Arthouse Muppets

Art by Bruce McCorkindale

Do you know what its like to be trans?

[Comic description: A comic about being trans. Long descriptions follow.

1. A light-skinned trans woman with shoulder-length brown hair stands at her bathroom sink wearing a T-shirt with a fish on it, draped so that her left shoulder hangs out. The text reads, ‘Let me teach you, what its like to be trans.’ 2. A blister pack of unlabelled pills sits next to this are two prescription bottles, one of Estrodial and one of Spironolactone, the latter of which is on its side with pills spilling out. The text reads, ‘What it’s like to spend years of waiting / For the right people to tick the box to tick the box to say your sick enough to get treatment. / Treatment to be you.’ 3. The woman brushes her teeth while looking at a tablet propped up by the sink. The text reads, ‘Do you know what its like to be a prop for political power? / To know they Dont actually care?’ The word ‘actually’ is underlined. 4. The woman sticks her tongue out in concentration as she works on the clasps of a bra behind her back. The text reads, ‘Do you know what it’s like? Do wait years for your body to change?’ 5. The woman starts shaving her cheeks and chin, which are covered in cream. The text reads, ‘What its like to work (emphasis) so (end emphasis) hard to overcome every toxic gender norm?’ 6. The woman touches her own shoulders with an unhappy expression. The text reads, ‘To take stock at the damage puberty has done?’ 7. A bottle of nail polish lies on its side dripping onto the counter. Polish has been splashed against the wall. The woman’s hands are visible in the sink, with just her right thumbnail painted. The text reads, ‘Do you know what its like? / To paint your nails only to see how disgusting your hands make you feel?’ 8. The woman bends over the sink, with her eyes shut and tears streaming down her face. The text says, ‘What its like, To do your makeup wrong / and see every feature you hate (emphasis) highlighted (end emphasis)?’

9. Fully dressed with a bag on her shoulder, the woman stands in her doorway with the door open and light streaming in. The text reads, ‘Do you Know what Its like to go outside? / When all it takes is one person to think that you are large enough danger to childrens lives to end yours.’ 10. The door is closed. A single point of light streams in from the peep hole and hits the woman’s head. She has one hand on the door and is looking down at the doorknob with a sad expression. Her bag lies on the ground beside her. The text says, ‘It paralyzes you.’

11. Back to the scene in the bathroom, similar to the first panel but mirrored and with a large black X scratched over the woman’s face. The text reads, ‘Do you Know what its like? / To not be seen as a person? / Because that’s what you taught me.’ \End descriptions]

Then Jason never kills again.

A h-heartfelt reunion..?

Bonus

birds of a feather

some digitalised bad doodles from my sketchbook :)

In Plagiarism and You(Tube), Hbomb says "If you consider something so obscure you can get away with stealing it, you do not respect it." Save that line for the next time someone tries to tell you that Roy Lichtenstein brought respect to comics as art.

It's since been pointed out that while Lichtenstein did copy one of Russ Heath's drawings of an airplane getting hit, the painting depicted above was actually copied off Irv Norvick, because Lichtenstein did this so many times to so many comic artists.

In Lichtenstein's defense, he was doing this in a time when comic artists frequently weren't even credited in the issues themselves. In his condemnation, he never even tried to check, nor has he made any move to pay or credit any of the comic artists who recognized their own work later on. Rather than elevating the "low art" of comics, he was widening the gap of financial success and respect even further.

The Hbomberguy of this story is art historian David Barsalou, who has now spent decades tracking down the original art and the names of the original artists used in Lichtenstein's most famous output. Here's the flickr gallery for the Deconstructing Roy Lichtenstein project. Frequently copied were Tony Abruzzo, Ted Galindo, Mike Sekowsky, Joe Kubert, Jerry Grandenetti, and dozens more Golden Age artists who aren't very well known in comics circles, let alone art history books. Many of them died in poverty. That's something that the Hero Initiative, mentioned in Russ Heath's comic above, aims to prevent.

Also, Lichtenstein didn't even paint Ben-Day dots. That's a specific thing.

i can't write but have this

My favourite father son duo

morning kori. she’s lovingly watching dick burn the shit out of her pancakes

the tim drake experience

dianxia you can't just say things like that

prev comic / follow for taizi dianxia

Prank Dust/Murder - Ask-DustTale Killer - Rahawabas Horror - Soul-Apple-Studios Nightmare - Jokublog

my og one piece goof

Searching your eyes for the saint is an act of futility

something that's just been on my mind recently!

i dont think the sages are distinctly aware of everything their avatars are doing, but i imagine some things probably bleed through