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#the parallels here drive me insane
maybeonedayillfindout · 11 months
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watched gotg3 finally. and i’m normal about it i’m completely okay. i’m thinking normally about drax and mantis sibling banter and about rockets creation and i want a perfect body i want a perfect soul and about peter and gamora not getting together and about ravenger gamora and about floor and lila and teefs and why didn’t you make me good enough so that you could love me? and about “why didn’t you tell us?””why didn’t you ask” and about mantis fighting for what she wants and about how drax had a daughter and he loved her and about rocket raccoon and about how in the end they split up even though that means you can’t milk the franchise anymore because this is the good ending and happiness hit her like a bullet in the back and about he’s funny and he loves us and isn’t that enough? and about nebula and kraglin and about quill coming back to his grandfather and it all circles back and about rocket and being worth something on your own. i’m normal i’m so completely average about this movie
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kirjavas · 10 months
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There were once three brothers travelling along a lonely, winding road at twilight. In time, the brothers reached a river too treacherous to pass, but being learned in the magical arts, the three brothers simply waved their wands and made a bridge. Before they could cross, however, they found their path blocked by a hooded figure. And Death spoke to them.
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ballisterboldheart · 2 years
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todd-queen · 11 months
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"Mizzen walked with a limp, but he would still outmatch most of the remaining tributes if it came to a fight. Coriolanus wondered if, in the end, it would all come down to Coral and Mizzen deciding which District 4 tribute took home the crown."
(pg. 295)
you guys I am losing it over Suzanne and the way she just flawlessly parallels EVERYTHING in TBoSaS to the original Hunger Games. i just.. all the little nuances and foreshadowing that Snow is so oblivious to. he's just thinking things guys, he has no clue of the bigger picture. but we do!!! ahhhh!!!!!!
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riceballmari · 1 month
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no cause WHY does the prison ball adrienette scene back in risk LITERALLY remind me of yuchi. marinette and machi are the ONLY ONES who see right through adrien and yuki's facades and form strong connections with them (not saying nino and haru don't).
marinette can see that adrien does not like modeling and that he wants to quit and so she helps him stand up to his father. adrien does this in multiplication when he confronts gabriel about not wanting to model anymore. on the other end of the spectrum, machi sees yuki for who he is and doesn't consider him to be princely-like at all. with this, and tohru's influence on yuki as a whole, he gains up the courage to go to the new year's banquet and tell akito his true feelings on, well, how he's changed as a person in S2E24.
another example of adrienette being similar to yuchi is how once adrien starts dating marinette, he is able to help her after he finds out what chloe did to her in derision, saying that they'll get through it together even though it's scary and hard (he also legit confronts chloe about it too). yuki, already on his journey of healing thanks to tohru, helps machi by acknowledging her and saying that he'll make footprints on the snow with her after she opens up about her trauma, easing her fear of perfection.
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wickedhawtwexler · 1 year
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i should have brought the brainstorming document for my sci-fi novel series with me to my adhd evaluation. they would've never made me go through all those stupid tests, they would have literally just handed me a bottle of adderall right then and there
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prince-kallisto · 7 months
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Vil, Meleanor, and the Virgin Mary: Crowley’s Obsession
I haven’t seen anyone talk about this, but it’s driving me insane: Vil and Meleanor’s design parallel each other SO MUCH that it’s not even funny. In fact, I think Vil is foreshadowing EVERYTHING about Meleanor’s fate and Crowley’s plans.
I know I’m just coping lol, but I think I finally figured out why Crowley is so obsessed with the Fairest Queen and Pomefiore if he was Levan. Here me out: Vil is the representation of Meleanor.
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Vil’s Overblot form is what immediately caught my attention. The way his cape connects to his hands, the night sky on his cape, the corset and the gems. The way the edges of his dress looks like old, torn paper, like history long since forgotten. Not to mention how he has claws like Crowley and is wearing Crowley’s same exact shade of blue. Just…this entire silhouette with the sleeves and crown matches Meleanor more than Malleus’s Overblot does. Strange how both Vil and Meleanor are associated with stars, when Crowley has a lot of star designs on the curtains in his office.
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In his dorm uniform, look how the gloves and the lace has a similar design as Meleanor’s. Not to mention how in this vignette, Vil is like a “Queen reborn” with “two knights” at his side. Hm?? Like Meleanor with Lilia and Baul, perhaps?
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Something I’ve always found strange is how much Crowley dotes on Vil. In both his history and flight lessons, Vil comments a lot on Crowley when a Special Lesson is triggered. Doesn’t it feel…almost uncomfortable??? Vil feeling “eyes” on him specifically when Crowley is there. And there isn’t clarification if Vil is speaking to Yuu or Crowley, but when he says “I’m just fine,” it makes me wonder if Crowley was asking Vil how he was doing.
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This isn’t just limited to the lessons. Although Crowley played a less significant role in Book 5 than I thought he would, doesn’t he sound very affectionate when he says this?? “What I’ve always taken you for”…he holds great pride in Vil and how represents the history and beauty of Pomefiore. Crowley has NEVER shown this much of a bias towards any student before. Only Vil.
I can hear some of you asking: Why in the world would Crowley/Levan care so much about Vil if MALLEUS and DIASOMNIA exists? Here’s the thing: Vil simply represents more of who Meleanor was as an evil, proud princess.
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He is proud, he is beautiful, he truly understands the power of his beauty, how to make people submit to him with harsh truths. He has a certain charm and pride in his accomplishments that Malleus doesn’t.
But what REALLY got me was the religious symbolism in Vil’s Overblot form. @pianostarinwonderland made a really amazing post on the resemblances Vil has to the Virgin Mary and the Lady of Sorrows.
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The Lady of Sorrows is another “form” of the Virgin Mary- which ironically enough, is depicted with SEVEN swords piercing her HEART. Sometimes she is depicted with only one sword- more on that later. The Virgin Mary is considered to be the holiest of saints- a figure of worship. She is also considered to be the “god-bearer.” Her death is referred to as the Dormition of the Mother of God, Aka the “falling asleep of the god-bearer.”
And back to the swords in her heart, the seven swords represent the Seven Sorrows, but the singular sword represents the Prophecy of Simeon.
The prophecy of Simeon said something like Mary’s child would be the RISE and FALL of many in Israel, and that a sword would pierce through Mary’s heart too, as an allusion to the crucifixion. Because Mary would suffer alongside her son, the one curse of motherhood. Stars are also significant in Christian mythology, like the star of Bethlehem to guide the wise men to the birthplace of Mary’s child. Another significant “star” is the Morning Star, Aka Lucifer. The Morning Star title is based off Venus, whose Greek name means “the light bringer” or “the DAWN bringer.”
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If all of these things I’m saying reminds you about the imagery in TWST, I feel like this is purposeful! Lets back up and go over each of these points and how it relates to TWST (I am not religious, so if any of this is inaccurate, please let me know!)
Crowley in the opening seems to worship his “benefactor,” and I’ve been theorizing that it’s Meleanor whose trapped in the Dark Mirror. She is quite literally a figure of worship to him- the holiest of saints. And with Meleanor being the mother of Malleus, who is one of the most powerful mages in the world, doesn’t it sound similar to be a “god-bearer?”
The swords through her heart not only sounds like a connection to Meleanor’s death, but to Maleficent’s too. The sword of truth piercing her heart- but not only that, Vil’s Overblot crown LITERALLY has the design of a singular sword piercing through a heart. Yes, its a representation of the Evil Queen demanding Snow Whites heart, but why is Vil’s design combined with the Virgin Mary of all figures??
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I bolded “prophecy” because I think Levan is heavily connected to prophetic powers, but doesn’t this prophecy sound A LOT like Meleanor’s blessing on Malleus? Malleus would be the benevolent star to the Fae, and an evil star to humankind. Like the Star of Bethlehem for the Fae, and the Morning Star for humans…and the Morning Star is heavily connected to the DAWN. Dawn Knight? Silver???
It doesn’t help that Dragon Fae seem to be ostracized by humans for their horns. Maleficent in Sleeping Beauty though, refers to her powers as “powers of Hell,” heavily leaning toward his demon like design.
Meleanor suffered to protect Malleus. She gave him up and fought an entire army to better his chances of survival because she loved him so much. And if Meleanor is trapped in the mirror and will be brought back to “life,” all of this suffering stemmed from the fact she sacrificed herself for Malleus.
SNDJDHSJSJDJD STOP IT TWST WHY DOES THIS ALL FIT TOGETHER SO WELL????? YANAAAAA HELP
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But do you see what I mean on how I think Vil is slyly foreshadowing EVERYTHING? Not only that, but look at his Overblot design again. At his waist, there are sharp crystal-looking objects surrounding him. I think these represent broken mirror shards. This, combined with all the coffin imagery at NRC, Epel’s Unique Magic, and Malleus’s making everyone fall asleep like Aurora or Snow White…
Perhaps Meleanor really is trapped in the mirror, put in a death-like sleep…but one day she will be freed, like Aurora or Snow White with the power of true loves kiss. Until then, Vil is the closest representation of her to Crowley. Someone who understands the power of beauty to make others submit, someone to worship.
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lottiemilfews · 1 year
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something about the hauntings in this show drives me absolutely mad. the recurring theme of guilt: taissa hallucinating wolves bc she failed to protect van. shauna being haunted by teenage jackie, whose death couldve been easily avoided if she just took her back inside. lottie seeing laura lee, whose death came to her in a vision, but she didn’t DO anything about it. could she have prevented it? maybe, who knows. in conclusion, there clearly are some PARALLELS here and i can and will interpret it in a gay way. everyone on this show is haunted by sapphic insanity. in this essay i will-
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novlr · 8 months
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could you maybe do something on characters becoming serial killers? I’m was originally going to have some sort of characters going insane thing, but I think that the whole “insane people killing” is a little stupid and borderline dangerous (saying that insane people kill all the time) so could you give me some pointers?
How to Write a Serial Killer: A Quick Guide for Writers
Crafting a convincing serial killer requires a lot of research, imagination, and an understanding of the genre. Let’s dive into some quick tips to help you create a serial killer who is gripping, unique, and emotionally complex.
Develop their backstory
The key to crafting a convincing serial killer is in understanding their past to shape their present. Explore their backstory in detail — were they subjected to abuse or neglect? Did they endure a life-altering traumatic event that set them on this dark path? Developing a compelling backstory is essential, not only to justify their actions but also to cultivate a degree of empathy, allowing readers to connect with the character on a deeper level.
Give them unique motivations
Serial killers act based on what drives them; they commit their crimes for a reason. This reason could be a need for control, a hunger for power, or a wish to spread chaos. By connecting their reason for doing things with their unique personality traits and backstory, you can create a well-rounded and consistent character.
Include misdirection and plot twists
To maintain suspense, make use of narrative devices like red herrings designed to divert your reader's attention. The clever use of these diversions can delay the unmasking of the killer, increasing tension and anticipation. Additionally, unexpected plot twists that abruptly shift your story's trajectory can not only alter your reader's perception but can also reconfigure their theories keeping readers on their toes.
Draw parallels with your protagonist
Creating a unique perspective by establishing similarities between your serial killer and your protagonist can add multifaceted layers to your story. This might involve drawing connections in their backgrounds, aligning their motivations, or uncovering shared personal struggles. These parallels not only make the plot more engaging but also heighten the intensity of the conflict between the two characters.
Use foreshadowing
Foreshadowing serves as a powerful tool in constructing suspense and subtly hinting at future events in your story — carefully place clues that can suggest the identity of the killer or indicate their next victim. But remember to maintain an air of mystery by not unveiling too much prematurely. The goal is to keep readers engrossed, continually making and remaking their guesses about the unfolding plot.
Include an emotional subplot
Adding an emotional subplot in your narrative significantly enhances the relatability of your serial killer. This could range from them harbouring deep-seated love for someone, to grappling with a fear that surpasses the dread of getting caught. These contrasting aspects of their otherwise sinister nature serve to give the characters greater depth and dimension, thus enriching their complexity.
Did you know we have a Spotify account with lots of great playlists for writers? Here's one to inspire your next serial killer novel!
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difeisheng · 5 months
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in a drama that pays SO much attention to and is deliberate about giving each character a very distinct silhouette, it has been driving me absolutely fucking insane for several weeks now that some of jiao liqiao's outfits are cut like li xiangyi and li lianhua's robes.
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you can see the visual similarities between jiao liqiao's most-worn outfit and li xiangyi in the general form of the robes, but particularly in the drape of the sleeves and where they fall open at the shoulders (sorry, i don't know the technical term). it's harder to see here but both outfits also have bracers that match the robes in a very integrated way and colour-wise, with the same fitting to the sleeves.
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here, if not for the colours and material of jiao liqiao's outer layer, this would be something li lianhua would wear. the fit of these robes are the same. the pleats at the lapels even match. jiao liqiao is visually paralleled with li xiangyi and li lianhua, mirroring the man she's forever seen as competition for di feisheng. it's as though in truly every way, she's trying to replace him. maybe if she tries hard enough, di feisheng will finally look at her for once.
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i mean hell, think about how even more interesting this scene gets— jiao liqiao's "i'm the victor in this game of love" moment— once you realize she's taunting li lianhua about having a place beside di feisheng while emulating the image of li xiangyi, the man di feisheng cannot leave behind. ("maybe you could still have had him now if you'd stayed like this. if you hadn't become what you are now. it's too bad i stepped in all those years ago, and so you're in this state, isn't it? i've won, li xiangyi.") mysterious lotus casebook already did a stellar job in everything else in establishing jiao liqiao and li lianhua as rivals for di feisheng, but this visual aspect just elevates some of these character interactions throughout the show.
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I am once again having a thought™ and I just went on a full-on rant to a friend, thought I'd share my thoughts with y'all to see if anyone agrees.
Yes, it's about Hadesgame Patrochilles, buckle up.
Currently reading the Iliad, I noticed that not only are Achilles and Patroclus extremely well-written in Hades (that we're all aware of, I think), but also that there are many many layers to their relationship and the one they have with Zagreus.
First thing that hit me while reading the og Patrochilles and how they're written is how drastically different they are in Hades compared to their original alive selves. They're basically each the complete opposite of what they were when they were alive: Achilles, once prideful, arrogant and impulsive, once his rage was appeased, now became wise, patient, calm, an actually good mentor to Zagreus, in whom he must see a lot of his younger self. Patroclus, on the other hand, once famously gentle and kind, became bitter and dismissive. That can easily be explained by the fact that decades and decades alone after death can drastically change someone. Achilles, so guilty about what his pride did to Patroclus, matured and became wiser; and Patroclus, because of years alone abandoned, lost his faith in the glory of war (and in Achilles).
They basically became the opposite of what they were when they were alive, because of years of loneliness and longing and reflecting on this war they were a part of.
BUT THAT'S NOT ALL GUYS. When you dig a bit (mostly by chatting with Achilles and listening to Patroclus ramble to himself), you learn that what made them mostly change, aside from the circumstances of their deaths, is their longing for each other, and that despite all that change, they both retain the ONE TRAIT that caused their deaths.
Achilles, even in death, remains unbelievably stubborn, unshakable in his decisions (or in this case, his decision to stay away from Patroclus so that he can rest in Elysium) until Patroclus (through Zagreus) manages to shake him out of it.
And Patroclus, ever so bitter and depressed Patroclus, remains deeply kind and generous. He broods there in his glade, but when Zagreus shows up, polite, just passing by, in need of help, Patroclus offers him what little he has to keep going.
It drives me insane to see that after dying, Patroclus is the one who became impulsive and ready to 'risk it all', because he simply has nothing left to lose. Meanwhile, Achilles, so scarred by Patroclus' death (caused by him and his hubris and his pride), is terrified of risking anything, because the one thing he has left to lose is Patroclus' place in Elysium, and he simply can't bring himself to understand that Patroclus wants to be by his side anywhere rather than alone up there.
And they could have never reconciled without Zagreus' intervention. Because somehow, Zagreus is a mirror of both of them, in his own way.
And because on top of being impusilve and stubborn (like Achilles) as well as kind and caring (like Patroclus), Zagreus is the one guy down here, the only one who fights against his fate with all his goddamn might.
Because he wants to see his mother. He wants to find his place in this world. He wants to be acknowledged and respected. So he fights, against the Fates themselves (by just being alive, he does, I'll remind), against Hades, to get what he wants. Achilles and Patroclus both succumbed to their own destinies in the worst way. Of course it would resonate with them.
Maybe I'm thinking too hard about this. But there are so many parallels to draw here! Think about Achilles, who practically raised Zagreus, instructed him in myths, history, combat and arms. Seeing this kid, a prince, gifted for combat, craving for recognition and respect? That would ring a bell. And Zagreus is already a dual kind of person, he's the red eye and the green eye, he's the Olympian and the goddess with a mortal father. He's rage and fierceness (Achilles) and he's kindness and generosity (Patroclus).
And Zagreus hates the status quo. In his own life, and in the one of others. He does this for multiple people in Hades (Sisyphus, Orpheus and Eurydice, Hypnos and Thanatos, Nyx and Chaos...), he just can't stand people suffering when he knows there is something that could be done. He rattles the house and wreaks havoc in his father's well-ordered world, because he knows damn well he's the only one with enough balls to do it.
The thing is that if Zagreus had never intervened, Achilles and Patroclus would never have seen each other. Achilles took the first step toward redemption by giving up his place in Elysium (his glory, his pride, what he fought so hard for) so that Patroclus could stay there instead, as a way of apologizing for what he did to him and atone for his mistakes; but after that, he was left frozen in his own guilt, refusing to try and think of a way to see Patroclus again. And Pat, well... He's given up. Like how he gave up on reasoning with Achilles back in Troy. So he just waits there, even he doesn't know what for. It takes this bisexual disaster of a god to barge in and shake things up, until Patroclus finally reached out to Achilles, gives him that message (risk it all), the last push Achilles needed to finally move.
So yeah I just think they're neat-
This concludes my thought™.
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celaenaeiln · 7 months
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I just finished Forever Evil and I think it’s insane how this man who even though is a parallel for Batman is still not Bruce and yet he shares the same codependency to his Dick, just like Bruce is lmao 😂 I’m starting to think that Damian is the only Wayne who have a healthy relationship with Dick, and that’s because it’s Dick himself who mentors & takes care of him 😂
YES YES YES!!!
I'm so glad you noticed!!
Dick isn't just made for Bruce okay, he was made for the Wayne family.
Like this is actually canon!!
Telos - the AI who was the one who used his powers to cause the convergence of the multiverses in Convergence - says this
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Convergence Issue #4
"Your Batman. He died protecting you. Or trying to. The bond between you and Bruce Wayne echoes in every reality."
And he's right. Well, almost.
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Convergence Issue #4
THOMAS WAYNE LITERALLY WENT FROM "I don't care if you die" to "I'M BLOWING MYSELF UP TO SAVE YOU. I DON'T CARE WHAT YOUR LAST NAME IS, IT'S WAYNE NOW BISH" in two seconds flat.
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Convergence Issue #2
And the thing is Bruce's dad and Dick didn't even know each other until like an hour ago but instantly Thomas Wayne was taken by him.
Ofcourse you have Bruce's brother too who also loves Dick
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Justice League (2011) Issue #25
"In another world, you called me the brother you never had. And you were the brother I always hoped for."
Which is a pretty big thing given what he did to Bruce:
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Justice League (2011) Issue #25
But does it end there? Is Thomas Wayne Jr's twisted desire to have Dick by his side again the finale of the show? NO BECAUSE IT ISN'T EVEN THE CLIMAX
He murdered Dick's parents just so he could have Dick bond with him. He crossed to a whole another world because he was driven mad with grief at not having Dick by his side
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Justice League (2011) Issue #25
You know what this means? If Bruce hadn't reached Dick in time, then Dick would be Talon on Owlman's earth again. His intent here isn't just fixing his earth as he claims to Dick. No, his real intent is the unspoken thoughts in the Owlman text.
But you know what's kinda freaky? Bruce on another world has done the exact same thing as Owlman. Owlman has watched Dick for a long time and then killed Dick's parents. This Bruce Wayne didn't kill Dick's parents but -
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The All Star Batman and Robin, the Boy Wonder Issue #1
"Yeah, I've had my eye on him for awhile."
Bruce, can you make it sound any creepier and stalkery?
Aside from the general creepiness of observing Dick, they do have the same codependency issues. Now that you bring it up, Thomas Wayne Jr's mental state relied on Dick's happiness and exitence and Bruce's does too -
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Detective Comics (2016) Issue #1074
When Bruce gets possessed by a demon, in the safety of his mind, he goes back to two memories he cherishes dearly, two memories where he uses as pillars of strength his dad and the Dick.
When Dick is killed by the monster in his mind, the light in Bruce's head literally goes out. He then goes to the worst place and time in his mind - his parents' death. I seriously cannot overstate the importance of Dick to him.
He and Dick are connected in every universe.
Damian undoubtedly has the healthiest codependency relationship with Dick. Unlike Thomas who died for him, Thomas Wayne Jr who killed for him, Bruce who lives off him, Damian needs him in a way that doesn't drive Dick crazy lol. For now.
In the future if Dick dies though,
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Batman (1940) Issue #666
So....
the entire Wayne family's kinda crazy about Dick.
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actual-changeling · 3 months
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I’ve been obsessing about Crowley not taking his glasses off for that 1941 memory for ages 😂 thank you for articulating that so clearly. It’s so painful slowly realising some of the differences between how they’ve experienced all the flashbacks. I dread (a little) to think what happened next in 1941 especially with how they next meet in 1967 and are very fragile. Maybe one of the few times they are on a similar, painful, page?
It's one of those things that just kinda built in the back of my brain every time I looked at that scene until it just. turned into a full puzzle.
The thing is that what we have seen so far does not explain the way they behave in 1967 and it's honestly driving me insane when I think about it too much. Because they're not on the same page in 1967!
When Aziraphale says no to a lift and then tells Crowley to not look disappointed—yeah, there's disappointment, but he is mainly surprised. He expected Aziraphale to say yes to a drive.
Maybe Crowley is the one who pulled the breaks in '41 and thinks that Aziraphale still wants him to initiate something, so when he immediately puts up walls instead he doesn't understand why.
OR actually, after another rewatch (or five) of that scene, let's say Aziraphale rejected Crowley in '41 since Crowley seems somewhat cold-ish right up until the holy water shows up. Then he does a complete 180 and is suddenly very soft, he keeps looking at Aziraphale (who is now looking AWAY after keeping his eyes on him before that), and seeing the holy water as a peace offering, offers a lift in return.
To Crowley, the holy water is an apology, an I'm sorry I rejected you (or whatever went down), so he thinks it is also Aziraphale saying he's ready now—and then he makes it very clear that he still isn't. Bringing up the Ritz with "perhaps" and "someday", and so Crowley tries to compromise.
"Anywhere you wanna go" is please, just give me something here, angel, and when Aziraphale looks at him NOW, he KEEPS looking at him, and his eyes flit between Crowley's glasses and his lips. Aziraphale looks and he hesitates, and then rejects him again.
"You go too fast for me Crowley" is so fucking painful, and there's so much in that one sentence, but it is also quite literal in regards to time. Aziraphale is literally 105 years behind because that's when Crowley asked for holy water and said no—he's giving him the water in 1967 when it should have been in 1862.
They have somehow once again ended up living on parallel but displaced planes of existence.
Sorry, this ended up being way longer than intended because you magically compelled me to go look at the 1967 clip and it all spiraled from there jshdkad
In conclusion, Neil i NEED to know what happened.
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tomwambsgans · 1 year
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also driving me nuts is the fact that despite the minimal presence of greg in this episode, this marked such a turning point for tomgreg. i don't think tom has EVER been so vulnerable with greg onscreen without proceeding to do something insane to counteract it. and even if logan hadn't died there would still be the matter of greg very clearly wanting to be with tom instead of at connor's wedding, and him being clearly jealous of tom's other "gregs"....
it makes more and more sense to me by the minute that this should be the season of Logan Is Dead, What Now? because when tom is no longer protected, greg isn't either, so the bond between them is put to the test. and fuck, the very first thing that tom does is be frank and honest and emotional with him. he tells greg that he's scared. he's upfront that his Protector is gone. he doesn't hesitate to give greg the information that, if he would choose to leave, would make him do it immediately.
ntm basically 2 scenes later, with a relationship that pretty overtly already parallels tom and greg anyway... we've got connor asking willa if she's only with him for the money. he seems to fully expect that it's the case. and she tells him that while it's a bonus, she is happy, and in front of about 10 people tops she still marries him. and i think that's the fucking thesis here.
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kybelles · 8 months
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it’s incredibly disappointing and shocking to see how misogynistic and vile the capri fandom is towards jokaste even in the year of 2023, to the point of calling her “used goods” and “an opportunistic slut” (YES YOU READ IT RIGHT!) it gets extra depressing when you remember jokaste did what she did to save damen’s life and it wasn’t even acknowledged by damen or that she was really rewarded other than laurent letting her go instead of her being charged with treason.
the most common argument i come across is “we don’t know if she did it to save damen’s life! it was purely laurent’s theory therefore it’s ambiguous.” now i know media literacy has been a lost art for the longest time so it doesn’t necessarily surprise me but if you read this exchange, based on her reaction, it’s quite clear that laurent was correct in his assumption:
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and if even this isn’t a solid proof for you, here’s pacat’s own words:
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another arguments i frequently see are:
a- “why didn’t she try to warn damen?” damen’s literal best friend from his childhood days tried to warn him against kastor and he paid him no mind. you really believe he would listen to jokaste, someone he’d known for a shorter period than nikandros?
b- “did she really need to sleep with kastor?” …yes? do i need to remind you that damen’s entire household was killed? which would include jokaste if she wasn’t kastor’s mistress? not to mention she had to be close to kastor to save damen.
through the series, pacat intentionally draws parallels between laurent and jokaste; both appearance and character wise. remember this scene where laurent stopped the vaskian raiders from instantly killing damen?
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jokaste played the same gamble. she had no way of knowing whether damen would survive in vere or not but she had to try because she loved damen too much to see him slaughtered like a pig in front of her eyes. and yes i use the word love because just look at the way she talks about him… oh my god… like while it is implied jokaste first got close to damen for personal gain, she obviously developed feelings for him after some point and had the utter respect for him. (i always think it’s quite sad us fic writers need to write her cheating on damen with kastor in modern aus for plot sake because under normal circumstances, jokaste would never let damen go)
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i guess the horrible misogyny aside, what also drives me insane is the double standard. laurent had damen collared like a slave, drugged him, forced him to fight with the threat of rape if he lost, whipped him, sexually assaulted him by proxy and the fandom can still sympathize with him and love him (don’t get me wrong i love him too) but when it comes to jokaste, someone who had no choice and did the only thing she could do to save damen, people hate her passionately and call her awful names. it’s infuriating. it’s disgusting.
tldr; jokaste genuinely loved damen and made the only choice she could under those unfortunate circumstances to save him from a horrible death and while no one is obligated to love her, this appalling misogyny train needs to stop.
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chodzacaparodia · 5 months
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All these parallels between Kainess and Nagireo's relationship are insane. And chapter 234 gave us something new again.
I really like that in both cases their shared dream is shown.
Kaiser and Ness:
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And Reo and Nagi:
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However, for now I have the impression that Ness and Kaiser's sharing of the dream is somewhat one-sided.
Kaiser has his dream to cast down the rest of the football world into despair. And Ness wants it too. However, for now (and will this situation change at all? I'm not sure) Kaiser does not include Ness in his dream. Yes, Ness can help him achieve his goal, after all, he has the same goal and Michael is the main object of Ness's dream. But is Ness actually included in Kaiser's dream? Ness is more of an enabler for his dream than a part of it. Kaiser wants to defeat everyone, but with Ness or with his help? I'm leaning towards the second option. Unless the next chapters focus even more on their relationship, which I would really like.
And in the case of Reo and Nagi it is slightly different, because here the situation is certain. They are part of their dream. Their goal is to win the World Cup together, side by side. One boy's dream will not come true without the other boy's presence. Reo and Nagi's sharing of the dream is two-sided.
But none of this changes the fact that sharing a dream is a beautiful concept. When partners strive for the same goal together... because they both want the same thing.
AHHH this drives me crazy
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