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#are we going to read into that too???
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Full offense but Tumblr takes on the barbie movie are so bad like I swear to you, I swear, it is not, and hear me when I say this, that deep.
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roppiepop · 4 months
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Who’s coming to the cookout?
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fallahifag · 5 months
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palestinians don’t owe you anything
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ryssbelle · 1 month
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Drew a bunch of Marinettes in a bunch of different artists styles it was a lot of fun!!
Artists who's styles I mimicked: @buggachat @hamsternamedmarinette @ladybeug @sabertoothwalrus and @anna-scribbles all epic artists 🤟😎
#my art#marinette dupain cheng#miraculous ladybug#miraculous fanart#style mimic#sorry for the @s btw#yall should go follow those artists if you dont already also#this was sort of inspired by a post the three artists on the top row made#i think they all got together and drew with one another#which is really cool#but i was genuinely confused because i mimic styles a lot#and ive seen others do it too so i was just like#wow they really know each others styles really well#until i thought about it and read their posts some more#style mimicking is really freaking fun and i think its really good practice#and a good way to explore other ways of doing things#like you really have to learn new techniques and get out of your comfort zone#also anna scribbles i could not find a recent pic of marinette in her main outfit#so thats the only marinette i drew in different clothes cuz i couldnt find a more recent ref of you drawing it#anna scribble marinette has privileges thats the others dont#but ye#i also threw my own style in there as a frame of reference to what me draw like#ive drawn marinette before just not in a loooong while#sabertooth walrus was the hardest for me to mimic cuz they have a broad range in their style#so its like which sabertooth do i wanna be in this pic#Buggachat has such a distinct style thats very clean and consistent which is amazing so they were easy#being easy or hard arent bad things either it also has to do with like styles meeting up with one another#buggachats and mine arent too too different in some shapes and aspects#so yeah itd be easier plus they drew marinette like 3 sec ago so i have more recent of a ref#as opposed to sabertooth who i have a recent ref of ladybug but not marinette so we got two diff styles in one
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inkskinned · 1 year
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the thing is there's like, a point of oversaturation for everything, and it's why so many things get dropped after a few minutes. and we act like millennials or gen z kids "have short attention spans" but... that's not quite it. it's more like - we did like it. you just ruined it.
capitalism sees product A having moderate success, and then everything has to come out with their "own version" of product A (which is often exactly the same). and they dump extreme amounts of money and environmental waste into each horrible simulacrum they trot out each season.
now it's not just tiktokkers making videos; it's that instagram and even fucking tumblr both think you want live feeds and video-first programming. and it helps them, because videos are easier to sneak native ads into. the books coming out all have to have 78 buzzwords in them for SEO, or otherwise they don't get published. they are making a live-action remake of moana. i haven't googled it, but there's probably another marvel or starwars something coming out, no matter when you're reading this post.
and we are like "hi, this clone of project A completely misses the point of the original. it is soulless and colorless and miserable." and the company nods and says "yes totally. here is a different clone, but special." and we look at clone 2 and we say "nope, this one is still flat and bad, y'all" and they're like "no, totally, we hear you," and then they make another clone but this time it's, like, a joyless prequel. and by the time they've successfully rolled out "clone 89", the market is incredibly oversaturated, and the consumer is blamed because the company isn't turning a profit.
and like - take even something digital like the tumblr "live streaming" function i just mentioned. that has to take up server space and some amount of carbon footprint; just so this brokenass blue hellsite can roll out a feature that literally none of its userbase actually wants. the thing that's the kicker here: even something that doesn't have a physical production plant still impacts the environment.
and it all just feels like it's rolling out of control because like, you watch companies pour hundreds of thousands of dollars into a remake of a remake of something nobody wants anymore and you're like, not able to afford eggs anymore. and you tell the company that really what you want is a good story about survival and they say "okay so you mean a YA white protagonist has some kind of 'spicy' love triangle" and you're like - hey man i think you're misunderstanding the point of storytelling but they've already printed 76 versions of "city of blood and magic" and "queen of diamond rule" and spent literally millions of dollars on the movie "Candy Crush Killer: Coming to Eat You".
it's like being stuck in a room with a clown that keeps telling the same joke over and over but it's worse every time. and that would be fine but he keeps fucking charging you 6.99. and you keep being like "no, i know it made me laugh the first time, but that's because it was different and new" and the clown is just aggressively sitting there saying "well! plenty of people like my jokes! the reason you're bored of this is because maybe there's something wrong with you!"
#this was much longer i had to cut it down for legibility#but i do want to say i am aware this post doesnt touch on human rights violations as a result of fast fashion#that is because it deserves its own post with a completely different tone#i am an environmental educator#so that's what i know the most about. it wouldn't be appropriate of me to mention off-hand the real and legitimate suffering#that people are going through#without doing my research and providing real ways to help#this is a vent post about a thing i'm watching happen; not a call to action. it would be INCREDIBLY demeaning#to all those affected by the fast fashion industry to pretend that a post like this could speak to their suffering#unfortunately one of the horrible things about latestage capitalism as an activist is that SO many things are linked to this#and i WANT to talk about all of them but it would be a book in its own right. in fact there ARE books about each level of this#and i encourage you to seek them out and read them!!! i am not an expert on that i am just a person on tumblr doing my favorite activity#(complaining)#and it's like - this is the individual versus the industry problem again right because im blaming myself#for being an expert on environmental disaster (which is fucking important) but not knowing EVERYTHING about fast fashion#i'm blaming myself for not covering the many layers of this incredibly complicated problem im pointing out#rather than being like. yeah so actually the fault here lies with the billion dollar industries actually.#my failure to be able to condense an incredibly immense problem that is BOOK-LENGTH into a single text post that i post for free#is not in ANY fucking way the same amount of harm as. you know. the ACTUAL COMPANIES doing this ACTUAL THING for ACTUAL MONEY.#anyway im gonna go donate money while i'm thinking about it. maybe you can too. we can both just agree - well i fuckin tried didn't i#which is more than their CEOs can say
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obsob · 5 months
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once more around the sun!! :3
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puppetmaster13u · 5 months
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Who wants a prompt entirely in memes.
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uncanny-tranny · 11 months
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It's always, like, mildly annoying when people see a het trans couple and go "all that work just to be straight?" like... one, you don't know if they're straight and two, trans people don't owe you a queer sexuality to "make up" for the fact we're trans. Transhet people aren't a subtype of trans people, they're members of the trans community, and the queer one if they so desire!
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bixels · 20 days
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The idea that uni protesters are "elitist ivy-league rich kids larping as revolutionaries" on Twitter and Reddit and even here is so fucking funny to me if you actually know anything about the student bodies at these unis. Take it from someone who's going to one of the biggest private unis in the US, 80% of the peers I know are either from the suburbs or an apartment somewhere in America, children of immigrants, or here on a student visa. I've heard about one-percenter students, but I've never met one in person. Like, don't get me wrong, the institution as a whole is still very privileged and white. I've talked with friends and classmates about feeling weird or dissonant being here and coming from such a different background. But in my art program, I see BIPOC, disabled, queer, lower-income students and faculty trying to deconstruct and tear that down and make space every day. So to take a cursory glance at a crowd of student protesters in coalitions that are led by BIPOC & 1st/2nd-gen immigrant students and HQ'd in ethnic housings and student organizations and say, "ah. children of the elite." Get real.
#also idk how to tell you this but even if it were true. wealthy children potentially sacrificing their educational careers to protest is#a good thing actually. idk how to tell you that caring about people from other nations is good#personal#“this war has nothing to do with most students cuz nobody's getting drafted” idk how to explain to you that we should be angry#that our tuitions of 10s of thousands of dollars that we pay every year for an education is being used to fund a genocidal campaign#also the implication that if you go to a uni institution you are automatically privileged by participation no matter your bg#i didn't /want/ to go to this school. i was supposed to go to a school with an art/animation program. but i realized my immigrant#parents have been working their whole lives to get me here. and turning the opportunity down would be a disservice to their sacrifice#this is getting into convos of “what 2nd gen kids owe their parents” which is different for everyone but. yeah#i just get pissed off at seeing people misrepresenting student bodies as “wealthy” and “privileged” and “elite” when it's such a blatant li#i remember a year ago a friend told me they can't fly home to hong kong for winter break because the plane tickets are too expensive#so they have to find temporary housing around the area#last quarter for a film doc class my film partner made a doc on a small group of marxist grad students from india discussing praxis#during a rally a few months ago in response to police presence the coalition invited palestinian students to speak about their experiences#and lead songs and read poems they wrote. these are STUDENTS. are they elitist too?#this is not to disregard my own personal privilege either.#this whole narrative's just to rationalize a lack of empathy to me. seeing a 19yo student get shot by a rubber bullet and your first#reaction is “HAW! HAW! bet richy rich didn't see THAT coming when she put on her terrorist hood!”#newsflash. these big uni campuses are HAUNTED by the violence of past protests and revolutions and police brutality. we know.#why do you think these coalitions have been making reinforced barricades at record speed
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poorly-drawn-mdzs · 13 days
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Danse Macabre
[Commission]
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elodieunderglass · 7 months
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sp0o0kylights · 7 months
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Part One
The drive's short one. 
Steve gets out of his car, opening the passenger door for Chrissy and escorting her up to the house, quietly envisioning what Jason would look like if a real monster got him.
What would he say, staring down the crazy, five-starred head, filled with teeth and drool? Would he turn back? Or run?
(Steve swears he doesn't take great pleasure in imagining Carver getting eaten, but he'll admit to taking a little.)  
"Chrissy do you have any idea--oh." Mrs. Cunningham startles, grasping her robe at the front as she spots Steve standing next to her daughter.  
"Hi Miss Cunningham." He says.
"Hello." She says suspiciously. "And who are you?"
"I'm Steve Harrington, ma'am." He watches as her mother straightens immediately at his name, and sinks right into the ol' Harrington charm, knowing instantly it will work. "I know you were expecting Jason, but I'm afraid he wasn't able to drive Chrissy home." 
"Oh, Steve! It's so late I almost didn't recognize you." She titters, suspicion gone. "Your mother and I are on the same charity board." 
Of course they were.
"I thought you were dating that nice Nancy girl." She says with a squint that mimics Chrissy's, because even in the midst of a crisis he can't escape the gossip that is Hawkins upper echelon. 
"Nance is waiting in the car." Steve lies smoothly. "I just wanted to make sure Chrissy got home safe." 
"What happened?" Chrissy's father appears, ushering them both in while blatantly peering around them, eyes sweeping the street before closing the door.
Steve recognizes the move. He's checking for nosy neighbors. 
"Jason and I broke up." Chrissy admits.
"What?" 
"We..." She falters in front of her parents. 
"What happened to Jason?" Her father asks, tuning back in once they're safely away from peering eyes.
"I'm afraid Jason and some of his friends brought beer to the party." Steve steps in to explain.  
"Oh Chrissy, it's a high school party. That's no reason to break up with him." Her mother fusses, face flushing in embarrassment. Her eyes dart from her daughter to Steve and back, and Steve knows he needs to start damage control. 
If he plays it right he can burn Jason while he's at it. 
"He was horrible, mom. Just awful." Chrissy says, but Steve can tell she's shrinking under her mothers gaze. 
"He drank quite a lot, Miss Cunningham." With a theatrical wince, Steve turns to face Chrissy's dad, lowers his voice and says "I'm going to have to talk to Coach about it." 
He gets the intended response, which is a raised eyebrow. "That bad, huh?" 
Steve nods once, painting a pained smile on his face. "He made a real fool of himself tonight, Sir. The basketball team has a reputation to uphold." 
"Oh." Mrs. Cunningham says, hand fluttering in front of her face. "I never would have thought…"
"He's normally a good guy. I don't know what got into him." Steve has them both eating out of the palm of his hand, attention neatly off Chrissy and onto the story he's feeding them. 
Its worth it to see her shoulders relax. 
"I couldn't let him take Chrissy home in the state he was in Sir, and he got very…" 
Steve pauses. 
Fills his voice with tempered disappointment, channeling his dad. "Belligerent. Said some nasty things."  
"Really?" Mr. Cunningham says, with a low whistle, and Steve knows by his tone alone that he's bought in.
Hook, line, sinker.
Steve nods once. "I have to get back to my girlfriend, but Chrissy'" He turns earnestly here, to let her know he's not faking this next bit. "Let me know if Jason bothers you at school. I'll set him straight again if I have to." 
"Thank you Steve." Mr. Cunningham says, as Chrissy's mom hustles her daughter towards the kitchen. 
Steve shakes his hand, then waves at Crissy as she calls her own thank you over her shoulder, before disappearing out the door and back to his car.
The same one where Nancy very much isn't. 
That's a problem for tomorrow Steve.
xXx
Tomorrow Steve gets into an argument with Nancy. 
She can't recall that Jonathan took her home, or that he's bullshit, their whole relationship, bullshit--
But she also can't tell him she loves him.
So Steve snaps at her. Storms off.
 Play’s more basketball.
It takes less than two hours for him to get mopey and another three for him to spiral into deciding he was wrong somehow.
That's what his mom said all the time anyway, wasn't it? The man's always wrong Steven, and he's the man here so…
He gets flowers, chocolates, and fucking waylaid (by Dustin Henderson with his Grow a Monster) and things go sideways from there.
 Train tracks and a junkyard and demodogs make time speed up. An encounter with Billy and a dinner plate causes Steve's recollection of the evening to be fuzzy. 
He just knows that in the middle of dodging death, he has the realization that Nance wants to break up with him.
That he should let her. 
Even if it hurts, even if he doesn't want to. 
She wants to be let go.
So Steve does. He respects her, and when he has a moment after its all over, he tells her to go with Jonathan.
(At least he permanently gets the squirts out if this. Or at least everyone but Mike.
Even if most of them are shitheads and one of them's Hargrove's step sister.
It's--something.
But when Dustin keeps pestering him, demanding Steve drive him all over Hawkins and then drags him to the movies, well.
It might be the best something Steve's had in his life so far. )
xXx
"Oh shit. Is that from Caver?" Eddie asks, popping up near Steve's car like the clown in a jack in the box. 
"Carver can't hit for shit. This was Hargrove." Steve replies, attempting an eyeroll before remembering that his entire face is a bruise. 
One, giant, never ending bruise. 
"I guess his step sister gave him the slip to come hang out with these kids I watch sometimes. I didn't know she wasn't supposed to be there." Steve shrugs, because it's the technical truth. 
If you turn it sideways and squint anyway. 
"Asshole tried to threaten the kid Max is into by slamming him into a wall and screaming shit, so I stepped in, and--" He waves at his face. 
The same one he's already getting looks for. 
"I was winning." Steve sighs theatrically. "He broke a plate over my head."
The story seemed to freeze Eddie but he recovers with a quick shake of his head. 
"You poor thing." He tuts. "Let me guess--you were more worried about the hair than the wound?" 
Eddie's hands flutter like he's going to touch Steve's head but he seems to contain himself at the last minute.
The hospital threatened to buzz it for stitches." Steve says darkly, playing into the bit. 
(He had not gone to a hospital. 
None of them had.)  
"What would our King be without his crown of hair?" Eddie laments, in a falsetto that was half insult half oddly sincere. It was jarring in that it was hard to get a read on, but the more Steve was around the guy the less it seemed malicious and the more it came off  as just….goofy.
Eddie Munson, Steve decided, was not a freak.
 He was a dorky little weirdo, just like all the other kids Steve now hung out with. 
Just older, and with slightly better hair. 
"Hey Eddie." Another boy calls out, approaching cautiously. 
He's got a leather jacket on, and if Steve thinks hard enough he can sort of conjure up a memory of the guy at Eddie's lunch table, throwing a piece of bread at a pale sophomore decked out in plaid. "You good man?" 
"Yeah Jeff, just checkin' in on the Hair here." Eddie sticks a thumb towards Steve, who raises his hand and waves. 
The falsetto comes back, somehow higher as the older boy swoons over Steves arm. "Soothing his poor soul after that brute Hargrove almost killed him." 
"Has anyone ever told you you're a lot like Bugs Bunny?" Steve asks, the thought leaving his mouth the instant he had it.
(He doesn't care, it's a legitimate question.) 
It has the effect of making Munson look downright chuffed. "I have actually, but only by my Uncle." 
"Why are you checking in?" Jeff interrupts, before seeming to realize he said it out loud. " Ah, I mean--"
"Oh he didn't tell you?" Steve says, as casually as he can muster. "Eddie claimed me and Chrissy at a party last weekend." 
See Munson? Two people could play the weird bit game. 
They've attracted more of Eddie's friends now, two more boys in leather jackets edging closer like frightened deer. 
(One of which is the aforementioned younger man Jeff threw bread at, and Steve vaguely thinks the guy's name starts with a g.) 
"Apparently we're his minions now." Steve tells Jeff in a rather put upon manner. 
"It was just you, the fair maiden chose otherwise." Eddie counters dismissively, voice dropping down low. 
Steve snorts. Hums a sarcastic; "Like you'd let us choose." 
Eddie finally abandons whatever voice that was supposed to be (a villain, Steve thinks, and wonders if it hurts Eddies throat to drop from a false high to a deep low that quickly.)  to say:
 "Mock me all you like, Harrington, but you can't deny the bit worked." 
Steve automatically went for another eye roll, and gets a flash of pain for it. "Who said I was mocking you, you dork? Just stating facts." 
Yet again, Eddie reacts weird to the comment. He looks almost bashful for a second, before he recovers, tugging his hair in front of his face as he plays with it.
The bell rings once in warning, and Steve makes a face towards the doors. 
"I gotta go, Mrs Clicks out to fail me. See you around, Eddie. Jeff." The way his eyes are bruised up he can't quite make out the face Jeff makes at that, but Steve's pretty sure the guys mouth was open. 
"She's a nasty one, my minion, best stay on your toes around her." Eddie calls, and Steve waves a hand in the air to show he heard. 
"What just happened?" Jeff asks, far too loudly for how close Steve still is. 
It makes him chuckle a bit, even as one of the other guys says something in a far quieter voice that has Munson squawking and flapping his arms like a bird. 
The winding little feelings in his chest squeeze his heart, and Steve shakes his head, refusing to be fond of Eddie Munson. 
xXx
College rejection letters come in, one after the another.
Steve could have made it into a few schools he's certain, except he hadn't really applied to any.
Not that any college other than Penn Hurst mattered. His dad wanted him to be a legacy, come hell or high water.
Steve's punishment was hand picked by his parents, and he gets the sailor outfit his new minimum wage job requires is supposed to be a part of it--that his dad made him apply because it was the most embarrassing thing he could think to subject Steve too-- but honestly? 
It's not that bad. 
Not even with Robin, the manager he met yesterday, and who positively, completely and totally, hates Steve’s guts.  
He figures he has time to win her over. 
All the time in the world, now that demons aren't trying to eat his, or any of the kid's, faces. He can focus on the small things. Build himself back up.
Figure out the person he wants to be, now that he's no longer King Steve. 
It’s the thought that kept him from attending any graduation parties. To go felt like backsliding into old habits. 
‘If the kids--if it comes back again--’ 
Getting drunk at night in a random house seemed almost irresponsible.
Particularly not with people Steve has history with, without anyone he really cares about being present. Certainly not Nance and Jonathan, who he wishes he didn’t know are at some end-of-year game night one of Nancy’s friends is hosting. 
(Steve can’t think about that for a number of reasons. 
When he does--because of course he does-- he makes sure to focus on the weirdness that is Jonathan Byers being someone he cares about, instead of the fact he can’t seem to kill his love for Nancy. 
Or that he's horrifically jealous of their relationship. 
That the best sleep he had ever had was between them, two nights after the lab, when they crammed themselves into Jonathan's bed because they all couldn't quite believe it was over.
That night had been so incredibly weird, but grouping together felt safer. Smarter.
Better.
Not in a way Steve wants to put into words. 
Not in a way he wants to confront at all.) 
His parents hadn’t been able to make it home to watch him walk at his graduation--his father landing a last minute meeting with some important person or other. 
Faked apologies were given, money transferred, and Steve, not wanting to sit in his too-huge house, had meandered to Family Video. 
Tried to forget his father’s cold voice in the background of his mother’s call, loudly announcing he’d have made it a priority to see Steve graduate-- if he’d gotten into Penn Hurst. 
Steve just shakes his head. Pushes those thoughts into the back of his head, into the same place all his other weird thoughts live.
The glare he gets from the tall, pimple-ridden guy working the rental counter was expected.
Chrissy Cunningham, was not. 
"I thought you’d be at one of the parties.” He tells her, when he turns down the romance aisle and finds her staring blankly at a shelf. 
She startles, before recognition flits over her face and a warm smile is directed his way. 
“I'm honestly not a fan of parties." She confides in him, hand clutching a tape in her hands."Not those kinds, anyway.” 
"More slumber parties, less keg stands your speed?" Steve guessed, blatantly turning his head sideways in order to read the title.
She awards him with a wider smile. "Exactly." 
"Chrissy Cunningham. Are you renting Jaws?" He teases, leaning in just a touch.
She flushes, but turns and squares up to him. Steve's delighted to see it. 
"Why yes I am. I'll do you one better and even admit it's one of my favorite movies." 
Steve grins at her, and sees the way she lights up on response, eyes bright. 
This is the Chrissy that Carver had tried to kill. The strength and pure fun that radiates off her enhances the beauty she has to something almost otherworldly. 
Steve has seen enough beauty in his life to recognize when it will stay. That Chrissy wil one day be 80 years old, with gray hair and knit sweaters, and she'll still be able to light up a room. 
"Like sharks killing people that much huh?” He teases. And it’s easy, slipping into this part of himself around her. The part he’s been trying to get back. 
The confidence that he walked with, before monsters crawled out of the ground, and Nancy put a hole in his heart.
"I'll let you in on a secret. ." Chrissy leans in, dropping her voice low enough that Steve has to lean in a bit too to hear. "My favorite character is the shark." 
Steve playfully gapes at her, and for the first  time in a long time, feels like things will be okay. 
He’ll be okay.
He won’t be King Steve. He’s not Nancy's Boyfriend Steve either--but someone else. Himself.
A Steve who exists outside of Hawkins High, outside his family name. 
He likes it.
"I told you that was his car. Steve!" A too familiar voice calls and Steve can't mask the despair that hits him as he turns to his (now least) favorite shithead, whose storming through Family Video’s doors. 
"Dustin." He identifies, with an edge to his voice he can only pray Chrissy doesn't pick up on. "Other brats. What are you doing?" 
Mike stands stubbornly at Dustin's right, Lucas nervous at his left. 
Will Byers is situated next to Mike but Steve's not as familiar with him, and has no idea how to interpret the kid. 
If he had to guess based on the face he’s being sent, Will’s more nervous then the rest--but equally determined. 
(This does not make Steve feel better. It in fact, somewhat convinces them they’ve run headfirst back into trouble.) 
"Well we were going to go to Lucas’s, but now, we're bumming a ride from you!" 
"I'm busy." He says flatly. 
"Ste~eeeve!" 
"I didn't know you had a brother." Chrissy says, hand covering her mouth. 
Looking back at her, Steve's pretty sure she's trying to physically hold back laughter. 
If one could shoot lasers with their eyes, Steve would be nailing Dustin for ruining--whatever it was that was happening here. 
"He's a rescue" Steve says flatly. "It’s not working out though. We're planning on returning him to the shelter.” 
"Wow Steve." Dustin returns, offended. "First of all, if anyone's rescuing anyone I rescued you, or did you suddenly forget that you show up to family dinner every Thursday at my house like a sad orpha--mmpphh!" 
‘Mmpphh’ because Steve had taken several long strides across the store to smack his hand over Dustin's mouth. 
"Sorry Chrissy, it would appear the asshole children I am paid to babysit escaped whoever is supposed to be watching them." He shakes Dustins head, in lue of strangling him. “Hit me up later we’ll discuss the shark’s best kills.” 
“Will do.” Chrissy says, as Steve begins the process of shoving his four smaller friends out the door. “Drive safe!” 
“No you don’t, and you’re gonna prove it by swinging through McDonalds for us.” Dustin sing-songs, swinging himself into the passenger side of the Beemer. 
“You assholes owe me, big time.” Steve hisses, as Lucas and Mike instantly begin making kissy faces the second they’re out into the parking lot. "I had plans tonight!"
“Do you have McDonalds money?” Steve asks, only to immediately wince at himself because fuck did he just sound like a soccer mom. 
“I have money I took out of my mom’s wallet.” Mike says as he settles into the car with his friends.
“Fine.” Steve sighs in defeat, starting the car. 
He determinedly does not ask if the idiots walked here, because there is a suspicious lack of bicycles, if only because he hit his mom quota for the day and Steve refuses to say anything else that might edge out his cool persona.
The one he swears he still has.
Supposedly. 
("Does my mom really pay you to watch me?" Dustin asks a while later, when the other brats are distracted. His voice is painfully honest, and softer than it normally is. 
"In food, yes." Steve says, because he’s not that much of an asshole--and maybe, because Dustin is truly his only friend right now.
Steve honestly looks forward to those Thursday dinners, helping Ma Henderson and having her fuss over him in a way his parents never had. 
In a way no one ever had. 
Dustin lands a solid kick to his ankle, making Steve curse. "That's not payment you ass!"
"Ow, God Dustin--" 
"Just admit you're my actual friend, you dick!" 
"Language! I swear your mom stole you from wolves, you animal--" Steve swatted at him. 
Maybe, possibly later, he will go on to admit that yes, Dustin is his friend. 
He will even agree to making up a stupid handshake for it. 
It involves lightsabers and gore at least, which Steve insists is very cool.)
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fexalted · 8 months
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good omens + text posts (part 9)
an assortment i made last year with some season 2 mixed in for variety :3c
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I feel so vindicated knowing that we all read those many microexpressions correctly. Laura was really playing an anxious queer woman in love with her best friend so accurately that we couldn't help but pick up on all the little nuances.
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onsomenewsht · 4 months
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now playing: Everything to Everyone (Intro)
track 2 >
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》 Alexia Putellas x Reader
》 words count: +750
》 I need the guts to go and give you up / 'cause I'll kill myself tryin' and I'm not scared of dyin'
“Qué es eso de que te vas?!” (What do you mean you’re leaving?)
Legit question, you think. One can leave so many places and in so many ways.
You can clearly read the shock in her naturally stoic face, usually unreadable for people who don’t have the privilege to orbit close to her heart.
Your head sinks, eyes too focused on your unlaced shoes to see Alexia taking a step toward you. But you sense her. And putting some more distance between the two of you is the only response you can give her right now.
She tries to make you look at her, she knows you can feel her pleading eyes desperately trying to lock into your darker ones, but you don't dare to. You will drop everything otherwise. 
“Alexia, please”
“No, no hace esto, ¡no lo digas así!” (No, don’t do it, don’t say it like that!), like she’s the one hurting you.
You take even more steps faraway from her frozen form, hitting with the back of your calves the sofa in the abruptly smaller house. You let yourself drop on it, sitting and rubbing the stiff texture of your jeans.
The catalan takes it as a sign of you being ready to explain whatever this is, to explain this epically huge misunderstanding. But your muffled sob makes it evident to her you need space, space from her.
Dropping your head into your hands is the only way you can think of to make them stop shaking so much.
You can’t let Alexia come closer, you can’t let her touch you in the way somehow capable of healing every aching part of your body and soul. You can’t glance at your lover, you can’t let her look at you the way she does when she needs you to understand the feeling she can’t communicate.
You just can’t.
However, when the blonde starts crying, silently as if not wanting to disrupt your breakdown; you’re sure.
Leaving truly is the only way.
“I got an offer”
“You got offers all the time”
“I asked for it”
You have known her for four years now, getting closer and closer with time passed and shared experiences.
Four years of studying all the finest details of the ways she acts and moves. Three years of falling asleep with your hand on her chest, her heartbeats as the only lullaby that can make you rest. Two years of heading to a future that appallingly looks a lot like the same for the both of you. One year of trying to tell yourself that nothing changed about the way you feel of your life here, of your life here with her.
You have known her for so long, so profoundly, yet this is the first time you meet this Alexia.
A truly, deeply broken Alexia.
And you’re the reason why.
“Tú lo pediste?” (You asked for the transfer?)
“Yes”
The captain moves slowly, dropping on her knees right in front of you and taking your hands in hers. She’s not shaking like you, but you can catch deep worry in her eyes. She’s the most scared she’s ever been. 
You beg every goddess and gods on earth and sky she doesn’t ask you to stay.
If Alexia asks you to stay, you’ll stay.
“Por qué?” (Why?)
She is not hiding her cries anymore and the brutal honesty of her feelings is something you will never get used to.
Something you will never forget.
“I need to leave”
“Me?”
“I can’t leave you, mi corazón”
The catalan closes her eyes and tries to calm herself down, her sudden shortness of breath alarming you. The term of endearment always gets her heart skip a beat, your broken accent somehow making it even more special.
“Me estás dejando” (You’re leaving me)
“I’m not, I’m not leaving you”
Your hands unties from hers, moving fast to hold her face before she panics. You study your lover’s distinctive features one more time, one last time. You know you will never forget her, but you can’t take any chances now.
The older girl closes her eyes, letting even more tears fall. When you gently caress them away with your thumbs, smiling softly, she knows this is a goodbye.
“No puedo dejarte, Alexia” (I can’t leave you)
You kiss her, one more time.
“Voy a dejar Barcelona porque no puedo dejar a ti” (I’m leaving Barcelona because I can’t leave you)
One last time.
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p4nishers · 8 months
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there's something i need to say and yall can boo me for it but deep in my heart i'll always know i'm correct: crowley already forgave aziraphale. like already would take him back at one flutter of his eyelashes. that's all.
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