Baby Birds and Bat Caves
By IzzyMRDB
Complete
Summary:
Gotham was built on a cave system. Batman has referenced a Bat Cave before. Tim is currently in the cave system. He is in the cave system that he entered from Drake Manor. Drake Manor is right next door to where Batman- The Bruce Wayne- lives. Holy Cavern, Batman! Tim had just accidentally wandered into the Bat Cave’s cave system.
OR
Tim, having found a weird hole after a storm, decides to go exploring ignoring the fact that This Is Gotham and They Probably Have Cursed Stuff Down There.
Luckily, it was just a cave system that spans the entire Gotham underground. Unluckily, Tim is a very curious child.
(Stats/Tags are under the cut)
Rating: Teen And Up Audiences
Archive Warning: No Archive Warnings Apply
Category: Gen
Fandoms: Batman - All Media Types, Batman (Comics)
Relationships: Jason Todd & Bruce Wayne, Tim Drake & Bruce Wayne, Dick Grayson & Bruce Wayne, Tim Drake & Jason Todd, Tim Drake & Dick Grayson, Stephanie Brown & Tim Drake, Stephanie Brown & Cassandra Cain & Tim Drake, Tim Drake & Edward Nygma
Characters: Tim Drake, Jason Todd, Dick Grayson, Bruce Wayne, Barbara Gordon, Original Non-Human Character(s), Alfred Pennyworth, Stephanie Brown, Cassandra Cain, Edward Nygma
Language: English
Additional Tags: Caves, Fluff, Weird Gotham City, Tim Drake-centric, BAMF Tim Drake, Kid Tim Drake, the Bat Cave, Kids are so curious, Smart Tim Drake, Tim please stop running around in gothams cave systems, Stalker Tim Drake, Implied/Referenced Child Abuse, no beta we die like robin, Tiny Tim Drake, Tim Drake has the survival instincts of a wet paper bag, Crack Treated Seriously, Humor, Tim looking at the cave system under the city: you know this might as well happen, Bruce please stop him, Child Neglect, Bruce Wayne is a Good Parent, Inspired by Welcome to Night Vale, Hijinks & Shenanigans, Magic shennanigans, BAMF Stephanie Brown, BAMF Cassandra Cain, Edward Nygma Tries, Cryptid Tim Drake, Tim Drake is Crow, Tim Drake is Not Robin, Kid Fic, Stephanie Brown is Starling, Cassandra Cain is Black Bat, Cassandra Cain is Black Bird
Series: Part 1 of Gotham Caves and Reality Aberrations
Published: 2022-03-20
Completed: 2022-06-30
Words: 30,113
Chapters: 20/20
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DPxDC Prompt:
[this is a long one please forgive me]
Bruce lied to the others about his trip through time. Not all of it! Just…one specific thing.
During the early parts of his timeline hijinks, before Tim realized Bruce was still alive, he had a bit of a respite in between his endless time jumps. (Maybe a certain ghost was helping him out.) With a fuzzy memory at best and a strange itch to investigate the unknown, Bruce had been taken in by an old couple who had no kids but wanted to pass on the family name. And who better than a thirty-something amnesiac stranger who could actually be related by blood?
Bruce, with nowhere to go, accepted his new name, grew out his hair, and quickly got accepted into college for engineering. There, he met two of his closest friends; a redheaded woman who could kick his ass and a wet chicken of a man who could also kick his ass. They both made him nostalgic for something he didn’t remember, and that made him sad sometimes, but the two were always there to cheer him up.
Years passed, and Bruce’s life moved on. He settled well into his new name, mourned his parents when the eventually passed, celebrated his wedding with the redhead, and grieved when the last of their trio fell out of touch. He had a daughter, and then a son! They were both so smart, even if they didn’t share the same passion he had for exploring the science behind the afterlife. (Something about the dead just itched his brain in an infuriating way, and Bruce wasn’t one to let sleeping dogs lie. He just had to find out why he was so obsessed with this stuff!)
Eventually, his and his wife’s research yielded results, and that’s when bits of Bruce’s former life started coming back to him. After the portal opened, he spent his days with his head in a fog, oblivious to the world around him as he struggled to continue his work.
Why did he remember a boy named Dick? Who would name their child that? And Jason…who was Jason? That name always made him sad. There were more names, more faces, but none of them were his. He could never remember what his name was supposed to be. All he had was the one his adoptive parents gave him.
His wife was worried. His daughter was struggling. And his son…his son sometimes hurt to look at. Bruce didn’t know why. He knew he was being a terrible father, but something in him wanted to cry whenever he gazed at those clear blue eyes, just like his own. His son was too smart for his own good, and realized his dad had started avoiding him.
The day his son purposely left the room so Bruce could relax was one that hurt him even now.
Time kept passing, and Bruce was becoming anxious. His brain fog was as bad as its ever been. He had constant headaches, and his hands kept twitching for nonexistent tools on his belt. Something was going to happen. Something had happened. A voice in his head told him it was all his fault.
So in an attempt to clear his head and spend more time with his family, Bruce insisted they all go to dinner at the local diner. His son invited his friends. Even better! More people meant more distractions from his messed-up thoughts. He wouldn’t spiral with the kids around.
And then something exploded.
The last thing Bruce remembered was his son’s (green??) eyes widening in fear and horror as something yanked him violently backwards. He fell farther than expected, through a portal and a green sky full of black stars. A hand tightened on the back of his jumpsuit, hauling his giant body through another portal with a roar of a motorcycle.
And then…and then…and then what?
All of a sudden, Bruce was sprawled in some mud in the middle of a forest, dizzy and coughing from the explosion’s fumes. He’s singed all over, and his ears still rang from the force of the…what happened again?
Bruce sits up, and all of a sudden, he’s in the era of the pilgrims. His memory has been wiped clean, his new name and family forgotten thanks to the hands of time. His adventures through the time stream continue, with him assuming many different identities throughout many different decades.
The memories of being Jack Fenton don’t return to him until he’s back in 2004, once again in his own time and living as Bruce Wayne. A glowing green sticky note informs him that “The Nasty Burger Incident” had just occurred. His “other self” just had his ass dragged to another era, so the time loop would continue.
It also informed him that he had an orphaned son crying for him at Bruce’s own grave.
Well, his forgotten son (that sounded bad, even to him) was supposed to be about fourteen now, right? Bruce hopes he doesn’t have to fight anyone for custody.
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Red Hood Characterization
This is really long so I'm putting a cut here, I've been thinking about Jason Todd's character motivations and the question of whether or not his actions are based in a Moral Code (I don't think so, not to say he's without any morality) and I talk about that in more depth here.
I saw someone say on here that Titans: Beast World: Gotham City was some of the best Jason Todd internal writing they'd seen in a while, and I've been a Red Hood fan for 8 years or so now? pretty much since I read comics for the first time, so I went and checked out and I thought it was good! The way the person I saw talking about it as if it was rare and unusual made me wonder though, because as well-written as i thought his stances on crime were, there wasn't really anything in it that went against the way I conceptualize Jason?
This kinda plays into a larger question I've been thinking about for a while with Jason though, which is that, do people think that the killing is part of a fundamental worldview that motivates him a la batman, and that worldview is the reason he does the things he does?? Because 8 years ago i was a middle schooler engaging with fiction on the level that a middle schooler does, so I simply did not put much thought into it beyond "poor guy :(" but ever since I actually started trying to understand consistent characterization, I don't really see Jason as someone who's motivated by a moral code in his actions the way batman or superman is!
tbh my personal read is that he's a very socially-motivated guy, his actions from resurrection to his Joker-Batman ultimatum in utrh always seemed to me like every choice made leading up to his identity reveal was either a. to give him the leverage and skill necessary to pull off his identity reveal successfully, or b. to twist the knife that little bit more when he does let Bruce find out who he is. Like iirc there's a Judd Winick tweet like "yeah tldr he chose Red Hood as his identity because it's the lowest blow he could think of." And I think that's awesome, I think character motivations rooted so deeply in character's relationships and emotions are really fun to read! I also think it's where the stagnation/flatness of his character comes from in certain comics, because if his main motivation is one event in one relationship that passes, and he is not particularly attached to anything in his life or the world by the time that comes to pass, it's a little harder to come up with a direction to go with the character after that, because there isn't much of a direction that aligns with something the character would reasonably want? But I do think solving this by saying "all of the morally-off emotionally driven cruelty he did on his way to spite Batman was actually reflective of his own version of Batman's stance that's exactly the same except he thinks it's GOOD to kill people" isn't ideal. To be fully honest, it seems to me like he never particularly cared one way or the other about killing people to "clean Gotham of crime," he just did everything he could to get the power necessary to pull off his personal plans, and took out any particularly heinous people he encountered along the way (like in Lost Days.) Not to say I think the fact he killed people keeps him up at night anymore than everything else in his life events, I just never really thought he was out there wholeheartedly kneecapping some dude selling weed or random guy robbing a tv store for justice.
Looping wayyy back to my question, Is this (^) contradictory to the way he's written/the overall average perception of the character? Because like I enjoyed his writing in Beast World i have zero significant issue with anything there, I just didn't believe it would be a hot take, like yeah, that is Jason. It's been a while since I've read utrh and lost days, but I don't think my takeaway directly contradicts either of those too bad iirc. Idk all this to say I think Jason killing and being alright with killing is an obvious and objective fact, but i guess i've always seen it as more of a practical tactic than a moral belief, and I think taking the actions made during the lowest points of a character's life where he is obsessively focused on this ONEEEE thing and trying to apply it as a Motivating Stance to everything he's done after that, doesn't really follow logically for me.
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Continuation of this post about reverse Batgirl ft. Babara.
Cassandra's the first one to run into Babs.
It's been a few years - they've gone through a few more Robins. Bruce picked Jason up off the street, Tim dropped Robin for a second, Jason took it up. Jason died. Tim picked it back up again. There was a memorial to a dead boy in the Batcave, before he came back. Hoodie was on the streets again, no matter how much Bruce resents it.
The way she runs into her is... unorganized. She's launched by a creature straight into the side of a townhouse and flips so that her legs frame the redheaded teenager instead of making contact, before launching herself back into the fight and wrestling the thing to the ground. She leaves it tied up, and intends to make a quick visual check before moving on to the other three creatures that are rampaging through Gotham (Joker did a Thing) (Don't ask) when Barbara sticks out her neck and tells her to stop. Asks if she has a plan - asks if she knows where they are.
That is a negative. The situation is quickly evolving, and its all hands on deck. Barbara offers to help - she'll moniter Twitter and TikTok, see if she can give Cassandra any information that'll be useful. She even has access to the police networks - she can really help her out!
Bruce, through Cassandra's ear, is very much against this. But Barbara will stay in her home (which, while uninsulated (anymore), is not actually unsafe) (well, any more unsafe than the rest of Gotham) so she gives her a comm (That's not why I gave you extras, Batgirl!) (You said if I lose them. Lost one.) and heads out to fight giants. Barbara guides her through the city, taking her from stop to stop - she doesn't just keep social media open, but instead she surfs through city plans and sewer routes. Cassandra follows her directions - sweeping up and down Gotham. Barbara knows, by the end of it, that her contributions helped. Significantly.
She asks if she can stay on full time. Not as a vigilante, no, but just as a helper, someone to collate all the information they needed, to point Batgirl in the right direction.
Cass is hesitant. Bruce is hesitant. Steph wants to meet her first, but is also hesitant.
It doesn't help that, during their next mission, it turns out that Barbara had patched herself into their comms network through the one they gave her. She's picked up a codename in the meantime - Oracle.
It's Duke who ultimately argues her in. It's clear she won't stop - hell, which one of them actually stopped when they were told? And while Steph has complicated feelings about this, but she can't quite argue that he's wrong. (Jason also has complicated feelings about this! But he outwardly, he comes down hard on Let Her In, Actually) (Tim and Damian are on side I-haven't-met-her-yet)
Moreover, he continues, she's not actually in danger physically. In terms of new vigilantes, she's relatively safe, all things considered.
So Oracle is pulled into the fold. A lot of her work in the beginning is done out of her laptop, but as time passes (and she gets better and better at what she's doing) it evolves into more complicated stuff - actual hacking and archival stuff.
Cassandra, on the other hand, is growing up. She's been Batgirl for eight years, now. Damian and Duke change their suits, but Cassandra just adjusts hers for height. And now she is a mentor, to a girl older than when she picked this suit up.
"Maybe." Steph reflects. "Your just getting old. In general. Midlife crisis time."
"Older." She replies, tapping her on the shoulder. "Anciiiiiiient."
"Rude, so rude."
Batgirl was important to her, undoubtedly so. But it belonged to Gotham, and to Bludhaven. Cassandra had stayed there for so long, had based herself in those cities. She remembers, being younger. In the year between Cain and Bruce, travelling the world, and helping, where she could. And she helped here, she really did, but. But.
Barbara stays as Cass's main support, but eventually she starts helping out with the Robin contingent. It's Cass who teaches her the fundamentals of self defence - defence being the operative word there. She builds up her skillset so she can run away, instead of the more offensively focused approaches of everyone else. And while Barbara works with Jason, Tim, Damian and Duke, even, occasionally, she's always most used to working with Cass.
(Steph is taking this well! Steph is taking this like an adult, who knows her position in whatever this is is secure! She is not jealous of the proficiency of a teenager! Shut up Damian!)
But the thing is not everyone is Cass. And Barbara makes a bad call - sends Hoodie into a situation he wasn't ready for, and while he made it out alive it was by the skin of his teeth, with a week's worth of rest in the Batcave.
Cass tries to explain to her that it's not the end of the world. That everyone's alright, that people lived. It's a visceral experience, for her - arguing down to a girl who believes unshakingly that this is her fault. That nothing can change that, redeem that. It's Steph, in the end, who can wheel herself into Commissioner Gordon's home and share that same experience - of not knowing. Of miscalculating. Of doing better, next time.
It's to the both of them that Barbara argues that she should be able to do fieldwork. Not forever - she doesn't want forever. But. If she has experience, if she knows what it's like for the rest of them on the ground, maybe this wouldn't have happened. Maybe she can keep herself from making this mistake again.
Cassandra points out that she'd onboarded under certain conditions. Barbara pointed out how much the rest of them risk their lives anyways, how they'd started much younger then she was. Stephanie taps the metal of her chair once. Twice.
She tells her how she lost her legs. That could happen to her too. Think on it.
They give her three days. In the meanwhile, Cassandra thinks as well. About Batgirl. About America. About the League base she'd found when she went to fight her mother, about the dead men left there.
People needed help. Gotham and Bludhaven, they had people and she'd learned the investigative skills she needed to help, on her own. And Barbara needs the legitimacy, the confidence. A mark of her confidence.
She discusses it with Stephanie. Stephanie brings up that Barbara might choose to do the sensible thing, actually, and Cass replies with a single upturned eyebrow.
She doesn't. And Batgirl is passed down again. Cass puts together another costume.
She won't leave. Not just yet, but she knows she will. When she brings it up to Bruce he maps out his own route, when he was new to this, working through Asia and Europe and Africa, picking up mentors and teachers who gave him the skills he needed. Maybe she'll learn something too. Something irreplaceable.
In the meanwhile, it becomes clear pretty soon that Babara's absence from the comms presents its own problems. Stephanie cracks her fingers, and decides to take the task up. Learning is a slow process - she predates the internet just enough for it to be slower, unweildy - but they trade. Old combat experience for tech experience, mixed in with social engineering. Barbara spent years cracking passwords through finding vulnerabilities in the code, whereas Stephanie shows her how to make the right phone call.
(Something else that is becoming clear is that Batman is getting older. He's not been a young man, by the time Cassandra had joined him, and he was getting no younger. There was time for a successor.)
(They just hadn't meant for it to be this soon - )
Bruce dies. Tim goes looking for him, leaving Robin behind, Jason following close. Duke, Damian, and Cassandra gather in the Batcave to decide upon a legacy. (Steph wants to tell them to roll dice for it.) It's not about pride, except in the ways it is - Duke as the most of experienced of them, Damian having known Batman alone and Cass as the one who'd worked under him the longest. There are objective metrics they could use for this, but it's not an objective contest.
"Trade it." Steph suggests, after a half hour of deliberation. "We still need Nightwing and Signal, and whatever Cass wants to take up now. Set up a rotating schedule, until you figure out the best fit."
"It'll be noticeable." Damian hisses, but it's a contemplative hiss.
"He did this alone, didn't he?" Cassandra points at each one of them and he inclines his head. "Yeah, but still. He thought that Batman had to be alone, that it was his to bear."
"It can be ours." Cass says, the simplicity feeling like a bell. Her eyes dart from brother to brother, something like certainty settling in the room. "All of ours."
There is also the matter of the child leaping through Gotham city, trying to avenge his parents. The ache of it brings Damian to his knees. The fifth Robin flies next to Batman, Batgirl on their side.
Robin and Batgirl start the beginning of something, slow and fumbling. That's a first, Stephanie remarks, and there's agreement across the board there.
Dick is Damian's robin, and Duke's, and Cass's. Barbara is Cass's Batgirl, and Steph's and Dick's. Tim and Jason send messages, from time to time - progress reports and stories. Damian has half a conniption when he hears that they're going up against the league.
Barbara partners with a bunch of other Gotham vigilantes - the Birds of Prey. Steph organizes them from her position in the Batcave, running comms and tracking movements. Barbara is by far the youngest of them, but her presence is appreciated, nevertheless. Dinah toys with taking her on as an apprentice.
Bruce comes back. Jason and Tim piece it together, and the pull on him, stumbling back into the present. Batman takes to the skies again - going from three keepers to two.
Then to one. Saying goodbye to Gotham hurts, when Cass leaves - but she leaves with a promise to come back, a kiss on the cheek for Stephanie, a hug for Bruce and Duke.
Barbara gives her a comm as she leaves. Takes a promise that she would keep it, no matter what. And that's a promise Cassandra keeps - voices of Batgirls old and new echoing through it.
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