Putting "I hope jakey dies" on the shelf until people learn how to talk normally about bisexuals

The math just adds up!

patrol is fun :DD

can i say something. for years i thought the joke of the song short skirt/long jacket by cake was that he wanted a woman who was hung like a horse. like i thought when he says jacket it was a last-second fakeout because he very obviously meant to say cock. and the rest of the things in the song were just her personality and interests. which were secondary to her awesome penis

girl what kind of deranged advice was this guy going around giving people when he wasn’t trying to kill them…. 😭😭

i love it when characters are codependent. i love it when losing someone feels like losing a limb. i love it when two people "complete" each other so wholly and terribly that one can barely function without the other. i love it when the fear of losing the only person who understands them is so all-consuming they'll destroy anything to stay together, including themselves.

Sometimes you just have one of those moments where the progress we've made as a culture get thrown into stark relief. You look at something and go "Holy shit, that would never have happened when I was a kid."

Today, I had one of those moments when I realized that the teenage boys I'm working with are just. genuinely, openly enthusiastic about going to Build-a-Bear for their outing.

These are sixteen and seventeen year old boys! They just had a whole conversation about what to name their "cute", mostly new squishmallows! They're genuinely excited that they're going to Build-a-Bear this weekend and asking other kids to pick up specific accessories for them!!

Holy shit, that never would've happened when I was 16. None of the boys would have dared to be visibly interested - and neither would most of the girls! There would have been a million gay jokes and "Haha, you're a girl" jokes and "What are you, a baby?" jokes. Teenagers weren't even supposed to care about anything back then!

Less than 15 years later, and I'm watching three 17 year old boys treat all that as not even worthy of comment.

So let's call that a reason for hope. Even when the kids aren't alright, in some ways apparently they are alright. Go Gen Z, honestly. It's so lovely to watch you guys just openly doing and saying stuff that, when I was a teen, would've been a social death sentence.

my first play through and also trying to keep everyone from becoming their worst selves is going well why do you ask

What I love most about Gandalf big naturals is how much it eases my chest dysphoria. I can sleep without a shirt on now because of Gandalf Big Naturals. Knowing that the artist made the original image while recovering from top surgery and said the image was like a final parting gift from their boobs makes me feel even better about the image's effect on me. Men with big naturals makes me feel much more good about my body than those old posts on here that were like "trans men! Some men have pecs!!! So don't feel dysphoric <3". It's much more meaningful to see a hairy, bearded man with a huge H cup rack not letting his tits get in the way of his masculinity.

Most of all, Gandalf Big Naturals helped me love my body the way it is instead of hating something that's a part of me. Of course I still want top surgery but the fact that I can live with my own big naturals until then without wanting to guillotine them off is really important.

Hey it's that time of the year again :D

HAPPY 413! 🎂

Zuko’s swt visits throughout their relationship :)

”When we’re together, we have no weakness. No vulnerability. We perfect each other.”

aka @wellship 's ”20 Year Waltz” and their ”The God with no back” concept lives in my head rent free and forever loved💚

🩵🤎🖤❤️❤️❤️❤️❤️❤️❤️❤️ 🩷🩵🤎🖤🧡🧡🧡🧡🧡🧡🧡 🤍🩷🩵🤎🖤💛💛💛💛💛💛 🤍🩷🩵🤎🖤💚💚💚💚💚💚 🩷🩵🤎🖤💙💙💙💙💙💙💙 🩵🤎🖤💜💜💜💜💜💜💜💜

Broke: Izzy said “I want to go” because he legitimately believed his life’s journey had reached its end.

Woke: Izzy said it so that Edward could move on, a comforting lie in the service of seeing to his beloved captain’s emotional needs one last time.

Bespoke: Izzy went into the gravy basket when he got shot, where Sea Witch Buttons appeared to him and told him if he chose life, his ultimate fate was handling the customer complaint department at Ed & Stede’s Bed & Breakfast & Seafood Restaurant & Freelance Carpentry Business, and knowing this, chose death.

It frightens and discourages me how pervasive "tribal" stereotypes and imagery are in the fantasy and adventure genres.

It's all over the place in classic literature. Crack open a Jules Verne novel and you're likely to find caricatures of brown people and cultures, even when the characters are sympathetic to the plight of the colonized peoples - incidentally, this is the biggest reason I can't recommend 20,000 Leagues Under the Sea to everyone, despite Captain Nemo being one of my favorite fictional characters of all time.

You can't escape it in modern cinema, either. You'll see white heroes venturing bravely into jungles and tombs to steal from natives who don't know how to use their resources "properly." You'll see them strung up in traps, riddled with sleeping darts, forced to flee and fight their way out. Hell, Pirates of the Caribbean, a remarkably inclusive franchise in many other ways, had an extended sequence of the white heroes escaping from a cannibal civilization in the second film.

And when fantasy RPGs want a humanoid enemy, the "bloodthirsty natives" are the first stock trope they jump to. World of Warcraft is one of the most egregious examples, with the trolls - blatant racist caricatures with faux-voodoo beliefs, cannibalistic diets, Jamaican accents, and a history of being killed in droves by (white) elves and humans - being raided and slaughtered in nearly every expansion.

It doesn't matter how vibrant and distinctive the real-world indigenous, Polynesian, Caribbean, and African cultures are. It doesn't matter how much potential these real civilizations offer for complex and sympathetic characterization. Anything that doesn't make sense to the white western mind is shoved under the same "savage" umbrella. They're different. They're strange. They're scary. They have to be escaped, subjugated, eliminated, ogled at from the safety of a museum.

Modern writers, directors, and developers don't even seem to realize how horrifying it is to present the indigenous inhabitants of a place as "obstacles" for non-native protagonists to overcome. "It's not racist," they say, "because these people aren't really people, you see." And if you dare to point out anything that hurts or offends you as a descendant of the bastardized culture, you're accused of being the real racist: "These aren't humans! They're monsters! Are you saying that these real societies are just like those disgusting monsters?"

No, they're not monsters. But you chose to design them as monsters, just as invaders have done for hundreds of years. Why would you do that? Why can you recognize any other caricature as evil and cruel, but not this?

This is how deep colonialism runs.

I get questions about Machete's ear situation quite often so I whipped up a quick age chart.