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#people with plant powers want to Kill
shitpostingkats · 5 months
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Yugioh went "gardeners are actually inherently a little Fucked Up In The Head and Crave Violence." and they were so real for that.
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martyrbat · 2 years
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[ID: a panel of Batman and Superman standing side by side in a clear, transparent box; surrounded by what's presumably space (?). They're shown from a slight distance and from behind. Batman asks a question to which Superman answers, gaining a reply back. The dialogue bubbles are in hieroglyphic symbols, leaving the actual contents unknown to the reader. Superman's internal monologue box reads, "Ever sense Kara – Supergirl – came into our lives, Bruce has immersed himself in learning Kryptonese." END ID]
#imagine being clark. you're an alien on a planet that isnt your own (but youll eventually take the burden of protecting anyways)#youre surrounded by these humans and others where you clearly dont belong. its little things at first that just plants and engraves that#knowledge that youre an outsider. you dont know exactly why yet but theres no denying that you witness and observe more than you#participate. that youre just.... different.#imagine feeling like you constantly dont belong and learning you have the powers of a god despite never asking for them or wanting them#that you can hurt - you can kill - without lifting a pinkie. that you can destroy everything if youre not careful.#if you treated them like how they treated you all your life.#you're terrified at your own powers. at who or what you are.#then you learn that your planet was destroyed. that youre all alone.#the people you never even got to know or make memories with - including your biological family.#the culture and language and society. everything is gone. you're lonely as clark kent and as superman. you can save earth but not yourself#even with the more recent discovery of your cousin. that's all that's left to preserve the memory and legacy of Krypton.#not even having memories of the place yourself. that Kryptonese is only KARAS native language.#imagine being so alone and responsible for making sure the world doesn't forget an entire planet and species#who do you share that with? who gets to help ease the burden from your shoulders? who will listen??#then bruce fucking wayne starts learning kryptonese. not because you asked him to but taking it upon himself#to. he talks occasionally in it to you. does he know when itll bring comfort? when you need to hear it?? doesn't matter#the second language grows familiar and warm on your tongue - something you grow into and take comfort in#does he teach any of his children it? in a mission and listened to and they speak it to him - unexpectedly and rolling off their tongues#the dead language coming to life slowly. itll never be the same. itll never receive the glory it once had#but Krypton lives on - the language being one of love and found family. of never being alone again.#pushing my 'bruce's love language is acts of service' agenda but its true#i love them ALMOST as much as they love each other#superbat#bruce wayne#superman#batman#clark kent#anyways. rambling in my tags so oops. if anyone read this hi love u. hope ur having a good day
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snekdood · 3 months
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killing someone/something should be your very VERY last option it should be the thing you avoid so much that you try to find ANYTHING ELSE that you can do.
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alliepsmithh · 5 months
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israel posted a video of them giving water bottles to palestinians on a beach, then destroyed their luggage and shot at them after they stopped recording.
israel posted a photo of one of their soldiers "assisting" with an elderly man, then they shot him twice in the back and killed him.
in 2015, the idf posted pr photos of an israeli soldier giving water to an elderly palestinian woman, only for them to execute her after the photo was taken.
in 2005, an idf soldier emptied his rifle into a 13-year-old palestinian schoolgirl. he said he would have done the same thing if she was 3-years-old. he was acquitted of all charged.
israel claimed that hamas beheaded 40 israeli babies and then a month later cut off power to a palestinian hospital where premature babies were on incubators.
israel bombed a group of children collecting rainwater.
israel shot and killed two palestinian children playing with their scooter.
israel shot a hard of hearing girl in the face with a stun grenade and broke her jaw.
israel is using bombs with blades that are designed to cause maximum damage to the person in range.
israel forced medical workers at al-Nasr medical center to leave babies in incubators in order to evacuate the hospital they were bombing.
israel turned off power to hospitals in palestine, forcing nurses and doctors to use their phone flashlights when treating patients.
israel raised their flag over Al Shifa hospital.
israel has blown up the chambers of the palestinian legislative council.
israel targeted a "suspicious vehicle containing several terrorists”, meanwhile the only people in the car were three girls, ages 10, 12, and 14, their grandmother, and their mother. the only survivor was the three girls' mother.
israel planted a copy of mein kampf in a children's bedroom in a gazan house they claim hamas was hiding in.
israel poured fake blood onto the floor of an israeli child's bedroom and claimed hamas killed them.
israeli soldiers posted a video of them dancing on gazan graves.
israel posted a video showing a calendar in a palestinian children's hospital was a hamas guard list because it was written in arabic.
israel was using white phosphorus on hospitals.
israel bombed a refugee camp.
israel has burned olive trees in palestine.
israel has put cement into the water supply of palestine.
israel claimed that they found tunnels under Al Shifa hospital, only for it to be exposed that those tunnels are actually in sweden.
israel built a bunker and command room under Al Shifa hospital in 1983, only for them to now say that they are hamas tunnels.
israeli police arrested an israeli high school teacher, who posted on facebook expressing sympathy with palestinian civilians who have been killed.
israeli soldiers filmed themselves throwing a stun grenade into a palestinian mosque.
we are witnessing a genocide in real time framed under the guise of stopping hamas. israel has been terrorizing palestine for as long as israel has existed, but their access to technology and social media has made it much easier to fool people into supporting them.
meanwhile, noah schnapp is posting that zionism is sexy and celebrities are standing with israel. just absolutely twisted shit.
edit: for those who would like sources, my twitter is alliiesmith. i have retweeted everything i’ve mentioned. i apologize for not providing this sooner
edit 2: i’ve had some people in the replies and reposts pointing out that linking my twitter seems like promotion. i just wanted to clear up that that was not my intention. i’ve been retweeting resources and news much faster than i’m able to add to this post, and i thought that my twitter profile could be something of a hub for information. i don’t care if you follow me, but i think scrolling through and seeing what i’ve retweeted could be helpful.
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churipu · 4 months
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Hiii!! I can ask for jjk men (your choice!) with a girlfriend who doesn't look like it but is like super strong! ᕦ(ò_óˇ)ᕤ I have a love for those types of characters<3 thanks in advance!
I hope you are getting better ❤️‍🩹
jjk men & their "looks like a cinnamon roll but could kill" you gf
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featuring. gojo satoru, toji fushiguro, nanami kento x fem! reader
warnings. cursing
note. anonnn <33 i absolutely love this one, i have so many speculations for different characters about this request omg, thank you for requesting love, i hope this one is up to par, much love xoxo (and i am feeling so much better now, thank you for checking up on me). OH AND GUESS WHAT? u don't understand how thankful i am to reach 300+ followers in the first week??? u guys rock, ilysm
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GOJO SATORU. i feel like he'd feel so betrayed after finding out how you're very strong?? one second he's looking away and then the next second, he looks back and a curse is ready to pounce on you. he grits his teeth when he realizes that — but before he could even do anything, there you were, sending out a strong punch that leaves a gust of wind as a cherry on top.
gojo could only stare at you, jaw dropped. all he could think of was how on earth did you do that and how could someone so...cute and adorable like you send out that kind of punch. honestly, on one side he felt so betrayed to only know of your power now — but on the other side, he's so damn proud of you.
after all of that, you still managed to send him your most innocent smile as if you didn't just almost possibly created a hurricane with that punch of yours. skipping happily and then throwing yourself onto the male, "satoru!"
"you never cease to surprise me, baby." he chuckles.
and you blinked at him innocently, a little confused at what he's talking about. at first gojo thought you were just pretending not to know, but when he realized that you actually didn't know, it dawned upon him that maybe you didn't even realize how strong you actually are.
"y/n, you just obliterated a curse."
"oh. oh. yeah! i did."
yeah, you definitely weren't aware of your own strength. which surprised gojo even more.
TOJI FUSHIGURO. he's always thought that protecting you was one of his main duty, and believe me when i say that toji is always on guard for anything that could possibly send harm your way. feral animals, harmful plants, annoying babies, curses, anything he finds annoying — he just assumes you don't like them either.
despite not having a cursed energy, toji is strong. anyone would agree with that. so when he settled in with you, someone who radiates such loving and gentle aura, toji made it his job to keep you out of harm's way.
but apparently, you've got that under covered.
being in a relationship meant going out on dates occasionally, right? however, some people do not understand the meaning of "i have a boyfriend" and it annoys you. so when toji was away to fetch a few things and you were left alone, a stranger felt like it was the best time to hit on you.
"saw ya' from a couple of minutes ago, thought you're cute. we should hang out."
obviously the word "no" didn't work as he kept on bothering you, and you do know how people react when they don't get what they want sometimes? they just plain out throw words to boost up their ego and deny their own embarrassment. it's funny.
"whatever. ya' aren't that cute anyways." everything began out as an exchange of words — until anger consumes the best out of them. the male got ready to swung his hand on you.
and believe me when i say that toji was having the time of his life watching you exchange angry words with the guy, until he saw the male raise his hand. toji was about to drop everything and come to your rescue, but stopped when you smacked the stranger across his face harshly it sent him stumbling over his own feet.
toji chuckled lightly, although surprised. that day, i swore he promised himself not to get on your bad side (also, he thought it was pretty hot of you). he told you he'd been watching from afar, and was so ready to be your knight in shining armor.
apparently, you are your own knight in shining armor.
NANAMI KENTO. for the longest time, nanami has stood his ground in defending you from malices and curses. some of the people do not like the idea of you and him together, especially girls who failed to obtain his attention (obviously). and he'd always be the one to tell them to piss off and not to butt in his relationship.
you were just a normal businesswoman working normal office hours, and nanami — well, he's a pretty busy man. but he has made himself visible to your work environment a couple of times, mostly because you were clumsy enough to forget your bento box that you made for yourself before going to work.
and apparently that few times was enough to make girls swoon over your boyfriend. honestly, you could care less. you trust nanami. but things went rock bottom when this one particular girl, a co-worker who was obviously jealous of you. and she doesn't hesitate in showing that to you.
"accidentally" spilling coffee on you, "accidentally" stepping on your foot with her heels, "accidentally" bumping into you, "accidentally" elbowing your head when she walks by. just everything in an attempt to get a reaction out of you so she could possibly play the victim card.
you brushed her every attempt off, although it bothered you quite a bit. but your last straw was when she "accidentally" ruined the report you've been working on for the past week, sacrificing your rest and sweat for it — only for her to dump down a cup of iced macchiato on it the day you were supposed to hand it in to your boss.
you've just had enough of her, and this was not something you can brush off like her other "accidents" because this report would affect your position in the company (and possibly get you fired). but at this point, do you even care? no, no you don't.
"so, is this the part where i hit her?" you ask another co-worker who was there in the room when everything happened, and they nervously shook their head, "really? i feel like this is the part where i do."
so when you did send a punch to her jaw, your other co-workers were quick to run find help (your boss). and all it took was one punch to make the girl wobble weakly, her knees buckling.
oh, and your boss wasn't too happy about your resort in violence, especially in the work area.
"i don't care, i'm fired anyways." you took off the company's id card that was hanging from around your neck and tossed it onto the table before packing your bag to leave.
your boss wasn't the only unhappy one, you were too. and nanami as well.
"it isn't my fault, kento."
"i know, darling. i'm not saying it's your fault, i'm just surprised...that's all."
well, that was the first time you've ever threw a punch to someone. and the first time you've ever been fired, so yes. it is a surprise to nanami, but to you? you were expecting it sooner or later with the pace of how that co-worker was going in with her shenanigans.
"she was pushing it."
nanami was silently proud of you for being able to defend yourself though, "well, at the end of the day, you won the fight. right?"
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© CHURIPU 2023 , DO NOT COPY OR REPOST ANYWHERE !
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needle-noggins · 11 months
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(CW for SA, suicidal ideation) Here we go. My favorite and simultaneously least favorite panel of Vash and Knives.
I've seen a few interpretations of this scene and before we dive into the one that really struck me, let's start with the more... chill one. We're finally introduced to the third gun of Trigun, Vash's angel arm. And the way we're introduced to it involves Knives forcing him to pull the trigger. Of course, since no one knows anything about Knives, the people of Noman's Land blame Vash for Fifth Moon, and Vash likewise blames himself (this is kinda a spoiler but if you've been paying attention, it's just par for the course). However, he's not the one who pulled the trigger, Knives is. It brings up an interesting moral question of blame - do we blame the gun (and Vash, who is being used/objectified as a weapon here), or the person who wanted it to happen? Guns don't kill people, genocidal twins do!
Now for the awful interpretation, the one that makes me cry and wish Vash was real so I could hug him and pay for his therapy. And really highlights how awful Knives is and how far he'd go for his brother in his own, fucked-up way. I touched on this in a previous post about Legato and the Murder Cafe, and the whole time I was thinking about Fifth Moon but didn't want to say anything for the sake of spoilers.
So. Pay attention to the way Vash and Knives are standing. Knives, when he first grabbed Vash's head, was standing in front of him. He moves behind him to better control him and yeah, he's still controlling him via hand on head, and now he's got his other hand gripping Vash's chest, where feathers/wings are manifesting. Knives is assaulting him. If you wanna get crazy with it and say that the angel arm is kinda phallic, you could say... yeah. This is rape. I heard that specific interpretation once and while I accepted it I also don't know if that would be generally accepted or if I'd be called out for it, so I'm trying to tread lightly here.
It also doesn't escape me that of course the angel arm has feminine features like the plants - the plants that, again, humans are exploiting for their ability to create. There's a lot of feminist commentary to be made here but many people have said it better than me. Specifically I'm thinking of this one post I saw about gender fuckery and Tristamp Vash. Anyway.
Also, the atomic bomb/black hole/sun/whatever that is in the middle... It's just so powerful. It's terrifying. The eldritch body horror here is a punch to the gut. What the fuck, Trigun? I thought this was a funky space western!!!
Oh, and here's more commentary on the following few panels:
Vashussy shot, Knives is still right behind him. Yeah, I wasn't kidding about how bad this pose is for them. Knives, you sick fuck.
Vash shoots himself in the leg (a key difference from '98 trigun, lol), because of course he does, but it doesn't free him from the arm.
The arm's getting darker/the light inside is getting lighter! Stampede did an awesome job with their interpretation of the angel arm and I don't think I would have understood it without that. Also, on my first read I didn't notice that Vash is literally levitating, which is cool, but also terrifying because ?? he's not in control of that either??
Finally. A super painful, minimalist, double-page spread. Nightow loves 'em. Vash thinks he's dying (maybe?) and he wishes he had never existed. It's not suicidal ideation per se, but he wishes he didn't exist at all because he's already caused enough suffering. This is a low for him, because he believes so strongly in the concept of the Blank Ticket. (Come on, soupy brain bitch boy, get it together!) He's a monster, it's just how he was born, and he's not in control. Very specifically too, he says "we", and then changes it to "I"... he doesn't blame Knives at all, and that's very him. I want to shake him! Stop playing the martyr, Vash!
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rex101111 · 8 months
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Things that happen within the first few hours of AC6:
1. You get shot with a huge-ass laser mid-atmosphere entry. You barely survive this, landing several miles away from your intended landing zone.  Welcome to Rubicon 3.
2. You have a mech built with bargain bin parts, barely held together with hope and spite. It has a energy sword though, so that’s nice.
3. Not even two seconds after your, very rough, landing, you get a call from your “Handler”. He is ostensibly in charge of your well-being. This begins and ends with him sending you off on missions he’s fairly certain you’ll survive and charges you for the damage you get to your mech, the bullets you use, and he’s also cut out a piece of your brain to put in augmentations that will make you a slightly better mech pilot. In the top Most Horrible People On This Planet contest, he wouldn’t make it to the top 10.
4. You make your way through a derelict hunk of junk that’s threatening to collapse on top of you. Not even two minutes into this journey, you’re getting shot at with missiles. 
5. You finally reach your intended destination, a burning husk of a city filled with scavengers and low lives who will shoot you on sight. You are here to grave rob.
6. The reason you are grave robbing is connected to the fact you got shot in orbit, you are here illegally, and you need to find a license from any fresh corpse so you can steal the identity on it and be able to do mercenary work.
7. You go through four corpses before you find one with a license that can pass muster.
8. Mid corpse robbing a gunship sent by The Space Police spots you and you have to shot it down so it can’t kill you or, even worse, stop you from stealing the identity you just found. 
9. As soon as you get registered in the Mercenary Rolodex, which takes less then a second of an A.I taking a look and saying “alright checks out”, you have two missions. One of them has you killing a bunch of resistance fighters from the planet’s native population on behalf of a weapons company that really wants to do business here. 10. The next mission has you going to a base owned by that very same company and blowing up everything you can find there. This does not anger that company one bit, if anything it just convinces them you are a very thorough worker. 11. Very shortly after that, you are tasked with destroying a prototype mech by another company before it can get into mass production. That mech is being piloted by what can only be described as an Anime Protag who is in the worst possible franchise for his type of character. You can murder him in less then two minutes if you know what you’re doing. You can hear him desperately fight for his life the entire time. 12. After that, before you even get to clean the blood and oil and broken dreams off your robot, you get a call from a merc group leader saying that he’s seen you murder that guy real good, a guy who was auditioning to join his group, and likes the cut of your jib. He gives you the callsign he was gonna give Anime Protag before you blew him the fuck up. He laughs and tells you to be careful since it’s an unlucky number. This is the least morally repugnant thing you’ll do all game.   
13. A while after that, you go into a power plant and destroy the generator, it promptly blasts you in the face with the red radioactive Super Fuel that toasted this planet a few years back.
14. You survive, somehow, and you get a disembodied voice of some girl in your ear. You tell your handler about this and he just shrugs it off with “oh yeah that’s probably a symptom of the lobotomy, don’t worry about it”. The voice is probably the most moral person on this fire blasted hell scape of a planet.
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sebastianswallows · 15 days
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The Little Death — 1. Captive of your desires
— PAIRING: Feyd-Rautha Harkonnen x Bene Gesserit!Reader
— SYNOPSIS: A Bene Gesserit gets left behind in the Arrakeen palace. When Feyd becomes the Planetary Governor, he finds her there in hiding. The Harkonnens don't traditionally keep them as truthsayers or concubines like other Houses do, but Feyd might have a use for her. After all, he's never had a Bene Gesserit of his own before.
— WARNINGS: choking and death threats
— WORDCOUNT: 2.2k
— A/N: I couldn't resist. I had to write more for him. Reader, I love him. This fic might go a little wild, because I want to play into this naughty boy's love for pain. Expect some subby Feyd, some inkpies, generally a messed up dynamic with an equally messed up reader. Hope you enjoy, my lovelies! 🖤
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Seek freedom and become captive of your desires. Seek discipline and find your liberty. — Bene Gesserit Coda
House Harkonnen fell upon Arrakis like a hammer — with a deafening crash and destructive reverberation. After the palace was ransacked and the most important figures murdered, their bodies piled high and set alight, the stragglers were hunted through the streets and homes of Arrakeen. There was a week of slaughter. By the end, nothing moved. All spice production had ceased. Then the violence left the city and spread out into the desert, and the whole hemisphere of the planet was captured.
Arrakeen sat near the northern pole, on thick bedrock surrounded by natural fortifications that protected it from worm attacks. It was a difficult place to escape from. Those who remained were understood to be loyal to the Harkonnens, or at least indifferent to who held the power. The Atreides rule had been brief enough to not have garnered that many supporters. Only the rumour of their goodness and grace had been planted, and the Harkonnens returned before those could take root.
There can be said to have been a second Harkonnen takeover once Feyd-Rautha arrived. The Baron’s youngest nephew. Word was spread — or rather, been carefully planted — that he was the kinder, gentler of the Harkonnen brothers. The people greeted him like a saviour. Inside the palace, the atmosphere was more subdued.
It was a stark contrast to the transition from when Rabban came to power. No mass killings, no ransacking of rooms, just an orderly takeover through which the cold and calculating presence of Feyd-Rautha flowed. Furniture was rearranged. Staff was brought in from Giedi Prime. Brand new equipment arrived, especially for the spice harvesters.
The message was clear. The new planetary governor was thorough and exacting. Most of those in the palace breathed a sigh of relief, but there was at least one breath that stuttered.
She was there at his arrival, watching from a distance together with the throng of Arrakeen locals, Fremen and others, who gathered to see the procession. It was early in the morning, just before sunrise. He walked differently than other Harkonnen she’d seen. Rabban stomped through like a bull. The servants grovelled. The Baron was so fat he had to be suspended in the air. But this one, this one strolled through with confidence. Sleek and slender, he was beautiful in an inhuman way. That much she could make out from a distance.
He struck out at Fremen sietches on his very first day, using artillery fire and on-the-ground troops. An old way of doing things, but effective. It painted the new governor as precise, determined, and strangely honourable, and then word spread around the palace that he’d struck his own brother to the ground and made him kiss his feet. The word ‘humiliation’ was uttered. The news sewed a sliver of hope in the hearts of the longsuffering palace staff.
She had evaded close contact with the Harkonnens until then. It only made sense, as she was in hiding, slipping through the cracks of their negligence until she could procure safe passage off-planet, but that was getting more difficult by the day. What they lacked in caution, they made up for in paranoia, and all comings and goings were kept behind esoteric layers of bureaucracy. She was in the process of making contact with a smuggler when Feyd-Rautha gained governorship of the planet, and all her hopes were dashed.
It was the evening of his second day on the planet when she was called. The servant that summoned her looked at her like she was an apparition — which, in a way, she was. She had managed to remain undetected, keeping herself busy, staying out of sight, acting like she was meant to be there. She’d become part of the scenery and could dispel suspicion if anyone got too close. Her Bene Gesserit training was good for that if nothing else. But there was no escaping this. Somebody had finally found her and knew exactly where she was.
She followed the servant — a heavily armed pasty-white figure, crooked and willowy — to the chamber door of what she knew to be the largest office of the governor. He opened it for her, pushed her in, and locked the door behind her.
Like a tiny sun, a glowglobe floated through the room, its light falling on the smooth black surfaces of the furniture and the pale stone of the walls. She folded her hands before her, hidden by the long sleeves of her dress, and followed what the light revealed. The room was large and windowless, stripped bare of any useless item. The table was empty, the chairs were in their place, and upon the plinths set in the corners, no potted plants or works of art stood. Only one thing moved there, together with the light. Feyd-Rautha paced slowly, quietly, on the other side of the room.
“My lord na-Baron,” she said in a smooth and submissive voice. Her knees bent in a slight curtsy — respectful, but not too much. “You summoned me.”
She wore a garb that didn’t belong to any particular function. The long black dress would have fit just as well in the kitchens as in the cleaning staff, and the head covering was suited for the Arrakis weather, worn by any female. All of those with hair, anyway. The light material bent around her, giving her a slightly oval shape, soft and harmless. But when she looked up and caught the na-Baron’s gaze, he would have seen a sharper look there than that of any servant.
His eyes were cunning too. They looked upon her knowingly and with amusement, a strange manner for a Harkonnen.
“Who are you?” he asked with a playful squint.
His voice scratched across her skin like kitten claws. He didn’t sound the way he looked, and she admitted it surprised her. His tone, nevertheless, was gentle. Deceitfully kind. He could kill me in an instant, she thought, and take pleasure from it.
“My lord, I —”
“You were not on Rabban’s stafflist. I know that, because he didn’t have one. And you’re not on mine, because I didn’t ask for you. We have as of today an account of all the palace workers, but the list comes up with one extra room unaccounted for.”
Nights in Arrakeen were cold, but her skin just turned colder. What rotten luck, to be in the palace right when they decided to actually investigate who worked there and did what. It’s my own fault, she said to herself. I relied on their incompetence for far too long. Now I pay the price. So be it.
“I have been a servant in this palace for many years, my lord na-Baron,” she said with a slow bow of her head. “And I wish to serve you as well.”
“Is that so?” he purred, coming closer. His steps were lazy, but the pace was measured. He had more control over his body than his playful swagger let on. “Many years, you say? You worked for the Atreides, then?”
“And for Count Fenring before them.”
He stopped. She looked up at him from underneath her lashes and smiled in quiet satisfaction. Lady Fenring was a skilled Bene Gesserit sister and had lived in Arrakeen with her husband for many years before the Atreides decided on it for their capital. She was the most logical choice as a secret envoy to the Harkonnen heir. And if Feyd-Rautha met her, it could only mean one thing.
Uroshnor, she thought. He’s likely been imprinted with the usual prana-bindu phrase. It would stun him, if only for a moment. But long enough… It didn’t provide her a means of escape, but it gave her hope. It gave her room for manoeuvre.
“I am not a spy,” she said, straightening her back.
“Of course, a spy would say that.”
“You may test me in any way you wish,” she said with a playful chuckle.
Feyd’s eyes darkened at her proposition, a smile bending his full lips as he stepped closer. Oh, he could think of many ways to test her…
“What are you, then?” he asked, his voice scratching low and close as he stopped close enough to touch.
She could see now that his eyes were a clear blue. Not the sort of blue brought on by long-term spice exposure, that dark electric shade, but blue like water, like the sky, like a shard of ice. His jawline was firm — that of a biter. But his lips were pillow-soft and curled around the edges in a smile that wouldn’t go away. Lips made for laughing, made for kissing, made for love. He’s such a delicate boy. The thought ran through her mind before she realised.
“I served the Lady Fenring as a housekeeper,” she said.
“Lies.”
“My lord?”
“You’re one of them, aren’t you? A damn witch.”
She remained completely still, her eyes locked on his. He was trying to dominate her with a hard incessant glare, but she held his gaze merely for the pleasure of it. What a comforting colour they were on such a harsh planet… No matter the malice behind them.
“You’re a Bene Gesserit. I’ve met your kind before,” he continued, looking down her body in a cruel, suggestive way. “You hold yourselves the way no other women do.”
“Perpans not like Harkonnen women.”
He chuckled, the sound scraping up his slender neck. “All women in the known universe are the same, given the right circumstances.”
“But not the Bene Gesserit.”
“Yes, not you,” he sighed, head tilting as if his mind was trying to escape a painful memory.
His eyes stayed upon her figure, trailing down the contours of her dress. Then he reached out a hand and touched it, his fingers tracing a silky pleat so lightly that it barely moved. She felt it still, the slight disturbance his caresses caused, but willed her body to stay motionless. There was no trace of aggression in him now.
“Why are you still here?” he asked.
“You have not dismissed me, my lord na-Baron.”
He chuckled faintly. “I mean on Arrakis.”
“I wish to remain in the palace.”
“Why?”
“The deserts are harsh.”
“Many prefer that to serving a Harkonnen.”
“One master is as good as another.”
“I’m sure it must’ve felt like that to you,” he said, looking her in the eye again. His fingers left her dress and went to rest upon the hilt of a dagger at his belt. “So I take it you were one of Lady Fenring’s servants. A… fellow sister, would you call it?”
“I was part of her staff, yes.”
“And you didn’t leave with her and the Count when the Atreides came?”
“I remained behind to assist with training their staff,” she said with a bow of her head. Even now she retained a certain respect for that dead House.
“And Lady Fenring,” he hissed, the name dripping from his mouth like poison, “she never wanted to retrieve you?”
“I believe they think me dead.”
“Yes, she is not the sentimental sort,” he chuckled, and his cold gaze caught hers.
A dangerous thought was taking root behind those eyes, she could see it germinating. She waited, reading his body, scanning the minute changes in his expression, and tried to determine what went on behind that pallid mask.
There was envy there, and regret, and longing. The Harkonnens never kept Bene Gesserit truthsayers, nor were there any among the Baron’s concubines — all of them were young boys anyway. They were unique among the Great Houses in that way, and although she knew that Feyd’s mother had been a Bene Gesserit herself, he probably didn’t know what it was like to be raised by one. Why else would he be looking at her now as if he wanted to peel her clothes away, and then her skin, and reach toward her heart and grab it?
“How can I help my na-Baron?” she asked, her voice a whisper, her gaze a caress.
“By not getting above yourself,” he rasped with the air of slapping her offer away.
Her heart stuttered in her chest and she bowed her head to hide her terror. Did I read him wrongly? she thought to herself. I must not fear.
“House Harkonnen has no use for witches,” said Feyd.
She felt his strong hand grip her shoulder, slipping past the veil to curl around her neck. He stayed there, holding her in a half-choke just firm enough to feel her heartbeat in the palm of his hand.
“I ought to kill you,” he said sweetly, “and feed you to my darlings.”
Her lips parted, swelling slightly, and she felt her face go pale. The little death takes on a whole new meaning, she thought with grim amusement.
“But I do want to know one thing…”
“Yes, my na-Baron?” she asked in a shaky voice.
He breathed in sharply at the sound of it. He liked it. When she looked up into his eyes again, the grip around her throat felt not so much murderous anymore as it did greedy, possessive.
“I want to know… Do you have one of those pain boxes too?”
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Horikoshi giving hero tropes to the villains is probably my favorite part of bnha.
He presented us with a nervous wreck of a boy at the beginning of the manga. Look, he seemed to say, isn't he creepy? isn't he evil? He met Tomura in his most lanky form. Malnourished, neglected, real dead hands all over his body and blunt nails digging mercilessly in his skin.
Sure, the story paints him as a real villain. He is there to kill kids, after all. He wants to kill the light of the hero society, to spread violence and hatred all around. He's also very very suspicious. You get that feeling that there's more to the story. It's in the way he acts, his desperation. He looks sick. What is he making him so? What is his story?
Tomura is a loser. A failure since the beginning, if you follow the narrative. Characters like Stain, Overhaul and Redestro point it out: Tomura isn't the best strategist per se, they can't understand his reasons to do what he does, there's something wrong with him in villain terms.
That's when the brain starts to pick up the signals and plants the doubt. Many people don't notice it, but something in the story gives away that he is a very special type of villain.
We see him alone in his dark messy room, staring at a screen. We see him drinking alone in a bar as he sits on his misery. Over and over, we see that evil boy and his burdened stance. Only Kurogiri is there. His master only talks to him through some radio. He doesn't mention anyone else. No one else seems to live in that bar but Kurogiri and him.
Back then, when Tomura was all about AFO and All Might and no one else, he felt hollow. Rotten.
We first saw him approach someone for help and some company after the first LOV members were introduced. We meet Toga and Dabi, then Tomura goes to find Deku. Is he still creepy? Yes. Is he still evil? Also. We have Giran talking about Tomura with the fondness you reserve for a spoiled child. The way Kurogiri and Giran talk about it, it's more like Tomura needs to make some friends. He's not used to it, so he's being rude to them.
He's a chosen one reluctant to make friends, since he's used to doing things on his own— or at least with people he didn't care about. Next time we see him, his telling Kurogiri that he doesn't want them to die, he wouldn't sacrifice them for a goal and he actually wants them to succeed. He talks like a leader, he considers them important.
When they show us the LOV around Tomura as he talks to a kidnapped Bakugo, there's something in there already. How they worry when Bakugo hits Tomura and knocks the hand out of his face. They humanize Tomura, which is a lot to say when AFO did everything he could to dehumanize him. They make Tomura be more mature, more responsible and more capable. While AFO paints Tomura as a foolish child that cannot get things right until he's guided there, the LOV trusts Tomura to take care of himself and guide them.
That's when the hero tropes with villains started.
A quick list from the top of my head:
Twice overcame his trauma mid-battle in order to save Toga and then the LOV.
Tomura was tempted by Overhaul to betray the LOV in exchange for power. He pretended to agree, only to backstab Overhaul because Tomura would never forgive those who hurt his friends and would never betray the LOV.
Magne went to attack Overhaul for offending her and her friends, defending their ideals and their right to exist 'til death.
Mr. Compress took the leading role in many dangerous situations to assure that the LOV would get their win, but also to assure they'd make it out alive.
Tomura would forgive people not on his behalf, but for the benefit of the LOV.
Giran refused to sell any info about the LOV and laughed in his captors face because he was not so important to them. Turns out he was bluffing about it being all business, since we know from Twice's flashback that he did it also for the fondness he felt towards the LOV and the LOV went there to rescue him.
The LOV rushing through a battlefield the size of a city while desperately trying to find a way to save Tomura.
Twice and Mr. Compress refusing to leave Tomura fighting Gigantomachia alone and taking the burden of his training with him.
Dabi doing all he could to save Twice and snapping when he realized Twice was dead.
Mr. Compress worried about Toga and her solo mission.
Spinner telling Toga that she needs to come back safe and sound to them.
Tomura refusing to die or give up while the LOV still needs him (to be a hero).
Twice already dead and still moving because he needed to save Toga.
The entire LOV refusing to even consider defeat because they blindly believe that there is no way Tomura can lose.
And there's so much more...
The LOV made Tomura act heroic. They gave him a reason to want to save and protect, instead of just wanting to destroy.
The power of friendship but for evil.
Isn't it the best thing ever?
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bet-on-me-13 · 7 months
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Cass joins Team Phantom
So, we all know how Cass escaped her terrible dad at the age of 8 right? And how she is adopted by Batman at the age of 16-17 right? Well, what happened in between that time?
Cass has been on the run for Years now. She is 13, and at this point she has been on the run for nearly half of her entire life. So it's really no wonder that when she finally got to a relatively safe place after weeks of little food, little rest, and constant attacks by her pursuers, she accidentally fell asleep.
She woke up in a nice comfy bed, in a room that looked like an Astronomy Geek's dream. Once the people who found her noticed she was awake, they explained what had happened.
Their son, a boy named Danny, had found her passed out in their Shed the previous day while cleaning up. He had quickly brought her in and offered his Room so she could rest comfortably.
Cass doesn't really trust them, and tries to run more than once, but her weeks of constant exhaustion have finally caught up with her and she is stuck staying with them until she is fit to leave.
And unfortunately for her, the Fentons are very Endearing.
By the time she is healthy enough to leave, she genuinely wants to stay. So they unofficially adopt her, letting her stay in their house and sharing a room with Jazz (Danny did kind of need his room back, and Jazz was a good sister like that)
She ends up going to the same school as Danny and ends up befriending both of his friends, Tucker and Sam.
The day of the Accident, Cass is right there alongside Tucker and Sam as the Portal kills Danny.
After the Accident, she is a great help in teaching him some calming routines and meditation techniques so he can get a handle on his Powers much easier.
They also find out that standing in front of a Portal as it rips reality apart is just as bad as being inside of it. They all end up extremely liminal and get Powers. Tucker has Technomancy, Sam has Plant Powers, and Cass gets Shadow Manipulation (or whatever you think fits her)
She is having the best time of her life, but unfortunately it can't last forever.
About 2 years after the Accident, the GIW get a lucky shot on Danny. They were using one of the inventions the Fenton's had made before the Reveal (which was a good one) one that made Ghost Powers weaker for easier capture. While it didn't hurt Danny too much, it did weaken him enough that he flickered into his Human Form for just long enough for the GIW Agents to see him.
Now with Danny's identity exposed, the GIW could track down the Identities of the Humans who had been helping him all this time, aka, Tucker, Sam, and Cass.
During a Raid on Fenton Works, they all got seperated somehow.
Danny got injured protecting the Team, and had to be rushed to the Ghost Zone by Jazz, a stray shot from the GIW blowing up the Portal behind them. They ended up in the Far Frozen, to get Danny fixed up.
Tucker was arrested and sent to prison for a little while before a glitch in his cells Security System allowed him an opening to use his Powers to escape.
Sam was chased out of the Town by the GIW and ended up in the Forest nearby. She had to use her Powers to run away, disappearing too deep into the Woods for the GIW to follow.
Cass managed to sneak out, and ended up trying to save Tucker on his way to prison. She failed though, and the GIW chased her all the way to New Jersey before loosing her trail.
This is how she ended up in Gotham, and got adopted by Bruce Wayne. But she would never forget her first Family, and would try for years to see if she could find where they ended up.
Potential Part 2? Maybe, I have some ideas...
What do you think?
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proneterror204 · 11 months
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DCxDP prompt
No one talks about Sam with plant powers, so here i go.
With her new plant powers thanks to her stepdad undergrowth. sam can finally make the change she always wanted to. After discussing and planning with Danny, Tucker, and Jazz. Sam can put her plan in motion. She starts with the city that needs the most help, where she can make the most change. The home of her favorite "hero" , poison ivy, in Gotham. Danny and her argue about moral rules, she argues poison ivy did nothing wrong. Danny rules no killing, no mind control, and minimal property damage. Sam cant really argue with those rules.
With the moral rulings set. the plan is put in motion. Sam is in her full plant regalia when she starts growing plants all over Gotham. She grow plants carefully not to cause property damage or ruin the gothic aesthetic. The plants don't cause damage and don't obstruct anything. They look beautiful and help clean the pollution. In crime alley they have the biggest impact. they grow to support damaged buildings, reinforce damaged foundations, seal holes in walls/roofs, and apples trees grow to feed people. Red hood approves.
Batman is struggling to identify this new... Hero? villain? Poison ivy wannabe? New daughter?
Sam's parents see this and recognize her. They push to have her institutionalized in Arkam. If she cant conform to their high society standards its better for their reputation if she was claimed insane.
Poison ivy is fully ready to fight Bruce Wayne for adoption rights and Harley is right behind her, fully supportive and ready to Smack-a-Bat
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spidernuggets · 4 months
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Jason Todd x Reader
Part 2 to this.
Thanks for the support guys, sending lots of love <3
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It's been 2 years or so since you moved out of Gotham. Well. Not moved out moved out. You couldn't leave. Gotham was your home. And even with those painful memories of Jason demanding you to leave, he's still the same person who you shared those long-lasting kisses with, who texted you every 5 minutes while he was on patrol to make sure you were safe at home, who was able to give you the first, real experience of love and devotion for the first time in your life.
But now you feel numb. Every time you caught a glimpse of your reflection from puddles on the ground or the shine of a window, you saw that gut-wrenching, eerie grin of the Joker. The grin of your father who once killed your ex-boyfriend and your passionate love.
But you broke Jason's trust. Maybe if you told him sooner, he wouldn't have cast you out. Maybe he would've sat down for a second and realised you aren't the same person as your father.
Staying at the next town over beside Gotham wasn't a bad idea, however. You were able to reflect on yourself, realising that you had no power over your father, and there was physically nothing you could've done to save Robin. But you've repeated in your head over and over that you are not the Joker. You weren't the ones who committed those crimes. You weren't the ones who killed so many innocent people. The only guilt that would eat at you was that you were selfish and a coward to stand up to the Joker and at least attempt to save someone. Bht you didn't. And you hoped that if someone knew your name, who knew your story, that they'd understand. That they'd be scared, too.
You were able to buy a run down... apartment?..house? Whatever it was, it was, unfortunately, all you could've afforded at the moment. And worse, it reminded you too much of your room in the warehouse. Minus the dried blood. But it had a horrible stench of weed, which took you forever to get rid of.
Unlike the warehouse, however, you were at least able to make it a little more homey. You didn't have any furniture, but you did have a cleaner mattress plus bed sheets, knick knacks scattered across the floors, a fake plant, or two on the floor beside you bed. And lastly, though you really should move on, a framed picture of you and Jason. You put this directly beside your bed, where it would be the first thing you see in the morning.
You know that what Jason told you was cruel. You could never forget it. But you had the decency to understand him. He dated someone he trusted. And unfortunately that someone just happened to be the daughter of his murderer. Of course, he'd think you're working with the Joker. Especially if that camera footage showed that you showed no effort to help Robin.
So, what the hell have you been doing when you went away? Well, as said, you couldn't stay out of Gotham for very long. You always went in and out, just for the nostalgia. Just because you had bad memories in Gotham didn't mean you didn't have good ones either. You just assumed that since your leave, you've been fired from Bat Burgers, so you decided to avoid that vicinity for now.
The real reason, though, was the soup kitchen. You could never step foot inside ever again, in fear that Jason would still be volunteering there, and you wouldn't want him to have a breakdown. So you just anonymously dropped off bags of produce of whatever you could afford during the day and quickly departed without being seen. But you missed the kids. Yeah, Jason made you feel loved romantically, but those kids, they felt like family. And how you missed diane so much, too. She was like a mother to you.
It pained you that you couldn't go see the kids anymore, but as you heard them laugh and yell just from the other side of the entrance, you smiled. You always took quick glimpses of them, and some of them grew taller. Some of them formed freckles on their faces. But your smile would slightly falter when they mention how much they missed you. And by that time, you'd just drop off the bag and make your way back home.
You weren't proud of it, but when you found yourself completely broke, you decided, fuck it, and started nicking a things from grocery stores, just for you to survive. And in moments like them, you think to yourself... am I slowly becoming like...him? You shake your head, thinking that the Joker had committed the most heinous, unforgivable crimes, while vigilantes wouldn't really care for petty theft, and the cops wouldn't give two shits anyway, especially if it's only stores running on the poor side of Gotham being robbed.
God, how you hated the police system. They'd only help when the richies were being mugged. Even Batman neglected the poor. Sometimes, you'd smile when you'd see Jason helping the kids of Crime Alley. The memory warmed your heart. Too bad you couldn't make more memories similar to those ones.
You rushed your quick drop off of fruits and veggies to the soup kitchen. It wasn't much. You think an empolyee spotted you trying to conceal a small box of strawberries in your jacket.
You felt some familiarity when you turned to make a run for it when you ran into somethi- someone.
"oW- literally what the fuck-" You hiss, grabbing onto your scrunched up face, not noticing the person you walked into. "Watch where you're going, nit-" You looked up to glare at the person, but oh, how you could never forget those gorgeous green eyes. Those green eyes you fell too far in love with. The green eyes that would sparkle when its owner would rant about the new chapter he was reading in The Catcher in the Rye. The ones that used to look at you so lovingly. But now, it is replaced with burning resentment.
"You're the one not watching where they're going."
What a familiar setting. But instead of the joking tone of Jason correcting that you're the one not watching their step, he means it now. As if he was some stranger to you, annoyed that some rando foolishly walked into him and tried to blame him.
And suddenly, you're back at the Batcave. Suddenly, you're back on your knees, looking up at the hurt, screaming man who towered over you. Suddenly, you hear once more if I ever see you again, I'll end you.
You don't reply to his spiteful response. But you notice your breathing getting heavy. You try to make a run for it past him, but what he says next makes you stop.
"You're selfish for coming here," he grumbles, barely audible, but you hear it. You hear it so clearly. And it pisses you off. What the hell does that mean?
"I get you hurting me because I was Robin. Because I'm close to Batman. But coming here to hurt these kids?"
You turn to him, disbelief on your face. "Excuse me?" You spit.
"These kids did nothing wrong. So leave them alone. Leave Diane alone. Leave Gotham." He says, surprisingly pretty calm.
You already feel the tears brim your eyes. "Fuck you," you say quietly, choking out a sarcastic laugh as you turned to walk away. But before you can leave his line of sight, you turn to face him once more. "I didn't do shit, okay?! I made a mistake, but I didn't. Do. Shit,"you claimed as you walk away in a fast pace. And this makes Jason fume in anger. Yes, you did. You lied to him. He told you his secrets. You were about to give him up back to the Joker. You put his family that he worked so hard and long to make amends in jeopardy. Right?
Jason follows after you in anger, pulling you through a narrow alleyway. Luckily, the neighbourhood was quiet, and no one was around to see this private situation.
"Don't talk to me like you did nothing wrong," Jason hisses. And you yank yourself away from his grip.
"You never told me you were Arkham Knight. Why do I owe you who I was?!" You snarl at him.
"But I did!" He yells back. "At least I eventually told you because you were always nagging that I was out late! And you didn't even return the favour by telling me you're the daughter of someone I hate the most! You didn't commit any of the same crimes he did? Fine. But you're still an accessory. You stood there watching him torture me. And I bet you stood there with every other victim that he killed, feeling absolutely no remorse. That makes you just as disgusting as him."
By this time, tears were already rolling down your cheeks. Your cheeks burned red, and you could feel a headache forming.
"And the worst part," Jason continues quietly. "I still can't get you out of my head. A stupid itch at the back of my mind saying that I still love you," he says in shame.
Your eyebrows knit together in confusion. What the fuck? No. No, why the fuck would he say that. That's selfish of him.
"Fuck you!" You yell. "I'm sorry, Jason. I'm so fucking sorry, but I couldn't do anything! You saw it yourself! I was a kid, I couldn't do anything! I was scared! And I did NOT watch him torture you- I wasn't even aware you were there until he killed you! I didn't even remember it was you when I first met you!"
"BULLSHIT"
"IT'S NOT FUCKING BULLSHIT," you cried, panting, your adrenaline dying down. You rake your hair back, tangled between your fingers as your tears begin to dry up.
"I'm sorry, Jason," you sighed. "I really am, I- I'm sorry I couldn't save you. And I'm sorry I didn't tell you who I was but.. but not telling you was protecting you! The fewer people who knew who I was, the safer everyone would be, especially after you told me that you're Red Hood..." You took a breath. "I spent my whole childhood believing my dad when he told me that no one could love me. But then I met you. You taught me how to love and- and how to be loved! And I fucked this up, and I'm sorry. But I'm too tired to keep arguing. I finally accepted that I'm not the same person as my father and- and I'm not going to let you take that away from me because it's the only thing I have left.."
Jason stares down at you. You have no idea what's going through your head, and right now, you don't have the energy to find out what it is. So, you slightly shake your head in defeat and start to wall out of the cramped alley.
"Oh," you say before leaving. "And for your information, I already left gotham. Just stopping for a visit," you mutter before finally leaving Hason on his own.
He shouldn't believe you. How can he trust you?
You arrived back at your house. Your body went limp, laying on the mattress as a final tear soaked through your pillow.
You absolutely hate how you know that you still love Jason Todd. He was the first person to ever help you what love truly felt like but also showed you how fast such a strong bond can crumble in a few minutes.
As Jason is remained to be alone in the alley, he thinks to himself. It's crazy. You've been raised by the Joker. The Joker. How are you raised by such an abomination but still be the most angelic, beautiful person to cross the planet.
He walks out of the alley and goes towards the soup kitchen where he'd start his volunteer work. Before he walks in, he notices the small bag that you left behind. He picks it up and opens it to see fruits and vegetables inside. He shrugs, not trying to think so much about it and heads inside.
As soon as he steps in, he's greeted by the kids, and his gave brightens in delight. But he sees some of the expressions falter.
"Where's Y/n?" One of them asks. "You two are always together... we haven't seen her for a long, long, loooong time," they frown.
Jason was about to awkwardly answer when Diane came up to him. "Jason, my dear boy! How was your rest, honey?" She asks. Ever since he found out you were the Joker's daughter, he couldn't work, he couldn't eat, he couldn't sleep. He didn't have the energy of volunteering, so he rang up Diane saying that he wasn't in the best spirits, in which she completely understood, saying that you would be around to help anyway. He was about to answer to say that he wasn't so sure about that, but Diane hung up, telling him to get a good rest, and that she'll see him soon.
Jason nods and sends her a sweet smile. "Yeah, thanks. Had a lot in my hands at the time," he explains, but Diane shakes her head.
"Don't even worry, sweetie. It's been calm the past few days," she says, looking down at Jason's hands, and a sad look reaches her eyes. "Is that from Y/n? She always left a bag of food outside, thinking she's slick. Tsk, foolish girl," she jokes. "She hasn't been around in a while. You two are dating, no? What happened? Of course, it's not my place to know. But I'm here if you need to talk, sweetheart," she says, placing a comforting hand to his cheek before walking back to the kitchen.
A little girl tugs on Jason's jacket.
"Jay-jay?" She calls out as Jason bends down to her eye level. "Is, N/n okay?" She asks, worry in her face. Jason attempts to send her a reassuring smile.
"I'm sure she's fine," he responds. "She's a big girl, like you. I'll check up on her to make sure she's okay, if that'll make you feel better," he offers.
"You promise?" She asks, holding her tiny pinky out.
Jason sighs. "I promise," he says, intertwining his larger pinky around hers.
Unfortunately for Jason, he never breaks a pinky promise to the kids. And he would never lie to them. So, on Jason's next scheduled patrol, he'll ditch and find you to make sure you're safe. That's it. Nothing else. He doesn't need to speak to you. Just a quick glance to see if you're not doing anything stupid.
Wait.
God fucking damn it.
You told Jason you already left Gotham. How the hell was he supposed to find you??
Shit, right. Diane said you always leave bags of food outside their door. So you couldn't have lived far, right?
Okay, he'll do a quick sweep of the ourskirts of Gotham, then he'll check the edge of the next town over.
It's been a long, tiring night, to say the least. He started searching the outskirts of Gotham around 6 pm and started his search of the next town from 1am.
He was about to give up his search when he heard a man yelling. He looks down to see a figure running out of a 24 hour convenient store as a man in a uniform yells after you. Jason rolls his eyes, hopping down to the roof to stop you.
You run pretty far, but you look back to see if the store owner was chasing you. You smile to see that you weren't being followed, but as you face back forward, your head hits against an extremely hard, metalic surface.
"Fuck! No- why!" You yell, pressing a palm to to your forhead, where the impact was laid. And low and behild, you see the infamous Red Hood standing in front of you.
"You know I'm always not looking where I'm going! Can you at least have the decency not to be in my way!" You hiss, swerving past him. "Besides, I don't want to speak to you," you mutter, heading home, which wasn't that far.
"I'm not here to talk. Anna just wanted me to check if you're safe." He claims as you scoff.
"I'm alive, aren't I?" You sarcastically say, grabbing the keys for your door. Jason inspects your house.
"This is where you live?" He blurts out with clear concern.
"What of it," you mumble, stepping in. Neither of you really commented on the fact that Jason let's himself in, continuing to critique your humble abode.
"There's mould and cracks everywhere," Jason says, looking around.
"Great observation, sherlock. Guess what? I don't care. It's a roof over my head, and it's a 10 times upgrade compared to the warehouse. At least there isn't dried blood everywhere," you say.
"What? You didn't have a proper room?"
"Joker wasn't really a 'world's greatest dad mug' kind of guy." You say, laying on the mattress, keeping one leg bent upwards as the other lays flat. One arm is tucked under your head as the other is laid over your eyes.
Jason wanders around the run-down bulding, looking at your belongings scattered on the floor, which used to sit on the shelves and windowsill of his much more comfortable apartment.
But a shimmer catches the corner of his eyes. He sees a frame, the picture turned away from him, directly beside where your head lies.
He cautiously walks towards you, taking a peek of the picture. And he could already tell, by the smiling faces and puckered lips of the photo, that it was his favourite picture of the two of you. He had a copy of the photo stuck in his room somewhere in his apartment.
And the guilt slowly eats at him.
"I'm sorry," Jason quietly says.
"For what?" You mutter, obvious that you're exhausted.
"Everything I said." He replies, sitting on the floor beside you. "For telling you to leave Gotham, thinking you were anything like the Joker... saying I'd kill you if I saw you again.. I didn't mean it," he says, his voice getting raspier by the second. "It was horrible of me to say."
"It's whatever, Jay... Jason," you reply, shifting to turn away from him, your back facing him. "I'd probably think the same if I were you."
His heart sunk.
"I should've believed you," he says, his voice raising a little. All he needs is for you to say you forgive him for saying all that shit. Because of him, you think so lowly of yourself, and that you love in such a horrible state, where instead the two of you could be cosy, wrapped in softer blankets in his bed in what ysed to be your shared apartment. He doesn't think he can take it if you think so harshly of yourself.
"But you didn't. And... and that's okay. I mean.." You try to hide your sniffle by burying your face into your pillow, but you aren't as discreet as you think as Jason obviously catches you. "I don't think anyone in this world would trust the daughter of a psycho," you try to joke, sending a weak, pathetic laugh.
"But you proved to me so many times that you aren't him. And I completely ignored all those times and started labelling you for someone you're not! How are you not mad- how are you not yelling at me?" Jason says, almost in a desperate whine. He needs some sort of emotional reaction from you. But you look so... dead.
You sigh as you sit up, avoiding eye contact. "Because you were right, Jason. You had every right not to trust me. I broke your trust by not telling you- I couldn't even save you."
Jason shakes his head vigorously. "No- No, no, no. Sweetheart, no," he didn't mean for the nickname to slip out, but no one mentions it. He reaches for your hands, which fit so perfectly in his larger ones. He held your hands in his grasp, pulling them to his chest, making sure you're looking at him.
"I was wrong- It wasn't your responsibility to save me. You were a kid- we were both kids! There was nothing we could've done. We were both kids dragged into Batman and Joker's stupid game of theirs! This isn't either of our faults! And you didn't tell me you were Joker's daughter... and that's okay. I'm sorry it took so long for me to understand why you didn't tell me. The Joker is wrong, Y/n. You can be loved... You are loved. Because I love you so much that it hurts," he admits, brushing strands of your hair away from your face so that he can look into your eyes. And you can look back into his. His gorgeous green eyes that can finally see love again. "And I understand if you don't lo-"
"I love you so much, Jay," you sniffle, smiling at him. Jason's eyes soften as he smiles, his head leabing forward and his lips resting on your forhead. "I'm sorry," you say, and Jason just shushes you, but you continue. "And I forgive you for what you said to me," you quietly say, shifting to lean your head on his shoulder.
"I forgive you, too, my love," Jason replies, his hand reaching up to softly caress your cheek. "I'll stay the night. Okay? Then tomorrow, first thing, you pack your stuff and move back in with me, okay?"
You smile as you nod, your tears finally withering away as you lie down in your bed, watching Jason strip off his heavy armour, laying in with you in just his tactical pants and compression shirt on. He wraps his arms around you in a warm embrace, and suddenly, you feel safe again. You feel warm again.
You feel loved again.
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I'm so sorry if this is ass 😭. I really wanted this finished, and it's like 2am. But i really hope you'd still enjoy!! 🙏🙏
Taglist 🏷: @tyrone200 @pank0w @lorosette @havlindzk @achromaticerebus @demonicparalysis @fairyeoll
sorry if you requested part 2 and was not tagged, maybe because of mention priv settings? nonetheless, i hope you like it!
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When The World Is Crashing Down [Chapter 1: Am I More Than You Bargained For Yet]
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Series summary: Your family is House Celtigar, one of Rhaenyra's wealthiest allies. In the aftermath of Rook's Rest, Aemond unknowingly conscripts you to save his brother's life. Now you are in the liar of the enemy, but your loyalties are quickly shifting...
Chapter warnings: Language, warfare, violence, serious injury, a brief history of burn treatments, alcoholism/addiction, references to sexual content (18+), a wild Sunfyre appears, catching feelings for literally the single most inappropriate man on the planet.
Series title is a lyric from: "7 Minutes in Heaven" by Fall Out Boy.
Chapter title is a lyric from: "Sugar, We're Goin' Down" by Fall Out Boy.
Word count: 5.3k.
Link to chapter list (and all my writing): HERE.
💜 I’m going to tag like a bazillion people since this is the first chapter of a new fic, but I WILL NOT TAG YOU AGAIN unless you ask me to. I hope you are all doing well, wherever you are in the world! 💜
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Let me know if you’d like to be tagged in future chapters! 
You scream when he grabs you, this lightning strike of a man with a grip like an animal trap that splits bones. He pulls you away from the soldier you’re soothing—a young dark-haired Norcross, disoriented, doomed, his intestines spilling out onto the grass and blood on his lips—and through the forest of smoke and corpses and pine trees. Your eyes sting and water, your boots snag on gnarled roots. When you yelp and stumble to the earth, the man drags you upright again. You struggle like a beast with a blade at its throat, cold, serrated, pressure on the jugular. You shove and scratch at him, trying to plant your boots in soil strewn with gore and glowing embers.
“Stop, stop it, you’re hurting me!”
“Hurry up.”
“You’re going to break my wrist—!”
He wrenches you around to look you full in the face, and only now do you know who he is. A gasp hisses through your teeth; the acrid air in your lungs vanishes. Every muscle and tendon and ligament of you is taut with horror, tight enough to snap. It’s like meeting one of the Seven, the Warrior or Stranger or Smith, a shade you know only from myths and nightmares. It’s like being led to the executioner’s scaffold. His long silver braid hangs over one shoulder. His eyepatch conceals the childhood maiming that left him half-blind. There’s blood and ash on his scarred face, a ruthless breed of fear in his remaining eye, icy blue, creek-shallow, soulless. The man clasping your wrist is Prince Aemond Targaryen. “I’ll break your neck if you don’t come with me now.”
He does not wait for your protest or acquiescence. You couldn’t give it anyway. Your muddied boots move numbly as he tugs you forward, this man they call Aemond One-Eye, a monster, a murderer, a kinslayer. The earth is littered with carnage from the battle, charred ribcages and disemboweled horses, scattered armor and severed limbs. Ashes fall from the smoldering treetops like dark snow.
What does he want from me?
Rape seems unlikely; everyone knows Prince Aemond’s deviancies do not run in that direction. He is cold, hateful, dispassionate, made of stone. He does not lust for anything but power and retribution, fire and blood.
To kill me?
But why not do it here, now? There is a sword hanging from his belt, a dagger in one fist. There is no reason to wait.
To take me prisoner? To feed me to his dragon? To torture me for information?
Surely there are more knowledgeable people around to torture. What use could you be, a healer, a woman? Unless…
Unless he knows who my father is.
You glance down at the fabric band looped around the upper half of your right arm, the only mark you wear of your house, stark white banner, skittering red crabs. It is soaked through with blood. It is unreadable.
Someone is shrieking, but not like a dying man. He has too much fight in him for that, too much glass-clear agony, unwanted blistering consciousness. He screams like someone being flayed, gutted, burned alive. You’ve only ever heard this sound once before. You choke on the greasy, putrid, metallic sweetness of scorched human flesh as it sears down your throat, not knowing if it is real or remembered.
There is a tent in the midst of the pine trees, fluttering canvas that’s green like emeralds or jade. The wind is picking up; you will need to evacuate soon. The cinders will spread and the forest will blaze. Somewhere a dragon is roaring, wounded and mournful like the cry of a lost child. The screams of the man grow louder; they fill your skull like a fever, scalding and senseless and red. Aemond yanks the tent flap aside and pulls you in. And when you breathe it is nothing but the sickening miasma of burnt flesh, coppery blood, suffering, sweat, ruin.
He’s writhing on a wooden table, the man the Greens call king. It has to be him: white-blond hair down to his shoulders, blue eyes and fine aristocratic bones. Two ancient, shaky-handed maesters—hastily commandeered from the defeated House Staunton, you assume—confer nearby, clutching glass bottles of milk of the poppy. A man in armor is cutting tatters of clothing from the so-called king. When he lifts the fabric away, skin sloughs off with it. Aegon wails, struggles, begs him to stop. Aemond goes to his brother and carves away scraps of melted leather and charred cotton with the swift blade of his dagger.
“Shh, shh, don’t fight us, we’re trying to help—”
“Aemond, let me die,” the burned man rasps. He is trembling violently, he is half-mad with pain. Meleys’ flames claimed a swath of his right cheek, his neck and chest and back, his arms down to his wrists, his belly to the crests of his hip bones. “Please. I don’t want to be here. I don’t want it to hurt anymore. Don’t try to help me. Just let me die.”
Aemond looks back at you. “Can you treat this?”
He thinks I’m a Green, you realize with panic, with relief, with terror. And of course he would: you had wandered into the Greens’ side of the battlefield and therefore did not surrender or flee or die with the other Blacks, you were tending to a Green soldier when he found you. Aemond the Kinslayer would not comprehend the notion of service to humankind without a line drawn down the middle of it, of uncategorical compassion.
“Can you help him or not?!” Aemond shouts; and you know that he is not just afraid but shattering, spider-leg cracks inching across a window or a mirror. Perhaps the Greens have souls after all.
You shed your paralysis like daylight erases the stars and approach to examine the so-called king. You do not touch him; still, he whimpers, sobs, quakes like waves in a storm. “He needs more milk of the poppy. A lot more of it.”
“Yes,” Aegon agrees immediately. His streaming eyes—a bleak, murky blue like the sea off Claw Isle—list to you, agonized and grateful.
The maesters gape. “More could kill him,” one says. And they are petrified of being blamed for it. They are plagued by visions of Aemond hacking off their heads and displaying them on spikes above the stone walls of captured Rook’s Rest.
“No drawbacks at all then?” Aegon manages between moans.
“If his pain does not abate, he will die of shock,” you say. “He must be unconscious.”
“Knock me out,” Aegon pleads, pawing at Aemond. “Tell them, tell them.”
Aemond looks to the man in armor: dark-haired, olive-skinned, Dornish. Sir Criston Cole, you realize. The Hand of the King. The Kingmaker. After a moment, Criston nods. “Do it now,” Aemond orders the maesters.
Grimacing, grim, they pour the opalescent liquid into Aegon’s mouth. He gulps it down as quickly as he can. “Enough,” you tell the maesters. Instinctively, you reach out to comfort Aegon: a palm rested lightly on his forehead, fingers threaded through silvery hair that’s filthy with soot and blood. You should hate him, but you don’t. When you look at the Greens’ broken king, you cannot see a murderer, a usurper, a depraved hedonist, a consumer of innocence. You can only see a man worn threadbare by ill-advised bravery.
“Hello, angel,” Aegon murmurs as he gazes up at you, a ghost of a smile on his lips. His eyes really do remind you of home: ocean currents like iron, fog like flint. “Welcome to the end of the world.” And then he’s out, extinguished, eclipsed.
Servants bustle into the tent carrying heavy buckets. “What is that?” you ask.
“Pork lard,” one of the maesters says. “For his wounds.”
“No, no, no, some of these burns are nearly down to the muscle. They’re too deep, too fresh. Lard is for later, to help with scarring, although olive oil or rose oil would be better. He needs to be cleaned with vinegar diluted with water. Or red wine, if that’s all that can be found.”
“Vinegar?!” one of the maesters exclaims.
“It helps prevent infection. Nobody knows why.”
The same maester turns to Aemond, imploring him. “My prince, I can assure you, the Citadel recommends pork lard or cow dung as topical cures, or both used alternatingly. There are also reports of cases where frogs have been helpful, warmed in oil and then rubbed on the affected area.”
Criston blinks. “I’m sorry, you do what with the frogs…?!”
They’re going to kill him, you think. Not with malice, but with stupidity. A wasted life, a wasted death. You demand of the maester: “When was the last time you treated burns this severe?”
He glowers at you, sharp dark eyes like flecks of onyx in a nest of wrinkles. And you know you’ve won when he replies: “When have you?”
“My brother was burned in a housefire started by an upturned lantern. It was five years ago, but I remember the direness his injuries. And what was done to save him.”
Silence in this tent the color of summer: green grass, unsinged trees. Aemond waits for the maesters to produce some astute rebuttal. When they cannot, he orders the servants: “Vinegar, water, rags. Now.” They dash off to oblige him, wide-eyed and quivering like small dogs. Then Aemond looks to you. “What next?”
“His wounds should be treated with honey and then bandaged. The dressings must be changed frequently, at least once per day. He must be repositioned so the scar tissue does not immobilize his joints. He will suffer, it cannot be avoided, but he should suffer as little as possible. Listen to him when he says the pain is too much. Let him sleep. When he is awake, he must drink plenty of fluids. He is losing water through his burns, and it must be replaced. Milk is preferable. Tea and fruit juices are good as well. Some wine is acceptable if that’s what he likes best.”
“And it certainly is,” Criston mutters. You’ve heard the same: that the Greens’ king is a drunk, an adulterer, a coward, a ghoul. You cannot speak to any of this. You know him only as someone who is horrifically pained and sick to death of fighting. Again, without thinking, you comb your fingertips distractedly through his hair as he lies unconscious on the table, bleeding from everywhere. He’s so young, so breakable, so unlike the monster you’ve been led to believe he is.
“Get honey and bandages,” Aemond tells the maesters. They depart, casting each other incredulous glances: Are these our new overlords? Men who heed the wisdom of impetuous young women filthy with blood and earth?
“I’ve heard salt can be helpful for wounds,” Aemond says. “They used it on me when…” He gestures to his eyepatch, to his scar. Lucerys Velaryon took that part of him in self-defense; at least, that is what you have always been told. But you’ve read enough to know that for every event, there are at least two stories. Whatever the truth is, Luke paid for that eye. He paid, Rhaenyra paid, the world continues to pay the price over and over again.
“Because it dries. It absorbs moisture.” You skim your palm over Aegon’s forehead, without lines of fear or anguish as he sleeps. There is a ring on his left hand, a gold dragon with glinting dots of jade for eyes. You twist off the ring so it will not hinder circulation as his fingers swell and give it to Aemond. “But burns weep as they heal. They need to be wet. If they get too dry, they will crack open and fester.”
“Is that what happened to your brother?” Aemond asks.
“Where we did not pay enough attention. The backs of his knees, the soles of his feet.”
“But he survived.”
“Yes,” you tell Aemond; and you can see how desperately he is searching for hope in your face, your words. “He did.”
The servants return with buckets of water, handfuls of rags, glass bottles of vinegar that is cloudy and rust-colored.
“What’s it made from?” you say.
“Fermented a-a-apples, my lady,” one of the boys sputters. He watches Aemond out of the corner of his eye like sheep look for the shadows of wolves. He shivers, he sweats. This boy, who last night was fetching meat and mead for Lord Staunton, has heard the same stories you have: the degenerate king, his murderous brother.
“That’s fine then.” You haul over one of the water buckets and Criston helps you lift it up onto the table. You empty half a bottle of vinegar into the water, mix it by wobbling the bucket back and forth, and then soak a rag in the pungent liquid. “You can help,” you tell Aemond and Criston. “Dip a rag in the bucket, wring it out, then press it to his wounds. Remove any dirt or scraps of fabric. But don’t rub. Try not to damage the skin he has left.” You demonstrate: dabbing at flesh that is torn and bloody and blistered, a black-and-ruby wasteland that at best will leave him irreparably scarred and at worst will swallow his life like ships sink in storms.
Tentatively—with hands at ease with killing but not tenderness—Aemond and Criston join you, studying your movements and imitating them with great care. There is a sniffle, a teardrop that falls onto Aegon’s filthy but unburned left hand and glistens there like a splinter of glass; you are alarmed to see that the Kingmaker is weeping.
“Criston,” Aemond says gently. “We are doing everything we can for him.”
“Since the day he was born, I promised…”
“I know.”
“Your mother…”
“I know,” Aemond says again, and you think: The Greens aren’t demons, they aren’t savages. They’re just patchworks of memory and flesh and suffering, the same as any of us. “He will live. And his sacrifice won us a victory today.”
As you tended to wounded men caked with blood and pine needles, you saw them tangled above in the overcast sky, scales of scarlet and gold and an ancient muddy viridescence. There were flames and shouts, and then all three dragons hurdled towards the earth and out of view. “The Red Queen?” you ask Aemond, mindful to keep your voice perfectly level.
“Dead,” he says: dark satisfaction, fearsome pride. “And so is her rider.”
“The gods are good.” You are amazed at how easily it slips out, a reflex of self-preservation while your mind is elsewhere. Does my father know yet? Does Rhaenyra, does Daemon, does Corlys? People will be searching for you soon. If you do not appear from the smoke and chaos of the battlefield, your eldest brother Clement will come looking with his sword in hand. Everett, scarred and unagile but clever, will be pouring over maps to see where you might have ended up.
There is no suspicion in Aemond’s face when he glances over at you. He is gingerly cleaning soot and charred strips of ruined skin from Aegon’s chest, which rises and falls in deep, slow breaths. “Which family is yours?”
House Celtigar, but you can’t tell him that. You scramble for a noble family of the Crownlands whose accent you share, whose history you have been taught, whose men fight for the Greens but are not so distinguished that Aemond will know them well. “House Thorne.”
He nods. “Are you one of Sir Rickard’s sisters?”
You startle. Perhaps you have chosen the wrong disguise. “Far less illustrious than that. Just a cousin.”
The two maesters return, their archaic hands piled high with linen bandages and glass jars of honey, a fiery gold like sunset. “Set them down over there,” Aemond orders, pointing. He has a presence, it cannot be denied. He is tall, fierce, swift yet calculated. He moves like a man who has killed once, twice, again until it is no longer something that keeps him awake at night. It is something that has become a part of him like arteries or bones. “Prepare a room in the castle.”
“For Prince Aegon?” one of the maesters says, then quickly corrects himself. “I mean, for the king?”
“For until we decide what to do with him.” Aemond stares at Criston. Criston stares back, his dark eyes huge and shiny. There is a war to be waged, but Aegon will not be able to help them. Not for months, at least. Not ever, if he dies. The maesters disappear again, grumbling to each other. Unwelcome tasks, unwelcome guests.
Rhaenys is dead, you think as you work. It doesn’t feel real. Meleys is dead. Hundreds of Black soldiers are dead. Rook’s Rest is the Greens’ greatest victory yet, and one they desperately needed. This war is nowhere near over. And the betting odds keep changing.
You say to Aemond and Criston: “Help me turn him. We must clean the burns on his back as well.”
They listen, they obey, they help you because helping you means helping Aegon. When he is washed as well as he can be, you spread a thin sheen of shimmering honey over his wounds—an amber river that will trap moisture and discourage inflammation—and wrap him in bandages. The only burn you leave uncovered is the one on his right cheek. It creeps up over his pale face like red tentacles, curling and grasping, hungry, insatiable. They match now, you think. Two brothers, two scars.
Criston assembles a group of Green soldiers and Aegon is carried in a litter to the castle that serves as the seat of House Staunton, once allies of Rhaenyra, now traitors, now dead men walking. Outside rain has begun to fall, putting out flames born from dragonfire. The pine forest is saved; wounded men lie in the dirt with their mouths open hoping to quench their thirst. By the time Aegon is placed in an opulent bedroom with a view of Blackwater Bay, he has already bled through his bandages. You clean him again, bandage him, dribble milk of the poppy down his throat when he begins to stir and whimper. Aemond gives you command of a makeshift fleet of caretakers: the two requisitioned maesters, three maids, servants to bring food, drink, bandages, wood for the crackling fireplace.
My family is searching for me, you know as you battle to save their enemy’s life, this maybe-king with silver hair and eyes like deep water.And then: I cannot leave him. Not now, not yet.
In the night, as cool rain patters against the ocean and Aemond and Criston are slaughtering House Staunton men down in the castle courtyard, you dose Aegon with milk of the poppy every few hours. The maesters refuse to take responsibility for it; if the king is poisoned, it will be you who swings from a rope for it. You hold cloths dripping with cold water to his forehead. You feed him nibbles of bread and venison when he is conscious enough to eat, cinnamon tea, pomegranate juice, goat milk. You inspect him for any signs of infection. You braid a small lock of his hair before you’ve stopped to consider why you’re doing it.
And when no one else is watching, you untie the bloodstained armband of your own house and burn it to ashes in the fire.
~~~~~~~~~~
Someone is jostling you, grabbing at you. You fell into an exhausted, sporadic sleep in the next room long after midnight. It’s morning now; warm sunlight blooms like flowers on your face, yellow roses and buttercups and daffodils. When your eyes open, they are sore and unfocused. Aemond is a blur of white hair and black leather. He is tugging on you again, his lithe fingers like a vice around your forearm.
“Stop it, get off me!” You shove him away. He waits, bemused. “You can’t keep dragging me around like this!”
“Why not?”
Because my father is one of the wealthiest men in the Seven Kingdoms. Because I may not have silver hair or a dragon, but if you cut me open the blood of Old Valyria would spill out like red waves. Because the man I am pledged to marry is good at killing, very good at killing, maybe even better than you. “Because I’m a noblewoman. I’m a lady.”
“You don’t act like one,” Aemond counters. “Ladies flee from blood and gore. Ladies are nowhere to be found on battlefields.”
“I like being useful.”
“Then I have brought you a gift. You are needed now. Aegon is asking for you.” And then, when you hurry out of bed, finding your footing on chilly wood floors: “Well, that certainly got you moving quickly.”
“He’s in pain?”
“Not especially, from what I can tell. I think he just wants you.” Aemond glides out of the bedroom. You follow him to Aegon’s chamber. The Greens’ king is propped up in bed on a great mass of pillows, bandaged, limp, eyes glazed and barely open. There are men huddled around him. You recognize Criston, though not the other ones, some old and some young and all in armor. You hope that none of them are Sir Rickard Thorne.
You feel Aegon’s forehead for fever. To your relief, he is no more than modestly warm. He catches your hand, holds it tightly, doesn’t let go. After a moment’s hesitation, you sit down beside him on the edge of the bed. There is a curl of his lips, just a whisper of a smile, just a phantom of one. Aemond glances at you and Aegon with mild interest, then turns his attention to Criston.
“Aegon,” Criston informs the king, patiently, like a good father would. “We have to move you back to King’s Landing.”
“No,” Aegon says. His voice is so low and weak that he’s difficult to hear.
“Your recovery will be long and arduous,” Criston explains. “Aemond and I will be needed in combat. We cannot stay to guard you. The Blacks may try to retake Rook’s Rest. You staying here is not an option. King’s Landing is safer. It is well-supplied, it is protected. And we have our own maesters there who will help tend to you.”
“Can’t leave,” Aegon croaks. “Sunfyre.”
“Aegon—”
“I can’t leave without Sunfyre,” he forces out with immense effort. Then he gasps and moans, tears pooling in his eyes. You offer him milk of the poppy; he guzzles as much as you’ll allow him to have.
Criston sighs. “You can’t stay. And Sunfyre can’t leave. One of his wings was nearly ripped off, he’ll never fly again. We have no way to transport him, he’s too heavy.”
One of the armored men mutters: “And that’s assuming he wouldn’t incinerate anyone who ventured close enough to try.”
“Where is he now?” Aemond asks the man.
“Down on the beach, my prince. Eating dead soldiers.”
Criston shudders. Working in close proximity to dragons has not given him a liking for them.
“Can’t leave him here,” Aegon whispers, shaking his head.
“You must,” Aemond says.
“What if it was Vhagar?”
“I’d leave her. I’d have no choice.”
Aegon frowns, squeezing his eyes shut. It’s all too much for him. “Not the same.”
No, perhaps not; Aemond’s dragon may be the largest and most lethal in the world, but Aegon’s bond with Sunfyre is said to be what legends are built of, words written in ink and stone. You watch the agonized confliction on Aegon’s drawn face: can’t leave, can’t stay, can’t fight, can’t run. You say softly: “Could Sunfyre be assigned a detachment of guards?”
Aemond looks at you as if just remembering you’re here. “What?”
“Men could be tasked with ensuring the dragon is secure and fed. From a safe distance, of course. They could report on his health. Then perhaps when he is stronger, he can be reunited with the king.” The king. Again, it stuns you how easily the treason rolls out, like waves bubbling over rocks and sand.
Aemond turns to Criston. “Could it be done?”
“I don’t foresee many men volunteering for the task. But it could be done, yes. Sure.”
Aemond asks his brother: “Would that make a difference?”
Aegon’s eyes drift to you. They are churning with sluggish, clunky thoughts, heavy burdens to bear on raw shoulders. The braid that you wove absentmindedly into his hair is still there. “Alright,” Aegon agrees at last. “I’ll go.”
“Good,” Aemond says. “We leave at dawn tomorrow.” Then he looks to you. “You will come south with us.” His tone invites no argument. He doesn’t even conceive of it as a possibility. Why would you refuse? Why would you, a purportedly devout Green, shy away from the opportunity to nurse your king back to health? You bow your head in compliance. You wonder what is being discussed in the Black Council; you wonder what your father is thinking, what Everett believes happened to you.
“But I have to see him first,” Aegon says.
Aemond does not understand. “See who?”
“Sunfyre.”
“But you can’t walk to the beach,” Criston says. “You can’t walk anywhere.”
Aegon grins, showing his teeth. His dazed, deep blue eyes glitter mischieviously. His hand has not disentangled itself from yours. “Then carry me.”
The deal is struck, like a face minted onto a coin or a bolt of lightning meeting the earth. Soldiers transport Aegon down to the stony, mist-sopped shoreline. Blade-sharp agony is flooding back into his face, but he refuses more milk of the poppy. He wants to be awake when he gets there. He wants to be himself.
The soldiers cannot get too close to Sunfyre; no one besides Aegon can. He is helped off the litter and then tries to amble across the wet, grey sand. After a few steps he collapses. You rush to him, dodging Aemond and Criston’s grasps as they try to stop you.
“No,” Aegon says when you attempt to help him to his feet. He is panting from the pain, his face flushed with torment and exertion. His white-blond hair whips in the wind. “Do not follow me. Not even if I pass out, not even if I’m dead. I don’t know what Sunfyre would do to you.” And then he crawls forward alone on his hands and knees.
Waves crash, spraying saltwater into the air. Crabs scuttle over rocks. Gulls swoop low to claim mouthfuls of flesh from bloated corpses in worthless uniforms. The dragon known as Sunfyre the Golden is curled up on the beach. Many of his metallic scales are singed; the pink membranes of his wings are tattered like lace. His right wing hangs at a ruinously odd angle. You would know how to set that if he was a human. And you could do it without the threat of being reduced to ash and history.
Sunfyre unravels as Aegon nears him, long angular face rising, frayed wings settling by his sides. You have seen dragons before, of course—Syrax, Caraxes, Arrax, Vermax, Meleys—though never from this close. They horrify you. You cannot look at them without thinking of the devastation they sow like a plague, of how they so unmistakably no longer belong in this world.
Sunfyre’s head stretches out towards his rider, a half-dead man kneeling in wet sand and wearing only bandages and loose cotton trousers. Beside you, Sir Criston Cole sucks in a noisy, nervous breath. Aemond watches Aegon, his face like stone. His hair hangs in long, damp waves.
Aegon embraces Sunfyre, clinging to him, resting his face against the dragon’s. They stay like that for what feels like a very long time. Then Aegon crawls back to you, sobbing with pain by the time he is lifted into the litter. You give him milk of the poppy and he accepts it eagerly. He is unconscious again within seconds. Down the beach, Sunfyre looses a soft desolate cry like a plea: Don’t go. Don’t leave me. You might never come back.
~~~~~~~~~~
The drivers have been instructed to proceed slowly and with caution; still, the carriage pitches and jolts as you traverse the Rosby Road towards King’s Landing. In addition to the caravan’s most precious cargo—the Greens’ fragile and intermittently sentient king—it transports also two severed heads: Lord Simon Staunton’s in a basket, and Meleys’ in the bed of a mule-drawn wagon. High above in slate-grey clouds, Aemond and Vhagar are safeguarding your progress. Criston rides on a monstrous warhorse just outside the carriage. You are leafing through a book that you found in the castle library at Rook’s Rest: anatomy, surgery, sicknesses and cures. Aegon is bandaged and heavily medicated in the cushioned seat across from you. While servants flit in and out frequently, you are the only passengers in the carriage at the moment. You do not know that Aegon is awake until he speaks.
“Sinful,” he says. His voice is groggy, only half-here. He is gazing blearily at the illustration on the open pages of your book: a quite detailed naked man, his arteries and veins mapped like the roads of Westeros, his cock bare and sizeable.
“It’s informative,” you reply in your own defense, smiling.
“My father would have hit me for looking at something like that. If he’d noticed.” Aegon smirks, resting his head against the back of his velvet seat. His hair has been scrubbed and rinsed by servants, the braid you made for him undone. “He probably wouldn’t have noticed.”
“Mine has a great love for all books.” Bartimos Celtigar is eternally turning pages: computations, records, revenue. He does not just sit on Rhaenyra’s council. He is her Master of Coin. He funds her war effort, he fuels her like wood to a fire. “Besides, I have seen naked men in person. No book can scandalize me now.”
A little twitch of his silvery eyebrows: fascination, amusement. “He does not lose sleep over your spent innocence?”
“He has other things on his mind presently.”
“Like what?”
Like helping Rhaenyra win the war. You find a different truth to tell him. “Some men consider one daughter to be too many. My father has four. His attention is thoroughly divided.”
“He doesn’t like you?”
“He likes me plenty. He just doesn’t need me.”
Aegon nods. His eyes travel over you slowly and meditatively, not leering but learning, memorizing slopes and angles, taking you in like he’s never been able to before. He is in the brief lull between doses of milk of the poppy: lucid enough to speak but not so much that he can feel the full extent of his injuries. “Are you married?”
This is a bit of a fraught subject. “I am betrothed.”
“Oh,” he says, with what might be disappointment. “And he wouldn’t rather have you home right now? Putting all that knowledge of male anatomy to good use? That’s difficult to believe.”
You peer evasively down at your book. “He has a role to play in the war. I’ve been given permission to serve in my own way until it is over.”
“Permission,” Aegon echoes. He finds this interesting. He studies you for a while before he asks, his voice gentle: “What’s wrong with him?”
“Nothing. He’s honorable, he’s brave. He’s marvelously formidable. He could carry you around like a sack of potatoes.”
Aegon chuckles, a slow reflective laugh, curiosity, intrigue, something to think about besides the fact that he’s missing half his skin. “Do you fear marriage?”
What is the answer to that question? Do you even know yourself? “I fear being possessed. And having no remedy if the circumstances are not to my liking.”
“You can’t get one of your three superfluous sisters to marry him instead?”
You smile faintly. “No, we’ve met. He chose me, he favored me. I’m not sure why.”
“Probably because you’ve read all there is to know about cocks.” Aegon grins, drowsy and crooked and playful. “Who is he?”
“Just a man,” you say. You can’t tell Aegon more than that. It would give your Black affiliations away.
You are betrothed to the Warden of the North, Lord Cregan Stark.
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sixosix · 5 months
Text
FOR YOU I WOULD FALL FROM GRACE | LYNEY
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warnings blackmailing lol… AETHER PAIMON!!! 3.6k words!
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The bell chimes as the door of the flower shop swings open, and in comes strutting in Rosalie, all dazzling smiles and ostentatious jewelry. Even now, her brown locks are curled to perfection, framing her face beautifully. Even across her, you feel like you’re standing next to an Archon.
This time around, you don’t accidentally freeze the pot of flowers you’re holding from her bursting inside. But you might again tomorrow; Rosalie loves to test you.
Rosalie hums in approval. “Hm, very good, very good. Any customers today, ma chérie?”
“Just one. That guy really wanted to see you,” you reply, eyes fluttering shut as the woman ruffles your hair. You repress the urge to lean into it. “Was he the same guy you met in Café Lutece?”
Her face twists unpleasantly, haunted. “Oh, dear. Thank goodness I wasn’t here. Keep scaring him off.”
You bow your head. “Yes, Ma’am.”
Rosalie bent the law just to keep you, and you’re more than grateful for her generosity. In exchange, you pledged to work diligently for her. You knew that even your hardest efforts couldn't compare to the years of food and shelter she had provided, but this was the least you could do after she didn’t once hesitate to take you in when you confessed you were stranded and alone.
At first, you wanted to repay her by helping out in the kitchen, but you later find that your Vision isn’t the most perfect fit for it. Rosalie’s teeth could shatter from the amount of bread you’ve frozen at the slightest mistake. Your experience in battle doesn’t translate well in handling baking—the heat makes your actions rougher than intended. You get frustrated when you don’t get the results you want. You treat the kitchen like a battlefield. Your hands are too cold; they can’t handle the warm and hot temperatures well.
And the sight of fire… You don’t react to it nicely.
Rosalie suggested you help out in the flower shop. The thought of kneeling over for hours sounds like torture to the posture and grace you’ve perfected over the years, but you can’t quite be picky with under-the-table jobs and nice people who are willing to take care of an orphan who doesn’t know how to act like a normal child.
At least, with gardening, you’ve trained yourself to be more gentle with how you handle living beings. Your hands will always be calloused; they will always have the muscle memory of carrying weighty weapons and tossing them around like sticks—an immutable trait. But you’re trying.
Although Fontaine could never be the safest, it’s safer here. The Fatui don’t have reason to spy against a local flower shop; you’re away from prying eyes, and it isn’t too big of a change because this is still your home.
And you have been safe for years. Rosalie is nothing like The Knave. They have the same fierce protectiveness, but Rosalie is much warmer and open with her fondness, a stark difference from The Knave’s distance. You’re not quite sure how to act around either of them.
You try not to get yourself attached to Rosalie despite her endless hospitality. So long as you don’t reveal your past affiliations and the reason why your hands are rough and why your affections are clumsy, she wouldn’t throw you out. But if she ever does… those are what no attachments are for. You learned your lesson from last time.
“I’ll cook us dinner,” Rosalie sings, heading towards the back of the counter, where it’s connected to her house.
You return to your flower.
You were the one who planted it, and it pleases you to no end that it’s growing healthily. This is the first flower you managed to not— well, kill right off the bat. Or freeze right off the bat, really. The elemental power from your Vision is hard to control, and it certainly doesn’t help that you aren’t doing anything to do something about it, too afraid to even try.
The Lumidouce Bell. It means something about a desire to return. It speaks to you, but not because you long for it—gods no—but because you’ve seen it before. It was probably in a dream, or perhaps a vase back at home, maybe in the middle of the large dining table or in between the fingers of someone with lilac eyes.
The door lashes out once again, the familiar chime ringing in your ears. It had only been two hours since the last customer. Business is doing well today. In comes a floating pixie and a blond with a glow of gold. He’s furious.
“Paimon doesn’t know…” the pixie says, floating behind. “All she knows is that you don’t want to get involved with the Fatui but—” Your hands falter around the petals, “—they said their goals were different, right? What are we doing here again?”
“Paimon,” the blond sighs, and only then do you notice he’s holding a flower. It’s crushed and dried, but it’s supposed to resemble the pot of Lumidouce Bell by your side. “We can’t trust them just like that. We don’t know them.”
“Really…? You think so? Paimon doesn’t think they’re bad people.”
“They’re hiding a lot of things. I don’t want secrets—not anymore. Lyney and Lynette may seem harmless now, but once the time comes where our goals oppose each other’s—well.”
It’s been a while since you heard those names. A rush of nostalgia fills you. You hear about them in passing when your (rare) customers gush about their performances, or ladies passing by giggle about the charming young man in the center of the stage, but that’s about it. To think that these two know that they’re affiliated with the Fatui…
Who are they? They look so familiar, like you’ve seen them once and then never again. Were they sent here? What did they do to be involved with the Fatui? No ordinary person would casually indulge in a conversation about the Fatui like that. There is usually a lot more secretive whispers and cautious glances around the crowd.
“Paimon gets it now,” she says, but she doesn’t look too happy with it. It seems she’s really fond of the twins—which you know all too well.
“Besides,” Aether pats her head, then hands her the flower, wondering out loud, “We don’t even know what this flower means.”
As if following a poorly-written script, both pairs of eyes direct to yours. Like they were expecting you to listen in just for that. At your stunned silence, they wait patiently.
“Um—yes. Lumidouce Bells often mean separation or the wish for reunion,” you recite like a good florist, recalling the words straight from the textbook. “Would you like a copy of a book about Fontaine’s Floral Language, sir?”
He waves a dismissive hand. “No thanks. Was just curious.”
The pixie nods her head, studying the flower in her hand. “Yeah! For all we know, this could’ve been some secret code! Apparently not. But wish for reunion…? Paimon heard Lyney only uses that flower. Does he know about its meaning?”
That name again. It seems that their main topic this afternoon is the twins. You want to crawl out of your skin and bury yourself in the soil. You thought you had moved on, but just hearing about him feels as if listening to strangers talk about a friend you’ve lost—not too far off from the truth. The guilt has not left you since; who were you kidding?
“He probably doesn’t mean anything by it,” the boy murmurs. “I mean—I don’t know. I don’t know anything about them. Is Lyney truly a magician? Is Lyney even his name?”
“Snezhevich,” you murmur out of instinct. Son of snow. You’re surprised that you even remember; it’s been years since you tasted the word on your tongue.
The blond hair and the floating pixie are staring right at you, the man slamming an arm on the counter desk and the little one moving her hands to her hips. “How do you know that?” he asks.
You pale. “I—excuse me?”
“I heard it,” he says. “Those surnames… They’re for the orphans in the House. How do you know that?”
Your heart pounds. You want to ask him the same question, but then, upon closer inspection, you realize why they’re familiar. They’re the Traveler and his travel companion, posted all over magazines. You’ve used one of those papers as placemats for dirty work involving soil, catching glimpses of their faces. The Outlander, the hero, Aether, having come all the way from Mondstadt—of course he knows about the Fatui; he has probably gotten himself involved more than you have.
“Don’t think about lying,” Aether warns at your silence.
Weakly, you say, “Is—is it not… in their introductions?”
“No.” And, well, honestly, that was a stupid cover, so you should’ve expected that. They’re only for the orphans, and he’s right. Even when he’s not a local, he seems to know his facts. Locals are getting smarter, dammit.
“Lyney told me,” is what you decide on after a split-second of contemplation. Aether isn’t giving you enough time to come up with a lie here.
“Told you?” Aether narrows his eyes, studying your face. “Why would he tell you about that? He hasn’t even told me. Are you two close?”
Paimon gasps before you can comment about how Aether sounded like an insecure boyfriend. “Is it…like that?”
You blink at her, lost. “What? Like what?”
At Aether’s conspiratorial expression, your eyes dart between the two of them warily. “What are you two on about?”
“Are you and Lyney romantically involved?”
Romantically involved. You think back to all those sidelong glances and allusive remarks. Lyney was definitely and monumentally involved in your life, but romantically? Even the word feels forbidden. Not once have you thought about romance throughout your entire experience as a child under the protection of the House.
Your face feels like lava, and their crowded attention has you feeling even more embarrassed. “How could you even come up with that? Mortifying! You’re both wrong!”
“What else would it be? You seem to know him well.” Then, much to your embarrassment, Aether adds, “And you’re not bad-looking.”
Is the Outlander calling you pretty enough for Lyney to date you? Right now? Just thinking about the implications has your mind screeching to a halt. “No! I was an orphan there!”
“Ah,” Aether grins widely, “I knew it.”
“Gods,” you mutter, burning. Of course he already figured it out. But was that really necessary? “Is this how you interrogate everyone? Embarrassing them to death?”
Aether shrugs. “If it works, it works.” At whatever expression you must be making, he adds, “And I was just kidding about the romantically involved thing. I mean, unless you aren’t denying it. By the look on your face—”
“Enough. Just spit it out. What do you want?” You’ve gotten awfully rusty with dealing with people. Then again, you were rarely sent out on missions in the first place, so this blame is not for you to take. You curse out The Knave’s name and then feel terrible about it.
“What are you even doing here, huh? Undercover?” Paimon sneers. She fails to look even slightly intimidating. “Do you own this shop?”
“No. I work here.”
“Does your boss know about the whole Fatui thing?” Aether asks. You stare at him warily. If he dares to harm Rosalie, you won’t hesitate to fight dirty. “That seems like a no. If you cooperate with me, I won’t tell whoever is taking care of you.”
“You’re blackmailing me.” You laugh dryly. “I guess I can never run from my past for too long; I just didn’t think I’d be blackmailed by the Outlander himself to face it.”
Aether has at least the decency to look a bit guilty.
“Why do you want to know about the twins so bad?”
Aether’s shoulders hike up to his ears just a little. “Lyney and Lynette… they’re very dependent on each other, aren’t they? The Fatui are not good people—they’re powerful ones, too, and getting involved with power like that while you have your family,” Aether’s expression does something complicated, “It never ends well.”
“You’re blackmailing me into helping the twins out?”
“I’m not trying to— Listen, I just need to know if they’re hiding something else from me. Something that tells me that I shouldn’t be trusting them, then we’ll decide if I’m helping them out or not.”
…Something else? “They already told you a lot, haven’t they? You just have trust issues, hero.”
“It’s perfectly reasonable to have trust issues as a hero.”
Aether inches closer. Your hand twitches by your side, instincts screaming at you to pull out your weapon and flee; the man before you is danger, but you don’t.
Aether hums at your wariness. “And you talk like you know them well. Do you have something you want to say to me, retired Fatuus?”
“I told you, didn’t I? I used to be an orphan in the House of the Hearth,” you say, not wavering with how he holds your gaze. This is no lie; you have no reason to falter. “But that’s not my life anymore. For all I know, they’ve completely changed goals.”
Aether’s shoulder sags because he knows you’re right. There wouldn’t be a way for you to know if the House is still operating with the same objective. If he’d really believe the words of a former Fatuus is a completely different story, however.
Aether sighs. “…It’s not right to call me a hero in this situation.”
“Oh?”
“I’m doing this for selfish reasons.”
Aether hesitates. Does he think you know nothing about selfishness? You ran from the House that took care of you because of your cowardice. You’re plenty familiar with selfishness.
“Mhm,” Paimon nods, “the Traveler wants to know if they’re hiding something about his sister.”
“Paimon,” Aether admonishes, then wilts.
“Oh no!” The fairy’s face pales, her hands coming up to her mouth. “Was Paimon not supposed to say it right away?”
“It’s fine.” It’s not fine. You can see it in the lines between Aether’s brows, his tense shoulders, and his sharp glare to the floor. “You already blurted it anyway.”
“Your sister,” you repeat, conjuring an image of a girl with the same gold as Aether, the same hardheaded determination. What is it with you and getting into trouble with brothers? “I’ve never heard anything about your sister during my time there.”
Aether shrugs. “That doesn’t surprise me. I only arrived here not too long ago, and from what I’m getting, you were already out of the orphanage.”
“So you think Lyney knows something?”
“I know The Knave knows something.”
How strange. Aether’s certainty that their ‘Father’ would confide in them everything, imply that Lyney is privy to information that only the Harbingers would keep to themselves.
You had this same thought before: Lyney, someday Harbinger, someday who would take Arlecchino’s throne. Now, you feel empty thinking about it. It used to fill you with so much rage before.
You turn away from Aether so he won’t see your face. Your previous affiliation with the House shouldn’t matter anymore—you’ve long since abandoned that life. You shouldn’t care about what the upstanding hero would want with them.
You shouldn’t.
Yet you end up fearing what this Outlander will do if they find out the darker secrets of the House that the orphans have to task themselves with. It’s never the children’s fault. But as a hero in a storybook, they rarely have pity for the bad guys.
If Aether finds out anything remotely wrong, what would he do to them…?
You sigh heavily. “I’ll prove to you that you’re wrong about whatever you think of them.”
Aether smiles. “That’s all I needed to hear.”
Rosalie comes out of the counter’s back door a few moments later, holding two plates of dinner. She stares blankly at your frozen figure and Aether’s slack posture.
She hands you the plates. “I’ll get two more.”
Rosalie disappears back into the kitchen, a bright smile on her face as she leaves the scene. There was a skip in her step, too.
You settle the plates down in front of Aether and Paimon. “Would you like to stay for dinner?”
Paimon gasps in delight.
When Rosalie comes back out, she’s fluttering all over the place, gushing over how adorable your new friends are. She then goes into a tangent about how she was right in telling you that you have a charming personality, and it was about time people realized that.
“Rosalie,” you murmur, steaming from the ears.
Rosalie laughs heartily. “Oh, you’re so cute. Do you kids have any plans tonight?”
Aether casts you a glance. “We’re going to watch Lyney the Magician’s show tonight if that’s alright.”
You breathe in deeply. Aether sure works fast. You haven’t even prepared yourself for the little chance you were going to be forced to face Lyney again. You expected it on much more personal, grudge-driven circumstances, with Lyney taking you in for The Knave to deal with.
Rosalie sips from her glass, turning to you. “Why didn’t you tell me you wanted to watch it, mon ange? I also would have taken you to watch Mr. Lyney.”
“They came over to give me their spare ticket,” you say before she can start thinking deeply about Lyney, but it doesn’t work.
“Ah, I see! Well, have fun.” She grins. “I’ve heard only good things about Mr. Lyney.”
You down the rest of your drink, wishing it was the strong taste of alcohol instead of the sugary sweet Fonta.
Rosalie gasps, hands on the table as she stands. “Oh! Let’s get you changed for tonight’s show! What if Mr. Lyney’s show picks you as a chosen participant? You have to make him and the audience fall in love with you, Y/N!”
“None of those are necessary,” you say, nearing a whine. It’s embarrassing to have her say that while Aether and Paimon are right in front.
“This is the first time you’re going out—let me please dress you up!” Sometimes, Rosalie acts more like a big sister than a mother.
Rosalie turns to Aether, already pushing you out of your chair. “Give us ten.”
Aether is smiling, looking as if holding in laughter. “Don’t worry. We aren’t going anywhere; we made a deal.”
After rummaging through closets and spilling dresses all over Rosalie’s bed, you're soon ushered out of the door. You witness Paimon's jaw dropping and Aether's eyebrows shooting up to his hairline.
“Whoa…!” Paimon gasps.
“Please spare me from any more comments,” you say, face hot.
Your dress, while nothing as grand as the rest of richer Fontaine women, is still grander than your loose blouse from before. It flows all the way down and drapes gracefully down your legs in a deep shade that blends in seamlessly with those who walk past the busy streets of Fontaine.
Thankfully, they oblige. You can’t handle any more—too much have you a puddle on the spot, and in the most humiliating way possible. Rosalie bids you all farewell, telling Aether to bring you back home before ten.
“I don’t think you can be home before ten,” Aether mutters as he leads you outside.
You hide behind his figure, uneasy from the curious stares of the passersby. It could be because you’re walking next to the renowned Traveler, but a part of you thinks that they know who you are. For all you know, there could be wanted posters of your face, and you wouldn’t know because you don’t go outside.
Aether turns to you. “Can you move comfortably?”
“This corset is a little too tight.”
Aether takes your hand and leads you somewhere off to the side, away from any onlookers. Then, he moves behind you and helps with loosening the corset. You look off to the side and swear that you saw a figure dash past, as nimble as a cat, but that was probably nothing.
“Should we rip off the length, too?” Paimon asks.
“No!” you exclaim, startling the two. “No, it’s fine. This is not my dress. Are you going to make me fight Lyney?”
Aether shrugs. “If worse comes to worse.”
“I’m in heels.”
“If worse comes to worse,” Aether repeats, tying the ends in a neat little ribbon.
“I wasn’t aware that you would start blackmailing me this early on.”
Aether smiles grimly. “There are no warnings when it comes to that.”
You perform a twirl in the new adjustments, twisting around, finding it much more breathable than compared to when Rosalie treated it like her usual fitting.
“Good?” Aether asks.
“Good.”
The conversation doesn’t die down, but it’s much more stiff than before. Paimon tells you that she liked your muddy apron better, and you wish you could agree. But this is who you really are. Nothing genuine like the soil staining your washed-out apron and your hands, or the Lumidouce Bell by the counter you’ve watched grow, but a dress that doesn’t belong to you for a mission that you have to fulfill to save other people who wouldn’t even recognize what you’ve done.
The Opera Epiclese, though you’d never been, looks the same as all the stories you’ve heard about it. Filled with a lively audience, the atmosphere dimmed, and your breath held in anticipation as Aether led you to vacant seats. You sit on Paimon’s supposed seat.
You face Aether. “What now? What do you want me to do? Strut back into their lives and demand all their Fatui secrets as if I never left?” you whisper hastily as all the lights flicker off.
A spotlight centers on the stage.
Aether nestles into his seat. “Prove to me that I can trust them just as much as you do. Who knows, you might get something out of this, too.”
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BEFORE YOU STOP READING!! LOOK AT ONCE AGAIN ANOTHER AMAZING FANART BY OUR FAVORITE akagi0021
scene of paimon's "whoa...!" and aether demanding "how do you know that?" !!!!!! 😭😭😭❤️❤️
sorry if my inherent attraction to aether came out a bit for some scenes here. the heart can’t help but want what it wants… and that includes what my fingers end up typing whenever aether is on the same docs LOL
TAGLIST.
@thenyxsky @aeferkssr @1mewo1 @lacrimae-lotos @meigalaxy @hyacinth-daze @miwafei @popochakku @svasilios @heyhazelnut101 @kruinka @waveto-earth @superstar-ethereal @mxplesyrvp @achilleas-dream @episodecete @jellifizz @auranny
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dnd-smash-pass-vs · 27 days
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Have you seen Dungeon Meshi? Laos is such a monsterfucker I can’t get over it. He asks one of his companions if it felt good to be caught by the tentacle-vine plant monster. He waxed poetic about how cool animal-hybrid monsters are. (I’m sorry if you don’t like a show or this feels irrelevant to your blog, but also I can’t tell my friends ‘hey I like this character because I also think it would feel good to be caught by the tentacle monster’)
Anyway he’s how I imagine this blog’s audience would approach an IRL dungeon expedition
Sorry to take this way too seriously, I mean no ill will. But I've been a MASSIVE fan of dungeon meshi for... oof, almost 7 years apparently, It's a perfect storm of everything I love with fantastic writing and characterization, and I don't think I could disagree with that more. I think you missed a primary running gag of the series. He keeps saying lines that, if anyone else said them would be sexual, but the people around him know he's just a super obsessed wildlife researcher. He does not want to fuck monsters, that's kinda the entire point. Like you need to understand that some biologists will happily and unnecessarily lick poison, get bitten, and pick up dangerous things without hesitation. It's not that they get off to poison play, it's that they love the topic so much that it's their life and they want to know every aspect. When he's zealously asking what it's like for the vine monster to grapple and stab you with seeds, he's saying that because he's just that into learning and wants the firsthand experience! He's here because he doesn't want to just read about his special interest, he wants to live it, be PART of the ecosystem!
...actually, incredibly relevant spoilers below for a monster later on (chapter 58-60, so likely end of this season or start of the next)
They later find straight-up succubi. Chilchuck talking about how they turn into your perfect match, you ALWAYS have to fight them as a pair or you're just screwed because of irresistible magic charming powers. One finds Laios alone...and he's completely unaffected, immediately chokes it and goes to kill it without any issue. The only hesitation is a bit of embarrassment that "Oh no, it misinterpreted my feelings as attraction, if the party finds this it'll lead to a HUGE misunderstanding. This could ruin my friendships, I need to immediately kill it and hide the body." That gives it enough time to convince him "hey, it's impossible to resist a succubus, so obviously I'm not a succubus right?" And it works because he knows that yes, nobody can resist a succubus charm. Except apparently him. Even trying again by combining his thoughts with his all time favorite monster didn't daze him like it did the others. It had to convince him that it could turn him INTO a monster, and that everyone else was ok with it too, to get him to hesitantly submit to being drained. They didn't have to reason with marcielle or chilchuck, but lust just didn't work with Laios, not as a person or as a monster. It's like how nobody gets panty shots except Senshi. it's a subversion joke. There are quite a few in this series, especially ones centered on Laios.
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prismatic-bell · 1 year
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I’ve seen some posts going around about how only dummies think nuclear power is dangerous, so I want to just put it out there, in the hope that maybe I’ll create a bit of understanding:
Provided storage space is adequate, I’m not afraid of nuclear power.
I’m afraid of THE COMPANIES THAT PRODUCE nuclear power.
Let me explain.
I know new nuclear power plants have more failsafes than there are stars in the sky. And that’s great…as long as they were designed correctly, the pieces were all manufactured correctly, and nobody lied.
I know nuclear power plants are subject to strenuous inspections. And that’s great…as long as the inspectors actually check everything regularly as scheduled and nobody lies.
I know nuclear storage barrels are safety-tested. And that’s great…as long as they’re manufactured correctly, buried where they’re supposed to be, and nobody lies.
Because here’s the thing. I’ve watched a pretty fair amount of videos on nuclear disasters both power plant-related and otherwise. And every single one, every single one, can be traced back to the same source: someone lied in order to save money.
Plant maintenance is neglected to save money.
Plant inspections are neglected to save money.
Plants that say “dear Company That Produces This Critical Part Of Our Infrastructure, this piece keeps failing even though we’re using it correctly, please advise” will get ignored or accused of lying/user error, so The Company That Produces Etc. can save money. One case I saw involved a piece of cancer-radiation machinery that was shooting people (seemingly) at random with lethal doses of radiation, and the production company went “we investigated ourselves and found nothing wrong, are you sure you’re not just stupid?” Turns out they’d never even included a user manual with a piece of lifesaving-but-also-potentially-lethal machinery…to save money. And there were many, MANY things wrong with the machine, actually, as was discovered when an outside agency did an investigation.
This is not a problem unique to nuclear power. But if a wind turbine is seated wrong, it can be dismantled and reseated elsewhere (expensive but not unfixable). If a coal plant catches fire (heaven forbid), the result is absolutely Really Not Good but the worst of it can be fixed in just a couple of years, and we understand the potential related health problems enough to treat them. If a hydro plant isn’t working right, it’s not going to fry the entire ocean.
But if a nuclear plant blows because—and again, I stress this is what has happened IN EVERY NUCLEAR DISASTER IN HISTORY—a company lied to save money, that’s 26,000 years the affected land may be uninhabitable. You can cover your face with a mask or shirt to get away from coal ash while you evacuate. There is absolutely nothing the average civilian can do to protect themselves from nuclear fallout while they evacuate. And unlike coal ash, just a few minutes of that initial radioactive exposure can be enough to kill you. There’s no going back, either—lungs can be flushed, but mutated or even shredded DNA can’t be fixed.
Let me be clear, I DO NOT want coal power forever. (To me, the future is solar.) I think it’s wasteful, environmentally toxic, inefficient, ecologically devastating and unsustainable. But I question if nuclear is the way forward not because of the dangers inherent in what’s in a nuclear reactor—I question if nuclear is the way forward because there are too many greedy people with too much to gain from pinching lifesaving pennies.
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