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#but also let people have fun
fandomsupporter · 2 years
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hey, if you didn’t like thor love and thunder: that’s fine. that’s okay. i however had an absolutely blast the entire time
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frownyalfred · 8 months
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Clark: why are you like this
Bruce, three seconds away from dropping a glass of champagne on the floor, dramatically slipping in the pieces, and falling into the lap of the senator they’re trying to get information out of in a bizarre, sleep-deprived, but likely wildly successful seduction attempt: can you just let me have this please
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wardingshout · 4 months
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Zelda goes mushroom girl
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inkskinned · 1 year
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there are a lot of posts out there that are positive and healthy coping mechanisms for handling the holidays. this is not one of them :)
i think there's like. going to be times in your life you will be stuck in a social situation that you cannot escape from gracefully. i do not know why the internet doesn't believe these times exist. it's not always just that your physical safety is at risk - sometimes it's legit like "i just don't currently have the energy or time to put in the effort of responding to this." sometimes it's a coworker you hate so much. sometimes it's just like, fine, you know? like you know you can handle your aunt when she's cheerily horrible, but if you actually set a boundary around her, it's going to be weeks of fallout with your father.
i don't know why people think the answer is always just "cut them out!" or "don't let them get away with that!" because ... the real world is tricky and complicated. i think kind of a lot of us have an internal "radiation poisoning" meter for certain people. like - i'm talking about the ones who are absolutely giving you gradual ick damage. like, you can handle them, but you'll be exhausted.
and yes. you absolutely should listen to your therapist and the good posts about handling others and set good boundaries and take care of yourself. prioritize peace.
HOWEVER :) ...... since im often in a situation with a Gradual Sense of Ick person i cannot just "cut out" of my life (without losing someone else precious to me) - i have sort of developed the most. maladaptive form of mischief possible. because like, if i'm going to have to listen to this shit again, i like to have a little bit of private fun with it.
now! again, i am physically safe, just mentally drained by this man. you should only do this with people you are not in danger with. which leads me to my suggestions for when your Unfortunate Acquaintance shows up and says oh everyone pay attention to me.
my favorite word is "maybe!" said as brightly and happily as possible. whenever the Horrible Person starts in on a topic you do not want to go further with, particularly if they make a claim that you know to be inaccurate, do not respond to it. you and i have both tried to actually argue with this person, and it hasn't gone well, because this person just wants the drama of an argument. however, "maybe!" gives them literally nothing to go on. it is incredibly disarming. they are used to people having some response. they know they can't prove what they're saying, and maybe! treats them like the child they are. it dismisses them in the politest way possible.
i like to say maybe! and then, in their stunned silence, immediately change the subject. this is because i have adhd and i will have something unrelated to talk about, but if you can't think of topics fast enough, i recommend just pointing to something and saying, "isn't that lovely?" because fuck you let's bring in some positivity.
by the way. that second trick - of pointing to something and stating an opinion about it? - that just works on its own, like, 70% of the time. i picked it up from teaching preschoolers. it's an intentional "redirect". it stops children crying and it also stops grown adults from finishing their explanation on why women belong in kitchens. dual wielding!
keep it silly for yourself. i absolutely do not care if people think i'm fucking stupid (it's more fun if they do) and as a result i will purposefully misunderstand things just to see how long it takes them to realize i've completely removed them from the subject at hand. when they say "women aren't funny" i get to be like. "which women." "all women." "all women in america?" "no in the world." "like the mole people? the people in the world?" "what? no. like, alive." "oh are we not counting the mole people?" "what the fuck are you talking about." "you don't believe in the mole people?"
similarly, i play a personal game called "one up me." my Evil Acquaintance literally knows this game exists (my family & friends caught onto it and now also play it) and it always fucking gets him. i don't know why. you have to be willing to be a little free-spirited on this one, though. the trick is that when they make one of those horrible little bigoted or annoying comments they are always making, you need to go one unit weirder. not more intense, mind you - just more weird. "you don't look good in that dress." "yeah, actually, my other dress was covered in squid ink due to a mishap at the soup store." "you shouldn't wear such revealing clothes." "wait, what? oh shit. sorry, your son tears off strips when no one is looking and eats them. i swear it was longer before we left the building."
the point of "one up me" is to completely upend this person's narrative. we both know this person likes setting up situations where you cannot "win" and then they really like telling other people how badly you handled it. in a usual situation, if you respond "please don't say something that rude", you're a bitch. but if you let it happen, you're letting yourself be debased. they are not usually expecting door number three: unflappably odd. because what are they going to say when they're telling everyone how badly you behaved? "she said my son eats her dresses" ".... okay?"
if you can, form an allyship with someone whomst you can tagteam with. where they can pick up on your weird "soup store" story and run with it.
the following phrase is amazing and can be deployed for any situation: "oh, be nice :) it's the holidays!" i do not know why this works as often as it does. i'll say it for the most random shit. i think this is bc most of the time these people know they're being impolite, they just like to fight.
godbless. when in doubt, remember that you could always start stealing their pens.
the whole point of this is - if you can't escape. maybe see how long you can just be. like. a horrible little menace.
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spectral-honey · 2 years
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AU where Jason gets his revenge by becoming a lawyer and getting joker sentenced to the death penalty
Bruce is conflicted about it but any time he tries to say anything on the subject Alfred just talks over him like "oh we're so proud of you master Jason you finished college and you didn't even use your father's extensive resources that could've easily gotten someone in this family a degree aren't we so proud master Bruce that Jason got himself a respectable profession--"
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mobius-m-mobius · 7 months
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Lokius in Loki 2x01 - "Ouroboros"
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kaladinkholins · 2 months
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Very interesting to me that a certain subset of the BES fandom's favourite iterations of Mizu and Akemi are seemingly rooted in the facades they have projected towards the world, and are not accurate representations of their true selves.
And I see this is especially the case with Mizu, where fanon likes to paint her as this dominant, hyper-masculine, smirking Cool GuyTM who's going to give you her strap. And this idea of Mizu is often based on the image of her wearing her glasses, and optionally, with her cloak and big, wide-brimmed kasa.
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And what's interesting about this, to me, is that fanon is seemingly falling for her deliberate disguise. Because the glasses (with the optional combination of cloak and hat) represent Mizu's suppression of her true self. She is playing a role.
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Take this scene of Mizu in the brothel in Episode 4 for example. Here, not only is Mizu wearing her glasses to symbolise the mask she is wearing, but she is purposely acting like some suave and cocky gentleman, intimidating, calm, in control. Her voice is even deeper than usual, like what we hear in her first scene while facing off with Hachiman the Flesh-Trader in Episode 1.
This act that Mizu puts on is an embodiment of masculine showboating, which is highly effective against weak and insecure men like Hachi, but also against women like those who tried to seduce her at the Shindo House.
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And that brings me to how Mizu's mask is actually a direct parallel to Akemi's mask in this very same scene.
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Here, Akemi is also putting up an act, playing up her naivety and demure girlishness, using her high-pitched lilted voice, complimenting Mizu and trying to make small talk, all so she can seduce and lure Mizu in to drink the drugged cup of sake.
So what I find so interesting and funny about this scene, characters within it, and the subsequent fandom interpretations of both, is that everyone seems to literally be falling for the mask that Mizu and Akemi are putting up to conceal their identities, guard themselves from the world, and get what they want.
It's also a little frustrating because the fanon seems to twist what actually makes Mizu and Akemi's dynamic so interesting by flattening it completely. Because both here and throughout the story, Mizu and Akemi's entire relationship and treatment of each other is solely built off of masks, assumptions, and misconceptions.
Akemi believes Mizu is a selfish, cocky male samurai who destroyed her ex-fiance's career and life, and who abandoned her to let her get dragged away by her father's guards and forcibly married off to a man she didn't know. on the other hand, Mizu believes Akemi is bratty, naive princess who constantly needs saving and who can't make her own decisions.
These misconceptions are even evident in the framing of their first impressions of each other, both of which unfold in these slow-motion POV shots.
Mizu's first impression of Akemi is that of a beautiful, untouchable princess in a cage. Swirling string music in the background.
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Akemi's first impression of Mizu is of a mysterious, stoic "demon" samurai who stole her fiance's scarf. Tense music and the sound of ocean waves in the background.
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And then, going back to that scene of them together in Episode 4, both Mizu and Akemi continue to fool each other and hold these assumptions of each other, and they both feed into it, as both are purposely acting within the suppressive roles society binds them to in order to achieve their goals within the means they are allowed (Akemi playing the part of a subservient woman; Mizu playing the part of a dominant man).
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But then, for once in both their lives, neither of their usual tactics work.
Akemi is trying to use flattery and seduction on Mizu, but Mizu sees right through it, knowing that Akemi is just trying to manipulate and harm her. Rather than give in to Akemi's tactics, Mizu plays with Akemi's emotions by alluding to Taigen's death, before pinning her down, and then when she starts crying, Mizu just rolls her eyes and tells her to shut up.
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On the opposite end, when Mizu tries to use brute force and intimidation, Akemi also sees right through it, not falling for it, and instead says this:
"Under your mask, you're not the killer you pretend to be."
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Nonetheless, despite the fact that they see a little bit through each other's masks, they both still hold their presumptions of each other until the very end of the season, with Akemi seeing Mizu as an obnoxious samurai swooping in to save the day, and Mizu seeing Akemi as a damsel in distress.
And what I find a bit irksome is that the fandom also resorts to flattening them to these tropes as well.
Because Mizu is not some cool, smooth-talking samurai with a big dick sword as Akemi (and the fandom) might believe. All of that is the facade she puts up and nothing more. In reality, Mizu is an angry, confused and lonely child, and a masterful artist, who is struggling against her own self-hatred. Master Eiji, her father figure who knows her best, knows this.
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And Akemi, on the other hand, is not some girly, sweet, vain and spoiled princess as Mizu might believe. Instead she has never cared for frivolous things like fashion, love or looks, instead favouring poetry and strategy games instead, and has always only cared about her own independence. Seki, her father figure who knows her best, knows this.
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But neither is she some authoritative dominatrix, though this is part of her new persona that she is trying to project to get what she wants. Because while Akemi is willful, outspoken, intelligent and authoritative, she can still be naive! She is still often unsure and needs to have her hand held through things, as she is still learning and growing into her full potential. Her new parental/guardian figure, Madame Kaji, knows this as well.
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So with all that being said, now that we know that Mizu and Akemi are essentially wearing masks and putting up fronts throughout the show, what would a representation of Mizu's and Akemi's true selves actually look like? Easy. It's in their hair.
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This shot on the left is the only time we see Mizu with her hair completely down. In this scene, she's being berated by Mama, and her guard is completely down, she has no weapon, and is no longer wearing any mask, as this is after she showed Mikio "all of herself" and tried to take off the mask of a subservient housewife. Thus, here, she is sad, vulnerable, and feeling small (emphasised further by the framing of the scene). This is a perfect encapsulation of what Mizu is on the inside, underneath all the layers of revenge-obsession and the walls she's put around herself.
In contrast, the only time we Akemi with her hair fully down, she is completely alone in the bath, and this scene takes place after being scorned by her father and left weeping at his feet. But despite all that, Akemi is headstrong, determined, taking the reigns of her life as she makes the choice to run away, but even that choice is reflective of her youthful naivety. She even gets scolded by Seki shortly after this in the next scene, because though she wants to be independent, she still hasn't completely learned to be. Not yet. Regardless, her decisiveness and moment of self-empowerment is emphasised by the framing of the scene, where her face takes up the majority of the shot, and she stares seriously into the middle distance.
To conclude, I wish popular fanon would stop mischaracterising these two, and flattening them into tropes and stereotypes (ie. masculine badass swordsman Mizu and feminine alluring queen but also girly swooning damsel Akemi), all of which just seems... reductive. It also irks me when Akemi is merely upheld as a love interest and romantic device for Mizu and nothing more, when she is literally Mizu's narrative foil (takes far more narrative precedence over romantic interest) and the deuteragonist of this show. She is her own person. That is literally the theme of her entire character and arc.
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gammija · 2 months
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ive been meaning to make this post for a few weeks, and now that Lena's "I am not a wealthy woman, certainly not compared to your own family," to Gwen seems to have put a spotlight on it, here's my lil suggestion;
Elias Bouchard is a ministerial employee/politician, and the OIAR falls under his responsibilities.
Gwen's Bouchard surname already heavily suggests that she comes from a wealthy family, like Elias did in tma. Alice's "Let me guess, fancy gowns, champagne, bathing in the blood of the poor, that sort of thing," comment in ep3 makes that not just independently wealthy, but high class as well.
Then with Alice accusing Gwen of (benefitting from) nepotism in the first episode, it makes sense that someone in her family has a powerful position somewhere in the OIAR hierarchy.
All those are easy to notice, but one thing I haven't seen many posts about - in that same episode, Collin and Alice have this conversation:
ALICE: [...] Is it an app yet? Do we have a minimalist logo? I assume you’ve finished all the social features?
COLIN: Don't you start. I swear I'm going to shove a cable down that prick's throat, pull it out his ministerial anus and floss him to death.
and later, with Teddy-
TEDDY: Colin, mate, you know you’re never getting out of here.
COLIN: Christ, don’t say that.
TEDDY: Even if his nibs lets you off the hook, which he won’t, you couldn’t bring yourself to just leave.
Based on that, we can conclude that somewhere up the OIARs hierarchy, there's some managerial asshole who insists on keeping Colin around (for the app?).
So, combined with what we know from OG Elias in tma, and Gwens nepotism comments, until proven otherwise, that asshole is Elias to me <3
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gabe-lovebot · 1 month
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councilor 3D model
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i learnt 3d modelling from the ground up to bring him to life. he's yours now. do whatever you want with him
[link]
please credit me if you make something using the model (or even ping/link me to it, i would love to see what you made!)
currently available as a .blend, .fbx and an SFM port.
#hello councilnation i'm finally releasing him to the wild#have fun playing toys with him#ultrakill#councilor#councilor ultrakill#3d stuff#obviously with the councilor having just 1 full body image of him means that some stuff i had to improvise on#so you get to enjoy my headcanons on how he looks#(like obviously the wings & halo)#(but also the chestplate design)#but did you know that the councilor's canon design has subtle engravings on his forearm armor pieces?#i only barely noticed them when painting textures and i was floored#i had to add them#to the sfm anon and whoever else wants to use this for sfm stuff-#i did my best with a port for sfm and i'm quite proud of the result#but please be aware i have never used it before so if you find that something doesn't work as it should please please let me know!!#gonna pour my heart out in tags as always so close your eyes if you don't wanna see me being sentimental but#i'm not kidding when i say i learnt 3d modelling from the ground up for this#i have meddled with blender before but never actually came close to finishing a project#and i don't know how i did it and how i kept going#(i do know) (it was my friend encouraging me every time i showed him progress)#this was like 1 entire month in the making#but i'm so fucking proud of this and how it turned out and people's tags in my act 2 render genuinely were such a huge confidence boost#so thank you guys for liking it <3#i'm still very much thinking of doing a version with just his bloodied head#but it might take a while because i want a break and i want to play warframe
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poorly-drawn-mdzs · 6 months
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Wei Wuxian eats a watermelon. Yep!
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grimme-and-specs · 27 days
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You know I had to do it to 'em too
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Bonus:
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EDIT, 2024-4-5:
If this gets to 213 notes before 4-13 I will personally redraw this earlier than planned.
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katabay · 3 months
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original thief series basso & garrett :)
ngl, it's about quality over quantity for me. an npc can have a total of three minutes of screen time, but if they have a cool name, they can live rent free in my head and I'll spend several hours trying to decipher drawable features from a blurry screenshot of pixels
there is a vague hint of a story here, and that's because every time I try to play thi4f, I get incredibly frustrated with how Not Fun the game play is. like, is the story good? well. but it has a PLAGUE. that should've given it instant 'I'll replay this once a year' status in my heart, but the game play sucks so bad that I've never finished it. I can't believe Not Fun gameplay beat out my obsession with narrative plagues.
anyway, the idea is basically if the original era had a game with a plague centric narrative and some other stuff I liked out of thi4f thrown into a narrative blender, with a heavy dash of horror thrown in because some parts of the thief games were scarier to me than entire dedicated horror genre games.
⭐ places I’m at! bsky / pixiv / pillowfort /cohost / cara.app
#if i had a laptop and the skillset i would attempt a story mod because the thief modders who create whole mission stories#are GENIUS and also somewhat terrifying. love them! xoxox#anyway im actually kind of obsessed with parts of thi4f but its also like. not at that sweet spot of almost good enough to be fun#to talk about. which. for the record. has not stopped me from talking about it at length to people#the city itself actually fucking fascinates me. its almost alive and im SO mad that not a single part of that game is actually terrifying#it should be gnarlier and instead it feels a bit like it doesn't quite want to be trapped in the story it has to tell?#but between the level that has the bodies on the meathooks#and the scene with the bodies hanging from the rafters or whatever that was and garrett living in a clock tower#because the game is very much ALMOST about changing times and authoritarian violence and capitalism#(like. by virtue of how the story sort of spins out i think it misses it's mark on a lot of stuff here#in the sense that i dont feel like it actually wants to tell that story. it wants to. go in a different direction. or at least walk on top#of those themes instead of through it)#ANYWAY between all of those things. it does kind of live in my head rent free. they did create a compelling setting#SHAME THEY DIDNT WANT TO ACTUALLY EAT ANY OF IT#unrelated but i would've given thi4f a 10/10 if they kept garrett's fucking nail polish from the concept art. cowards. unforgivable#thief the dark project#i still have no idea how to tag the game series as a whole RIP#sorry for the dedicated dark project fans. if you know what the general series tag is. please let me know#garrett thief#basso thief
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inkskinned · 1 year
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"it's so embarrassing you like that popular thing" "oh ew that geeky/strange thing is so cringe lol" "oh it's kind of weird you get excited about that harmless shit"
dude i love how ironic and jaded you are and that's so cool and sexy of you. and i am so so glad to tell you - you won!! we all had a meeting and we decided that you won, and we are writing your name on the inside of a burger king crown. the marker smeared, sorry, but we knew any form of real effort is ugly to you. but anyway. congrats! you are officially the coolest, most ironic, most jaded person in-the-world-right-now. we would throw you a party but you would think it was totally boring - and besides, we're weird so we wouldn't have been coming. we would have brought our love of beetles and of baking and of little canapes. we would have brought our artsy videogames and pages of writing. we would have written a poem with you, our hands covered in ink, and spread out a canvas to dance on, the night so lurid and pink.
but do not worry. we will not throw the party. we will just get you a ringlight and that crown i mentioned. it is a nice crown, except for where one of us dropped it.
the vote was a really hard one because we had so many cool ironic people to pick off the shelves. all of you have hands that rot fruit, how strange is that - you can't look at something without destroying it for other people. you like it when you can squeeze a person into a pinpoint - all us small ones scampering our little feet around our ugly joys. the vote was also a hard one because we kept our voices down because you don't like it when we talk too loud. you were on your phone at the time, talking to people other than us. you are a ghoul of every moment - half in, half out, you resent us for being here without shame or embarrassment.
so good news! we have invented an island for people like you. you get to go there and speak into the air things like if you still like watching harmless twitch streamers in 2023 you're fucking boring. you will say things like liveplay podcasts are fucking ugly and it's kind of awkward they try to make everything gay. on the island we made you, all of your words will have weight. they will form in the air like icicles, large white behemoth letters that will crumple in anvils around your feet. maybe we will send someone there once in a while to sweep, but honestly you might be there for a while, alone, waiting. we are busy being outside looking for mushrooms and flapping our hands and humming. we are busy kicking our little heels while we watch cringey tv. we are busy - sorry! as an apology, we have pre-filled the island with every bland, mediocre, unscented thing we could find. the island has the texture of american cheese. the island has an ocean that never gets angry. the island is perfect for you, trust me. you will be so happy there - as happy as you can be, ironically.
we want to say we are sorry for doing harmless things that you find annoying, childish, or unappealing - but we are not sorry. we thought we could help you, because we don't mind laughing at ourselves, but it turns out you are allergic to color and noise and atmosphere, so this is the best that we can do for now. we are all making a big shirt that says i voted in the ironic monarchy. we got you one that is just a fast fashion buttondown. i am so excited for you and this island and the big life you have won. you have a cool jaded grey life and miles of irony to roam. i love you! be well.
now leave us alone.
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*RTD writing a grand finale where old companions come back and he teases a David Tennant regeneration but then he just splits in half and one of him gets to live his well deserved happily ever after*
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lavenoon · 10 months
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Sometimes you try to prank-scare the new hire and eat dirt instead, but you made them laugh so all is well <3
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beelzzzebub · 26 days
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hi!!!! thank you @summercampghostie @im-the-son-of-rage-and-lov3 and @biromanticboba for the tag! i'm making a new thread so i could respond to everyone at once. i love this picrew so it was really fun to do again with the changes in my look hehe
it's supposed to be what you look like vs what you would want to look like, but if i'm being completely honest, i've just been really happy with how i look lately so i only did that version :))))
EDITING TO ADD THE LINK LMAO HERE YOU GO
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np tags 🪄 @spectral-mycoblin @starry-eyed-darling @trips-around-the-sun @mack-anthology-mp3 and ofc anyone else who wants to join!! love you all <3
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