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tobiasdrake · 2 months

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*deep breath* Okay. Here we go.

I don't think the Netflix Avatar show likes women very much. It's a great show for fans of Aang, Sokka, Zuko, and Iroh specifically. All four of those characters get a ton of great material. In fact, it's super great for Sokka stans, because the show takes him ultra-seriously and can't go five minutes without one character or another (usually a woman) praising him.

But the way it handles its female cast is troublesome.

Katara

So, all three of the main trio got some changes made to their stories. They changed Aang's story so that he wasn't running away from his responsibilities; He was just clearing his head and somehow accidentallied himself into a tsunami. Whoopsy-dooodle. Aang did nothing wrong.

They changed Sokka's story so that him being a leader of his people and a great guardian warrior is treated with complete seriousness. Multiple times, characters stop to talk about how brave and noble Sokka is for taking on such an intense responsibility, and tell him to his face what a great warrior and a wonderful leader he is. Also his misogyny is erased.

And they changed Katara's story so that she directly got her mom killed because she sucks at waterbending.

Katara tries to waterbend to attack the Fire Nation soldier but couldn't manage it, provoking the soldier to start actively searching for her and forcing her mom to fake a waterbending attack and draw his fire. They changed Katara's story so that her bad decision making fucking got her mom killed.

This is treated with the same level of severity as "Sokka was bullied by mean kids and also his dad doesn't think he's good enough to be a leader."

"I hoped Sokka would do better but not everyone is meant to have people's lives in their hands," Sokka's dad says of him.

Yeah, you're right, that's totally comparable to watching your mom get barbecued because you tried to waterbend in a situation you shouldn't have and then failed.

In fact, they give Sokka's greatest trauma more weight because it gets examined again with Yue next episode, while Katara actively getting her mom killed isn't brought up again at all. We get traumatized glimpses of it throughout the season leading up to the reveal, but after this scene in episode 5, it never comes up again.

But to be fair, Katara was a child. An event this significant would surely have motivated her, driving her to become the great waterbender she is now, right?

No! Katara sucks at waterbending and needs men who aren't even waterbenders to teach her how to waterbend. She requires instruction from Aang in episode 1 to learn how to waterbend, then from Jet in episode 3 to learn how to waterbend better.

And unlike the show, her relationship with Aang isn't a give-and-take; Katara doesn't teach Aang a single goddamn thing. He never learns to waterbend. She is a strictly a pupil throughout the whole season. Though she at least gets officially labeled a master in episode 8, so there's that.

In any case, the whole traumatic memory thing isn't even the only time she's directly compared with Sokka. Episodes 3 and 4 see Katara and Sokka bicker over whose morally dubious side character is better. Sokka likes the Mechanist and Katara likes Jet.

Ultimately, Katara is forced to eat crow when Jet turns out to be the worst, while Sokka is vindicated when the Mechanist sees the error of his ways and reforms. But not before two separate arguments where Sokka calls Katara childish and accuses her of acting like a little girl.

Arguments ultimately resolved when Katara apologizes to Sokka for not adequately respecting his very serious and ultra important role as village protector and leader. Gives him a whole speech about how great and glorious he is. And Sokka... appreciates Katara learning to respect him properly, I guess, because he never offers any similar sentiments back to her.

The show just... They need you to know how important Sokka is, okay? It's very important that you respect Sokka.

Suki

Suki suffers tremendously from that whole "Sokka's misogyny was removed" thing. Y'know, because they need something else to do with that episode. The show is deeply aware that Suki is Sokka's love interest, so they just do that right off the bat. Suki falls madly in love with him from the moment they meet, and spends the entire episode making goo-goo eyes and trying to get him to Notice Me Senpai.

They still do the "Suki Trains Sokka" stuff. But Sokka is a serious, dignified manly man worthy of the deepest respect now, so of course they don't make him wear the Kyoshi uniform. Instead, the main purpose of his training is to allow them to flirt some more. It's less martial arts training and more an excuse to grope each other and near-kiss.

Suki's just a waifu now. She still fights real good, but all of the stuff that made her relationship with Sokka interesting has been erased.

Yue

Yue, similarly, leaps straight to shipping from the word go. They write out her fiance, Hahn, by having Yue briefly meet Sokka earlier in the season. She spends one minute talking to him in the Spirit World about Spirit World lore; In that time, she falls so desperately, madly, unfathomably in love with him that she breaks off her marriage to Hahn and devotes herself to waiting for him to one day come to her.

"Never have I known such joys as that time you let me explain the spirit bear Hei Bei to you. Truly, we are destined to be together for life."

Like with Suki, they go out of their way to have Yue and Sokka already be a ship from the word 'go' so they don't have to spend time developing any kind of meaningful attraction.

They just. They really want you to know that Sokka is the manliest and most desirable man ever to walk this earth. It is very important that you understand how great he is. Women hurl themselves into his arms with zero effort whatsoever, because he's just so goddamn irresistible.

Fortunately, Hahn is super okay with this turn of events. He's the most chill guy ever, he gets along perfectly well with Sokka, and he completely supports Yue's right to dump him! In the famously misogynistic Northern Water Tribe, no less! What a swell guy. Aren't men swell?

June

June gets hit with that "rewritten as hollow waifu" stick too, but her eyes are set on Iroh. They rewrote June to be super attracted and flirty towards the man who was her unwanted sexual harasser in the source material. So that's fun.

Also, she barely does anything. Zuko hires her to find Aang, she succeeds, and then she fucks right off out of the show - But she manages to find time to express how unbelievably sexy Iroh is twice during that time.

She seriously just dropped into the show to flirt with Iroh and leave. She is unbelievably inconsequential.

Kyoshi

And then there's Kyoshi. They really want you to hate Kyoshi. She's constantly shot from below, as if looking down on Aang and the audience. Her voice takes on a demonic echoing reverb at one point as she's screaming at Aang that "THE AVATAR MUST BE A MERCILESS WARRIOR!!!"

She despises Aang, calling him a coward for running away from his responsibilities - Which, I remind you, is no longer a plot point because they unwrote that flaw from his character. So she's just a complete and utter asshole, shot from the asshole angle, yelling violently at him with asshole sound effects. They want you to despise this woman.

Azula

Awkwardly, they do not seem to want you to despise Azula.

There's a lot to be said for how Ozai treats Azula in the original show. The way the favoritism he shows her is every bit as cruel and manipulative as the unfavoritism that he shows Zuko. Ozai does not love Azula. He loves the reflection of himself he sees in her eyes, and his encouragement urges her to polish herself to ensure his reflection always shines through.

This is not that. The show instead erases the favoritism entirely. Ozai doesn't really care one way or another about either of his kids. He plays them against each other, bragging openly to Azula about how great Zuko is and unpleasably writing Azula off as weak and useless.

They've rewritten the dynamic between abusive father and his two abused kids in order to take Azula's pride away. Reimagining her from a gifted prodigy who excels at imitating the toxic behaviors of a father who doesn't truly care for her, to a put-upon overachiever tearing herself in knots to live up to the standards of her unpleasable father.

This results in a truly wild portrayal of Azula as insecure and jealous of Ozai's seemingly love for Zuko. Here, she is simply a browbeaten child constantly complaining to her friends about how mean her father is and conspiring to get one up over Daddy's Golden Child Zuko.

Which she fails at, because she backs Zhao. Zuko deftly defeats her without even realizing they're in competition.

Conclusion

The season ends well for some of these women. It ends promising that maybe we'll see Katara teaching Aang some day. It ends with Zhao bragging that Ozai just used Zuko to train Azula so maybe we'll see the more confident and misguidedly proud Azula some day. Yue becomes the moon like she's supposed to. June's still out there so maybe she'll get to do something again some day.

Katara gets to fight Pakku and lose, but she looks pretty cool. She gets to fight Zuko and lose, but she looks pretty cool. Azula learns to lightningbend because she's just so mad about Ozai's contempt for her and favoritism for Zuko, which isn't how you lightningbend.

But promises of future content fall flat when the content that exists is so underwhelming. This season made its feelings on these characters pretty evident, and it's unwise to expect better material from creators who've disappointed you with the material they already made.

The women of Netflix Avatar simply do not get to shine, outside of superficial moments like the "Women of Northern Water Tribe demand the right to fight and then fuck off and don't do anything for the entire rest of the episode" bit.

"In the midst of battle, we demand that you stop being sexist and give us permission to fight! This is a way better idea than convincing you to teach us to fight before the battle begins."

The characters of this show feel as if they've been reimagined to glorify the boys at the expense of the girls. The boys are treated with a great amount of care. They're dignified and made important movers of the plot, with their rough edges sanded off. While the girls are molded around them.

#avatar the last airbender #drake watches netflix last airbender #kyoshi #katara #azula #suki #yue #june

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mostlysignssomeportents · 5 months

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It all started with a mouse

For the public domain, time stopped in 1998, when the Sonny Bono Copyright Act froze copyright expirations for 20 years. In 2019, time started again, with a massive crop of works from 1923 returning to the public domain, free for all to use and adapt:

https://web.law.duke.edu/cspd/publicdomainday/2019/

No one is better at conveying the power of the public domain than Jennifer Jenkins and James Boyle, who run the Duke Center for the Study of the Public Domain. For years leading up to 2019, the pair published an annual roundup of what we would have gotten from the public domain in a universe where the 1998 Act never passed. Since 2019, they've switched to celebrating what we're actually getting each year. Last year's was a banger:

https://pluralistic.net/2022/12/20/free-for-2023/#oy-canada

But while there's been moderate excitement at the publicdomainification of "Yes, We Have No Bananas," AA Milne's "Now We Are Six," and Sherlock Holmes, the main event that everyone's anticipated arrives on January 1, 2024, when Mickey Mouse enters the public domain.

The first appearance of Mickey Mouse was in 1928's Steamboat Willie. Disney was critical to the lobbying efforts that extended copyright in 1976 and again in 1998, so much so that the 1998 Act is sometimes called the Mickey Mouse Protection Act. Disney and its allies were so effective at securing these regulatory gifts that many people doubted that this day would ever come. Surely Disney would secure another retrospective copyright term extension before Jan 1, 2024. I had long arguments with comrades about this – people like Project Gutenberg founder Michael S Hart (RIP) were fatalistically certain the public domain would never come back.

But they were wrong. The public outrage over copyright term extensions came too late to stave off the slow-motion arson of the 1976 and 1998 Acts, but it was sufficient to keep a third extension away from the USA. Canada wasn't so lucky: Justin Trudeau let Trump bully him into taking 20 years' worth of works out of Canada's public domain in the revised NAFTA agreement, making swathes of works by living Canadian authors illegal at the stroke of a pen, in a gift to the distant descendants of long-dead foreign authors.

Now, with Mickey's liberation bare days away, there's a mounting sense of excitement and unease. Will Mickey actually be free? The answer is a resounding YES! (albeit with a few caveats). In a prelude to this year's public domain roundup, Jennifer Jenkins has published a full and delightful guide to The Mouse and IP from Jan 1 on:

https://web.law.duke.edu/cspd/mickey/

Disney loves the public domain. Its best-loved works, from The Sorcerer's Apprentice to Sleeping Beauty, Pinnocchio to The Little Mermaid, are gorgeous, thoughtful, and lively reworkings of material from the public domain. Disney loves the public domain – we just wish it would share.

Disney loves copyright's other flexibilities, too, like fair use. Walt told the papers that he took his inspiration for Steamboat Willie from Charlie Chaplin and Douglas Fairbanks, making fair use of their performances to imbue Mickey with his mischief and derring do. Disney loves fair use – we just wish it would share.

Disney loves copyright's limitations. Steamboat Willie was inspired by Buster Keaton's silent film Steamboat Bill (titles aren't copyrightable). Disney loves copyright's limitations – we just wish it would share.

As Jenkins writes, Disney's relationship to copyright is wildly contradictory. It's the poster child for the public domain's power as a source of inspiration for worthy (and profitable) new works. It's also the chief villain in the impoverishment and near-extinction of the public domain. Truly, every pirate wants to be an admiral.

Disney's reliance on – and sabotage of – the public domain is ironic. Jenkins compares it to "an oil company relying on solar power to run its rigs." Come January 1, Disney will have to share.

Now, if you've heard anything about this, you've probably been told that Mickey isn't really entering the public domain. Between trademark claims and later copyrightable elements of Mickey's design, Mickey's status will be too complex to understand. That's totally wrong.

Jenkins illustrates the relationship between these three elements in (what else) a Mickey-shaped Venn diagram. Topline: you can use all the elements of Mickey that are present in Steamboat Willie, along with some elements that were added later, provided that you make it clear that your work isn't affiliated with Disney.

Let's unpack that. The copyrightable status of a character used to be vague and complex, but several high-profile cases have brought clarity to the question. The big one is Les Klinger's case against the Arthur Conan Doyle estate over Sherlock Holmes. That case established that when a character appears in both public domain and copyrighted works, the character is in the public domain, and you are "free to copy story elements from the public domain works":

https://freesherlock.files.wordpress.com/2013/12/klinger-order-on-motion-for-summary-judgment-c.pdf

This case was appealed all the way to the Supreme Court, who declined to hear it. It's settled law.

So, which parts of Mickey aren't going into the public domain? Elements that came later: white gloves, color. But that doesn't mean you can't add different gloves, or different colorways. The idea of a eyes with pupils is not copyrightable – only the specific eyes that Disney added.

Other later elements that don't qualify for copyright: a squeaky mouse voice, being adorable, doing jaunty dances, etc. These are all generic characteristics of cartoon mice, and they're free for you to use. Jenkins is more cautious on whether you can give your Mickey red shorts. She judges that "a single, bright, primary color for an article of clothing does not meet the copyrightability threshold" but without settled law, you might wanna change the colors.

But what about trademark? For years, Disney has included a clip from Steamboat Willie at the start of each of its films. Many observers characterized this as a bid to create a de facto perpetual copyright, by making Steamboat Willie inescapably associated with products from Disney, weaving an impassable web of trademark tripwires around it.

But trademark doesn't prevent you from using Steamboat Willie. It only prevents you from misleading consumers "into thinking your work is produced or sponsored by Disney." Trademarks don't expire so long as they're in use, but uses that don't create confusion are fair game under trademark.

Copyrights and trademarks can overlap. Mickey Mouse is a copyrighted character, but he's also an indicator that a product or service is associated with Disney. While Mickey's copyright expires in a couple weeks, his trademark doesn't. What happens to an out-of-copyright work that is still a trademark?

Luckily for us, this is also a thoroughly settled case. As in, this question was resolved in a unanimous 2000 Supreme Court ruling, Dastar v. Twentieth Century Fox. A live trademark does not extend an expired copyright. As the Supremes said:

[This would] create a species of mutant copyright law that limits the public’s federal right to copy and to use expired copyrights.

This elaborates on the Ninth Circuit's 1996 Maljack Prods v Goodtimes Home Video Corp:

[Trademark][ cannot be used to circumvent copyright law. If material covered by copyright law has passed into the public domain, it cannot then be protected by the Lanham Act without rendering the Copyright Act a nullity.

Despite what you might have heard, there is no ambiguity here. Copyrights can't be extended through trademark. Period. Unanimous Supreme Court Decision. Boom. End of story. Done.

But even so, there are trademark considerations in how you use Steamboat Willie after Jan 1, but these considerations are about protecting the public, not Disney shareholders. Your uses can't be misleading. People who buy or view your Steamboat Willie media or products have to be totally clear that your work comes from you, not Disney.

Avoiding confusion will be very hard for some uses, like plush toys, or short idents at the beginning of feature films. For most uses, though, a prominent disclaimer will suffice. The copyright page for my 2003 debut novel Down and Out in the Magic Kingdom contains this disclaimer:

This novel is a work of fiction, set in an imagined future. All the characters and events portrayed in this book, including the imagined future of the Magic Kingdom, are either fictitious or are used fictitiously. The Walt Disney Company has not authorized or endorsed this novel.

https://us.macmillan.com/books/9781250196385/downandoutinthemagickingdom

Here's the Ninth Circuit again:

When a public domain work is copied, along with its title, there is little likelihood of confusion when even the most minimal steps are taken to distinguish the publisher of the original from that of the copy. The public is receiving just what it believes it is receiving—the work with which the title has become associated. The public is not only unharmed, it is unconfused.

Trademark has many exceptions. The First Amendment protects your right to use trademarks in expressive ways, for example, to recreate famous paintings with Barbie dolls:

https://www.copyright.gov/fair-use/summaries/mattel-walkingmountain-9thcir2003.pdf

And then there's "nominative use": it's not a trademark violation to use a trademark to accurately describe a trademarked thing. "We fix iPhones" is not a trademark violation. Neither is 'Works with HP printers.' This goes double for "expressive" uses of trademarks in new works of art:

https://en.wikipedia.org/wiki/Rogers_v._Grimaldi

What about "dilution"? Trademark protects a small number of superbrands from uses that "impair the distinctiveness or harm the reputation of the famous mark, even when there is no consumer confusion." Jenkins says that the Mickey silhouette and the current Mickey character designs might be entitled to protection from dilution, but Steamboat Willie doesn't make the cut.

Jenkins closes with a celebration of the public domain's ability to inspire new works, like Disney's Three Musketeers, Disney's Christmas Carol, Disney's Beauty and the Beast, Disney's Around the World in 80 Days, Disney's Alice in Wonderland, Disney's Snow White, Disney's Hunchback of Notre Dame, Disney's Sleeping Beauty, Disney's Cinderella, Disney's Little Mermaid, Disney's Pinocchio, Disney's Huck Finn, Disney's Robin Hood, and Disney's Aladdin. These are some of the best-loved films of the past century, and made Disney a leading example of what talented, creative people can do with the public domain.

As of January 1, Disney will start to be an example of what talented, creative people give back to the public domain, joining Dickens, Dumas, Carroll, Verne, de Villeneuve, the Brothers Grimm, Twain, Hugo, Perrault and Collodi.

Public domain day is 17 days away. Creators of all kinds: start your engines!

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2023/12/15/mouse-liberation-front/#free-mickey

Image: Doo Lee (modified) https://web.law.duke.edu/sites/default/files/images/centers/cspd/pdd2024/mickey/Steamboat-WIllie-Enters-Public-Domain.jpeg

CC BY 4.0 https://creativecommons.org/licenses/by/4.0/deed.en

#pluralistic #copyfight #scotus #mickey mouse #public domain #ip #contract #trademark #tm #jennifer jenkins #copyright #disney #nominative use

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writers-potion · 1 month

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Storyediting Questions to Ask

As You Read the First Draft:

Are there place that surprised you as you read your first draft? - Why do you suppose that is? - Is there material there you'd like to expand?

What are the character really doing in this story? - Might they have issues you haven't explored fully yet?

Look to the places that drag. - These might be scenes where you have avoided dealing with something deeper. - What are the characters really thinking in these places? - What are their passions, frustrations, and desires?

Imagine alternative plotlines. - How might your plot be different if ti headed off on another tangent from various points in the story? - You don't have to follow them, but they might suggest other streams that can flow into the main plot.

Think About Structure:

Does you story play out naturally in three acts?

Is there an immediate disturbance to the Lead's world?

Does the first doorway of no return occur before the one-fifth mark?

Are the stakes being raised sufficiently?

Does the second doorway of no return put the Lead on the path to the climax?

Does the rhythm of the sotyr match your intent? If this is an action novel, does the plot move relentlessly forward? If this is a character-driven novel, do the scenes delve deeply enough?

Are there strongly motivated characters?

Have coincidence been established?

Is something happeing immediately at the beginning? Did you establish a person in a setting with a problem, onfronted with change or threat?

Is the timeline logical?

Is the story too predictable in terms of sequence? Should it be rearranged?

About Your Lead Character:

Is the character memorable? Compelling? Enough to carry a reader all the way through the plot?

A lead character has to jump off the page. Does yours?

Does this character avoid cliches? Is he capable of surprising us?

What's unique about the character?

Is the character's objective strong enough?

How does the character grow over the course of the story?

How does the character demonstrate inner strength?

About Your Opposition:

Is your oppositing character interesting?

Is he fully realized, not just a cardboard cutout?

Is he justified (at least in his own mind) in his actions?

Is he believable?

Is he strong as or stronger than the Lead?

About Your Story's Adhesive Nature:

Is the conflcit between the Lead and opposition crucial for both?

Why can't they just walk away? What holds them together?

About Your Scene:

Are the big scenes big enough? Surprising enough? Can you make them more original, unanticipated, and draw them out for all they are worth?

Is there enough conflict in the scenes?

What is the least memorable scene? Cut it!

What else can be cut in order to move the story relentlessly forward?

Does the climactic scene come too fast (through a writer fatigue)? Can you make it more, write it for all it's worth?

Does we need a new minor subplot to build up a saggin midsection?

About Your Minor Characters:

What is their purpose in the plot?

Are they unique and colorful?

Polishing Questions:

Are you hooking the reader from the beginning?

Are suspenseful scenes drawn out for the ultimate tension?

Can any information be delayed? This creates tension in the reader, always a good thing.

Are there enough surprises?

Are character-reaction scenes deep and interesting?

Read chapter ending for read-on prompts

Are there places you can replace describing how a character feels with actions?

Do I use visual, sensory-laden words?

For a Dialogue Read-Through:

Dialogue is almost always strengthened by cutting words within the lines.

In dialogue, be fair to both sides. Don't give one character all the good lines.

Greate dialogue surprises the reader and creates tension. View it like a game, where the players are trying to outfox each other.

Can you get more conflict into dialogue, even emong allies?

If you like my blog, buy me a coffee☕ and find me on instagram! 📸

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badgertracksart · 10 months

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Portfolio advice, from a lead who hires Concept Artists

(This was originally a twitter thread I wrote before the site self imolated, hense it's strange structure.) I wrote this after a weekend of portfolio reviews - 1. Like a maths exam, please please show your working. I want to see thumbs options, mid options and of course a final design.

2. Arrange your portfolio, I don't want to bounce about between subject matter and pipeline. Your portfolio's narrative should be as strong as your work... 3. Please make worlds that excite the viewer, make them want to go in and explore them, explain to them the interesting parts of the town, or the way the character's hat unfolds. How will this draw the viewer in? 4. As I've said before the majority of your project work is explanatory not mood, make sure your portfolio contains explanatory work. Explained here -

5. A lot of beautiful post apocolyptic paintings, , but 80% of realistic games and film, we just give the environment artists photo ref, they are capable artists in their own right. Different work in stylised where you do need to create rules for how things can be translated. 6. Production art contains call out sheets, material references and flat graphics. This doesn't have to be your final image, but it should support it.

7. Design characters on a swatch(es) of the environment they will be viewed in. Not on white. I make swatch backgrounds from screenshots, it avoids assumptions that damage readability. 8. Reverse of this, put people in your environments, show me the scale.

9. It's not a deal breaker for a review, but if you intend to get a job, please show me your work on a screen larger than a smartphone (print outs probably the cheapest option with the best battery life). 10. Please have your contact details clearly visible, and by that I mean email address, I will not pass your social media contact on, I cannot input your form into my tracking system. EMAIL ADDRESS emblazoned and bake it in, sometimes recruiters do funky stuff to pdfs

11. Your portfolio will never feel done, not to you anyway. You will have learnt from your latest pieces and want to apply it to older work. But we know art is a journey. Send your portfolio anyway. I've been in the industry 10+ years and my portfolio is still not 'finished'. 12. If you are applying to an environment centric Concept Art position then please vary your times of day! Golden hour is cool but show me some happy sunny days, looming overcast days, what about at night? Vary your weather too! Sunny snowy day? Rainy Spring day? Stormy night?

13. If you are applying for a character centric Concept Art role then please ensure your portfolio shows a variety of body types and ethnicities. 14. Designing characters for games? Please show back views and feet (!) Many potfolios contain only front views. This is a problem because:

You haven't shown you are considering the design from all angles.

In many games rear view is the main view.

Stop cropping feet.

15. If you are entry / graduating and looking at Portfolios to compare content and standard of yr own work too, look at hired grad/junior artists as opposed to seniors Seniors and leads often have old or personal work in their portfolio which isnt representative of the day job. 16a. Show clearly the intended use case for your Concept Art. Mention the game type in the description. Are these player character designs for a 3rd person adventure game? Then more back views please. Bonus points for diagetic ways of showing health / equipment / role etc.

16b. Are these designs for an FPS? Then really the player view of the gun needs to sell the player style/ choices, in an FPS your weapons are almost your character. Are these world designs? What's the view distance? For an RTS your shapes need to read from above & a distance. 16c. The lack of clarification means I am judging the design in isolation, which both harms the design (you might be considering the backview of a char as the main adventure character.) Or an NPC, their waist up expressions may be important for conveying exposition and mechanics.

16d. Concept art is not separate from gameplay, great concept art serves the game team before it is a good illustration.

17. Play games. A variety of games. Think about them. IMO to be a good concept artist you need to understand the common language & references used by your peers. Also understand the principles and common language your audience are used to. FPS design rules are v.diff from RTS.

18. There are many skills that are needed in concept art, please show them. For example: Graphic design - logos, liveries, typographic use etc. VFX concepts - Abilities, Ambience, motion concepts. Architectural knowledge - How buildings are built! & more but I'm out of space :O

#gamedev #conceptart #advice #careeradvice #hiring

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reidsdaisies · 11 days

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𝐀𝐝𝐨𝐫𝐤𝐚𝐛𝐥𝐞

༉‧´ˎ˗ paring; spencer reid x gn!reader ༉‧´ˎ˗ summary; spencer just looks too irresistible in those damned short-shorts. ༉‧´ˎ˗ content warnings; horrific ‘banter’ (reader is just a tease), sub!spencer, handjob. ༉‧´ˎ˗ wc; 0.8k

cm masterlist ; main masterlist ; request guidelines ; inbox

“Dork,” you snort.

“What!” Spencer practically squeaks, spinning back around to look at himself in the full length mirror.

“Nothing’s wrong with it.. you just look like a dork.” You laugh again, using your elbows to sit yourself up against your pillow. “Where’d you go to get that outfit anyway?”

“Well, Morgan suggested a place that sells workout clothes, and so I kind of may have bought an outfit from the first mannequin I saw. But I think I picked well. I read that wearing a sweatshirt while working out can help with warming up, lead to an increase in blood flow, and can reduce my risk of injury.” He rambles off, working on fitting a sweatband around his forehead.

“You think you’re going to get injured?”

“Well, I have been trying to be more purposeful with working out, but by the end I always feel lightheaded, though that’s to be expected. And, you never know, I may trip and fall on my face. It happens even when I’m not working out. The sweatshirt could cushion me.” He shrugs, turning back around to face you. “Less dorky or more dorky with the sweatband?”

“Definitely more dorky.. but also adorable. It’s very much adorkable, and very much what you’d wear when working out.” You giggle, moving over to the edge of the bed.

Spencer finds himself moving closer towards you, standing right infront of where you sit criss-crossed on the comforter.

“One day that’s going to get old, (y/n).”

“No, one day you’re going to get old and you’ll still be an adorable little dork.” He just huffs, rolling his eyes, but you catch the little smirk before it’s too late. The playful glint in your eye shimmers, and if you were a cartoon character, there would be a giant bright lightbulb over your head. Your hands naturally found their way to his hips, resting against the blue material of his shorts. “..these really are short, aren’t they?”

He gulped, watching with intent as you slide your hands a few inches down from his hips, reaching his bare thighs in less than a second.

“What are you doing, (y/n)?” He breathes out, almost sounding like he’s panting.

“Helping you with your pre-workout stretch..” you mutter, slipping a hand past the waistband of his shorts.

“You’re supposed to stretch your legs before a workout not—“ he chokes on his words, getting them caught in his throat as soon as your hand cups his length, giving it a tug. “that.” He shakily squeaks his last word. You chuckle.

“Are you always this hard before your workouts, Dr. Reid?” You taunt him, hand moving up and down his erection, thumb swiping across his already leaking tip.

“N-no you, y-you, um,” he tries to speak but he can’t get the words right, stumbling over them. You stroke him leisurely, making a show out of sighing and rolling your eyes to the side, not even looking at him as you stay sitting on your knees on the bed before him, getting him off with just your hand. “(Y-y/n),” he stutters in an attempt to get your attention back on his face. He lets out an unabashed moan, sounding downright sinful.

“God,” he groans as your pace picks up the slightest bit. His droopy gaze follows yours, landing on the wall clock.

“What time did you say she was picking you up?”

“Te— oh fuck, ten thirty!” He exclaims, hips bucking forward into your hand as you touch him just right, paying good attention to the man’s balls.

“Hmm,” you hum, thinking carefully about the next step in your plan to absolutely destroy this man. You turn your head back towards him, using your free hand that was squishing and digging into his thigh to push his shorts and underwear down, letting them drop on their own and pool around his ankles. “How many times do you think you can cum in 20 minutes?”

“No, no (y/n).” He protests, shaking his head, but his dick betrays him, twitching in your hold. His hand moves down his body, resting over yours, being moved up and down along with yours with each hasty stroke you deal to his cock.

With warning, a warm, white liquid spurts from his tip, an angry shade of red. His cum drips down your hand as well as his own, making a complete mess of them. He grunts and whimpers through the whole process, the bucking movement of his hips accelerating before slowing down to a stop.

You grin up at him mischievously and in return he just lets out a huff, his mouth hanging open and eyes continuing to droop low. His face looks exhausted, but his cock still looks like it has some kick left in it.

“You want me to do it again—“ he cuts you off, nodding furiously. “Y-yeah, again, please, we have the time,” he whimpers, sounding like a mix of excitement and defeatment.

“Adorkable,” you laugh, speaking in a sing-songy manner.

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httpdollie · 8 months

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OBSESSIVE FANBOY! GOJO X IDOL! READER HCS

content warning: stalker! gojo, gojo using his money to his advantage, age gap (reader is 18-22 and gojo is 28), blackmailing, starts off tame then leads into some nsfw

requests and tag lists is open!

18+ content, ageless blogs and minors will be blocked

— GOJO SATORU

Fanboy! Gojo who stans you since debutant has a fan account dedicated to you

Fanboy! Gojo who participates in kpop selfie days on his main account has and blows up on twitter for being a hot fan

Fanboy! Gojo who defends you against anti’s online

Fanboy! Gojo who uses his connections to get you brand deals (just so he can see you dressed up)

Fanboy! Gojo who sends you expensive fanmail, making sure you know it’s from him

Fanboy! Gojo that attends all your fanmeets to the point that other members and staff know his name (only cause he’s hot and rich)

Fanboy! Gojo buying as many albums as possible to collect only your photocards (sells/trades for yours)

Fanboy! Gojo who pays for vip tickets everytime your group has a concert, going to at least three per tour

Fanboy! Gojo pays your company for private fanmeets, just the two of you

Fanboy! Gojo who pays your stylist to dress you in more revealing clothes

Fanboy! Gojo becoming “friends” with your manager just to see you more

Fanboy! Gojo who tells you how cute you are, making you all flustered especially when he sits too close

Fanboy! Gojo asking if you have a boyfriend, staring at your chest without any shame especially when watching you do choreo

Fanboy! Gojo taking innocent selfies with you in cute outfits to cum to later

Fanboy! Gojo who fucks girls that look just like you, sharing it with your other pervy fans

Fanboy! Gojo rubs your thighs gently, slowly making his way under your skirt, watching you get all shy as your legs tighten around his hands

Fanboy! Gojo commenting on how cute and young you are while he feels you up.

“Mr. Gojo… I don’t know if you should be touching me like this.”

“Do you want me to stop?”

“…No.” You mumble under your breath, your innocence making his cock ache.

“Call me Satoru, pretty girl. Now open your legs sweetheart.” The tall man grinned at you, pushing your thighs apart

Fanboy! Gojo who records himself rubbing your clit through your panties, making you cum all over yourself while moaning his name before taking your panties off and eating you out, secretly stuffing your pink cotton panties in his pocket to jerk off with later

Fanboy! Gojo who begs you to give him a handjob just for him to slap his cock on your face, teasing you to suck it

Fanboy! Gojo who facefucks his favourite idol, watching his cum cover your face when he’s done, using the video as jerk off material

Fanboy! Gojo that’s not just a fan anymore, he’s ingrained in your life

Fanboy! Gojo who threatens to leak the video if you don’t let him play with you again

Fanboy! Gojo takes your virginity on video, telling you how much he loves you when he cums inside you

“You look so much prettier with my cum inside you baby.”

#— dolly writes #yandere!gojo #gojo satoru #gojo satoru x reader #jjk x reader #jjk smut #gojo smut #gojou satoru x reader #gojo satoru smut #yandere! gojo satoru x reader #yandere gojo #yandere gojo x reader #yandere jjk

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togrowoldinv · 5 months

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The Clubhouse

WandaNat x Female Reader

When the richest members of the country club approach you about joining their relationship, you can’t say no to them.

Warnings: Smut! 18+ please! Kissing, cursing, oral (N and R receiving), strap on sex (R and W receiving), essentially sugar mommies

Note: Enjoy!

WandaNat Masterlist, Main Masterlist

“Are you alright, sweetheart?” Natasha’s raspy voice asks.

You barely hear her over the sound of your own heart beating. She is so close to you. Her hand is on your thigh, just a little too high to be friendly. Her nose presses against your neck.

“Yeah. It’s just- this is coming out of nowhere,” you say.

“Is it?” Wanda asks. Her tone is a bit condescending. You can’t help but press your thighs together at the way it makes you feel.

“We’ve been flirting with you for months now,” Natasha says. “You haven’t noticed?”

You shake your head. Wanda grabs your chin a little roughly to force you to look into her eyes. This is way too intimate for a public area of the clubhouse. A corner booth doesn’t offer much privacy.

Wanda and Natasha frequent this bar area often after their visits to the course. You never knew that they paid any attention to you working.

“Use your words, baby,” Wanda instructs.

“No, I didn’t notice,” you reply.

“That’s a shame,” Wanda says. “We thought about you every night. Didn’t we, Natasha?”

“Mhm, we did,” Natasha agrees. She moves her mouth to your neck and leaves a few opened mouth kisses. “Every night as I buried my face in my wife’s pussy I thought about what yours might taste like.”

You bite your lip and can’t help but close your eyes at the feeling of her lips, and her words make you feel unspeakable things.

Wanda presses her lips to the other side your neck, following the same delicate pattern that Natasha did.

“And when I rode her strap, I thought about how good you’d look doing the same. Being so good for us,” Wanda says.

“What did you say, baby? Will you join us?” Natasha asks.

You almost nod without speaking, but you remember Wanda said to use your words.

“Yes,” you breathe out. You’re not really sure why you agree, but you know that you want to see where this goes. “I- um- I don’t get off until 8.”

“I can fix that,” Natasha says. She gets up from beside you. You miss her warmth already.

“Let’s go to the car,” Wanda says. She holds your hand and walks with you to the door. Natasha meets you there.

“You’re free to leave,” Nat says. She places a hand on your back to lead you out of the clubhouse. “And don’t worry, this will be better than any tip you’ll get from these men.”

Outside, there is a car waiting for Wanda and Nat. They help you into the backseat with them. Their thighs press against yours as they sit close. Natasha fields a few calls on the car ride to their house.

When you arrive, the driver opens the door to reveal the absolute mansion Wanda and Nat live in. The two women walk you inside. They share a nod and Wanda walks to the other room. Natasha ushers you into the living room.

“Make yourself comfortable,” Natasha says. She gestures to the couch. You sit and watch as she makes a drink. “Would you like one?”

“I’m okay,” you reply.

“Y/n,” she says as she walks to the couch. She is wearing a fur coat that reveals enough of her chest that you want to see more. Her blonde hair is styled perfectly. “Are you afraid of me?”

“No,” you say too quickly. “Intimidated by you is actually it.”

“Ah, okay,” Natasha says. “And Wanda?”

“Same thing,” you tell her.

“We’re just people, you know.”

Wanda enters the room. She shed her blazer and is now wearing dress pants and a white blouse. Her brown hair cascades over the material.

“I made you a drink,” Natasha says to Wanda.

“Thank you, my love,” Wanda replies. She takes her drink from the table and sits on the couch on the other side of you. “So, what did I miss?”

“Oh nothing,” Nat replies.

“Did you tell her what we want?” Wanda asks as if you aren’t there. Nat shakes her head. “Well, then I will. Y/n, we are very attracted to you. And we wanted to ask you to join us. No strings attached. Just sex. What do you think?”

“I- um-”

“Wanda, don’t scare her,” Natasha jumps in. Her hand rubs your back. “We can take it slow. For example, can I kiss you?”

“Okay,” you agree.

Natasha’s hand comes to your neck as she pulls you in for a kiss. Her plump lips brush against yours softly. You feel your entire body burning with pleasure. She doesn’t deepen the kiss, but it was enough to make you think you’d say yes to anything she asked.

“How was that?” Natasha asks.

“Wow,” you say seriously. The blonde chuckles.

“Wanda, why don’t you try,” Nat tells her wife.

Wanda pulls you her way and kisses your lips much in the same way that Natasha did. She tastes different though. Her kiss is hungrier. You get the feeling this was her idea and Nat is doing it to make her happy. Not that she minds.

When Wanda stops kissing you, Natasha is quick to bring her in for a kiss. The two of them kiss in front of you. The sight of their tongues mingling alone is enough to get you off.

“You like that?” Natasha asks you. She noticed the way you were staring.

You nod. Wanda suddenly leans forward and bites your neck. It hurts but not more than it feels good.

“Words, detka. Words,” she says.

“I’m sorry,” you say.

Wanda seemingly forgives you as she kisses your lips again. Nat moves her deft fingers over your button up. It seems she is magic as she unbuttons all of them by the time Wanda moves her attention to your chest.

The brunette uses her hands to push open your shirt. Your bra falls to the side. You assume Natasha also took that off you when Wanda was distracting you with her intoxicating lips.

“So beautiful,” Wanda breathes out. “I have imagined this.”

Natasha stands from the couch. She opens her coat to reveal she is completely naked aside from a red strap connected to her hips. Your eyes go wide at the sight. Wanda grins. She takes your nipple into her mouth while she takes the other with her fingers.

“Do you want to ride my strap, baby?” Natasha asks you.

“Yes please,” you say.

“Good girl,” Natasha says.

She sits on the couch next to you, pulling you onto her lap. She moves the tip of the strap over your folds. Wanda sits up higher on the couch and takes her wife’s breast into her mouth. Natasha slips the strap into you. You press your forehead against hers as she fills you up.

“Fuck, I knew she could take your cock so well,” Wanda says.

“I know, sweetheart. She is so fucking wet and tight,” Natasha says.

“I can’t wait to taste her for myself,” Wanda says. “To make her feel so good.”

Natasha’s hands move your hips back and forth as she pounds the strap into you. She hits the sweet spot over and over again. You feel yourself losing control.

“Come for me, y/n,” Nat instructs you.

You come hard against her strap, slowing your movements until you fall against her. She kisses your head softly. A stark contrast of how she was just pounding into you. The two women give you a moment to catch your breath.

Nat helps you slip off her strap. Wanda kneels on the floor in front of the couch. She spreads your legs open again before burying her face between them. Nat situates herself behind Wanda. She pulls her pants down her legs enough to gain access to her. Nat presses her strap into her wife.

Wanda groans as she feels Nat bury herself deep into her. The taste of you gets her high quickly. You squirm under her tongue and that spurs her on further.

“So fucking good,” Natasha says, accentuating each word with the movement of her hips.

“Fuck,” you mumble. You won’t last much longer.

You see Natasha smirk as she feels Wanda coming against her. Her pleasure is enough to finish you off. Coming hard against Wanda’s tongue, you fall apart.

The two women stop their ministrations and catch their breath. Wanda takes the strap off of Natasha’s hips. She kisses the woman before directing her to sit on the couch.

“I want to see you eat her out,” Wanda says to you.

“Yes ma’am.”

You stand from the couch and kneel before Natasha. Her strong hands direct you exactly where she wants you. Natasha smirks at how in heaven you look between her legs. Wanda moves her fingers over Nat’s pussy lips to work in tandem with your tongue.

“That’s it, baby. Make her feel so good,” Wanda says. She lifts your head to kiss you before pushing you back to Natasha’s clit. You suck her until her hips stutter beneath you.

“Fuck, I’m going to come,” Natasha says.

Wanda removes her hand to let you have the moment when Natasha comes to yourself. She is so beautiful falling apart underneath you. Once she comes down from her high, she pulls you up into her lap. You rest your head on Natasha’s shoulder.

Wanda sits next to you and the three of you recover together.

“How do you feel, y/n?” Wanda asks.

“I’m good,” you say. And you really are.

“I think this is going to work out just fine,” Natasha says.

After that day, Natasha and Wanda continue to see you at the clubhouse. Whenever they ask you to leave with them, you never turn them down. Why would you? They are absolutely perfect.

#natasha romanoff x reader #wanda maximoff x reader #wandanat x reader #natasha romanoff #wanda maximoff #wandanat #wandanat smut #natasha romanoff smut #Wanda maixmoff smut

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nasa · 7 months

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Let's Explore a Metal-Rich Asteroid 🤘

Between Mars and Jupiter, there lies a unique, metal-rich asteroid named Psyche. Psyche’s special because it looks like it is part or all of the metallic interior of a planetesimal—an early planetary building block of our solar system. For the first time, we have the chance to visit a planetary core and possibly learn more about the turbulent history that created terrestrial planets.

Here are six things to know about the mission that’s a journey into the past: Psyche.

1. Psyche could help us learn more about the origins of our solar system.

After studying data from Earth-based radar and optical telescopes, scientists believe that Psyche collided with other large bodies in space and lost its outer rocky shell. This leads scientists to think that Psyche could have a metal-rich interior, which is a building block of a rocky planet. Since we can’t pierce the core of rocky planets like Mercury, Venus, Mars, and our home planet, Earth, Psyche offers us a window into how other planets are formed.

2. Psyche might be different than other objects in the solar system.

Rocks on Mars, Mercury, Venus, and Earth contain iron oxides. From afar, Psyche doesn’t seem to feature these chemical compounds, so it might have a different history of formation than other planets.

If the Psyche asteroid is leftover material from a planetary formation, scientists are excited to learn about the similarities and differences from other rocky planets. The asteroid might instead prove to be a never-before-seen solar system object. Either way, we’re prepared for the possibility of the unexpected!

3. Three science instruments and a gravity science investigation will be aboard the spacecraft.

The three instruments aboard will be a magnetometer, a gamma-ray and neutron spectrometer, and a multispectral imager. Here’s what each of them will do:

Magnetometer: Detect evidence of a magnetic field, which will tell us whether the asteroid formed from a planetary body

Gamma-ray and neutron spectrometer: Help us figure out what chemical elements Psyche is made of, and how it was formed

Multispectral imager: Gather and share information about the topography and mineral composition of Psyche

The gravity science investigation will allow scientists to determine the asteroid’s rotation, mass, and gravity field and to gain insight into the interior by analyzing the radio waves it communicates with. Then, scientists can measure how Psyche affects the spacecraft’s orbit.

4. The Psyche spacecraft will use a super-efficient propulsion system.

Psyche’s solar electric propulsion system harnesses energy from large solar arrays that convert sunlight into electricity, creating thrust. For the first time ever, we will be using Hall-effect thrusters in deep space.

5. This mission runs on collaboration.

To make this mission happen, we work together with universities, and industry and NASA to draw in resources and expertise.

NASA’s Jet Propulsion Laboratory manages the mission and is responsible for system engineering, integration, and mission operations, while NASA’s Kennedy Space Center’s Launch Services Program manages launch operations and procured the SpaceX Falcon Heavy rocket.

Working with Arizona State University (ASU) offers opportunities for students to train as future instrument or mission leads. Mission leader and Principal Investigator Lindy Elkins-Tanton is also based at ASU.

Finally, Maxar Technologies is a key commercial participant and delivered the main body of the spacecraft, as well as most of its engineering hardware systems.

6. You can be a part of the journey.

Everyone can find activities to get involved on the mission’s webpage. There's an annual internship to interpret the mission, capstone courses for undergraduate projects, and age-appropriate lessons, craft projects, and videos.

You can join us for a virtual launch experience, and, of course, you can watch the launch with us on Oct. 12, 2023, at 10:16 a.m. EDT!

For official news on the mission, follow us on social media and check out NASA’s and ASU’s Psyche websites.

Make sure to follow us on Tumblr for your regular dose of space!

#Psyche #Mission to Psyche #asteroid #NASA #exploration #technology #tech #spaceblr #solar system #space #not exactly #metalcore #but close?

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dcxdpdabbles · 8 months

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DC x DP: Magic Older Brother

It happens the day of his high school graduation because Casper High is cursed, and the curse personally targets Danny. Danny doesn't care what anyone says. He will die on that hill.

The school is cursed, which is why he turned into a halfa in his freshmen year, throwing his life into chaos all throughout sophomore and junior year, and now that he was finally leaving it, this happens.

An attack by a ghost he has never seen or met before. She calls herself "Lady Gotham," and her name doesn't hint at her power or obsession, unlike other ghosts.

He finds it rather rude of her to burst the graduation ceremony just as they called his name.

Danny knew he could take her- she felt more like a city spirit than a ghost, which means she was terribly weak against Phantom- but with so many witnesses, he hadn't been able to transform. Instead, he was blasted with black tar paste that reverted him to the age of ten, and while he stumbled on tiny legs, she took him and threw him into a portal.

He had attempted to shift into his ghost side as soon as he landed, but something was anchoring his core. It felt like he had been hit with the Plasmius Maximus- his powers were out of reach.

He would not be able to take her in a fight after all.

Thankfully, she had been distracted by his parents attempting to rescue him, so she got trapped on the other side of the portal. Still, he felt it would be safer to get as far away from the random field she kidnapped him to before she could return.

So he was running in an unknown storm, to an unknown location from an unknown city spirit instead of having his graduation party with his friends and eating cake.

"Casper High just couldn't give up even on the last day," Danny grumbles while running through the pouring rain of a terrible storm, trying to see through the water and the howling wind. He was drenched head to toe in the water, and he could feel even his bones shaking. He hasn't been this cold since the day his Ice core materialized.

Up ahead, he spots a building. Praying they will take pity on him, he pushes himself to go faster until he's at the door, banging on it with his tiny fists.

"Is someone there? I need help!" He yells as the wind picks up again, almost throwing Danny off balance. "Open the door, please!"

The door cracks open, and one tiny blue eye peeks up at him briefly before it swings open. "Come in! Hurry!"

Danny doesn't need to be told twice as he all but throws himself into the giant building, away from what he is starting to suspect is a hurricane. He turns around to find a little boy- he couldn't be older than nine- struggling with closing the garage door. Danny is quick to help him, and together, after tucking and grunting, they get it shut.

"Thanks," Danny says trying to gather his breath. He glances around, startled to see he's in a big fancy house that reeks of money, maybe more than Vlad or Sam. It is also deadly silent and bare as if someone only attempted to make it look lived-in but forgot to get humans.

"Don't mention it." The kid says almost under his breath. Danny would think of him as shy if the boy wasn't staring at him without so much as blinking.

Kind of creepy.

"Are you here because of my poster?" The kid asks, and Danny has no idea what he's talking about, but he's not about to make the creepy kid angry.

"Sure am."

The boy beams. "This is the first time anyone has responded! Come this way. I have everything in the main ballroom!"

Danny follows eyes taking in all the tasteful decor of various cultures and the complete lack of any other person present. After getting stranded, he found a mansion tucked away from human contact in search of shelter. Strange how that has happened to him twice

The boy leads him to two large double doors which he proudly opens up with a loud "Ta-da!"

Inside the ballroom are rows and rows of bed cots, blankets, and pillows. On one side of the room are tables with water bottles, bowls of snacks, and even little goodie bags. There are board games on a nearby table and clothes folded neatly in various sizes. Next to the tables are piles of teddy bears.

It looks like a movie set of a makeshift shelter that could easily fit a hundred people. Again there is no one else but them. Double creepy.

The boy skips between the first two cots, gesturing to the room. "You're the first one here, so you can first pick! I have board games, food, and clothes for you to burrow at the front if you want! I'm sure we'll have more people soon if you come!"

Danny offers the kids a weak smile. "Thanks."

"You're welcome! I'll go wait for everyone at the door. You make yourself comfortable."

While Danny cautiously explores, the kid races back to wait at the door for who knows who. The first thing he does is change into a warm set of clothes- picking a grey set of sweat pants and long sleeve that fits his tiny limbs. He grabs a water bottle and a bag of chips before his eyes land on a pile of brightly colored posters, likely forgotten on the table.

Strom Shelter for free at Drak Mansion

Everyone Welcome!

Sleeping, clothes, food and entertainment are provided!

Kids are invited to Tim Drake's birthday party on the same night!

Doors open at 5pm.

Oh gosh. Oh no.

He looks around the completely empty room and, for the first time, notices a small corner with a very sad "Happy Birthday" banner and a few party hats. At the edge of the table sits a folded half-sheet cake with a lopsided candle in the shape of a nine.

Above that little corner is a large clock that reads ten o'clock.

He puts his things down on a random cot, carefully returning to the front door where the little boy- he assumes Tim Drake- is waiting. He's leaning back and forth on his feet, and Danny can barely pick up his soft words.

"It's okay; they're all just really late. One person came this time so more could be on their way! Don't be sad, Tim. Things are looking up!"

Bless his heart.

Danny tries to reach for his ghost powers and grins when his ice core responds. He glances back at the little boy before he slips into the ballroom. He quickly re-decorates the party corner using his ice, making it look like actual decorations.

He even goes out of his way to open bottles of colored juices- he doubts anyone would drink them- and freezes the liquid so it adds a bit of color to the room. He's left with a winter wonderland with ice sculptures of animals- kids like animals, right?- and he gathers a birthday boy.

"Hey, Tim?"

The kid hurries to his side. "Yes? Did you need something?"

"Yeah, I need the birthday boy to cut his cake!"

Danny strong-arms the kid into the room and is delighted by the absolute happiness that blooms over the boy's face once he sees the room. "Wow! Did you do this?"

"Sure did, kid."

"Are you a wizard like Harry Potter?" The boy asks, and Danny has no idea who that is, but he nods anyway. Maybe it's this world's version of Santa Claus? Who is he to deny the kid's sense of wonder.

"Don't tell anyone." He says with a wink.

"But-But- but I'm a muggle!" The boy cries, suddenly horrified. Danny wonders if that's a slur, and if so, he won't allow him to use it to describe himself with it. "You'll get in trouble for using magic before me!"

"Why?"

"Cause muggles can't know about magic unless they are family! They'll throw you in Azkaban!"

Ugh, okay, he can work with that. "Well, I guess this makes us brothers, doesn't it?"

Tim's eyes practically pop right out of his skull. "Really?!

"Yeah, I'll be your big brother. My name is Danny and we can do something you always wanted to do for your birthday. How does that sound?"

"We can do....anything?"

"It depends on what you want to do, as long as it's legal and safe."

"Will.....you read me a bedtime story? I always wanted to know what that's like."

Danny's heart shatters. "Sure of course. What book do you want to read?"

Tim's face goes slightly pink. "The new Harry Potter book just came out. The goblet of fire? Can we read that?"

Oh, so Harry Potter is a book series! "Sure, Tim. Let's cut the cake and then we can pick a cot to pile blankets on to snuggle down and read."

Danny had never seen a kid look so happy in his life "Okay!"

Later, as Tim is tucked into the crook of his neck and shoulder, fast asleep after the exciting chapter of Harry Potter outflying a dragon Danny is visited by Lady Gotham.

It is only because Tim is too comfortable that he doesn't start swinging at her. She explains Tim's life and the obvious neglect before she bends down until her forehead touches the ground and begs Danny to care for him in her stead.

By morning, the Drakes suddenly acquire a new family member, and no one notices how he appeared overnight, but he's in the system, and no one can fault the documents. Lady Gotham made them herself.

#dcxdpdabbles #dc x dp crossover #Magic older brother #Lady Gotham gets Tim a breother #Harry Potter is a thing in Tim's world but not Danny's #Danny just kind of accepted it #Tim is so happy to have a brother

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queers-gambit · 6 months

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Tell Me Every Terrible Thing

[ part one of two ]

prompt: you embark on a secret but passionate affair with the Rogue Prince, and when his wife, Rhea Royce, passes away, he chooses you to wed next - a decision that angers his niece and changes history.

pairing: Daemon Targaryen x female!Hightower!reader only description given: red hair

fandom masterlist: House of the Dragon

word count: 5.6k+

note: what the fuck is this, Cherry? also two parts 'cause author gets carried away!

warnings: show spoilers, cursing, author has small bouts of feministic ideas, author also really likes the "little birds" storyline (let her live!), wonky brain is wonky, i think hurt and comfort, angst, very mild NSFW (brief female receiving oral), technically alternative timeline 'cause this goofy-ass author has an overactive imagination, #icanmakehimworse, another reader-episode-insert (this warning is for the fucking losers in my inbox).

part two: "Tell me every terrible thing you ever did, And Let Me Love You Anyway," - Edgar Allan Poe

"How angry do you think he'll be with me?"

You offered your best friend, The Realm's Delight, Crowned Heir to the Iron Throne, Princess Rhaenyra, a unamused, stale look. Sarcastically, you replied, "Oh, come now, Nyrie, why would your father be angry? It couldn't be because you rejected every suitor His Grace put before you, or even how you abruptly ended the tour with two months remaining. What father would be angry after that?"

She groaned, "I know, I know, you don't have to be so right all the bloody time. I just... I couldn't do it anymore, you saw what it was like," her head bowed and you knew the girl was truly overwhelmed by her 'job' picking a suitor.

"This was no easy feat to arrange, Princess," you spoke diplomatically, aware of the ship's crew dotting around the royal ship. "Our fathers went through much difficulty to ensure this tour's success, Princess, and I'd imagine neither will be thrilled by our early arrival."

"But it's just - "

"I know," you soothed with a knowing, sympathetic smile. Your arm extended around her, her head dropping to your shoulder for comfort. "In an ideal world, women would have a real say in their futures. Perhaps, that is what you're meant to do, Nyrie... Perhaps you're meant to break this wheel, give the other half of humanity a fighting chance against the men who have long suppressed us. Being heir is a monumental stereotype to shatter, but most women are not born into royalty and have nobody protecting or defending them."

She picked her head up to stare at you for a single moment, then nodded slowly, "That's a lot of pressure."

"Less if you pick a respectable man to help you lead," you advised softly, reaching to caress her cheek briefly. "You're to be Queen, Nyra, which means you need a King Consort that the common folk will respect, who will play his part in the courts to come. I know it's not ideal, my friend, but it's not meant to be - it's meant to be strategic." You paused, adding, "Similar to Ali marrying your father, yes? That was a strategic move on my father's end. Now it's up to you to chose your own match, to plot your own strategy."

"Who would you see me marry?"

"In truth? I'm unsure if anyone would fit the bill perfectly, so, I don't know who I could see you with. Definitely someone smart, though."

She only hummed, sighing deeply and making you frown. Before another word could be said, there came a distant screech that sounded all too familiar - though you refused to let it show that you knew this particular dragon's sound.

Nyra moved away from the ship's railing to stare longingly up into the sky, and about a minute later, without visible sight of any threat, Ser Criston Cole was shouting, "Take cover!"

And then, like a bird swooping to snatch a fish, a crimson dragon descended from the cover of clouds - seemingly materializing from nowhere. The large, long, slithery beast with wings knocked into the ship's main mast; jolting everyone on board enough to topple over.

You tried to stabilize the Princess, but you lost balance and dropped to your knees as Cole rushed to help Rhaenyra to her feet. When able, you looked to the sky; grinning to yourself as you recognized the retreating Blood Wyrm. Seeing the distinct form of Caraxes made you giddy with anticipation, however, that was short lived as you clocked Rhaenyra's gaze of awe and wonder.

It seems she was excited for her uncle's return, too. Though, it won't be till later that you learn the extent of her adoration.

Less than an hour later, the ship was docking and you escorted Princess Rhaenyra from aboard; her guards surrounding you both as you trekked to the Red Keep. "Just... Perhaps try to stay invisible," you advised your friend, arm-in-arm. "The King won't be pleased if you interrupt court, even just by being there. With luck, we won't be noticed."

She agreed softly, continuing on. She started fiddling with her necklace, the piece of Valyrian Steel jewelry that her uncle, Daemon, had gifted her years ago before Queen Aemma passed away. Your lover had told you the Princess was owed a piece of her Valyrian history, and since he could not gift a sword to a young lady, the necklace was chosen, crafted, and gifted.

When you returned to the Red Keep, it was just in time for court to be called to session and your friend was all too eager to join. "Nyra," you warned, hand in hers.

"It's all right," she assured, "come, it must be Daemon - "

"No, I should return to my chamber. Don't piss your father off too much," you warned her with a smirk, watching her grin in response, squeeze your hand, and then file into the Throne Room with the other members of court.

You retreated to your old room, sighing in relief when you discovered nothing was disturbed. "My Lady!" A voice gasped at the open door. You glanced over, smiling at Milah, your usual handmaiden, and opening your arms when she rushed forward. "You're not supposed to be back yet! Oh!" She tutted, looking you over. "I'll get your bed made and - "

"No, it's fine - "

"Nonsense, let me do this," she insisted, already busying around the room. "I was wondering why they were bringing things into the foyer - must be all the Princess' luggage, hmm?"

"Yeah," you sighed, helping her strip the bed and change the sheets. "It was strange," you admitted, "the men, I mean, and the way they all competed for her hand in marriage."

"Did you expect anything else?"

"I did not think they'd honestly kill one another. Though it was more so their pride than the Princess they fought over."

Milah smirked, "Sounds about right. Well, what of you? Anyone catch your eye?"

"Of course not," you sighed a little sadly.

"Still hung on the Prince, aren't you, my Lady?"

"Perhaps," you mused.

You spent the better part of an hour gossiping with Milah before she had to go grab a few things, but promised she'd send your belongings up as soon as possible. You thanked her, walked her out, assuring you were just going to get a bath or something, and just as you shut and locked your chamber door, gasped when a pair of hands seized your waist.

"Daemon!" You hissed when you saw the short, white locks of your surprise guest. "The bloody fuck is wrong with you?" You demanded, turning in his grip to shove your hands into his chest. "What're you doing here? Want to get us caught?"

"Three years," he grit, gathering you in his arms to heave upward and force your legs around his waist if you wanted to keep balance, "three fucking years I've been gone - away - missing you, do not deprive me a moment more."

"Someone will come looking," you whispered, caressing his face as your forehead met his. "And perhaps I want a moment to just look at you, 's been years," you breathed. "You cut your hair," you commented, running your hands through the short strands.

"I cut my hair," he agreed softly, just holding you close and tight.

"I like it... But I'll miss braiding it."

"I will, too," he admitted. He nuzzled closer, inhaling your neck sharply, boldly licking a flat tongue up your pulse point to make you shudder lightly.

"Daemon," you whispered, pulling his head back so you could look in his eyes, beaming, "I missed you, too."

"Viserys is arranging a lunch for my return," he informed, turning so he could approach your newly-made four-poster bed; dropping you flat on your back with a grin. "Which roughly translates into only allotting a few minutes to make up for lost time."

"We will have time later - "

"I overheard Viserys saying he and Otto intend to take evening tea with you regarding the Princess' return from tour," he eased, reaching to spread your legs, bunching your skirts. "But I will call upon you tomorrow? Yes? Officially?"

"If you insist," you teased, letting him finally descend to smash his lips against yours. In truth, you were used to his empty promises of 'calling on you officially' because of his marriage to Lady Royce, but it was his way of telling you without words that he wished it was you instead of Rhea.

Daemon groaned, melting into your form; breathing heavily. "I've missed you past words," he whispered, nuzzling your nose with his. "But for now, I just need a taste - "

"We don't have time - "

"We'll be fast. Tell me, love," he nipped your pouting lips, soothing his tongue over the puckered skin, "have you taken another in my absence?"

"Of course not," you hissed in offense.

"Good," he nodded, kissing you sweetly.

"Need I ask?"

"There were no concubines," he mused, "though, they were offered, I did not accept. So, we'll be quick - faster than quick," he promised, pawing at your undergarments and exposing your dampening cunt to his sight. "I'll take my time with you later, but for now, I need this," he all but seethed before diving tongue-first into your core.

His spit mixed with your arousal, creating a slippery mess.

"Shit," you hissed, grabbing his shorter hair as his tongue flattened to lap at your entrance, dripping in your essence. One of his hands held your thighs apart for his access, the other releasing his cock from the pair of breeches he wore. Daemon groaned at the taste of you, lapping wildly like a man starved, and stroking his bare cock in rhythm with his ministrations.

It truly took no time at all once he found your clit and sucked mercilessly, the hand holding your thighs now extended up to paw roughly at your tits. Alternating his tongue around your sloppy cunt added to your heightening pleasure, swirling his tongue as he bobbed and shook his head - making an absolute mess, and causing your climax to shatter your mind and soul.

Your legs twitched, spine curled, stomach contracted as your arms quivered from the rush of adrenaline; hand slapped over your mouth to keep your moans to a minimum. You grabbed his hair so tightly, he groaned in mock pain; legs then contracting to a suffocating grip around his ears and head while Daemon met his own end, spending in his hand whilst milking you for all you had.

He panted with satisfaction when he pulled back, grinning at you in mischief when you released your hold on him. "Good fuckin' girl," he praised, standing to his feet only to slither over top of you. "Like not a day's gone by, huh?" He whispered, kissing you messily, smearing your cum on your tongue; grinding his bare cock into your recovering core to make you shudder. "Take a moment, then get ready," he whispered. "I expect to see you at the celebrations... Wear that dress I got you for your fifth-and-twentieth nameday," he smirked, adding, "if you'd so please, my darling."

You chuckled, "You magically learned manners during the war?"

"Perhaps," he mused, pecking your lips again.

"Hey, Daemon?"

"What is it, my sweet one?" He asked, seeing the sincerity in your eyes and hearing the seriousness in your voice - something in his heart jumping.

"Would you tell me about it all later? The war, I mean? Would you tell me what you've endured?"

"I do not think it's a tale befitting a lady's ears."

"Please? I wish to know..."

"Then I will tell you," he promised, "but only if you wear that dress."

Your eyes rolled in humor as Daemon stood. You watched him wipe his cum on a spare rag, tossing it away, and after one last kiss, was leaving out of the secret passageway's door. Taking another moment, you finally stood on weak legs and unlocked the main door, preparing how you could for your day before Milah returned.

After arriving at the luncheon, you made a beeline for your father, greeting him happily before explaining your surprise reappearance. He filled you in on that day's court, explaining that Prince Daemon was back; and you felt almost guilty for the way your skin was still set ablaze from your lover's earlier visit.

For all Otto's faults, he was still your father, and you felt guilty for sneaking around with Daemon behind his back. Your father ushered you off to mingle, insisting he was only there for the King; and no, he wasn't hungry. So, you parted ways with a chaste peck to your forehead; the feeling of his scratchy beard lingering on your guilt-riddled flesh.

"Sister, what a surprise!" Alicent happily distracted by greeting you with a bright grin. You adjusted course to approach the Queen, King, and newly-returned Prince. "Oh, what a lovely dress you've chosen," she complimented with ease, reaching for your hand. "You always do have the best eye for clothes, I feel as if need you to live in my wardrobe, tell me what to wear everyday."

"Thank you, Your Grace, I'd be honored," You smiled at her, holding her hand, looking to the others. "My King," you curtsied to Viserys, glancing at Daemon and bowing your head respectfully, "my Prince, how nice to see you, again. Welcome home."

"Thank you, my Lady," he smirked. "Might I welcome you home as well? I hear you've been gone from the Capital."

You hummed with a nod, "I was on tour with the Princess, my Prince. I've only arrived home today, as well - though not by dragonback."

He eyed you up and down, offering, "I must agree with the Queen, my Lady, that is a lovely dress you've chosen."

You pet the black material, smiling genuinely, "Thank you, my Prince. It's one of my favorites."

"I can see why, given how beautiful you look," he flirted, and from behind you and Alicent, you could hear your father scoff.

"Thank you," you whispered. "What conversation did I rudely interrupt before?"

"Oh, nothing of importance," Daemon told you, looking to his brother and your sister.

"Because we spoke of how Daemon, here, was always Mother's favorite," Viserys grinned. "Do you want to know, my Lady? About how much Mother adored Daemon?" He asked you, his little brother trying to drone over him - but Viserys was determined to tell you the examples he could think of regarding his brother's favoritism.

You giggled from both Viserys' stories and Daemon's evident embarrassment.

However, almost awkwardly, on Alicent's other side, Princess Rhaenyra approached the group and stood amongst you. You knew the King must be unhappy with his daughter, but did not voice any opinion since you were not the source of disappointment at the moment. Instead, you listened to the King's complimenting words to his brother; thinking it was interesting that Daemon was so egotistical and yet, flushed under his brother's praise. Princess Rhaenyra waited until a natural lull to tell Daemon, "Congratulations on your victory."

It was awkward as Viserys just glared at her, Rhaenyra's expression falling short. Daemon covered smoothly, "Thank you, Princess."

Trying to save the tension, your sweet sister offered, "Perhaps Prince Daemon would care for a tour of the gallery? He hasn't yet seen the new tapestries gifted to you by Norvos and Qohor."

Viserys nodded and whispered, "Oh, oh," mockingly. He asked his brother, "Would you like to see the tapestries?" But by the end, he broke character and laughed with his brother; the latter who whom you knew spat on trivial things - such as tapestries and such. Through their laughter, Viserys proclaimed to his wife, "He has no interest in such things!"

"But thank you for the offer, sister," you smiled at her, trying to reassure her when her husband laughed in her face. "The tapestries are very beautiful, you've chosen a grand place to display them. I saw them on my way here."

"I'd like to see them," Rhaenyra jumped in, seemingly to Alicent's aid - something she'd not done in an age considering the tension between them. You just smiled politely, seeing the way Viserys dropped his grin when he looked at his daughter with distain while the rest of you looked away sheepishly.

"Then you should not deprive yourself."

Rhaenyra offered a pained, pursed smile, "I shall enjoy them alone."

You, Alicent, and Daemon all stared after Rhaenyra with varying degrees of pity as she walked away to sit solemnly by herself on a distant bench while Viserys went on about his and Daemon's youth; over Daemon being their mother's favorite. However, Alicent excused herself to follow the saddened Rhaenyra, perhaps to offer the Princess comfort in her father's anger. The King looked ready to protest, but instead just shook his head in disappointment.

Viserys turned you and Daemon away from the sight of the girls, showing off the Godswood in bloom; your father approaching you three stiffly. "Your Grace," he bowed to Viserys, then nodded in resepct, "my Prince. Daughter," he smiled, trying to instigate, "how was tour with Princess Rhaenyra?"

"Oh, as eventful as a Royal Tour can be," you smiled, deflecting, "though I must admit, while seemingly exciting at some parts, I'm sure it pales terribly in comparison to the Prince's adventures in the Stepstones." Viserys smirking broadly at your redirection. "I do wonder, what brought the war to an end? We've heard rumor, but surely the Prince might know for sure what brought the Triarchy down?"

"Surely," The King nodded, looking to Daemon expectedly.

The Rogue Prince smirked and readjusted his stance, deflecting, "Perhaps a conversation for later."

"Oh, come now, brother!"

"Your Grace," Otto interrupted, "I do apologize, but there are matters at hand that require your attention. The Tully's still - "

He sighed and waved your father off, "Yes, yes... Well," Viserys nodded, "I'll call upon you both later."

"Your Grace," you instantly curtsied.

"Your Grace," Daemon bowed right after. Viserys smiled and nodded back at you both, patted his brother's shoulder, turned, and when he walked away, Otto followed with a single look to you and Daemon.

"Daughter," he bid curtly - and you read between the lines. He really wanted to say, "Do not linger around the Prince."

When the King moved, his usual procession of advisors, guards, and entourage followed right after. You sighed as almost all of the Godswood cleared out, Daemon eyeing you as he readjusted his stance; subtly reaching out to pet your hand with his fingers.

"Daemon," you warned quietly.

"Nobody is watching us," he smirked. "You look beautiful, love. I'll have to buy you more dresses, you wear them so well."

"I cannot believe I will not see you tonight," you whispered with a pout.

"I will call on you tomorrow," he reminded.

You opened your mouth, but another voice answered. "Sister," Alicent called, you looking over and smiling innocently. You caught sight of Princess Rhaenyra glaring at her uncle, but didn't think much of it.

"I look forward to your tales from the Stepstones," you told him calmly, offering a curtesy.

He took your hand, pressing a soft kiss to the back, "I look forward to any time spect together, my Lady."

You hummed in contentment before stepping away, instantly taking Alicent's arm when close enough. "What was that about? Daemon looks so smitten!" She whispered with a growing grin.

"He was being polite," you whispered back, "and simply being Daemon - you know how he is. He's got three years of mischief to make up for."

"I see," she giggled. "He's quite handsome with the short hair, isn't he? It suits him well."

"I have to agree," you gossiped. "I can see why the ladies of court have missed him so."

Your younger sister giggled, smiling at you, offering, "I've missed you greatly. Come... I wish to hear of your time away."

"Oh, sister, please, I've only just returned."

"But... Wouldn't you tell me before the King?" She whispered.

You paused, then nodded, "Got me there, sister-dearest."

"We'll take tea together," she decided, leading you around the Keep until she saw a familiar face she knew. "Talya, my sister and I wish to take tea in the gardens, please. Privately, of course, so do not announce it," she directed the handmaiden. "We'll be in the gazebo in the rose gardens, bring tea, sandwiches, and my sister's always loved those peach crumbles?"

"I know the dessert," she nodded, smiling at you. "Can I interest you, Your Grace, in anything specific?"

"No, but bring enough for us both. Come, sister."

You three parted ways, Alicent leading you to the gardens as promised. She dismissed anyone in the area, even telling her guards to wait at the front hedges to give you ideal privacy while deeper in the roses at the gazebo. While sitting, you exchanged gossip about what happened while you were away, Alicent happy to catch you up because she was happy to finally have a friend, even if it were a sister, back in her corner.

You were happy, too.

While you loved Rhaenyra, the tension between her and Ali made you feel in the middle despite both parties assuring you "you weren't". Nyra was a good friend, your best, even! But it was something about your sister that was calming and assuring. She was trustworthy to a fault, but she was still your strongest pillar.

As Talya dressed your table with tea, lemon water, sandwiches, fruits, and other foods (including the peach crumbles), you giggled at Ali's retelling of whatever failed proposals occurred this past season you were away. When alone, at last, Ali turned to you in her padded chair and asked, "Tell me in truth, how was the tour? Why did you return early?"

"In truth, sister, vying men made the Princess uncomfortable. She did not need the two months more, she knew she was unhappy with the men so far presented to her."

Alicent sighed, "So, who does she intend to marry?"

"Yes," a new voice agreed, you both jumping in shock and looking up to see Viserys approaching with your father behind him. "Who does my daughter intend to wed, Lady Hightower?"

"Your Grace," you uttered, both you and Alicent standing in respect to bow your heads.

"Please, please," he permitted you both to sit, taking the lone chair across the table as your father remained standing. "I only wish for the unfiltered truth. I know what is said, I know what is reported, I know..." He sighed, "I know what my daughter might say, but please, Lady Hightower, what is the truth of it?"

"The truth, Your Grace, is that Rhaenyra was overwhelmed. Perhaps it was too long for her that she eventually, I'm not sure, shut down? She did not care towards the end which men was presented, she was overwhelmed with the options and pace at which everything moved."

"Kings and Princes before her have done the same, many Queens and Princesses embarking on their tours to find proper suitors," Otto reminded. "Why was this different, my Lady?"

"Because she is the first," you reminded. "Never before has a woman been named heir - she holds a different responsibility. Perhaps having everything thrown at her was too much, she has to filter through lesser men that would be King Consort. Nobody stood out, she became discouraged, and honestly, Your Grace?" You spoke earnestly, "I think it just made her sad. She did not want to disappoint you by choosing a man not worthy of being her King, so, she would rather face your anger in coming home early."

Alicent frowned but nodded to herself.

Otto adverted his eyes.

Viserys looked dejected, but sighed, "I see... Thank you for your words, my Lady, truly, you've always been a trustworthy advisor to the Queen, Princess, and I."

"It's the least I can do, Your Grace, since you and Queen Aemma - you - you were so kind to me when Mother passed. And Rhaenyra - to both Alicent and I - she was a true friend. I am in debt to you, Your Grace, and whatever I can do, be it just a simple different perspective, I am happy to provide."

"Well," he considered, "in the spirit of your unfiltered perspective, who would you see Rhaenyra marry?"

You blinked in shock, "Oh, Your Grace, I-I am not qualified to say."

"You serve as my Master of Whispers, do you not?" He smirked. "Speak, please."

You sighed deeply. With a small gulp, you blinked twice, then admitted, "I do not think my opinion matters, but... It would make sense to marry her to Ser Laenor Velaryon, would it not? He's a warrior who survived the Stepstones, is of Valyrian stock and blood, rides the dragon, Seasmoke. He's kind, brave, true, unmarried, heir to Driftmark. I think when it comes to filling the position of King Consort, Ser Laenor Velaryon would make a fine candidate."

Apparently, this was all Viserys needed to hear.

You could not sleep that night. You could not explain why, but something foul was in the air and prevented you from drifting off. So, you chose to browse your private library, select a literary favorite, and stroll the deadened halls of the Red Keep; reading by flickering torch light.

Good thing you were up and out, because one of your Little Birds chirped at you from the shadows. You looked around to see nobody in the hall, but another chirp directed your attention to a darkened alcove. "Hmm, oh, Kaela," you hummed, approaching her slowly and bending at the waist. "What is it, child?"

"I came as fast as I could."

"What's wrong?"

"I've seen something - something you'll want to know," she glanced up and down the hall, "but not anyone else."

"Come," you whispered, pushing her further back into the dark and sheltering yourselves safely. Once knelt before her, you asked the child, "All right. What is it you have seen, little one?"

"Do not get angry, my Lady..."

"I promise I won't," you spoke softly, confused - you never got angry at your Little Birds... Why start now?

"I-I saw... I saw the Prince Daemon and... Princess Rhaenyra."

You nodded slowly, asking quietly, "Where?"

"In the city, in a pleasure house."

You blinked, "And what were they doing?"

"What grown-ups do."

"I see. They were coupling?"

She shrugged, "No, just kissing, but it stopped fast. He left her there."

"He left her there? In the pleasure house?"

The little girl nodded. "The Prince looked sad... When the Princess tried to kiss him again, he pulled away... Then he left."

"Where did he go? After?"

She blinked, frowning, "My brother, Grenn, said he saw him at the pubs - but he was always on the move, very drunk. I came here right away."

"Good girl," you smiled, offering her whatever Gold Dragons from the pouch you usually kept on your person under your robe for times like this. "Where will you be tomorrow evening? I will bring you and Grenn supper."

She smiled, "We can meet you at the dock!"

"The dock?"

"He likes watching the boats."

"The docks, then. By the Fisherman's Pier?"

"No, Grenn like the Harper's Pier. They're not there around supper, they're still out at sea."

"Harper's Pier for supper," you agreed. "Go on."

The little girl looked around before scampering off down a different passageway and you stood from your knelt position with a stony look of tentative contemplation on your face. With a deep breath, you did the only thing you thought you could... You went to your father.

With a rapid knock at his chamber door, it took a moment or two before he was opening it - still dressed. "What is it, daughter?" He asked gruffly. "It's late, this should wait till morning."

"The castle is about to wake - "

"I know and I've much to attend to - "

"Father," you hissed, glancing up the hall.

He sighed and let you in, "What is it?"

"I carry scandalous news," you muttered, his door's lock echoing around you. "About the Princess Rhaenyra."

He turned to you sharply, you taking a step back in surprise. "You... Know?"

"About her sneaking around in a pleasure house?"

Otto frowned, "Do you know with who?"

You could not tell him, so you answered, "No, just that she was seen in disguise."

"Who told you this?"

"One of my Birdies."

"All right," he decided, nodding to himself, "thank you, daughter, for reporting this. I will... I will figure out what to say to the King."

"Should you say anything?"

"I'll figure it out - but now we both know."

You nodded, "So you knew before I came?"

"I was awoken an hour ago to hear this news."

You nodded slowly, "Then I will leave you to it."

"Thank you," he whispered, letting you peck his cheek in parting before slipping out of his chambers. With nothing left to do or anything else to say, you went back to your chambers as to limit your exposure to the castle's tenants.

The less that could say they saw you this night, the better.

Once safe in your chambers with a locked main door, you could do nothing else but (over)think, wishing to all the Seven Gods you didn't know what you knew. Information and knowledge was vital to maintain power, this is true, but it also made you dangerous - also a target. The more you knew, the bigger the target.

It was only a few hours after dawn when the secret passage doors to your chamber opened. You were braiding your hair, ignoring the man you knew to have the only balls to use that door - especially now.

"I've always wondered, if we had children, would they have white hair or waves of fire, like you? Perhaps something between?"

"Fuck off, Daemon."

"So, you've heard," he sighed deeply. "Won't you even look at me?"

"I can't stand the very thought of you right now, nor the actual sound, I'll lose my stomach if I have to look at you."

"Let me tell you the truth," he begged, "before I have to leave the Keep, let me tell you the truth. Let Viserys and everyone have their ideas and opinions, their lies and slander, but let me tell you!"

"Excuse me?" You asked, whirling around in your seat to glare at him fully. "Viserys banished you, again?"

"He did... Back to the Vale."

You scoffed, "Good... Your Lady wife awaits you."

"Viserys thinks I've sullied Rhaenyra's virtue. I do not need you thinking the same, so, please, let me tell you what happened - no matter how uncomfortable, please, let me tell you the truth."

"What difference does it make?"

"I can't have you thinking something more occurred. Was I tempted? Yes, but I refrained. Did I touch her? A little - but not how you think."

You sighed, shaking your head, "I don't care, you're returning to your wife in the Vale, and I will be rid of you. No matter for how long this time, you will be gone - "

"For a time, yes, but I intend to return for you."

"No, I think I'll let Father make me a match. I despised the North, it was too cold, so the handsome Cregan Stark is out. I don't mind Dorne, perhaps a Martel to marry? Or even a Tully of Riverrun?"

"Do not speak such atrocities to me."

"You're one to talk! Your niece, Daemon? The girl I consider my closest friend? You couldn't just find that whore you like and be satisfied with her? Couldn't wait a single day, could you? Huh? How fucking pathetic!"

"Perhaps you are not as close with Rhaenyra as you thought," he tisked, making you feel disarmed. He spent the next hour and a half explaining to you what happened the previous night, and despite your disgust, you just listened.

Knowledge was power.

"I will return," he sighed at the end, "and in that time, you can make your own decisions if you want me or not. But I will return and I will have you, if you will have me, and this foolishness will be behind us."

"I'll give you a single year. I will not wait for you longer than that," you whispered, tears streaming down your face. "I can't stand that you've done this, but I will wait one single year for you to find a way out of your marriage and back to me. Any longer than that, and I will simply move on. I do not want to live my whole life in the Red Keep, and the truth of it is, I cannot live in the Princess' shadow any longer. One year, Daemon."

"One year," he nodded, stepping closer. "My love, please - "

"Do not assume to touch me. Not after you've touched her," you snapped, stepping away. "Get out, I need to be alone, you have been banished - you need to go, you cannot be seen here." Your eyes rolled, muttering, "Probably have to go collect your whore for this banishment, too."

"Not this time," he smirked, "this time, I leave with my promise that I will return for you, my sweet Lady Hightower."

"Fuck off, you perverted Prince Daemon," you sassed, watching him slip out the door; shutting you in an echoing silence. Your heart ripped itself apart, making you wonder what the fuck you had done to deserve getting caught in such a scandalous affair. But you knew, in your heart, you'd do anything for Daemon - the thought sickening your stomach as you pondered how far this would all go.

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