guys, i just did the unthinkable

i did the work more than 24 hours before the deadline

Fellas- I have a confession...

I was a movie girly only-

I KNOW I KNOW- I WILL HAND YOU THE STONES MYSELF-

Id always wanted to read the books but never commited- and they were always checked out at my schools library. But I just got off for the semester and Ive been needing some more inspo for my writing and something to get me back into reading.

SO I just thrifted (almost) all of the books- and starting now I will be reading them and posting my reactions of the text both so I have a lil dialouge to keep track of the series AND because that way I can spam as someone who only knows HP as the movies and from obsessing over the fandom for so many years.

Wish me luck.

TL:DR- Im reading HP for the first time, stay tuned for reactions.

Who let me cook

FREE FROM PROCRASTINATION AND ART BLOCK 🤑🤑

No 811 art but have old 811 art

Okay, now I REALLY need to get to my homework and reading!!!!  😩😓

ten billion soggy bane of arthropods

More Aurora!

actually the fact that odysseus knew he'd be gone for 20 years makes the gears in my brain turn. You kiss your son goodbye knowing you will miss every milestone of his. He will be a grown man and will not remember you. You will be a father only by title. Your wife will lay alone in your wedding bed, she will wake and see the side you've slept on is empty. You won't hold each other for a long, long time. Your parents may not even be there to welcome you back. You know you will return, but the war stretches on and on. Your comrades fall. Your ships are on fire. Your best warriors are nothing but ashes in an urn. But it's eventually over, you can go home. But still, there's more time left. First it's a storm. It's winding up in strange lands. It's hunger. It's temptation. Your men grow weary. You have twelve ships and then you have one and then it's only you on a single timber. You know you will return, but everything has gone so horribly wrong that you can't help but wonder if the fates fooled you. Everyone you know is either dead or are living again. You are the only one stuck in between. Neither dead or alive. You sit on a beach staring out to the sea from the moments the birds sing til the sun dips over the horizon. Every day is the same - you sit on the stones and weep, you trek the shores, during the night you're in her bed. Your skin is cracked and sunburnt, your beard long and tangled, your hair etched with more and more silver hairs. Your eyes are dull, sunken. Your bones ache when you walk, your breath is shorter. The sun rises and sets. The waves wash away your footprints. You are growing old but the island is the same. You are left behind. Your home will change and you won't change with it. In fact, everyone will change, but you will not recognize what's different. Some of the lines under your eyes will be the hauntings of war, while your wife's will be from the sleepless nights of buying you time. You flinch when you see each other. You expected to see someone else, and she expected to see no one at all. You could once hold your boy in your arms, but now it feels like he's the one holding you. The trees in your orchard have grown taller. Some of the houses in your kingdom are empty. The children that sat on your knees now have their own children on their own knees - or they lie dead, by your own hand. Who are you? Who is your son, your wife? You will get to know each other, you will change together eventually. But there will still be something off, like a brick not fitting quite right in the foundation. Off like a living man among the dead, someone who wasn't fated to die, but was supposed to die a long time ago. A dead man among the living. You will not belong, even though you are the father of your son, the husband of your wife, the son of your father, the king of your land. There will always be something missing, something aching.

And you are willing to let it all happen when you lift your baby son from the field, away from the plow.

you should totally get on that school work!!! i mean. i don’t expect you to do all of it on the spot or anything, but but but just try doing a small amount at a time. you can be lenient with all the breaks and stuff you take, so long as you actually get some work done .. !!

Aaa thank u mika ... ure so right, getting some of it done is still better than none of it hrmmmm

Any tips on learning to make buttonholes? I've been putting it off for.... *checks notes* like three years.... but better late than never and all that. I don't have any fancy machines so I gotta do it by hand but that seems right up your alley.

Thanks!

It IS up my alley, yes, I do most of my buttonholes by hand!

I'm actually part way through filming an 18th century buttonhole tutorial, but I expect it'll be a few more weeks before I finish that and put it on the youtubes, so in the meantime here's the very very short version. (The long version is looking like it'll probably be about 40 minutes maybe, judging by how much script I've written compared to my last video?)

Mark your line, a bit longer than your button is wide. I usually use a graphite mechanical pencil on light fabrics, and a light coloured pencil crayon on dark ones. (I have fabric pencils too, but they're much softer and leave a thicker line.) You may want to baste the layers together around all the marked buttonholes if you're working on something big and the layers are shifty and slippery. I'm not basting here because this is just a pants placket.

Do a little running stitch (or perhaps a running backstitch) in fine thread around the line at the width you want the finished buttonhole to be. This holds the layers of fabric together and acts as a nice little guide for when you do the buttonhole stitches.

Cut along the marked line using a buttonhole cutter, or a woodworking chisel. Glossy magazines are the best surface to put underneath your work as you push down, and you can give it a little tap with a rubber mallet if it's not going through all the way.

I'm aware that there are some people who cut their buttonholes open using seam rippers, and if any of them are reading this please know that that is abhorrent behaviour and I need you to stop it immediately. Stop it.

Go get a buttonhole cutter for 10 bucks and your life will be better for it. Or go to the nearest hardware store and get a little woodworking chisel. This includes machine buttonholes, use the buttonhole cutter on them too. If you continue to cut open buttonholes with a seam ripper after reading this you are personally responsible for at least 3 of the grey hairs on my head.

Do a whipstitch around the cut edges, to help prevent fraying while you work and to keep all those threads out of the way. (For my everyday shirts I usually do a machine buttonhole instead of this step, and then just hand stitch over it, because it's a bit faster and a lot sturdier on the thin fabrics.)

I like to mark out my button locations at this point, because I can mark them through the holes without the buttonhole stitches getting in the way.

For the actual buttonhole stitches it's really nice if you have silk buttonhole twist, but I usually use those little balls of DMC cotton pearl/perle because it's cheap and a good weight. NOT stranded embroidery floss, no separate strands! It's got to be one smooth twisted thing!

Here's a comparison pic between silk buttonhole twist (left) and cotton pearl (right). Both can make nice looking buttonholes, but the silk is a bit nicer to work with and the knots line up more smoothly.

I've actually only used the silk for one garment ever, but am going to try to do it more often on my nicer things. I find the cotton holds up well enough to daily wear though, despite being not ideal. The buttonholes are never the first part of my garments to wear out.

I cut a piece of about one arm's length more or less, depending on the size of buttonhole. For any hole longer than about 4cm I use 2 threads, one to do each side, because the end gets very frayed and scruffy by the time you've put it through the fabric that many times.

I wax about 2cm of the tip (Not the entire thread. I wax the outlining/overcasting thread but not the buttonhole thread itself.) to make it stick in the fabric better when I start off the thread. I don't tend to tie it, I just do a couple of stabstitches or backstitches and it holds well. (I'm generally very thorough with tying off my threads when it comes to hand sewing, but a buttonhole is basically a long row of knots, so it's pretty sturdy.)

Put the needle through underneath, with the tip coming up right along that little outline you sewed earlier. And I personally like to take the ends that are already in my hand and wrap them around the tip of the needle like so, but a lot of people loop the other end up around the other way, so here's a link to a buttonhole video with that method. Try both and see which one you prefer, the resulting knot is the same either way.

Sometimes I can pull the thread from the end near the needle and have the stitch look nice, but often I grab it closer to the base and give it a little wiggle to nestle it into place. This is more necessary with the cotton than it is with the silk.

The knot should be on top of the cut edge of the fabric, not in front of it.

You can put your stitches further apart than I do if you want, they'll still work if they've got little gaps in between them.

Keep going up that edge and when you get to the end you can either flip immediately to the other side and start back down again, or you can do a bar tack. (You can also fan out the stitches around the end if you want, but I don't like to anymore because I think the rectangular ends look nicer.)

Here's a bar tack vs. no bar tack sample. They just make it look more sharp, and they reinforce the ends.

For a bar tack do a few long stitches across the entire end.

And then do buttonhole stitches on top of those long stitches. I also like to snag a tiny bit of the fabric underneath.

Then stick the needle down into the fabric right where you ended that last stitch on the corner of the bar tack, so you don't pull that corner out of shape, and then just go back to making buttonhole stitches down the other side.

Then do the second bar tack once you get back to the end.

To finish off my thread I make it sticky with a bit more beeswax, waxing it as close to the fabric as I can get, and then bring it through to the back and pull it underneath the stitches down one side and trim it off.

In my experience it stays put perfectly well this way without tying it off.

Voila! An beautiful buttonholes!

If you want keyhole ones you can clip or punch a little rounded bit at one end of the cut and fan your stitches out around that and only do the bar tack at one end, like I did on my 1830's dressing gown.

(I won't do that style in my video though, because they're not 18th century.)

Do samples before doing them on a garment! Do as many practice ones as you need to, it takes a while for them to get good! Mine did not look this nice 10 years ago.

Your first one will probably look pretty bad, but your hundredth will be much better!

Edit: Video finished!

And here's the blog post, which is mostly a slightly longer version of this post.

Good Gorgug Hunting

i'm seeing these posts so i'm gonna do it just for fun (knowing i'll get five notes at most), but writer's version:

100 notes and i'll try to post regularly on instagram.

200 notes and i'll make a routine to write daily.

300 notes and i'll start to exercise, drink more water, eat fruit and study more.

500 notes and i'll FINISH WIPS (works in progress).

1k notes and i'll EDIT MY BOOK.

2k notes and i'll propose marriage to my best friend.

5k notes and i'll go to mexico to see a boy (please don't) (i'll never get 5k (i hope)).

EDIT: Y'ALL ARE CRAZYY. crying bc now i'll have to do the stuff but i love you all.

Quite frankly still obsessed with the three of them

A little procrastination doodle

Been wanting to draw some fanart for Poor George MAP since it's my favorite one, and because it was its anniversary recently, I finally did it :>

ID: A digital drawing in two panels with characters from Warriors. In the panel above, there's Yellowfang watching Brokenkit play with a moss ball, she looks endearingly at the little kit; they're in a green environment and plants surround them. In the panel below, Yellowfang is in the same possition, looking down at an adult Brokenstar at her feet, already dead, she looks sorrowful. Fireheart is by her side, looking at her with compassion. They're at ThunderClan's medicine den.

I just realized that I haven't drawn them kissing yet!! Had to remedy this immediately.

💚🖤💚🖤💚🖤💚🖤

How We Made Our Quadrant Athletes Film