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#book writing
grandestheart · 3 days
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𝐃𝐨𝐧𝐭 𝐠𝐞𝐭 𝐥𝐨𝐯𝐞𝐬𝐢𝐜𝐤 𝐚𝐥𝐥 𝐨𝐯𝐞𝐫 𝐭𝐡𝐚𝐭 𝐬𝐮𝐢𝐭. - lyra x grayson
req from @lyrakanefanatic
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-.-
Grayson Hawthorne had been stood outside his phone girls room for the better part of half an hour, he had no idea whether or not she was in there but he needed to tell her…
Grayson wasn’t what you would call a drunk, that was Jamesons job, but after a long week of game mastering or whatever, he needed it. So there he was, pacing outside lyras room, knowing what he was about to do was a very bad idea.
Grayson knocked.
A very confused Lyra Kane opened the door. “Gamemaster?” She tilted her head to the side, “why are you here.” Grayson stumbled towards her, “y-your here.” He gave her a lopsided smile. “Of course I’d be here, this is my room.” Lyra raised an eyebrow. Grayson pushed past her, stumbling into her room and threw himself onto her bed. “Oh you’re fucking wasted..” Lyra walked towards him, “Grayson, listen.” Grayson did not listen, “l-ly-ra I ha- important-t to tellll yo-.” Lyra pushed a pillow behind his head, “okay Grayson you have something important to tell me, I’m gonna go get you some water, you stay here.”
Lyra was gone for about a minute before she came back with a glass and a pitcher full of ice water. “Drink this.” She shoved the glass in his face. “Y-ou s-so beauuu-tiful” Grayson attempted to give her a kiss on the cheek. Lyra pushed him away, “That wasn’t very professional of you was it mr game master?” Grayson shook his head, “no.” Lyra giggled, “come on, drink up Hawthorne boy.” Grayson sipped his water, he had to tell her soon.
Once Grayson had sobered up a little, he decided it was now, or never. “Lyra, do you remember that thing I wanted to tell you,” Grayson looked up at her. “You’re still on that?” She asked, putting her phone down to look at him. “Yeah um- I’ve been meaning to tell you this for a while, and I guess im only telling you now because I’m drunk out of my mind, I’m in love with you. The games ending soon and I’m scared for you to leave me, you make me feel like something, I am so so in love with you Lyra Kane.” Grayson took a shaky breath and waited for her reaction.”
“g-grayson, I can’t- we can’t Grayson, it’s not-“ Lyra shook her head, “what am I doing, you’re wasted, you don’t mean any of that.” She muttered. “I do.” Grayson sat up. “I do mean it Lyra, I mean all of it.” Lyra kept shaking her head, “no- no you don’t.” Grayson rested his hand on her shoulder, “Lyra, please- i love you.”
When Lyra looked back at him she had tears in her eyes. “Are you serious?” Grayson nodded, but before he could reply, Lyra grabbed his blazer and kissed him. Grayson lifted his hands to her face and kissed her back, they had kissed before, but never like this. Grayson pulled away, “Lyra, love, I would kiss you again, but I think I’m going to be sick” Lyra laughed in his face and kissed his cheek.
“ok, let’s get you into bed before you vomit all over your suit, Hawthorne boy.”
-.-
I hope you like it xx i love them so much and writing for them so this was so amazing to write for you 😚
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xisadorapurlowx · 5 months
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lucidmagic · 7 months
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Repeat after me:
The first draft just needs to exist
The second draft needs to be functional
The third draft needs to be effective
The first draft just needs to exist
The second draft needs to be functional
The third draft needs to be effective
The first draft just needs to exist
The second draft needs to be functional
The third draft needs to be effective
Remember, the second and third can't happen if you don't have something to work with. Your first draft will always be shit compared to your third, but at least it exists. The worst first draft is an unfinished one. The best first draft is a just completed one.
You read books/stories not in their first draft form-- only in their finished form (third, fourth, sometimes fifteenth draft). So stop comparing your first draft with a final one.
So, just write--you can make it better later. Perfectionism is the greatest weight a creator can carry.
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biscuitsandspices · 7 months
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If you hate writing outlines it's because of how they're taught in school. Toss out indentation and Roman numerals and map out your writing how you want to. Outlines are your FRIEND, dammit. This goes for everything, from political essays to fanfiction. If it's written you need an outline because the outline is for you. It can be general, vague, or a mixture of both! Be as informal as you want, who cares. They're to keep you on track and keep your writing flowing, so don't disregard them even if you dreaded making them in grade school. My outlines by chapter tend to look like this: 1. Character "P" goes to the diner to meet character "Q."
2. "P" tells "Q" about how the confrontation went. (dialogue I thought up on a bus ride) That's when shit goes DOWN. They're yelling, they're drawing attention to themselves, but before they can take it outside, "P" says (dialogue I thought up in the shower).
3. THEN "Q" SAYS THAT ONE LINE THAT "R" SAYS TO HIM IN CHAPTER FIVE BECAUSE THAT'S CALLED COHESION WOOOOO
4. idk they both leave??? you'll figure it out later
5. Self-reflection for "P." Keep your main point on how his moral compass goes to extremes and hurts others. He finally is realizing that HE is the PROBLEM
6. "P" drives to "Q's" house to apologize but GUESS WHO ANSWERS THE DOOR it's "R" and then just end the chapter there This is coming from someone who didn't write with outlines for years. Now I don't write anything longer than 400 words without one! Make them your own, make them so that they're useful to you. That's their purpose, so accept the help!
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there are two moods reading something you wrote months ago:
this is garbage
i am a GODDESS
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mistblossomdesigns · 1 year
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A Bare Bones Guide to Outlining a Fantasy Novel in Three Acts
If you're trying to write a fantasy novel and you're feeling overwhelmed by the process, try to break down your story into three acts as follows...
Act 1
Introduce the status quo - setting, main character, and any struggles they currently face
Create an inciting incident
Show your character's hesitancy to welcome change
Have your character take a chance and start their journey
Act 2
Introduce friends and mentors
Include trials and obstacles
Let your character have a mini success
Have your character doubt themselves regardless of their success
Act 3
Increase tension with more obstacles and rising action
The climactic high point - a.k.a. the final showdown
Show the aftermath and what your character has overcome/sacrificed in order to succeed
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averyauthorship · 2 months
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Above, you will see my very accurate representation of every time Word decides that something is grammatically incorrect (when it isn't) and won't let me ignore it.
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weltato · 5 months
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Writers of Tumblr, listen up! This has probably been said before but I'mma say it again:
Do you feel like you're procrastinating on your current fic by writing down another one because an idea struck you at 2am? No you're not.
Do you feel like you're procrastinating on your current fic because you've been doing school/uni/job work? No you're not, that stuff is more important than how many socks Deku wears on any given day.
Do you feel like you've been procrastinating on your current fic because you just haven't had the energy and all you want to do is binge YouTube videos and eat ice cream? No, you're not, take care of yourself!
Are you down because you've got three WIPs open and can't think of how to fit some scenes together? Don't bother, just keep writing the fun and interesting scenes.
If writing is a fun hobby for you, don't make your fun hobby into a chore.
If writing is your job, don't turn your job into a chore.
We as humans work better when we're enjoying what we're doing - just think back to when you were in school: what lessons do you remember the most of and which ones did you enjoy?
As Star Trek keeps telling us: time isn't linear, it's relative. So why do we have to write things in linear order? No one ever really told us to do that, school systems just assumed it. They said "write a beginning, middle and end, in that order" because it was the easiest and most streamlined approach.
But this is your fic or your book or your assignment, you don't have to write it that way. Write it in the way that the ideas come.
If the opening is hard, write the big fight at the climax. If the connection is eluding you, write the scenes it's supposed to connect between and see what happens. You'll get there, I believe in you <3
At the end of the day, please enjoy writing! Enjoy reading too! If you have kids or know kids, encourage them to read! Little kids especially have a tendency to copy what older people do, so show them books you love.
Don't feel bad because you haven't updated a fic in months. You've been letting the ideas cook and they just have a really long cooking time. Re-read some stuff and maybe some ideas will come up. Listen to music, watch your shows and films, read other books and fics. Go for a walk, even - you can get inspiration from anything.
WIP owners: I believe in you. You can do this! They might sit there and taunt you, or beg to be finished, but if you can't do it right now then you can't do it right now and you should take a break. Save it, close it, do something else. Come back to it when you're ready.
💜💜💜
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novlr · 3 months
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“No one can take writing away from you, but no one can give it to you, either.” — Meg Wolitzer
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adventuretolkienlover · 7 months
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My mom gave my some great writing advice and I want to share with y'all. (She gives the best advice. I love you Mama!🥰)
Basically it's this. When writing a story, you may be worried about plot holes, quirks, and other imperfections. But the things is, no story is absolutely perfect. All of them have a little something. Something that doesn't quite fit. A plot hole or two. Even Star Trek has plot holes! (Like where the heck Earth is?) But a good story is a good story. What's most important is that, it's fun to read and to write. A little problem here and there won't take away from the experience if it's good. So go easy on yourself! Not everything needs to be explained. Just write. Enjoy yourself. If you can find a way to fix a plot hole, great! If not, that okay too. Maybe you'll figure it out later. Maybe you won't and you'll try something different. Or maybe it's not all that important and it can be left alone. Just don't stress.
Alright that all. Peace out my dudes.✌️
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xisadorapurlowx · 5 months
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thewriteblrlibrary · 3 months
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Random writing tip that works strangely well #2
Have writer's block but still feel the urge to write something?
Then go back to stuff you've written before and do some editing <-- preferably the sort where you add/remove parts of sentences and make the whole thing read and feel nicer (rather than grammatical errors)
If you write digitally, I recommend printing off your WIP and handwriting the edits on top.
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Don't go overboard with this though! I used to spent every writing session editing my previous work first, and I got so obsessed with making it perfect that it all started to sound stunted. Have fun with it!
And as always - the best writing methods are the ones that work for you, take what you need, modify it for your wip, or make something up on your own. There's no need to take advice as the end all be all!
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jessequinones · 22 days
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Writing Advice: Filler Chapters
I uh...didn't intend to write three different things about chapters but uh...at the bottom of this post there'll be links to my lore chapter and just overall chapter articles.
So, this doesn’t apply to a lot of stories, but mainly to the ones who use a lot of actions. It’s ok to take a break. I’m reading a book at the moment and while there are slow moments in these chapters, once the plot gets moving, there’s almost some kind of action scene or suspense going on that keeps the characters moving. The characters hardly take a breather once the plot gets moving and I would like to tell everyone, it’s ok to relax.
Moving from one action set piece to another can be quite tiring, as the characters and the readers don’t get a chance to take a break. Sure the characters can pause every couple of minutes, but the reader knows it’s not gonna last and is sometimes just waiting for the next action sequence to happen.
Filler chapters are great because they break up the story to allow readers to relax while also exploring your world and characters before the next action set piece occurs. I understand filler chapters get a lot of flak because they don’t contribute to the plot, but that’s fine. They aren’t meant to contribute to the plot, if they are, then they aren’t filler. Filler chapters are used to help fill out the world and the characters while giving the readers time to pause and reflect on what's been going on.
When is it a good time to add filler? That choice is up to you, but let’s take a look at some examples. If your characters are on the run, and others are chasing them. You can add a filler chapter while they’re resting. It doesn’t have to be much, but enjoying downtime at their campfire before moving can be a great way to show off your character's personality. Maybe even hint at some romance if you want.
If your characters enter a new place, at least give that location one chapter before destroying it. In this book I’m reading, the main character goes back home to realise there’s a festival. They meet up with their childhood friend and for a brief moment, they’re happy. That doesn’t last an entire entire chapter. In one chapter they go back home, in the next it’s destroyed, and there is no rest period. There was a moment where the main character and the love interest had a brief moment being cute together, but it wasn’t for an entire chapter. It goes from them being cute, to death.
This location, of the main character's home, could've had great filler. The main friend group could see where this guy grew up. We could see the festival, and how the culture in this town plays out. We can catch up with old characters and have playful banter. There are so many extra scenarios the story could’ve gone into if the story just took a moment to rest. (This isn’t a small book by the way, over 400 pages). Not to mention, this is just after one of their friends had died. Use this new location to show us how they’re reacting to said death. Talk about it. Give them space to breathe, it’s fine.
If you go from one action set piece to another, it might start to feel like these fights ARE the filler as if you have too much, they start to lose their meaning. I skipped over two characters' deaths because I didn’t care for another fight sequence. In both of these character deaths, the main character never has time to reflect on them so I just don’t care, no matter how major these deaths are. There’s never any time to reflect on them. I’m not saying you need to reflect on every death, but some deaths in which the reader might go, “Hold up...that should impact you...why aren’t you affected?” does take you out of the story as you might start questioning the entire relationship between the alive and dead characters.
Filler chapters are most commonly used for romance. Once the characters can breathe, and relax, they start to grow and get close to one another. Filler romance chapters are a great way for readers who don’t care about romance to skip them if they just want to get back into the action. Using filler chapters for romance does make the romance feel more natural since you get the vibe they’re connecting and you as the reader can feel like you’re connecting as well.
Let’s go back to my earlier example, the main character and the love interest in the town in which the main character grew up in. It’s a festival and everyone is having fun. Remember that cute moment which gets interrupted? Don’t interrupt that part. Use the entire chapter as a way for their bond to feel closer, for them to get to know each other, talk about what's on their mind, reflect on what happened so far, and maybe...even...kiss each other. *gasp* It’ll make their moment feel more impactful, as the reader knows it's not gonna last, but for one chapter, it feels like there's happiness.
Filler chapters are also used for world-building. While I understand, that not a lot of people like filler chapters being used for lore, because if the lore was important, why isn’t it implemented in the actual story? But sometimes, if you can only squeeze in the lore in filler chapters, that's all you can do. Now, while I do recommend if there’s anything noteworthy that you don’t want your readers to skip over, maybe don’t put those in the filler chapters. What I personally like to add is just fun little world-building stuff. Things that the reader doesn’t need to know to understand the plot but if they read it they can see that the world is bigger than what the plot gives off.
Honestly, I could probably write another article on how to do this, but I’ll summarise how to use filler chapters for world-building. If your characters are in a city, use one or two chapters to show off that city's culture. You can do this by having them go to shops, or engaging with the locals. If your city is set more modern, have them watch ads that give off snippets of how the world is operating or what’s going on. The city is such a great place to drop your characters in because anything you can think of what to do in a real city, you can do it in a story.
If your characters are at a campfire, and one of them is smart, have the smart one talk about the world, if they’re in a cave and just exploring, have them discover something interesting in the caves. If your characters are in a small town, spend a chapter at a tavern, and have them overhear a song that explains the plot, or adds some lore. Have them go to a church and witness the religion of that area. I think you get the picture. Having your characters interact with the world around them, instead of always making a dash for the main plot will make your story feel a bit more full.
Use filler chapters as a time to reflect and pause on the story. This is mostly used after a character dies and for good reason. If someone dies, you need time to process it. Having your characters always on the move, especially after someone dies feels kind of weird. If five chapters go by and your characters never get time to reflect on someone's death, especially if the dead character was important to another, that might make the reader feel like you didn’t care about said character. If a reader feels like you don’t care about certain characters, but the readers did, the reader might feel betrayed since they wanted time to reflect but never got a chance to.
In the book I’m reading, a character, who’s in a relationship with another, died around page 192, I’m currently on page 278 and not once, did they ever reflect on said death. The character's lover is sad, and the one who caused it, feels guilty, but we don’t get to hear them talk about what happened.
We have, filler chapters being used for romance, lore building, and character deaths, what about just fun? You know how in anime there’s almost always a beach episode? Do a beach episode. Do a fun little chapter that just shows your characters having fun. Yes, I know the world is gonna end if they don’t hurry, but no one is gonna complain if your characters take some time off from saving the world. Again, the best thing about filler chapters is if someone doesn’t like them, they can skip over them. For me, seeing characters take the time to be themselves makes them feel more real. Show off a little goofy trait they have, show off an uncommon fear, just something to show these characters are real. They’re not just one note, they have depth and a personality. If you want, pair up two characters that don’t spend a lot of time with each other and see what happens.
When are filler chapters bad? They only end up bad when there’s a bit too much of them and it feels like a chore to get through just for the main plot. Filler chapters work best if they stand alone and aren’t long. Maybe two chapters back to back, but never three. At that point, readers might start to think these filler sections are actually part of the story. You also shouldn’t be adding in filler chapters whenever you want, sometimes the characters do need to just focus on the main plot of the story. If they’re approaching the villain's lair, you might not want to put down a beach episode, however, just before they approach the evil lair, give them a small chapter to reflect on what's going on and what might happen is fine. Time and place.
Filler chapters at the beginning of the story are also something you might want to avoid, at least until it’s clear when the plot starts. It’s a bit hard to determine what’s filler and what’s setting up the story, but one easy way is to ask yourself, if a reader skips this, will they be missing out on anything? I think it’s a good rule of thumb to establish the main plot of your story around chapter 5. That way you have at least four chapters of buildup, setting up your characters, and the world, as you prepare your readers for what's in store. Once the plot gets moving, it’ll be up to you to figure out when to add in filler chapters, but keep in mind, that some readers would like to read a few chapters of plot-related stuff before their first filler chapter. So if chapter five is when the plot begins, chapter six probably shouldn’t be a filler chapter.
I think that about covers it for now when it comes to filler chapters. Try to imagine a sandwich when you’re making a story. The first bread is the start of your story, the foundation. It’s where the first five chapters go to get the readers invested in what’s about to happen. Then you fill the sandwich with plot-related chapters, and you add filler like the sauce or seasoning. You don’t want to overdo it, but adding them can help make your sandwich taste a lot better. Then you end your story with another piece of bread to seal the deal. Remember, if your plot is about saving the world, and you only focus on that, your sandwich won't be that big, even if there are a lot of chapters.
Don’t get me wrong, some people like a simple sandwich, but if you want to expand it, your story needs to have more than just saving the world plot. Side plots, filler, and character plots can contribute to the overarching plot of your story. After your readers have finished digesting your story, they can look back and be like. That was a good, big sandwich.
Lore chapters post: https://www.tumblr.com/jessequinones/745713565342760960/writing-advice-lore-chapters?source=share
Chapters post: https://www.tumblr.com/jessequinones/745095489988509696/writing-advice-chapters?source=share
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tvaccaro · 8 months
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It's okay if your first draft sucks!
Creating is hard. You're literally sifting through the dark recesses of your mind piled to the brim with chaotic thoughts and ideas, and desperately hauling them out into the light. Of course it's gonna look like shit at first!
Be patient and kind to yourself. You need time to take what you've brought back, rearrange and experiment with it, and eventually curate it into a beautiful story.
You're still getting to know your work. Don't give up on it just before you discover the beauty beneath.
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mistblossomdesigns · 1 year
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How to Write Captivating Mystery Plots
Tips for mastering the art of suspense in your storytelling.
Add physical and psychological clues in the first act.
Give enough information about the victim to make sure your readers will want justice for them.
Introduce a motif or symbol early on that will appear again during the conclusion.
Introduce several false suspects within the first act.
In the second act, try to steer the investigation toward a false conclusion.
Set up red herrings at the start of the second act.
When your detective has almost solved the crime, create a false sense of success where they feel like a piece of the puzzle is missing.
Hope this helps give you a bit of a start with your mystery writing!
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