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#theme: history
araekniarchive · 2 years
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A web about how cats are incredible and the best little silly companions
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Terry Pratchett, Sourcery
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Anonymous, Pangur Bán (trans. Seamus Heaney)
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Book of Hours, 15th century (link)
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Kobayashi Issa, ‘Arise from sleep, old cat’ (trans. Peter Beilenson)
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Neil Gaiman, The Graveyard Book
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Emperor Uda of Japan, writing about his new kitten in 889AD
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via @eatsleepcrap (cut down to text only)
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Found on the walls of a bookstore full of cats (via @tmmyhug)
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Mamie Dickens, My Father as I Recall Him
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The kitten mascot of the aircraft carrier HMS Eagle in the hammock made for her by the ship's sailmaker, c. 1945 (via)
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L. M. Montgomery, Anne of the Island
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Jean Cocteau
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poorly-drawn-mdzs · 4 months
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Welcome to the Dungeons of Fear and Hunger.
#Fear and Hunger#D'arce Cataliss#Cahara#Ragnvaldr#Enki Ankarian#Unlike Dungeon Meshi - I cannot in good faith recommend this game to a broad audience.#My background with F&H goes as follows: I am hanging out with a friend. He says “hey try this game I've been playing.” I say “Okay!”#I have never heard of this game. I pick the mercenary. I go through 5 min of character history and background. I am mauled to death by dogs#It took me 4 resets to even get in the dungeon. But I finally get there. I am caught by a guard. He cuts off all but one of my limbs#I am forced to crawl around in a blood and corpse pit until the game tells me 'give up idiot'.#I reset. I am mauled by dogs again. I realize this is not for me but I am intrigued enough to go home and watch some playthroughs#And WOW what an interesting game it is! I really do appreciate games that blend their design philosophy with the theme it wants to set#This is a game about fear and hunger. And persevering. And penis (my god is there a lot of penis)#I recommend this to people who like extremely challenging games and can handle the many *content warnings* within this series#If the idea of Bloodborne/eldenring and undertale having a little RPG maker baby sounds appealing to you - give it a shot#It's made by ONE GUY and it's a great horror game. I am just really bad at it.#My friends just enjoy putting me in situations where I scream and yell. We don't talk about the corn mazes. Or the other horror game nights#Apparently I'm funny when I'm Scared!#As people who follow me on twitter might know; I am deep in the pits of this series right now. I will be back with more art.
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dragonpropaganda · 2 months
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The Architecture of Rain World: Layers of History
A major theme in Rain World's world design that often goes overlooked is the theme of, as James Primate, the level designer, composer and writer calls it, "Layers of History." This is about how the places in the game feel lived-in, and as though they have been built over each other. Here's what he said on the matter as far back as 2014!
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The best example of this is Subterranean, the final area of the base game and a climax of the theme. Subterranean is pretty cleanly slpit vertically, there's the modern subway built over the ancient ruins, which are themselves built over the primordial ruins of the depths. Piercing through these layers is Filtration System, a high tech intrusion that cuts through the ground and visibly drills through the ceiling of the depths.
Two Sprouts, Twelve Brackets, the friendly local ghost, tells the player of the "bones of forgotten civilisations, heaped like so many sticks," highlighting this theme of layering as one of the first impressions the player gets of Subterranean. Barely minutes later, the player enters the room SB_H02, where the modern train lines crumble away into a cavern filled with older ruins, which themselves are invaded by the head machines seen prior in outskirts and farm arrays, some of which appear to have been installed destructively into the ruins, some breaking through floors.
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These layers flow into each other, highlighting each other's decrepit state.
The filtration system, most likely the latest "layer," is always set apart from the spaces around it. At its top, the train tunnels give way to a vast chasm, where filtration system stands as a tower over the trains, while at the bottom in depths, it penetrates the ceiling of the temple, a destructive presence. (it's also a parallel to the way the leg does something similar in memory crypts, subterranean is full of callbacks like that!)
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Filtration system is an interesting kind of transition, in that it is much later and more advanced than both of the areas it cuts between. This is a really interesting choice from James! It would be more "natural" to transition smoothly from the caves of upper subterranean to the depths, but by putting filtration system in between, the two are clearly demarcated as separate. The difference in era becomes palpable, the player has truly found something different and strange.
Depths itself is, obviously, the oldest layer not only of subterranean but of the game itself. The architecture of Depths has little to do with the rest of the game around it, it's a clear sign of the forgotten civilisations that our friend Two Sprouts, Twelve Brackets showed us, there's not actually that much to say about it itself, it's mostly about how it interacts with the other layers of subterranean.
That said, Subterranean is far from the only case of the theme of layers of history. It's present as soon as the player starts the game!
The very first room of the game, SU_C04, is seemingly a cave. It is below the surface, the shapes of it are distinctly amorphous rather than geometric. (well. kind of, it doesn't do a very good job of hiding the tile grid with its 45 degree angles.)
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But let's take a closer look, shall we?
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See that ground? it's made of bricks. The entire cave area of outskirts is characterised by this, the "chaotic stone" masonry asset is mixed with brickwork, unlike the surface ruins which are mostly stone. This, seemingly, is an inversion of common sense! The caves are bricks and the buildings are stone. This is not, however, a strange and unique aspect but a recurring motif.
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This occurs enough in the game for it to be clearly intentional, but why would materials such as bricks be used in otherwise natural looking terrain?
The answer lies in the "Layers of History" theme. This is in fact, something that happens in real life, and it's called a tell
To be specific, a tell is a kind of mound formed by settlements building over the ruins of previous iterations of themselves. Centuries of rubble and detritus form until a hill grows from the city. Cities such as Troy and Jericho are famous examples. The connections to the layers of history theme are pretty clear here, I think. Cities growing, then dying, then becoming the bedrock of the next city. The ground, then, is made of bricks, because the ground is the rubble of past buildings. The bones of forgotten civilisations, heaped like so many sticks!
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ifwebefriends · 5 months
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chrisfleming · 1 year
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Bat Timeline vs Bat Publication Timeline
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I kept my receipts and citations here. Also, I used cover dates.
Neat things I noticed:
Nothing much happened in Gotham until Robin arrived both in continuity and in print history. Sorry but your lone wolf Batman doesn't exist :P
Dick permanently becomes Batman at the same age Bruce was when he became Batman; 25. Kinda poetic if you ask me.
Babs was Oracle longer than she was Batgirl in both continuity and publication history!!
Completely forgot that Dinah was literally her own mother once upon a time. Weird stuff.
There's not enough Jason!Robin stories to fit the 3 years some fans claim he was Robin for. Also the 3 years idea doesn't work if you track Dick's age. My guess is he was originally younger than 15 when he died but DC aged him up so he could be an adult when he returned as Red Hood.
It's pretty clear that Helena's integration into the group began the expansion of this complicated "family unit". She set the precedent for those noirish vigilante work relations.
Tim has to be a vampire if he's meant to be 17 three whole very explicit in-continuity years after he had his 16th birthday.
Stephanie has basically been in this gig as long as Tim! And almost as long as Helena too. Proper seasoned ass-kicker who Damian should look to for pointers.
Also remembered that Cassandra's Batgirl run is the best thing to come out of Gotham in the early 2000s.
I dunno I think the One Year Later timeskip was just unnecessary.
Kate and Renee are almost as new to the vigilante gig as Damian!
Bat-adjacent Rose Wilson was said to be 14 during her first appearance around Year 15 so she's the same age Tim.
Not Bat related but Lian Harper's age works with my timeline so yay! Born early Year 14, she's 5 during Cry for Justice in Year 19.
I have a theory, based off of Batman #416, that Dick graduated high school at 17. He says he was Bruce's partner for 6 years and that after he was fired; he left college after the 1st semester, then moved around the country, had his own adventures, and "eventually" ended up with the Titans. Also, he was 21 during the Titans' 3rd anniversary (New Titans v2 #71) and 19 when he became Nightwing (Tales of the Titans #44) so the Titans (re-)formed when he was 18. This means he probably only turned 18 in the academic year he began college (or has a summer birthday). So he was Bruce's partner from ages 11-17, did his own thing for a while as he did in the 70s, eventually joined the Titans at 18, and became Nightwing at 19. Jason comes into the picture soon after Dick retires the Robin identity.
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collectionstilllife · 2 months
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Marianne North (British, 1830-1890) • Japan • Unknown date
In addition to botanical painting, Marianne North was also a biologist and world traveler.
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visenyaism · 6 months
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westerosi houses i would most want to see an entire fire and blood style history about in no particular order:
-crabb and celtigar 400 year bay of crabs drama
- uller.  shot rhaenys out of the sky but what have they actually been up to to make them half mad and the other half worse.
- The short sad reign of House Lothston.
- Lannisport Lannisters
- Fire and blood where everything is the same except Alleras writes it from the perspective of a dornish historian
- Bolton. if they’ve been up to their usual evil shit for eight thousand years like fully wearing Starkskin cloaks then they really HAVE been the same guy the entire time. need them to beat these allegations.
- not the actual daynes they’re too perfect with the whole we being the dawn we are just like valyrians except we’re not out sword is a star thing. i want to know about whatever specific fucked up dayne cadet branch darkstar is from.
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fantastic-nonsense · 4 months
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I wouldn't mind the heavy focus on warrior Amazons so much if they were allowed to be competent instead of just being used as red shirt cannon fodder. But it seems DC only hypes up the Amazons as deadly fighters so other characters can look more impressive when they take them down.
Oh and Happy New Year.
Happy New Year! Forgive me if I use your ask to talk about a piece of the Wonder Woman mythos I've wanted to discuss for some time, because your complaints offered me the perfect segue to write a nice, in-depth meta on it and I couldn't pass up the opportunity.
Honestly, I think a lot of people (both creatives and readers) either don't know, forget, or fundamentally misunderstand the nature of the Amazons' warrior status. So they often get reduced to "deadly warriors who strike first," "supposedly deadly but generally incompetent warriors when outside of their own books," or "militant man-haters" by a lot of people. None of which are true.
The Amazons are incredibly competent warriors and have been since Marston's first portrayal of them in the 1940s, so I don't inherently mind them being shown as such. However, where people get bogged down is insisting that they be shown as deadly and trigger-happy offensive fighters who are happy to strike first and hard, which fundamentally goes against the philosophy and thematic messaging built into Amazonian lore.
DC's Amazonia, lore-wise, is traditionally framed as an Aphrodite vs. Ares "peace and love vs. violence and war" story. In Marston's original rendition of the Amazon's backstory Aphrodite is not only their patron goddess but also their sole creator; it was only after Crisis on Infinite Earths and George Perez's long-overdue lore expansions that the rest of the goddesses became co-creators and co-patrons of the Amazons. Regardless, Ares and his domain are consistently invoked as what the Amazons don't want to be like or engage in. That behavior is the antithesis of what Amazons are supposed to be. This lore informs literally everything about how the Amazons view both their combat abilities and their duty to the goddesses.
The contemporary Amazons are, for the most part, women who died in terrible and traumatic ways at the hands of men (usually through domestic violence, murder, or as conquests of war). When the goddesses created the Amazons by reincarnating these women via the Well of Souls, they specifically charged them to become their champions. And what did these goddesses want? They explicitly wanted justice and protection for women in a violently patriarchial world. The Amazons being warriors is thus specifically tied to an understanding of necessary self-defense and protection (both of themselves and other women), not offense.
Which of course is what lands the Amazons on Themyscira in the first place: invoking the goddesses' ire by not obeying these commands after their rebellion against their enslavement by Heracles and his men crosses the line from the necessary battle to achieve their liberation into wanton violence and revenge:
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"The battered Hippolyta prayed to her goddesses and found the courage and inspiration to free herself. Athena had reminded Hippolyta of the Amazons' purpose and mission—but not all of the Amazons remembered. Or cared. They yearned for vengeance. For retribution against those who violated them...and under Antiope, many found it." -Wonder Woman: Our Worlds at War (2001)
And as Hippolyta and Menalippe tell Antiope:
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"No, Antiope. Never vengeance; never again!" /// "That is Ares' way, Antiope. We achieve no glory by embracing the Dark God's power!" -Wonder Woman (1987) #1
The Amazon way is promoting a society based on love, equality, truth, and peaceful conflict resolution, not vengeance and violent combat. It's a philosophy that defines Diana's mission in Man's World as an ambassador, teacher, and living example of her peoples' way of life:
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Enraptured, they listen to her dissertation on equality between the sexes, tolerance, peaceful coexistence. Social Philosophy 101, Amazon Style. -Wonder Woman (1987) #170
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Diana's gods-given mission was to spread the Amazonian ideals of conciliation—to give those living in the World of Man the proper tools to peacefully coexist with each other. It was her life's purpose to teach the possibilities of respect and love by being a living example of an upbringing founded in those ideals.
Truth-seeking, diplomacy, and peace are the Amazonian way of dealing with conflict, not violence. And when you are forced to engage in combat (and you should be prepared for that eventuality because sometimes it will happen), your goal should be self-defense and de-escalation, not offense and prolonging the conflict longer than necessary.
This is also, as an aside, why Diana (and specifically Diana in her capacity as Wonder Woman) does not usually carry offensive weapons like a sword and why her primary "weapons" are the Lasso of Truth and protective bracelets. She's the official representative of her peoples' culture and personally deeply believes in that cultural philosophy. Other Amazons have different views on the matter, including her mother, but Diana grew up completely separated from the World of Man and fully immersed in that belief system, which deeply informs how she views her mission as Wonder Woman.
Personally, I think many (but not all) of the problems re: depicting the Amazons in the modern era come from various writers attempting to solve contradictions that don't exist. They see "kickass trained warriors living peacefully on an island" and see that as a contradiction they have to solve: why do they train if they're pacifists? Why do they fight if they're peaceful? In reality, it's not a contradiction: their status as warriors and champions is specifically tied to self-defense and protection (both of themselves and others), but given the choice they don't want to have to take up arms to protect people because that goes against their fundamental cultural philosophy. Outsiders and meddlesome gods are the ones who force them to do that! What they want is for everyone to be treated with love, respect, and understanding so they don't have to!
And there's a lot of problematic elements built into the concept's execution, but this is the core thesis behind the split between Hippolyta's Themyscirans and Antiope's Bana-Mighdall. The Themysciran Amazons have had their fill of violence and war; they just want to live in peace. But a) they were specifically tasked with guarding Doom's Doorway when they were taken to the island, a duty which necessitates perfect combat readiness, and b) their history is littered with examples of people refusing to leave them alone. So they train, in case someone decides to take shots at them, but otherwise live in peaceful isolation. Meanwhile, the Banas looked at that same shared history and went "we need to take the fight to the outside world. Offense is the best defense, and the only way to protect ourselves and the other women of the world is to actively seek vengeance for the violence women face." So they chose to actively intervene in Man's World, fighting constant battles and exacting revenge for any women mistreated at the hands of men.
...which is also why Artemis was such a necessary and interesting addition to the Wonder Woman mythos (even if she's often handled...poorly), because she and Diana represent two diametrically opposed views of how to protect and represent both their cultures and the women of Man's World, but that's a rant for a different time.
Anyway, the Themysciran Amazons' martial pacifism as a cultural value isn't a contradiction; it's one way of looking at a history filled with violence and victimization and saying "no more." And it's a pretty subversive way of doing so, which (well-written) comics tend to note!
So yes, the "Amazons are warriors" mentality has always been there and has been solidly emphasized at various points throughout Wonder Woman's history, and it should be acknowledged and shown that they're all incredibly competent in battle when they're forced to engage in it. But the way in which it gets emphasized is what defines whether a writer has a solid understanding of the history and baggage that comes with depicting the Amazonian struggle and the socio-political issues embedded in their lore. And unfortunately...many writers just don't seem to get it.
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pagansphinx · 5 months
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Alphonse Mucha (Czech, 1860-1939) • Christmas in America • 1919
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araekniarchive · 2 years
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Sonia Johnson, Going Out of Our Minds: The Metaphysics of Liberation (link)
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sigtheta · 5 months
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An eye for an eye makes justice blind
(25/11/2023)
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ch3rryclouds · 1 year
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Rococo Interiors ₊˚⊹♡
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hiddenparabletheory · 2 months
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What Is Hidden Parable Theory?
I have been getting a lot of questions about my theory. Here is a very short description of it. Check it out. It will blow your mind!
Many of you may be asking yourself “What exactly is Hidden Parable Theory?”. In this article, I will try to help clarify this question. So, what is Hidden Parable Theory? Hidden Parable Theory is a form of numerology that I modified using mathematical behavior based on the golden ratio. Why the golden ratio? Well, many scholars view the golden ratio as evidence of the existence of God or more specifically a Grand Creator of all things. So, it makes sense from a logical standpoint to use it as a way to interpret the Bible. Numerology then is the pathway of connecting numerical relationships that are found with the golden ratio and the Bible. Essentially, this is what makes up Hidden Parable Theory.
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Defined as straight numbers Hidden Parable Theory uses these symbolic representations of numbers found in nature to make connections with numbers in the Bible. Another way to think of it is these symbolic numbers are basically interpreted as universal numbers and are also found in other religions as well. So, locating these universal numbers in the Bible is how Hidden Parable Theory makes interpretations that are fundamentally based on elements found in nature. But it does not stop here.
The golden ratio is only one of many examples that exist in nature that support this concept of straight numbers. It is then by making connections with these other scientifically defined models in nature that a well-defined interpretation of the Bible can be made. Then it is by using these straight numbers found in the Bible and religious artifacts that codes to hidden parables are formulated.
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deer-with-a-stick · 7 months
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WHY ARE BELMONTS ALWAYS SO BAD AT THIS
TALKING TO EACH OTHER
EMOTIONAL MATURITY
MAKING FIRST IMPRESSIONS
BEING TRAUMA FREE
WHAT THE HELL GUYS
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aziraphales-library · 4 months
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Would you happen to know any fanfics where the two of them witness or take part in some kind of significant queer history / queer historic event?
We have the following tags which you'll want to check out: #queer history, #pride parade, and #queer guardian angel aziraphale. Here are some which explore some more general aspects of queer history...
Something New…A Rain Bow by Princip1914 (G)
Inspired by this Neil Gaiman twitter exchange: “So they’re gay, right?” Neil: “They’re an angel and a demon, not male humans.” “Ok, but they love eachother, right? :D” Neil: “Absolutely”
and at least in this lifetime (we're sticking together) by vivelegalite (T)
[GOD, NARRATING] People tend to be torn as to which side could be credited with legalisation of gay marriage across all of the United States of America. Most people consider it an act of Good, which it is of course, and attribute it to Heaven. Some, a much less pleasant lot, argue it to be the work of Hell. They tend to back their claims up with improperly translated lines from a book the Almighty had never actually written or even really bothered to read through — I tend to outsource that kind of work — and speak of God’s will and whatnot. Both groups are, however, mistaken. The legalisation of gay marriage across all of the United States of America was brought about not by Heaven, not by Hell, but by a tragically smitten demon with a rather high alcohol concentration and a plan.
And I mean to go on and on and on and on by yolkinthejump (T)
A wedding of old friends. Aziraphale gets drunk on Gay Love and Crowley absolutely adores him. Par for the course. Thoughts on the muddled history of marriage and the power of love, persevering.
The Questions We Don't Ask by EdnaV (M)
It’s 1989, and Aziraphale has been reprimanded for helping some people that Sandalphon doesn’t like. Crowley tries to take care of him. It’s 1941, it’s 1793, it’s 1020. Crowley and Aziraphale take care of each other throughout history.
The Stylings of Madam Glena by altsernative (T)
It's 1977, eight years after Aziraphale said "You got too fast for me," and Crowley hasn't seen him since. In Aziraphale's absence, Crowley helps set up the Sundown Club, a gay bar in Soho. He tells himself--and downstairs--that it's building a space for "workers of inequity," although he finds comfort in the community. He's settled into a quiet routine of drinking at the bar every week until a beautiful drag queen captures his attention. Crowley feels unexpected things. It's weird. And where is Aziraphale?
A Strong and Silent Pride by sleepyMoritz (M)
By the start of 1982, the disease - previously known as Gay Related Immune Deficiency, or GRID - had a new name. AIDS. This did not stop it from being called the gay plague in the media. This did not stop the rampant homophobia. This did not stop the fear.
- Mod D
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