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#hero versus villain
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“Everyone loves a good villain. One who cackles at the sky and shakes their fist and brings some form of doom to something or someone. It is fun to have someone to root against and root for — especially if they have a fun, cosplay-worthy aesthetic. With all that goes into stanning our favorite villains of all time, there is something to be said about examining the superficiality of villainy.
Like many character types, villains have often been visually identifiable. They have some costume or way of moving or physical features that mark them as villains in the story. Villains look bad or evil. Villains just look like villains. This is where some of the problems start with who we assign villainy to in storytelling. A hero versus villain narrative is often an Us versus Them set up, with Us being on the side of the hero and Them being on the side of the villain.
I recognize that sympathetic villains have recently been on the rise. I, for one, have also argued there are more generous ways of interpreting villains from our literary past. Nevertheless, when we look at the big picture of villains, they are often the othered members of society who are wrong or bad or shunned.“
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blacksheep28 · 1 year
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The villain's ultimatum was as simple as it was cruel: save their lover, or save the city that was planted with bombs. They couldn't do both.
Trying to be a hero had perhaps been a mistake. They had never been big on fighting. Most of their heroics had been quiet things, intervening to help someone get away where they could, fighting fires, doing what support they could for another of the heroes in the city. Unfortunately they had managed to catch the eye of a villain, and had quickly found themselves in the terrible position of spending their time as a hero defeating death traps instead of rescuing lost pets.
And now this had happened. Their entire body trembled. This was someone they loved. Someone they gave everything they could to. And they could see that their lover was desperate for them to choose them. To show that they really loved them. They'd just had a discussion the other day about the hero needing to prove their commitment to their lover. They'd agreed, thinking it would be easy. They did so love them, after all.
But now they had a choice, and they didn't know what to do. Do they lose the one they love, or do they let the deaths and screams of the casualties the villain was sure to create with their bombs haunt their dreams?
They never should have tried to be a hero.
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bleue-flora · 5 months
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There has been a lot of discussion regarding c!Quackity, c!Tommy and c!Dream recently, a good portion stemming from the recent video circling around, where it is depicted that c!Tommy not only knew of c!Quackity’s torture but approved.
But while I could write an essay about it (ok yea I did…but) instead I want to shift the focus a bit, away from the same debates we keep having year after year. Because I think we’ve become too focused on the characters themselves over the audience's perception of them and too focused on morality, justification, and right and wrong in a story where everyone is morally questionable. Because at the end of the day it isn’t whether c!Dream or c!Tommy were actually right or justified, it is about - Who you root for and why. It is about (you) the audience's perception of the characters, not the characters’ perceptions of each other. Sure, c!Tommy himself feels justified in hurting c!Dream but do you believe he was.
With that thought in mind I found myself reading a 24 page research paper last night on a psychological study that looked at what an audience defines as the hero and villain. Why they are naturally pulled to like certain characters and hate others. What the audience’s classification of morality in regard to the characters of fiction where the conditions of morality are often not defined. One of the things shown in the data and line up to real life is that at the end of the day, heroes and villains are not defined on true purity and morality itself. If they were, action heroes and anti-heroes wouldn’t be successful and enticing. And yet, anti-heroes are some of the most beloved characters. In fact, I for one am typically drawn to violent anti-heroes, some of which are the heroes despite being perhaps sadistic murderers and torturers. But if the audience doesn’t simply define hero and villain as ‘good’ and ‘evil’ then what is pulling us toward taking one side over the other.
The answer is actually more complex than you might think. According to this paper, the first thing taken into consideration in a viewer’s appeal or unappeal of a character has to do with what the viewer considers “appropriate behavior.” Simply put, “appropriateness” is basically a social judgment which serves to approve or disapprove of a character’s behavior. This can be based on many things, such as cultural norms, societal code of conduct, your personal morals or experiences. And I think this is key, because I for one see stealing and griefing when I play Minecraft as seriously hurtful things to do (even though you can always rebuild). To the point that if you blow up the house I spent hours building or take my items it can ruin the fun for me entirely. So my definition of the appropriateness of such behavior might differ from people who take those things much more light-heartedly, causing me to disapprove of c!Tommy more than they would for that behavior.
Even further, when it comes to determining their appropriateness of behavior as in whether we tend to approve or disapprove of them we can look at moral domains, which spark our moral intuition instead of simply categorizing everything into ‘good’ or ‘bad’ since not even our subconscious brain is always so black and white. In the research I read, they looked at two sets of domains (aka sets of relating attributes used to measure and compare): The person-perception domains of Warmth (tolerant, friendly, warm, polite, gentle, trustworthy), Competence (intelligence, cleverness, opposite of stupidity, efficiency) and Duplicity (mad, tormented, violent, and tragic), which help to measure our perception of morality in characters as well as the five moral domains of MFT - harm/care (concerned with the suffering of others and empathy), fairness/reciprocity (related to justice), authority/respect (related to hierarchy and dominance), ingroup/loyalty (common good and punitiveness toward outsiders), purity/sanctity (concerned with contamination). According to the research behind these domains, we, the viewer, evaluate characters immediately and without cognitive deliberation. In other words, when characters fulfill domains it sticks with us and when they violate domains it can send out major red flags to us as soon as it happens without us thinking about it, not later in more considerate retrospect. So then, it makes sense that now as we debate we struggle to find common ground because our judgment was made ages ago and it's hard to reason with our already defined moral intuition.
As such, since I started getting into the dsmp first by watching all of the recordings of previous streams in order in this one playlist then going onto watching all of the blueberrytv videos (at the time of course), which edit the streams to allow you to see things from multiple perspectives. Therefore, I watched things from the very beginning, back when it was just c!George and c!Dream goofing off and dying in the nether. So, my intuitive judgment of c!Dream involves him building the community house, always trying to keep the peace between his friends, exploring the world so he can bring back all the types for wood for people to build with, building the prime path to connect everyone's houses together to make for easier travel, rebuilding Tubbo’s house after c!Tommy burned it down, helping c!Ponk when people kept burning down his house. These are just some of the moments I suspect helped to form my evaluation of him. Showing him as being very empathetic and caring, being loyal to his friends and accepting of new people, being a mediator and trying to keep things fair between his friends, fulfilling at least 3 (since he kinda is the authority that is hard to classify) of the moral domains. The streams also depicted the characteristics with warmth as well as competence and intelligence. So immediately my perceptive moral intuition deemed him the hero. As he fulfilled the warmth and competence domains of the one method and most of the domains of the other method without violating them in an obvious enough manner for me to remember at this moment (These are by no means the only reasons why I’d be inclined to root for c!Dream but that's beside the point).
On the other hand, my introduction to c!Tommy was him immediately breaking the three rules, by going around taking down donator’s signs, griefing, stealing, claiming things and property as his, trying to kill people until he ends up being banned. So he hurt others and causes harm, he is invited to join and have fun but fails to reciprocate that by going about and messing things up, he immediately disrespects everyone and defies authority by breaking the rules, hard to say on loyalty though (as mentioned above) him burning down c!Tubbo’s, his best friend, house doesn’t give me the impression of loyalty, concerning purity he scams and lies, is obsessed (though hardly the only one) with male genitalia (which I personally find unsavory) and is disrespectful towards women so definitely failing in the purity and sanctity domain as well. In regards to warmth, I wouldn’t say so, nor particularly competent, though certainly meeting the more violent and aggressive elements of duplicity. So in other words, in just his first few streams he has violated every moral domain, while also not meeting the warmth or competence but meeting duplicity. So immediately my impression of him is to dislike and disprove as my moral intuition labels him as a villain.
In other words, perhaps our affinity for characters and perception of their morality has less to do with actual legal or other measurements of morality but more of what our initial impression was that formed our judgment from the very start. Because at the end of the day, I feel like the discussion needs to be less about whether this character or that character is ‘good’ or ‘bad’ because their motivation or trauma justifies their behavior and more about what qualities do you appreciate about the character. At the end of the day, it's fiction and you should be able to love or hate whatever character you want regardless of morality or right & wrong. It’s your opinion and I don’t see other fandoms shaming and bashing other people for liking a certain character that others dislike and/or the protagonist dislikes meaning therefore they are bad so how can you like them. But in the same way, I should also be able to hate a character without being bashed for not being empathetic to their trauma… Anyways I think the idea that we all see characters as justified and innocent in our own way is cool, especially in respect to the dsmp which is told from all angles, and that’s what I set out to learn more about and share with you. Hopefully, you have enjoyed my findings and I made sense (…..and if it didn’t, you are always welcome to ask or add on :D), sorry for the length I’m beginning to realize conciseness is not my strong suit…
I hope with this interesting angle, we can lean away from discussions on legal, moral, crime, trauma and more towards questions of preference and characteristics and personal perception - Why do you root for them? What was your introduction to the characters? How do you think that impacted your viewpoint on the story? Has your viewpoint ever changed? What do you think helped define your definition of ‘appropriateness’?… etc <3 <3
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amethysts-prompts · 2 years
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Prompt #218
“My ghost will still be around to tease you about your obsession with the weather, at least.” Villain chuckled before sputtering red.
“Sit up, Villain. You’re going to choke. Just- just wait for my team to get here. Please. Please just hold on.”
Villain shook their head at Hero. “Even if they are coming, they won’t save me, my love. I’m the villain, remember?”
“They’ll help,” Hero promised. “I’ll convince them- tell them you’re no villain at all.”
But that wasn’t true, no matter how Hero wanted to believe it. “This is it, my dear. Just hold me. Tell me every happy thing you can remember.”
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The moment you have all been waiting
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The story of three cats, conquering one of the greatest villains, and defeating her with her own power
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Or did they
https://docs.google.com/document/d/1eGj-QUwgr3HJPlu2qPYjH2utgRj2S_8vl_e3r7v3VFc/edit?usp=drivesdk
Disney's new greatest story quest for the kingdom
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comic-covers · 2 years
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(1966)
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filmcourage · 1 year
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Writing Heroes And Villains - Donald F. Glut via FilmCourage.com.
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cancankiki · 1 year
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VOTE EVERY DAY
6 categories for Stranger Things
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jessebatson · 2 years
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Daredevil is one of Marvel’s best fighters. Despite his disabilities, he has an advantage over enemies with heightened senses. Storm Shadow, however, is more than formidable even without enhancements.
Storm Shadow is just a tough, tough ninja. He is generally without remorse when it comes to fighting, but he has shown a sense of honor in the past. Still, he’s a villain who is not above doing damage to anyone in his way.
Daredevil could win, for sure, but Storm Shadow could as well. I’m not sure where to go with this. Daredevil may not be as skilled as Storm Shadow, but I think he’s probably more versatile in his fighting style. He’s probably also just a little tougher. Given those two advantages, I think he edges out Storm Shadow with a win.
Winner: Daredevil
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postersbykeith · 7 days
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frank-o-meter · 10 months
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IRON MAN VERSUS
Earlier I posted about the villains in Superhero movies, where I noticed that White Heroes nearly always fight against White Villains. And Heroes of Color and Women Heroes almost always fight against other Villains of Color or other Women.
I’ve been curious about this odd segregation in casting in Hollywood and I want to research it further.
In Iron Man’s various appearances in the MCU, he has fought against 9 opponents - all either played by White Actors or voiced by White Actors. Three of them were corporate executives like Tony Stark.
IRON MAN
Iron Man (2008) - Jeff Bridges
Iron Man 2 (2010) - Sam Rockwell, Mickey Roark
Avengers (2013) - Tom Hiddleston
Iron Man 3 (2014) - Guy Pearce
Avengers/Ultron - James Spader(CGI)
Cap Civil War (2016) - Chris Evans, Daniel Brühl
Avengers Infinity (2018) - Josh Brolin(CGI)
Avengers Endgame (2018) - Josh Brolin(CGI)
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scottmcstark · 1 year
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Benji KNOWS the hierarchy of the tribe, KNOWS that the Meat Tray is running the show, and he still took out Sharni on Paige's word alone? Also, what was Paige's game plan for that?! Sharni wasn't a threat?!?
Choices.
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prokopetz · 1 year
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“I could have stopped [bad thing] and chose not to, therefore every [bad thing] ever is now my fault if I fail to intervene” hero complex versus “I could have stopped [bad thing] and chose not to, therefore I must behave in a manner that’s ideologically consistent with being okay with [bad thing]“ villain complex, fight.
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★。/ falling in love with you \。★
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ask: this was a request! but I can't find the ask on my old blog, but I do know that it was a quirkless!assistant!reader with midoriya, todoroki, bakugo, shinso, monoma, and kendo. I did cut off monoma and kendo since I feel like I don't know enough about their characters, if that's ok!
pairing: midoriya x gn! reader, todoroki x gn! reader, bakugo x gn! reader, shinso x gn! reader (separate)
fandom: boku no hero academia
word count: 3,722
tw: none, wholesome fluff with some swearing on bakugo's section
notes: this had taken a really long time on my original blog, so im happy to finally be able to share it, if you're from my OG blog, and you were waiting, im sorry it took so long! and since I can't get back into my old blog anymore (I lost the password), please resubmit your asks at anytime and ill try to get to them asap!
! be sure to like and reblog if you enjoyed !
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~the meeting~
You’re first introduced to Class 1A/1B as a stand-in for a sparring partner in hand-to-hand combat. It was better - in Aizawa’s opinion - for you to brush up on your skills while also putting his students in a more hands-on approach to learning. You stand before the class, ready. 
You challenge whoever is confident with their skills so far to come forward and fight you. Over your shoulder, Aizawa stands huddled in his sleeping bag. He isn’t too worried, he trusts your abilities to handle his class, and besides, you needed to grow to tolerate them quickly.
None of the students wanted to fight you at first.
There was at least one of their close friends that teased them because they had noticed you staring at them out of all the other blue-clad students. So, of course, to avoid further embarrassment, they step forward to be the first example.
The rules are simple. No quirks. Just simple hand-to-hand. The first to pin the opponent for at least half a minute is the winner of the exercise.
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I. midoriya 
~ after the meet ~
Izuku really didn’t want to fight you
He didn’t know your strengths, your weaknesses, your quirk, your skill set, how powerful it was versus what it looked like, etc. (cue the nerdy rambling). He had no notes on you!
Izuku had seen you in class every once in a while when he wasn’t busy. You sat by the teacher’s desk grading papers and sometimes assisting Aizawa by running errands or taking over while he took a nap on the floor. But based on your stature and appearance and the fact you were wearing a school uniform, you seemed to be a student as well.
That leads to plenty of interesting theories about you!
“I think they’re a villain!” Kaminari said light-heartedly. It sounded like a rather malicious thing to suggest, Izuku thought, despite his wider grin. “In like… a rehab program or something.”
“Why would they send a villain to a school for a rehab program though?” Iida pulls his drink from his mouth. “It’d be much more likely they be put on community service or in more safe environments.”
Izuku looks across at you.
You’re sitting away from the teachers at the moment, trading notes with a girl in class 2C, laughing as you both scribble away and discuss some class that he can’t quite hear. You wave her off before moving down the table to another group who are slurping ramen over a table full of messy textbooks and broken pens. Izuku knew these kids to cause enough trouble for everyone, but they push aside their bowls and utensils and kick off their bags so they can let you sit with them. 
Hm.
Have you always looked so pretty from this far away?
~ falling in love with you ~
My boy falls hard and fast… save him…
Izuku always pays attention during a class, but he always tries to pay a little more attention when it’s you that’s teaching <3
After assisting Aizawa for a few weeks into the term, Momo asked who you were. In all the “excitement” of having to shephard a class of hormonal superheroes around, you had forgotten to introduce yourself!
He pulls out his hero notebook and begins taking detailed notes on you
[Y/N L/N], your power stats and small doodles of you in the bottom corner. Some more detailed, some awfully sketchy, but he never feels he got it quite right
Aizawa pats your head and dismisses you from your teaching duty for the day
For the rest of the class you resign yourself to your desk and join the students in learning the next emergency protocol
He thinks you might be looking away when he glances at you
Are you looking at him too?
You’ve ruined him, he’d swear on it. He can’t help it, just by looking at you. The swell of your hips when he can see you walking in front or behind him, the way your eyes light up if he even gains the confidence to talk about his hero notebooks with you, the little shocks he gets when your knees touch on the floor of his dorm room. Or maybe he finds you distracting in some way? Your voice drags him from each lecture, even if it’s not aimed at him. Your smile lures him in. He’s sure you have to have a quirk somehow, hidden there that you haven’t told him about yet.
Do you find him as distracting as he finds you?
Among his many nervous habits, a new one is born. What is it? Well, drawing you in his notebook. 
It’s during one of these very creepy-sounding moments that he remembers he never actually asked you what your quirk was. Nor had he seen it in action before
Other people had wondered about it before, but no one had an answer
So he asks you
You laugh.
It’s almost shocked, but partly sad. You tell him, quite simply, that you’re quirkless. And that Aizawa gave you the position in 1A because you were willing to become a teaching assistant on the side. Though you suspect it’s favouritism, he wants you to have a good education, UA is a nice place, he’ll be close by in case any shit goes down. 
If anything Izuku falls even more in love with you. Hearing you ramble with him about your favourite heroes, how you want to be your own hero even if you can’t do the same things as they can, and you’re still here talking to him.
You’re one of the first people he tells about All Might passing on his quirk to him. He’s worried you might be envious of it, or hate him for lying his way into UA, but you beam at him and assure him he’ll be the best Number One Hero you’ve ever seen.
Yeah, he’s definitely fallen a bit harder, if the sweaty palms and nervous heart skip is enough to go off of.
~ fighting for your attention ~
Now imagine this poor, sweet, innocent broccoli-head of a boy finally falling in love with you! He’s smitten with you
But now he’s watching you interact with his classmates interact with you a little more closely
He doesn’t mind of course, he knows everyone loves your personality and just the feeling you give off. It makes them feel warm and safe and you being quirkless limits any sense of a threat to those who are more sceptical
What he doesn’t like is that he knows some of them fancy you
Some of them love you
He begins studying harder, training harder, works out more so he can make sure he can hear your sweet praises and warming smiles
Any “good job!” and “i’m so proud!” you can offer him is cherished. He cherishes you
So he gathers his courage to try harder just for you, so you can think of him as your number one hero!
Now the only question is; do you cherish him?
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K. bakugo
~ after the meet ~
An unbridled opportunity to inflict pain on an (admittedly) attractive stranger?
Fuck yeah
Quirk or no quirk, he was going to absolutely destroy you. He was sure of it!
Shitty hair said you looked oddly familiar, but who cares?
Katsuki had seen you around in the dormitory building, of course, he never paid you much attention. You were wearing a uniform, so he guessed you were a student. He thought you were boring. 
Pretty, but boring. 
Not that he was looking, shut up–
Maybe if he kicks your ass a bit he’ll stop getting so distracted
Or…:
Are you fucking kidding?
You kicked his ass! Barely breaking a sweat! 
One minute he’s preparing to just kick you in the gut and land a right hook to your face, but then he steps into the field where white lines have been drawn and you smile at him. You wish him good luck and bow before getting into a fighting stance. 
He draws a blank after that. Sure, he lands the first kick, but gets your thigh instead so you skid across the pitch. Then you effortlessly sidestep his next swing and he just wants to blast your face off in embarrassment.
Then, most painful of all, you punch him right in the gut and kick him until he’s down. 
He’s butt-hurt, as expected and refuses to even look at you.
Shitty hair slaps his shoulder and laughs as he joins the rest of the class. You brush dust off your uniform and prepare to fight Mina next. 
“That was something huh?” Kaminari jests, snickering. “I should’ve gotten that on camera.”
Katsuki decides just then that he’s going to make your life hell for what you’ve done.
~ falling in love with you ~
He’s not falling in love with you, shut up-
Ok so he’s a grouchy boy anyway right so of course he’s not going to admit it as quick as the others 
In fact he makes it a goal in life to annoy you enough until you hate his guts, then he might feel better about wanting to grind your face into the pavement 
He kicks your chair out when you go to sit so you slam into the floor, shut the door to the classroom in your face, shoves you in hallways at every chance he gets, and even becomes so petty he begins stealing your favourite snacks and drinks out of the fridge and cupboards 
Smug bastard even devours them in front of you just so you know that it was him 
He hates them but that doesn’t stop him! 
And - as much as he doesn’t want to admit it - he kinda hates the small flicker of disappointment that flutters behind your eyes before you offer to go on a snack-run for everyone on your way 
Dammit!
He makes it sound like your idea that he stalks alongside you to the grocery store.
“You’d probably get lost if someone wasn’t around to hold your hand,” he’d mock you. If you inquire if he’d hold your hand around the store, he’ll definitely leave you behind. Don’t tempt him. And if you laugh he’ll walk back to the dorms and leave your ass to wonder where he went, searching through aisles for him. He knows you would.
Begrudgingly, he knows somewhere in him won’t let him abandon you there. What part? No idea but he hates it. 
Which is why he is now escorting you on the seventh snack-run of the month. You push the trolley around because even with all your begging he won’t do it. Shopping list in hand you throw in bags of snacks and surprise treats for your classmates.   
You have everything stacked up now. Popcorn for movie nights, and each person’s specific sweets, but instead of heading towards the cashiers, you’re turning towards the scoop-and-weigh section. 
“Oi, dumbass!” Bakugo doesn’t follow after you at first, and he doesn’t care that people are turning to stare at him. “Cash register is that way!”
“I know that.” You smile and disappear behind the aisle. He really has no choice but to drag his feet to follow. When he comes around the side you’re scooping a bag full of honey-roasted almonds - ones he knows you hate but his mouth waters at. 
“What are you getting those for?” He curses how soft his voice is now, but he can’t help but wonder why you’re buying them now.
“They’re your favourite, right?” You respond.
“Yeah?” How did you even know that?
You must be reading his mind with some hidden quirk or something, because you quickly explain that you had questioned Kirishima about the hidden stash in the cupboards one time and he had told you almost immediately. So, why not grab some more when you noticed that his stash was getting low?
Without letting him answer you walk past him to the checkouts. He watches after you, mouth dry. He can’t even think of an insult for you right now.
Fuck!
~ fighting for your attention ~
He still won’t admit it to himself so don’t expect a massive, dramatic confession from him (…yet)
No, he’s willing to fight anyone and everyone who wants your affections from the sidelines 
Someone looks at you a little too long? (Punch them)
Someone touches your shoulder during a PE class? (Make their life hell)
Deku asks for your help on an essay and you respond with an all-sweet smile that just rubs him the wrong way? (Kill him - but not actually)
Jealousy is a dangerous game for Katsuki 
(He’s not jealous don’t even ask—)
He’s willing to completely flip the tables so that maybe you’d notice that something’s different: he doesn’t kick your chair out anymore, or eat your snacks, or try to fight you in the hallways 
Instead he does all of that for pretty much everyone else—with exceptions for Kirishima of course 
Anything so he can deny that he’s gone the slightest bit soft for you when you both sit in the common room and eat your respective snacks, talking about some annoying classmate that had pissed him off for the fourth time that day 
And god dammit, won’t you just notice that he appreciates you? 
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S. todoroki
~ after the meet ~
Now, my first question is, is it vague curiosity or a drive to urge his strength forward that makes Shoto fight you?
It’s the strength training, he reasons
He doesn’t need it of course, he’s capable enough, but that doesn’t stop him from arguing with himself that that could be the only reason
And no, it’s definitely not because he can see you giving him a curious look over the heads of his classmates, and certainly, not because Kaminari gives him a knowing grin because even he can see you staring at him
So he puts himself forward as a volunteer
For the training… sure
Even after you lose to Todoroki he’s courteous about it. You both bow out of respect and he rejoins the line. After that he doesn’t expect to see you very much after that, perhaps never again. He thinks, despite the theories, you might be a student-teacher from a different academy.
But no, the next week you show up to their regular classes. And not long after that, you’re both working on group and pair projects together.
Like today, it’s theory. Emergency Evacuation in a Disaster. You pick some form of ‘emergency’ and then plot out an essay with detailed instructions for evacuation for the project. Simple. You pick a disaster and begin the essay.
You ask him questions in between, just general small talk, asking how his day is and the like. But he appreciates it. He knows that you know who he is and yet you just ask him normal questions. (Let’s say this is before his arc to make friends.)
You praise him for his strength in your battle and it makes his heart pound. Is he sick? What does this mean? 
What do you mean when you say you like his company? How does he get you to stop? He doesn’t like not being in control of how his heart is beating.
~ falling in love with you ~
I don’t think that originally it would be obvious to you that he fancies you
He’d be courteous at first, hold the door for you, compliment things about you, pull out your chair or save you a seat at lunch, it’s simple little things
You don’t notice of course, you just think he’s being nice
But to literally everyone else, it’s so obvious to them that he’s already completely smitten with you. He barely talks to anyone else… and yeah he doesn’t talk much with you either but he tolerates your company more than others
And he’s a gentleman so why would he outright say anything?
(That’s the reason and not that he’s afraid to, yeah totally-)
So instead he sits and listens to your conversations 
It’s not your fault he’s having a bad day, but at the moment he’s giving the cold shoulder to everyone in 1-A. 
That doesn’t stop you from dragging your chair up to his small desk during your break and eating there with him. He doesn’t tell you to leave, because he doesn’t think he can. He just watches you pull out utensils and begin to eat. He hasn’t even bothered with his own food, he can feel a pit swallowing his stomach, like he couldn’t cram anything in there if he wanted to.
“Bad day?” you ask, like you couldn’t already tell. “Don’t wanna talk about it?”
He nods at you. He can’t lie. And he sure as hell can’t ignore you.
“I understand,” you give a thoughtful hum, eating a bite of your food. “My day was pretty crappy too. It gets like that sometimes, you just gotta keep going. You can’t stop living just because your head’s a bit heavy.”
He didn’t ask for your advice, and maybe before that would’ve bothered him that you didn’t stop talking, but now he can’t find it in him to be frustrated. His annoyance deflates at your presence. You radiate this homely comfort he hasn’t felt in a long time.
Shoto goes through the effort of pulling out his food, just so you might feel better about it.
He forces out the words;
“And your day? Tell me about it… please.”
~ fighting for your attention ~
Now shoto is less likely to actually try and confront others about their shared affections
In fact in normally takes him a good while to officially realise that he loves you
But pretty soon he just begins to seek you out more
As he grows more social, earns new friends and becomes accustomed to everyone, you work with him closely to help him learn social cues and overcome his trauma
He comes to like touching you, whether it be a hand on his head, touching knees in the dorms, a simple hug, or you leaning on him until you fall asleep on him during the winter. He feels comfortable with you
But with this realisation comes one more;
He wonders if he could handle going back to living without you
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H. shinso
~ after the meet ~
Now, shinso’s quirk is pretty hard to implement in a fight, which is why he mainly prefers hand-to-hand
Overall, he feels tired, if not a little bored, by the spar with you
He hadn’t noticed you at all before this lesson in 1C, but his teacher had said that you were helping by moving down from 1A
Why, he couldnt figure out
But nonetheless, he finds you watching him while waiting to spar you in your first physical education class together, so he volunteers
And he quickly gets disqualified– 
He swears he doesn’t mean to, but almost as soon as he begins the fight, you overwhelm him.
What you lack in a visible quirk, you make up for in speed, kicking and jabbing and ducking away before he can get a hit in. It’s when he finds you hovering over his shoulder, about to throw a punch to his face, that he panics and asks for your name.
A bit confused, slowing down a little bit, you give it to him, and almost as quickly, you’re under his control. The teacher immediately barks at him to release his control, and he obliges, but he’s still disqualified and you’re given an instant win. When you stumble, regaining your own self-control, you look up at him in bemusement. 
But you don’t look scared at all, instead you smile at him.
“Brainwashing? That’s a pretty cool quirk, huh?”
You confuse him, and he’s not sure if he likes it yet. 
~ falling in love with you ~
After you move down to 1C to work on your General Hero courses, you begin to grow closer with Shinso 
You don’t think that his quirk is any different to the others at UA, which he is somewhat confused by
‘Some of these guys can set people on fire! Brainwashing doesn’t sound too different to the others you see here’, was your only explanation whenever he asked about it
Overtime, you become one of his only friends in 1C, he tolerates you
He spends most of his time with you, studying, eating, talking, he helps you write papers on general hero practices, telling you about his history with children being scared of his ‘villain quirk’
All things considered, he trusts you, and i dont think he could say that for many other people at UA
You both sit cross-legged on the floor of his dorm room. He very rarely decorates it, but you begged him to let you set up the fairy lights and little cat decals that were meant for his wall. Begrudgingly, he agreed.
So that’s what you’ve been doing, arranging kitties on the wall over his desk. Cute little art pieces that resemble grey and calico cats. 
Meanwhile, he’s studying on his floor, laying back and occasionally sneaking glances at you to see if you’re tangled in the lights. Soon enough you have them strung up nicely in the corners of his dorm-room, sending soft gold light over his purple hair. He doesn’t move until you lay on the floor beside him, looking up at the ceiling.
“What do you think?” you ask, leaning up on your elbows to admire your handiwork.
He’s quiet for a moment, just looking at you, taking in the view of your side-profile. 
“They look nice.”
Shinso isn’t talking about the lights.
~ fighting for your attention ~
Listen, usually Shinso absolutely hates using his quirk for anything out of villain fights, because if he does he feels like he reinforces the idea that he might be a villain too
But, when it comes to you?
He’s relatively tame at first, he doesnt get too jealous or overprotective as someone else might (cough, bakugo, cough), but it doesnt mean that he doesnt need reassurance sometimes
If it gets to the point that another one of your suitors is making you uncomfortable, then by all means, hes asking them what theyre doing and forcing them to walk away
And afterwards, having that little moment of supposed villainy feels worth it
Just keep smiling at him
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im sorry this took so long!
I hope you guys enjoyed
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writers-potion · 25 days
Text
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Writing Group vs. Group & One vs. Many Fight Scenes
Group vs. Group
To win the readers' sympathies, make sure there are more (and stronger) bad guys than good guys.
Portray a strong "them versus us" mindset. Sometimes, this is a microcosm of a larger religious, social, racial conflict.
Visual clues are often used to emphasize the divide between the two groups: black coats versus white suits, jeans against shorts, etc. They'll have different weapons, use different languages or speech patterns.
Each group will have a leader who spearheads strategies and motivates the rest. This can be an established leader like the eldet sibling, the head girl of the school, etc. Or someone who has the respect of the others and takes charge spontaneously when the situation rises.
The Point of View
Group fights are easiest to write in omniscient PoV
Otherwise, choose a PoV character who is invovled in most action, and restrict yourself to their line of vision. You can take short breaks (like two seconds after he kills his immediate opponent) to account for how his comrads are doing.
One vs. Group
1 vs. many fights where the single person comes up triumphant are fun, but hardly plausible. The key is to provide an illusion of reality.
Keep the number of opponents realistic: three, not thirty.
He would be more highly trained/have special powers than all of his opponents.
He is positioned in such as way that all of his opponents come at him from only one direction (like having his back to a wall), or he stands in a higher terrains from where he can keep an eye on all of them.
She identifies the group's leader and takes him out first.
She creates a situation which forces the group to spread out, or hits when they are already dispersed rather than tightly knit together.
He uses a weapon which can take out several opponents at once. The most effective one for this would be a machine gun, or the hero holding two swords, one in each hand.
If you want the bad guys to come at the hero one by one, some ideas:
The hero has aken p position in a place where only one villain can squeeze through at one time
The attackers don't arrive simultaneously. They come running, and each attacks as soon as they reach the hero.
The gang has a code of honor which demands 1:1 fights.
The fight is an initiation requirment where the newbie must prove themselves in 1:1 combat with all of the established members.
Some tips:
If a hero with superior arms taking on many who are unarmed will make the readers see him as a butcher, and their sympathies will be lost for good.
If he take out too many opponents at once, the readers wouldn't feel like he has really put up a fight. If your hero has a superpower that allows him to do this, establish the boundaries of this power and push the hero to the limit.
If the novel has too many 1:many scenes, it will lose its dramatic effect, and worse, seem unrealistic as you move along.
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avvail · 4 months
Note
truth potion/serum 😌
“What’s that?” The hero murmurs uneasily under their breath, watching as the villain carefully inserts the needle into the soft flesh of their forearm, making them wince slightly. They watch it plunge into their vein, only daring to tug against the restraints once the needle is out of their skin.
The villain merely sends them a smile. “Nothing that’ll kill you.”
“Let me guess,” the hero growls. “A fate worse than death? Are you really trying this bullshit with me after all this time?”
“You don’t think our dynamic is a conventional one?”
The hero shuts their mouth, contemplating what the villain’s game was. If it was a sedative, it was a slow acting one, since they couldn’t feel any symptoms creeping up on them just yet. It was peculiar - they felt just fine.
“Let’s be honest,” the hero sniffs, and they don’t miss the way the villain almost laughs in amusement. They don’t know why that’s funny. “If our relationship was a conventional one, you would have killed me the moment you kidnapped me.”
The villain hums, their eyes roaming from their face languidly, kissing their teeth. The hero watches with a stubborn frown as they begin to circle around them, ever so slowly, and it makes them nervous.
They try not to shift.
“You’re right,” the villain sighs from behind them, and they want nothing more than to crane around to keep their eyes on them, but they can’t. Their heart races relentlessly in their chest, clenching their jaw. “Would you rather we adhere to the stereotypes?”
They roll their eyes. “If it means getting killed, then why would I?”
“You’re self righteous and selfless, aren’t you?” The villain teases. “Doesn’t that come with your job?”
“It doesn’t mean I’m eager to die. Dying means defeat, and I wouldn’t ever let you defeat me. You and I both know that.”
The villain stops beside them, a smile on their face that the hero doesn’t like. They send them a sharp glare for good measure, just because they can.
“So, is that a no?”
The hero wants to know where this is headed.
“No,” they confirmed. The villain stepped closer to them, their thumb gently brushing over a tender bruise on their temple. The finishing blow that had rendered them unconscious, making it easy for the villain to drag them here into their clutches. The hero forces back a wince, their eyes hard and determined. The villain loves that look.
“But you’re like that with others,” the villain comments, still stroking their temple. “Other villains, I mean. Especially Supervillain - the typical good versus bad. You know they’d kill you if they could. Stereotypes, after all.”
To hero resists the urge to lean keenly into that touch. “Because I know Supervillain is dangerous.”
“Dangerous?” Their eyes gleam mischievously. “You don’t think I’m dangerous?”
They shift. No dizziness yet, and their vision is completely clear, along with their mind. It’s not a sedative. What are they planning?
“No,” they respond after a moment, and the villain’s jaw ticks. It’s the only sign of irritation they’ve seen from them, but their tongue blurts more before they can stop themselves. “You’re dangerous in different ways.”
The irritation disappears, and the thumb slips down their cheek.
“Dangerous in different ways,” they muse, as if chewing the words that came out of their mouth. The hero’s heart is pounding against their ribcage, and they’re not quite sure why. The villain is incredibly close, feeling pinned down by their cold gaze alone.
“You’re easier to be around,” the hero speaks, trying not to stammer over their words. “I...” I hate you, don’t get me wrong. That’s what they want to say, but their throat closes up before they can. The villain’s thumb strokes the bottom of their jaw, and they shiver, as if encouraging them.
“Because I know you won’t kill me. When given the chance, you go easy on me.”
“You think I go easy on you?”
The hero gives them a disgruntled look. “You never torture me. Last time you kidnapped me, I slept in one of your guest rooms.”
“You were still a prisoner, or did you forget?” The villain scoffs. Of course they had been. The hero had spent all night trying to pick the lock, to smash the windows, but there was no point. They were a prisoner, but it never felt like they were in danger. Not in the same sense they felt when the supervillain almost incapacitated them. It was different.
“That’s not the point,” the hero snaps, unaware of their own rising irritation. They jerk their head away from the touch, feeling as though it was distracting them. The villain has this arrogant smirk on their lips, as if they know exactly what they’re doing. “If I ever kidnapped you, I wouldn’t stick you in a luxurious room. I wouldn’t let you sleep on a bed, I wouldn’t have you here and not torture you.”
The villain hums, their voice dropping low. “You like it when I treat you good?”
“Yes.” No. “I do.” It’s weird.
It takes a single, heart stopping beat for the hero to realise what they’d just said, their brows furrowing in confusion. They open their mouth to say something else, before their eyes flick down to the red pinprick from the needle in their skin. They release a shuddering breath.
“A truth serum,” they breathe. “That’s what you injected me with.”
The villain lets out a dark, amused chuckle. “I was waiting for you to figure it out.”
They lean back, creating a rift of air between them where the hero can still feel their warmth. It still feels hard to breathe, their wrists flexing under the restraints, and they grind their teeth hard together. This is dangerous. This was exactly what they were talking about.
“Are you tired, Hero?” The villain’s soft voice questions, enough to make the hero swallow uneasily. Their heart is racing now, so fast they feel like they’re going to throw up. They screw their eyes shut.
“Yes,” they say, feeling fingers under their jaw, tipping their head back. Their eyes open instinctively. The villain almost coos.
“And you love how easy it is with me,” the villain murmurs, admiring the embarrassed, shunted look in those cute eyes of theirs. “Love how I treat you.”
The hero’s fists clench. They desperately try to say no. “Yes.”
“And,” the villain purrs, their thumb brushing along their bottom lip with precious ease,” it’s dangerous because it’s so easy to shut your brain off. So dangerous to let your guard down around me. Easy to manipulate, as much as you wish that wasn’t true.”
The hero almost whines. “Yes.”
“Do you think I’m manipulating you?” They ask, their voice a hushed whisper, like a soft lull in their brain. The hero squirms, but they still can’t look away, not even daring to swallow. The villain leans in closer, their lips so close to theirs, and their voice turns dark. “Do you think it’s working?”
Who knew the hero’s weakness was simple acts of kindness. The villain had never thought going so easy on them would make them putty in their hands. But it did.
The hero bites down on the inside of their cheek, straining not to answer. The villain’s fingers curl around a lock of their hair, tucking it behind their ear tenderly. Too tenderly - the hero loves it.
“Better not fight it,” they hum. “It’ll hurt.”
“Yes,” the hero finally gasps, the throbbing pain in their head easing. They almost feel out of breath, trembling under each of their cunning touches.
The villain’s eyes gleam, leaning forward to kiss them. The hero had been so adamant they could never defeat them, and it almost makes them crackle. Maybe never in the stereotypical sense, but they had proved this was not a stereotypical rivalry; what was true defeat if they didn’t conquer them, after all?
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@badthingshappenbingo
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