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#but neither of them have really internalized that

eldritchdyke · 1 day

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The recent Signalis anticommunism discussion on here made me stumble onto your take about it from last month, and while I do believe that Signalis is very... normie anticommunist (you seem to disagree), your post made me really curious, but at the same time it was very vague, and a lot of people interpreted it as "Signalis isn't anti-communist, it's anti-authoritarian". Would you be willing to elaborate?

Oof didn't realize there was more discussion to it than I thought so I won't wade into the whole of that cuz that wasn't what I was responding to at the time. Also just to preface two things; for one I am a communist myself and that did effect my reading of the text a great deal and for two I didn't say anything about the "Signalis isn't anti-communist, it's anti-authoritarian" thing myself that was a later addition from other people (personally I don't like the term "authoritarian" as a way to analyze the faults of certain socialist states but that's neither here nor there).

What I was driving at is the idea that the DDR imagery (and beyond that, as others have pointed out it isn't solely pulling from that) is doing a lot more than simple condemnation or any sort of post-war triumphalism over "dystopian" socialism. We can read a lot based on what was given attention in the text, and I think the ways that DDR imagery show up in the game are shown with a rather loving, even reverent light at times (you don't create a bunch of intricately designed DDR robot girl ocs and name some of them after historical DDR special forces units because you totally despise everything the DDR stood for). This is intentionally contrasted with the rotting and decayed state we actively find a great deal of these things in, which provides a great deal of contrast between the lowercase i ideal and the reality of an execution which was tainted by the literal bleeding psychology of collective trauma and the attempts at domination of individuals.

What results is less a coherent world as such that can be dissected as one might dissect typical worldbuilding lore and more an emotional portrait which depicts a sense of portrayal at the way the history of the DDR played out, and you may disagree with parts of that (I do with certain parts as well) but it isn't intended to reflect a dissertation on the flaws of the DDR. It's an emotion first conceptualization of tainted Ostalgie and the hauntological traces of a future which was not allowed to be for reasons internal and external, through that lens it is, to me, quite ambiguous over whether or not the source object was a negative or a positive. Instead its a truly conflicted portrayal of the emotional state one is left in after both the (again lowercase i) ideals of that revolutionary state and its practical execution, warts and all, have passed into the realm of cultural memory.

(I'm sorry that's probably a whole lot of words to not fully answer your question but tldr I don't think Signalis is as anticommunist as a lot of people think it is, I think people are generally reading the diegesis too literally and not really delving into the full emotional depth going on with how communist imagery is used in the game)

#eldritch asks #signalis #it's also super late where i am so i'm a bit fried but this is my best stab at an explanation #without writing the whole essay of feelings i have on the topic #this isn't even getting into the additional context of how the Eusan Nation is 1. described first and foremost as a nation #and 2. contrasted with the Empire or 'Reich' which is intentionally not depicted #and the additional meaning that lends to showing the Eusan Nation in the state we see it in #also obligatory 'i cannot read the devs minds and i very well might just be a communist projecting a better read than the one they intended

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deep-space-netwerk · 7 months

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So Venus is my favorite planet in the solar system - everything about it is just so weird.

It has this extraordinarily dense atmosphere that by all accounts shouldn't exist - Venus is close enough to the sun (and therefore hot enough) that the atmosphere should have literally evaporated away, just like Mercury's. We think Earth manages to keep its atmosphere by virtue of our magnetic field, but Venus doesn't even have that going for it. While Venus is probably volcanically active, it definitely doesn't have an internal magnetic dynamo, so whatever form of volcanism it has going on is very different from ours. And, it spins backwards! For some reason!!

But, for as many mysteries as Venus has, the United States really hasn't spent much time investigating it. The Soviet Union, on the other hand, sent no less than 16 probes to Venus between 1961 and 1984 as part of the Venera program - most of them looked like this!

The Soviet Union had a very different approach to space than the United States. NASA missions are typically extremely risk averse, and the spacecraft we launch are generally very expensive one-offs that have only one chance to succeed or fail.

It's lead to some really amazing science, but to put it into perspective, the Mars Opportunity rover only had to survive on Mars for 90 days for the mission to be declared a complete success. That thing lasted 15 years. I love the Opportunity rover as much as any self-respecting NASA engineer, but how much extra time and money did we spend that we didn't technically "need" to for it to last 60x longer than required?

Anyway, all to say, the Soviet Union took a more incremental approach, where failures were far less devastating. The Venera 9 through 14 probes were designed to land on the surface of Venus, and survive long enough to take a picture with two cameras - not an easy task, but a fairly straightforward goal compared to NASA standards. They had…mixed results.

Venera 9 managed to take a picture with one camera, but the other one's lens cap didn't deploy.

Venera 10 also managed to take a picture with one camera, but again the other lens cap didn't deploy.

Venera 11 took no pictures - neither lens cap deployed this time.

Venera 12 also took no pictures - because again, neither lens cap deployed.

Lotta problems with lens caps.

For Venera 13 and 14, in addition to the cameras they sent a device to sample the Venusian "soil". Upon landing, the arm was supposed to swing down and analyze the surface it touched - it was a simple mechanism that couldn't be re-deployed or adjusted after the first go.

This time, both lens caps FINALLY ejected perfectly, and we were treated to these marvelous, eerie pictures of the Venus landscape:

However, when the Venera 14 soil sampler arm deployed, instead of sampling the Venus surface, it managed to swing down and land perfectly on….an ejected lens cap.

#space #space history #venus #NASA #Venera #spost #I will talk all day about venus #ask me about venus floating sky cities #unpopular opinion venus > mars #this is probably my favorite space history story #the surface of venus is made of lens caps #don't try to tell me the universe doesn't have a sense of humor #well #I guess its more that people have a sense of humor and we happen to live in the universe

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sophiasrant · 5 months

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hc that no one on the JL (or any of the teams) will let bats do the heavy lifting, ever

Like one day they need to carry an unconscious Flash after a battle and someone else (who has a broken arm) is like “who is well enough that they can carry him” and Batman, ceo of ignoring his injuries™️, is like “I got this” but his mouth starts leaking blood while he’s carrying flash. Superman (who was holding up a building) x-rays him & is like “YOU HAVE THREE BROKEN RIBS AND INTERNAL BLEEDING. WHY ARE YOU CARRYING FLASH?” “…I am well enough to carry flash”

anyway this applies to all bats. Someone asks if someone else can volunteer to help them lift something and, no matter what, Kon puts his hand over Tim’s mouth bc of the broken leg incident™️. Tim will never even be allowed a chance to make a case or attempt to answer the call.

Someone asks if Robin can help to carry something and Jon immediately replies “no he can’t. I’ll do it tho.” bc Damian once tried to conduct cleanup (lifting pieces of broken buildings and concrete) post alien-invasion with a stab wound (it was multiple stab wounds but only Jon figured that out)

Someone asks nightwing if he can carry stuff to the car and all of a sudden you have eight people shouting “NO” bc he once offered to carry someone’s old 60 pound box TV to storage while he had a gunshot wound. They only learned about the gunshot wound after he fainted & the tv fell on top of him.

Jason leaves before anyone can ask him to help with anything

Edit:

Steph and Cass fight over who carries the thing for the other person, but usually neither of them volunteer. They're gone the second the battle is over. Babs never has to carry shit even if it's a loaf of bread because she goes "wow, really? have the wheelchair bound girl carry shit for you, sure" so the person stammers and she gets away with it every single time.

Duke is allowed to carry things. (Other teams have yet to find out about his injuries.) In fact, they compliment him on being responsible enough to not over-exert himself. He smiles back. (He's trying not to laugh.)

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prokopetz · 17 days

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On the one hand, it's true that the way Dungeons & Dragons defines terms like "sorcerer" and "warlock" and "wizard" is really only relevant to Dungeons & Dragons and its associated media – indeed, how these terms are used isn't even consistent between editions of D&D! – and trying to apply them in other contexts is rarely productive.

On the other hand, it's not true that these sorts of fine-grained taxonomies of types of magic are strictly a D&D-ism and never occur elsewhere. That folks make this argument is typically a symptom of being unfamiliar with Dungeons & Dragons' source material. D&D's main inspirations are American literary sword and sorcery fantasy spanning roughly the 1930s through the early 1980s, and fine-grained taxonomies of magic users absolutely do appear in these sources; they just aren't anything like as consistent as the folks who try to cram everything into the sorcerer/warlock/wizard model would prefer.

For example, in Lyndon Hardy's "Five Magics" series, the five types of magical practitioners are:

Alchemists: Drawing forth the hidden virtues of common materials to craft magic potions; limited by the fact that the outcomes of their formulas are partially random.

Magicians: Crafting enchanted items through complex manufacturing procedures; limited by the fact that each step in the procedure must be performed perfectly with no margin for error.

Sorcerers: Speaking verbal formulas to basically hack other people's minds, permitting illusion-craft and mind control; limited by the fact that the exercise of their art eventually kills them.

Thaumaturges: Shaping matter by manipulating miniature models; limited by the need to draw on outside sources like fires or flywheels to make up the resulting kinetic energy deficit.

Wizards: Summoning and binding demons from other dimensions; limited by the fact that the binding ritual exposes them to mental domination by the summoned demon if their will is weak.

"Warlock", meanwhile, isn't a type of practitioner, but does appear as pejorative term for a wizard who's lost a contest of wills with one of their own summoned demons.

Conversely, Lawrence Watt-Evans' "Legends of Ethshar" series includes such types of magic-users as:

Sorcerers: Channelling power through metal talismans to produce fixed effects; in the time of the novels, talisman-craft is largely a lost art, and most sorcerers use found or inherited talismans.

Theurges: Summoning gods; the setting's gods have no interest in human worship, but are bound not to interfere in the mortal world unless summoned, and are thus amenable to cutting deals.

Warlocks: Wielding X-Men style psychokinesis by virtue of their attunement to the telepathic whispers emanating from the wreckage of a crashed alien starship. (They're the edgy ones!)

Witches: Producing improvisational effects mostly related to healing, telepathy, precognition, and minor telekinesis by drawing on their own internal energy.

Wizards: Drawing down the infinite power of Chaos and shaping it with complex rituals. Basically D&D wizards, albeit with a much greater propensity for exploding.

You'll note that both taxonomies include something called a "sorcerer", something called a "warlock", and something called a "wizard", but what those terms mean in their respective contexts agrees neither with the Dungeons & Dragons definitions, nor with each other.

(Admittedly, these examples are from the 1980s, and are thus not free of D&D's influence; I picked them because they both happened to use all three of the terms in question in ways that are at odds with how D&D uses them. You can find similar taxonomies of magic use in earlier works, but I would have had to use many more examples to offer multiple competing definitions of each of "sorcerer", "warlock" and "wizard", and this post is already long enough!)

So basically what I'm saying is giving people a hard time about using these terms "wrong" – particularly if your objection is that they're not using them in a way that's congruent with however D&D's flavour of the week uses them – makes you a dick, but simply having this sort of taxonomy has a rich history within the genre. Wizard phylogeny is a time-honoured tradition!

#gaming #tabletop roleplaying #tabletop rpgs #dungeons & dragons #d&d #worldbuilding #taxonomy #phylogeny #media #literature #history #literary history #death mention

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bookdragonideas · 26 days

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Here's the thing. I'm a girl, and as a girl, I really like it when girls are portrayed in fiction. Especially fantasy.

But so much fiction/fantasy mixes up 'girls' with 'unstoppable forces of female badass' and there's not necessarily anything wrong with having a character who is an 'unstoppable forces of female badass'. But it gets old real quick. And it is not the same as portraying normal girls, or having good female characters.

And that's one of the many reasons I love Avatar the Last Airbender.

Because all the girl characters have flaws and weaknesses and sometimes act like idiots or jerks. They get emotional and make mistakes. They lose fights or arguments or are just wrong sometimes. Some of them are amazing warriors, and some aren't. Some are powerful or special and some are normal, with nothing special about them.

And I Love that.

I was around the same age as Katara when I first watched Atla. And I instantly connected with her as a character. I loved her optimistic attitude and her fighting spirit. And I could relate with her anger, and with her maternal instinct. I admired her fighting skills of course, but I loved how the show portrayed her compassion and kindness, the way she could both beat up a bunch of bullies AND enjoy a relaxing day at the spa. She was a baddass warrior that should never be crossed. But she was also a normal teenage girl who had a lot of the same internal struggles and problems that I did.

(I never connected to Toph on the same level, but I did relate to her on a few things. She's an adorable trash gremlin who would commit any crime for fun and I love that. But she struggles with being both independent and letting people help her, and I still struggle with that sometimes. I've learned that sometimes, you can help others by letting them help you.)

Yue is, in my opinion, a perfect example of a type of hero that seems to be disappearing. She is not a warrior. She is not a fighter. She's not even a bender.

Yue is a perfect princess, a perfect daughter. She is extremely feminine in a rather older sense.

And she was the only one who could save the world. She gave up everything for her people. She saved everything, everyone, the entire world. Without ever becoming a fighter.

Yue is a perfect example of a girl who was never more than a girl, and how that's okay. Not every girl has to be rough and tumble and fight for her rights in order to change everything. Sometimes it's okay to just be a quiet obedient girly girl. Sometimes that's all it takes to be a hero.

And I love that. Yue is strong in her own way. She is unique and interesting. She appears in only a few episodes and yet manages to be one of my favorite characters.

Song is another great example of this. Song is a healer in a small town. We don't see much of her but we see her compassion and empathy. She is gentle and generous. A healer not a fighter.

She watches Zuko steal her ostrich horse and does nothing.

Is that because she's kind and generous and knows he needs it more? Or is it because she's a healer girl who knows she can't actually stop those two from taking the horse? Maybe neither, maybe both. I have always thought that the scene where Zuko steals the horse and only the audience knows she saw it is one of the most thought-provoking in the series.

Suki is a badass warrior woman who is an awesome fighter and good leader. She is one of the best non bender fighter we see in the entire show. She was one of the smartest, most efficient, and powerful characters we ever saw.

She kissed a boy she had just met because she thought he was cute.

Now don't get me wrong I love SokkaxSuki. Its one of the best couples in the show.

But Suki totally did the old 'love at first sight' thing. And that is awesome. Because when she kisses him she delivers one of the best lines, not only from her, but, I think, in the entire show.

"I AM a warrior, but I'm a girl too."

Being a warrior doesn't mean that she isn't also a teenage girl. She might be a fighter, but she still gets crushes and likes to flirt with cute boys. And hey, she picked a good one. Not every boy is going to come break you out of prison.

Anyways, let's have more realistic girls in fiction. And please enjoy the next 24 hours.

#bookdragonideas #atla #katara #suki #yue #princess yue #avatar the last airbender

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yesimwriting · 5 months

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omg i’m so happy ur taking young coriolanus requests!! i’d love a oneshot of him falling for reader (whos from the districts) and him trying to deal with it

Summary: Coriolanus has no interest in his assigned tribute beyond her potential assistance in helping him win the Plinth prize...or at the very least, that's what he tells himself.

Warnings: Coriolanus being kind of delusional (in deep denial) and possessive, jealousy, a crush being treated like a terminal illness, Coriolanus trying really hard to talk himself out of said crush by comparing the reader to an animal/pet in his internal thoughts

----

His nails dig into the soft skin of his palm with enough force to leave stinging crescents in their wake. He's too far gone to feel the marks, to know when to relieve pressure to avoid breaking skin.

When the idea of having the best and brightest of the Academy's senior class was initially presented, the concerns about having such prominent members of the Capitol interacting so closely with representatives of the districts was highly contested. Most of the outcry had been from concerned parents--wealthy fathers and overly doting mothers desperately attempting to convince their leaders to not subject their poor, innocent children to that kind of proximity with something considered so other.

After all, those from the districts are closer to animal than man. If an outburst of hatred doesn't result in a Capitol heir's life and potential being cut short, perhaps some sort of disease would take them instead.

Coriolanus had found that part ridiculous. Not the way the tributes were seen, but the level of coddling the Capitol elite were willing to openly mark their children with. There are ways to mentor from a safe distance and there hasn't been public knowledge of a strange and fatal virus running through the districts in some time.

Now that he's here, standing at the zoo's entrance under the cover of night, food that he can't truly afford to waste tucked into the pocket of his coat, he realizes how naive he had been to not head their warnings. He's come down with something, that's the only explanation for the sweat coating his palms and the nervous turning of his stomach.

This infliction is something that you've done to him. Unintentionally, of course--your lack of cut throat nature and maliciousness had been a disappointing discovery at the time--but still true. Why else would he come here to feed you when his family can barely feed themselves?

Coriolanus walks further and further into the zoo until the familiar cage is in view. There are a no peacekeepers inside of the space and less than a hand full patrolling the perimeter. It's late and the games are tomorrow morning, any of the tributes that wanted to cause problems would have done so by now.

It shouldn't matter to him, none of them would turn him away. The mentors weren't explicitly told to stay away which means that the peacekeepers wouldn't bother him. He could always say that he's here to discuss last minute strategy, that the earlier bombing had cut his time short and that Dr. Gaul had given Academy students permission to make up that time if they so wished. But the thought of having less of an audience soothes him slightly.

He stands where he had stood beneath the daylight, near the corner, as far from the other tributes as physically possible. Regret begins to knot his stomach. Everyone's asleep. This will be the most alone together the two of you have ever been. It's also so dark, and you're likely asleep as well. How will he find you? Is it wrong to disturb the last peaceful rest you might ever experience?

The more he thinks, the more an urgency he can't wraps itself tight beneath his bones. The sensation, a likely byproduct of his ailment, makes him wish that there was some way to scratch beneath his skin. Right no longer matters, and neither does his growling stomach that begs him to just eat the food he had taken from the Academy's lunch and disappear back into the night. He needs to see you, to see that--

"You're going to be okay." Your voice, a soft whisper that brings him back to the present.

You're awake, the vague shape of your crouched form resting against one of the artificial rocks. You're also comforting someone with a much larger frame. Something in his chest turns to stone.

Here he is, wandering the Capitol streets in the dead of night, a pocket full of food that he had hidden from his own family for your sake and you're--you're not thinking of him at all.

Maybe his infliction had been more intentional than he thought possible. Your kindness could be a ruse and Coriolanus has heard rumors of your people. Some say that your ancestors practiced spirtual arts in order to enchant others. Perhaps you've bewitched him.

His own naivety burns through his chest. You're supposed to be his. If that's how it is, then he's freeing himself of you and your kind eyes and honey-laced voice. He'll--

"Coriolanus," a surprised, careful sound that's much warmer than your attempts at soothing someone had sounded.

His name forces the pinching feeling in his chest to be replaced by an uneasy warmth that crawls its way up his neck. He's suddenly glad for the darkness.

He follows your silhouette as you quickly push yourself to your feet with no regard for the boy next to you. Your movements are swift yet quiet, and the care behind them keeps him steady. You don't want to wake anyone; you want this to be just you and him.

"You're--" You stand so close to the bars that it'd take nothing at all to reach for you. "You're here." You place a hand on the bars that divide you, fingers curling around the cool metal. "Are you okay?"

The question is laughable. He's at the tribute zoo only a few hours before the games begin because some instinct had made seeing you again feel as important and necessary as breathing.

But you're not asking about that. You're asking about him, about his injuries from the bombing. "I'm fine," he assures you, "A little scraped up from the debris and I did lose consciousness, but I was treated for all injuries."

You're finally close enough for the moonlight to make a difference. He can make out the unruliness of your hair from the way that life has treated you since your reaping, the form of your tattered dress, your facial features and...the long gash that now marks your forehead.

"And I was told that you were as well." Someone in passing had mentioned that the tributes were cleaned up after the bombing. They weren't prioritized or given valuable resources, but they were cleaned up. Injuries were cleaned and dressed to prevent infection from getting in the way of the games.

You frown, tilting your head slightly as if to hide the length of the mark. Something in his chest tightens again, the sensation much more aggressive than before. Your smooth, gentle skin now marred...

His own defensiveness hits him like a physical blow. Coriolanus blames the feeling on familiarity. The desire to keep you in the best condition possible is no different than what someone would feel for a prized pet. You're his tribute, after all.

"It sort of happened after."

Panic seizes at his chest. After. One of the peacekeepers or another tribute had hurt you. "Who?" The coolness of his own voice shocks him.

You angle your head downwards, the motion distinctly dismissive. Coriolanus won't accept that. Who are you to hide something like this from him? After everything he's done for you, don't you trust him? His arm moves forward without his permission, pulling at your arm so that your body shifts closer to the bars. His other hand then slips between the poles and grasps your chin firmly between two fingers.

He tilts your head, giving himself the space needed to examine the entirety of the cut. It stretches down the start of your hairline and stops just short of your eyebrow. Not too long or wide, but the dried blood still smeared on you implies that it's deep.

"Who did this to you?"

His hold on you is steady, but not so tight that you couldn't step away if you wanted to. You hold still as he takes the time to examine the rest of your face for injuries. Your acceptance leaves a metallic taste in his mouth. Coriolanus releases you like you might burn him.

"I don't--" Of course you don't want to tell. Your nobility runs so deep, you don't care what it costs you.

An odd wave of distress washes over him. The night air feels wrong against his skin, too cold for the thin clothing he put on in his hurry to get to you. "You shouldn't alienate your mentor the night before the games."

Your lips pull down into what feels like a pout. You stare at him with wide eyes. "I'm not trying to alienate you." The genuineness of your words knots his stomach. "I--I'm glad that you're here, that you're okay." Usually, sugar coated words from you are enough to crack at his exterior. He's feeling a lot less amicable tonight. "The girl from district 4 was aggravated tonight. I think she wanted to intimidate the other careers into listening to her so she targeted Wovey and I was kind of--around."

Translation: your too-good-for-the-arena heart took over and you inserted yourself in a conflict that had nothing to do with you. "I told you to be careful."

You nod solemnly at the reprimand. Your lips part, but before you can say anything, the sound of your name steals your attention. You turn away from him, keeping one hand on the metal bars. "Yeah?"

"Are you coming back soon?"

The question jabs at him like a thumb finding a bruise. The tribute you were comforting may come from the same district as you, but that means nothing in the grand scheme of things. By morning, your destiny to be rivals in the arena will be sealed. He won't risk anything for you the way Coriolanus is. He'd snap your neck in an instant if it meant going back home. Surely, even you're not kind hearted enough to not see that.

You crane your neck to look back at him, but your body stays angled towards the other tribute. The urge to hold you in place, to bring your attention back to him physically aches. Is your final meeting before the games really going to be cut short because of some other tribute? The look you give him is apologetic enough to make his chest constrict. After all he's done for you.

"I'm talking to my mentor." Your response dislodges something from his chest. "Why don't you check on Wovey? I think that'll help."

The sound of shuffling fills the space, and then that's that. The two of you are as alone as two people like you can be.

"It was nice of you to come here," the admission leaves you carefully, "I-I tried to see what happened to you after, but they brought us back here so quickly, and I--"

"It's alright."

He never expected for you to be at the hospital. The mental image is strange enough as a concept in itself. You, sitting in one of those stiff hospital seats, waiting desperately at his bedside. You, in the same room as his cousin and grandmother, all three of you concerned and co-existing. It doesn't fit, you're not like them. You're district. That's inherently lesser, inherently replaceable no matter the level of your charm or--or appeal.

But if that's reality, than why was your name the first thing that stumbled past his lips when he woke up? Why was his first thought after being discharged about getting back to you? Why does the fact that you were sitting with the male tribute from your district turn his stomach? Why does he now have a personal vendetta against the girl from 4? These can't possibly all be things that someone would feel for a favorite pet, can they?

This train of thought is nauseating, and the last thing he wanted for the final night before the games. "I was worried." You force these words out in a jumble of colliding syllables, like if you didn't pry them out fast enough, they'd never manage to find their way out.

Coriolanus watches you carefully, imprinting the details of the small crease between your eyebrows and your nervous eyes to memory. The look tugs at something dangerously close to fondness. "Then you know how I'lll feel tomorrow." That, in itself, is a confession pulled from him the same way a rotten tooth would be extracted. "How I'll feel until you come back."

You stare at him, eyes wide. "If this is about the prize money the peacekeepers talk about, you're doing a good job."

There's a stiffness to the way you say this, a guarded quality that soothes him more than it should. The thought of him only being invested in you only because of what he can get out of your success displeases you.

It's instinct to want to ease you. It'd be easy, too. All it would take is a comment that implies that he can be here for more than one reason. The response sits at the back of his throat. Is that why he's here?

The natural answer is of course. Why else would he lose sleep? What other reason could he have for risking taking Academy food and exposing his poverty? Something he's rarely willing to do for himself and his own family.

"A person can want more than one thing at the same time."

You can't hold his gaze, eyes cautiously darting downwards. The display of shyness makes things feel a little warmer. It makes him bolder. Coriolanus moves his hand again, letting his fingers cover yours. You don't move away.

"I almost forgot." His free hand makes its way into the pocket of his coat, finding the carefully folded napkin. He's going out of his way to emphasize the casualness of food. The only thing caring about this gesture is that he had thought to come, not the food itself. There's no such thing as scarcity in the Capitol. "Here."

He offers the neatly tied fabric in the gaps between the bars. You don't attempt to take back the hand pressed between the pole and his own palm. You take the gift in your free hand and don't attempt to let go of him until you realize that you won't be able to untie the makeshift parcel with one hand.

You open it slowly, examining the contents of his offering carefully. Two biscuits, a few crackers, a small wedge of cheese, and another baked good that reminds him of a denser, more durable version of cake.

"Thank you," The truth to your gratitude forces something uncomfortable to wedge itself between his ribs.

You don't start eating right away, your head instinctually turning back. He realizes what you're doing almost instantly. "If you're going to share everything I give you, there's not much point in bringing it."

A little harsher than he meant to be out loud. It's not your fault. Your family is large and of a taking care of each other mentality. If there's food for one, there's food for all.

You nod, accepting the criticism the way you usually do. It's a good thing that you're so pliable, that you're eager to keep the usual comfortable atmosphere between the two of you. Sometimes, though, it feels a bit like kicking a puppy.

Carefully, you bring a cracker to your lips, chewing cautiously. Taking anything makes you guilty, another byproduct of your upbringing. Sometimes Coriolanus wonders if all of this would be easier if you were brought up like the majority of district children, more ravenous and unapologetic.

You'd told him about your mother before, a free spirit who works in a textile factory that produces lavish fabrics instead of standard peacekeeper uniforms. Even though the work isn't much different, you spoke about it like it made all the difference. My mother loves beautiful things so much she doesn't even care about who they're for.

That had been the first time he had found himself thinking about your appearance. If your mother's love is reliant on beauty, he realized, then you must have grown up with consistent affection.

You speak of her, of your entire family, in a way that confirms his hypothesis. You've told him stories of the way she hangs up the prettiest fabric she can find to hang up and turn one room into two--a necessity with so many of you living in a set of conjoined apartments.

"You're..."

You trail off, pressing your lips together nervously in a way that he's gotten used to. It usually signifies that you're concerned about being impolite. That's another thing that doesn't fit the district mold, even here you hold onto manners and social cues. Even when you first met him, you had fallen back on habit. He had introduced himself as your mentor and you absentmindedly asked how he was in that way that people do when they run into an acquaintance.

Normally, if he presses or even just prompts you once or twice you'll reveal your initial thoughts. They're rarely what he expects them to be. Instead of responding to the light raise of his eyebrows, you pick up a biscuit before stretching your arm towards him.

"Oh, no I'm--"

"You're hungry." That's what you almost blurted out.

You don't mean anything by it, or, at the very least, not anything beyond the realm of worry. Heat rises up Coriolanus's neck slowly but surely. You know nothing of his world and yet you knew that to have his hunger exposed would be embarrassing. You know that it's not the kind of hunger that comes from missing a meal or two on a particularly busy or chaotic day.

"Don't worry," you tack on, "It's not noticeable unless you know what to look for."

The comment is a little too reassuring, too on the nose. Can you read him that easily? Coriolanus takes the biscuit before he can pick apart your comment any further. The corner of your mouth shifts into an almost smile. You then break apart the wedge of cheese and try to hand him that along with most of your crackers and a piece of the pastry.

"No, I can't take all of that."

You stare at him oddly. "You've been injured," you stretch your hand out again, "You need your strength."

There are several reasons why you need your strength more than he does, but he can't figure out how to insist on that without making it seem like this is a final meal. He doesn't want to give you a chance to see it that way, so he takes the a little less than half of what you're offering. "Compromise."

You nod, accepting his terms. He's unsure who starts it, but the two of you end up sitting in front of each other. You smooth the napkin out in front of you, setting up what's left of your food like a makeshift picnic. "My mother used to take me for picnics."

"Yeah?" There's something about your stories about your life back home that are attention drawing. It's not so much mundane content of life in district 8 and the fact that it still managed to produce someone like you, it's the way you speak. You're expressive and bright.

"Mhm," you finish off your first cracker, "Eight isn't exactly full of nature, but there's this wooded area past the factories and if you know where to go, you'll find this clearing that's practically untouched. She'd go there sometimes on days off when she needed to collect wildflowers to turn into paints and she'd bring who she could...me, my siblings, cousins..."

You pick up a piece of cheese, setting it on a cracker. "Neighbors, sometimes." Your voice wavers in a way that sticks out. Despite an initial tearing up on your first night, you haven't cried or behaved in anyway that indicates that this could be your end. He doesn't want you losing hope now. "Tanner used to go with us."

It's whispered with the intensity of a confession. The boy you came with, the boy you were speaking with--you grew up with him. That's a bond that's not as easily dismissed. That's something strong enough to challenge his connection with you.

Why does it matter? He's earned enough of your trust, you spoke in a way that earned more donations than anyone else. You trust him enough to actually fight in the arena. It--it doesn't matter if you...

"Do you care for him?" The question surprises both of you equally. His own bluntness, the slight edge to his tone...it's too much for a mentor.

"Uh," you sniffle once, "He was a good friend when we were little, our families know each other." An knot so tight it's difficult to stay sitting there twists his stomach. "We're a little less close these days."

If you comforting him during the dead of night, losing sleep during your last chance to rest is your version of less close, Coriolanus doesn't even want to imagine your normal. "You shouldn't expect any loyalty during the games, the second the count down begins, there's no such thing as friendship."

You wipe at your face with the back of your palm. "What makes you so sure?"

Your question isn't a challenge or an attempt to convince him that the boy would never hurt you. You're asking because you're curious, because you want to know his thoughts. "Human nature."

It's more nihilistic than he usually is in front of you, but his patience is wearing thin. The soreness of his body is starting to catch up with him and wasting the little time you have less discussing someone so insignificant is draining.

His annoyance has to stem from how little the other tributes matter to him. That's the only reason he can piece together, especially when his brashness is likely pushing you away.

"Then why can I trust you?"

Another question that you mean. It's not a slight or an attempt to indicate that you're not there yet with him. He didn't come here to cast doubt on the bond he so carefully helped build.

He can't look at you as he speaks, "Because I'm going to do anything I can to get you back."

You nod, your eyes retreating to focus on your lap. "For the prize money, for your school."

He picks at the edge of his biscuit, a few crumbs falling to the ground. "I already told you, I want more than one thing."

That's not exactly what he said...this reiteration of it is more blatant. Heat burns his face. You peak up at him through your lashes.

If you had been born in the Capitol, you would have done well. You're found of civility and social norms despite a lifetime in the Districts and despite only knowing you stained in various levels of grime, he can tell that our features are pleasing. Polished, dressed, and brought up differently, you would have been a regular Capitol darling.

Coriolanus shakes his head once, an attempt to dismiss his thoughts. Why care about what you could have been? Why imagine what you'd be like if you were part of his word?

"You're not going to--to rely on him in the arena." It's framed as a question, but in reality, it's more of a hopeful statement.

You pause, genuinely thinking about your response. "No." You rest a hand on your bent knee, gently scratching at the skin. "Not rely."

The answer isn't concrete enough, but he has no right or reason to say much else. "Don't let your guard down. Not for anyone."

You nod, reaching for what's left of your biscuit, "I won't, I promise."

"Good, I'll be watching and I'll remember when you get back."

Get back. You wipe at your cheek with the back of your palm. "Yeah, when I get back."

The dryness of your voice cracks at him. If you consider yourself defeated before even stepping into the arena, you won't come back to him. For him. For the Plinth prize.

He shoves the thoughts down as deep as they'll go. They don't manage to get very far, crowding his throat in a way that makes it hard to breathe. Coriolanus doesn't trust himself to speak, so instead he slips his hand between the cage's bars. He lets his hand sit there, palm facing upwards in a silent offering.

Coriolanus stares at his arm as a way to prevent himself from taking in your reaction. A beat passes, and then the tips of your fingers are brushing against his before settling against his palm. He squeezes your hand tightly, so tightly he's aware that it's probably uncomfortable, but the prospect of holding you so tightly that you can't vanish is too assuring.

"Do you have to--to go soon?"

He adjusts his hold on you, bending his fingers so that they can rest between yours. The rest of his household is asleep by now, but they'd be able to tell if he spent the night here and that would worry them. It would also make the morning much more complicated...he'd have to shower and change before the games begin in order to hide where he spent the night.

"No," it leaves him before he realizes what he's saying, "I can stay as long as you'd like."

A hint of a smile tugs at your lips, "Good."

That makes something in his chest feels like it's going to burst. He shouldn't care. He should see this open display of clinginess as an inconvenience. And why would he risk getting caught as someone that spent the night on the floor of the zoo when there's nothing left to convince you of?

The answer strikes him so harshly he nearly lets go of you. He didn't just want you to ask him to stay to prove something, he wanted the excuse to stay. He--he wants to be near you...and not in the way that someone wants to spend time with a puppy.

The truth to it is simple. Straightforward. He cares about you.

He can hear that you're speaking, but your words are too distant to mean anything.

"Coriolanus?"

No. No. He--he isn't meant to care about you of all people, to feel these kinds of--No. No, he can't. He's not biologically wired to. And yet, he can't let go of your hand.

"Coriolanus?"

He squeezes your hand even tighter. "You didn't ask me."

"What?"

"The other thing I want, you didn't ask me about it." The words leave him in a rush, an uneasy mess that he needs out.

Confessing turns these kinds of thoughts into reality, an undeniable force that he wishes he could vanish. But maybe if he gets it out, the ache of it will be expelled from him. Maybe he'll finally be able to think about something else that doesn't involve analyzing your every expression like your life depends on it.

"No," your eyes are wide, a deer realizing they're not the only ones at the watering hole, "I-I didn't."

A small part of him is disappointed that you don't take the opportunity to press. You usually do, chatting like you're a regular friend and not his tribute. "I'll tell you anyways." He swallows, gripping your hand like a lifeline. You squeeze back, a silent display of support. "It's you."

Your hand goes slack in his. Coriolanus warns himself that it's best to keep his eyes away from you, to not read any--he breaks, gaze snapping upwards to watch you.

"Me?" Your voice is fragile and impossible to read. You lift your intertwined hands as best you can between the poles that make up the cage. You lean forward, pressing your lips against the back of his palm. Your eyes briefly fall shut.

"I--" You set your intertwined hands back in place. "I think the practical thing to do would be to forget about me." The rejection cuts through him. All he can do is stare. "You know what's going to happen tomorrow."

Your twist your hand in an attempt to steal it back as you push yourself upwards, adjusting so that your weight is on your knees. Coriolanus instinctively shifts forward, grabbing your arm to keep you close. He moves to sit up on his knees. "You're going to come back." You stop trying to push him away. "Do you care about me?"

"You're being unfair," your whisper is harsh, "Even--even if I win, where would that leave us?" He's silent. "I'll be back in a cage and you'll stay on the outside, only this time they won't be in proximity to each other."

You're logical. You're right. And he can't bring himself to care. "Do you care about me?"

"Of course I do," the response is frustrated, exhausted, "I think I might even--" Your mouth clamps shut, eyes briefly leaving him. "I think I love you." You drop head, giving Coriolanus only the slightest glimpse of your now glassy eyes. "But what does that matter?"

The word loosens something in his chest. He gets as close to the bars as physically possible, pulling on your arm in a way that almost makes you fall forward. The new proximity seems to drain any remaining fight from you.

He leans forward, his lips finding yours in the space between metal. It takes you a second to catch up with what's happening, but once you do, you return the display of affection. He pulls your bottom lip between his own before releasing you enough to let you breathe.

"Is this real?" The question takes its time coming out, slow and through pants. If he thought thinking about you before was a type of sickness, then this is something terminal. You nod instinctually, urgingly. "Then we'll find a way." You're both resting your head against the bars. If it wasn't for the invasive metal in the way, you'd be resting against each other. "Just come back to me, and everything else--we'll figure it out."

He can write to you. He can find an excuse to bring you back to him. Maybe another aspect of the games--something that requires victors to visit the Capitol.

You nod, acceptance finally coloring your features as you squeeze his hand. "We'll figure it out."

----

a/n i've gotten so many Coriolanus/thg requests,, pls feel free to keep them coming <3

#the hunger games #coriolanus snow x reader #coriolanus snow #the hunger games x reader #the ballad of songbirds and snakes x reader #the ballad of songbirds and snakes #coriolanus x reader

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reachartwork · 6 months

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how to write fight scenes

many people have told me that Chum has good fight scenes. a small subset of those people have asked me on advice for how to write fight scenes. i am busy procrastinating, so i have distilled my general ethos on fight scenes into four important points. followed by a homework assignment.

Fight scenes take place on two axii - the physical and the intellectual. For the most interesting fight scenes, neither character should have a full inventory of the other's abilities, equipment, fighting style, etc. This gives you an opportunity to pull out surprises, but, more importantly, turns each fight into a jockeying of minds, as all characters involved have to puzzle out what's going on in real time. This is especially pertinent for settings with power systems. It feels more earned if the characters are trying to deduce the limitations and reach of the opponent's power rather than the opponent simply explaining it to them (like in Bleach. Don't do that). 1a. Have characters be incorrect in their assumptions sometimes, leading to them making mistakes that require them to correct their internal models of an opponent under extreme pressure. 1b. If you really have to have a character explain their powers to someone there should be a damn good reason for it. The best reason is "they are lying". The second best reason is "their power requires it for some reason".

Make sure your blows actually have weight. When characters are wailing at each other for paragraphs and paragraphs and nothing happens, it feels like watching rock 'em sock 'em robots. They beat each other up, and then the fight ends with a decisive blow. Not interesting! Each character has goals that will influence what their victory condition is, and each character has a physical body that takes damage over the course of a fight. If someone is punched in the gut and coughs up blood, that's an injury! It should have an impact on them not just for the fight but long term. Fights that go longer than "fist meets head, head meets floor" typically have a 'break-down' - each character getting sloppier and weaker as they bruise, batter, and break their opponent, until victory is achieved with the last person standing. this keeps things tense and interesting.

I like to actually plan out my fight scenes beat for beat and blow for blow, including a: the thought process of each character leading to that attempted action, b: what they are trying to do, and c: how it succeeds or fails. In fights with more than two people, I like to use graph paper (or an Excel spreadsheet with the rows turned into squares) to keep track of positions and facings over time.

Don't be afraid to give your characters limitations, because that means they can be discovered by the other character and preyed upon, which produces interesting ebbs and flows in the fight. A gunslinger is considerably less useful in a melee with their gun disarmed. A swordsman might not know how to box if their sword is destroyed. If they have powers, consider what they have to do to make them activate, if it exhausts them to use, how they can be turned off, if at all. Consider the practical applications. Example: In Chum, there are many individuals with pyrokinetic superpowers, and none of them have "think something on fire" superpowers. Small-time filler villain Aaron McKinley can ignite anything he's looking at, and suddenly the fight scenes begin constructing themselves, as Aaron's eyes and the direction of his gaze become an incredibly relevant factor.

if you have reached this far in this essay I am giving you homework. Go watch the hallway fight in Oldboy and then novelize it. Then, watch it again every week for the rest of your life, and you will become good at writing fight scenes.

as with all pieces of advice these are not hard and fast rules (except watching the oldboy hallway fight repeatedly) but general guidelines to be considered and then broken when it would produce an interesting outcome to do so.

okay have a good day. and go read chum.

#writing #creative writing #writing tip #writing prompt #pro tip!#long post

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gay-dorito-dust · 3 months

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Just Jason being the human version of a house cat.

Someone on here said that Jason is just a massive lap cat and I can’t help but agree because just imagine it; an absolute beast of a man finding solace in resting specifically on your plush lap, his strong, warm arms caging your waist as his face is burrowed pleasantly into your stomach in content, groans in displeasure whenever he feels you move even the slightest of inches.

How dare you move when Jason was just getting comfortable, apologise now for your transgressions.

Jason’s warmth would be advantageous to you during the colder months but an absolute nightmare during the summer, more so if you’re the type to get warm really easily and it ends up irritating you. But this is neither here nor there.

‘Jaybirdie?’ You ran your hand through his hair, scratching his scalp now and then.

Jason groans, showing that he was listening.

‘I’ve got to get going soon or else they’ll call and ask why I’m late.’ You tell him as you felt his arms tighten and you smile. ‘And I can’t exactly say that my 6’2 boyfriend is sprawled across my lap like a stubborn house cat that is refusing me to leave. Now can I?’ You finished, moving your hand away from his hair and focusing on rubbing his upper back, wishing you could see his muscles beneath the black t-shirt. You could only being to imagine the way his beautiful muscles would contract and relax from your touch as though they were like the waves you’d see at the beach, webbing and flowing; it was borderline enticing.

‘Then don’t go then. Simple as.’ His muffled voice said against your stomach.

‘I can’t, I promise to help out at work because someone called in sick…again.’ You muttered out the last part. You didn’t know why your co-worker wasn’t sacked for having so much time off but you knew you weren’t the only one that didn’t like them, and from what you’ve been told by older co-workers, this wasn’t the first time they’ve done this and even then you were surprised that they still even had a job to come back to. So because of them, you and your fellow co-workers were being worked to the bone to cover their hours on top of your own.

‘Again?’ Jason asked, lifting his head up from your lap, having been kept up to date on the goings on in your workplace. ‘How haven’t they gotten pulled in for that shit?’

You shrugged your shoulders, genuinely as baffled as he was about the whole thing. ‘Honestly have got the slightest clue Jay, but It’s all the more reason for me to go.’

Jason groans as he reluctantly lets you go but now you were the one upset at the sudden loss of his warmth and that must’ve been apparent on your face as Jason smirked mischievously as he reassumed his position on your lap, his strong arms went back to holding your waist tightly and his face burrows back into your stomach as he sighs in content once more.

‘See, now you don’t wanna go now because your Jaybirdie won’t be there to keep you warm.’ He teased as you tugged at his hair, causing him to groan.

‘That’s not-‘

‘Oh don’t play the coy card with me sweetheart, we’ve already been through that stage in our relationship.’ Jason cuts you off. ‘because if you wanted to leave that badly you wouldn’t be rubbing my back or running your hand through my hair like you are right now.’ Jason then looks up at you with a raised brow as if challenging you in daring to say otherwise when you both knew the truth.

‘It’s just- we don’t typically get enough time together.’ You began. ‘Crime in Gotham has been on an increase as of late, which is taking much of your time, and work has been asking everyone to pitch in and help cover until our co-worker decided to comes back at their own accord.’ You paused to stroke Jason’s cheek, internally melting when you felt him press his face further into your hand, gingerly kissing your palm. ‘It just doesn’t give us enough time for moments like these, the moments we crave most.’

‘The moments where we’re just together.’ Jason finishes for you and you muttered a small ‘yeah.’

A silence befalls you both as you tried to engrain this moment into your memory because neither of you knew when the next time you got to peacefully exist in tandem, whether that be doing your own thing or doing something together, just as long as you were with each other for longer then a fleeting five minutes.

‘So do you still want to go to work?’ Jason asked. ‘Or do you want to be selfish for once?’

You gave it some thought and soon after began to reach for your phone and punch in the work number as Jason squeezed a thigh in his large hand. ‘Selfish it is.’ He murmured with a smile as he gotten himself comfortable before feeling you run your fingers through his hair once more.

#jason todd imagine #jason todd fluff #jason todd x you #jason todd x reader #jason todd imagines #jason todd fanfic #jason todd fanfiction #jason todd fic #dc x y/n #dc x you #dc comics x reader #dc x reader #dc imagine #dc fic #dc fanfic #dc fanfiction

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introboy · 4 months

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So so excited to share my @mcytblrholidayexchange gift for @follow-the-compass-home! My concept was to combine a bunch of prompts together into one AU.

The premise is a modern-fantasy roommate situation where Tango, Bdubs, and Etho live together in an apartment. The only issue is that none of them are human, but they're all trying desperately to blend in, even though they don't really understand humanity as a concept.

More information can be found below the cut, and an introductory fic snippet can be found here (x)!

Downstairs Neighbors AU

Prompts used as inspiration:

Focus on Tango, Etho, and Bdubs

Include Boatem

Story told from Grian's perspective

Hybrid/inhuman AU

Angst with a happy ending

Emphasis on character dynamics

Here's a summary!!!

Tango, Etho, and Bdubs found each other by looking for roommates on Craigslist. They live in a 4-bedroom apartment together.

Tango is a spirit who wanted to interact with the world in a physical sense, so he built himself a body. He's basically just a ghost possessing an android (but unlike ghosts, he was never alive; he came into being as a fully-formed spirit). He doesn't adhere to normal bodily necessities like food, water, or sleep, which is convenient but also heavily concerning from an outsider's perspective.

Etho is a specific kind of shapeshifter called a mimic. He doesn't have a true form, but can copy the shape and mannerisms of most living creatures. The only constant across all of his appearances is a scarred left eye and white hair. Unfortunately, it takes practice to nail specific species characteristics, so he often forgets what he's supposed to look like and falls into uncanny valley. He wears a mask to cover his more noticable facial slipups.

Bdubs is some sort of plant creature (he doesn't really understand it himself). He has a perfect internal clock and sleeps, without fail, for 12 hours every night. He spends a lot of time in the unoccupied bedroom-- he uses it as a makeshift greenhouse, and it's filled with grow lights and humidifiers. He loves taking care of houseplants, but it's also a cover for him to spend time under the grow lights. Without enough light & water he gets lethargic.

Bdubs, Etho, and Tango, henceforth referred to as BET, all assume that the others are human. But since none of them know how to act human, they continuously pick up stranger and stranger habits from each other.

BET are close friends with Impulse & Skizzleman, who live together across the hall. Their upstairs neighbors are Grian, Pearl, Mumbo, and Scar, who are also besties with Imp & Skizz. BET and Boatem don't know each other well, but Grian especially thinks his neighbors are really odd.

Like BET, Grian is not human, and neither are the rest of his roommates. But they all know about each other, and Grian especially is really good at knowing how to act natural in public places. He's an avian shapeshifter, who can take the form of either a scarlet macaw or a human. Unlike Etho, both forms come equally naturally to Grian, and the shapeshifting process is a lot easier for him.

(Imp & Skizz are not human either-- they are a demon and an angel respectively. But, like Grian, they're really good at blending in when in public.)

One day, Grian gets injured on a flight and accidentally ends up on BET's balcony instead of his own. He's too disoriented to shift back into his human form or fly away, so Bdubs and Etho find him outside their door. Tango calls Impulse over in the hopes that he knows how to fix the random-injured-parrot crisis, but the only result is that Grian and Impulse start to truly take note of how strange their neighbors' living situation is. Incidents like the one pictured above arise (i.e. everyone finding out that there is not a singular scrap of food to be found in the entire apartment).

Ok that's all the rambling I'll do in this post, but I hope you enjoyed! Happy holidays!!

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katrafiy · 1 year

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I think about this image a lot. This is an image from the Aurat March (Women's March) in Karachi, Pakistan, on International Women's Day 2018. The women in the picture are Pakistani trans women, aka khwaja siras or hijras; one is a friend of a close friend of mine.

In the eyes of the Pakistani government and anthropologists, they're a "third gender." They're denied access to many resources that are available to cis women. Trans women in Pakistan didn't decide to be third-gendered; cis people force it on them whether they like it or not.

Western anthropologists are keen on seeing non-Western trans women as culturally constructed third genders, "neither male nor female," and often contrast them (a "legitimate" third gender accepted in its culture) with Western trans women (horrific parodies of female stereotypes).

There's a lot of smoke and mirrors and jargon used to obscure the fact that while each culture's trans women are treated as a single culturally constructed identity separate from all other trans women, cis women are treated as a universal category that can just be called "women."

Even though Pakistani aurat and German Frauen and Guatemalan mujer will generally lead extraordinarily different lives due to the differences in culture, they are universally recognized as women.

The transmisogynist will say, "Yes, but we can't ignore the way gender is culturally constructed, and hijras aren't trans women, they're a third gender. Now let's worry less about trans people and more about the rights of women in Burkina Faso."

In other words, to the transmisogynist, all cis women are women, and all trans women are something else.

"But Kat, you're not Indian or Pakistani. You're not a hijra or khwaja sira, why is this so important to you?"

Have you ever heard of the Neapolitan third gender "femminiello"? It's the term my moniker "The Femme in Yellow" is derived from, and yes, I'm Neapolitan. Shut up.

I'm going to tell you a little bit about the femminielli, and I want you to see if any of this sounds familiar. Femminielli are a third gender in Neapolitan culture of people assigned male at birth who have a feminine gender expression.

They are lauded and respected in the local culture, considered to be good omens and bringers of good luck. At festivals you'd bring a femminiello with you to go gambling, and often they would be brought in to give blessings to newborns. Noticing anything familiar yet?

Oh and also they were largely relegated to begging and sex work and were not allowed to be educated and many were homeless and lived in the back alleys of Naples, but you know we don't really like to mention that part because it sounds a lot less romantic and mystical.

And if you're sitting there, asking yourself why a an accurate description of femminiello sounds almost note for note like the same way hijras get described and talked about, then you can start to understand why that picture at the start of this post has so much meaning for me.

And you can also start to understand why I get so frustrated when I see other queer people buy into this fool notion that for some reason the transes from different cultures must never mix.

That friend I mentioned earlier is a white American trans woman. She spent years living in India, and as I recal the story the family she was staying with saw her as a white, foreign hijra and she was asked to use her magic hijra powers to bless the house she was staying in.

So when it comes to various cultural trans identities there are two ways we can look at this. We can look at things from a standpoint of expressed identity, in which case we have to preferentially choose to translate one word for the local word, or to leave it untranslated.

If we translate it, people will say we're artificially imposing an outside category (so long as it's not cis people, that's fine). If we don't, what we're implying, is that this concept doesn't exist in the target language, which suggests that it's fundamentally a different thing

A concrete example is that Serena Nanda in her 1990 and 2000 books, bent over backwards to say that Hijras are categorically NOT trans women. Lots of them are!

And Don Kulick bent over backwards in his 1998 book to say that travesti are categorically NOT trans women, even though some of the ones he cited were then and are now trans women.

The other option, is to look at practice, and talk about a community of practice of people who are AMAB, who wear women's clothing, take women's names, fulfill women's social roles, use women's language and mannerisms, etc WITHIN THEIR OWN CULTURAL CONTEXT.

This community of practice, whatever we want to call it - trans woman, hijra, transfeminine, femminiello, fairy, queen, to name just a few - can then be seen to CLEARLY be trans-national and trans-cultural in a way that is not clearly evident in the other way of looking at things.

And this is important, in my mind, because it is this axis of similarity that is serving as the basis for a growing transnational transgender rights movement, particularly in South Asia. It's why you see pictures like this one taken at the 2018 Aurat March in Karachi, Pakistan.

And it also groups rather than splits, pointing out not only points of continuity in the practices of western trans women and fa'afafines, but also between trans women in South Asia outside the hijra community, and members of the hijra community both trans women and not.

To be blunt, I'm not all that interested in the word trans woman, or the word hijra. I'm not interested in the word femminiello or the word fa'afafine.

I'm interested in the fact that when I visit India, and I meet hijras (or trans women, self-expressed) and I say I'm a trans woman, we suddenly sit together, talk about life, they ask to see American hormones and compare them to Indian hormones.

There is a shared community of practice that creates a bond between us that cis people don't have. That's not to say that we all have the exact same internal sense of self, but for the most part, we belong to the same community of practice based on life histories and behavior.

I think that's something cis people have absolutely missed - largely in an effort to artificially isolate trans women. This practice of arguing about whether a particular "third gender" label = trans women or not, also tends to artificially homogenize trans women as a group.

You see this in Kulick and Nanda, where if you read them, you could be forgiven for thinking all American trans women are white, middle class, middle-aged, and college-educated, who all follow rigid codes of behavior and surgical schedules prescribed by male physicians.

There are trans women who think of themselves as separate from cis women, as literally another kind of thing, there are trans women who think of themselves as coterminous with cis women, there are trans women who think of themselves as anything under the sun you want to imagine.

The problem is that historically, cis people have gone to tremendous lengths to destroy points of continuity in the transgender community (see everything I've cited and more), and particularly this has been an exercise in transmisogyny of grotesque levels.

The question is do you want to talk about culturally different ways of being trans, or do you want to try to create as many neatly-boxed third genders as you can to prop up transphobic theoretical frameworks? To date, people have done the latter. I'm interested in the former.

I guess what I'm really trying to say with all of this is that we're all family y'all.

#transgender #third gender #hijras #femminielli #trans women are women #trans solidarity #trans rights #transmisogyny #transunity #transunitism #this is what trans unity looks like

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rebel-girl-queen-of-my-world · 7 months

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As a Jewish advocate for Palestinian rights, let me tell you something. I’m fucking hurting right now.

I hate Hamas because they have made the plight of Palestinians so much worse with their actions in that now even fewer people will be willing to acknowledge their 70 years of suffering.

I hate that they will be used as an excuse to demonize all Palestinians, and the US is already upping their already astronomical military funding for Israel.

I hate that they’ve committed unforgivable violence in the name of a cause that is just.

I hate the Israeli government and the IDF for creating the conditions for this tragedy and countless others stretching back to the Nakba.

I hate how they have perverted my culture into a settler-colonial ideology and perpetrated on the Palestinians the very kinds of pogroms my own family fled Europe to escape.

I hate that so many Jews in Israel and throughout the diaspora face ostracism from their communities and families for speaking out against the atrocities Israel has been committing against Palestinians.

I especially hate how many of my fellow Jews have bought into an ideology that can handwave the bulldozing of homes and schools, the imprisonment of children, the bombing of residential homes, the displacement, the massacres. Virtually all things we have suffered as Jews at points in our history.

My heart aches for the innocent people murdered across the board - no matter who the bombs came from. Even though part of me thinks settlers aren’t innocent, what can you really do if you just happened to be born there? And even if you moved to Israel, do you really deserve to die? No.

But neither do all the children in the Gaza Strip currently being bombed in a revenge attack that, with the denial of food, water, and medical aid, violates the Geneva convention.

But to everyone who is posting now about Israel and these “unprecedented tragedies” - yes, these are tragedies, and my heart is so heavy with them. But they are not unprecedented. Where were you when the same things were happening to Palestinians for decades upon decades? There’s a monumental amount of video evidence of atrocities against Palestinians, but somehow people have managed to miss all of that. If you’re only paying attention to the suffering of certain people, ask yourself why.

If you’re only now posting about “of course Palestinians should be free” in posts primarily about mourning the killing of Israelis, where were your voices before now? Those of us trying to organize and fight for Palestinian human rights could have used you.

If more people had spoken out against our government’s support of what Amnesty International and countless other human rights organizations have called an apartheid regime, who knows what could have been possible.

Edit: Since this is getting a little traction, I wanted to leave these links here. Both are very reputable organizations that are providing humanitarian aid:

#personal #Israel #Palestine #free Palestine #Gaza #Gaza under attack #human rights #fuck hamas #free gaza #israeli apartheid #war crimes

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arabian-batboy · 7 months

Text

Its disturbing how Zionists are trying to so damn hard to convince the world that Palestinians are currently on a huge raping campaign on innocent women and girls everywhere, even though there are literally ZERO evidences so far of ONE case of a Palestinian raping or stripping any civilians (and I mean real evidence, not bigots saying its true on twitter), they simply willed it into existence by merely saying it over and over again and thinking that's enough to make it into a real concerning fact

But do you know what has been proven as a legitimate fact for decades on the other hand? Thousands of Palestinians men, women and children being systematically violated and raped on a regular basis by Israeli settlers with no consequences or sympathy from the international community.

Like we literally have videos of Israeli soldiers on camera laughing about how many Palestinian women they have raped and multiple photos and videos of Palestinians being stripped naked and beaten by soldiers. Right now there's even a video of Israeli soldiers pissing on a dead naked Palestinian man on twitter which isn't being shared around or talked about half as much as much that one video of one Israeli woman allegedly being "stripped" to a bra and shorts, even though it has already been debunked by now that she was already wearing just a bra and shorts when she was captured and that neither she nor any other Israeli hostages have suffered any kind of sexual abuse by Palestinians (as you can see by how good they're being treated in this video)

It's really remind me how White supremacists in Europe have started this propaganda that Muslim refugees shouldn't be allowed Asylum because they're here to rape European women and that rape rates in Europe will sky-rocket by their mere existence, even though again, there are zero evidence of refugees committing sexual crimes (or any crimes) on a higher rates than local citizens. In fact, in some European countries and the US, it has proven that Muslim-majority neighborhood actually have the lower crimes rate compared to their counterparts.

One thing is clear here, it seems that it doesn't matter where they live, all White supremacists (especially Zionists) have the same exact trick when shit hits the fan and its: claim that "savage brown men are coming to rape your delicate white women! So you need to kill them before that happens!" each time the people they're oppressing are standing up for their human rights.

Palestinians made a document that contains templates for letters to US, UK, & Canadian politicians, media outlets, and companies in relation to current events in Palestine as well as petitions & other resources. If you live in any of these countries then please select a template, edit it to your preference and send according to the instructions on the relevant page.

Here is a link to it (please share it): https://docs.google.com/document/d/1-RUOHHiEtr7uoclQgWN-tCWOihnHIp5hym89aNePi_E/mobilebasic

Aside from that, please protest, support the BDS boycott and spread awareness as much as possible.

#tw: rape #tw: death #palestine #palestinian #palestinians #gaza #anti israel #anti israeli #anti israelis #anti zionist #anti zionists #anti zionisim

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