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#diversity: poc
thequeerbookish · 1 year
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Review: Like Real People Do by E.L. Massey
Looking for a fun and diverse feel-good queer novel featuring ice hockey and a great cast among other things? Look no further, E.L. Massey's Like Real People do has your back!
Looking for a fun and diverse feel-good queer novel featuring ice hockey and a great cast among other things? Look no further, E.L. Massey’s Like Real People do has your back! Quick Info Like Real People Do Blurb Like Real People Do The Queer’s Review of Like Real People Do Bookish Thoughts Similiar Books like Like Real People Do Quick InfoLike Real People Do Title: Like Real People…
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estrogenism · 9 months
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poc-friendly picrews
[plaintext: poc-friendly picrews / end plaintext.]
reblogs are appreciated, this will be updated whenever i find more! if you want to suggest picrews to be added, do so in my asks or dms!
note: i don't tend to read the notes or reblogs here for uhhh Obvious Reasons (6000 notifs) so if you have a suggestion to make, do it via my asks or dms
edit (03/02/2024): added 11 picrews to the list!
edit (03/07/2024): added 1 picrew to the list!
actionpilot's character creator
adriotes' character creator
adrisona maker
aiden's picrew
alli's oc creator
alohasushicore
amiiraux's chaotic gay maker
among us sona creator
anew's girl maker
astrolavas' character creator
avatar
aworus' friend maker
baydews avatar maker
bean beaningtons tupper
bex's first picrew
bighead kid
black centered picrew
black centered picrew (fullbody version)
block game oc creator
bright's picrew hell,
bunnieclaire's character maker
caramael's character creator
cartoony maker
casual gay creator
cherevrie's avatar maker
childishspite's avi maker
cool kid maker
cosmitasia's character maker
cute girl creator
cutetimes (hair options are a bit limited)
djarn's character maker
djarn's character maker 2
doshi's oc avatar maker
elenaa's windswept oc maker
friend factory
friend maker
judelta's character maker
julliapple's character maker
gay time 2: electric boogaloo
girl maker
ghostofadragon's character maker
harvey's picrew 1 (only has straight hairstyles)
harvey's picrew 2 (only has curly hairstyles)
lichtenstyler
lima0nada
little guy maker
lulljevic's icon maker
makowka's character maker
makowka's character maker 2
marice creator
nah's picrew
nellseto's maker
nuclearvessel's character maker
nudekay's character maker
nuggts character maker
overwatch league icons
peculiar icon creator
perisceris' icon maker
piney's icon maker
pixel dating simulator maker
poicon maker
potatolord's persona creator
rainheal's character maker
rychu's picrew
sagravi creator
scuff's icon maker
semirealistic icon creator
smitty's ultimate maker-inator
something about them
sph.jpeg's icon maker
static maker
toon me! (a)
toon me! (b)
uris space maker
witchcrew
who me?
yee haw character creator
yet another character creator
エリーのメーカー
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writingwithcolor · 6 months
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It wouldn’t be historically accurate for my story to include BIPOC!
This is an argument often made about European-style fantasy media like Game of Thrones, Lord of the Rings, and Disney’s Frozen. Audiences, often white, assume that due to the majority-white setting, adding any visible number of BIPOC to the story would be unrealistic.
What these critics fail to realize is that BIPOC do in fact live, and have lived, in these settings, and records of BIPOC presence in places assumed to be majority-white have been buried, written out, or not taught due to white supremacist and/or colonial bias in the field of history. There are historical European settings that were far more diverse than is often portrayed. Consider:
The Moorish Empire exerted an extensive influence over life and culture in Southern Europe from Spain from 711 to 1492
The Ottomans were heavily involved in European affairs up until the treaty of Karlowitz in 1699, but still considered a part of Europe even through the 19th century
The sheer size of the Roman Empire ensured the continued movement of people from various backgrounds within the Mediterranean well until the end of the Byzantine Empire.
“Historical accuracy” should not be used as an excuse for media to be exclusively white in its casting. While there are places which are or were predominantly white, there will always be factors like global trade and immigration that bring multiculturalism to their doors.
And even if the presence of a certain demographic is unrealistic for a certain setting? Consider that we’ve accepted far worse inaccuracies in historical fiction in the name of artistic license. Consider that our understanding of human history is, and will always be, incomplete.
Further Reading:
Historically Diverse London, “Historical Accuracy,” and Creator Accountability
Making a Black Pride and Prejudice Resonate
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This Q&A is an excerpt from our General FAQ for Newcomers, which can be found in our new Masterpost of rules and FAQs. If you're new to Writing With Color and/or want more writing resources, check it out!
-Writing With Color
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mysharona1987 · 1 year
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Roy family levels of dysfunction here.
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dykeinthedark · 5 months
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Somerton's misogyny and lesbophobia was fucking blatant and the fact his fans didn't care / notice until a man made a video on it is abhorrent. That IS a problem, people NEED to do better or else bigotry towards women will only continue to be accepted! Lesbians were calling this loser out for years and no one cared!
hey. as a lesbian who watched somerton's videos you have to understand that it wasn't "fucking blatant" and it was embedded between smart (stolen) points in the structure of the argument, and was given fake "evidence" to prove it --- something hbomberguy specifically shows with every example. i personally always noticed that it was weird and it was always a critical point when watching his videos (and also uh, side note but you shouldn't primarily go to cis white men for good takes about feminism and the lesbian experience anyways --- like, you should be watching a diverse intake of thought from underrepresented creators and understand that the cis/white/male perspective will always be limited because it's not universal)
to many, though, it for sure didn't register as a pattern of behavior until the instances were laid out. saying that audiences were "abhorrent" for "excusing" it just shows a complete lack of sympathy, because again: the pattern of behavior was the problem, and rhetorically each individual instance was relegated to enough plausible deniability where it slipped by most audiences who were probably watching the video in the background while they folded laundry or something. when bigotry is shrouded under the guise of fact, it takes on the affect of truth and abuses the viewer's trust in the creator. sure, media literacy is a huge problem, and i've written and researched so much into that, and yeah yeah audiences should "do better." the reality is though, putting the blame on the audience feels a little misogynistic in itself, bc you're just shifting the blame from the literal people who need to be blamed for practicing bigotry --- cis white men with a large platform.
the real thing u should be saying here is to call for a diversification of one's media intake, but no -- let's blame the audience for getting lied to, instead of uplifting female, queer, trans, poc, etc voices. the only way people "need" to do better, imo, is listening to those people instead and seeking multiple perspectives.
like y'all, let's retire this very new narrative that all james somerton fans were evil misogynists who willingly supported this and need to be destroyed. really most people who watched his content were younger queer people genuinely interested in queer media analysis, film theory, and queer history, probably excited that a long video essay was dedicated to their favorite show/movie/etc, and lets not pretend this wasn't disappointing for them as well. can everyone like chill out.
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draculagerard · 4 days
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It's so fucking frustrating when I see people of color achieve things despite all the odds stacked up against them and then have to watch people say "oh they only got that for diversity points"
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hhrepresentation · 5 months
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Isn't it interesting how...
Race and ethnicity is a construct that does not appear to be the topic of tension or discrimination between most of our main characters? From the beginning of the series, we don't acknowledge Amerie's Indian identity, or Sasha's identity as an Asian woman.
The lead characters represent several different racial and ethnic groups, but it goes largely unspoken between classmates and teachers.
Dusty, the object of the entire school's affection, is Southeast Asian:
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Amerie, the central character, is Indian-Australian:
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Darren, a lead character, is Black:
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Sasha, a lead character, is Asian:
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Malakai, new student and lead character, is Bundjalung, an Indigenous Australian population:
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Missy, an important side character, is also mob, or First Nations Australian:
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Even the staff at Hartley High reflect's the series' diverse casting. Jojo Obah, teacher and program director, is a Nigerian woman.
This diverse cast offers a refreshing take on high school dramas. While the students come from different racial and ethnic backgrounds, the primary focus of the series is the chaos that ensues.
When we normalize diversity and avoid tokenism, we break down stereotypes and prejudice.
According to cultivation theory, television is responsible for shaping and viewers’ perceptions of social reality (Lind, 2004). When series like these promote diversity without reinforcing stereotypes, they work to change the schemas, or cognitive structures/biases, that automatically ascribe stereotypes to marginalized individuals and communities (Gorham, 1999).
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the-readers-archive · 6 months
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Luxury, passion, chaos, and books.
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It was at that moment, that I knew: he was my son. 🤎
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theprideful · 2 years
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hope y’all know that when you say shit like “aro/ace is a white people thing” and “white people made up being nonbinary” you’re erasing queer people of color who ID with those labels and who have fought to be acknowledged and respected because of how white-centered queerness is. it’s especially ahistorical to ignore that the gender binary is a tool of white supremacy and that many african, indigenous, native american, etc communities were what we call nonbinary (two-spirit for native americans) long before white people came along (colonization). stop acting like queer people of color who ID with lesser known identities don’t exist because that only serves to keep white people at the forefront of queerness and lgbt politics.
check out #nonbinaryisntwhite on twitter (or this post), and yasmin benoit’s “this is what asexual looks like” (link 2) (link 3)
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thequeerbookish · 1 year
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Review: How to Love a Dragon by Lila Mina
Okay, how can I tell you how much I enjoyed book two of the Dragon Tamer series without giving away too much? It seems impossible since its the little things I love so much!
Has Lila Mina’s “How to Love a Dragon”, which is book 2 of her new paranormal queer romance series met my expectations? Quick InfoHow to Love a Dragon Title: How to Love a Dragon Author: Lila Mina Series: Dragon Tamers, book 2 Genre: paranormal romance Content Warnings: none Diversity: POC, older characters Rating: 5/5 Stars BlurbHow to Love a Dragon Book 2 of the Dragon Tamer series. A…
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I've been reading more and more comics lately and FUCK why is EVERYONE so WHITE
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writingwithcolor · 6 months
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Wouldn’t my writing be worse off if I forced in elements like diversity?
If you are asking this question, you have yet to challenge the “default” of your culture’s media. Consider that the majority of modern Western media fill their casts with white men, and when there are women or POC, they stick out conspicuously. Many people view adding diversity as tweaking some white man characters by toggling race or gender. But this assumes that “white man” is some default, standard character template.
If you feel pressured to include diversity in your writing, distance yourself from this pressure and ask yourself why you feel it. If you feel attacked when seeing campaigns for more diversity or criticism of all-white, uninclusive media, sit with the discomfort and ask yourself why those who are different from you say they need diverse media.
These are people whose voices and faces are rarely visible in entertainment. Despite this, they enjoy an adventure as much as anyone, and have become accustomed to projecting onto white characters. Yet, when the reverse is asked of white audiences to acknowledge protagonists of color, it becomes a difficult ask. These character choices are immediately questioned, discredited, fought against, and accused of being “woke” or “unrelatable.”
This resistance reflects a larger issue: the imbalance between audiences’ empathy towards the majority/“default” and empathy towards those perceived as Other.
By mostly reading about white people, they become easier to relate to. By the same token, if we are not reading media and histories from the perspective of POC, we end up with more people who literally fail to relate to POC. When we talk about hope-deficits, increased alienation and lower self-worth among marginalized populations, underrepresentation in media is a big factor. Imagine for a moment: never the beautiful princess in the tower, never the badass hero riding dragons; always the two-second sidekick.
People of color are people and want to be seen and treated as such. Not as a burden to devote your time to, but people who have a place in the world, fictional or no. Really, writing a world in your story that is all or mostly white is more unrealistic, more forced—after all, there are far more non-white people on Earth. Becoming comfortable with diversity requires unlearning White as the Default and POC as the Other. It takes setting aside feelings of pressure to emphasize, open your heart and listen.
Further Reading:
“Diversity has gone too far!”
Diversity is for everyone.
Children and the Myth of Colorblind Youth
Those who read about aliens learn to emphasize with aliens. Those who read about wizards empathize with wizards.
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This Q&A is an excerpt from our General FAQ for Newcomers, which can be found in our new Masterpost of rules and FAQs. If you liked this post, we have more recommended reading there!
-Writing With Color
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I usually avoid posting my own opinions, but I've seen a few posts like the one in the screenshot below creep across my feed lately and they're bugging me too much to keep my mouth shut. I censored the identity of this particular example because I don't want to start a Tumblr war or make them feel like I'm singling them out or attacking them.
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I don't feel good about celebrating black history month through a character who was both written and performed by a white man. I know this is all just low-stakes fandom headcanon stuff and I'm not trying to control what other people do, but something feels not-quite-right about taking a character played by a white VA and deciding (on his behalf might I add) that he's black and using him as your example of black representation in the audio rp fandom.
There are black VAs out there, they can represent themselves. I really think it's disingenuous to sort through a cast of characters all played by the same white guy and assign POC races to them in order to give a singular white guy's one-man show racial diversity, then celebrate said "diversity".
Sorry, I'm not trying to be a Tumblr drama queen. If you're the person from the screenshot (or have posted something similar), I don't think you meant any harm. Your post probably wasn't meant to be that deep and not the worst thing in the world, but I don't know why you would pick a random character written and performed by a white guy and cheer "Rahhh, let's celebrate black history month with this!". If it really matters to you, you can celebrate a black VA, or a canonically black character, or even just a listener character that you/others HC as black. You can celebrate fan artists and writers who are black.
Why use characters played by Redacted for this? I promise I'm not trying to start a fight, or accuse people who've made posts like this of being racist or cancel anyone. I don't think they mean badly. But I see this a lot even outside of the context of BHM. It's almost always with characters written/performed by Redacted and it's always made me a little uneasy, especially with the amount of enthusiasm people throw onto the race they decided to HC for this one white man's characters.
If you disagree with me, I'm open to hearing you out. I don't want to try and dictate what people can/can't do in a fandom space or send a mob after anyone, but something feels off to me about using Redacted characters to celebrate BHM.
-Ringmaster
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“Why did this artist made pinkie pie black and cubby” oh I don’t know probably because everyone is tired seeing human designs of pinkie pie where she white and skinny
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greensaplinggrace · 4 months
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"you never see darkling fans being alina stans! there aren't any feminist darklina shippers! lesbians and poc would never like something so immoral!" girl what on earth are you fucking talking about. don't make me tap the fucking sign.
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