffling to see just how attentive he is. He’ll hand you a beautifully wrapped present and, with a nonchalant shrug, say, “I noticed you were eyeing this the other day.” Meanwhile, you’re left wondering when he even managed to notice, considering he now seemed wholly engrossed in staring at a cloud—but in reality, all he looks at is you and only you.
REN KAJI | 梶蓮 ─ ✦ . ⁺ ♡
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At first, KAJI may appear to know what he's doing, giving off an air of confidence and exuding an aura so convincing that even his own friends believe he's got everything under control and that Kaji had the perfect gift planned out for you. But, oh, if only they knew. Because internally, it is anything but controlled. Kaji is a frantic mess from head to toe and is just barely holding it together. For Christ's sake, Nirei one time even found the second year furiously muttering and cursing out a cluster of innocent plants on the school field, seemingly at being useless sacks of leaves.
Nirei would never understand quite why that happened, nor did he bother to ask, in fear of his potential demise by doing so...
Regardless, Kaji meticulously plans, second-guesses himself, and agonizes over every decision, to the point where multiple times, he would take off his headphones in the hopes of finding total concentration and that maybe, just maybe, an idea would hit him. Spoiler, it doesn't. It was a strategy that only ended in disaster. The sight is almost comical—Kaji, usually so composed, reduced to a bundle of nerves as he tries to decide if you’d prefer a handmade card or a store-bought one. Eventually, he abandons both the plants and his failed attempts at making a DIY gift of his own, pivoting to something that’s more “him.” 
After all his frantic efforts and internal chaos, he sheepishly presents you with a handmade mixtape, carefully curated with songs that remind him of you and your time together. Each track is selected with care, and when he finally presents it, his nerves are palpable. Any kind of reaction that wasn't disgust, he would be happy with. Unbeknownst to even himself. However, your first reaction to receiving it was to immediately embrace him. It's a gift that speaks volumes, even if he struggles to express it in words. A blend of his love for music and his love for you. Because beneath his aloof exterior, and despite the chaos behind the scenes, lies a heart that beats just for you and you alone.
AKIHIKO NIREI | 楡井秋彦 ─ ✦ . ⁺ ♡
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Enter NIREI, the human encyclopedia of your life, with a notebook thicker than a brick and more detailed than your school textbooks. Nirei probably has anything and everything you've ever said written down in his notebook. His meticulous, borderline frantic nature means he doesn't miss a single detail, capturing every word you utter with precision, whether you genuinely meant it or not. Seriously, the guy probably has a section dedicated to your favourite foods alone. 
He’s constantly with a notebook in hand, furiously scribbling down every passing comment, no matter how trivial. To him, it's better to be safe than sorry—after all, he can’t afford to disappoint you, not when he's committed to being your personal mind reader, one way or another. In fact, it would come to the surprise of no one if Nirei had an entire 500-page notebook dedicated solely to you, complete with tabs, colour-coded highlights, and footnotes.
And those who do find out about this "notebook" and read through even just the first page are utterly deadpan at just how smitten Nirei was for you. The hearts in his eyes practically say it all. His dedication to cataloguing your every whim and fancy might seem a tad extreme to the common folk, but to Nirei, it's all in the name of ensuring your happiness. And when he does present you with a gift, it feels almost magical, as if he's read your mind. Sure, it’s a bit unnerving to know that he probably knows your cafe order better than you do, but hey, at least you’ll never have to worry about forgetting your preferences. It's more than just a gesture, his careful attention to detail makes every gift a meaningful token of his affection. With Nirei by your side, it's like having your very own walking, talking wishlist. Even if Nirei isn't strong physically—he can't fight like everybody else in Furin—his meticulous planning and thoughtfulness show just how far he's willing to go in order to make you happy.
HAYATO SUO | 蘇枋 隼飛  ─ ✦ . ⁺ ♡
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Now, let’s talk about SUO, Furin's resident memory master. Unlike Nirei, who hoards notebooks like a squirrel hoards acorns, Suo relies solely on the immense storage capacity of his brain to keep track of every single detail about you, retaining it all in his memory alone.
His mind is like a steel trap, capturing every little detail about you, his significant other. He can effortlessly recall every conversation, shared moment, and quirky little habit you have and stores it in his memory, all the while keeping it secret behind that enigmatic smile of his. He's a mysterious man, even to you, but you can always tell his intentions are pure, no matter how initially suspicious he may be.
Some might call it borderline telepathic, but to Suo, it’s all just part of being deeply devoted to you in his own way. When he comes to you with a perfectly timed gift, it’s not because he’s some kind of mind reader (although it sometimes does feel that way). It’s simply because you’re the most important thing in his world, and he’ll do whatever it takes to make you happy, even if it means sacrificing a little extra brain space for the cause—as if that’s even troubling to him. Gifts from Suo are always a surprise, even to you. He hides things incredibly well without you knowing a thing. But it's not without a touch of mischief, considering all the pranks and teases he often likes to pull. You frequently find yourself asking him, "How did you even know I wanted this?" only for him to aloofly reply with a cryptic smile or an offhanded comment.
"Oh wow, Hayato, how did you know I wanted this?!"
"Oh, I just happened to notice when I saw how your face lit up at the sight of it the other day."
"I- wha- …you got it from just noticing my reactions?"
"Of course! Who would I be if I didn't notice such a thing from my significant other?"
"A stalker..."
"Now now, don't be like that!"
HARUKA SAKURA | 桜 遥 ─ ✦ . ⁺ ♡
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Anyone and everyone with ears that day who are unlucky enough to cross paths with SAKURA that day would no longer be the same after getting a panicked earful from his guy. Just imagine him, frantically running around like a chicken with its head cut off, who turns gift-giving into a mission worthy of a military operation, and that is Sakura Haruka. 
He’s the guy who interrogates his friends about what to get you, practically hosting a roundtable discussion as he frantically brainstorms the perfect gift. Picture him pacing back and forth, sweating bullets, and badgering everyone in sight for advice. He consults everyone he knows, hoping to find some idea of the ideal present that will light up the smile on your face—one that he has grown to love and cherish. Sakura's desperation knows no bounds; he's calling up acquaintances he hasn’t even bothered to speak to until now, just to get their input on this seemingly not-important dilemma. But once the dusk settles and he's had a moment to gather his thoughts, Sakura is the one to make the final call. 
And in the end, he gets you a gift that is perfect and oh-so-thoughtful. The effort he puts into his choice shows just how much he cherishes you in his life and will continue to do so. It's not just a gift; it's a heartfelt expression of his love, chosen all with the intention of making you smile. Though he will never admit to you how long it actually took for him to get that singular gift for you. Not even on his grave.
TOMA HIRAGI | 柊登馬  ─ ✦ . ⁺ ♡
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Poor HIRAGI, who, at first, dives headfirst into the idea of gift-giving with all the enthusiasm in the world. He's got that determined look in his eyes—a look enough to scare off any middle-schooler within a mile—ready to craft the perfect present for you. Fast forward a few hours, and he’s surrounded by a chaotic mess of craft supplies, looking at his creation with dawning horror. Realization hits him like a pound of bricks. The gift is utter garbage, something you’d never like... Hiragi first tries to salvage it, maybe gluing on a few more sparkles or attaching a heartfelt note, but deep down, he knows it’s a lost cause.
His mind goes into overdrive, perhaps popping more than a few nerve pills into his mouth as he hurriedly rethinks his plan, determined to make things right. In a moment of panic, Hiragi scrambles to come up with something better. His mind races, and he quickly pivots to Plan B. He ditches the failed craft project and decides to give you something far more meaningful—a date, an entire day planned around your favourite activities.
From a breakfast at your favourite cafe to a scenic walk in the park with an amazing view of the sunset, followed by a movie marathon of your beloved films, this time, he is confident. Hiragi pours his heart into creating an experience rather than a physical gift. It's a corny move, sure, but his dedication to making you happy shines through.  Your happiness is the true present Hiragi strives to provide and cherish with all his heart. Ultimately, it's not the material items that matter but the love and effort he puts into spending time with you. His actions speak louder than any physical gift ever could.
KYOTARO SUGISHITA | 杉下京太郎  ─ ✦ . ⁺ ♡
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To him, this was something not to be taken lightly. Thus, his plan was put into motion. SUGISHITA's quest to ensure perfection involves quiet observation that borders on creepy, with intense staring sessions that would make even the most seasoned blush just to get the perfect gift for you. You can practically feel his eyes boring into you as he notes your likes and dislikes, all while maintaining an innocent facade—at least, in his eyes. From your perspective, you beg to differ, but you let him have his moment. Through this, Sugishita tries to gather intel on your favourite foods, movies, and even the type of socks you prefer. His dedication to the art of gift-giving is both impressive and slightly unnerving, but hey, it’s all in the name of love, right?
And when he finally presents you with a gift, it's like he's unveiling some kind of masterpiece he's been working on for months. And in a way, he has been. Even when you know what he has been doing all this time, your heart still melts. Tears fall, and all Sugishita does is frantically comfort you in the best way he knows how—which isn’t saying much, but hey, he's trying his best. He may not wear his heart on his sleeve, but that doesn't mean he doesn't care. His methods might be a tad unconventional, but there's no denying the thought and effort he puts into making you happy. After all, who needs words when you have Sugishita's silent but effective gestures of love? His silence all but screams his genuine heart for you. Because each time he's with you, he feels comfortable in your presence, no matter what, without ever needing to say a word.
EXTRAS
CHOJI TOMIYAMA | 兎耳山 丁子 ─ ✦ . ⁺ ♡
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Hmmm, his gift for you?
It's him, of course! 
…Don’t give him that look. 
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©hxnbi. please do not modify, edit, copy or reproduce any of my works.
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b14augrana · 3 days
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'Scrubber'
Your first time versing Lyon was the match of your dreams
Barça Femení x teen!reader
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pt. 3 masterlist
Warnings: lots of happiness and not proofread as per usual … 😁
A/N: i forgot to mention that mapi's knee is 100% functioning and not crippled in this series!!!! i’ve decided to turn it into a series because i love our hay day obsessed reader so much.
also, reader takes alexia’s place in scoring a golazo because our wonderkid needs her time to shine and what better time to shine than in a uwcl final 🪄🪄 (peep my reference in the fic to the gif im so smart)
we need a nickname for little miss wonderkid so i dont constantly refer to her as reader so plz suggest some in my asks 🥹
You were way too nervous for the final to function. You regretted eating breakfast that morning because it felt like you were about to throw it all up.
Honestly, you were even nervous to look at the players. You stood timidly between Lucy and Irene in the line, secretly hoping you never had to leave the tunnel. You did not want the likes of Ada Hegerberg charging towards little 16-year-old you.
You glanced down at the ‘NV15’ written on your wrist in black. That forever-present question of 'What would Vidić do?' loomed in your mind.
He wouldn’t be worrying about anyone on the opposition. He’d just be worried about breaking the Brexit tackle world record and keeping everyone in white as far away from the goal as possible.
The officials at the end of the tunnel signalled to both teams, which meant it was time. As you emerged out of the tunnel, walking out to the sound of a stadium full of culers, you didn’t feel scared. The cheers from all around the stadium deafened you, but also made you feel an insane amount of pride.
As you stood beside your teammates, the Barcelona anthem blasted on the speakers and the crowd became a choir as they sung the anthem loud and proud. Your attention was in the stands, looking at all the people that had come to watch. You almost teared up when you spotted a little girl and her older brother wearing a jersey with your name on it. Your name. Just having a mascot blew you away, so seeing people you probably weren’t much older than, wearing jerseys with your name on the back, was a crazy concept.
It made you think about the future. It made you hope that one day, you’d grow up to be some little girl’s idol the way Vidić is yours.
“Get ready to shake hands, (Y/N),” Irene reminded you, noticing that you looked a bit spaced out. You brought yourself back to the present and nodded, sticking your hand out to shake the long line of Lyon hands.
When Alexia asked you to bend down and hold the match day pennant, it almost felt like blasphemy. Your mouth was slightly agape as she thrusted it into your hand. “But why me?”
“My knee is no good, it’s better if I stand,” she explained.
“But why m–”
“Just hold it, nena!” Alexia laughed, getting back in the line. You crouched down, holding the pennant in one hand and bracing the ground with the other as you smiled gingerly for the camera.
As soon as the photographer lowered his camera, you sprung to your feet and gave the pennant back to Alexia. “There you go, capi!” you said happily, motioning to Renard who was approaching with their own pennant to exchange. Alexia laughed and patted you on the back, mumbling a quick ‘gracías’ before turning away.
You walked over to the bench and shrugged your jacket off, folding it neatly for one of the team management to take to the locker room later on. With one last meaningful glance at your wrist, you ran onto the field to take your position. Irene was with you in the center and Lucy covered the right while Ona took care of the left. Jona had told you to be prepared for Mapi to come on, so you kept that in mind too.
As soon as the whistle was blown, you were relieved to see that Aitana, Mariona, Caro and Salma had already gotten things under control. That gave you time to scope out the Lyon front three and think about how to handle them.
You thought about what Lucy said. ‘Don’t get hurt trying to do extreme tackles.’
At the end of the day, it all came down to instinct. When Dumornay started running at you with the ball, her feet moving too quick for you to focus on, you knew what you were going to do next had to be purely instinctual. This wasn’t the match for calculated tackles.
It was a fearless tackle. It wasn’t even much of a tackle, actually; you had just gotten to the ground right in her path and made contact with the ball first before she even touched you. When she did touch you, the top of her boot got caught on your abdomen, knocking her over. It was the consequence of her own speed and momentum.
With the ball at your feet, you did what you always did best — kick it as hard as you could and hope it goes well. You must’ve hoped extremely hard or hoped to the right deity, because the ball landed right at Aitana’s feet. Not an inch in front.
With one touch, she had beaten her marker. When Aitana got the ball, it was almost always a goal, and this time was no different; before you could even register that your ball had been kept in play, let alone found a player of your own, it had beaten Endler’s desperate hands and hit the back of the net. The stadium has the loudest atmosphere you’ve ever experienced after Aitana’s goal.
She came running to you, her arms outstretched. You threw yourself into her, hugging her tightly. The rest of the team came shortly after, suffocating you two in a big team hug. You heard some muffled voices praising you and Aitana, but you were too stunned by how quickly it all happened to even register their words. There were many pats on your back and side hugs before the game reset and you were back to your centerback position, kissing the writing on your wrist.
“Aparejo increíble (Y/N), and the pass! Magnífico!” Irene said, pulling you close and ruffling your hair (to which you huffed and slicked it back down) before running back to her position.
You didn’t actually intend to make that pass, so was it that special? Aitana did score from it, but she just has magical feet.
The match had flown by, both teams only separated by one goal at the 90th minute. Lyon were desperate for a goal. Barcelona were desperate for another. Many changes had been made, including Mapi and Pina coming on.
You watched as Diani came down the left wing and somehow managed to beat Lucy and Mapi, which meant you were going to have to try tidy up at the back and not let Diani get to Cata, the last hope.
At first, you just jockeyed. You held her off and tried to delay her, which worked; her stepovers were useless and she couldn’t get past you by tapping and running… but then she did.
She took a touch just wide of you, giving herself heaps of space to dribble up to goal if she was quick enough to retrieve the ball. The big underlying issue was, your jockeying had led you two up to the box. You could either get a card and risk her scoring from a penalty or worse — not do anything and let her put it in. You would rather break your Hay Day login streak than let that happen.
As she lurched forwards to get another touch on the ball, it was like everything was in slow motion. Time slowed down as you extended your leg and thrusted your entire body forwards, cushioning your fall by sliding on your arm across the damp grass and towards the ball. You closed your eyes as she got closer to your face, hoping that if you didn’t see it happen, the collision wouldn’t hurt as much. If this tackle went wrong, it would be over for you, for Barça.
Diani’s opening had been a gift from God himself, so you prepared yourself to see her celebrating happily, the ball rolling into the net when you opened your eyes, but when you finally did open them, the ball wasn’t in the net. Diani wasn’t celebrating.
She was lying on her chest, scrambling to get to her feet. The ball was out, discarded somewhere near the barriers as a ball boy passed a new one to Lucy to throw in. Cheers had rung through the stadium upon your last-ditch tackle, but you had been too distracted to pay attention to them. You had been too focused on trying to execute the perfect tackle that would either make or break the game.
The only thing you guys needed was another goal to really seal the deal. Lyon were getting dangerously close, you needed a goal.
When Lucy had played the ball in, you moved a bit further up the field, watching the play. You noticed Caro receiving the ball, and then you noticed the absence in the middle of the box. You scanned for Aitana or Pina or anybody, but they were all marked by figures like Renard and Carpenter or in other words, brick walls that were not letting them in any time soon.
It was all, pure, instinct. You ran– no, sprinted up the field, flailing your hands in the air. “Caro, Caro!” you screamed, motioning to the middle of the box, begging for a cross.
The cross she delivered from the right wing was set to land just in front of you. You couldn’t reach it for a volley and you sure as hell couldn’t bicycle kick it in. It was travelling fast and getting nearer by the second, but that was the advantage.
Without a second thought, you jumped up. Your body was basically horizontal in the air as you flew forwards, forehead connecting with the ball. It was a shame you couldn’t watch it shoot past Endler, burying itself right in the bottom left corner. You flew into the net as well, and the only way you realised you had scored was when you sat up and looked to your side to see the ball. That’s also the only way you realised you were in the goal.
You had never stood up faster or yelled louder. You zipped past Endler and ran down the field towards the nearest camera. Your first goal of your career couldn’t have been more perfect, so you needed a celebration to match.
Aitana appeared by your side, and as you two ran side-by-side, you pointed to the people in the stands. It was a simple but meaningful celebration; it was the same celebration Vidić had once done, and you remembered it vividly. In fact, it was one of your favourite moments.
You ran to the corner flag where the rest of your team were, and you all fell into another affectionate huddle. Lucy squeezed your side. “You’re in the wrong sport, I think you’d do well as a professional diver!” she jeered, having to yell her words over the noise. You grinned at her and hugged the woman tightly right before being instructed to reset.
The ball had barely started moving again before the referee blew the final whistle. Everyone from the sidelines jumped from their seats and ran onto the field, and the people on the field ram towards your goal. Cata booted the ball into the air and jumped on top of the big hug, and then Pina followed. There was singing and dancing and flags being thrown and tears and hugs for days.
It was happy moment upon happy moment for everyone as it all sunk in — you had finally, finally beat Olympique Lyonnais in a Champions League final for the first time in your history. You had helped beat Lyon and make history with this team, and you had won your first ever Champions League and quadruple, but you had to give credit where it was due.
You knew if you never had a role model like Nemanja Vidić, nothing would’ve happened the way it did for you against Lyon.
Being a 16-year-old girl with such a fiery passion to defend and hold it down at the back wasn’t easy. There wasn’t many defenders that played for the badge the way Vidić did. The reason you loved him so much was because he exerted such an immense sense of pride and dedication to his club, and that was the type of defender you wanted to be.
That was the type of defender you had been today.
You couldn’t believe Keira and Patri when they ran up to you saying that the officials wanted to see you so you could receive the Player of the Match award once again. Your jaw was dropped and you went red as they basically dragged you away from the locker rooms and towards the officials. Your cheeks were still red from embarrassment as you took the photo.
You learned that you couldn’t just slink away into the locker rooms after such a big match, so you spent a solid 10 minutes talking to fans all around the stadium. It was a bit awkward for you at first because most of them were either as old as Alexia or literally your age, but you figured you’d have to get used to it.
The best part about the whole day was, when you eventually got back to the locker room and picked your phone up, you had reached level 300 on Hay Day.
As if one major achievement wasn’t enough.
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brainrot-of-a-thot · 3 days
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girl- i'm a absolute whore for tagame😫 whenever you get the chance ofc, can you do head cannons on how they are in a relationship?
taken by jo togame.
or, what he’s like in a relationship, featuring: jo togame
a/n: yesssss another togame whore! pls, calling all togame whores, congregate to my blog. pls pls pls. still struggling with our power, but i wanted to try to get at least something out to y’all babes. ps, some of these headcanons were inspired by @togament (I hope that’s okay babes!) she recently presented some togame headcanons that just fit so well that I can’t help but adopt them myself.
post edit: also, babes, I’m fuckin speechless because we are five away from 300 followers — like??? our little family is growing so rapidly and I just love all of y’all to bits <33
c/w: this has nsfw headcanons y’all, so just heed that, fluff, relationship headcanons, sfw headcanons, fem!reader, implied height difference
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the first thing to understand about jo togame is that when he falls, he falls hard. he falls in love with every little thing about you — even before entering a relationship, he has fallen for you, and thus his attention is always on you, so it’s inevitable that he will pick up on all your habits and quirks. it isn’t that he tucks these away as ammunition to embarrass you; in fact, the only way he will embarrass you with these is when he jets into excruciating detail about just how much he loves them.
and togame is doing this near constantly.
most times, it’s completely random — he’ll just spout off at the mouth over the tiniest things.
“your sneezes are so cute. they remind me of a kitten.”
“you’re scrunching your nose again. adorable.”
“did you know that your ears turn red when you blush? it’s lovely.”
this ability of togame’s to pinpoint every little detail about you also extends to changes in appearance — even those that aren’t drastic.
you wear your hair just slightly different than usual? oh, he’s talking about it. a lot. (more than likely noting how cute it is or how much it suits you)
you decide to change up your perfume for the day? his nose has already picked out every single nuance within the scent.
you decide to don dangle earrings instead of studs? expect him to run his fingers over them and compliment them.
on that same token, if ever you wished for a hypeman, congratulations. togame is your hype man one hundred percent.
you know how some guys may freak out or become hella possessive if they see their girl going out in booty shorts and a revealing top? not togame. nope. he’s on you like fire to wood, kissing all over you and gushing about how sexy his girl is.
this doesn’t mean togame doesn’t get possessive; he does. very much so. despite being chill and seemingly uncaring about your appearance, he’s the most possessive man you’ll ever interact with. togame just doesn’t see the sense in freaking out about you showing off your body a little.
after all, it’s such a treat to see you glowing with confidence, to see you comfortable enough in your own skin to don such attire — it’s all he’s ever wanted, for you to see yourself in the same way he sees you. sexy and cute and beautiful.
just don’t let another man look at you for too long. or try to talk to you. or cat call you. togame is losing his shit before you can even blink.
let’s just say he’s sent more than one man to the icu because of instances such as these.
violence aside, togame is a pure gentleman. you know, the type who opens and closes your car door, or walks you all the way to your front door, or pulls out your chair for you, the type who, at the end of the night, plants kisses in places that have you feeling giddy and flustered — such as your palm or inner wrist.
you know that trend of handing someone an orange and seeing if they will peel it for you? togame will peel it for you. except, he’ll be grabbing it from your hand the second you pick it up to peel it for you.
it doesn’t matter if you’re struggling to open something or not — togame simply takes it upon himself to open it for you. snacks, drinks, peelable fruits, it doesn’t matter. don’t even think about giving your little hands exercise when he’s around.
speaking of peeling things, togame likes to peel your clothes off of you. slowly. he likes to enjoy the sight of your bare skin revealing itself to him gradually (especially so if you’re laid out across his mattress, flustered and breathing heavily and so needy for him) and it’s as arousing as it is torturous. also, don’t try to hide parts of your body from him; he prefers to be gentle with you, but he will use his strength on you if need be.
togame doesn’t fuck you. togame makes love to you. togame wants you to feel the depth of his adoration in everything he does — in every slow roll of his hips, in every open-mouthed kiss he litters your body with, in every softly breathed word against your skin. he wants you to feel it until you’re so full of it you may explode (it is not uncommon for his message to reach you so deeply that you start tearing up).
though, if you’re in desperate need of a good fuck, togame will deliver that too. and, oh, he’s ruthless with it. all harsh thrusts and bruising holds, filth spat directly into your ear and kisses so sloppy that you’re drenched in your spit and his.
this, ironically, happens the most just after he’s sent a man to the icu for becoming too bold with his woman.
and since we’re on this track, let’s talk about the way togame kisses. oh, lord, your ovaries won’t be able to handle it.
because togame kisses you like you’re the only girl in the world. like you’re something so precious that he can’t imagine a universe in which his lips aren’t fastened to yours.
he’s the type to cup your nape, cheek or jaw and guide you to his lips. it’s always so soft at the start — a mere press of his mouth to yours. but it doesn’t stay that way. because within moments, togame is coaxing your lips and tongue into his rhythm, slow and languid and driven by such passion that it’s overwhelming.
togame tends to smile a lot, too. or breathe happy little sighs directly into your mouth. when togame kisses you, it’s as if the action has produced a bubble around the two of you — all background noise fades, and time slows to a crawl, until all you can focus on is this moment. it’s easy to get lost within togame, to get lost in his taste and rhythm, to get lost in the moment itself.
even seconds-long kisses feel like century-long embraces.
this sentiment applies to all affectionate embraces — hugs from togame are the absolute best. his arms wrap around you and engulf you in his body, until all you can sense is togame. his warmth, his scent, his heartbeat. his feelings. it’s all there, detailed in every twitch of his muscles.
togame is the best big spoon, as well. he tends to curl his body around yours completely, with one arm shoved beneath the pillow and the other draped around your waist. he also likes to nudge his leg between yours, until his thick thigh is nestled right against your core and your thighs are spread over his. it’s surprisingly comfortable and relieves a lot of aches — especially in the days that aunt flo makes a visit.
all in all, there is one sentiment that is displayed brazenly in every single thing togame does — and that’s that he loves you boldly and unapologetically. being taken by jo togame is truly the best flex in your arsenal.
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avatar-anna · 2 days
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i saw this post on and got inspired. enjoy!
"It was nice running into you."
"Yeah, yeah, you too. It was—I'm glad we could catch up."
You held your bag in both of your hands and leaned back on your heels, waiting for the sudden tension to cease. Harry scratched his neck awkwardly while you looked down at the cobbled streets beneath your shoes. When a minute passed and neither of you said anything, when two couples excised themselves to walk past you, you finally decided to break the silence.
"I'm headed this way."
"Me too. We can walk together?"
"O—Okay."
Harry extended his arm out, a clear message for you to go first, so you did. For a split second, his hand grazed your lower back in that protective gesture he always used to use when you walked anywhere. But that had been when you were together, and now you weren't, and even though his hand merely hovered awkwardly behind you, you swore you could still feel it.
"Your hair looks nice. I don't think I've ever seen it so short before," you said, needing to break the silence all over again before it consumed you.
"Thanks, I, uh, I shaved it a few months back. It's finally starting to grow in."
It must've been soon after your break up, you realized, quickly doing the math in your head. A change, a fresh start after the end of a long relationship. You understood that, knew neither of you needed to comment on it, or the fact that you no longer wore the necklace Harry bought you for your first anniversary, though you'd seen him glance down at the missing piece of jewelry multiple times since you ran into each other.
"It's cute," you said, resisting the intrusive urge to reach up and touch his hair, instead clasping your hands behind your back.
"Are you across the bridge?" Harry asked, gesturing to one of the many bridges that stretched across the Tiber.
"Yeah. How'd you know?"
Harry shrugged, the canvas bag on his shoulder slipping a fraction. "You always liked Trastevere."
You smiled, charmed by how Harry still seemed to know you so intrinsically. "And you? Are you staying in Prati?"
Harry shook his head before waving to a fan who had spotted him. He didn't stop, though, and kept walking beside you, asking about your family, specifically your grandmother, who was his Scrabble partner nearly the entirety of your relationship.
"Good. I play Scrabble with her on the weekends now. I'm pretty sure she thinks I'm not a good enough opponent, but she'll never say it to my face."
"Graceful as always, your nan," Harry nodded in agreement. "Probably wouldn't say the same thing about chess, though."
"No, probably not. Do you still play?" you asked, tilting your head up to look at him.
He was so close, close enough that the sleeve of his green shirt grazed your bare arm. Close enough that if you really wanted it to the back of your hand could graze his. Instead you shifted your hand away.
"When I can," Harry said, his mouth twitching as if recalling a memory. "I've been focusing on writing most days, but I play whenever I'm stuck."
"How's that going?"
"How's work?"
"Sorry, go ahead," you said, blushing a little. Would it always be this awkward around him? You hoped not. Harry had been a friend first, and even though you knew you shouldn't,y you missed his companionship some nights. Lots of nights. Most nights.
"No, you go. Catch me up on all the latest drama at work."
So you did, falling back into familiar, neutral territory as you brought Harry up to speed on your co-workers.
Before long, you'd made it to the apartment you were renting, your palms suddenly warm as you searched your purse for your keys. You were stalling, you both knew it, but Harry didn't comment, nor did he leave, didn't offer any reason to finally say goodbye.
You knew this was where it was supposed to end. That a chance encounter with your ex in a foreign country really shouldn't have gone on this long. You knew that, and yet...
"Do you want to come in?" you asked, scrambling for any logical reason as to why Harry should follow you into your apartment. "I—I, uh, I could make us coffee and—"
"Please. I mean—Sure. That would be...that would be fine."
Relief flooded through you, though that was quickly replaced by a guilty sort of anticipation as you unlocked the door to the main building of the apartment, as Harry followed you up a couple flights of stairs, as he waited once again for you to unlock a door. When you were inside, when you set your things down on the small dining table, you turned to face your ex.
Harry's gaze was once again lowered to your collarbones, to the place where the necklace he gave you used to sit. Then he met your eyes, the expression in them clear. It was the first time you'd seen them since running into him today. He'd kept his sunglasses on the whole time, perhaps to hide his expressions more, because now that you properly met his gaze, you saw it all. Those green eyes you still loved so much betrayed his every thought, and you knew yours probably did as well.
It was hard to say who moved first. If you grabbed the front of Harry's shirt before he wrapped an arm around your waist and fisted your hair in his other hand. But none of it mattered when your mouth met his, when your hands traveled up to cup the sides of his face, your thumbs tracing the familiar planes of his face.
A graze of his teeth against your bottom lip had you gasping, had him smiling as if that was the exact reaction he'd been hoping for. You responded in kind by dragging your nails down his scalp, satisfied by the groan that vibrated against your mouth as his tongue caressed yours.
"This isn't—It's not—" you tried to say, losing focus as Harry left a trail of kisses from your jaw to the base of your neck and back up again. "This doesn't mean—"
"I know," Harry breathed, his forehead pressed against yours as he toyed with the bow that held the front of your blouse together. Your breath hitched as his knuckle grazed your exposed stomach. "This doesn't change anything. Now take this off."
You almost made him do it just because he ordered you to, but you knew why he wanted you to be the one to untie the knot of your blouse. It meant you were saying yes to this moment, it meant you were saying yes to doing whatever it was you were about to do.
So you pulled at the blouse until it came undone, leaving it open so it revealed a strip of bare skin going right up the middle of your body. The rest you would leave up to him.
Harry shrugged out of his own sweater and t-shirt before reaching out to push back the shoulders of your shirt until it was off completely, falling into a puddle of fabric at your feet beside his. His gaze alone was too much and not enough, more explicit than it had any right to be. He stood there and drank you in for a full minute as if in a daze, taking in every mark and imperfect like he was reacquainting himself.
It was hard to get the words out, but you managed. "Still broken up?"
"Yeah," Harry said, his eyes still roving over every inch of your body that he could see. Then he blinked as if remembering the situation for what it was. "Yeah, still broken up."
There wasn't much left to say after that, really.
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ashwhowrites · 3 days
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Hiiii I’m the anon that sent this: Reader gets broken up with by a guy that she actually really liked but in reality this guy was a douchy football player that was rude to her friends (but she didn’t know about that.)
It was meant to be a request if you’d wanna write it!
And id say that Eddie does have a crush on reader.
I hope this is what you wanted and you enjoy it. Thank you for requesting 🫶🏻
The friend
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Y/N waited years and years to fall in love. She grew up watching princesses find their prince, and she wanted to feel that. She wanted to feel loved by someone who chose to, someone who looked at her and would do anything to be with her. Even if he had to fight everyone to do it. She wanted to see what it felt like to be cared about.
To her, Greg did just that. She was smitten with the jockey football player the second he sent her a dazzling smile during a game. It was like his eyes found hers in the crowd, it was fate.
It didn't take long for him to ask her out and for her to say yes immediately. She was swept off her feet and never landed. He was sweet and romantic. He showered her in love and compliments. She thought he was perfect all around.
Eddie and her friends had other thoughts. Greg was two-faced but Y/N wasn't aware of that. Chrissy hated Greg, and she hated cheering for someone like him. He was selfish, cocky, and an ass. It took a lot for Chrissy to dislike someone, and she hated Greg, that meant something.
Eddie had two reasons to hate Greg. One reason was that Greg never had nice things to say to or about Eddie. Greg believed he was trailer dirt and a freak, just like everyone else. But Y/N didn't know that. The second reason was that Eddie was helplessly in love with Y/N.
Did he have the chance to go for it? Definitely but he was terrified. It was scary enough to tell a girl he liked her, but to tell his best friend? He wasn't sure he could handle the rejection.
Eddie and Chrissy grew closer over their dislike for Greg. Chrissy knew Eddie was in love with their best friend before Eddie realized it. Chrissy never understood how Y/N didn't catch on. Eddie was in no way good at hiding it. He stuttered over sentences, clumsier than ever, smiled the second she looked at him, and he'd do anything she asked.
Once Eddie saw her with Greg, he believed that was his sign that they would never be anything more. Eddie and Greg were two completely different people.
When the news broke out that Y/N and Greg broke up after almost a year together, many people had things to say. But no one would say it to her. Eddie felt relieved that his year of suffering was over. But he knew it was a matter of time before some new guy came along. He wasn't sure he could let that happen.
~~~
"I don't understand why he broke up with me," Y/N sobbed. Her head was in Eddie's chest as she soaked his band tee in her tears.
Eddie softly held her in his arms. His chin was on her head as his fingers ran through her hair.
"I don't either, babes." And he was honest. He couldn't imagine ever breaking up with her. She was easily the best person anyone could be with.
"Do you think it's because I'm not pretty enough?" She sniffled, her head facing him as she pulled back away, letting him search her face for the flaws she believed she had.
Eddie smiled and cleaned off her tears with his thumbs. Her red puffy eyes, wet cheeks, and trembling bottom lip. He couldn't lie to her.
"No. I think even right now you are the most beautiful girl I've ever seen."
Eddie was dead serious. A sense of truth in his eyes as he barely blinked. His voice was deep and low, with no sounds of jokes.
The intensity in his face made her nervous and shy. She dug her head back into his warm chest as she held him tighter.
"He's the idiot who let you go."
~~~
Eddie was patient as his best friend recovered from the breakup. Chrissy and Eddie high-fived behind her back, sharing smiles and looks.
"I heard you and Greg broke up! Congratulations that guy was a di-" Dustin's voice was cut off, replaced with a groan.
Y/N turned around confused, Eddie standing next to Dustin with a smile. Dustin held his arm with a whimper.
"Congratulations? What does that mean?" Y/N pushed further.
Eddie and Chrissy looked at each other, trying to think of a fast lie.
"I know someone who likes you! It's a congrats to him!" Dustin said with a smile as he covered his lie. He looked to Eddie for approval and his smile dropped at the look on his face.
"Who?" Y/N perked up. For once, after a long week of crying, she smiled.
"That's not his place to tell. Why don't we go to lunch?" Eddie said, grabbing Dustin's arm and dragging him down the hall.
"That was weird," Y/N said as she turned to Chrissy.
"Why are you smiling like that?" Y/N asked. Chrissy stood with a huge cheesy grin.
Chrissy snapped out of her daydream of Eddie and Y/N finally together. Quick with a lie.
"It's good to see you smile again, now let's go eat."
~~~
Another week passed. Two weeks since her heart was shattered but she could feel herself healing. She had to thank Eddie for all of it. He was always there, holding her as she cried and talking her through everything.
Her mind was still thinking about who Dustin was talking about. The idea of a guy liking her made her feel less insecure. Maybe Greg was the problem and not her. She drew blanks as she tried to think who it was.
She hoped it was Eddie, but that felt like throwing wishes in an empty fountain. She was nowhere Eddie's type. She wasn't edgy enough or listened to the same music he did. She barely understood Hellfire and his ideas. He wasn't much of her type either, but there was something about him that she would never find anywhere else. He was one of a kind and she figured that's why she fell for him so hard.
Eddie never made moves, so she figured he didn't like her. That's why she had no problem going out with Greg. She thought maybe if Eddie showed jealousy, she'd have her answer. But he was just the same, nothing changed.
She was staring at the wall as Eddie woke up from his sleep. His tired eyes took her in. He had his arms around her already, he pressed his chest against her back tighter. She felt her body get warm as his arms squeezed her against him and his face snuggled into her neck. The soft breaths of his nose hitting her skin, his warm body against hers. Do all best friends cuddle in the same bed?
"How long have you been awake?" His deep and tired voice made her bite her lip. She wiggled in his arms, he loosened them as she turned around to face him. She kept herself in his arms, snuggling closer until she was nose to nose-with him.
"I never fell asleep," she whispered
The moon shined into the room, reminding her she had been trying to sleep for hours.
"How come?" He asked, his palm flat against her back as he softly rubbed the bare skin as her tank top slid up. She shivered as his hands touched her skin.
"A lot on my mind," she said truthfully. She admired his eyes. No matter how many times she looked into them, the brown continued to take her breath away. She took in the rest of his face. The bridge of his nose, the red lips she craved to taste. The slight hair growing above his lip, she knew he'd shave in the morning, but she loved being the only one who got to see it. His frizzy hair spread out on her pillows.
"Greg?" Eddie asked, admiring her face the same way she was with his.
"No," Y/N said, "about who that guy is Dustin brought up." She nervously bit her lip as she watched Eddie's reaction.
"Oh, how come?" Eddie asked, he hid his nervousness with a yawn
"Do you know who it is?"
"Uh no," Eddie said his eyes looking elsewhere
"Then why are you looking away?" Y/N smiled, she poked his cheek
He nervously laughed
"I don't know who he is," Eddie said, looking into her eyes as he finished the sentence.
"Such a bad liar! tell me," she squealed excitedly. He groaned as she left his arms. Sitting up, she looked down at him.
"Why do you want to know so bad? Are you ready to move on?" Eddie asked, maybe this was an opening.
"I don't know. Feels nice to know someone else likes me. And depending on who it is, I think I'm ready to give it a shot." She shrugged
"I can't say who it is, but I'll give you some hints." Y/N smiled as Eddie sat up.
"He has dark hair and dark eyes, he admires your beauty. He likes how smart and creative you are. He loves it when you laugh, it makes his heart race. He smiles whenever he thinks of you. And he's been dealing with these feelings for years." Eddie said, too lost in his confession that he was scared he gave too much away.
"So you are close friends with him?" Y/N asked, she turned her head in confusion. She would not believe that any of Eddie's friends had a crush on her.
"I think I said too much," Eddie chuckled nervously and laid back down. His head hit the pillow and he closed his eyes. "Let's go back to sleep."
Y/N thought in silence for a few seconds. She thought long and hard about what he said. The guy he described matched his appearance. Eddie always complimented her looks and laughed at all her jokes. He seemed nervous to talk about the guy, scared he said too much, which meant he was worried she would find it out. He dragged Dustin away when he brought it up, which told her he was worried Dustin would spill the beans.
"Y/N?" Eddie asked, cracking open one eye
It was Eddie
Eddie had a crush on her!
"Y/N" Eddie said again, both eyes open as he went to sit up
But Y/N pushed his body right back down as her lips smashed on his. Eddie's eyes widened in shock as her lips moved against his. Her hands were on his shoulders as she leaned down.
After his shock, he kissed her back. His hands reached up and held her hips. Their kiss grew deeper as Y/N straddled his lap. He sat up, lips still attached to hers. He moved on hand up to her head and pushed her head further into the kiss.
Y/N felt every part of her body light up with electricity. Her hands moved into his hair. Something she spent years wanting to do. His lips tasted better than she imagined. He was soft but controlling. It made her head spin.
Eddie pulled away, his eyes heavy in lust.
"That was...wow." Eddie breathed out, he blinked a thousand times. Believing if he blinked hard enough, this moment would vanish. But to his luck and prayers, she was still on his lap.
"You are the friend," she said, breathy as she still waited for air to return to her lungs
"Uh yeah," Eddie nodded
"Thank god," she smiled before her lips smashed into his again.
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Tags!
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anominous-user · 2 days
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Double Indemnity, Veritas Ratio and Aventurine
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This was originally a part of my compilation post as a short analysis on the Double Indemnity references, linking to this great thread by Manya on Twitter. However, I've recently watched the movie and found that the parallels run much deeper than just the mission name and the light cone itself, plus as the short synopsis I've read online. Since there isn't really an in-depth attempt at an analysis on the film in relation to the way Aventurine and Ratio present themselves throughout Penacony, I thought I'd take a stab at doing just that. I will also be bringing up things from Manya's thread as well as another thread that has some extra points.
Disclaimer that I... don't do analyses very often. Or write, in general — I'm someone who likes to illustrate their thoughts (in the artistic sense) more than write. There's just something about these two that makes me want to rip into them so badly, so here we are. If there's anything you'd like to add or correct me on, feel free to let me know in the replies or reblogs, or asks. This ended up being a rather extensive deep dive into the movie and its influences on the pairing, so please keep that in mind when pressing Read More.
There are two distinct layers on display in Ratio and Aventurine's relationship throughout Penacony, which are references to the two most important relationships in the movie — where they act like they hate/don’t know each other, and where they trust each other.
SPOILER WARNING for the entire movie, by the way. You can watch the film for free here on archive.org, as well as follow along with the screenplay here. I will also be taking dialogue and such from the screenplay, and cite quotes from the original novel in its own dedicated section. SPOILER WARNING for the Cat Among Pigeons Trailblaze mission, as well.
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CONTENT WARNING FOR MENTIONS OF SUICIDE. YOU HAVE BEEN WARNED.
To start, Double Indemnity (1944) is a film noir by Billy Wilder (and co-written by Raymond Chandler) based on the novel of the same name by James M. Cain (1927). There are stark differences between the movie adaptation and the original novel which I will get into later on in this post, albeit in a smaller section, as this analysis is mainly focused on the movie adaptation. I will talk about the basics (summaries for the movie and the game, specifically the Penacony mission in tandem with Ratio and Aventurine) before diving into the character and scene parallels, among other things.
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[THE NAME]
The term "double indemnity" is a clause in which if there’s a case of accidental death of a statistically rare variety, the insurance company has to pay out multiple of the original amount. This excludes deaths by murder, suicide, gross negligence, and natural causes.
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The part of the mission in Cat Among Pigeons where Ratio and Aventurine meet with Sunday is named after the movie. And before we get further into things, let's get this part out of the way: The Chinese name used in the mission is the CN title of the movie, so there's no liberties taken with the localization — this makes it clear that it’s a nod to the movie and not localization doing its own thing like with the mission name for Heaven Is A Place On Earth (EN) / This Side of Paradise (人间天堂) (CN).
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[SUMMARY OF THE 1944 MOVIE]
Here I summarised the important parts that will eventually be relevant in the analysis related to the game.
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Insurance salesman Walter Neff, wounded from a gunshot, enters his office and confesses his crime on a dictaphone to his boss Barton Keyes, the claims manager. Much earlier, he had met Phyllis Dietrichson, the wife of Mr. Dietrichson and former nurse. Neff had initially wanted to meet Mr. Dietrichson because of car insurance. Phyllis claims her husband is mean to her and that his life insurance goes to his daughter Lola. With Neff seduced by Phyllis, they eventually brew up a scheme to murder Mr. Dietrichson in such a way that they activate the "double indemnity" clause, and the plan goes off almost perfectly. Initially, the death is labeled a suicide by the president of the company, Norton. 
Keyes finds the whole situation suspicious, and starts to suspect Phyllis may have had an accomplice. The label on the death goes from accidental, to suicide, to then murder. When it’s ruled that the husband had no idea of the accidental policy, the company refuses to pay. Neff befriends Phyllis’ stepdaughter Lola, and after finding out Phyllis may have played a part in the death of her father’s previous wife, Neff begins to fear for Lola and himself, as the life insurance would go all towards her, not Phyllis.
After the plan begins to unravel as a witness is found, it comes out that Lola’s boyfriend Nino Zachette has been visiting Phyllis every night after the murder. Neff goes to confront Phyllis, intending to kill her. Phyllis has her own plans, and ends up shooting him, but is unable to fire any more shots once she realises she did love him. Neff kills her in two shots. Soon after telling Zachette not to go inside the house, Neff drives to his office to record the confession. When Keyes arrives, Neff tells him he will go to Mexico, but he collapses before he could get out of the building.
[THE PENACONY MISSION TIMELINE]
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I won’t be summarising the entirety of Aventurine and Ratio’s endeavours from the beginning of their relationship to their final conversation in Heaven Is A Place On Earth the same way as I summarised the plot of the movie, so I will instead present a timeline. Bolded parts means they are important and have clear parallels, and texts that are in [brackets] and italics stand for the names of either the light cone, or the mission names.
[Final Victor] Their first meeting. Ratio’s ideals are turned on its head as he finally meets his match.
Several missions happen in-between their first encounter and the Penacony project. They come to grow so close and trusting with each other that they can guess, understand each other’s thoughts, way of thinking and minds even in high stakes missions. Enough to pull off the Prisoner’s Dilemma (Aventurine’s E1) and Stag Hunt Game (Aventurine’s E6) and come out on top.
Aventurine turns towards Ratio for assisting him in the Penacony project. Ratio's involvement in the project is implied to be done without the knowledge of Jade, Topaz, and the IPC in general, as he was only sent to Penacony to represent the Intelligentsia Guild, and the two other Stonehearts never mention Ratio.
Aventurine and Ratio cook up the plan to deceive Sunday before ever setting foot on Penacony. Aventurine does not tell Ratio the entirety of his plan.
Aventurine convinces Topaz and Jade to trust him with their Cornerstones. Aventurine also breaks his own Cornerstone and hides it along with the jade within a bag of gift money.
[The Youth Who Chase Dreams] They enter Penacony in the Reverie Hotel. Aventurine is taken to the side by Sunday and has all his valuables taken, which includes the gift money that contains the broken aventurine stone, the jade, and the case containing the topaz.
Aventurine and Ratio speak in a “private” room about how Aventurine messed up the plan. After faking an argument to the all-seeing eyes of Sunday, Ratio leaves in a huff.
Ratio, wearing his alabaster head, is seen around Golden Hour in the (Dusk) Auction House by March 7th.
[Double Indemnity] Ratio meets up with Sunday and “exposes” Aventurine to him. Sunday buys his “betrayal”, and is now in possession of the topaz and jade. Note that this is in truth Ratio betraying Sunday all along.
Ratio meets up with Aventurine again at the bar. Ratio tells Aventurine Sunday wants to see him again.
They go to Dewlight Pavilion and solve a bunch of puzzles to prove their worth to Sunday.
They meet up with Sunday. Sunday forces Aventurine to tell the truth using his Harmony powers. Ratio cannot watch on. It ends with Aventurine taking the gift money with his Cornerstone.
[Heaven Is A Place On Earth] They are in Golden Hour. Ratio tries to pry Aventurine about his plan, but Aventurine reins him in to stop breaking character. Ratio gives him the Mundanite’s Insight before leaving. This is their final conversation before Aventurine’s grandest death.
Now how exactly does the word “double indemnity” relate to their mission in-game? What is their payout? For the IPC, this would be Penacony itself — Aventurine, as the IPC ambassador, handing in the Jade Cornerstone as well as orchestrating a huge show for everybody to witness his death, means the IPC have a reason to reclaim the former prison frontier. As for Ratio, his payout would be information on Penacony’s Stellaron, although whether or not this was actually something he sought out is debatable. And Aventurine? It’s highly implied that he seeks an audience with Diamond, and breaking the Aventurine Cornerstone is a one way trip to getting into hot water with Diamond. With Aventurine’s self-destructive behaviour, however, it would also make sense to say that death would be his potential payout, had he taken that path in the realm of IX.
Compared to the movie, the timeline happens in reverse and opposite in some aspects. I will get into it later. As for the intended parallels, these are pretty clear and cut:
Veritas Ratio - Walter Neff
Aventurine - Phyllis Dietrichson
Sunday - Mr. Dietrichson
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There is one other character who I feel also is represented in Ratio, but I won’t bring them up until later down the line.
For the sake of this analysis, I won’t be exploring Sunday’s parallel to Mr. Dietrichson, as there isn’t much on Dietrichson’s character in the first place in both the movie and the novel. He just kind of exists to be a bastard that is killed off at the halfway point. Plus, the analysis is specifically hyper focused on the other two.
[SO, WHAT’S THE PLAN?]
To make things less confusing in the long run whenever I mention the words “scheme” and “plan”, I will be going through the details of Phyllis and Neff’s scheme, and Aventurine and Ratio’s plan respectively. Anything that happens after either pair separate from another isn’t going to be included. Written in a way for the plans to have gone perfectly with no outside problems.
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Phyllis and Neff —> Mr. Dietrichson
Goal: Activate the double indemnity clause by killing Mr. Dietrichson and making it look like a freak train accident
Payout: Twice or more of the face value of the life insurance ($100,000)
Main Actor: Walter Neff    |    Accomplice: Phyllis Dietrichson
During the entire time until the payout, Phyllis and Neff have to make sure to any outsiders that they look like complete strangers instead of lovers in an affair.
Step-by-step:
Neff convinces Mr. Dietrichson to sign the policy with the clause without him suspecting foul play, preferably with a third party to act as an alibi. This is done discreetly, making Mr. Dietrichson not read the policy closely and being told to just sign.
Neff and Phyllis talk to each other about small details through the phone (specified to be never at Phyllis’ own house and never when Neff was in his office) and in the marketplace only, to make their meetings look accidental. They shouldn’t be seen nor tracked together, after all.
Phyllis asks Mr. Dietrichson to take the train. She will be the one driving him to the train station.
On the night of the murder, after making sure his alibi is airtight, Neff sneaks into their residence and hides in their car in the second row seating, behind the front row passenger seat. He wears the same colour of clothes as Mr. Dietrichson.
Phyllis and Mr. Dietrichson get inside the car — Phyllis in the driver’s seat and Mr. Dietrichson in the passenger seat. Phyllis drives. On the way to the train station, she makes a detour into an alley. She honks the horn three times.
After the third honk, Neff breaks Mr. Dietrichson’s neck. The body is then hidden in the second row seating under a rug.
They drive to the train station. Phyllis helps Neff, now posing as Mr. Dietrichson, onto the train. The train leaves the station.
Neff makes it to the observation platform of the parlour car and drops onto the train tracks when nobody else is there.
Phyllis is at the dump beside the tracks. She makes the car blink twice as a signal.
The two drag Mr. Dietrichson’s corpse onto the tracks.
They leave.
When Phyllis eventually gets questioned by the insurance company, she pretends she has no idea what they are talking about and eventually storms off.
Phyllis and Neff continue to lay low until the insurance company pays out.
Profit!
Actual Result: The actual murder plan goes almost smoothly, with a bonus of Mr. Dietrichson having broken a leg. But with him not filing a claim for the broken leg, a witness at the observation platform, and Zachette visiting Phyllis every night after the murder, Keyes works out the murder scheme on his own, but pins the blame on Phyllis and Zachette, not Neff.
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Now for Aventurine and Ratio. You can skip this section if you understand how deep their act goes, but to those who need a refresher, here’s a thorough explanation:
Aventurine and Ratio —> Sunday
Goal: Collect the aventurine stone without Sunday knowing, ruin the dream (and create the grandest death)
Payout: Penacony for the IPC, information on the Stellaron for Ratio, a meeting with Diamond / death for Aventurine
Main Actor: Aventurine    |    Accomplice: Veritas Ratio
From the moment they step onto Penacony, they are under Sunday’s ever present and watchful eyes. “Privacy” is a foreign word to The Family. They have to act like they don’t like each other’s company the entire time and feed Sunday information through indirect means so that the eventual “betrayal” by Ratio seems truthful to Sunday. Despite what it looks like, they are closer than one would ever think, and Ratio would never sell out a person purely for information.
Step-by-step:
After Sunday takes away the bag of gift money and box, Aventurine and Ratio talk in a room in the Reverie Hotel.
Aventurine establishes the Cornerstones’ importance, and how he lost the gift money and the case containing the Cornerstones to Sunday. Ratio turns to leave, saying “some idiot ruined everything”, meaning the Cornerstones were vital to their plan. (Note that Ratio is not wearing his alabaster head while saying it to said “idiot”.)
Aventurine then proceeds to downplay the importance of the Cornerstones, stating they are “nothing more than a few rocks” and “who cares if they are gone”. This lets Sunday know that something suspicious may be going on for him to act like it’s nothing, and the mention of multiple stones, and leaves him to look up what a Cornerstone is to the Ten Stonehearts of the IPC.
Ratio points out his absurd choice of outfit, mentioning the Attini Peacock and their song.
Ratio implies that without the aventurine stone, he is useless to the IPC. He also establishes that Aventurine is from Sigonia(-IV), and points out the mark on his neck. To Sunday, this means that Aventurine is shackled to the IPC, and how Aventurine may possibly go through extreme lengths to get the stone back, because a death sentence always looms above him.
Aventurine claims Ratio had done his homework on his background, which can be taken that this is their very first time working together. (It isn’t, and it only takes one look to know that Aventurine is an Avgin because of his unique eyes, so this comment does not make sense even in a “sincere” way, a running theme for the interaction.)
Ratio mentions how the true goal is to reclaim Penacony for the IPC, establishing their ulterior motive for attending the banquet.
Ratio asks if Aventurine went to pre-school in Sigonia after saying trust was reliant on cooperation. Aventurine mentions how he didn’t go to school and how he doesn’t have any parents. He even brings up how friends are weapons of the Avgins. This tells Sunday that the Avgins supposedly are good at manipulation and potentially sees Ratio possibly betraying Aventurine due to his carelessness with his “friends”. Sunday would also then research about the Avgins in general (and research about Sigonia-IV comes straight from the Intelligentsia Guild.)
Ratio goes to Dewlight Pavilion in Sunday’s Mansion and exposes a part of Aventurine’s “plan”. When being handed the suitcase, Ratio opens it up due to his apparent high status in the IPC. He tells Sunday that the Cornerstone in the suitcase is a topaz, not an aventurine, and that the real aventurine stone is in the bag of gift money. This is a double betrayal — on Aventurine (who knows) and Sunday (who doesn’t). Note that while Ratio is not officially an IPC member in name — the Intelligentsia Guild (which is run by the IPC head of the Technology Department Yabuli) frequently collaborates with the IPC. Either Aventurine had given him access to the box, or Ratio’s status in general is ambiguous enough for Sunday not to question him further. He then explains parts of Aventurine’s gamble to Sunday in order to sell the betrayal. Note that Ratio does not ever mention Aventurine’s race to Sunday.
Ratio brings Aventurine to Sunday. Aventurine offers help in the investigation of Robin's death, requesting the gift money and the box in return.
Sunday objects to the trade offer. Aventurine then asks for just the bag. A classic car insurance sales tactic. Sunday then interrogates Aventurine, and uses everything Ratio and Aventurine brought up in the Reverie Hotel conversation and their interactions in the Mansion, as well as aspects that Ratio had brought up to Sunday himself.
Aventurine feigns defeat and ignorance enough so that Sunday willingly lets him go with the gift bag. After all is said and done, Aventurine leaves with the gift money, where the Aventurine Cornerstone is stored all along.
Ratio and Aventurine continue to pretend they dislike each other until they go their separate ways for their respective goals and plans. Aventurine would go on to orchestrate his own demise at the hands of Acheron, and Ratio… lurks in the shadows like the owl he is.
Profit!
Actual Result: The plan goes perfectly, even with minor hiccups like Ratio coming close to breaking character several times and Aventurine being sentenced to execution by Sunday.
This is how Sunday uses the information he gathered against Aventurine:
• Sunday going on a tirade about the way Aventurine dresses and how he’s not one to take risks — Ratio’s comment about Aventurine’s outfit being peacock-esque and how he’s “short of a feather or two”. • “Do you own a Cornerstone?” — Ratio talked about the aventurine stone. • “Did you hand over the Cornerstone to The Family when you entered Penacony?” — Aventurine mentioned the box containing the Cornerstones. • “Does the Cornerstone you handed over to The Family belong to you?” — Aventurine specifically pluralized the word Cornerstone and “a bunch of rocks” when talking to Ratio. • “Is your Cornerstone in this room right now?” — The box in the room supposedly contained Aventurine’s own cornerstone, when Aventurine mentioned multiple stones. • “Are you an Avgin from Sigonia?” —Aventurine mentioned that he’s an Avgin, and Ratio brought up Sigonia. • “Do the Avgins have any ability to read, control, and manipulate one’s own or another’s minds?” — Aventurine’s comment on how friends are weapons, as well as Sunday’s own research on the Avgins, leading him to find out about the negative stereotypes associated with them. • “Do you love your family more than yourself?” — His lost parents. “All the Avgins were killed in a massacre. Am I right?” — Based on Sunday’s research into his background. • “Are you your clan’s sole survivor?” — Same as the last point. “Do you hate and wish to destroy this world with your own hands?” — Ratio mentioned the IPC’s goal to regain Penacony, and Aventurine’s whole shtick is “all or nothing”. • “Can you swear that at this very moment, the aventurine stone is safe and sound in this box?” — Repeat.
As seen here, both duos have convoluted plans that involve the deception of one or more parties while also pretending that the relationship between each other isn’t as close as in reality. Unless you knew both of them personally and their histories, there was no way you could tell that they have something else going on. 
On to the next point: Comparing Aventurine and Ratio with Phyllis and Neff.
[NEFF & PHYLLIS — RATIO & AVENTURINE]
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With the short summaries of the movie and the mission out of the way, let’s look at Phyllis and Neff as characters and how Aventurine and Ratio are similar or opposite to them.
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Starting off with Aventurine and Phyllis. Here is where they are the most similar:
Phyllis is blonde and described as a provocative woman. Aventurine is also a blond and eyes Ratio provocatively in the Final Victor light cone.
Phyllis was put under surveillance after Keyes starts figuring out that the so-called accidental death/suicide may have been a murder after all. Similarly, Aventurine was watched by Sunday the entire time in Penacony.
Phyllis never tells Neff how she's seeing another man on the side to possibly kill him too (as well as how she was responsible for the death of her husband‘s previous wife). Aventurine also didn't tell Ratio the entirety of his plan of his own death.
Phyllis puts on a somewhat helpless act at first but is incredibly capable of making things go her way, having everything seemingly wrapped around her finger. Aventurine — even when putting on a facade that masks his true motives — always comes out at the top.
Now the differences between Aventurine and Phyllis:
Phyllis does not care about her family and has no issue with killing her husband, his previous wife, and possibly her daughter Lola. Opposite of that, Aventurine is a family man… with no family left, as well as feeling an insane level of survivor’s guilt.
Really, Phyllis just… does not care at all about anyone but herself and the money. Aventurine, while he uses every trick in the book to get out on top, does care about the way Jade and Topaz had entrusted him with their Cornerstones, in spite of the stones being worth their lives. 
Phyllis also uses other people to her advantage to get what she wants, often behind other people's backs, with the way she treats Neff and Zachette. Aventurine does as well (what with him making deals with the Trailblazer while also making a deal with Black Swan that involves the Trailblazer). The difference here is Phyllis uses her allure deliberately to seduce men while Aventurine simply uses others as pawns while also allowing others to do the same to himself.
Phyllis makes no attempt at compromising the policy when questioned by Norton. Aventurine ends up compromising by only taking the gift money (which is exactly what he needs).
The wig that Barbara Stanwyck (the actress of Phyllis) wore was chosen to make her look as “sleazy” as possible, make her look insincere and a fraud, a manipulator. A sort of cheapness. Aventurine’s flashy peacock-esque outfit can be sort of seen as something similar, except the outfit isn’t cheap.
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Moving on to Ratio’s similarities to Neff… There isn’t much to extrapolate here as Ratio is more of a side character in the grand scheme of Penacony, however this is what I’ve figured out.
Neff has dark hair. Ratio has dark purple hair.
Neff almost never refers to Phyllis by her name when speaking with her, only as “baby”. The few times he refers to her as Phyllis or Mrs. Dietrichson is during their first conversations and when he has to act like he doesn’t know her. Ratio never calls Aventurine by his name when he’s around him — only as “gambler”, sometimes “damned” or “dear” (EN-only) gambler. Only in the Aventurine's Keeping Up With Star Rail episode does Ratio repeatedly say his name, and yet he still calls him by monikers like “gambler” or, bafflingly, a “system of chaos devoid of logic”.
Both Neff and Ratio committed two betrayals: Neff on Mr. Dietrichson and Keyes, and Ratio on Sunday and Aventurine. With the former cases it was to reach the end of the trolley line, and with the latter it was on a man who had put his trust in him.
As for the differences…
Neff is described as someone who’s not smart by his peers. Ratio is someone who is repeatedly idolised and put on a pedestal by other people.
Neff is excellent at pretending to not know nor care for Phyllis whenever he speaks about her with Keyes or when he and she are in a place that could land them in hot water (the office, the mansion when there are witnesses). His acting is on the same level as Phyllis. With Ratio it’s… complicated. While he does pull off the hater act well, he straight up isn’t great at pretending not to care about Aventurine’s wellbeing.
Instead of getting his gunshot wound treated in the hospital like a normal person, Neff makes the absolutely brilliant decision of driving to his office and talking to a dictaphone for hours. Needless to say, this is something a medical doctor like Ratio would never do.
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Now here's the thing. Though it's very easy to just look at Phyllis and Neff in the movie and go "okay, Aventurine is Phyllis and Ratio is Neff — end of story" and leave it at that, I find that they both take from the two leads in different ways. Let me explain. Beginning with Aventurine and Neff…
Neff is the one who hatches the plan and encourages Phyllis to go through and claim the double indemnity clause in the first place. He is also the key player of his own risky plan, having to fake being the husband to enter the train as well as fake the death. Aventurine puts himself at great risk just by being in Sunday’s presence, and hoping that Sunday wouldn’t figure out that the green stone he had uncovered wasn’t the aventurine stone.
Adding onto the last point, Neff had fantasised about pulling off the perfect murder for a long time — the catalyst was simply him meeting Phyllis. Aventurine presumably sought out Ratio alone for his plan against Sunday.
Neff makes a roulette wheel analogy and talks about a pile of blue and yellow poker chips (the latter in the script only). I don‘t even have to explain why this is relevant here. (Aventurine’s Ultimate features a roulette wheel and the motif is on his belt, thigh strap, and back, too. And of course, Aventurine is all about his chips.)
Neff has certain ways to hide when he’s nervous, which include hiding his hands in his pockets when they were shaking, putting on glasses so people couldn’t see his eyes. Aventurine hides his left hand behind his back when he’s nervous: Future Aventurine says that "they don't know the other hand is below the table, clutching [his] chips for dear life", and in multiple occasions such as the Final Victor LC, his character trailer, and even in his boss form in the overworld you can see that Aventurine hides his left hand behind his back. And he is also seen with his glasses on sometimes.
Neff says a bunch of stuff to make sure that Phyllis acts her part and does not act out of character (i.e. during their interactions at the market), like how Aventurine repeatedly tries to get Ratio back on track from his subpar acting.
Neff is always one step ahead of the game, and the only reason the plan blows up in his face is due to outside forces that he could not have foreseen (a witness, Keyes figuring out the plan, the broken leg). Aventurine meanwhile plays 5D chess and even with the odds against him, he uses everything he can to come out on the top (i. e. getting Acheron to kill him in the dream).
Even after coming home on the night of the murder, Neff still felt that everything could have gone wrong. Aventurine, with his blessed luck, occasionally wavers and fears everything could go wrong whenever he takes a gamble.
Neff was not put under surveillance by Keyes due to him being extensive with his alibi. After witnessing Robin’s death with eyewitnesses at the scene, the Family had accepted Aventurine’s alibi, though he would be under watch from the Bloodhounds according to Ratio.
Neff talks about the entire murder scheme to the dictaphone. Aventurine during Cat Among Pigeons also retells his plan, albeit in a more convoluted manner, what with his future self and all.
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Continuing with Ratio and Phyllis, even with their personalities and motivations being quite different, they do have a few commonalities.
Phyllis was a nurse. Ratio is a medical doctor.
Her name is Greek of origin. Veritas Ratio, though his name is Latin, has Greco-Roman influences throughout his entire character.
The very first scene Phyllis appears in has her wearing a bath towel around her torso. Ratio loves to take baths to clear his mind.
Phyllis was instructed by Neff to be at the market every morning at eleven buying things. Ratio is seen in an auction house with his alabaster head on so no one could recognize him.
Phyllis mostly acts as an accomplice to the scheme, being the one to convince her husband to take the train instead. She is also generally seen only when Neff is involved. Ratio plays the same role as well, only really appearing in the story in relation to Aventurine as well as being the accomplice in Aventurine’s own death. Even him standing in the auction house randomly can be explained by the theory that he and Aventurine had attempted to destabilise Penacony’s economy through a pump and dump scheme.
With these pointers out of the way, let’s take a closer look at select scenes from the film and their relation to the mission and the pair. 
[THE PHONE CALL — THE REVERIE HOTEL]
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Before the murder, there is a scene with a phone call between Phyllis and Neff discussing the plan while Keyes is in the same room as Neff. Neff has to make sure that Keyes doesn’t think of anything of the phone call, so he acts like he’s calling a “Margie”, and says a bunch of stuff that sounds innocent out of context (“Can’t I call you back, ‘Margie’?” “What color did you pick out?” “Navy blue. I like that fine”), but are actually hinting at the real plan all along (the suit that Mr. Dietrichson wears.)
In a roundabout way, the conversation between Ratio and Aventurine in the Reverie Hotel can be seen as the opposite of that scene — with the two talking about their supposed plan out loud on Penacony ground, a place where the Family (and in turn, Sunday) has eyes everywhere. Despite being in a “private” room, they still act like they hate each other while airing out details that really do not make sense to air out if they really did meet the first time in Penacony (which they didn’t — they’ve been on several missions beforehand). It’s almost like they want a secret third person to know what they were doing, instead of trying to be hushed up about it. The TVs in the room that Sunday can look through based on Inherently Unjust Destiny — A Moment Among The Stars, the Bloodhound statue that disappears upon being inspected, the owl clock on the left which side eyes Ratio and Aventurine, all point to that Sunday is watching their every move, listening to every word.
Rewinding back to before the phone call, in one of the encounters at the marketplace where they “accidentally” run into each other, Phyllis talks about how the trip was off. How her husband wouldn’t get on the train, which was vital for their plan, because of a broken leg. All this, while pretending to be strangers by the passersby. You could say that the part where Ratio almost leaves because Aventurine had “ruined the plan” is the opposite of this, as the husband breaking his leg was something they couldn’t account for, while Aventurine “being short of a few feathers” was entirely part of the plan.
[QUESTIONING PHYLLIS — THE INTERROGATION]
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This section is going to be a little longer as I will cover two scenes in the movie in a more detailed manner — Mr. Dietrichson signing the policy, and Phyllis being questioned — and how they are represented in the Sunday-Aventurine interrogation and the prior conversation between Ratio and Sunday in multitudes of ways.
Going about their plan, Neff has to make sure that Mr. Dietrichson signs the policy with the double indemnity clause without him knowing the details, all the while having Phyllis (and Lola) in the same room. He and Phyllis have to pretend that they don’t know each other, and that this is just the standard accidental insurance process, instead of signing what would be his downfall. To sell it, he gets Mr. Dietrichson to sign two “copies” of the form, except with Mr. Dietrichson’s second signature, he’s duped into signing the accident insurance policy with the respective clause.
You can tie this to how Ratio goes to Sunday in order to “expose” the lie that the suitcase didn’t actually contain the Aventurine Cornerstone, as well as there being more than one Cornerstone involved in the scheme. Ratio must make sure that Sunday truly believes that he dislikes Aventurine’s company, while also making sure that Sunday doesn’t figure out the actual aventurine stone is broken and hidden in the gift bag. The scheme turns out to be successful, as Sunday retrieves the two Cornerstones, but not the aventurine stone, and truly does think that the green stone he has in his possession is the aventurine.
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This whole scene with Sunday is also reminiscent of the interrogation scene in the middle of the movie, where Phyllis was questioned by the boss (Norton) who was deducing that Mr. Dietrichson's death was a suicide, not accidental death. Neff, Phyllis, Keyes and Norton were all in the same room, and Neff and Phyllis had to act like they never knew the other. Phyllis acts like she knows nothing about what Norton insinuates about her husband and eventually, Phyllis explodes in anger and storms out the room, even slamming the door. Her act is very believable to any outsider.
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Now back to the Ratio and Sunday conversation. One glaring difference between the movie and here is that his acting isn’t great compared to either Phyllis nor Neff. It never was throughout the Penacony mission. He even comes very close to breaking character several times, and is even defending Aventurine in a somewhat aggressive manner during his one-on-one conversation with Sunday, as in he literally tells Sunday to see a shrink. It’s very different from the way he was acting in Herta Space Station — like Ratio cares about Aventurine too much to keep his hands off.
It's also worth pointing out that Neff doesn't speak a word when Phyllis was being interrogated. Similarly, Ratio is silent throughout the entire scene with Sunday and Aventurine, with his only “line” being a “hm”. When Aventurine calls him a wretch to his face, all he does is look to the side. In fact, he can only look at Aventurine when the other isn’t staring back. Almost like him uttering a single word would give them away. Or his acting is terrible when it has to do with Aventurine, as he has no issue doing the same thing in Crown of the Mundane and Divine (Mundane Troubles).
So, Sunday finds out about the Cornerstones and reveals them to Aventurine, and reasons that he cannot give them back to him because Aventurine had lied. Note that in that same scene, Aventurine attempted to use the two murders that had occurred beforehand against Sunday to retrieve his own cornerstone. Similarly, when it was revealed that Mr. Dietrichson did not know about the accident policy and that the so-called “accidental death” was not, in fact, accidental, the insurance company refused to pay out the money.
Unlike the movie, this was all planned, however. The double-crossing by Ratio, the gift money being the only thing required for Aventurine’s real plan. All of it was an act of betrayal against Sunday, in the same manner as the meticulous planning as Mr. Dietrichson’s murder — To sign the policy, get him to take the train, kill him on the way, and to have Neff pose as the husband on the train until the time is right to get off and lay the body on the tracks. A key difference is that they could not have expected their scheme to be busted wide open due to forces outside of their control, while Ratio and Aventurine went straight down the line for the both of them no matter what.
From here on out, we can conclude that the way Ratio and Aventurine present themselves in Penacony to onlookers is in line with Neff and Phyllis.
[“GOODBYE, BABY” — FINAL VICTOR]
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And now for the (in)famous light cone, Final Victor. The thing that truly kickstarted the Ratio and Aventurine ship in the fanbase, and the partnership between the two in general. It’s a direct reference to the final confrontation between Neff and Phyllis in the movie.
I’ll fire through all the similarities between the two scenes.
During the respective scenes, Aventurine and Phyllis both outsmart their partner one way or the other: Aventurine with his one-sided game of Russian Roulette, and Phyllis hiding her gun underneath the cushions until Neff turned away.
The guns are owned by Phyllis and Aventurine, not Neff and Ratio.
Phyllis couldn’t bring herself to fire any more shots after she realised she truly did love Neff. Ratio could do nothing but watch as Aventurine did what he did — he couldn’t even pull away if the LC animation is anything to go by him struggling as Aventurine firmly keeps the gun to his chest.
Neff says he doesn’t buy (believe) that Phyllis loved him. She then goes “I’m not asking you to buy […]”. The LC description has Aventurine ask Ratio “You don’t believe me?”, while in the LC animation Ratio straight up says “You expect me to believe you?” and Aventurine answering “Why not, doctor/professor?”
The visual composition of the LC and the scene are nearly identical, from the lighting to the posing to the way Aventurine looks at Ratio — Aventurine and Ratio are even wearing different outfits to fit the scene better. The background in the LC is also like the blinders in the movie, just horizontal.
In the shot where Phyllis’ face is more visible, the way she looks at Neff is strikingly like the way provocatively looks at Ratio. Even their eyes have a visible shine — Phyllis’ eyes brightly shining the moment she realised she really fell in love with Neff, and Aventurine having just a little light return to his eyes in that specific moment.
And now the differences!
Neff holds the gun in his right hand. Aventurine makes Ratio hold his gun in his left.
Neff is the one who takes the gun from Phyllis‘ hand. Aventurine is the one who places the gun in Ratio’s hand and fires it.
Three gunshots are fired. In the movie, Phyllis shoots the first shot and Neff the second and third. Aventurine unloads the gun and leaves only one bullet for this game of Russian Roulette. He pulls the trigger three times, but they all turn out to be blanks.
Phyllis does not break her façade of not smiling until the very last moment where she gets shot. Aventurine is smiling the entire time according to the light cone description, whilst in the animation, it’s only when he guides the gun to his chest that he puts it on.
So, you know how Neff meets Phyllis and it all goes off the rails from there. The way Neff goes from a decent guy to willingly involve himself in a murder scheme, having his morals corrupted by Phyllis. His world having been turned upside down the moment he lays eyes on Phyllis in that first meeting. Doesn’t that sound like something that happened with the Final Victor LC? Ratio, a man all about logic and rationality — a scholar with eight PhDs to his name — all of that is flipped on its head the moment Aventurine pulls out his gun in their first meeting and forces Ratio to play a game of Russian roulette with him. Aventurine casually gambles using his own life like it’s nothing and seemingly without fear (barring his hidden left hand). All or nothing — and yet Aventurine comes out alive after three blanks. Poetic, considering there’s a consumable in the game called “All or Nothing” which features a broken chess piece and a poker chip bound together by a tie. The poker chip obviously represents the gambler, but the chess piece specifically stands for Ratio because he plays chess in his character trailer, his Keeping Up With Star Rail episode and his introduction is centred around him playing chess with himself. Plus, the design of the chess piece has golden accents, similar to his own chess set. In the end, Aventurine will always be the final victor.
Furthermore, Neff had deduced that Phyllis wanted to kill her husband and initially wanted no part in it, but in a subsequent visit it was his own idea that they trigger the double indemnity clause for more money. As the movie progresses though, he starts to have his doubts (thanks in part to him befriending Lola) and makes the move to kill Phyllis when everything starts to come to light. It’s strikingly similar to how Ratio initially wanted no part in whatever Aventurine had in mind when they first met, but in the subsequent missions where they were paired up, he willingly goes along with Aventurine's risky plans, and they come to trust each other. Enough so that Aventurine and Ratio can go to Penacony all on their own and put on an act, knowing that nobody in the IPC other than them can enter the Dreamscape. The mutual respect grew over time, instead of burning passionately before quickly fizzling out like in the movie.
Basically, in one scene, three shots (blanks) start a relationship, and in the other, it ends a relationship. In the anan magazine interview with Aventurine, he says himself that “form[ing] an alliance with just one bullet” with Ratio was one of his personal achievements. The moment itself was so impactful for both parties that it was immortalised and turned into a light cone.
[THE ENDING — GOLDEN HOUR]
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The ending of Double Indemnity that made it into the final cut has Neff continue his confession on the dictaphone until he realised that he wasn’t alone in the room. Keyes had come inside at some point, but none had said a thing, only listening to a dead man speak of his crime. When Neff sees Keyes, they talk for a moment, Neff says he plans on fleeing to Mexico. Keyes does not think he will make it. He tries to leave, only to collapse at the front of the elevator, Keyes following just behind him. Neff attempts to light a cigar but is too weak to do so, so Keyes does it for him.
Parts of the ending can still be attributed to the interrogation scene between Sunday and Aventurine, so I’ll make this quick before moving on to the conversation in Heaven Is A Place On Earth, Ratio and Aventurine’s final conversation together. Once Sunday mentions how quickly Aventurine gave up the suitcase, he inflicts the Harmony’s consecration on him, which forces Aventurine to confess everything that Sunday asks of. In a way, it’s the opposite of what happens in the movie — where Neff willingly tells the truth about the murder to his coworker. Aventurine does not like Sunday, and Neff is close to Keyes. Ratio also does not speak, similarly to how Keyes didn’t speak and stood silently off to the side.
Post-interrogation in Golden Hour, Ratio worriedly prods at Aventurine and asks him about his plan. He then gives him the Mundanite’s Insight with the Doctor’s Advice inside when Aventurine tells him to leave. Throughout Heaven Is A Place On Earth, Aventurine gets weaker and his head starts to buzz, until he falls to the ground before he can hand in the final gems. Similarly, Neff progressively grows weaker as he records his confession. Keyes says he’s going to call a doctor and Neff says he’s planning to go to Mexico. And when Neff collapses near the elevator, they talk one final time and Keyes lights Neff’s cigar as the other was too weak to do so himself.
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[OPPOSITE TIMELINES AND DEVELOPMENTS]
Remember how I said the way certain events happen in the movie and the game are mostly opposite and reverse of one another? 
The Final Victor LC is the first meeting of Ratio and Aventurine, and Neff killing Phyllis is their final meeting.
Between that first and last meeting between Phyllis and Neff’s whirlwind romance, their relationship becomes strained which ultimately leads to Neff not trusting whatever Phyllis has to say at the end point of the movie. As for Ratio and Aventurine, the exact opposite had happened, to the point where Ratio trusts Aventurine enough to go along with his plans even if they went against his own ideals. The basis of the mission involved Veritas Ratio, whose full name includes the Latin word for “truth”, lying the entire time on Penacony.
Aventurine is sentenced to the gallows by Sunday after his unwilling interrogation. The movie starts and ends with Neff willingly confessing everything to Keyes.
It bears repeating, but I have to make it so clear that the trust between Ratio and Aventurine runs incredibly deep. Being able to predict what your partner says and thinks and plans in a mission as critical as the Penacony project is not something first-time co-workers can pull off flawlessly. All the while having to put on masks that prevent you from speaking sincerely towards one another lest you rat yourselves out. You have no way of contacting outside reinforcements from within Penacony, as the rest of the IPC are barred from entering. To be able to play everybody for fools while said fools believe you yourselves have handed your case on a silver platter requires a lot — trust, knowledge of the other, past experience, and so on. With Phyllis and Neff, the trust they had had been snuffed out when Neff grew closer to Lola and found out what kind of person Phyllis truly was on the inside. Phyllis did not trust nor love Neff enough and was going behind his back to meet with Zachette to possibly take Neff and Lola out. And the whole reason Neff wanted to perpetrate the murder was due to him being initially taken by Phyllis' appearance, which single handedly got the ball rolling on the crime.
Now then, how come trust is one of the defining aspects of Aventurine and Ratio’s relationship, when Phyllis and Neff’s trust eventually lead to both their deaths at the hands of the other? Sure, this can be explained away with the opposite theory, but there’s one other relationship involving Neff which I haven’t brought up in excruciating detail yet. The other side of Ratio and Aventurine’s relationship.
[NEFF & KEYES — AVENTURINE & RATIO]
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Here is where it gets more interesting — while Phyllis and Neff are at the centre point of the movie, there is another character to whom Neff has a close relationship with — Keyes. It’s also the only relationship with no pretences, at least, until the whole murder thing happened and Neff had to hide his involvement from Keyes. Watching the movie, I couldn't help but feel there was something more to the two than meets the eye. I knew that queer readings of the film existed, but I didn't think too much of them until now. And though Aventurine and Ratio parallel Phyllis and Neff respectively, the fact that they also have traits of their opposite means that it wouldn’t be completely out of the question if parts of their relationship were also influenced by Keyes and Neff on a deeper and personal level. Let me explain.
Keyes and Neff were intimate friends for eleven years and have shown mutual respect and trust towards one another. They understood each other on a level not seen with Phyllis and Neff. Even after hearing Neff confess his crimes through the dictaphone (and eventually standing in the same room while Neff confessed), he still cared for the other man, and stayed with him when Neff collapsed at the front door. The only reason Keyes hadn’t deduced that it was Neff who was behind the murder was because he had his absolute trust in him. Keyes is also Neff’s boss, and they are always seen exchanging playful banter when they are on screen together. Neff even says the words “I love you, too” twice in the movie — first at the beginning and second at the end, as the final line. There’s also the persistent theme of Neff lighting Keyes’ cigarettes (which happens in every scene where they are face-to-face), except in the end where it’s Keyes who lights Neff’s.
Doesn’t that sound familiar? Mutual respect, caring too much about the other person, the immense amount of trust… Ratio says he’s even the manager of the Penacony project (which may or may not be a lie), and despite their banter being laced with them acting as “enemies”, you can tell that in Dewlight Pavilion pre-Sunday confrontation that Aventurine genuinely likes Ratio’s company and believes him to be a reliable person. From the way he acts carefree in his words to the thoughts in his head, as seen in the mission descriptions for Double Indemnity. Their interactions in that specific mission are possibly the closest thing to their normal way of speaking that we get to see on Penacony.
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Not to mention, this is the way Neff describes Keyes. He even says (not in the script) “you never fooled me with your song and dance, not for a second.” Apart from the line about the cigar ashes, doesn’t this ring a bell to a certain doctor? “Jerk” with a heart of gold?
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After solving the puzzle with the statues, Ratio jokingly offers Aventurine to join the Genius Society. Aventurine then goes "Really? I thought you’ve given up on that already", and then Ratio says it was, in fact, a joke. Solving the puzzle through brute force has Ratio telling Aventurine that the Council of Mundanites (which Ratio himself is a part of) should consider him a member. In the movie, where the scene with the phone call with Neff and Phyllis reiterating details of their plan happens, Keyes actually offered Neff a better job (specifically a desk job, as Keyes’ assistant). The two pairs saw the other as smart, equals, and were invested in each other’s careers one way or another.
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Because of all this, the character parallels for this side of the relationship are as follows:
Aventurine - Walter Neff
Veritas Ratio - Barton Keyes
With the way I’ve talked about how Aventurine and Ratio take from both leads in terms, it does fit to say that Aventurine is Neff, and Ratio is Keyes in this layer of their relationship. Since we’re on the topic of Keyes, let me also go through some similarities with him and Ratio specifically.
Keyes says the words “dimwitted amateurs” in his first on-screen conversation with Neff. You can’t have Dr. Ratio without him talking about idiocy in some way.
Keyes almost only appears in the movie in relation to Neff, and barring a single interaction in Neff’s house, is also only seen in the office. Same with Phyllis, Ratio also only ever appears regarding Aventurine.
Keyes genuinely wanted the best for Neff, even offering to celebrate with him when he thought the case truly had been busted wide open by forces when Zachette entered the picture. You could say the same for Ratio, as he hoped that Aventurine wouldn’t dwell on the past according to his response on Aventurine’s Interview, as well as telling him to “stay alive/live on (CN)” and wishing him the best of luck in his Doctor’s Advice note.
Whether or not you believe that there was more going on with Neff and Keyes is up to you, but what matters is that the two were very close. Just like Ratio and Aventurine.
[THE ORIGINAL FILM ENDING]
Something that I hadn’t seen brought up is the original ending of Double Indemnity, where Neff is executed in a gas chamber while Keyes watches on, shocked, and afterwards leaves somberly. The ending was taken out because they were worried about the Hays Code, but I felt it was important to bring it up, because in a way, you can kind of see the Sunday interrogation scene as Sunday sending Aventurine to his death in seventeen system hours. And Ratio doesn’t speak at all in that scene, and Keyes doesn’t either according to the script.
Another thing that’s noteworthy is that Wilder himself said “the story was about the two guys” in Conversations with Wilder. The two guys in question are Keyes and Neff.
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[THE NOVEL]
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With the original film ending covered, now it is time to bring up the novel by James M. Cain. I bought the book just to read about the differences between the adaptation and the original source material, and to list a few more similarities and opposites I could gather. For this section alone, due to the changes in the (last) names of certain characters, I will be referring to Walter Huff (Neff in the movie) as Walter, and Mr. Dietrichson as Nirdlinger. The plot is pretty much the same as the movie’s apart from a couple of changes so there isn’t a need to recount everything.
From my two read-throughs of the novel, these are the following passages that stood out to me the most. Starting with Aventurine:
Walter, as a top businessman of the company, knows how to sway a deal and to get what he truly wants with what the other gives him. Aventurine is the same, reliant on his intuition, experience and whatever information he has on the table to claim the win. Him luring out Sparkle in Heaven Is A Place On Earth and his conversation with Acheron in the Nihility is indicative of that.
• "But you sell as many people as I do, you don't go by what they say. You feel it, how the deal is going. And after a while I knew this woman didn't care anything about the Automobile Club. Maybe the husband did, but she didn't. There was something else, and this was nothing but a stall. I figured it would be some kind of a proposition to split the commission, maybe so she could get a ten-spot out of it without the husband knowing. There's plenty of that going on. And I was just wondering what I would say to her." 
Phyllis, like in the movie, had been hiding her true intentions of talking to Walter in their first conversations, always saying things that she didn’t actually mean. In a similar vein, Aventurine consistently says stuff but almost never truly means any of it, which is all part of his façade.
• "And I could feel it again, that she wasn't saying what she meant. It was the same as it was the first afternoon I met her, that there was something else, besides what she was telling me. And I couldn't shake it off, that I had to call it on her."
When discussing the murder plan with Phyllis, Walter makes this comment, kind of like how Aventurine seems to operate in a way where he has a plan, but is ready to improvise and think fast when needed.
• "And then it's one of those things where you've got to watch for your chance, and you can't plan it in advance, and know where you're going to come out to the last decimal point."
Remember the roulette wheel line from the movie? In the novel, the gambling metaphor that Walter makes about the insurance business goes on for two paragraphs, mentioning a gambling wheel, stack of chips, a place with a big casino and the little ivory ball, even about a bet on the table. Walter also talks about how he thinks of tricks at night after being in the business for so long, and how he could game the system. Needless to say, insanely reminiscent of Aventurine.
• "You think I’m nuts? All right, maybe I am. But you spend fifteen years in the business I’m in, and maybe a little better than that, it’s the friend of the widow, the orphan, and the needy in time of trouble? It’s not. It’s the biggest gambling wheel in the world. It don’t look like it, but it is, from the way they figure the percentage on the oo to the look on their face when they cash your chips. You bet that your house will burn down, they bet it won’t, that’s all. What fools you is that you didn’t want your house to burn down when you made the bet, and so you forget it’s a bet. To them, a bet is a bet, and a hedge bet don’t look any different than any other bet. But there comes a time, maybe, when you do want your house to burn down, when the money is worth more than the house. And right there is where the trouble starts." • "Alright, I’m an agent. I’m a croupier in that game. I know all their tricks, I lie awake thinking up tricks, so I’ll be ready for them when they come at me. And then one night I think up a trick, and get to thinking I could crook the wheel myself if I could only put a plant out there to put down my bet." • "I had seen so many houses burned down, so many cars wrecked, so many corpses with blue holes in their temples, so many awful things that people had pulled to crook the wheel, that that stuff didn’t seem real to me anymore. If you don’t understand that, go to Monte Carlo or some other place where there’s a big casino, sit at a table, and watch the face of the man that spins the little ivory ball. After you’ve watched it a while, ask yourself how much he would care if you went out and plugged yourself in the head. His eyes might drop when he heard the shot, but it wouldn’t be from the worry whether you lived or died. It would be to make sure you didn’t leave a bet on the table, that he would have to cash for your estate. No, he wouldn’t care."
Returning home from the murder, Walter attempted to pray, but was unable to do it. Some time passed and after speaking to Phyllis, he prayed. Aventurine presumably hadn’t done the prayer ever since the day of the massacre, and the first time he does it again, he does it with his child self.
• "I went to the dining room and took a drink. I took another drink. I started mumbling to myself, trying to get so I could talk. I had to have something to mumble. I thought of the Lord's Prayer. I mumbled that, a couple of times. I tried to mumble it another time, and couldn't remember how it went." • "That night I did something I hadn’t done in years. I prayed."
Phyllis in the book is much more inclined towards death than her movie version, even thinking of herself as a personification of death. She’s killed ten other people (including infants) prior to the events of the novel. Something to keep in mind as Aventurine had mentioned several times that he attempted to kill himself in the dream, plus his leadup to his “grandest death”. Just like Phyllis, he’s even killed at least a few people before, though the circumstances of that were less on his own volition and more so for the sake of his survival (i.e. the death game in the maze involving the 34 other slaves where he was the winner and another time where he murdered his own master). Instead of Phyllis playing the active role of Death towards everybody else, Aventurine himself dances with Death with every gamble, every time his luck comes into play. Danse Macabre.
• "But there’s something in me, I don’t know what. Maybe I’m crazy. But there’s something in me that loves Death. I think of myself as Death, sometimes." • "Walter, The time has come. For me to meet my bridegroom [Death]. The only one I ever loved."
Moving on to Ratio:
Walter says several times that it’s hard to get along with Keyes, and how he says nice things after getting you all worked up. A hard-headed man to get along with, but damn good at his job. Sound like someone familiar?
• "That would be like Keyes, that even when he wanted to say something nice to you, he had to make you sore first."  • "It makes your head ache to be around him, but he’s the best claim man on the Coast, and he was the one I was afraid of."
Keyes sees Walter as smarter than half the fools in the company. Ratio can only stand the company of Aventurine in regards to the IPC.
• "Walter, I'm not beefing with you. I know you said he ought to be investigated. I've got your memo right here on my desk. That's what I wanted to tell you. If other departments of this company would show half the sense that you show—" • "Oh, he confessed. He's taking a plea tomorrow morning, and that ends it. But my point is, that if you, just by looking at that man, could have your suspicions, why couldn't they—! Oh well, what's the use? I just wanted you to know it."
After going on a rant about the H.S. Nirdlinger case (Phyllis’ husband) and how Norton is doing a horrible job, he ends it by saying that it’s sheer stupidity. “Supreme idiocy”, anybody?
• "You can’t take many body blows like this and last. Holy smoke. Fifty thousand bucks, and all from dumbness. Just sheer, willful, stupidity!"
Phyllis’ former occupation as a nurse is more elaborated on, including her specialization — pulmonary diseases. One of Ratio’s crowning achievements is curing lithogenesis, the “King of Diseases”.
• "She’s one of the best nurses in the city of Los Angeles. […] She’s a nurse, and she specialized in pulmonary diseases. She would know the time of crisis, almost to a minute, as well as any doctor would."
As for the murder scheme, they talk about it a lot more explicitly in the novel. Specifically, Walter mentions how a single person cannot get away with it and that it requires more people to be involved. How everything is known to the party committing the crime, but not the victim. And most importantly: Audacity.
"Say, this is a beauty, if I do say it myself. I didn't spend all this time in the business for nothing, did I? Listen, he knows all about this policy, and yet he don't know a thing about it. He applies for it, in writing, and yet he don't apply for it. He pays me for it with his own check, and yet he don't pay me. He has an accident happen to him and yet he don't have an accident happen to him. He gets on the train, and yet he don't get on it."
"The first is, help. One person can't get away with it, that is unless they're going to admit it and plead the unwritten law or something. It takes more than one. The second is, the time, the place, the way, all known in advance—to us, but not him. The third is, audacity. That's the one that all amateur murderers forget. They know the first two, sometimes, but that third, only a professional knows. There comes a time in any murder when the only thing that can see you through is audacity, and I can't tell you why."
"And if we want to get away with it, we've got to do it the way they do it, […]" "Be bold?" "Be bold. It's the only way."
"I still don't know—what we're going to do." "You'll know. You'll know in plenty of time."
"We were right up with it, the moment of audacity that has to be be part of any successful murder."
It fits the situation that Aventurine and Ratio find themselves in extremely well: For the first point— Aventurine would not be able to get away with simply airing out details by himself, as that would immediately cast suspicion on him. Having another person accompany him who not only isn’t really a part of the IPC in name (as the IPC and The Family have a strenuous relationship) but would probably be able to get closer to Sunday because of that means they can simply bounce off each other without risking as much suspicion with a one-man army. Which is exactly what Ratio and Aventurine do in the conversations they have on Penacony. Secondly — they knew how Sunday operates: as a control freak, he leaves no stone unturned, which is how he became Head of the Oak Family, so their acting required them to give off the impression that a. they hated each other, b. Ratio would go against Aventurine’s wishes and expose him in return for knowledge, c. there were only the two Cornerstones that were hidden. This would give Sunday the illusion of control, and lead to Sunday to lower his guard long enough for Aventurine to take the gift money in the end. The pair knew this in advance, but not Sunday. And thirdly — the plan hinged on a high-level of risk. From breaking the Aventurine Cornerstone, to hoping that Sunday wouldn’t find it in the gift bag, to not telling Ratio what the true plan is (meaning Ratio had to figure it out on his own later on), to Sunday even buying Ratio’s story, it was practically the only way they could go about it. “Charming audacity”, indeed.
An interesting aspect about the novel is that the ending of the novel is divergent from the movie’s final cut and the original ending: Phyllis and Walter commit suicide during a ferry ride to Mexico. The main reason this was changed for the movie was because of the Hays Code, and they wouldn’t allow a double suicide to be screened without reprecussions for criminals. There’s also a bunch of other aspects that differentiate the novel from the movie (no narration-confession as the confession happens in a hospital, less characterization for Keyes and instead a bigger focus on Lola and her boyfriend, the focus on the murderous aspect of Walter and Phyllis’ relationship instead of actual romance, Walter falling in love with Lola (with an unfortunately large age gap attached), etc.)
As for the ending, this wouldn’t even be the first romance media reference related to Aventurine and Ratio where both the leads die, with the other being The Happy Prince and San Junipero (in relation to the EN-only Heaven Is A Place On Earth reference), which I normally would chalk up as a coincidence, though with the opposite line-of-thought I have going on here (and the fact that it’s three out of four media references where the couple die at the end…), I think it’s reasonable to say that Ratio and Aventurine will get that happy ending. Subverting expectations, hopefully.
[THE HAYS CODE — LGBT CENSORSHIP IN CHINA]
I’ve brought up the Hays code twice now in the previous two sections, but I haven’t actually explained what exactly it entails.
The Hays Code (also known as the Motion Picture Production Code) is a set of rules and guidelines imposed on all American films from around 1934 to 1968, intended to make films less scandalous, morally acceptable and more “safe” for the general audiences. Some of the “Don’ts” and “Be Carefuls” include but are not limited to…
(Don’t) Pointed profanity
(Don’t) Inference of sex perversion (which includes homosexuality)
(Don’t) Nudity
(Be Careful) Sympathy for criminals
(Be Careful) Use of firearms
(Be Careful) Man and woman in bed together
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What does this have to do with a Chinese gacha game released in 2023? If you know a little bit about miHoYo’s past, you would know that pre-censorship laws being upheld to a much stronger and stricter degree, they had no problem showcasing their gay couples in Guns Girl Z (Honkai Gakuen 2/GGZ) and Honkai Impact 3rd, with the main three being Bronya/Seele, Kiana/Mei (admittedly the latter one is a more recent example, from 2023), and Sakura/Kallen. Ever since the Bronya and Seele kiss, censorship in regards to LGBT content ramped up, causing the kiss to be removed on the CN side, and they had to lay low with the way they present two same-sex characters who are meant to be together. They can’t explicitly say that two female or male characters are romantically involved, but they can lace their dynamics with references for those “in the know” — Subtext. Just enough to imply something more but not too much that they get censored to hell and back.
So what I’m getting at is this: The trouble that Double Indemnity had to go through in order to be made while also keeping the dialogue of Phyllis and Neff as flirtatious as they could under the Hays Code among other things is quite similar to the way Ratio and Aventurine are presented as of now. We never see them interact outside of Penacony (at least up until 2.2, when this post was drafted), so we can only infer those interactions specifically until they actually talk without the fear of being found out by Sunday. But, there’s still some small moments scattered here and there, such as when Aventurine goes near Ratio in the Dewlight Pavilion Sandpit, he exclaims that “the view here is breathtaking” (he can only see Ratio’s chest from that distance) and that Ratio could “easily squash [him] with just a pinch”. Ratio then goes “If that is your wish, I will do so without a moment’s hesitation.” Not to mention the (in)famous “Doctor, you’re huge!” quote.
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It’s not a coincidence that Ratio and Aventurine have three explicit references to romance media (Double Indemnity, Spellbound, Oscar Wilde’s The Happy Prince), possibly even four if you take the EN-only Heaven Is A Place On Earth as a reference to Black Mirror’s San Junipero. It’s not a coincidence that the storylines or characters of said references parallel the pairing, from surface-level to deep cuts. It’s not a coincidence that the CN voice actors were asked to “tone it down” by the voice director when it came to their chemistry. It’s not a coincidence that Aventurine has only flirted with (three) men throughout Penacony, even referring to a Bloodhound NPC as a “hunk of a man” inside his thoughts, all the while ignoring Himeko and Robin when it came to their looks — women who are known across the cosmos with a myriad of adoring fans. There are so many other so-called “coincidences” related to the two that you could make an iceberg just based on versions 2.0-2.2 as well as content miHoYo themselves have put out on social media. They absolutely knew what they were doing, and were trying to get their point across through subtle means — the extent they went to with the Double Indemnity reference while also keeping it under wraps from a “surface” level point of view is proof of this — the implications are there if you take the time to look for them, and are simply hard to ignore or deny once you do find them.
[CONCLUSION]
This was supposed to be short considering the other analyses I’ve seen were also pretty short in comparison, but I couldn’t get the movie out of my head and ended up getting carried away in the brainrot. I hope you could follow along with my line of thinking, even with the absurd length of this post, and the thirty-image limit. I tried to supplement context with some links to videos and wiki pages among other sources wherever I can to get around it.
I will end it with this though — the love in the movie turned out to be fake and a farce, going off track from what was a passionate romance in the beginning because of the murder scheme. Meanwhile, the whole reason why Ratio and Aventurine can pull off whatever they want is because of their immense trust in one another. What was initially shown to be distrust in the Final Victor LC grew into something more, for Ratio, someone who would have never put faith into mere chance and probability before this, put his trust in Aventurine, of all people.
TL;DR — (I get it, it’s over ten thousand words.)
Not only is the relationship between Neff and Phyllis represented in the deception and acting side of Ratio and Aventurine, but the real and trusting side is shown in Neff and Keyes. They have a fascinating, multi-layered dynamic that is extremely fun to pick apart once you realise what’s going on underneath the bickering and “hatred” they display.
Many thanks to Manya again for making the original thread on the movie. I wouldn’t be here comparing the game and movie myself if it weren’t for that.
By the way, I really do believe that Shaoji totally watched this movie at least once and really wanted that Double Indemnity AU for his OCs. I know exactly how it feels.
Other points I'd like to mention that didn't fit anywhere else in the main analysis and/or don’t hold much significance, have nothing to do with the Penacony mission, or may even be considered reaching (...if some of the other points weren’t). Just some potentially interesting side bits.
Phyllis honks three times to signal Neff to go for the kill. That, and the three gunshots in the confrontation. Aventurine is all about the number three.
The height difference Aventurine and Ratio have going on is close to Phyllis and Neff’s.
Phyllis had killed her husband’s previous wife and went on to marry Mr. Dietrichson, pretty much taking the wife’s place. Aventurine killed his previous master, and had taken certain attributes from him like his wristwatch and the rings on his hand and the “all or nothing” mantra.
When calling Ratio a wretch (bastard), Aventurine smiles for a moment. This is exclusive to the EN, KR and JP voiceovers, as in CN, he does not smile at all. (Most definitely a quirk from the AI they use for lip syncing, but the smile is something that’s been pointed out quite a few times so I thought I’d mention it here.)
Sunday specifically says in the CN version that he knew of Aventurine's plans the moment Aventurine left the mansion, meaning that he realized he had been played the fool the moment Ratio and Aventurine talked in Golden Hour
In the description for the "All or Nothing" consumable, teenage Aventurine says this specific line: "Temptation is a virtue for mortals, whereas hesitation proves to be a fatal flaw for gamblers." According to Ratio, this is Aventurine's motto - he says as such in Aventurine's Keeping Up With Star Rail episode. Note that in the anan interview he explicitly says he does not have a motto, and yet Ratio in the video says otherwise. They definitely have to know each other for a while for Ratio to even know this.
A big reason why Neff even pulled off the murder scheme in the first place was because he wanted to see if his good friend Keyes could figure it out, the Mundane Troubles Trailblaze Continuance showcases Ratio attempting to teach the Herta Space Station researches a lesson to not trust the Genius society as much as they did.
In Keyes’ first scene he’s exposing a worker for writing a policy on his truck that he claimed had burnt down on its own, when he was the one who burnt it down. Ratio gets into an Ace Attorney-style argument with the Trailblazer in Mundane Troubles.
Neff talks repeatedly about how it won’t be sloppy. Nothing weak. And how it’ll be perfect to Phyllis, and how she’s going to do it and he’s going to help her. Doing it right — “straight down the line”. Beautifully ironic, considering what happens in the movie, and even more ironic as Ratio and Aventurine’s scheme went exactly the way they wanted to in the end. Straight down the line.
#honkai star rail#double indemnity#veritas ratio#aventurine#golden ratio#ratiorine#an attempt at analysis by one a-u#relationship analysis#you know what‚ i guess i can tag the other names of this ship#aventio#raturine#you could make a fucking tierlist of these names#um‚ dynamics (yk what i mean) dont really matter here in the analysis just fyi if youre wondering its general enough#also if you're wondering about the compilation thread - its not done. it'll take a while (a long while.)#this post was so long it was initially just a tumblr draft that i then put into google docs. and it ended up being over 2k+ words long#is this a research paper‚ thesis‚ or essay? who knows! this just started as just a short analysis after watching the movie on may 5#final word count according to docs (excluding alt text): 13013 - 43 pages with formatting#i wish i could have added more images to this‚ 10k words vs 30 images really is not doing me any favours…#plus‚ i hit the character limit for alt text for one of the images.#if you see me mixing up british and american spelling‚ you probably have!#oh yeah. if any of the links happen to break at some point. do tell. i have everything backed up#there also may be multiple links strung together‚ just so you know.#I link videos using the EN and CN voiceovers. Just keep that in mind if the jump between two languages seems sudden.#I had to copy and paste this thing from the original tumblr draft onto a new post because tumblr wouldn't let me edit the old one anymore.#Feels just like when I was finalising my song comic…#(Note: I had to do this three times.)#I started this at May 5 as a way to pass the time before 2.2. You can probably tell how that turned out.#Did you know there is a limit to the amount of links you can add to a single tumblr post? It's 100. I hit that limit as well.#So if you want context for some of these parts... just ask.#I'm gonna stop here before I hit the tag limit (30) as well LMAOO (never mind I just did.)
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