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hitlikehammers · 2 days

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time for that age old question: is love enough to beat back the apocalypse?

Because Steve's right there to protect everybody like the self-sacrificing asshole he is help Eddie make the music he's not strong enough for yet help them all put Vecna in the ground for good this time, right?(!??!)

or: what's the song for your walkman, baby? does it even matter?

I Could Be Your Nurse (or something)

Or: Five Times Eddie Has To Ask For Help, Plus One Time He Doesn’t Need It Anymore (but asks anyway) ✨ for @penny00dreadful 💜

<<< three: sleep 🌗

🎧 🎹 four: play 🎶 🛡️

To tell the whole truth of it: it comes too quickly—Vecna’s last stand. Of course it does.

But probably, if he’s being fair: they’d never have been really ready. Not for this, and so maybe it’s best that they’re not fully healed, not at full strength when it all comes to a head, not least because that means Vecna and his petal-toothed brigade aren’t at full strength either. And that choice, for their side, is sloppy; the Party stands on the right-side-up against the attack because they have to. Vecna makes his move because—or else, Eddie’s fairly sure—because the sadistic ballsac is losing his fucking mind.

Which is terrifying, sure, but fuck if it doesn’t help their cause.

It’s actually over pretty quick, even compared to Spring Break which, while it felt like a lifetime for how much it changed Eddie’s own, it’s only been those handful of days—but it’s kinda like the grand finale at a fireworks show: everything all at once then, done. In the everything’s though: he might not like it, but Eddie’s not so foolish as to believe he’s not still too tender, still too deep in healing the finer points of being gnawed alive to be anything but a burden in the thick of it. He refuses to be sidelined, though, and he thinks it says a lot for the long-term health of this glorious impossible thing he’s…building? Yeah, he, umm, he, Eddie Munson, is building a real goddamn thing where he doesn’t even just let someone into his heart and treasures them there, no, he’s building a thing where he gives his heart and gets on new and soft and trembling in kind and they both get to work at the treasuring of something more precious than just their own vulnerable insides, but yeah, yeah:

Eddie thinks it bodes really fucking well for the hopes he has that lean hard toward forever, already, in Eddie’s chest at least when Steve looks his way as they’re planning the teams and he locks eyes with Eddie and Eddie doesn’t even get his mouth open to breathe, to plead don’t cut me out, don’t send me to Wayne to be ‘safe’ or ‘out of harm’s way’ or whatever, don’t leave me so fucking far from you my heart hurts just because it’s beating in the middle space unmoored and shaking around all bruised up with it for not knowing and I know I can’t do what everyone else can but it’ll be bad enough not being next to you please don’t push me far enough that I won’t know the moment you’re safe, just—

Steve meets his eyes, and Eddie’s breath catches before his heart trips, and then Steve speaks up—and he doesn’t, not all that often when the nerdiest among them are shoring up the battle plans—but he watches Eddie without blinking when he pipes up:

“Eddie’s on medical and audio, with Erica and Jon.”

And maybe it’s his tone—this almost wholly novel thing in Steve that’s steely and unquestionable but no one pushes, they nod and get back to work, totally seamless and, and…yeah. That’s all Eddie wanted. Best he could hope for. Just outside the gate they go through. Close enough to hold a hand on the way down, and reach for purchase on the journey back.

Steve swallows hard, and nods at Eddie before he looks away and starts gearing up, twirls his fucking nailbat so it catches the sunlight even thought the metal’s mostly rusted, now and just…Eddie hadn’t needed to say a word. And Steve wanted to send him to safety, the way his throat had bobbed made it real clear there was something heavy he’s held back but: he’d said what he said. He’d laid the line in Eddie’s favor. Eddie wants to hold him, wants to pull him close and feel him breathe, and—

Yeah. Eddie kinda feels like the way it goes is a really good sign for their future as a couple. A couple. Them. Together.

With an always on the other side of all of this that could be kinda fucking magnificent, maybe. Given the chance.

Point being: Eddie gets himself set up with at least a full ambulance’s supplies for first aid, definitely not acquired legally, and a stereo set up he really wishes someone had been kind enough to outfit him with in not-the-apocalypse, holy shit is it gorgeous, but since the strength in his hands is still a work-in-progress, he’s gotta be ready to crank up the noise as a distraction from arm’s-length. It’s actually driving him fucking crazy—or, was; it was, pre-active return to the regularly scheduled world ending—the whole not being able to make music, to translate the noise in his head into sounds on the strings but even that, even that’s been tolerable, survivable because of Steve—who he loves, he gets to love Steve Harrington holy fuck—but Steve’s not just there to be everything and more than the air Eddie goddamn breathes, to become the music just by existing, nope, he one ups that shit: he asked Eddie if it’d be enough to learn the chords he needs. So Eddie could match the words with the notes right, so Steve could be a—

“—kinda piss-poor substitute but,” Steve had shrugged for it with a crooked grin; “but even a bad translator gets a message across, and you’d know when it’s wrong so we can figure out how to fix it and—“

And Eddie’d grabbed Steve’s chin and yanked his mouth close to fucking consume that man like a soul goddamn starved.

“I’d be a shit teacher,” Eddie had mouthed against Steve’s lips after they were sucked well-swollen; “if I still can’t lift the fucking neck for more than a minute,” but Steve had heard none of it, just shot right back:

“You don’t think we’ve beat steeper odds than that?”

And in the face of that raised brow, those red lips parted, that pulse in that neck still a little bit visible like a tease: the fuck was Eddie supposed to do but dive back in and love on the man who’d somehow agreed to be his, and to claim Eddie of all people in turn?

Which is a whole other reason why everything’s gonna be fine: Steve’s gonna make music with him. Steve’s gonna be Eddie’s muse and the vessel for what he inspires. It’s gonna be like Greek fucking poetry, except it’s gonna be them.

So Eddie’s all stocked up, s’got everyone’s floaty-bone-breaky songs queued up on blast for immediate deployment as necessary, and Steve’s the last to go through—he always is, in Eddie’s experience, waits for everyone to be safely accounted for before he spares a thought for himself and it might kill Eddie one day but not fucking today, because it’s gonna be fine—

“Eddie.”

It feels a little like history repeating itself, the way Steve huddles him in a little. Henderson’s through, with Lucas and Hopper and the weird stray Russian, but it’s not like history repeating, because Eddie’s got different words to see him off with; so fucking different.

“Last time I didn’t have,” and Steve reaches, cups Eddie’s cheek, drags down to press on his chest as his voice strains hard: “and it almost killed me,” and Steve usually pinches between his eyes to keep his feelings in check but instead of using his free hand to hold back the tears he reaches for Eddie’s and laces their fingers as his voice cracks and he chokes out:

“Please,” and it’s for everything. For all the almosts from last time; for all the possibilities rife this time. For all the hopes Eddie thinks they share beyond how this shakes out.

“Exceptionally underqualified field med,” Eddie breathes, and squeezes Steve’s hand so, so hard like a promise, because it is; “exceptionally overqualified DJ,” and Steve chuckles, wet but real and it’s enough, because:

“I got it, Stevie,” Eddie bends his forehead to Steve’s to say better than with words that he’s not in this to be a hero, he’ll be right here the whole time, but that doesn’t mean he…that doesn’t mean he can help but to ask this time:

“Just,” and the breath in him punches out unexpectedly as he damn-near begs:

“Only bring me back the little things, yeah? That I know how to fix?”

And they both hear what’s said underneath it:

Don’t turn around and die down there, and kill me in kind..

And—if anyone’s keeping track—they turn out not to need it but: the way the kiss is a wholeass wartime farewell, man.

And then: Eddie waits, and fucks with the speakers for less than an hour before the earth shakes, and his heart drops, but then he hears it.

The fucking whooping of those shitheads echoing through the cracks.

And then he sees it, runs, grabs the first hand that’s clinging to the rope this time and pulls with strength he doesn’t have, is probably more a hindrance than a help but he steadies them each back on the ground and hugs them so tight, kisses more than one of them on the head or the cheek as he doesn’t pretend not to be sobbing through the laughter because they did it, they fucking did it, somehow it’s over and he loves these people and he’s so fucking happy they’re alive and safe and here and—

And the person he loves more, loves most, brings up the rear, a little bloodied, a little scratched up, dingy with the fucking air down there but smiling and Eddie…

Eddie falls into him so fucking hard they both hit the ground and just, just grab onto one another. Just hold and breathe and catch lips every few seconds like an afterthought because they feel each other’s heartbeat where their chests are pressed tight and it’s, they’re…

Steve’s got four broken fingers across both hands. None in a row. He’s basically giving a Vulcan salute by default for how they’re taped.

Eddie loves him so goddamn much it hurts.

And Eddie’d obviously known—once things start to settle in the days that’ve followed—that teaching Steve guitar with those Spock-y hands was on the back burner, but he does ask Steve to sit, and to rest, and to help hum back the tunes in Eddie’s head while Eddie jots lyrics with a hand that’s still shaky but steadying out more every day, and it’s kind of perfect, and Steve adds some things into the melodies either on purpose or by accident but they’re better for it every time and—

Muse and vessel, man. The light of Eddie’s whole goddamn life.

With fucking Vulcan hands still, though, so: excuse Eddie for being…bewildered when his boyfriend—boyfriend, that’s his boyfriend—but his taped-up-healing-Vulcan-handed boyfriend is propping the front door open and lugging in a long, not-recovery-friendly thing that looks close to dropping on his toes and—

“The fuck are you doing?” Eddie asks with a little more panic in his voice than he’d hoped for as he rushes as best he can to where Steve’s kicking the door shut behind him, fluttering his hands around uselessly as Steve maneuvers past him, leans across for a peck at the corner of Eddie’s mouth and calls—“It’s fine, it weighs, like, nothing”—over his shoulder as he settles the, the thing down on the coffee table in the living room they’ve started actually using for, y’know.

Living.

Eddie follows him in, though, because of course, he’s half-a-dog on that man’s heels, whole-caught-in-the-gravity-of-his-everything: but Eddie follows as Steve tosses himself backward with something in his hand, rolls and rucks up his fucking absurd Hawking Middle tee across the sweet curve of his hips, the way the soft give of skin tempts Eddie to run his tongue over the trail of almost-curls, like baby-curls where they lead under the waist of his jeans: Eddie would happily volunteer to survive on the taste of that musky-delicate space until the end of goddamn time—

But then Steve’s huffing a breathless ha from behind a chair where he’d been stretched to reach and a light catches Eddie’s eye from his periphery where he’d been staring unblinking just at Steve: the big long black thing on the coffee table. It takes a genuine concerted effort not to keep at the Steve-staring—not an uncommon state of Eddie’s existence, in all fairness—and check what’s glowing on the table: something turned on. Was plugged in, right, that’s what had Steve rolling on the floor without Eddie on top of or being deliciously pinned down by him.

The something being the big long black thing that Eddie takes in for the whole of it, now: a keyboard.

“Jon picked it up for me second-hand from the place next to Fox Photo when he drove down for his camera, and Rob vouched that it’s a good brand and like, really good condition,” Steve’s raised up on his knees, now with his hands braces on his thighs as Eddie studies the keys, fingers the ends of a every few of the naturals.

“Rob helped with those, too, so I’d know the right, like, chords,” and yeah: they’re stupa of masking tape stuck to the keys with letters in blue, black, and red pen, alternating so they don’t get mixed up, some with and arrow, Eddie assumes, to indicate a sharp.

“I only remember like half of one song from when my parents thought it would look good to have me take piano lessons,” Steve huffs in whole-ass judgment; “my mom wanted the endorsement of the guy who was stepping down from city council, and his wife taught private lessons, so, y’know,” Steve rolls his eyes; “super convenient leading up to the election.”

“What song?”

Steve blinks, tips his head in askance for what Eddie recognizes very clearly as something closer to a croak than a question, his throat all tight. He tries to cough, to clear it.

“What song do you remember?”

Steve snorts at that, leans back on his palms, and fuck is he beautiful.

“Clair de Lune,” Steve grins crooked; “the one song I was allowed to pick, instead of just being assigned.”

“Why’d you pick it?” Not that Eddie doesn’t like it or anything. It’s more that…he knew Steve could more than just drum fingers on keys, if only just, and that a baby grand used to sit in the corner where there’s a stereo cabinet now, but.

But: see, there’s like a whole half of his heart that’s dedicated to collecting new knowledge about everything Steve: his favorite food when he was 12 versus the now. How his favorite color became his favorite color. The story behind all the polos. The nitty-gritties about why he’s in a big-ass house alone for approximately 360 days a year, and how long it’s been that way. Eddie’s whole heart is basically Steve’s but every day that half overflows a little, and Eddie’s only keeping it relegated to parts filled with Steve-lore so he can feel the collection break containment every other day, this grand and joyous bursting under his ribs as everything spills over again, and again, and again until it’s all just Steve, and his heart has to burst or stretch, or both.

Eddie thinks both will be amazing.

And right now, in the interest of building toward that amazing-both: he wants to know why Debussy.

Steve chuckles to himself—better music than any dead French guy by a country mile—and eyes Eddie almost slyly.

“Do you remember Claire Reynolds?”

Vaguely. Like, very vaguely. He remembers…uneven pigtails. Very actual-cult-like vibes about her family as a vague impression and now that he’s bringing it to mind he feels a new wave of indignation: those Children-of-the-Corn motherfuckers were just fine but Eddie liked a board game and he was probably a murderer.

“When we were in like, first grade,” Steve’s continuing on; “she asked me every, single, day, to come over and see her sheep.” Steve looks up at Eddie and bites his lower lip, lets his gaze dance and lets Eddie fall into it for a few dazed seconds before he spells it out.

“She had these crazy eyes about it, it was kinda unsettling,” Steve nudges, but Eddie’s doesn’t get it until:

“And it’s not like I do now, because obviously I don’t, but I definitely didn’t speak a lick of French when I was eight.”

It takes Eddie a hot second before he snorts hard enough to hurt:

Claire, da Loon.

“I was eight,” Steve protests Eddie’s laughter halfheartedly even as he joins in, reaches to slap at Eddie’s upper arm which honestly: just makes him laugh harder.

“Anyway,” Steve fights through the last of the chuckling as it peters out between them, drags himself to sitting next to the coffee table and taps his hand to the top of the keyboard.

“I know it’s not the same as learning guitar to help, and I can probably only get the top and bottom notes with these,” he lifts his Vulcan-fingers his a shrug; “but I was hoping that’d be better than nothing?”

And, like, how Eddie was talking about his heart having to swell, for all the things he gets to tuck inside of it that come with loving Steve Harrington?

He might crack a rib, just now, because—

“This is for me?”

Steve purses his lips, lifts a brow:

“Well, technically it’s for me,” steve singles his fingers, which looks absurd with the splints; “but yeah. To help you get the songs out. I mean, once these are free again, you can help me with the guitar like we talked about, until you’re—“

And Eddie cannot be blamed, see: he cannot be fucking blamed for tackling Steve to the floor and kissing him hard enough to bruise because…

“You got hurt,” Eddie half-breathes between kisses; “you got hurt and I was so afraid I was gonna lose you,” and Eddie reaches for those taped fingers and kisses them, too: so gentle and Steve’s expression softens so quick:

“I was scared, too,” he whispers between them, cups Eddie’s face with his unloaded hand; “you were as safe as I could make you within the fucking city limits but I was still so goddamn scared.”

Cue more rib-cracking for the heart-swelling, because Jesus fucking Christ.

“And you,” Eddie exhales, slow and shaky; “you’re hurt, but you went and got,” he nods to the keyboard;

“I know it’s not ideal,” Steve’s quick to, to what, apologize? For being insane and perfect and—

“Shut up,” Eddie says, voice low and watery and he’s still kissing at Steve’s fingers, holding his wrist delicate but also like a lifeline.

“You’re hurt,” Eddie maybe kinda moans it because he hates it, as much as he’s so fucking grateful that’s it’s just this, no worse than this; “and you still—”

“I promised, didn’t I?”

And that…that’s one thing Eddie’s learned beyond reproach; that even to his detriment, Steve keeps his goddamn promises.

And he’d promised to help Eddie get his words out, to place the lyrics to the notes and help unclutter his brain so he didn’t lose his mind.

Holy fucking hell.

“Steve,” Eddie starts, shakes his head, needs to find the right words. “You’re alive,” the most important thing. “You are healing,” another most important thing, for Eddie to oversee and make sure of, even as Steve keeps an eye on the last lingering threads of the long haul on Eddie’s road to recovery in kind, his beloved mother hen.

“This is,” and he runs his fingers too light to draw sounds across the keys, hopes he sounds as awed and grateful as he feels; “but you, you’ve gotta test, you have to,” and Eddie shakes his head and lifts his eyes to just fucking ask it:

“Why?”

And Steve: Steve just studies his face for a few seconds, reads what he needs before he smiles kinda exasperated, mostly fond and answers so simply, while also breaking a few more of Eddie’s ribs when he just says:

“Because I love you.”

And Eddie’s heart’s not so overfull yet of all of Steve, it’s not fair that it just bursts right then and there, Eddie propelled into Steve’s arms to kiss him deep this time, like he’s searching out Steve’s soul to taste and maybe he is, save that he needs his heart to not have exploded for feeling if he’s going to keep the memory of it safe in his chest for always, he needs to patch his heart back up first but he’s too distracted, too drowned in the way love actually fucking feels, fucking shifts his cells around and makes a new version of him, lets his heart grow bigger except it went and blasted apart with the unprecedented immensity of loving and—

And then Eddie’s got Steve’s taped up hands on both his cheeks, and he remembers that night, in the shower, where Steve ripped the seams from his shirt so taking it off wouldn’t hurt him; notices how Steve is wearing that same fucking shirt in this very moment, all in one piece, like it never split apart in the first place.

Master seamstress, tried and tested and true; truer than anything.

So Eddie just dives back in and kisses with everything in him, thinks maybe when Steve tastes the pieces of Eddie’s blowout heart under his tongue while Eddie goes diving for the sweet lick of Steve’s soul:

Eddie thinks Steve’s mouth might know how to stitch up torn things, too. Especially the kinds that are ripped at their seams wholly for the sake of loving that fucking hard.

✨permanent tag list: OPEN (lmk if you want to be added/removed): @pearynice @hbyrde36 @slashify @finntheehumaneater @wxrmland @dreamwatch @perseus-notjackson @estrellami-1 @bookworm0690 @imhereforthelolzdontyellatme @nerdyglassescheeseychick @swimmingbirdrunningrock @goodolefashionedloverboi @sanctumdemunson

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