whenever i say “screaming crying throwing up” this is what i mean

I’m actually LOVING how Rick Riordan, and the other writers of the show, took his initial concept of a Percabeth rivalry fueled by that of their parents and kind of turned it on its head?

Now, instead of Annabeth being wary of Percy because he’s a son of Poseidon, he’s wary of her because she made a callous impression on him. They get off to a rocky start even before finding out who Percy’s father is, and when they finally do, Annabeth doesn’t care. Instead of them fighting because of who their parents are, they’re fighting over their own opposed worldviews.

Then, instead of them arguing over which of the gods is cooler and who was right in the story of Medusa, they realize that, just like Medusa, Annabeth is a victim of her mother and that, unlike Medusa, she is a far kinder and stronger person, unwilling to repeat the cycle of hurt. They realize that, like his father, Percy often acts without considering potential consequences and that, unlike his father, he is a far kinder and stronger person, willing to step up for someone he wronged and whom he cares about.

Instead of Percy and Annabeth’s rivalry being focused on that of their parents, it’s focused on who they are, themselves. But the path to friendship is still the same: a realization that they have each other’s backs, no matter what, because they’re not their parents after all.

Literally anyone meeting bruce and his family for the first time: So how did you get so many kids by 30?

Dick: HE WAS A TEENAGE DELINQUENT

Jason: *shouting over him* HE LEFT MY MOTHER AT THE ALTAR

*tim is sitting, just happy to be included*

Bruce: BE-quiet.  They're ADOPTED!

Jason: *not a beat missed* Because he’s never known the touch of a woman.

So laios and fallin have been ostracized by society since they were children, Marcille has lifelong grief from constantly outliving her loved ones that leads her to dark magics, kabru’s village was destroyed by monsters, senshi and mithrun both have horror movie level backstories, izutsumi was sold as a freak show attraction, and then there’s chilchuck, who is a normal ass divorced middle aged man. And somehow he’s the most shady and secretive out of all of them

Edit can y’all please let me live I didn’t make this post bc I think chilchuck doesn’t have his own trauma or doesn’t experience racism or that being a union boss is a walk in the park or whatever I made it because him lying that he cheated on his wife to get the others to stop asking about his family was funny as fuck. Come on.

Constantine honest to god thought a child had just been struck by lightning and died by his side

chat i dont think i can explain this one

first encounters

giving the people what they want (jokes about spreadsheets)

anyway, Twst continues to prove that it is aimed at me specifically by giving us not one, but now TWO extended scenes of characters being incredibly difficult about signing an NDA. you just don't get this anywhere else.

the accolade ( the...the cat-olade...)

"Wyll is boring" he is the personification of daddy issues. he hides away at a beach TWICE and leaving the tav to go find him because he's not used to having people around who care abt him. he's been running around the sword coast for seven years just killing things and saving people because he got EXILED and chose to prove himself to his father and just help others. he spends his time training kids how to defend themselves. you find out his dad is the ARCHDUKE of Baldur's Gate. he almost drowned once trying to find mermaids. he has a literal devil haunting him that watches his every move. He managed to stop an entire cult of Tiamat AT AGE 17!!!!!!! he loves clowns.

Wyll isn't boring, ppl just haven't taken the time to explore his story and it SHOWS

These shots remind me of Dante Basco's and Mae Whitman's headcanons that one of the greatest obstacles to Zuko and Katara getting together would be their fear of hurting Aang's feelings, since they both respect him so much.

have we not learned personal space yet or

Pls just Optimus being Dad™️ to baby Bee and Mirage and idk honestly Rodimus too hes the entire daycare

say a prayer to your local single father

Prompt 162

“So,” Danny drawled from where he was sitting, legs kicking slightly. Really, what a fun reincarnation. A world with heroes and villains where he didn’t have to do shit in and could just vibe with Ellie. 

“So,” Tim responded from where he was typing on his computer, mostly in civilian clothes save for his gauntlets and boots. The Red Robin outfit was haphazardly dropped across the couch and his pole leaning against the end. 

“Technically there’s proper procedures for clones…” Danny motioned to both himself and Ellie from where they sat on the counter, snacking on a plateful of scones. From Alfred, he was certain. 

“Technically, yes… but do we want to actually do that?” 

All three of them smiled, something almost feral in the motion. Of course not. They all had the same memories after all, and Bruce had just returned from the past, from exactly where and when Tim had said he was. Despite no one believing him, hence why they were in his boathouse, and not in the apartment or manor. 

“Think we can pull it off?” Ellie took a sip of tea, mischief swirling in her eyes. 

“Of course we can.” Both Danny and Tim spoke at once, one pulling up a new doc and the other pulling the whiteboard out from under a curtain. 

some big three tree four doodles (lighting practice)

this is the first time i can say i dont like the di angelo doodles the most…. posted bc i love them but….

[Image description: The first image is a digital painting of Visual Calculus' skill portrait in Disco Elysium. Text reads: "VISUAL CALCULUS - The cold sea breeze stings your face as you step on the boardwalk. The body is gone, but something still lingers in the air. And high above it, against the stars..." End text. The portrait then fades into a dark night sky. The second image continues from the first with the same night sky. Text reads: "VISUAL CALCULUS - A luminous wheel of pleasure and all things bright, its wooden frame creaking in the wind. Twelve red cabins form a circle that stretches from the engines below to the flocks of seagulls up in the sky. INLAND EMPIRE [Medium: Success] - The mirage looks both sad and glorious in the mist, like an insect trapped in glass." End text. Green and blue lines from Visual Calculus' portrait twist around an orange, blue and purple projection of a ferris wheel. Behind it, the sun emerges in a bright burst of colour. Harry Du Bois looks up at it, amazed; Kim Kitsuragi looks at him in concern. Text reads: "YOU - 'You don't see it?' KIM KITSURAGI - 'See what?' The lieutenant looks around uncomfortably." End ID]