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#old wealth trends
lewisvinga · 1 month
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who is she ? | george russell x fem! reader x carmen montero mundt
summary; when a williams investor catches the attention from the grids ultimate old money couple.
fc; jarinpat
warnings; ?
word count: 540
taglist; @namgification @louvrepool @locelscs @thehufflepuffavenger1 @minkyungseokie @goldenmclaren @ollieshifts @lavisenri
note; requested ! my requests are closed !
masterlist !
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liked by yourusername, alex_albon, and others !
williamsracing: introducing our new investor for 2024! welcome y/n l/n to the williams family !
tagged; yourusername
yourusername: so so so happy to be part of the williams family 💙💙
username: OMG Y/N???
username: who is she and how is she so rich?
username: y/n l/n! she comes from a rich family! like hellaaaaaa old money rich but she’s ceo of a fashion company
username: she’s an icon tbh
username: AHHH
alex_albon: y/n slay 💅
logansargeant: y/n slayy💅💅
yourusername: alex and logan slay💅
⋆ ˚。⋆୨♡୧⋆ ˚。⋆⋆ ˚。⋆୨♡୧⋆ ˚。⋆⋆ ˚。⋆୨♡୧⋆ ˚。⋆
“Who is she?” Carmen’s soft voice caused Francisca to look at her with furrowed-up eyebrows. The two were in a circle with Lily, Alexandra, Rebecca, and Kelly. All of their attention went straight to the girl Carmen was staring at.
Her wide-leg beige pants paired with a white off-the-shoulder blouse and her black Kelly belt caught the attention of the Spanish girl. The mystery girl held a black crocodile Birkin in her hands with her wrist adorned with a serpent watch and diamond-encrusted Cartier and Van Cleef bracelets. Everything about her screamed wealth.
“That’s Y/n L/n, Williams's new investor.” Alex's loud voice interrupted their thoughts as he and the other drivers walked up to the group of girls.
George was immediately by Carmen’s side, both of their eyes stuck on Y/n as she seemed to be on a phone call.
“Why’re you staring like that.” Pierre teased the Mercedes driver when he noticed his and his girlfriend's stare.
Alex turns and sees that Y/n has just hung up on the call. “Y/n! C’mere!” He called out, catching her attention.
Carmen’s eyes widened as both she and George immediately stood straighter. A sudden nervousness sprung in both of them as they saw Y/n smile and walk towards them, her heels clicking with each step.
“Alex, Hey!” She exclaimed with a smile, fixing her blown-out hair as she stood beside the Thai driver.
“Everyone meet Y/n, y/n meet everyone!”
The group immediately erupted into chatter, making Y/n feel comfortable and like she had known them for years. However, she felt 2 pairs of eyes on her.
She had first noticed the couple when she first arrived in the paddock. She saw them by the Mercedes. Their style had caught her attention. Their ‘old money’ style that she had seen trending on social media which was her own style as well.
Carmen’s raspy laugh and George’s cheeky smiles caught her attention before she had to get her eyes off them due to some media duties with Williams.
She didn’t realize she had also caught their attention until she felt their eyes on her as Max was ‘maxplaining’ something.
Y/n glances up and is met with both of their eyes. Her lips curled into a smile as she softly chuckled. Fortunately, since the three were standing off to the side, she leaned towards them and whispered, “I really like your watches.”
George glanced down at the silver and teal Rolex on his wrist that matched the one on Carmen’s. “Well, I-we like your everything.” He blurted out with a smile. The Spanish girl couldn’t help but snort at her boyfriend’s sudden boldness.
Y/n let out a shy giggle, glancing down at her black and tan Chanel Mary Jane’s. “Well, aren’t you both nice?” She quietly said as she tucked a strand of her hair behind her ear.
“Are you busy later?” Carmen asked with a hint of nervousness making her accent stronger.
“Not tonight, no.”
“How about dinner? Just the three of us, perhaps?” George responded with a hopeful smile.
Y/n kept looking between the two before her lips curled into a matching smile. “Tonight. 8. I’ll be waiting.” She says before turning around. She says a quick goodbye to the group leaving Carmen and George starstruck.
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hastyprovocateur · 2 months
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Ohaguro or teeth blackening was a common practice for aristocratic married women in Edo period, Japan and some men followed it too. There were a couple reasons for the trend, first being that richer women were able to afford regular makeup which comprised of a full white face as pale skin was considered beautiful.
With the absence of dental care, teeth were subject to appearing misshapen, discoloured so it was found prudent to blacken them. It was supposed to act as a cover for any dental imperfections that would otherwise stand out due to the white paint. It was also said to be a protective agent. Conversely, the look of rotten teeth were quite fashionable as it showed how many sweets wealthy women could afford to eat.
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Considering Akemi, she doesn't fit the aristocratic beauty standard either. The Shogun's representatives called her "too old" with "a few good uses left." Aristocratic women, especially aspired to be plumper as it represented wealth and Akemi is a lot leaner by that standard. So in the show's cultural context, Akemi should've been glad to have her teeth blackened as her title rose to "Lady", she became wife in the Shogun's family and attained her ultimate mark of womanhood. To be ideal enough to be chosen as a wife to the Shogun's son.
This is where Akemi's individuality and wisdom falls in, she doesn't mind presenting herself beautifully and being feminine, however there is fine line between being forced to perform as a woman and doing it out of her own volition. With Taigen, Goro, Watari, Mizu and eventually Takayoshi, Akemi uses her feminine charm willingly. Being demure, appearing harmless, sweet and sexually inviting to get something out of the interaction.
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She uses feminine talents like poetry, flattery and wit but not witty enough to make the man feel less than. However, at the time of arranging her marriage with the Shogun's son, Akemi was blindsided. She wanted to stay close to home, had apprehension against being raped/used/forcibly impregnated by the Shogun's son who was said to be a sadistic tyrant who likely killed his first wife for not being "wifely (read submissive) enough."
Of course Akemi was reluctant to blacken her teeth because it would be like being officially branded as a commodity. Thankfully, Takayoshi turned out to not be a brute and Akemi is more confident about her position in her new family.
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It's ironic that out of all the "men," Akemi used her charms against, Mizu is the only one who saw through it. Likewise, Mizu couldn't uphold her ruse of tough masculinity with Akemi who told Mizu that "youre not the killer you pretend to be" and "your face isn't even so scary, you're just angry."
Which is a HUGE flip from how vicious the men get. Hachi with the gun, Taigen, Shindo, Hamata, the Four Fanged, the Thousand Clawed completely bought how manly she was, resorting to name calling and dirty tricks because they felt insecure. It means something to me that Akemi, pinpointed Mizu's disposition without seeing her naked, unlike Ringo. And Mizu found Akemi's weak spots without having her in a position of sexual engagement, like Taigen or Takayoshi
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nautilusopus · 5 days
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the other thing i really like about bloodborne is that, despite being imo one of the few examples of a piece of media actually doing cosmic horror correctly and really earning that descriptor, it's very deliberate with how it subverts some of lovecraft's shittier tendencies in his writing. everyone fixates on his racism but you forget that poor people and foreigners can be Other too and man did he not like them either.
in bloodborne, the civilised, regimented university and later the church aren't the lone bastion of reason, them fucking about is what causes nearly every single problem in the game. natives to yharnam, stated to be one of the hearts of civilisation due to the power and wealth blood ministration brought the city, aside from the six year-old girl and a prostitute, are haughty xenophobes and unhinged at best even when sane, often trending towards homicidal. the only two sane people you find there are eileen and gilbert, and their accents compared to native yharnamites clearly place them as foreign.
and like look at this shit
In Yharnam, they produce more blood than alcohol, as the former is the more intoxicating.
The constables became victims of the beast, except for one survivor, who in turn devoured the creature whole, all by himself. The fable is a favorite among Yharnamites, who are partial to any stories of pompous, intolerant foreigners who suffer for their ignorance. It makes the blood taste that much sweeter.
like this is all text, yharnamites are a clear proxy of london at its peak and everything lovecraft spent time drooling over and they're fucking weird assholes
the curse descending upon the city isn't something that crawled out of the surrounding woods, but instead spread to them as the church started offloading refuse created by the outbreak to the surrounding impoverished areas.
even the fishing village, a clear echo of innsmouth, with their worship of kos, the great one that washed up dead on the shore (for what that's worth, because a dead god still dreams), aren't the antagonists here; instead it's byrgenwerth, pillaging the town and maiming and slaughtering the inhabitants en masse in the cold pursuit of academic knowledge
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robertreich · 8 months
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Why Does Flying Suck so Much? 
You might not believe this, but I’m old enough to remember when flying was fun.
Now I'm sure you've got your own airline horror stories, which I hope you’ll share. But what happened to make flying such a nightmare?
The answer is simple: the same things happening across most industries. In fact, a close look at airlines reveals five of the biggest problems with our economy.
Number 1: Consolidation means fewer choices.
While there were once many more airlines, a series of mergers and acquisitions over the last three decades has left only four in control of about 80% of the market.
This kind of consolidation has been happening all over the economy. For example, four companies now control 80% of all beef production, and two control over 60% of all paper products. This lack of competition has led to:
Number 2: Companies Charging More for Less
Even before recent airfare spikes, air travel was getting more expensive because of new fees for things that used to be free, like in-flight meals, checked bags, or even carry-ons.
Spirit Airlines even charges $25 to print your boarding pass at a ticket counter! It’s just a piece of paper!
One of the ugliest ad-ons is the fee some airlines charge for families to sit together. That doesn’t even cost them anything!
Airlines are leading an economy-wide trend of adding often unexpected new charges to goods and services without adding value.
And you’re getting less in return. Airlines have cut an estimated 8 inches of legroom and two inches of seat width in the last two decades. Doesn’t bother me (I’m short), but many of you may feel the squeeze.
This parallels other industries where you’re paying more for less — just look at how cereal boxes, rolls of toilet paper, and candy bars are all shrinking.
Number 3: Exploiting Workers
While their jobs have become more difficult, many flight attendants haven’t had a raise in years.
And a lot of their hardest work is totally unpaid, because most flight attendants don’t get paid during the boarding process. They’re off the clock until the plane’s doors close.
And if the flight is delayed, those are often extra hours for no extra money.
Again, this mirrors trends in the overall economy, where too many workers are pushed into unpaid overtime or made to do work or be on call during their off hours.
Number 4: The Illusion of Scarcity
Airlines pretend they have no choice but to raise prices, cut services, and limit payroll. But their profits are in the stratosphere. In the five years before the pandemic, the top 5 airlines were flush enough to pay shareholders $45 billion, largely through stock buybacks.
During the pandemic, they got a $54 billion bailout from taxpayers (you’re welcome).
In the years since, they’ve resumed flying high, with nearly $10 billion in net profit expected across the industry in 2023. They can afford to take care of workers and customers.
Whether it’s multi-millionaire movie moguls pretending they can’t afford to pay writers or a grocery chain blaming “inflation” for high prices while raking in record profits, this illusion of scarcity is a sham.
Number 5: Misdirected Rage
Instead of being mad at the people at the top, we’ve been tricked into being mad at each other. Fights have broken out over whether it’s ok to recline a seat or who gets overhead bin space. But reclining’s only an issue because airlines intentionally put the seats too close together. And bin space is only running out because they’ve made it expensive to check bags — and also risky, with the rate of lost bags doubling over the last year.
Airlines are pitting us against each other the same way billionaires and their political lackeys pit groups against each other in society, hoping we’ll blame unions or immigrants or people of other races or religions or gender identities for why it’s so hard to get ahead, and that we won’t notice how much wealth and power is in the hands of so few.
So what do we do?
A lot of these problems could be solved with tougher antitrust enforcement — which we are starting to see. The Justice Dept is suing to block JetBlue from buying Spirit Airlines. We need that kind of anti-monopoly protection across the board.
Another part of the solution is unions. Airline workers are among the wave of American workers organizing to demand better pay and working conditions.
And then there’s your power as an informed consumer. Companies get away with bad behavior when we accept their excuses that there’s just no other way to run a business. They’re counting on us not knowing what’s really going on. So share this video, and share your airline stories in the comments.
Finally, try to be a little nicer to service workers and your fellow passengers — on planes and in life. After all, we’re all on this journey together.
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rinbowaman · 23 days
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₵Ⱨ₳₱₮ɆⱤ ₴ɆVɆ₦ : The Cannibal
Series: The Otherside
Warnings: gore, mentions of butchering human bodies, hints of cannibalism, survive and escape vibes, blood, dub-con vibes, this is not for the light hearted.
“Fuck this shit I’m out!”
Like clockwork, each member fleds; they spread out, ditching their pitiful gardening tools. You hear the commotion as you wiggle within the chained restraint, how odd that a whole group would rather flee than to gain up and tackle one man; surely they would win if they did.
The chains remain unbreakable as you attempt to feed your hands out of the metal cuffs, only able to free one hand in the process. You managed to lean your body over as the chained belt pinches your waistline. You finger the other cuff, desperately trying to pry it open so you could have both hands to work on the elongated piece that belted you to the stone platform. Suddenly a small poke causes you to yelp as the sharp sensation is pressed against your throat. You lay wide eyed as you stare Jessica dead in the eye. Her measly weapon of opportunity was hardly to be afraid of, yet with you forced into a stagnant position, you feared for your life as you saw desperation in her expression. “Don’t you dare move, I swear—“
Blood splatters across your face and you fall into a moment of shock. For about three seconds, your mind was an optical illusion until you snapped back into the reality of the situation—which was your co-worker stumbling to pieces as a large machete blade was fed through her stomach. The projection of the throw, along with the precision, was strong enough to slash through bone and cartilage. Your lips quiver out of fear as you watch her eyes roll back. Down she goes.
You couldn’t stop shaking. The amount of horror within you was enough to shrivel your spine, yet somehow you had enough courage—or curiosity, to turn your head. What you feared most was the expectation of this gifted killer to come at you next, now that everyone was gone. Your peripherals caught sight of numerous bodies laying lifeless by his feet, no wonder the remaining members chose to escape. The man was silent in his actions, you weren’t aware that he chopped down more than the leader of the group.
He stalks his way over in your direction. You shook more vigorously as you made out his body type. He was tall, with a boxy frame; mostly slender with subtle bulky muscle that graced his arms. The veins travel along them like rivers in the Amazon. He comes closer, and closer.
“Well shit.”
His voice was as deep as his brows. He tilts his head as he sighed, it was one that expressed the burden of a heavy weight—you.
“P-please…d-don’t—“ it was all you could stutter as you refused to take your eye off him. It was a defensive trait as you feared turning away would place you in a vulnerable spot, until you realized that you were without a weapon and chained up.
He squints his eyes and licks the top row of his offensive teeth. What was he going to do? The others had it coming, even with the intention of leaving this grave sight without killing anyone, that moral compass went south the moment he was spotted digging up fresh graves. He never liked hurting people, but became so good at it due to the amount of times he’s been forced to. Not to mention, all the times he’s had to hunt for food with Heeseung. Under normal circumstances, it was usually his sadistic friend who would do the deed. All his victims were ones who collected victims themselves; the sick and demented that were gifted in return by society due to their families expanded wealth. But ever since a pretty dainty thing named h/n inadvertently caught his eye, Heeseung had been more preoccupied in taming his new pet, leaving for Sunghoon to resort to this old nightly trend. A trend that was meant to end peacefully and inconspicuously, has now produced a conundrum.
‘What the hell do I do now? Do I call Heeseung and Jake?’
He was certain that his friends would come to aid him, there was no question about it. It was the sense of burdening them to do so, especially when Heeseung had recently claimed how much more work than he expected to clip his little birdies' wings. As for Jake, it had been a solid week since either one of them had heard from the Aussie stud.
The silence early killed you itself. You couldn’t bear it anymore as you anticipated the worst of the man’s actions. With his grip tightening on the remaining blade, his pupils shift from side to side as he ponders on what exactly the best course of action to take. Finishing you off was out of the question. You weren’t presenting a threat—at least not yet. While the others provided reasons to die by his hand, it was obvious by your current condition that you were dragged into this matter against your own will. A frail little thing, presented as an offering for their false belief. In a way, he felt sorry for you.
He notices your free hand, which then triggers him to make his next move. Tossing you a black sash, he directs the aim of it to your face. “Cover your eyes.”
His voice was low. You hysterically sob as you come to the conclusion that the man was going to execute you blindfolded. As if he read your mind, he sits on the stone platform beside you and leans in. “I’m not going to hurt you. Okay? Just put it on and we’ll get out of here. No screaming or crying, otherwise I will have to shut you up.”
His words sounded sincere. Maybe that was due to how his fingers came up to sweep the stands away from your cheek. You had no choice, so you obliged. Seeing you struggle to place the tie the sash nearly made him chuckle. It was somewhat cute with the way you were trying to obey, so much that you did everything you could to hold it in place when you weren’t able to tie it properly. He raises his hands and with a gentle, feathered touch, he ties the dash for you. Your breath paused during the entire time as you felt the long fingernails gently feeding through your hair. “Don’t move.”
You barely process his words when suddenly you felt the weight of metal shambles relieve you. You couldn’t see how he did it, but from what you could gather helping your ears, the man was skilled with those blades of his and managed to cut the chains at an angle, immediately snapping it and breaking the length of it. “I’ll remove this later.” His voice calmly states as you felt his finger hook under the cuff, between your skin and the metal. Breaking the other chains, you felt the lightweight of freedom. It felt like you were floating.
He drags you for God knows how long. Finally the car stabilizes to park mode as you feel the riddling engine shut off and the seat beneath you stops vibrating. The door closest to you opens and you feel his hands lift you from the back seating row. He was gentle, but so strong. You hindered each breath as you try to guess where he has taken you, but the blindfold proves to be an adequate obstruction in blocking your vision. He sits you down in what you guessed was a couch, after bringing you in and aiding you up a series of stairs after sitting in an elevator for a lengthy ride. At least you think it was an elevator. Your ankles binder by rope as are your wrists. He broke the chains but kept you bonded to ensure his cover and identity was not released through your venturous escape. When all was said and done, you feel him gently untying the blindfold and lifting it from your eyes. You looked around and was amazed to find yourself at the center of a well furnished bedroom. Seated on the edge of the large bed, you looked around to see the modern art pieces and the small sculptures that decorated the space. He stood before you with blood staining his hands and flight suit.
“Make yourself comfortable. You’ll be staying here for a while.”
You slightly shook your head. “I-I can’t—“
“It’s either you stay, or you die.” He cuts you off while still keeping a calm demeanor. “You saw what I did. I can’t risk you going out and getting the police involved. For now on, you stay here.”
At first you couldn’t lie, a piece of you didn’t seem to have any objections considering his rather luxurious apartment, the man obviously came from money and luck. However, you couldn’t possibly stay with a strange man, especially when a significant factor that had slipped your mind back at the grave sight, it came back up as if to specifically impede in your decision…except you didn’t really have one.
Your eyes widened in absolute horror as you watched from up the staircase. Through the front door, he brought in one body bag after another. Oh God…
Now you remember why he was there in the first place. Overhearing the confused gasps of the cult allowed you to piece together the sickness this man was infected with. You panicked. You had to figure out how to get out of these ropes, there’s no way you could stay here. This man—this monster, was he intending to keep you so he could butcher you for his future meals? It becomes harder to breathe as you wiggled and squirmed, doing your best to break free. You hear him dragging one of the bodies into the bathroom, no doubt getting ready to section it off, piece by piece.
Finally, shifting your wrists loosened up the rope. You were able to use your teeth to pull it completely out of place, undoing the knot completely. You freed your ankles and removed your shoes to avoid making any noise against the magnificently marbled tile. Tip toeing through the hall, you took each step down the staircase as gently and carefully as possible. You heard him working the corpse from the crack in the door, it was the most sickening sound you ever heard. You weren’t sure what was worse, nearly being killed for a sickening ritual or being saved by a man who was the sickest.
The knob is within your grasp, you hold on and gently turn it. The door clicks open, which fortunately occurred during a large chop through what you guessed was a limb or joint. Opening the front door allowed you to view the entire private corridor, leading to a dead end. There, you saw it. A single elevator stationed off to the side. Freedom.
You quickly make your way over, but despair hits you in finding out that the keypad to the side required a passcode in order to operate it. It would so appear the entire floor was a private residence, as well as this elevator. How you wished you had peeled from beneath the blind fold to see the code entered. How were you supposed to get out of here now?
Taking the chance to guess the code, you start puncturing numbers at random. The keypad flashes red and makes a subtle beep to reflect the error. You continued to enter a compilation of numbers when a sudden sight caused you to scream. A bloodied hand reaching over your shoulder, plastered over the keypad. You jolt back and lea against the wall, the man was coated with more blood than before. It was a hellish sight, one that you could never forget.
“Running?” His voice came off almost facetiously as he taunts you with a small toothy grin. His look was somewhat different from before. It was a look of bold hunger, a contrast from the seemingly shy-quiet boy appeal he had before. It was almost as if the smell and sight of blood triggered him, the same way it happens with a lone shark in deep waters.
“Please…I-i won’t tell anyone. Just let me leave. I didn’t ask to be here…I didn’t ask for any of this. I just want to forget about all of this. I promise I won’t—“
He takes a step towards your direction, inadvertently shutting you up. Seeing you in this light, this specific version of you, it was eye opening to him. He’s never seen someone so wide eyed and pure, so clean and sheltered from the toxicity of evil and gore. To him, you were Persephone, in need of her Hades. He raises a hand with the intention of caressing your cheek, but the glistening shine of the red stain causes you to squint and yelp in fear. Of course it would. How clumsy of him to forget that the essence of your purity shouldn’t be stained. He lowers his hand, flicking his two fingers, bidding you to come hither his way. “Come here. Come and stay with me.”
You shook your head vigorously. There was no way. Not after knowing his darkest secret. “I can’t! Please let me go!”
He smiles and gives a small chuckle. “Go upstairs, and clean up. Top drawer to the right, you’ll find my collared button shirts. Put one on and get some sleep.” It was almost as if he didn’t even hear you. Maybe he did, he just refused to listen or honor your words. You shook your head in gloom as you found yourself trapped and forced to abide by his command. You sob silently as you start to walk back to the front door, his arm shelters your shoulders as he cradles you under the strength of his limb.
“Shh…good little girl.”
Taglist: @nshmrarki , @lprww , @baekxo07 , @m7omo@nikstrange@heeshees@moonmoongi@heesitation@heeseung-min @nctsslut @heeseung-min @addictedtohobi @strxwbloody
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cobragardens · 6 months
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Aziraphale's Ascot: An Analysis
What's most interesting to me about the ascot Aziraphale is wearing when he turns up in Crowley's car in 1967 is that it's very fashionable.
An ascot (American), or day cravat (British), is a band of material meant to be worn inside the shirt collar, terminated on each end with a long wide tongue of that same fabric.
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The band goes around the back of the neck, and the tongues are tied in the front and tucked into the open neck of a collared shirt. An ascot displays a wide sweep of color just below the wearer's face to flatter their complexion and show their personality.
And the late 1960s was the ascot's peak of popularity. The Duke of Windsor wore them; the mods wore them; British Invasion bands wore them. Fred wears an ascot in the Scooby-Doo cartoons. Lance Corporal Shadwell wears one. They were a huge trend.
On the surface this doesn't seem like Aziraphale at all. His previous appearances indicate his stylishness in ancient Rome is merely serendipitous overlap of Roman fashion with his personal preferences for white robes, blond hair in a Brutus cut, and gold wing-themed jewellery. In 1601, 1793, 1941, and all contemporary scenes, his style is decades to more than a century off the fashion of its time. We know he's into bow ties by 1941, and he's hardly one to adopt a style merely because it's popular; so why the ascot in 1967?
One possible explanation is that Aziraphale misses the clothing of the Victorian period and leaps at the chance to wear something that harks back to a time when he felt at home, sartorially speaking.
I don't think that's it, though, at least not in Show Omens. For one thing, traditional ascot ties (what a British person would call an ascot or an ascot tie, rather than a day cravat) are not at all the same accessory as the ascots of the 1960s: they're formal rather than semi-casual daywear; they're made of thicker silk, often with a woven rather than printed pattern; and they're worn outside the shirt and collar. More importantly, we've got two scenes of Aziraphale in the Victorian period, and he's not wearing an ascot tie in either of them: he's wearing a long cravat tied in a wide bow, a precursor to his bow ties.
I therefore propose a different explanation for the ascot of 1967.
As Aziraphale has clearly never been anywhere near a polyester fibre in the whole of his celestial existence, and as he always affects an appearance of idle hereditary wealth, we must presume that this--
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--is silk. (In fact in the 1960s, a silk ascot in light colors was a signal of upper-class status.)
And we know Aziraphale likes silk, because by 2023 he's been wearing a silk velvet waistcoat for 200 years.
I again advance the argument that, despite himself, Aziraphale is a voluptuary by nature: a person who directs their energies toward the pursuit and enjoyment of pleasure, especially (but not solely) sensual pleasure.
He can control his appearance at will, and yet he has a barber; that means he enjoys the pleasure of a haircut and maybe a hot shave. (I have similar suspicions about his manicured hands.) The barber has recommended new cologne, which means Aziraphale has an old cologne, which means he likes to smell beautiful scents. He eats for sensual pleasure. He drinks for sensual pleasure (much more so than Crowley, who drinks for the pleasure and escape of inebriation). He listens to music for sensual pleasure. He attends the theater for pleasure. Reading is as much a sensual pleasure inside your own head as it is intellectual self-stimulation (which is its own kind of pleasure in turn); and believe me, collecting books is as much a sensual pleasure as a logistical and a philosophical one.
Aziraphale even agrees to an Arrangement with a demon to give himself more spare time for his pursuit of human pleasures. And then he and the demon become friends, because what could be a greater pleasure than indulging yourself in the good company of someone clever and kind and beautiful, who flirts with you and tells wicked jokes you mustn't laugh at--except perhaps for the pleasure of making that person smile in return?
Fun fact: The silk of which casual ascots are made is finer than the silk of either traditional ascot ties or neckties, because ascots/day cravats are made to be worn inside rather than outside the collar.
In 1967, instead of his usual crisp bow tie around his usual tightly buttoned collar, Aziraphale wears an open collar and a day cravat because the fashion of the 1960s lets him keep silk against his skin.
And there's one other thing, too. Compare Aziraphale's ascot to Lance-Corporal Shadwell's, or to the standard ascot knot:
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The edge of Azirapale's ascot sits below the edge of his shirt collar where it should sit above, and the cascade spills almost an inch in front of his Adam's apple instead of flush against his neck. Aziraphale has tied his ascot low and loose.
It allows him to bare more of his throat to Crowley than has been sanctioned by custom for 2,000 years.
How long after Aziraphale reverted to bow ties did Crowley think about that?
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punisheddonjuan · 3 months
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Books have proved remarkably resilient. Not only in themselves but collectively. From social media “shelfies” to Zoom backgrounds, to hyperinflated coffee-table tomes, books are everywhere nowadays, even — perhaps even especially — in the homes of people who never really read. They are even at the heart of what has been described as 2024’s first major design trend: “bookshelf wealth”. There are thousands of TikTok influencers proselytising the trend, suddenly realising that bookshelves, with books on them, might be cool. It’s a lived-in, old-fashioned look, which includes a “curated” collection of books — supposedly of titles it looks like you might have actually read — patterned wallpaper, comfortable furniture and art displayed in ways that make actual access to the books just that little bit harder: hung from shelves, with frames overlapping, leaning against or sometimes on the books.
So this is actually a fairly interesting history of the use of books for aesthetic purposes in the construction of class signifiers, and I've long known that interior decorators would buy "books by the foot" when dressing a home. —Although, I do find it slightly absurd that you can purchase according to colour or by theme. That having been said, I would actually buy a few lots of the purple paperback Penguin classics, but I'd also actually read those.— My real reason for posting this is to ask this: what is it with TikTok influencers taking a concept that's been around forever and presenting it as new and giving it the stupidest fucking name possible.
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genderkoolaid · 1 year
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This article talks a lot about men & height dysphoria, and the general culture around short men being mocked or otherwise viewed as lesser than taller men. It focuses entirely on cis men but obviously its very relevant to trans men.
In popular culture, Alex added, short men can wind up being a punchline for jokes. “Body shaming is wrong, but there’s like a little asterisk of like, ‘unless you’re short,’” he said. “It seems like almost the one unchangeable trait that is just accepted as a societal punching bag.” Even references to “short kings” — a term used in modern dating for men of short stature who are confident and attractive but might otherwise be overlooked due to their height — seem mocking and backhanded, Alex said. Dr. David Frederick, an associate professor of psychology at Chapman University in Southern California, studies body image satisfaction. In a 2006 study, he found that whereas just 26% of shorter men were satisfied with their height, 87% of tall men were happy with their height. “When it’s such an intense, persistent feeling that it impacts your daily functioning in daily life, it becomes an issue,” he said. A study published last year examined the relationship between height and dating preferences among heterosexual people in the U.S., Canada, Cuba, and Norway. The results suggested that men preferred shorter women and women preferred taller men relative to both their own heights and the averages in their countries. Some research also suggests there are economic benefits to being tall. A 6-foot person was predicted to earn $166,000 more than a 5'5" person over a 30-year career, a 2004 study found. Writer Malcolm Gladwell polled half the companies on the Fortune 500 list about the height of their CEOs in 2005 and found that 58% were taller than 6 feet, even though just 14% of American men are that tall. A combination of factors likely explains the CEO trend, Frederick said: Taller stature is sometimes associated with dominance, but it's also indicative that someone grew up with "more resources and wealth." [...] But Alex added that he is wary of recommending the surgery to others, since that would imply that shorter men should change. Instead, he said, the societal pressures to be taller are the problem. “No one should feel the need to do this,” he said.
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Everybody talks about healing and becoming the best version of yourself but people rarely really discuss how difficult it can be and how tempting it is to just go back to your old ways and do what’s comfortable and habitually already. Especially when you are going through a tough time and feel like you are loosing yourself and detachment becomes harder and harder each day. It’s hard to get up and act like ,,that girl” when you constantly feel triggered and as if you’re not doing enough. Or when you suddenly get hit by old emotions and traumas, that you now have to deal with and everything feels so burdensome and you don’t know what to do anymore. Becoming your best self is a beautiful thing but also a very viral trend and people who preach about it often only show their results and the amazing life they got out of it but not the process and this can be very hard to watch because it makes you feel like you aren’t ,,there” meanwhile you don’t have to have the shiny and extremely luxurious life in order to have a beautiful life and live in health and wealth. Where you are right now is already a blessing and getting up every day and giving it your best is already so beautiful and I respect and cherish you for that, you are doing amazing.
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snarky-art · 4 months
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If you’re still taking redesign asks, what about the ballgowns from season 3? Musa’s may slap but the others are kinda all over the place imo
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Ngl I love these fits already I think they all slap. I just chose to update them in a way that fits better with my style and rewrite.
Bloom’s is hideous and it’s perfect for her. The only time I’ll happily put her in baby pink and light blue.
Asymmetry is big on Eraklyon and and the main style is what we’d call regency wear with some adjustments. The empire waistline at this point is something alluded to via things like a fabric or cloth strip there but then it extends further down/has a secondary waistline is more on trend. This is present in everyone’s looks except for Bloom’s because it was a dream of hers to wear a dress like this someday for a formal event. However, this look of the single empire waistline is considered more outdated and old and there would be comments and people would notice because Eraklyon sucks and it adds to the “oh god she’s the one Sky wants to be with?” sentiments around the court and especially from Sky’s parents.
Along with the asymmetry and specific waistlines, sparkling bits of cloth in an outfit is very on trend and symbolizes their robust jewel market and wealth gained through this. Jewel tones that are deeply saturated or pastels are the only 2 options too for coloring. Mid tones are not encouraged and more jewel tones on outfits than pastels are expected for the upper class. Pearls are big in fashion rn too.
Also, at this point in my rewrite, Stella is in a bit of a weird place rn with her feelings towards her heritage and her government she’s supposed to be representing, so she’s skipping gems predominantly associated with royalty (the bright oranges and dark blues) and just going turquoise (which is still something Solarian court officials would raise an eyebrow at, but has plausible deniability) rn and is avoiding predominantly traditional Solarian colors, opting to mix silvers and golds more too. She has loose curls too, testing the waters a little for having her curlier natural hair out and present more.
She later champions for purple to be a symbol of unity between her mixed heritage also, which is nice foreshadowing here imo💅
That’s why I got it in her flower dress redesign:)
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lesserafim-eden · 4 months
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✶ ׅ ࣪ 🫧 ◛ ❀ THE SCANDALS OF EDEN NOELIA LEE ; PART ONE
ׅ. ୨ ❪ ONE! ❫ ୧ ⊹ COCKY IN PRODUCE 48 )
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✶ ׅ ࣪  Time frame: July 11, 2018 to August 1, 2018
✶ ׅ ࣪  Popularity: 100%
✶ ׅ ࣪  Situation: in which Eden gets told that she’s too cocky by netizens
✶ ׅ ࣪  Public opinion: negative
✶ ׅ ࣪  Parties involved: Eden Noelia Lee ( 에덴 노엘리아 리 ) K-netizens ( K-네티즌 )
✶ ׅ ࣪  Overview: During the premiere of Produce 48, Eden was one of more popular trainee as it was the first SM decided to have one of their trainees enter a survival show which shocked the Korean entertainment industry. Eden was always on top ranked trainees but that quickly changed when she mentioned that she was confident about debuting and how she thinks she has improved. This provoked netizens into thinking that she is way too ‘cocky’ and that she thought she was the best in produce 48. From then on Eden’s rank dropped which to 14 year old Eden to quickly loose her confidence and asked the other trainees if they thought she was slacking or had decreased skill wise. The sudden change in the vote upset her and made her work even harder to push her limit and practiced while everyone else was sleeping.
As the episodes went on, the public saw how hard she was working and she really wanted to make this debut. On the final day of voting many people came together and voted for her. When it was announced that she ranked third place, she burst into tears as she expect that outcome.
ׅ. ୨ ❪ TWO! ❫ ୧ ⊹ ࣪attention seeker of IZ*ONE )
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✶ ׅ ࣪  Time frame: November 11, 2018 to December 1, 2018
✶ ׅ ࣪  Popularity: 97%
✶ ׅ ࣪  Situation: in which Eden has an outfit malfunction causing her to stand out on stage
✶ ׅ ࣪  Public opinion: negative
✶ ׅ ࣪  Parties involved: Eden Noelia Lee ( 에덴 노엘리아 리 ) K-netizens ( K-네티즌 )
✶ ׅ ࣪  Overview: during the debut era of IZ*ONE, freshly coming out of Produce 48 Eden had gained a lot popularity due to her outstanding visuals and talent. However, when it was coming to the end of promotions, before going onto stage on November 11, 2018, the skirt that Eden was wearing matching with the other members of IZ*ONE was, ripped. The zip to secure the skirt in place on Eden’s waist got jammed within the zipper and the material. The staff did everything they could to try and get it unstuck, though in the midst they made it unwearable.
Eden and the rest of IZ*ONE members were due to go on stage any minute and now, the Lee girl had nothing to wear. After looking through a bags of clothes, a staff was able to find a shiny glittery purple skirt. Relief was felt and without another doubt, Eden changed before heading on stage to perform.
The next day however, Eden woke up to see her name trending number one and receiving hate from K-netizens. They were dragging the girl through the mud and spreading hateful & rude comments about how she was so desperate for attention and the spotlight that she had to wear ‘different’ & ‘prettier’ skirt than the other members. It was so annoying for Eden, as all she wanted to do was speak out and deny the rumors and explain what had actually happened, but she couldn’t. She was an idol. It would ruin her ‘idol image’ the staff said. With weeks of receiving hate, it eventually died down when one of her stylists decided to speak up about the situation and explained why she wear a different skirt than the other members.
ׅ. ୨ ❪ THREE! ❫ ୧ ⊹ flexing her wealth )
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✶ ׅ ࣪  Time frame: May 2, 2019 to August 17, 2019
✶ ׅ ࣪  Popularity: 100%
✶ ׅ ࣪  Situation: in which Eden receives hate for hanging out with her friends
✶ ׅ ࣪  Public opinion: mixed
✶ ׅ ࣪  Parties involved: Eden Noelia Lee ( 에덴 노엘리아 리 ) K-netizens ( K-네티즌 )
✶ ׅ ࣪  Overview: ever since Eden joined produce 48, there many rumors about her coming from two chaebol family ( one from her father’s side & her mother’s ) she is the heir to the Hanyowon group. The family is one of the wealthiest families in the world & the family is estimated by Forbes to be worth US$50 trillion, according to the Forbes estimates the family has more billionaires among its members than any other families, which also makes them the family with the most wealthy members in history. The Hanyowon Group is involved in a number of markets, including electronics, oil refining, automobiles, telecommunications, and fashion brand companies ( REXEZ & REOZA).
The claim that Eden was born in a wealthy family once again resurfaced after she was seen hanging out with a "diamond-spoon" public figure. Eden became a hot topic among K-pop fans and internet users after her Instagram story, where she posted a picture of herself in a private resort which netizens found that it costs at least US$6,425 to a whopping $10,075 per night depending on size and amenities.
Netizens quickly began spreading their opinions about Eden and how she is flexing her wealth which led to her becoming the main subject of haters. Netizens also found who she went to the private resort with, and were surprised to learn that Eden is childhood friends and study abroad with Park Hyerim, the granddaughter of the chairman of Korea’s leading conglomerate Hyuneol Group & Han Soojin, also the granddaughter of the chairman of Korea’s leading conglomerate B&B Group. Fans quickly realized that if she is close to a chaebol granddaughters, her family background is definitely no joke. Netizens were also quick to send hate to Eden like there was no tomorrow, whereas Eden’s fans were busy defending her against the ridiculous hate.
. ׅ. ୨ ❪ FOUR! ❫ ୧ ⊹ IZ*ONE’s brat )
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✶ ׅ ࣪  Time frame: November 28, 2019 to January 17, 2020
✶ ׅ ࣪  Popularity: 96%
✶ ׅ ࣪  Situation: in which Eden is said to be a brat after spotted speaking rudely to Lee Chaeryeong ( ITZY )
✶ ׅ ࣪  Public opinion: negative
✶ ׅ ࣪  Parties involved: Eden Noelia Lee ( 에덴 노엘리아 리 ) Lee Chaeryeong ( 이채령 )
✶ ׅ ࣪  Overview: During the 2019 MAMA awards, Eden found herself being screwed over again when the two girls of IZ*ONE & ITZY were spotted by plenty of netizens talking to one another, and at first, fans thought they were joking around with each other, but that changed once they noticed an offended expression on Chaeryeong’s face, and Eden with a nasty one. This took fans of the two girls by surprise and the day after the award show, the incident was trending number one. Chaeryeong’s fans were sending hate to Eden like there was no tomorrow, whereas Eden’s fans were busy defending her too. Fans of the two were desperate for answers and an apology from Eden, some even demanded that Eden should leave the group and due to her being in the group with Chaeryeong’s sister, Chaeyeon.
On January 17, 2020 the issue seemed to come to an end once Stone Music released a statement, explaining that the incident took place on November 28 was a misunderstanding by the public, and that the two girls are close friends and that is how they have fun. Some netizens that sided with Chaeryeong and refused to believe what the company had to say and labeled it as a ‘silly excuse’, whereas others understood, stating that was how they bantered with their friends too.
However, what really put an end to the controversy was when Chaeryeong and Chaeyeon posted a picture together on Twitter. It was simply of Eden between the two sisters and the Lee sisters making heart with her cheeks, it was a cute picture and made some fans apologize to Eden.
. ׅ. ୨ ❪ FIVE! ❫ ୧ ⊹ is IZ*ONE’s Eden a BlackPink anti? )
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✶ ׅ ࣪  Time frame: March 20, 2020 to April 4, 2020
✶ ׅ ࣪  Popularity: 100%
✶ ׅ ࣪  Situation: in which Eden is said to be a BlackPink anti
✶ ׅ ࣪  Public opinion: mixed
✶ ׅ ࣪  Parties involved: Eden Noelia Lee ( 에덴 노엘리아 리 ) BLACKPINK ( 블랙핑크 )
✶ ׅ ࣪  Overview: On March 20, 2020 Eden was doing a Vlive to speak with Wiz*one’s whilst she did her monthly “chill with me” karaoke, where she picks an artist to listen to for the whole live. Her fans loved every minute of it because it was the only time she could get comfortable and just enjoy the moment with her fans. It was a harmless and innocent act and not only herself but the fans were enjoying the live. Though, things took a turn when “Kick it” by BLACKPINK started playing and she skipped the song, causing fans to believe the girl didn’t like the group and was an anti of them.
Although, Eden was a fan of BlackPink. She had all of their albums and merch, so seeing everyone claiming that she didn’t BlackPink and was an anti. When they were one of her favorite groups didn’t sit well with her especially when she is friends with the girls of BlackPink and the only reason she skipped the song was because she playing TWICE’s songs and BlackPink didn’t fit her vibe & theme.
Eden put the rumors to rest when she went live again on April 4, 2020 and this time she was in her shared room and showed her collection of BLACKPINK’s album and the countless amount of merch she has of them. She also stated that she wasn’t an anti of them and she is really close friends with them, and that she couldn’t understand why people would think ever.
───────────────
A/N; it looks like Eden can never catch a break a scandal after scandal
Eden’s taglist; @billboard-singer @eisa-core @skzinka @txt-yaomi @stealanity @seolboba @cosmicwintr
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unbizzarre · 10 months
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BARRAYARAN COSTUME DESIGN
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The process for costume design:
Had fun looking through a whole bunch of reference images to try to create a costume set that reflected the strong sense of tradition with midieval-esque holdovers from hand textiles that would have had to be the norm during barreyars period of isolation, while also accounting for the wealth of the current barreyaran aristocracy and their access to modern galactic trends and clothing. I also didn’t want the midieval influences to be generic-fantasy-vaguely-european-bulshit, so I also tried to find reference images with styles, patterns, and silhouettes that where somewhat reminiscent of the French, Russian, and Greek cultural heritage barnyard first settlers may have brought with them. That being said, it wouldn’t make sense for any of these traditional garments to have been preserved with 1-for-1 accuracy from there earth origins over the many centuries (cuz like, irl traditional dress in these countries is less and less common) so I didnt want to just copy exactly historical garments.
OH! And then I also had to make sure the men’s clothing also reflected the pseudo-military affectations which Bujold has mentioned in multiple books as being popular in menswear amongst the vor cast. (Ex: the formal riding boots, and the two swords carried at formal events, or less formally vor “town clowns” also wearing casual clothing reminiscent of a military cut.) but! In order to do this, I had to think of both what would have been military uniforms both in isolation-barrayar and modern barrayar, and which aspects of each set of military uniforms would be incorporated into modern men’s fashion. Would any women’s clothing also reflect this warrior trend?
Finally, since all of this costume design was brainstorming for the dinner party scene, I wanted to make sure that the clothes matched the personalities of the people wearing them. Like aunt Alice and Professors Vorthis are both middle aged Vor-caste women, but will have vastly contrasting style. Alice being alice, her clothing will likely be both perfect for the occasion while also a sleek and elegant combination of the leading barreyaran fashions, while also giving a nod to traditional barreyaran costume at times as she is a representative of both the state and her old-vor house. The professora on the other hand, will probably opt for something comfortable and cozy, while not especially showy, as she is more concerned with her studies and gardens and is not super involved in the Vorbarra-sultana social scene.
Some of the reference images I used:
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And many many sooooo many more. So much borrowed creativity from all over the internet I feel bad I can’t more accurately site all my sources 😞
Also some random cool aesthetic modern shit that I thought had fun sci fi vibes as well as some *sigh* generic-euro fantasy clothing cuz sometimes you need to be a little basic.
Also a lot of cool art by artists I love that is just dope costume design and totally all their work. Idk the names of a lot of them cuz I’m not really active on social media and only really see the images amidst thousands of others in my Pinterest hoard but I always recognize the artsyles and creativity and wind up saving them to reference art boards 🙈
Some that I do remember and love a lot are cy-lindric, Juliette, and Celia Lowenthall
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macrolit · 3 months
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Do You Have ‘Bookshelf Wealth’?
A TikTok home-décor trend has irked some bibliophiles.
By Madison Malone Kircher
Published in the New York Times, Jan. 15, 2024
When it comes to aesthetic trends, social media loves a catchy name.
Cottagecore. Dark academia. Eclectic grandpa.
Now there’s a new entry to the canon: bookshelf wealth.
On TikTok and other digital platforms, there has lately been much ado about people who own a great number of books and — this is critical — have managed to stage them in a pleasing manner.
If you’ve ever seen a Nancy Meyers movie, the look might ring a bell. Warm and welcoming. Polished, but not stuffy. A bronze lamp here. A vintage vase there (with fresh-cut flowers, of course). Perhaps there is a cozy seating area near the floor-to-ceiling display, with an overstuffed couch topped with tasteful throw pillows.
Kailee Blalock, an interior designer in San Diego, posted a video to TikTok last month that sought to define bookshelf wealth and school viewers in achieving the aesthetic in their own homes.
“These aren’t display books,” Ms. Blalock, 26, cautions in the video, which has been viewed over 1.3 million times. “These are books that have actually been curated and read.”
This literary look, she went on to say, goes well with pictures hung willy-nilly on the walls, sometimes even partly blocking the shelves, as well as mismatched fabric patterns and a bit of clutter.
In an interview, Ms. Blalock expanded on her advice. “I think to really achieve the look and the lifestyle, someone has to be an avid reader and has to appreciate the act of collecting things, especially art and sculpture,” she said.
Though Ms. Blalock did not originate the term “bookshelf wealth,” her video has spurred plenty of online discussion. “The day I ‘cultivate’ books instead of buying what I like to read is the day I’ll know I’ve truly failed as a human,” one user commented. Others remarked how bookshelf wealth was less about reading and more about regular old wealth.
Breana Newton, a legal coordinator in Princeton, N.J., who posts regularly about books on TikTok, was one of the people who responded to Ms. Blalock’s video. “I am going to show you bookshelf wealth,” Ms. Newton, 33, says in a video of her own. “Ready?”
She then gives viewers a brief tour of her home, showing books everywhere — on shelves, in overflow piles here and there, and strewed across the bed. Absent is the sense that the rooms have been staged, or that the books were bought with the consideration of how they would look on Instagram.
In an interview, Ms. Newton said that she worried trends like bookshelf wealth encourage overconsumption. This year, she added, she is trying not to buy any new books.
Another critic of the trend, Keila Tirado-Leist, said in a reaction video: “Who does it benefit to constantly have to name and qualify and attach wealth to any kind of style or home-décor aesthetic?”
Ms. Tirado-Leist, a lifestyle content creator in Madison, Wis., likened bookshelf wealth to “quiet luxury” and “stealth wealth,” styles that have recently made social media waves.
Still, she was understanding that what drives a home-décor trend like this one is a desire to create a home that feels, well, homey. In another video, she described the idea of layering — that is, slowly acquiring pieces and building up to a finished look, rather than trying to buy a bunch of things all at once in an effort to chase a trend.
“Styling a home takes time,” Ms. Tirado-Leist said.
Another TikTok user put it more bluntly in a response to Ms. Blalock’s video: “Bookshelf wealth does not mean you have books. It means you have built-ins.”
Editors’ Picks
A Practical Guide to Quitting Your SmartphoneHow Sad Love Songs Tap Into the Chaos of DatingWhen WeightWatchers Ended In-Person Meetings, They Held Their Own
Madison Malone Kircher is a Times reporter covering internet culture. More about Madison Malone Kircher
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tanuki-kimono · 6 months
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First of all- thank you for your work with this blog. I really enjoy the information you share, and the kimono designs are wonderful. I have a question- I know you've talked about how 'men don't/didn't wear Bright Colorful Designs' is more complicated then people assume! (Which makes sense- saying 'in X period men Never Wore Colors' isn't true about, say, the Victorian era either!).
But to get to my point- I happened to be reading a very old collection of mysteries called "The curious casebook of Inspector Hanshichi". In them, a young Hanshichi is described as wearing a very bright red and yellow striped kimono that made him 'look like a merchant'. At the time I assumed this implied he was dressing a little flashily- I'm curious if I was right about that!
You most welcome :D
And the parallel you draw with Western men fashion is pretty accurate: we tend to think menswear was always pretty dull (arf modern business suits) when in fact this tendency is quite recent!
As to your question about fashionable Inspector Hanshichi (for those who don't know: hero of early 20thc detective novels with "supernatural" elements written by Kido Okamoto), I think you are right. The "look like a merchant" is probably a mix of:
He's dressing below/above is condition. I don't remember Hanshichi exact social status (is he a yoriki? a doushin?), but samurai class were supposed to dress differently from merchants for ex.
He dressing flashy - "nouveau rich" style. Merchant class was at the bottom of social order BUT hold in fact all financial power in Edo period. Some merchants tried to emulate samurai dress (=conservative), while others didn't hesitate to show their wealth and dictate new fashions.
He is dressy flashy - dandy style. Hanshichi is a wakamono (young) and probably fashionable man, following whatever trend he likes - a late Edo heritage of early Edo kabukimono (flashy young samurai)
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swabian-princess · 1 year
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5 life lections with me
Hey girlies,
I’ve come across many delusional posts in the last few weeks and I‘ve wanted to put my two cents.
Please, take all of this with a grain of salt because I am only twentythree and not some old oracle.
Lection 1: You probably won’t marry a billionaire, no matter what you do  
I know, many feminity and levelling up influencers tell you that eveything is possible if you do this and that.
Some swear that manifestation works and some tell that Jesus Christ himself blessed them after they joined certain church groups.
Okay, but let’s speak facts: the chances that you’re marrying a billionaire are very low.
The chances that you’re marrying a young, good looking, wants you to be at stay at home girlfriend billionaire are even lower. Those men have their established social circles and tend to marry women within those circles. If you don’t have the right background, social network and education it’s nearly impossible for you to get in those circles.
However, your chances on marrying a handsome looking, appropriate aged man with a good paying job are very high if you put the work into it. I‘m talking surgeons, dentists, lawyers or engineers.
Lection 2: You have to do the work
My dear @memoirsofmimimango recently wrote a post about modern trends (highly recommend checking out her blog, she’s speaking straight facts.) and she touched the subject manifestation.
YES, manifestation can alter your thoughts and put you in a better headspace to stay motivated and reach your goals but that’s it.
You won’t get abs because you wrote it 36 times on a piece of paper, no. You’ll have to eat right and work out.
You won’t magically find your soulmate because you wrote down a character description of them and put it under your pillow, no. You’ll have to go out, meet people and actually talk to them in order to build a relationship, wether it’s platonic or not.
Lection 3: Learn from your mistakes and forgive yourself
Everybody makes mistakes. Everybody. Yes, maybe those mistakes hurt like hell and drag you back down to rock bottom but you have to move on.
You have to move on and forgive yourself, even if it hurts a lot and even if you loose people on your way.
Let’s say you fail 9 times but have succes at your 10th try – you would never know if you didn’t try it one more time.
Lection 4: Value friendships
I go out and make an effort to make friends and keep them. It is so important that you have a couple friends you can trust. Yet, like every relationship friendships are not build over night.
We live in a time with unlimited messenger options, please, for the love of god – text your friends. Call them. Ask them how they are. Make them feel important and valued.
Lection 5: Health is wealth
It is so important to be healthy. Physically and psychically.
I live in Germany and I am very privileged to have 40 paid vacation days. I schedule those days so that I can have at least a few days off every few months and time for a bigger vacation every six months so that I don’t burn out.
I also go out of my way to eat healthy, cook and prepare fresh food and try to stay away from drugs, alcohol and cigarettes.
I get bloodwork done regularly and supplement accordingly. I’ll have to work on my workout routine but I try to get my 10k steps in every day.
Don’t take your health for granted, you’re still young and many people only think about how they’ll look and feel when they’re 80+.
Well, but between your twenties and eighties there are also a few years and you still want to look and feel good when you’re 40 or 60, so work on your health.
Selene  
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transmutationisms · 5 months
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ok maybe this is just me BUT. the thing i disliked the most about triangle of sadness was the vomiting scene. it seems to be a trend to use large amounts of vomit or diarrhea in art movie these days and i'm not even emetophobic or anything (i'm literally bulimic) but it feels so forced and gross for absolutely no reason. it doesn't feel like it's making a point or accomplishing something deep. it just feels like an eleven year old making fart jokes.
that was ultimately a really frustrating sequence to me, and one that i think is emblematic of a lot of the film's shortcomings. initially i thought it could go in a few different directions—using bodily functions as symbolic of the way wealth can produce misery even for those who have it; using the breakdown of a fine dining scene as a microcosm of the capitalist class's attempts to ignore crises that are occurring right in front of their faces; using the juxtaposition of waste and opulence to say something about the cost and production of luxury. i could have gotten interested in any of these reads, or others; there's a lot to say about how and when we depict bathrooms, excrement, &c onscreen.
however, i think 'triangle' ultimately gets stuck on a pretty superficial "eat the rich" line, and the whole food poisoning sequence end up being indicative of this sensibility. i'll go ahead and compare it to 'succession' because they're contemporaneous, about the ultra-wealthy, and depict bodily excretions. however, what works for me about the bodily functions and fluids on 'succession' is that the show is much more interested than 'triangle' in the psychologies of its characters. invoking piss, shit, or vomit on that show generally tells us something about their emotional states; it's also effective because we see specific ways in which those characters are uncomfortable with the idea that they have bodies, and continually try to deny them. 'triangle' doesn't develop its characters nearly so well (the most developed are both models, ie people who in fact are intimately aware of their own embodiment), so when we see them vomiting and shitting uncontrollably, it's not so much a psychological beat for them as it is an ostensibly cathartic (for us) way of humiliating these wealthy villains. this ties in with the film's suggestion that the characters have brought the food poisoning on themselves (by demanding the staff entertain them, thus causing the food to sit out too long), which give the whole vomiting sequence a pretty moralistic tone, like we're supposed to be smugly watching them get their comeuppance.
using incontinence specifically in this way is pretty casually ableist (again, it's less a psychological point where we're meant to understand that the characters themselves see this as particularly humiliating, and more a didactic point where we're invited to gawk at the spectacle of these people losing control of their bowels because they 'deserve' it), and it's consistent with an overall sensibility throughout the film that invokes superficial regurgitations of anti-capitalist politics and transforms them into mean-spirited retributive 'justice' presented as catharsis. there are numerous points in the third act specifically where it seems the film is interested in using the 'uninhabited' island setting as an opportunity to question and problematise established social forms by dialectically contradicting them—the flip in carl and yaya's relationship, abigail distributing resources to those who labour for them, the way carl being coerced into a sexual relationship and jarmo killing a donkey make explicit the positions they were perviously implicitly occupying in wealthy society as, respectively, a model and a tech mogul.
however, the film really fumbles an opportunity to do much of interest with this setup, because it's never willing to go beyond its insistence on punishing its characters for their previously luxurious existence. carl gets a partner who's using his body rather than his wallet and instagram followers, as he perceived yaya was doing. paula is stripped of her managerial role and treated like an employee, plainly echoing how she used to talk to abigail and the others. jarmo and dimitry are placed in a situation where they can't make themselves valuable by wealth, and instead must become bodily resources if they want to survive. none of this is developed or goes anywhere—it's stuck on, again, a sensibility of punishing the characters. i don't get the sense that anyone writing this film was interested in how these social forms come to exist, what sustains them, how they might be altered or broken—instead it's just a series of unsubtle attempts to match each character 1:1 with a suitable comeuppance. this is also why abigail, by far the most interesting character in the film, is so underdeveloped (to the point of not even existing until act 3!) and why the film doesn't succeed in saying much of interest about how, eg, racism or ableism produce and interact with structures of class exploitation. the most it can do is gesture in the direction of the things it wants to talk about (nelson and therese are both written really disappointingly in this respect).
i don't really find any of this cathartic, and it's often so heavy-handed as to strain credibility (every scene with the weapons manufacturing couple). ideologically it's deeply moralistic in a way that is incapable of saying much beyond a condemnation of rich people (which is not the same as a condemnation of riches, or the social forms that produce them). although i didn't initially read the food poisoning sequence as funny, in retrospect i do think it was intended that way—which is, again, ableist in a pretty insidious way, and is also just not really successful imo as a piece of comedy. as a film it's really no more interesting or insightful than any of like a thousand other milquetoast gestures toward the same superficial understanding of capitalism as little more than a result of wealthy people being greedy or lazy. justice (a better film) for abigail 2k23
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