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#tw racism
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i can write screeds about TTPD dabbling in mental illness fetishistic aesthetic but tbh i care far more about the misogynoir tied up in the Healy apologism. No one has articulated it as well as the author of this Medium piece, in my opinion.
I don't need to add much except I use the phrase "human trafficking" for what the author calls "torture p*rn," because based on what I've read those women were drugged, abused, addicted, manipulated, deceived, and in some cases, took their own lives.
But sure he's a 'wild boy' with 'calloused hands,' a 'cowboy like [her].'
Show you proof of her racism? The proof is in the undercooked lyrics of TTPD and attempt to reframe the criticism of the fans as "they just don't like it when I date a Bad Boy (TM)."
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awakefor48hours · 2 days
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https://www.tumblr.com/awakefor48hours/748403705541476353/the-owl-house-has-multiple-aroace-characters-most?source=share but wait, Elsewhere and Elsewhen Philip wasn't a white supremacist tho??? Unless you just said that for the post, which is fine I guess.
But he literally is. In every episode, he is a white supremacist. I know that there’s a lot of information that we have to extrapolate to fully figure out his past but Belos always has been a white supremacist.
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186-3 · 5 months
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courting antisemitism
so i recently decided to take a look at the latest stonetoss comics (probably because i love suffering). and while i was expecting some content on the israel palestine conflict, what i did not expect was how... standard it seemed. well, most of it at least, but i'll get to that in a second.
for context, if you don't know what stonetoss is, it's a (poorly drawn) webcomic known for having radical alt-right views - meaning it's incredibly racist, homophobic, transphobic, islamophobic, antisemitic. all that fun stuff.
so while i was expecting to see bad stuff, one of the first things i saw on the topic of israel was this:
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terrible art aside, this comic is making a point that i usually see in left wing circles: that israel is pinkwashing genocide.
curious if there was more like this, i kept looking, and the comic right before that one was this:
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again, this makes points that i usually see in left wing circles. that american healthcare is crazy expensive, that canada tells poor people to commit suicide, and that israel is bombing hospitals.
why does stonetoss, this well known alt-right nutjob, now seem to be bringing up left-wing talking points?
curious, i kept going deeper:
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well this is... odd. clearly, stonetoss is trying to say that israel is on another level of bad, even worse than russia, iran, and north korea. i can possibly see someone on the left making the argument that the russian invasion of ukraine isn't as bad as what israel is doing in gaza, or that at least north korea isn't invading any other countries, but... iran??? the country that has a police force designed to enforce religious law, and gets away with murdering women who do not properly cover their hair? the country that props up paramilitary groups in countries all over the middle east, including lebanon, yemen, and yes, palestine?? that's completely ridiculous
but, given how much more israel is in the news nowadays than any of these other countries, i could see why someone would buy this
and now, we're starting to get to the crux of what stonetoss is trying to do. when someone sees this, they might be inclined to agree with it. they might begin to think that israel is the worst country on the planet
and that might not seem so bad at first. but the more you hate israel, especially irrationally, the more you feel allowed to dehumanize those who support it. the more you might be willing to agree with this comic, which came out two days prior to the one above
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this comic says that jews, as a whole have no desire to exist with other people. it is blatantly antisemitic
i'm sure you could imagine some young leftist who sees the comics above this one and thinks, "this guy makes some good points". and then, when they get to this one, they might realize that this is antisemitism
or, they may not.
and that would start them down the road to becoming an antisemite.
this is what stonetoss and other alt-right nutjobs are hoping to achieve. to take left wing fury at israel, and direct it at jews.
we saw it with those neo-nazis at the palestine rally, and we're seeing it again here.
and if you've found yourself agreeing with what stonetoss has said so far, i would like you to see the last comic stonetoss put out before october 7th:
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this horrifically racist comic is in reference to an environmental activist who was murdered by a black man in early october. this blatantly racist garbage is the kind of stuff stonetoss usually puts out.
but as soon as october 7th happened? these were his next two comics:
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stonetoss completely changed the comic's tone as soon as the current crisis started. why?
to get as many people as possible to get on board with hating jews.
and i know many of you might be thinking that "well, everyone knows that stonetoss is racist garbage. nobody is going to fall for this"
except, as we saw with the neo-nazis at the rally for palestine, it's not always that obvious who the antisemites are and who is just rallying for peace. they are often a lot better at disguising it than stonetoss is.
AND EVERYONE NEEDS TO BE AWARE OF THAT
EVERYONE, no matter HOW much experience you have, can fall victim to propoganda. EVERYONE needs to be aware of what people around them are saying, and able to pick out hateful rhetoric, because even the stuff that is just kind of toeing the line of what's hateful is still putting your foot in the door
be cautious, everyone. and stomp out hate where you see it.
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It frightens and discourages me how pervasive "tribal" stereotypes and imagery are in the fantasy and adventure genres.
It's all over the place in classic literature. Crack open a Jules Verne novel and you're likely to find caricatures of brown people and cultures, even when the characters are sympathetic to the plight of the colonized peoples - incidentally, this is the biggest reason I can't recommend 20,000 Leagues Under the Sea to everyone, despite Captain Nemo being one of my favorite fictional characters of all time.
You can't escape it in modern cinema, either. You'll see white heroes venturing bravely into jungles and tombs to steal from natives who don't know how to use their resources "properly." You'll see them strung up in traps, riddled with sleeping darts, forced to flee and fight their way out. Hell, Pirates of the Caribbean, a remarkably inclusive franchise in many other ways, had an extended sequence of the white heroes escaping from a cannibal civilization in the second film.
And when fantasy RPGs want a humanoid enemy, the "bloodthirsty natives" are the first stock trope they jump to. World of Warcraft is one of the most egregious examples, with the trolls - blatant racist caricatures with faux-voodoo beliefs, cannibalistic diets, Jamaican accents, and a history of being killed in droves by (white) elves and humans - being raided and slaughtered in nearly every expansion.
It doesn't matter how vibrant and distinctive the real-world indigenous, Polynesian, Caribbean, and African cultures are. It doesn't matter how much potential these real civilizations offer for complex and sympathetic characterization. Anything that doesn't make sense to the white western mind is shoved under the same "savage" umbrella. They're different. They're strange. They're scary. They have to be escaped, subjugated, eliminated, ogled at from the safety of a museum.
Modern writers, directors, and developers don't even seem to realize how horrifying it is to present the indigenous inhabitants of a place as "obstacles" for non-native protagonists to overcome. "It's not racist," they say, "because these people aren't really people, you see." And if you dare to point out anything that hurts or offends you as a descendant of the bastardized culture, you're accused of being the real racist: "These aren't humans! They're monsters! Are you saying that these real societies are just like those disgusting monsters?"
No, they're not monsters. But you chose to design them as monsters, just as invaders have done for hundreds of years. Why would you do that? Why can you recognize any other caricature as evil and cruel, but not this?
This is how deep colonialism runs.
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mxfrodo · 28 days
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y'all for fucking real. don't fucking write slave fics or x reader fics of aventurine's slavery??? are you guys out of your goddamn minds???
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watchmenanon · 6 months
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laniidae-passerine · 3 months
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Danver’s specific brand of racism is so intrenched in love it’s fascinating. Her daughter is precious to her and her daughter is Indigenous and in this town, an Indigenous woman is not viewed as a precious thing. They are abused and raped and murdered and therefore, being white is the ‘better’ choice. She is actively whitewashing her daughter, not only because she’s afraid of what she doesn’t understand and because of typical coloniser mentality, but because she doesn’t want to lose her. Danvers can’t distance Indigenous identity from white violence and it’s killing what she loves.
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maquet591 · 3 days
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We need to talk about the Watcher "fans".
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These are the top comments on Shane’s IG post. Just look at the number of likes.
“Steven Lim is a greedy, manipulative evil CEO that twists his white co-founder's hands and forces the said co-founder into his will!!!” – this narrative is being prevalent in this fandom since April 19. People harassed him all across social media on every platform. People wrote nasty comments not only to his social media accounts but also to his wife and friends.
People made a Change.org hilariously dumb petitions to have him leave the CEO post.
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People gleefully demonize and tear down his reputation. Twist his words out of context in to something vile. Weaponize the years old inside jokes his friends made on camera.
“This is not racism!!!” they say. “These are just the facts!!!”
No they aren’t. And here’s why:
because this
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is the same as this:
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Covert racism in language, or coded racism, is the deployment of common stereotypes or tropes to elucidate a racially charged idea. Rather than expressly perpetuating racist tropes, covert linguistic racism is seen as rational or "common sense", and many are not aware of its impact.
Racial stereotypes. Racial or cultural stereotyping refers to generalizing a group based on a simplified set of norms, behaviors, or characteristics.
The Yellow Peril (also the Yellow Terror, the Yellow Menace and the Yellow Specter) is a racist color metaphor that depicts the peoples of East and Southeast Asia[a] as an existential danger to the Western world.
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Fu Manchu is a fictional character created by Arthur Ward, a music hall writer and journalist in London in the early 1900s. Writing under the pseudonym Sax Rohmer, Ward had absolutely no knowledge of Chinese culture or Chinese people – but his invention of a Chinese supervillain struck a chord in Victorian Britain and became a smash hit.
Fu Manchu was the original fictional Asian villain, a trope which became embedded in popular culture and Western psyche spawning spin-offs, spoofs, pop songs, video games and even consumer goods. But how damaging is Fu Manchu and how much can he tell us about modern Asian racism?
Ward wrote Fu Manchu as the personification of the so-called Yellow Peril threat: exotic, alien and inhuman, a mastermind boasting degrees from top universities. Using sinister powers to control minds, he aimed to undermine Western civilisation.
"This led to the idea that the Chinese were deceiving – they weren't being honest, they weren't revealing who they really are as people. This spawned into stories of Chinese as cheats and liars and deceitful – never giving you the truth, always fabricating."
Seven Lim being labeled as “greedy” “evil” and “manipulative” (of his white co-founder) is rooted in Anti-Asian racism. Whether people admit it or not.
Racism is not always derogatory slurs or white hoods. Racism is also casual micro-aggressions and putting people of color in the metaphorical boxes of harmful stereotypes. Racism is twisting the narrative and shaping it into a vile stereotype straight from the 19th century.
Also, let's not forget that people are happy to jump on Ryan in the similar way for the same reasons.
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sabakos · 2 months
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From "Those Who Don't Know Speak: Translations of the Laozi by People Who Do Not Know Chinese" by Paul R. Goldin
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chronicallycouchbound · 6 months
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For those that don’t know, tonight (October 25th) there has been a series of mass shootings with multiple suspects involved in Lewiston, Maine, USA.
There are 18 confirmed deaths so far and 60+ injured with 2 locations involved. The shooter(s) have not been caught, multiple counties are on active lockdown with shelter-in-place orders.
The primary suspect is a white man from a military background in firearms, Lewiston has one of the largest concentration of refugees in the state, and anytime the Lewiston/Auburn area gets any news coverage, there is an increase in hate violence against all of the people of color in the area.
People and news outlets are absolutely going to try to spin this to place blame on the immigrant and refugee communities in the area. It is so vital that people combat this racist misinformation.
Maine is a small, rural state without the resources or infrastructure for anything like this. Hospitals are overwhelmed, even with backups being called in from New Hampshire and Massachusetts. I'll post updates and fundraisers for the community as they come up. I'm so worried for my community.
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Vivzie, you cannot write Alastor, a mixed black person who was alive during segregation, as an explicit, evil slaver and expect that to be anything near good representation for poc.
Alastor petting his head and remarking on how "fluffy" it is and saying that Husk is his pet, plus Husk being voiced by an actual black person while Alastor isn't is just further implying this.
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steviesbicrisis · 6 months
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The truth about Billy
[TW: Racism. There's nothing explicit but it's implied, especially knowing how Billy acted in the show.]
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Steve's rescue Party comes through.
Gareth the Matchmaker (14/?) - AO3
Prev | Next
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Hello everyone!!! As some of you guessed, it's Max (and the rest of the party) who tells the truth to the public. In the video she goes into full detail about the abuse she endured from Billy and the way he acted when she started dating Lucas; Steve protected them like it happened in the show but he wasn't beaten up that badly (just a black eye maybe).
Other things: Robin is extremely jet-lagged and she totally picks up a fight with Eddie for no reason. The next CC single will truly be about how they almost disbanded because they're dramatic like that
We're very close to the end!! I think it will be only two updates left. Thank you for enjoying it so far, let me know what you think <3
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Different ways to follow this story: Follow me | Turn the notifications on for this post | Subscribe on AO3 | Follow the tags #GTM updates #gareth the matchmaker | Check my pinned post
If you wanna be a part of this story as a fan, let me know!
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Twilight was beckoning over the horizon, battling with the sun as it sunk below the mountains. Its rays cast the final streaks of light through the sky, sending all the colors of the desert into one final blaze. Antoine rarely stayed at Abraham’s ranch this late, at least not when Zelda hadn’t taken Violette up the hill to meet him in the afternoon. But tonight Abe had besieged him with coffee and cigarettes in an uncharacteristic display of emotion; so Antoine remained, sitting with him as the first stars began to appear in the sky. 
The fire was crackling in front of them and Abe seemed antsy, as though he was waiting for the comfort of night before he began speaking. Antoine knew better than to ask what the matter was, or even to be the first to speak, because when he got that way someone else’s attempts to draw the words out only made him bury them deeper inside. So he kept dragging on his cigarette, watching the fire dance as the air grew colder and the sky rapidly fell to the inevitable pull of darkness.
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But as the final blue of daylight began to give way to a bruised purple above them, Abe threw his cigarette into the fire and brought his hand to a handle of wood near him that Antoine hadn’t noticed before. His fingers trailed on its tip aimlessly as he kept staring into the fire, “I told you my granddad came out here to herd cattle, didn’t I?” Antoine nodded his head in agreement, a gesture that wasn’t really needed for Abe to continue in a gruff voice, “Well he didn’t. Not really. That came after. He came out here to outrun the patrols after he escaped Alabama.”
Antoine kept his cigarette on his lips. He didn’t have to ask for details to know precisely what Abe meant, or the sort of pain he must have felt in saying any of this. He thought of Silver, and how distrustful she was of anyone. Only horse who ever knew my granddaddy, and he always kept her nearby. 
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Abe’s finger ran along the wooden handle next to him and a low note escaped it. Antoine immediately recognized it as a B flat, and then realized that Abe’s hand was nervously moving up and down the handle of a guitar, “This was his. Then my Poppa’s. Only Poppa wasn’t content to stay out here. He got some idea in his head that he was meant to be a blues musician. Word after the war was it was better for us up there, so he moved me out to Chicago chasin’ some dream and false promises when I was just a boy.”
Now the words seemed to come more easily, like a song once it started or the faint dissonance echoing from the strings of a rarely played guitar that had the whole story locked inside its cavernous body. “He never gave up. Not when Momma left him. Not when I married Mabel and moved back out here with Grandad. Not ‘til the riots of ‘19 when he was just on the streets, walking alone back from a gig when the crowd found him, riled up on some horrid hatred and set on violence no matter who crossed their path…”
He stopped in his tracks and moved his hand from the guitar to wipe a lone tear from his eye. The faint sounds that had been coming from his hands on the strings settled into the loud silence of a desert twilight, filling in the ending to the story that Antoine didn’t need to hear to know.
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Abe seemed to purposefully pull himself back into the moment, redirecting his attention to the guitar beside him. Then he brought it onto his lap and spoke looking directly at it, as though it had a life and a mind of its own, “You know, all his life he had some hair-brained idea that I would be able to play like him; but truth is I’m no better now than when he himself tried to teach me. And if he couldn’t, nobody can.”
He stretched out his hand, offering Antoine the old but clearly well looked after guitar, “I know I haven’t been able to pay you what your work is worth, and you’re always going on about your piano back in New Orleans, so I thought this might bring you some joy. More joy than it ever brought anybody else, maybe.”
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Antoine looked down at the extended instrument frightfully, because he knew it wasn’t just some guitar. It was just as alive as his piano had been, because someone had poured their very soul into it. Abandoning it had been like leaving part of himself behind, the part that had been ripped to shreds and then reassembled by the movement of the keys. He yearned for it every day of his life here, no matter how happy he was.
But the soul in the guitar before him wasn’t his memory, or his pain. It belonged to another man, one who had been parted from it in violence and hatred. “I…I couldn’t, Abe. It’s yours. It’s your father’s, your family’s. Surely it belongs with you.”
Abraham stretched his hand out further, the emotion coming back to him for a minute as his voice went raw and he dared to lock eyes with Antoine, “I insist, chap. I want somebody to play it again. Give it life, make it sing. The way he would’a wanted.”
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Abe inched the guitar closer to Antoine, and he moved his arms to accept the burdened gift. Because how could he say no to that? He had seen himself in Abe since the day they met, in his humor and the incessant guard he refused to let down. They spent nearly every day together, mostly talking about horses or work, somehow never with the need to show any other side of themselves. Now here he was, without armor or pretense, asking for nothing but to see some semblance of his father’s memory find life and joy again.
As Antoine settled the guitar in his lap, Abe left his hand on its neck for a moment. Then he let it fall away, moving the strings along with him as though it were saying goodbye. With his palm wrapped around them, every echoed sound moved up Antoine’s arm into his soul, as though it were speaking directly to him.
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yenvengerberg · 2 years
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since the trailer for teen wolf: the movie just dropped, i feel like now is an excellent time to inform/remind everyone of the treatment of arden cho.
arden, who played the show’s only lead woc, was written off the show with zero warning - the excuse being that there wasn’t enough room for her storyline. in fact, she had been doing press saying she was excited to see what the next season would bring. she also had to announce this herself via her youtube and her character, who had been the main character’s love interest, didn’t even get a proper goodbye.
then, the teen wolf movie came around. you would think this would be an opportunity for kira to be treated better and finally get her ending, but no: arden cho was offered less than half the salary of her female counterparts to return.
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so what did teen wolf do about this? they decided to replace her with another actress who would only be offered basic pay.
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after the release of the trailer today, it’s become increasingly obvious that arden’s character kira was a crucial part of this movie. the movie brings back several ‘big bads’ that were introduced because of kira, the nogitsune and the oni. so why wasn’t arden offered equal pay? why make the mythology that was centered around your lead woc as the plotline for this film, but not treat her equally?
i’m begging everyone to not financially support this movie. if you're that desperate to watch it there are ways to do so without paying (i’ll even help you find a link if you need it!). but please, don’t sweep this under the rug. let this movie flop.
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wejustvibing · 4 months
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briish bias ☺️
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destielmemenews · 2 months
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The group appears to be part of the "Blood Tribe" led by Christopher Pohlhaus, with footage showing them in red shirts and black masks.
Representative Justin Jones posted a video of the group on X and wrote "Just left an event honoring a Black sorority and spoke of the need to unite against the rising tide of white supremacy, only to be confronted by Nazis marching through downtown Nashville." He then wrote,"This is exactly what my Republican colleagues hate speech is fostering and inviting."
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