Tumgik
#this is probably a relatively common thing
strangestcase · 3 days
Text
I have noticed the pattern that a lot of adaptations -mostly more "modern" ones, older ones don't as much- choose to depict Jekyll's descent into madness as hallucinations, usually visual (the ubiquitous mirror imagery, among others- albeit I've also seen the mirror thing depicted not as a hallucination but as background foreshadowing in a kids' cartoon) or auditory (a little rarer in movie format, more common in text and comic format... though Confrontation is an entire song of just this).
Nothing against it, I just find it funny that the most beaten path in terms of making the audience partake of Jekyll's mental decline is to pull them into his distorted perception of the world in which Hyde (or rather, Hyde's presence/his perception of him) taunts and torments him even when he's relatively lucid. Though, the farther back you go, the more they read like they're side effects of the potion itself rather than Hyde directly effecting his senses.
On that note, I find it interesting that this is more common from the 60s onward (it was definitely a trend started by a specific handful of movies and it caught on); older movies just show Jekyll suffering, with hallucination imagery restricted to dream sequences, while more direct adaptations typically avoid it. It appears as if, the further back you go, the more the adapted text is left up to interpretation, and the less literally it is taken.
It's as if, with the years, adaptations have slowly shifted to favor Jekyll and his point of view more and more, and sometimes this comes at the price of having to believe him. I get it if stuff for kids does it, because otherwise they won't understand, but it's a little odd to see more "adult" takes on the text favor Jekyll to the point his assesments on Hyde are taken at face value when -at least to me- it's obvious that his perspective on the experiment is only a bit more objective than any other.
Dunno what I was getting about. Shifts in character perception mirroring the character's broken self perception? The doctor's madness becoming increasingly more diegetic to the story he lives in? I probably should look more into this.
19 notes · View notes
gray-warden · 29 days
Text
Tumblr media Tumblr media Tumblr media
I just realized I never posted photos of this really pretty harvestman i came across a while back. Note the green pedipalps and the dark and light spots on its back.
767 notes · View notes
julijbee · 2 months
Text
Tumblr media Tumblr media
girlbossing too close to the sun.
#art#ive literally just been treating this game as a library simuator#i walk from bookseller to bookseller opening up all of their books#vivecs sermons are either a highlight or the point at which i stop reading#ive been trying to convince the ordinators that imitation is the highest form of flattery but it hasnt been working#let me wear your helmets please theyre so funny..#posting morrowind in 2024 isnt a cry for help but youre not wrong to be concerned.#morrowind#almalexia#vivec#im going to explain the chitin armor give me a moment#so the bonewalker nerevar on the shrines is adorable and it was only after drawing it however many times that i realized#it looked relatively close to a modified chitin armor#and so i modified chitin armor a few times and this was probably the cutest result#i also know i drew almalexia relatively pristine and untouched by years and vivec not so much but my thought process was#vivecs role as if not a favorite then the most accessible divine or the most “hands on” in a manner of speaking#acting in ways visible to the general population or actions explicitly brought to their attention#like not that almalexia isnt doing anything she is#but the dissemination of information regarding that is very different etc etc etc#anyways to a certain extent a god is the face on a shrine or in art or upon a statue or carving#but vivecs presence is interwoven with the geography of vvardenfell especially and his actions and writings with pubished materials#and the arts and culture and customs etc etc etc#so to me the face of a god you know and feel a commonality with or a god that walks alongside you is a face you would recognize#and vivec is already otherworldly looking enough#the simple mark of the years on his skin in some way grounding him in reality felt more right#that and i think the ways in which he and almalexia care about outward appearance are slightly different- they prioritize different things#and the ways they present outward power and their embodiment of their respective attributes share some similarities as they both have that#important preoccupation with physical power and physical strength to a certain degree#oh my god nobody read this i am yapping so bad.#tes
538 notes · View notes
warning-heckboop · 4 months
Text
What if Floyd never went back to Branch not because he was unable to, nor because he didn't miss his baby brother, but because he was ashamed of who he'd become in the time since they'd last met, and he'd rather Branch remember him as he once was than see him as the disgrace he is now
26 notes · View notes
skelekins · 7 months
Text
Tumblr media
Many surface monsters are regarded as faeries after the monsters below ground were forgotten and their connections lost. However they still dust on death, and their blood will dry to those same granules.
While some humans have found ways to prevent parts from dusting, the most common faerie-related commodity in the black markets is 'faerie dust'. Surface monsters tend to bleed in different colors, with their dust carrying traces of magic even in death.
10 notes · View notes
redwinterroses · 2 years
Text
by far the wildest take I have seen recently has been "tags are for my organization only, and content creators shouldn't be looking at their tags on tumblr."
Like. okay first of all: cc's are people and they are tumblr users just like anyone else. Expecting them to interact with the site in some weird, circumspect way is ridiculous. Why in the world should someone have to blacklist or avoid the tags for their own work or character?
Second: tags exist in order to find things. On your own personal blog, when reblogging things, they're for organization (and helping your followers block things.) But when you make a post and tag it, that goes into the main tag. That's how tumblr WORKS. (Or at least, is supposed to. Sometimes it's hard to get things into the main tag. That's another issue entirely.) Saying "I tagged it with this person's name but I didn't want them to SEE it" is insane -- if you don't want people interacting (and that! includes! the possibility! of a cc!) then don't maintag it. It's that simple.
I don't know if this is a newbies-don't-get-how-tumblr-works thing or what but if you put something about someone on the internet, they 100% have the right to interact with it, positively, negatively, or otherwise. Especially if you specifically tag them.
47 notes · View notes
scanalan · 1 year
Text
Mr. Man has bladder stones and an obstructed urethra and he is at the emergency vet overnight. This is fine and I’m normal about it and not upset at all.
5 notes · View notes
soy-sauce-and-mothra · 8 months
Text
Hey! Are there blacksmiths in your story? I'm a hobbyist blacksmith and I'm here to help!
Blacksmithing is one of those things that a lot of people get wrong because they don't realize it stuck around past the advent of the assembly line. Here's a list of some common misconceptions I see and what to do instead!
Not all blacksmiths are gigantic terrifying muscly guys with beards and deep voices. I am 5'8, skinny as a twig, have the muscle mass of wet bread, and exist on Tumblr. Anybody who is strong enough to pick up a hammer and understands fire safety can be a blacksmith.
You can make more than just swords with blacksmithing. Though swords are undeniably practical, they're not the only things that can be made. I've made candle holders, wall hooks, kebab skewers, fire pokers, and more. Look up things other people have made, it's really amazing what can be done.
"Red-hot" is actually not that hot by blacksmith terms. when heated up, the metal goes from black, to red, to orange, to yellow, to white. (for temperature reference, I got a second degree burn from picking up a piece of metal on black heat) The ideal color to work with the metal is yellow. White is not ideal at all, because the metal starts sparking and gets all weird and lumpy when it cools. (At no point in this process does the metal get even close to melting. It gets soft enough to work with, but I have never once seen metal become a liquid.)
Blacksmithing takes fucking forever. Not even taking into account starting the forge, selecting and preparing metal, etc. etc. it takes me around an hour to make one (1) fancy skewer. The metals blacksmiths work with heat up and cool down incredibly fast. When the forge is going good, it only takes like 20 seconds to get your metal hot enough to work with, but it takes about the same time for it to cool down, sometimes even less.
As long as you are careful, it is actually stupidly easy to not get hurt while blacksmithing. When I picked up this hobby I was like "okay, cool! I'm gonna make stuff, and I'm gonna end up in the hospital at some point!" Thus far, the latter has yet to occur. I've been doing this for nearly a year. I have earned myself a new scar from the aforementioned second degree burn, and one singe mark on my jeans. I don't even wear gloves half the time. Literally just eye protection, common sense, and fast reflexes and you'll probably be fine. (Accidents still happen of course, but I have found adequate safety weirdly easy to achieve with this hobby)
A forge is not a fire. The forge is the thing blacksmiths put their metal in to heat it up. It starts as a small fire, usually with newspaper or something else that's relatively small and burns easily, which we then put in the forge itself, which is sort of a fireplace-esque thing (there's a lot of different types of forge, look into it and try to figure out what sort of forge would make the most sense for the context you're writing about) and we cover it with coal, which then catches fire and heats up. The forge gets really hot, and sometimes really bright. Sometimes when I stare at the forge for too long it's like staring into the sun. The forge is also not a waterfall of lava, Steven Universe. It doesn't work like that, Steven Universe.
Welding and blacksmithing are not the same thing. They often go hand-in-hand, but you cannot connected two pieces of metal with traditional blacksmithing alone. There is something called forge welding, where you heat your metal, sprinkle borax (or the in-universe equivalent) on it to prevent the metal from oxidizing/being non-weldable, and hammer the pieces together very quickly. Forge welding also sends sparks flying everywhere, and if you're working in a small space with other blacksmiths, you usually want to announce that you're welding before you do, so that everyone in a five-foot radius can get out of that five-foot radius. You also cannot just stuck some random pebbles into the forge and get a decent piece of metal that you can actually make something with, Steven Universe. It doesn't work like that, Steven Universe.
Anvils are really fucking heavy. Nothing else to add here.
Making jewelry is not a blacksmithing thing unless you want jewelry made of steel. And it will be very ugly if you try. Blacksmithing wasn't invented to make small things.
If there's anything here I didn't mention, just ask and I'll do my best to answer.
36K notes · View notes
fifty-ten · 6 months
Text
the sale did actually end this morning... so i guess i was smart, in the end.
1 note · View note
bomnun · 7 months
Text
another thing that shows blue box only want () to make money is they get so many album versions compared to everyone else?
i feel (queencard) had 11 (!) album versions while the highest I’ve seen from any other cube group is 3 (love or take, wind and wish)
and while I think 11 is way too much it’s just wild how much effort they put into blowing up ()’s numbers and keeping them up with the market and then they still compare their other groups to () and the rest of the market at such a disadvantage.
another thing is pitigi (not sure about the others but I feel like they won’t be far off from pitigi) have sooo much less fansigns than the other groups they’re compared to, including other mid tier groups. of course a group with a fandom of the same size or slightly smaller will sell more albums when they literally have 10x as many fansigns as pitigi. 10x as many fan signs is also way too much both for artist health and for the environment, but that’s one sure way to inflate album sales that blue box will compare them to pretending the promotional difference doesn’t exist.
0 notes
dykepuffs · 3 months
Text
How Do I Make My Fictional Gypsies Not Racist?
(Or, "You can't, sorry, but…")
You want to include some Gypsies in your fantasy setting. Or, you need someone for your main characters to meet, who is an outsider in the eyes of the locals, but who already lives here. Or you need a culture in conflict with your settled people, or who have just arrived out of nowhere. Or, you just like the idea of campfires in the forest and voices raised in song. And you’re about to step straight into a muckpile of cliches and, accidentally, write something racist.
(In this, I am mostly using Gypsy as an endonym of Romany people, who are a subset of the Romani people, alongside Roma, Sinti, Gitano, Romanisael, Kale, etc, but also in the theory of "Gypsying" as proposed by Lex and Percy H, where Romani people are treated with a particular mix of orientalism, criminalisation, racialisation, and othering, that creates "The Gypsy" out of both nomadic peoples as a whole and people with Romani heritage and racialised physical features, languages, and cultural markers)
Enough of my friends play TTRPGs or write fantasy stories that this question comes up a lot - They mention Dungeons and Dragons’ Curse Of Strahd, World Of Darkness’s Gypsies, World Of Darkness’s Ravnos, World of Darkness’s Silent Striders… And they roll their eyes and say “These are all terrible! But how can I do it, you know, without it being racist?”
And their eyes are big and sad and ever so hopeful that I will tell them the secret of how to take the Roma of the real world and place them in a fictional one, whilst both appealing to gorjer stereotypes of Gypsies and not adding to the weight of stereotyping that already crushes us. So, disappointingly, there is no secret.
Gypsies, like every other real-world culture, exist as we do today because of interactions with cultures and geography around us: The living waggon, probably the archetypal thing which gorjer writers want to include in their portrayals of nomads, is a relatively modern invention - Most likely French, and adopted from French Showmen by Romanies, who brought it to Britain. So already, that’s a tradition that only spans a small amount of the time that Gypsies have existed, and only a small number of the full breadth of Romani ways of living. But the reasons that the waggon is what it is are based on the real world - The wheels are tall and iron-rimmed, because although you expect to travel on cobbled, tarmac, or packed-earth roads and for comparatively short distances, it wasn’t rare to have to ford a river in Britain in the late nineteenth century, on country roads. They were drawn by a single horse, and the shape of that horse was determined by a mixture of local breeds - Welsh cobs, fell ponies, various draft breeds - as well as by the aesthetic tastes of the breeders. The stove inside is on the left, so that as you move down a British road, the chimney sticks up into the part where there will be the least overhanging branches, to reduce the chance of hitting it.
So taking a fictional setting that looks like (for example) thirteenth century China (with dragons), and placing a nineteenth century Romanichal family in it will inevitably result in some racist assumptions being made, as the answer to “Why does this culture do this?” becomes “They just do it because I want them to” rather than having a consistent internal logic.
Some stereotypes will always follow nomads - They appear in different forms in different cultures, but they always arise from the settled people's same fears: That the nomads don't share their values, and are fundamentally strangers. Common ones are that we have a secret language to fool outsiders with, that we steal children and disguise them as our own, that our sexual morals are shocking (This one has flipped in the last half century - From the Gypsy Lore Society's talk of the lascivious Romni seductress who will lie with a strange man for a night after a 'gypsy wedding', to today's frenzied talk of 'grabbing' and sexually-conservative early marriages to ensure virginity), that we are supernatural in some way, and that we are more like animals than humans. These are tropes where if you want to address them, you will have to address them as libels - there is no way to casually write a baby-stealing, magical succubus nomad without it backfiring onto real life Roma. (The kind of person who has the skills to write these tropes well, is not the kind of person who is reading this guide.)
It’s too easy to say a list of prescriptive “Do nots”, which might stop you from making the most common pitfalls, but which can end up with your nomads being slightly flat as you dance around the topics that you’re trying to avoid, rather than being a rich culture that feels real in your world.
So, here are some questions to ask, to create your nomadic people, so that they will have a distinctive culture of their own that may (or may not) look anything like real-world Romani people: These aren't the only questions, but they're good starting points to think about before you make anything concrete, and they will hopefully inspire you to ask MORE questions.
First - Why are they nomadic? Nobody moves just to feel the wind in their hair and see a new horizon every morning, no matter what the inspirational poster says. Are they transhumant herders who pay a small rent to graze their flock on the local lord’s land? Are they following migratory herds across common land, being moved on by the cycle of the seasons and the movement of their animals? Are they seasonal workers who follow man-made cycles of labour: Harvests, fairs, religious festivals? Are they refugees fleeing a recent conflict, who will pass through this area and never return? Are they on a regular pilgrimage? Do they travel within the same area predictably, or is their movement governed by something that is hard to predict? How do they see their own movements - Do they think of themselves as being pushed along by some external force, or as choosing to travel? Will they work for and with outsiders, either as employees or as partners, or do they aim to be fully self-sufficient? What other jobs do they do - Their whole society won’t all be involved in one industry, what do their children, elderly, disabled people do with their time, and is it “work”?
If they are totally isolationist - How do they produce the things which need a complex supply chain or large facilities to make? How do they view artefacts from outsiders which come into their possession - Things which have been made with technology that they can’t produce for themselves? (This doesn’t need to be anything about quality of goods, only about complexity - A violin can be made by one artisan working with hand tools, wood, gut and shellac, but an accordion needs presses to make reeds, metal lathes to make screws, complex organic chemistry to make celluloid lacquer, vulcanised rubber, and a thousand other components)
How do they feel about outsiders? How do they buy and sell to outsiders? If it’s seen as taboo, do they do it anyway? Do they speak the same language as the nearby settled people (With what kind of fluency, or bilingualism, or dialect)? Do they intermarry, and how is that viewed when it happens? What stories does this culture tell about why they are a separate people to the nearby settled people? Are those stories true? Do they have a notional “homeland” and do they intend to go there? If so, is it a real place?
What gorjers think of as classic "Gipsy music" is a product of our real-world situation. Guitar from Spain, accordions from the Soviet Union (Which needed modern machining and factories to produce and make accessible to people who weren't rich- and which were in turn encouraged by Soviet authorities preferring the standardised and modern accordion to the folk traditions of the indigenous peoples within the bloc), brass from Western classical traditions, via Balkan folk music, influences from klezmer and jazz and bhangra and polka and our own music traditions (And we influence them too). What are your people's musical influences? Do they make their own instruments or buy them from settled people? How many musical traditions do they have, and what are they all for (Weddings, funerals, storytelling, campfire songs, entertainment...)? Do they have professional musicians, and if so, how do those musicians earn money? Are instrument makers professionals, or do they use improvised and easy-to-make instruments like willow whistles, spoons, washtubs, etc? (Of course the answer can be "A bit of both")
If you're thinking about jobs - How do they work? Are they employed by settled people (How do they feel about them?) Are they self employed but providing services/goods to the settled people? Are they mostly avoidant of settled people other than to buy things that they can't produce themselves? Are they totally isolationist? Is their work mostly subsistence, or do they create a surplus to sell to outsiders? How do they interact with other workers nearby? Who works, and how- Are there 'family businesses', apprentices, children with part time work? Is it considered 'a job' or just part of their way of life? How do they educate their children, and is that considered 'work'? How old are children when they are considered adult, and what markers confer adulthood? What is considered a rite of passage?
When they travel, how do they do it? Do they share ownership of beasts of burden, or each individually have "their horse"? Do families stick together or try to spread out? How does a child begin to live apart from their family, or start their own family? Are their dwellings something that they take with them, or do they find places to stay or build temporary shelter with disposable material? Who shares a dwelling and why? What do they do for privacy, and what do they think privacy is for?
If you're thinking about food - Do they hunt? Herd? Forage? Buy or trade from settled people? Do they travel between places where they've sown crops or managed wildstock in previous years, so that when they arrive there is food already seeded in the landscape? How do they feel about buying food from settled people, and is that common? If it's frowned upon - How much do people do it anyway? How do they preserve food for winter? How much food do they carry with them, compared to how much they plan to buy or forage at their destinations? How is food shared- Communal stores, personal ownership?
Why are they a "separate people" to the settled people? What is their creation myth? Why do they believe that they are nomadic and the other people are settled, and is it correct? Do they look different? Are there legal restrictions on them settling? Are there legal restrictions on them intermixing? Are there cultural reasons why they are a separate people? Where did those reasons come from? How long have they been travelling? How long do they think they've been travelling? Where did they come from? Do they travel mostly within one area and return to the same sites predictably, or are they going to move on again soon and never come back?
And then within that - What about the members of their society who are "unusual" in some way: How does their society treat disabled people? (are they considered disabled, do they have that distinction and how is it applied?) How does their society treat LGBT+ people? What happens to someone who doesn't get married and has no children? What happens to someone who 'leaves'? What happens to young widows and widowers? What happens if someone just 'can't fit in'? What happens to someone who is adopted or married in? What happens to people who are mixed race, and in a fantasy setting to people who are mixed species? What is taboo to them and what will they find shocking if they leave? What is society's attitude to 'difference' of various kinds?
Basically, if you build your nomads from the ground-up, rather than starting from the idea of "I want Gypsies/Buryats/Berbers/Minceiri but with the numbers filed off and not offensive" you can end up with a rich, unique nomadic culture who make sense in your world and don't end up making a rod for the back of real-world cultures.
5K notes · View notes
fucktoyfelix · 20 days
Text
Choking Safety
I've been seeing some kind of scare-mongering type posts going around about choking during sex, so I wanted to address how to approach choking in a safe way. Choking is not a 0 risk activity, but it is also not so dangerous that you will just randomly die either. Anyone who does martial arts will confirm that thousands of teenagers are being successfully trained to choke each other safely (for self defense) every day! There's no reason you can't learn to do it too.
First you should be familiar with some basic anatomy of the neck and throat:
Tumblr media
The carotid veins on both sides of the neck and the trachea/windpipe in the center are the most important things to be aware of. If you want to enjoy the psychological element of having someone's hands around your neck with relatively little risk, you can do "choking" play that avoids putting any pressure on those arteries or the trachea. As with all choking play, safety is highest when both parties are fully sober. I'm not actually sure if there are people out there who are into having the windpipe or trachea blocked. This tends to hurt like fuck and cause an autonomic choking response. You'll know if you went too far center because generally the bottom will be like "WTH". I don't know if there is a way to do this play safely or not as I don't have experience with it. It probably carries some risk of the trachea collapsing which would be a hospital trip for sure. Most choking play is done with the intention of cutting off the blood supply to the brain by applying pressure to both the left and right carotid arteries. This type of choking is not really "breath play" because of the way it works (though many people refer to it that way.) This creates a pleasant light headed feeling, but is also where the higher risk comes in. It often doesn't take long for a person to lose consciousness once these arteries are blocked, often less than 10 seconds. Sometimes getting completely choked out is the goal, sometimes not. Either way, the top has to pay very very careful attention to every aspect of their bottom's body language. Once you realize that a person has lost consciousness, the choking must stop immediately. Because of this: the most dangerous way to do this kind of play is alone. (hence all the auto-erotic asphyxiation deaths you hear about) It goes without saying that intoxication also dramatically increases the risks. It's not recommended to lose consciousness this way on a regular basis. It's just not good for your brain to repeatedly go through, especially in rapid succession. Generally, the more time spaced out between this type of play: the better. Though some people may have medical conditions that make the risk higher, as long as you stop choking when you reach the desired headspace, this play is approachable. Anyone who's REALLY into the idea but feels unsure or scared, I highly recommend taking a few martial arts classes. MMA guys do this to each other all the time! For sports! The key is just stopping at the right time. There are two main ways to go about blocking the carotid arteries. The main one used in martial arts and self defense is the rear naked choke.
Tumblr media
This type of choke is incredible effective at choking someone out quickly and easily. The forearm and the bicep are squeezing each artery until the desired effect is achieved. The risk here is how quickly it works in combination with not being able to have a visual on your bottom's facial response. When someone loses consciousness they will go limp and begin twitching somewhat. This is normal, and you should stop immediately if you notice those signs. The more common method of choking play during sex is what looks more like typical choking. Facing your partner, using both hands.
Tumblr media
You want to find the arteries with both hands, and use the meat at the base of your thumbs to apply gradually increasing pressure upwards towards your partner's head. You can keep the thumbs tucked to avoid accidental pressure on the windpipe. (Though this is not required so long as you remember not to apply pressure to the windpipe.) This type of play has a few safety benefits. First, you can see your partner's face so it's more obvious when you can see they've hit a headspace that is desirable. Additionally, it's just a little more difficult to find the arteries and push up on them correctly. If your goal is to get a little light headed without losing consciousness, this is more easily accomplished with this type of choke. However, losing consciousness is still a risk and both partners being fully alert will ensure the lowest risk environment. I know choking play is incredibly popular, even 'vanilla' people participate in this type of play on a regular basis without really knowing the technical details. Most of them don't get seriously hurt...but knowing what you're actually doing with risky play is a base component of risk aware consensual kink. Anyway I hope people find this helpful! Happy choking!!
2K notes · View notes
ghastbutlikegay · 1 year
Text
yknow due to internet poisoning when i saw someone had written a character addressing a family member as "babe" in their fic my first thought was "oh god theyre gonna get comments from ALL the wrong people" and it occurred to me that i have no idea how common that actually is as a term of endearment from family
0 notes
motimatcha · 3 months
Text
miss you
hazbin hotel Adam x fem!reader
what happens to Adam when you go away for a long time?
Tumblr media
Adam really depends on how much attention you give him. As a man who was abandoned by two wives for a "duck" and as a man who was clearly abandoned in subsequent relationships (which most likely were), your attention and confirmation that you are not going anywhere is very important to him.
Adam will probably never admit it, but he gets very worried if he doesn't see you for most of his day. Moreover, you don’t have to have any contact with each other, if Adam just sees you a couple of times a day and you pay your attention to him, he will be more than calm.
And therefore, the information that you will have to leave heaven for two whole weeks, just because you need to start teaching people on the true path, on the righteous path, did not make him happy at all. Most likely, there was a whole scene where Adam tried, if not to beg you to stay, then at least to go with you. He was ultimately not allowed.
Adam, of course, accompanies you (along with Lute, to whom you give instructions on how to deal with your man). He wants to enjoy his last moments with you before the long days of waiting for your return begin. His hands never stop touching your body: constantly holding your hand, intertwining your fingers, putting his hand on your waist, touching your wings, stroking your hair, kissing and all that - he wants to remember the feeling of your body, taste and voice for the entire time while you're gone.
It holds up relatively well. At first. Over time, it becomes noticeable to everyone how his character is deteriorating, it becomes even worse until the moment of your relationship, which is an indicator and a wake-up call for other angels. Everything reminded him of you, especially being in your common home (not surprising): your things, photographs, smell. Adam, at first, even out of habit, sets the table for two, before remembering that you are temporarily absent. Your portion goes to Lute, who feels awkward.
Perhaps the climax was when Adam decided to take up his work as the leader of the exorcists. He needed at least something to prevent obsessive thoughts from entering his head, and due to the fact that the seraphim refused to provide him with any information about you, these thoughts visit him quite often. Adam locks himself in his office and finally touches the papers and documents that required his attention.
He spends his time working from early morning until late evening, sometimes simply spending the night in his office. Adam becomes nervous, tense and angry with every matter that he cannot solve due to his hot-tempered nature, since some decisions required a sensitive attitude and could not be solved with a snap of his fingers. Usually he asked for your help or advice, but due to your absence, he had to turn to Lute, who was also not known for her kindness and gentleness of character.
Adam begins to get annoyed by other angels, especially the happy angels or couples that he meets here and there. "Why are they so happy?" — flashes through his head, or: “Everyone is deliberately getting on my nerves?!”. At some point, Adam breaks down. This probably happened in his office, when some angel handed him a new stack of documents and raised the topic of your absence.
Lute, who was returning to Adam’s office, found a picture of a frightened angel lying on the floor, and Adam bending over him and almost growling at him to get out. After this incident, the angels try to tiptoe around Adam, not look in his direction and not breathe, and God is a witness to whoever upsets Adam’s fragile mental balance. From now on, all matters are transferred personally to Lute, so that she can take everything to Adam.
The angels begin to mentally count the days until your return so that this nightmare ends.
At the end of the last day, when the sky turned a shade of scarlet, as if bursting into flame, a golden portal opened in the sky testified that the angels sent to earth were returning. The rising wind pulled the curly clouds inward, which is why at first it was impossible to say for sure which of the angels appeared in heaven first.
Lute stood in the front row among those awaiting the return of their loved ones. It would be more accurate to say that she was floating almost a couple of meters from the portal, which was slowly distorting space to create a stable corridor between two dimensions. She needed to meet with you as soon as possible while Adam is in a meeting where he is 100% likely to be reprimanded for his behavior over the past two weeks.
— Lute? — sincere surprise is heard in your voice when you leave the portal and see her, and not Adam. — And where?..
— It’s because of him that we need to hurry.
Lute extends his hand to you, which you immediately take. The angel exorcist pulls you along, causing you to jerk forward sharply at first, but in time you begin to flap your own wings, trying to keep up with the girl.
During these two weeks among people, you forgot how powerful exorcist angels are.
You can't help but notice how some angels accompany you with looks of encouragement, looks of relief. You can only wonder what this is connected with, but Adam will definitely be the main figure in this matter. It was suspiciously quiet in parliament, only the rustling of papers, the fluttering of wings, and barely audible whispers coming from the offices behind the high doors. Initially, it was suspicious that Lute brought you here, and not to your home or Adam’s home, and only when approaching his office did you clearly see this certain line, an exclusion zone, where there is not a single ascended soul except you and Lute.
— Adam is now at a meeting, — Lute informs you and, taking out the keys, opens the door to the office, — Please wait for him here.
Lute's voice was full of unspoken pleas and a little panic, as if something terrible would happen if you left. Perhaps Lute’s fears were not so far from the truth, because who knows what Adam will do if he doesn’t see you today; he already missed the opportunity to meet you first. Lute leaves, apparently after Adam, so that he does not waste his time searching for you near the portal to Earth.
Adam's office greets you with darkness, illuminated by light from the crack under the door. The room is hot and stuffy, and there is a sour taste; you doubt that Adam ventilated his own office or did it very rarely. The room was surprisingly tidy and the mountain of documents that was on the table during your last visit was missing, indicating that there was work. Having spread your wings, you fly up to the thickly curtained window to not only let the light of the setting sun into the room, but also to give way to the fresh evening air.
Fingers pull the string and the curtains part to the sides, raising clouds of dust from the windowsill. It immediately becomes lighter, warmer and more comfortable, even a certain atmosphere of romance and mystery creeps in. You pull the handles of the windows, allowing them to creak open and immediately a cool breeze slid over your body, ruffling your hair and feathers of your wings. Until Adam's hot hands touched your waist.
— Hi Adam, — you say and turn in his arms so you’re face to face. — Well, what have you already done?
Adam's grip only became stronger on your waist, but not yet so pressing as to cut off your access to oxygen. Adam, like a cat or dog that was starving for the attention of its beloved owner, wanted to be as close to you as possible, to occupy all your thoughts - a selfish desire to be your only priority. His hand takes your wrist to bring it to his face and rub against your palm, tickling the sensitive skin with the stubble that has begun to grow. Adam looked really tired, as evidenced not only by the dark circles under his eyes, but also by his slow, inhibited actions.
— Sweet tits, who do you even think I am?.. And in general, I really missed my beauty, who left her beloved guy for two weeks. Do you know how I suffered for you?
Looking around his office again and remembering the looks that accompanied you from the other angels, you could imagine the scale of the tragedy that Adam caused every day. And it was honestly and sincerely funny, even a little sweet; a laugh escapes your lips, causing Adam to smile as well before scooping you up in his arms and turning to face his desk, setting you down on the dark wooden surface.
— Next time I’ll go with you, wherever it may be, — Adam promised you with a threat, and then his smile turns from gentle to anticipatory. The fingers on your sides dig deeper into your skin and pull you towards the edge of the table, causing you to wrap your legs around his body and feel his growing erection. — And now you have to take care of the fact that you abandoned me for two weeks.
2K notes · View notes
daytaker · 5 months
Text
The Gang React to You Ignoring Them
Lucifer
"How childish. They'll have forgotten by the end of the day."
By the end of the day, however, Lucifer has reached his fucking limit. But his pride will not only prevent him from begging you to knock it off-- it will prevent him from even acknowledging in your presence that he is remotely bothered.
He probably goes to vent to Diavolo -- that is to say, visit him for tea and offhandedly comment about your immaturity for pulling such a stunt, knowing that he'll just contact you and beg for him.
Mammon
"Oh no you don't! MC! MC! MC! MC! MC! Hey! MC! MC! Hey! MC!"
He will follow you wherever you go. At first he thinks he's hilarious, being an absolute pain in the ass, but the longer it goes on, the more dejected he gets. His energy level tanks and soon he's just lying on top of the nearest piece of furniture and whining for you to stop it.
If you manage to get him off of you long enough to escape him, he will just text you.
Mammon: MC Mammon: MC Mammon: Hey MC Mammon: Hey Mammon: MC
If you block him, he will just text someone else until that person becomes so annoyed that THEY beg you to stop.
When you finally give in, he pretends like he didn't even care that much. It was just a little joke between pals, right? Haha!
Leviathan
"So this is how easy it is for you to just toss me aside like a piece of garbage."
Levi will take this extremely personally. Depending on why you're ignoring him, he might blame himself and enter a spiral of self-hate. He'll hole up in his room, refusing to leave until you finally come in and either apologize or forgive him, whichever is appropriate.
He'll spend a few moody minutes acting like it's too late for that, but soon he'll be on the verge of tears, making you to swear on a copy of The Tale of the Seven Lords that you will never pull that kind of thing again.
Satan
"Really? Is this what it's come to? You understand how pathetic this makes you look, don't you?"
Like Lucifer, he won't be too bothered at first, assuming you'll get over things relatively soon. But if nothing has changed within an hour or two, he'll start to get testy. He'll send a text, sit in the same room as you and stare a hole through your head, and if you're still ignoring him after a while of that, he'll storm up to his room.
Depending on how emotionally charged the incident was that led to you ignoring him, he will be more or less capable of fending off an explosion of temper. Most likely, any acknowledgement you toss his way will ease the tension, so it might be a good idea to just shoot him a text asking him not to destroy the house, please.
Asmodeus
"But it's impossible to ignore me! You can't look away from a face like mine! See?"
I don't think you can ignore Asmo. Being the literal Avatar of Lust with powers to charm and an intense need to be admired and adored, he simply exudes an aura that demands attention. You should probably come up with a different strategy of attack.
Beelzebub
"...Are you mad at me?"
Why would you do that to him? How could you be so cruel?
If you did do it, it would probably confuse and sadden him. Confusion and sorrow both make him feel hungry, so he will go ahead and start eating his feelings within an hour of the silent treatment. Even if you're content to allow this to continue, the other six demons in the house aren't, and you will ultimately have no choice but to make up with Beel.
Belphegor
belphie.exe has stopped responding
Considering you'd already forgiven him for the whole murder thing, he can't comprehend how you've become so mad at him that you'd go so far as to give him the cold shoulder. He won't know how to respond at first, but he will quickly become an angry, sulky ball curled up under the blankets on his bed. If it takes more than a few hours for you to come crawling back to him, things will start to change. Belphie will return to the common areas of the house, acting mostly the same as usual, and he will not spare you a second glance. Even if you stop ignoring him, well, two can play this game, and Belphie is absolutely petty enough to drag this one out.
After a day or two of you trying to talk to him, he'll relent. He'll feel kind of guilty, having worked through most of his anger while ignoring you. He'll probably text you a lot for the next day or two, just to ease some of his anxieties.
Diavolo
"I don't understand."
You can't do that. That's illegal. Next character.
Barbatos
"Hehe. What a troublemaker."
Barbatos likes it when you ignore him sometimes.
Barbatos will not change his behavior at all, ever. You could spend the rest of your life ignoring him, and he would simply accept it as one of those unfortunate circumstances life sometimes throws his way. He would prefer it if things didn't go down that way, though. Basically, he'll let you come to him whenever you've gotten over whatever it is you're upset about. What a king.
Solomon
"Hmm? Are you sure that's a good idea?"
Solomon will act pretty much the same as usual around you too. He'll point out that you're ignoring him to whoever else happens to be around and bemoan the situation, but he won't actively appeal to you. Instead, he'll orchestrate a scenario that traps you in a situation where he is the only person you can go to for help. As soon as you do that, he'll act as if nothing ever happened. If you resume the silent treatment, well, he can always come up with another scenario.
Are you still sure it's a good idea?
Simeon
"I didn't realize you were so upset. I'm sorry (that/if) I hurt you."
Simeon will either immediately understand why you are doing this, in which case he will apologize (using "that") or he will have absolutely no idea what's going on, and he'll still apologize (using "if") to be on the safe side.
If you don't show any signs of breaking, he'll enlist Luke's help to make you an apology dessert of some sort. And how can you stay mad at him when he's offering you angel food cake with such a sad expression?
Luke
😧😠😣🥺😢
Wh- Whaaa...?! How dare you ignore him! That's so mean! It must be all the demonic influences rubbing off on you! Stop it! Stop it or he's going to tell Simeon!
And then he'll go and tell Simeon. Simeon will probably tell him to just wait until you've calmed down. If he thinks you're being unreasonable, though, he'll probably have a talk with you himself. Really? Pulling the silent treatment on an actual child? Sure, he's a millennium old, but he's still a child.
2K notes · View notes
Text
My Everyday
Tumblr media
Pairing: College Athlete!Bucky x Reader
Summary: Bucky Barnes was aggressive, annoying, and—worst of all—a hockey player. Not your type. At all. But, unfortunately, your roommate. 
Word count: 5.5k
Warnings: Minor injury, idiots in love <3, some angst, pining
a/n: My first fic in a century!! Thank you so much for reading if you’re still here. Depending on how this does I hope I’ll have motivation to write more! College athlete Bucky never fails to get me inspired :)
Masterlist
~~
“What’s this punks name again?” 
The breath you let out was long and excruciating. “I am not repeating myself.” 
“C’mon, y/n,” Bucky whined, knocking his head back on the couch. He watched you bustle around the kitchen from his inverted vantage point. “How the hell am I supposed to swoop in and save the day if I don’t even know the kid’s name?” 
“Okay, well, first of all—” the fridge door clicked shut with a swift motion of your hips “—he’s not a ‘kid’. I’m pretty sure he’s a few months older than you.” 
“Semantics.” 
“And second of all,” you stressed, pointing a butter knife in his direction. “There will be no ‘swooping in’. I’m going to have a nice date and you are going to go hang out with your puck rabbits or whatever they're called. There will be no thinking about me and no swooping in my vicinity.” 
Bucky rolled his eyes, kicking up from the couch and rounding the kitchen counter to pick at your sandwich. You knocked his hand away several times, but you both knew it was futile. In the months you’d been living with the hockey player—who was far too big for the small, shoebox of an apartment you leased—you’d learned that food was non-negotiable for Bucky Barnes. 
There were many other things you’d learned about him as well. He sang in the shower, but only when he thought you weren’t home. He had an annoying penchant for using your $30 lotion—again, when he thought you weren’t home. And he loved to throw his massive, smelly gear just about anywhere it would land right when he got home from every practice. 
He didn’t really care if you were home for that last one. 
Bucky was the last person you thought you would be rooming with when you posted that ad last summer. A small, quaint room previously occupied by your now engaged (and traitorous) best friend, you assumed someone like-minded to yourself would have taken you up on your offer. The price point wasn’t egregious and the building was relatively close to campus. 
But weeks ticked by, and you started getting desperate. Your landlord wasn’t a nice lady, something you were positive she took pride in, and she decided that a rent increase was the perfect way to ring in the new school year. You were on the verge of destitution, and as it so happened, the only other person as desperate as you was the starting center for your college’s hockey team. 
You hardly got along. It had taken weeks for your eye to stop twitching every time he tumbled through the front door at three in the morning, and even longer for you not to feel an infuriating aggravation at his random, nighttime smoothies. You supposed he probably felt the same about your cleanliness rules and your incessant reminders about trash days. Because Bucky was in charge of bringing the trash down those long, apartment steps. Not you. 
But you’d be lying if you said things hadn’t gotten easier as of late. Conversation flowed more smoothly, things that made you seethe before were only mildly annoying, and Bucky was being… considerate? You weren’t quite sure what to call the random cups of coffee he brought home on occasion. Or his sudden urge to warm up your car when he had a morning class before yours. 
There was also the case of that party last weekend. A frat party with far too many drunk men and not enough common sense, you had had the urge to leave the second you got there. But Wanda had dragged you along for the sole purpose of driving her home after she got hammered, so you were essentially stuck. 
It was fine at first. Hot and crowded and loud, but fine. You kept a general eye on Wanda and scrolled aimlessly on your phone in the armchair you claimed. And then it wasn’t fine, because a man twice your size was encroaching on your space and unrelenting. 
“What kinda girl comes to a party and doesn’t even wanna talk to anyone?” 
“You want to come up to my room and watch a movie or something?” 
“Hey, I’m talking to you, bitch.” 
You weren’t even aware that Bucky had been at that party. It wasn’t surprising—the line between fraternities and sports was blurred at your college—but the space he took up as he intercepted the man in front of you was.
~~
“There a problem here?” Bucky posed, crossing his arms over his chest, his presence looming above your seated position. His weight shifted to his toes.
The man didn’t miss a beat. “Yeah, you. Move.” 
“Wanna fucking tell me what to do again?” 
“Fuck you, man.” 
A harsh shove to Bucky’s chest was all it took for a right hook to echo in the living room of the frat house. There was chaos. Grunts and screams from the drunk people surrounding the unnecessary fight created a cacophony of unpleasant sounds that seemed to get the attention of someone in charge. The man—Brian, you had now learned based on screams—was pulled back from Bucky and getting chewed out by some president or manager of something. 
And Bucky was seething, chest rising and falling laboriously as he wiped at the new bruise forming on his face.
Fights were not uncommon. But this one had been about you. For you.
“Bucky?” you asked when the crowd calmed and Brian was no longer in the room. 
You watched his back release its tight coil. He turned. “Are you okay?” 
The words were almost lost in the noise of the crowd, but he was close enough that they created a tactile vibration across your skin. His pupils were dilated and he looked so disheveled it would have been charming if there wasn’t also a cut forming on his brow. 
“Y/n.” 
It took you a moment to realize that you hadn’t answered him. Your response fell out of you as if you’d been shoved. “I’m—I’m fine.” 
He grunted, but it was more of a puff of air. “The fuck was that guy?” 
“I don’t know,” you replied, realizing by the way you swayed that you had stood up at some point. “He just—” 
“We’re going home.” 
“What? I can’t, I’m here with Wanda. I’m driving her, Bucky, I can’t just leave.” 
He grabbed your wrist, the grip achingly soft compared to the blows he was landing minutes before. “She left with that British guy she’s been on and off with. Asked me to tell you.” 
That explained his random appearance. Your brows pinched as you took in the information, eyes cast down to the angry red marks marring Bucky’s knuckles. He’d been in fights before. So many fights. On the ice. 
This was different. 
“I haven’t been drinking—I can drive myself home. You don’t have to leave,” you shouted over the music now bumping in the room. 
He didn’t respond, not verbally. He pulled you to his front instead, leading you through the impossible crowd until cool night air began melting into your skin. His silence was strange. Bucky’s favorite activity was talking your ear off until you told him to shut up, but right now… nothing. Even his earlier words had been clipped. 
You felt responsible for easing the tension in the air as Bucky continued to guide you to your car. You hadn’t told him where you parked, but he seemed to know the exact location anyways.
“You really don’t have to leave with me,” you mumbled. “It wasn’t a big deal or anything.” 
“It was a big deal.” 
~~
The drive home had been silent. The walk to the door had been as well. Bucky spent a few minutes appraising you in the overhead light of the living room when you got inside, but after that there was nothing. He went to his room and you went to yours. 
There was no discussion about it the morning after, either. Bucky apparently wanted to pretend nothing ever happened, so you respected that. Even now, you ignored the fading cuts on his hands as he shoveled food into his mouth.
Bucky’s next words were muffled by a mouthful of bread. “Well where’s this dude taking you at least?”
“Ice skating.”
The cough and sudden exasperation was very expected out of the man next to you, Bucky’s next words hardly containing syllables. “Huh?” 
“We’re going ice skating,” you reiterated. You picked up your lunch and headed for the living room, ignoring the slightly heaviness in your chest. “It’s winter and ice skating is festive. The rink on campus has decorations.” 
“Without me? Y/n, you’re gonna let some guy who probably doesn’t even know how to skate—” 
“Bucky—” you attempted to interrupt. 
“—drag you around the rink like a rag doll?” he continued, holding his hand up to mute your incoming speech. “I’ve asked you to come by the rink, like, a ton of times. You’ve never shown any interest.” 
You rolled your eyes and shot him a cross look as he picked your feet up from where they rested on the couch and dropped them into his lap. He went on with his rant for a little while longer, knocking his head back against cushions and accusing you of being a bad roommate. You had a few rebuttals of your own, but there was a reason you had never accompanied him to the rink. 
A good reason. 
You didn’t date athletes. 
It was true that simply going to visit Bucky at a practice, or letting him be the one to drag you around the ice like a rag doll, wouldn’t mean you were in a relationship by any means. But it would be an extra step. And if you were being honest with yourself, it would only take a few of those extra steps for the irritation you felt towards Bucky to melt into something else. 
And you didn’t date athletes. 
You did not. 
You didn’t have the time, nor the patience, to put up with the cheating, the anger issues, or the crazy schedules. And there wasn’t a single athlete you’d met at your sport-centered university that was willing to compromise on any of those subjects. Especially the cheating. You’d learned that the hard way after dating a lacrosse player for approximately one month before receiving the dreaded DM from a girl you had never met. 
The man hadn’t even given you the courtesy of pretending he didn’t know what she was talking about. He just admitted to his wrong-doing and shrugged. Shrugged. 
So athletes were not exactly in your good graces when it came to dating. 
“Are you even listening to me?” Bucky cut through your thoughts, patting your shin in impatience. 
You blinked and reoriented yourself, focusing on the hairs that fanned across Bucky’s face. “Of course I am,” you lied. “But my answer is still the same. I’m going on my date and you are not going on my date.” 
He groaned, apparently giving up as he cradled your legs closer to him to lean over and grab the remote from the coffee table. He flipped the channel to ESPN—typical—and you ate your sandwich, silently cursing him. He had a TV in his room. 
“When is it?” he suddenly asked, breaking the silence that had knitted itself into a comfortable blanket over the room. 
“Tonight,” you answered plainly. 
The arms atop your legs tensed. 
~~
The dichotomy of the man sitting beside you was impressive. On one hand, he was so full of himself that he had missed almost all of your conversation starters due to being so transfixed by his reflection in the rink’s glass. He had yet to ask you a single question about yourself and had insisted that the four other girls skating tonight were in love with him. 
On the other hand, he was, quite possibly, the most uninteresting person you had ever met. You were usually very quick to laugh, but every word out of his mouth was almost painful. He wouldn’t stop talking about his ex-girlfriend, gave you one word answers about anything other than baseball, and was honestly really terribly at ice skating. You were no pro either, but you found yourself on your back every time he tried holding your hand.
The tumble five minutes ago had you seeking out the penalty box on the side of the rink. You needed a break, you had told him, hoping he would continue on making a fool of himself and give you a moment alone. But he followed you instead, and was now sitting beside you, talking about baseball.
You supposed that was better than making you fall while talking about baseball.
“I bet we could do that,” he remarked, pointing out onto the ice and catching your attention. A couple who clearly had more experience than you was twirling each other around. “We definitely could. I pick up good speed.” You cringed. “I really don’t think we should try, Sean. My tailbone is already pretty bruised.” 
“Oh, c’mon! I won’t try the throwing part, just the twisty stuff.” 
“We are literally on rental skates. You will kill me,” you deadpanned. You were tired at this point and seriously questioning why you thought ice skating was a good first date idea. 
Well, there actually was an answer for that. But you were not going to think about the hockey player that popped into your head when Sean asked you on a date in the dining hall last week. 
Definitely not. 
“I’m not going to let my date think I’m boring,” Sean groaned, yanking you up from your seat. 
You gave a few tugs and words of resistance but they were ultimately useless. You figured it would be just as useless to tell the guy you already thought he was boring. He probably wouldn’t even hear you. 
On unsteady skates, Sean guided you to a mostly cleared corner of the rink and gripped your forearms. He squinted as he surveyed the area, the corner of his mouth turning up in a way that made your stomach roll. This entire date had been a bad idea.
“Maybe we should just watch them do it,” you tried, words wavering. 
“No!” he grinned. “No, we got this. It’s gonna look so cool.” 
And then you were spinning. You’d never been spun against your will before, but it sucked. Your skates kept getting stuck in the divots in the ice and the grip on your forearms was close to bruising. You were starting to get dizzy and Sean showed no signs of caring. God, he really was dragging you around the rink like a rag doll. Bucky was going to get a kick out of this.
“Okay, ready?” Sean called, an unwarranted jubilation in his tone. 
“What?” you yelled. 
He didn’t answer you. Instead, he let go, and you went flying in another direction without a clear path. It only lasted a moment, but the sound of your head smacking onto the ice signified the end of that movement. You landed on your arm next, and then your back. Again. 
This time felt different though. Your head was spinning and there were muted pinpricks trailing up to your wrist. The ache there was dulled compared to the biting iciness in your back, but as soon as you tried leaning on it to get up, it became sharp.
“Oh shit!” came Sean’s laughter-filled gasp. “My bad. I really didn’t mean to let go.” 
You blinked a few times to clear the blurriness from your vision but it proved unhelpful. “I think… I think my arm’s broken.” 
“Wait, seriously?” he asked, wobbling down to a seat beside you. 
“Yeah, it’s—”
“Everything okay over here?” a voice interrupted. You tried blinking again to take in the man that towered over the two of you, but the lights overhead washed him out. 
You recognized him…maybe? You felt like you were going to throw up. 
Sean answered for you. “Yeah, man, we’re fine. She just fell.” 
“Y/n, are you okay?” the man asked, ignoring your date completely.
“Do I know you?” you slurred.
You thought you heard a curse. “What made you think throwing her around was a good idea?” 
“Dude, it wasn’t even that fast. Or my fault. She just couldn’t keep her feet under her.” 
“Well, dude, maybe you should go home.” 
Sean scoffed. “Right, and who’s going to take this one home?” 
Your head was starting to hurt with all of the back and forth. The man that just joined, the taller one, kneeled down beside you. His blonde hair cast a harsh glare that had you squinting again. 
“You want me to call Bucky?” he asked.
Bucky? How would he know Bucky? Blonde hair began morphing into a man in your memory, and you reached for the material of his shirt, looping it between your fingers.
“Steve Rogers?” you mumbled. 
The man, now identified as Steve, sighed. “I’m calling him. Go home, Sean. Her roommate is coming to get her.” 
There was more discussion, something about Steve having the authority to kick him out and Sean not understanding what all of the fuss was about. Steve warned him about something and Sean scoffed as if the situation was beneath him. And then he left. 
Steve was then in your line of sight again, brows pinched together and a bright orange vest covering his shoulders. His hands hovered in front of you as if you’d break if he touched you and you almost found it funny. Steve was a huge guy with a lot of authority on Bucky’s team, but right now he looked like a scared animal. 
“Why are you dressed like a construction worker?” you asked. 
A small smile graced his face. “I’m working at the rink today. Everyone on the team has to take shifts during the holidays.” 
“Hmm,” you hummed. “I think my arm is broken.” 
“I know. I’m pretty sure you have a concussion too. Let’s get you off the ice, yeah?” 
You tried to nod, but that hurt too much so you let Steve assist you in shakily standing up. He guided you to the seats by the rental skate counter with a soft but sure hand on your back, asking some guy named Antonio for an ice pack. Everything around you felt like a fever dream. 
Gentle touches rolled the sleeve of your sweater back to reveal a swollen wrist that Steve immediately covered with an ice pack. 
He cursed again. “Well he’s gonna be pissed.” 
“Who?” Your head swayed with the question. 
Steve looked up to meet your gaze, lips parting to answer, when he was replaced by a different face. Your brain was having trouble keeping up with everything, obviously, because Bucky was in front of you now. He was kneeling between your legs with his hands on your face and you had no idea where Steve went. 
“What the fuck?” you blurted out. 
“Hey, y/n.” Bucky spoke your name low and soothing, his fingers moving to your eyes where he pried them open one at a time and looked for something you couldn’t see. His next words were directed over his shoulder. “Maybe a concussion. Tell me what happened again?” 
“Sean Marcus was being an ass. Flung her all over the place,” Steve replied. 
“Why are you here?” you interjected, trying to focus on one thing at a time. “I told you not to come on my date.” 
Bucky moved his assessment to your arm next, shifting the ice pack. “Never really agreed to those terms.” 
He turned back to Steve after that, having another discussion that you barely understood. Bucky absentmindedly fiddled with the material of your jeans as he spoke, and you put all of your energy into not face planting on the ground. This past week had truly been a series of terrible events with terrible men. 
After some amount of time elapsed, you were walking to the parking lot with a jacket thrown over your shoulders and Bucky continuously jutting a hand out each time you took a step. He was very well versed in concussions, apparently. 
“Okay, in you go, killer,” Bucky prompted, opening the passenger door. 
You eyed the front seat, scrunching your face up. “My arm hurts.” 
The man in front of you seemed to soften, his shoulders dropping on a long exhale. “I know, sweetheart. But we gotta go to the hospital to fix that. I’ll make sure it doesn’t hurt anymore.”
“I should just call Wanda. Or Nat. You don’t have to be the one to take me.” 
“I can take you just fine.”
“Why do you want to you? Aren’t you busy?” 
Another long sigh, this one accompanied by hands on your shoulders, fingers at the base of your neck. “Get in the car.”
His eyes were boring into yours, searching for something, or maybe already finding it there. You still had your arm cradled to your chest and you titled your head to the side as you observed him. There was something else to his gaze that you couldn’t quite describe. It reminded you of his expression after he came home from a rough game. Angry. Discontent. 
“You’re being weird,” you commented, breaking the silence you had created. 
“You broke your arm and smacked your head on the ice,” he simply replied, as if the statement was an explanation. 
“Yeah, but—” 
“And then that douchebag did nothing about it,” Bucky interrupted. “So please, y/n, get in the car so I can help you before I find him and kick his ass. Because you know I’m not above fighting people.” 
You blinked, and then slid into the front seat. 
The drive was quiet. You’d never been in Bucky’s car before, but the spinning in your head didn’t give you much space to inspect it too closely. You caught hockey gear in the back, a keycard to the rink dangling off the rearview mirror, and a small collection of hair ties in one of the cupholders. One caught your attention.
“Hey, this one’s mine.” You picked up the purple band and rolled it between your fingers. “Thief.” 
Bucky snatched it back. “Mine now.” 
He made a sharp turn that had you sucking air between your teeth and repositioning your arm. Bucky sent you a quick, achingly apologetic look. 
“Sorry, almost there.” A long beat of silence and then a mumbled, “I should keep your hair tie. You won’t be able to do your hair alone with a broken arm anyway.” 
~~
Your wrist was fractured, not broken. You also only had a minor concussion. This was all great news to you, especially since they told you after administering a hefty amount pain reliever. To Bucky, this was apparently terrible, life-altering news. 
After practically body slamming into the front door of your apartment, he chucked his wallet and keys down on the kitchen counter and began grumbling to himself as he opened and closed kitchen cabinets. You watched from a distance, half amused, half concerned for the rusting hinges. He finally found what he was looking for—a cup—and continued to mutter to himself as he filled it with gatorade. 
“Are you… okay?” you asked tentatively. 
Bucky ripped the freezer open and manhandled three to four ice cubes. “I’m fine. You are not.” 
“I’m okay now,” you assured. Bucky stalked over to you anyways, pressing the sports drink into your hand that was not wrapped in a cast.
You looked down at the glass and sent him a baffled look. He nodded at it and raised his brows, a silent demand for you to drink. 
“Okay. And why do I need to drink gatorade?” Your words were slow. 
“You were just on the ice and haven’t had any water for at least three hours.” 
“Bucky,” you began. “I was ice skating recreationally for about thirty minutes. I don’t need to replenish my electrolytes.” 
“Will you just… will you just drink the damn drink?” he groaned, gesturing to it with a firm hand. “Jesus, I can’t take care of you when you go and get yourself hurt by idiots. So just let me do what I know I can do, alright?” 
“You don’t have to take care of me.” You were beginning to raise your voice, matching some of the frustration in the room. 
Bucky threw his hands in the air, tugging at his roots on the way down. He moved further into the kitchen and leaned against the counter with stiff, rod-like arms propping him up. And then he sighed, long and profound as if this was the hardest conversation he’d had all year. His head hung heavy between stiff shoulders and you felt the environment shift. 
You almost wanted to intervene on his thoughts again, to make some comment about the dishes in the dishwasher or pretend you were going to go take a nap. But he had something to say, something you needed to hear, and so you stayed. You blinked and clenched your fist in the uncomfortable silence, but you stayed. 
“Y/n, I want to take care of you,” Bucky breathed out, words still directed toward the floor, almost too low to make out. “I’ve been tryna get you to see that for weeks now, but you’ve either got no clue or you want absolutely nothing to do with me.” 
You stopped blinking, stopped fidgeting, stopped breathing altogether. You watched as Bucky drummed his fingers against the counter and still refused to look up. You swallowed hard because you weren’t clueless, but also because you wanted everything to do with Bucky Barnes. 
And nothing at the same time. 
“Bucky…” you began, with a tone of surprise you weren’t sure was believable.
“Don’t do it yet,” he stopped you. “Don’t…don’t tell me no yet. I’m still pissed as hell that you got hurt and you shouldn’t be alone with a concussion. I don’t need you avoiding me when you can’t even drive a car.” 
“You’re being presumptuous.” 
He snapped his head up, his eyes rushing back and forth between your own. The drumming on the counter ceased, instead replaced by balled up fists turning white under days old cuts and fading bruises. He didn’t say anything. You searched the empty air for a reply. 
“I wouldn’t avoid you. I don’t know if I could avoid you—not anymore. You’re sort of a big part of my life now.” A good start, you thought. Not a real answer, but not a rejection. 
Bucky bit the inside of his cheek and eyed the drink still perspiring in your hand. You set it down at his observance, moving closer to his slumped posture in the kitchen. 
But Bucky stood up straight at your movement, becoming guarded, stiff. “I shouldn’t have said anything. Bad timing, just forget it. You should try and get some sleep.” 
“I don’t want to forget it,” you softly spoke, shaking your head.
He clenched his jaw. “And I don’t want to hear that you don’t feel the same way about me that I feel about you. Not right now. I feel like I’m going insane, watching you go out on dates and having my best friend tell me that my girl—that’s not really my girl—is all banged up on the ice because of some asshole.” 
You opened your mouth to speak, but Bucky kept going, now pacing in the kitchen. “I mean, y/n, you’re my everyday. I wake up and you’re making coffee. You text me in class to ask what I need at the grocery store and then I call you after practice to make sure you got back to the apartment. I think about you so god damn much and I can’t believe there was a time in my life that I didn’t get to end my day in a home that has you. And you’re just my roommate. You want nothing to do with athletes, I get it—” he added, catching your eye in the middle of his rant, “—but, shit, I haven’t even looked at another girl since… well it doesn’t even matter.”
“Tell me,” you whispered. There were a million other things you could’ve said, a million explanations that would have made sense. But the two soft words stopped Bucky from tracking holes in the ground. They shoved him from his shallow breaths and made him look at you. 
And, god, did he look at you. You must have been worse for wear. A hospital visit mixed with one too many tumbles onto solid ice probably had your hair in disarray and your face pressed with exhaustion, but his gaze was revering. Candy-coated red with soft blues melting below brows that fluxed with the movement of his lips; Bucky was beautiful, and he was looking at you as if you matched.
His tone confirmed as much, light and saccharin as he said, “That dumb movie a few weeks ago, the one about the superheroes. Your friends wouldn’t watch it with you so you made me. You were so excited even though it was awful and you were out like a light within the first hour. You rolled over onto me and I wasn’t gonna wake you up so I sorta just held you.” 
He paused, trailing his eyes up to the light fixtures. “At the risk of sounding pathetic, it felt like I had you, you know? Like we were going through all our usual motions, but after I annoyed the hell out of you and you told me off, you were mine. I can’t… I can’t really picture that with another girl.” 
There were very few times you had considered yourself speechless. But with Bucky Barnes standing in front of you, red-faced and vulnerable and still wearing the stupid hospital nametag they made him put on in the waiting room, you had no words. There was none of the arrogance you usually associated with him, no short-temper or pestering taunts. It was just Bucky, and he was pouring his heart onto the kitchen floor. For you. 
“You get why you can’t tell me no just yet?” he asked, trying to get something out of you. Anything. “You can break my heart, but let me just make sure you’re okay first. And I can’t beat the shit out of Sean if we aren’t on speaking terms.” 
The laugh that left you was one of disbelief, but the breathiness and accompanying tears fit the heaviness of the room. Your glossy eyes met Bucky’s and something flashed on his face, but it was soon out of your line of sight because you were kissing him. You were kissing him hard and your bodies were too close for the cast between you but it didn’t matter. 
He didn’t respond at first, hand hovering at your back. But then he did and the cold linoleum of the kitchen floor was gone from your bare feet. He sat you on the counter, so gently, as if you were glass, and you let your hand brush against the cracks and divots of your home. The one that Bucky came back to every night to see you. 
The one that had housed so many nights of confusion and longing and denial.
The one that had Bucky kissing the life out of you on the kitchen counter. 
He pulled away first, forehead pressed to yours. “Didn’t think I’d ever get to do that.” 
“You can do it again.” 
“Oh, I will, baby.” 
Laughter met in the air between you—sweet, short, intertwined. There was so much you wanted to tell him, so many instances like the one he shared before where you were left questioning boundaries and feelings and lines. But, you figured, there would be so many opportunities to tell him. So much time together. 
“I texted Wanda that night,” you shared, interrupting the kisses he was pressing to your cheek. “After I woke up and you had taken me back to my room.” 
He smiled against your skin. “What’d you say?” 
“I told her I was an idiot—that I was falling for the enemy.” 
Bucky ran a soft hand along the back of your head, a smirk lighting up his face. He was slotted between your legs and kept his other hand firmly pressed onto the kitchen counter, caging you in, making sure your arm didn’t hit the cabinets. 
“And is that true?” 
“I don’t know,” you hummed, connecting your foreheads once again, wanting to stay impossibly close. “Try to cure my broken bone with gatorade again and we’ll see.”
7K notes · View notes