Tumgik
#also they have a lot in common and he lives 40 feet away from her
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Eddie and Max would've been the best combo bx their friendship would lead to a complete lack of personal safety but Eddie thinks he's doing like. A great job role modeling
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(OK I realized this after I wrote it and this screenshot got more notes than the fic ever did but I feel like I should just say like. If ur gonna do something like that don't actually wrap the handle around ur wrist bc then you'll get dragged. Water skiing, sledding behind snowmobiles, skateboarding behind cars, all those, just hold on tight but u gotta be able to let go if u fall)
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chaoticevilbean · 3 years
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Voltron Humans are Weird 3/?
Lance tugged at the suit he wore, hating it with every fiber of his being. Ever since the Alteans found out humans are mostly water, they insisted that the Paladins wear special suits that covered from their necks to their ankles to avoid a catastrophe. Allura and Shiro were to explain the situation, and arrangements would be made to let the Paladins wear normal clothes if possible. They'd been lucky so far that no one had died from something like a handshake. But the suits were skintight to avoid any water escaping too early, and Lance hated it.
It was sunny as well, so Lance desperately wanted to be free from the fabric that regulated his temperature. It made him feel constantly at a neutral point, and he just wanted to feel the blaze of heat from sunlight and bask in the warm glow. It took nearly half an hour to even get past the pleasantries and another two hours to get the arrangements set up. The humans were escorted to an open pavilion, like a gazebo, where there were several pitchers of water for the Terrans to drink, and every diplomat that came with had full-covering clothing to protect their skin. The Paladins were given a place to change, and Allura made the mistake of saying that they could wear whatever they wanted seeing as they worked so hard protecting the universe that the diplomats did all the safety work.
It wasn't a mistake to Lance, but it was to the aliens.
Lance forwent the shirt and jacket, instead putting them with his suit. He was glad he had managed to find some old Altean clothing and make shorts out of a pair of blue pants. He slipped the shorts on and sprinted back to the gazebo to find his fellow Paladins in much different attire. That is to say that they were wearing their normal clothing and Hunk was the only one to not wear the full outfit. All he'd done was take off the vest.
"Lance, what are you wearing?" Allura seemed perturbed by his lack of covering, but the Cuban ignored her, instead finally leaving the shade and flopping down on the purple space grass. It was softer than regular grass, like silk or one of those really soft blankets.  The teen hummed at the feeling of sun warming his body, soaking up every ray like a lizard.
His peace was interrupted by the screams of the diplomats and Allura. He wondered why until a guard ran forward with some sort of umbrella that held a shield all the way around the being's body. None of the aliens had been in the sun. Coran had mentioned in the briefing that the sun was out for only about a quarter of their year, meaning they had no natural adaption for the heat and radiation. The guard had almost reached Lance when the Paladin launched to his feet and took off running away from the shade. He was a Cuban boy, and he loved the sun. Humans were already terrifying, what was one more thing like this. It wasn't even that weird considering the solar cycles of Earth.
As Lance was being chased down by now several severely concerned and mildly fearful guards with umbrella shields, Pidge managed to get the diplomats to calm down by saying she was a scientist and could explain it all. Although some looked stunned that she said she was a scientist. Maybe they had social castes or something? They wouldn't understand being both a warrior and a scholar. Research for another time.
"How is the Blue Paladin handling the heat? Not even the adaptive nature of the Alteans can adjust from the shade to the scorching temperature."
"Earth has several climates. Lance is from one that is more hot and that's why his skin is darker as well. He can handle the heat just fine because he grew up with a similar temperature. Next question."
"How can he also handle the cold of the shade then? Even if he could withstand it temporarily, he should be stiff from the lower temperature, and he spent over two vargas in it."
"Humans can handle temperatures ranging from -40 to 50 degrees Celsius, which Allura can calculate better for you. We prefer the 0 to 30 degree range, and many humans can live in most climates on Earth. There aren't many places that aren't inhabited at this point, and part of that is due to our ability to adapt to new environments with relative ease. Next."
"How many climates?"
"Hundreds, next."
"What are the worst? To give us a better view of your extremes."
"Some places have active volcanos, so we have to be careful of the molten rock they spew. We have tectonic plates, which cause earthquakes and can bring down entire cities. Our Poles are extremely cold, under -60 degrees at least. Next."
"Some of you live near active volcanoes?"
"Yeah, and we swim in the nearby groundwater because it has good minerals for us. Next."
"Your planet has earthquakes? And they can level entire cities?"
"Yeah, but that's our fault. We built them on fault lines. Next."
"Did you learn your lesson?"
"Yeah, when the buildings fell down, we built them back up better than ever. Next."
"You rebuilt the cities in the same spots?"
"Yes, next."
"How did you find out your Poles were so cold? From what our scientists know of Terra, it's rather undeveloped comparatively."
"We sent people. Before you ask, yes, the first few groups died, and yes, we sent more with only slightly better equipment. Humans are curious about our world, and we'll do a lot to discover more. Next."
"Why is the Blue Paladin refusing the shade if he can handle the cold?"
"We live on the Castle, and only get a simulated version of sunlight. It's not often that we get to relax a bit and enjoy our surroundings. Lance misses the sun and its heat, so he doesn't want the shade. He wants to sunbathe, like a snake or a cat or something. Call the guards off and you'll see." The diplomats, somehow managing their fear of and for the humans and their planet, did just that.
"Lance, you're free to tan!" Hunk shouted over. Lance, trusting his bro, skidded to a halt, then let himself fall backwards. He wasn't too far from the group in the gazebo, having had to run circles around the guards. Hopefully Allura didn't notice that the guards were rather undertrained. They could barely maintain the chase! And they couldn't turn very well.
The diplomats and Allura watched with fascination as the Terran boy simply laid on the grass, eyes closed and letting the sun shine directly on him.
"Feeling better, buddy?"
"Mi hermano, we better get these allies! I'm not giving up this chance!" Hunk laughed, especially when Shiro received questions as to what Lance meant.
"He's saying he's glad you have sunlight and it's another reason that we should be allies. Mostly a joke."
"But why?"
Lance paid the conversations no mind. He only moved when Hunk yelled, "Turn!" at him. It was something they came up with so Lance never got close to burning. He would flip over whenever the call went out. The Cuban laid through the entire peace talk and treaty signing and whatnot, and groaned in displeasure when he was told it was time to go.
He was up on his feet in a second once Pidge said she'd taken some time while waiting for Allura and Shiro to finish up calculating how to fix the fake sunlight that gave them Vitamin D on the Castle. More sun, whenever he wanted, and it wasn't the weak sauce of the giant Altean ship? Yes please!
Feeling much better than before, Lance ran over to the group, refusing the shirt Hunk tried to give him. It was a halfhearted attempt, given that the Samoan knew his bro wouldn't want it in the first place. The team of Terrans headed back to the Castle, this time taking the sunny route. The diplomats and Allura remained in the shade, discussing some less political topics. One in particular came up.
"Is there any way to obtain more information about Terrans? We would never have known that the Paladins were so adaptable and biologically dangerous if you and the Green Paladin had not told us."
"Actually," Allura smiled warmly, "my advisor and I are compiling a log. 'A Guide to Humans', we titled it. I can give you viewing access, although, I must warn you. Almost all of our information is in the preliminary stage. We know next to nothing about humans and their planet, and we may find that some of the data is false. An example that recently happened was that we found Terrans have strong tolerances to quite a few poisons. But we had to update the log a second time after investigating further and discovering that only some of them have strong tolerances. Most have mild tolerances, but only a few can handle some toxins in larger amounts."
"Which poisons?"
"I believe it would be better if I simply sent you the log."
A varga later, Allura and Coran were adding a few new sections to their guide.
Due to the many different climates that somehow coexist on Earth, humans have a large range of temperatures they can tolerate, along with having the ability to adapt to a new temperature very quickly. On the Terran scale labeled 'Celsius', humans can handle temperatures from -40 to 50 degrees, with their comfortable range being about 0 to 30 degrees. Some humans prefer warmer temperatures and some prefer colder, depending on where they were raised.
To elaborate on the different climates Earth sustains, there are a few extremes that should be made known. Some populaces live near active volcanos, occasionally submerging themselves in the dihydrogen monoxide found nearby the deadly formations. They claim to do it for the beneficial properties found in the substance. Another climate is the freezing cold of Earth's poles. They are, at their warmest temperatures, 0 degrees or less. Humans, with their still young technological advancements, deemed their curiosity of the poles a worthy cause to send groups of their own people to the frozen locations. After the deaths of their initial teams, they sent more.
Earth also has tectonic plates, and earthquakes are common enough that Terrans often pass off the tremors as normal. Some cities are built on fault lines, and are damaged by larger quakes. Humans, instead of doing what most races would and relocating, rebuild their cities in the same places with better foundations.
Be receptive to suggestions a human may give about how to handle a new climate. They likely have a good knowledge of how to withstand different temperatures and how to handle the unfamiliar conditions. If a human requests specific equipment for the trip, it would be best to supply. Most Terrans will never risk the safety of themselves and others to extort the goodwill of another being. The younger a Terran is, the less likely they are to be greedy in those situations, unless the Terran is not fully matured, in which case they will not understand the circumstances well.
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taeescript · 3 years
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VI. Script of the Angel
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𝔰𝔶𝔫𝔬𝔭𝔰𝔦𝔰 >> This is the story of three very different people. A successful novelist, a blossoming artist and a dedicated cop. They seem to have nothing in common. Yet, they are continually drawn to each other. It is as if their fates have been intertwined. Written. That they must meet.
𝔭𝔞𝔦𝔯𝔦𝔫𝔤𝔰 >> ft. jungkook and jimin primarily.
𝔤𝔢𝔫𝔯𝔢 >> policeman!jimin, author!jungkook, painter!reader, serialkiller!XXX; a classic game of cat and mouse
𝔴/𝔠 >> 2.3k
𝔴𝔞𝔯𝔫𝔦𝔫𝔤𝔰 >> mature themes depicted. due to the explicit nature of the topic (serial killers, murders, violence, sexual content, infidelity etc.) this is rated 18+. to spare storytelling: please consider yourself warned.
𝔞/𝔫 >> there is a lot going on tumblr these days, and a lot of things just going on in life right now. i still hope to continue to share chapters with you although they may all be a little shorter than usual now. nontheless, i hope you enjoy (: 
previous part || masterlist || next part
Wax – a diverse class of organic compounds which are hydrophobic, malleable solids at ambient temperatures. Typically containing melting points above at 40 C, they are obtained from multiple resources such as animals or plants. Wax can also be extracted chemically in petroleum. There are many uses for wax such as the manufacture of candles, final coatings on wood products and thickening agents amongst others. One of the most popular artistic use of waxes is the creation of statues from Madame Tussauds.
“Another what?” Jimin asks when he is dragged out of the interrogation room again by Namjoon.
“Dispatch just gave me a call. They want the homicide team on site because…well, you know the reason each and every time we’re called into site,” Namjoon runs his hand through his hair. The news had come as a shock to him as well. “You’ll have to release him, Jimin.”
Jimin shakes his head. “No, Namjoon. I was in the middle of something with him.”
“Jimin, be reasonable here! There’s another murder that’s been committed while you were here questioning him. It’s quite obvious that he couldn’t have killed this person.”
“I’m so close to cracking him!” Jimin yells in frustration. “Beside, how do you know he hadn’t gone and done this before he came in?”
Namjoon has to bite back his words.
“Fuck!” Jimin kicks the door. He doesn’t care that Jungkook could hear how angry he is on the other side. There really isn’t anything to hide between the two of them anyways.
After a minute, Jimin has calmed down. “I’ll meet you on site,” he says to Namjoon.
Namjoon doesn’t leave.
“Look, I promise, alright? I’m just going to send Jungkook off properly and then I’ll drive straight to the site. Text me the address,” Jimin says.
He only has one choice so Namjoon nods and leaves.
Once Jimin is left alone in the room, he punches the air blindly.
Jungkook sits calmly inside the room. It seems that luck is on his side. Perhaps whatever this case was would have Jimin off his back. It would be a little hard to continue any of his extracurricular activities if Jimin continuously monitors all his actions.
“You’re free to go, Mr. Jeon,” Jimin opens the door and speaks without looking at Jungkook.
Jungkook raises his hand and the handcuffs that link him to the table clang as metal hits metal.
Jimin walks up to him and opens the lock. Jungkook rubs his wrists and picks up his jacket on the way out.
“I really do hope you catch the killer, Detective Park,” Jungkook gives a light pat on Jimin’s shoulder.
...
Jimin recognizes her when he brushes under the caution tape onto where the rest of his team stands in a circle. It is not so much that he recognizes her facial features, but it is the outfit she is wearing. The same black and blue leggings.
“Fuck me,” Namjoon says the instance Jimin slides up besides him, “Fucking bat shitting balls.”
Yoongi has one hand placed over his mouth and his index finger pressing against his nostrils. There is a strange smell emitting off the corpse.
“A missing body part, again?” Jimin says. He swallows the bile that threatens to rise. The forensics team does not need to tell him what part is missing this time. It is glaringly obvious to the observer.
Replacing where it usually sits on the body is the head of another species – a buck’s crown with antlers and all. The girl is still standing although it is clear that she is deceased. Her body had been manipulated such that it looked like she was mid-sprint before being shocked by her attacker. She was a live manifestation of a deer caught in headlights.
“Let’s see if we can move her; bring her back to the lab for analysis,” Namjoon barks an order at the forensics team. They nod and move towards the body. Right as they put their hands on her, a loud voice yells,
“Don’t!”
It is too late, however. The team has already lifted her an inch off the floor. At his shout, they drop her immediately and that is when she crumbles, literally, at their feet. Jimin stands as her foot rolls in front of him. He stares at the shoe and foot that has been broken off at the ankle.
“Fuck!” Namjoon exclaims in alarm, jumping back.
Taehyung stands with his arms at his side, defeated. “You shouldn’t have tried to move her,” he mutters.
Namjoon’s face conveys both astonishment and confusion as stalks away to find somebody who could clean the body parts and move them back to the lab.
Jimin carefully tiptoes around the fragments of her body and walks up to Taehyung. “What the hell just happened?” he demands.
Besides being the team’s blood spatter analyst, he was an expert on a multitude of other subjects. “You saw how her body was positioned, didn’t you? Usually, victims are sprawled on the ground because gravity pushes on them, and their muscles have collapsed. She was standing. Something is keeping her muscles rigid post mortem,” Taehyung explains.
“Kim!” someone calls amidst the rubble. The victim’s body had been broken at most of the joints and a gathered team was currently packing each section in a bag.
Both Taehyung and Jimin walk up to the jacketed individual who had called out. She is bent over what looks like the forearm. A brown, semi-clear substance is pooling around the limb.
“This started seeping out all of a sudden. It’s happening to a couple of the broken parts, although most of the liquid is contained in the bags that we have stored them in,” she tells the two of them.
Taehyung bends down to examine the liquid. He is wearing gloves and when he extracts his fingers from the surface of the substance, it is slightly sticky between his index finger and thumb. He wipes his hand on a piece of tissue before slipping that into the bag as well. “Take that and all the parts back to the lab. If you can get a vial of the liquid to analyze, that would be helpful as well,” Taehyung told the assistant. She nods.
As the scene is being cleared, Taehyung walks back to the patrol car with Jimin. “What are you thinking about?” Jimin inquires, seeing that the gears inside Taehyung’s head are turning.
“Tell me, what’s the temperature right now?” Taehyung asks.
Jimin checks his phone and reports, “20 C, but with sunshine it should feel like 24 C.”
Taehyung takes note. “Slightly above room temperature,” he mumbles.
“What was that?”
“Slightly above room temperature,” Taehyung repeats louder. He stops walking and faces Jimin. “I’ve got a theory on what that is, but I can’t be sure yet. I’m going back to the lab and once results are out, I will call you immediately.”
Jimin nods. “I wanted to take a look around the site anyways. I’ll see you back at the station.”
Taehyung waves before leaving.
By the time Jimin returns to the crime scene, the majority of broken body parts have been cleaned. There is only a lone photographer who is packing up his camera into his bag. He greets Jimin with a slight bow on his way to leave the site.
“Any witnesses?”
Namjoon returns by his side. He shakes his head, answering Jimin’s question himself. “This is not a common runner’s route. It’s a short cut from the left side of the park to the right so not a lot of pedestrians know about it.” He sees how Jimin is still standing there with an unreadable expression on his face. “Are you okay?” he asks Jimin directly.
Jimin taps the bridge of his nose. “I know that girl,” he says softly, “Not personally. But I bumped into her before. It was at the park near our station. I also saw – ” His sentence is suddenly cut off.
“Saw what?” Namjoon asks further.
Jimin cannot continue his sentence. He knows what Namjoon will say already. Besides, if he really wanted concrete evidence against Jungkook, he must absolutely make sure that Jungkook was there at the park when the running girl was there. “Saw a red bird. I think it’s called a cardinal,” Jimin lousily finishes his sentence.
Namjoon gives him a strange look. “I’ve never pegged you as a bird watcher,” he comments.
Jimin shrugs. “I’m heading back to the station. Taehyung also says he has something on the possible C.O.D.,” he reports to Namjoon.
“You’re leaving me again to handle the crowd? That happened last time with Sara Michel’s case,” he groans.
Jimin shrugs again as if to say, “Sorry, what can I do?” He gives a reassuring squeeze on Namjoon’s shoulder before leaving.
This time, he is going to find unshakable evidence.
...
“Welcome back,” you smile at him when he enters the door. You are sitting at the table, pencil and sketchpad in front of you.
Jungkook smiles ever so slightly back before bending down to untie his shoes. They needed to be placed in their usual spot; if they weren’t, he would feel the irritation spread throughout his body until he went back to fix it. It is better that everything is perfect the way it is the first time.
After he has made sure that his laces were also tucked into the shoe as was his preference, he walks over to you. He can’t help but muse at how exquisite you look whenever the afternoon’s sunshine would brush through your hair. You are like a marble stature carved by the Greeks and placed on display in the middle of a garden. He moves his eyes over you like a curator would when assessing a piece.
You have your back turned towards him and do not hear when he walks behind.
“What are you drawing?”
Immediately, you stand and hold your sketchpad to your chest. It shields your work from his curious eyes.
“Something!” you blurt, your face flushing.
He cannot read why you are acting so strangely so he does what he always does around you: smile.
You clear your throat and tuck your disheveled hair behind your ear. “A package came for you. I left it in your room!” you say the tumbling words. It is your lame attempt in shifting his attention away from you to something else.
Thankfully, it works as he nods. He sends you a last playful smirk before making his way towards his makeshift bedroom. It is tiny, as you had originally used it as your storage room for your art utensils, but they had recently moved a mattress into the room for him and it helped that he did not have a lot of personal items with him anyways. The said package sits just beside the doorframe to his closed room, and he wonders again of whether or not you are scared of him. You never seemed to want to enter his room and insisted on speaking to him from outside in the hallway.
The package is not heavy and rather small in his hands. He is able to pick it up with one and balances it on his left palm as he opens the door. The blue walls welcome him into his small, personal haven. Carefully, he tiptoes his way between the old canvases and dried paint palettes. He passes by the yellow smudge on the wall and then collapses on the mattress in the back of the room. His suitcase squeaks as the wheels press against the body of the case while being wedged in the small space.
Once he is comfortably sitting cross-legged on the bed, he carefully finds a cutter and slices through the masking tape that conceals the contents of the cardboard box. The movement is as smooth and practiced as slicing through butter to him – a flick of the wrist. Once the tape no longer holds, he pries the flaps open. There is another small box tied with a red ribbon. A single white card is attached to the side. This is what he first takes out.
The envelope is embossed with a strange swirling design. He breaks the seal with another slice of the cutter, sliding out the cardstock letter. It had been written in elegant matching swirling cursive with a golden fountain pen.
“I’ve been waiting for you. Welcome to my town. A small home-warming gift.”
It has not been signed and Jungkook wonders if the writer was the one who wrote the words; each letter had been carved so delicately onto the material. He tilts his head as he thinks of who may have sent this to him. He has not told anybody that he is planning to stay in LA for the time being. He had never been one to open his circle of acquaintances and thereby it had remained small. Digging through his mind, he comes up empty-handed on any of the known possibilities.
Well, there is one person who definitely would not be the sender.
The bow becomes undone by a light tug from his fingers. It falls delicately onto his lap like a ribbon of red liquid. At that, the walls of the box fall easily to reveal its treasure, akin to the opening of an oyster.
His usual stoic expression becomes all the more frozen on his face when he sees what the gift is. Somebody has been watching him. Somebody knows about him. Somebody is out there.
For a single eyeball, pupil and iris augmented in aquamarine and azure hues, stares right back at him. The crystalline gift plucked so delicately from the girl who he had been planned as his next angel.
...
next part
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buckysbitch107 · 3 years
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Home Isn’t Just A Place Part 2 | Steve Rogers x Reader
Summary: Life in 2023 is very different from your old life 80 years ago. Steve has caught you up on some of it, but there’s still so much for you to find out.
Warnings: Swearing, Angst, Slight Allusion to Habits of an Eating Disorder, Fluff, Nudity?
Word Count: 2.6K
A/N: Here’s part two of this small little series. Hope you like this one and I hope it meets your standards! I deeply apologize for not being active for a while. I am going to attempt to upload on a schedule, but school and mental health and COVID are all impacting my life in a negative way at the moment. I have been struggling with my bipolar disorder and depression, so I am in fact trying my best.
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“Winnie the Pooh.” Steve calls out, bending his head over the back of the couch to project his voice across the common room. A small gasp and running footsteps are the only sounds heard on that floor of the tower before your figure appears in the doorway of the kitchen and living room.
“POOH!” You squeal, throwing your arms up in the air, the material of Steve’s sweatshirt flopping over your hands. As soon as you found out that wearing your partner’s clothes in the 21st century was acceptable, you practically pillaged Steve’s closet of all sweatshirts and shirts in general. The past two and a half months have been full of learning pop culture and getting caught up with the 78 years you skipped, which included all things Disney. Nat giggles at your response to Steve’s words, and he holds up a finger before leaning his head back again.
“Y/N, what’s the most wonderful thing about tiggers?” He asks, a small smile forming on his face as you gasp and your eyes light up like a kid in a candy store.
“Well, the wonderful thing about tiggers is, that tiggers are wonderful things.” You explain, the smile sticking on your face as you continue reciting the song. “Their tops are made out of rubber, their bottoms are made out of springs. They’re flouncy, bouncy, trouncy, councy, fun fun fun fun fun! But the most wonderful thing about tiggers is that I’m the only one!” You flop down onto Steve’s lap as the finale to the song, and he quickly wraps his arms around you to protect you from falling off the couch.
“Told you she’s obsessed.” He mumbles to Nat, a frown appearing on your face as you overhear his words.
“Not my fault Walt Disney’s a genius.” Natasha silently agrees with you, the small nod she gives you making you pump your fists in victory. As Steve and Natasha continue their conversation, you lay in Steve’s lap and play with the dog tags hanging around his neck. He runs his hand through your hair, slowly lulling you to sleep.
~~~
“But-”
“No! I am on my break!” You exclaim, finishing your extra assigned duty of organizing the different bandages and gauzes.
“Y/NNNNNNN-”
“NO! How many times have I told you? Steve’s shield should not be used as a frisbee, and Redwing should not be used to divebomb your friends.” You screech once more, attempting to brush off the three dipshits you call friends, all with different ailments caused by the shield and the tiny robotic bird. 
“How did you know about Redwing?!”
“Part of Redwing is stuck in Buck’s arm.” 
“Ah.” Sighing once again, you motion to the table and try not to laugh as all three of them try to fit on the medical bench at once. The three men somehow all fit, squishing each other a little bit but eventually sitting normally. You look at the clock and sigh, knowing your break only lasts for another fifteen minutes. You start with Steve, cleaning off the bruises and cuts on his face, even though they’ll heal in a moment. Moving to Bucky, you pull his arm forward and begin carefully maneuvering the broken piece out of his upper arm. You tug. He flinches. Finally, the piece comes out of Bucky’s arm and the man sighs. 
“Thank you.” Bucky mumbles, flexing his fingers to make sure everything is still intact.
“Yeah, yeah.” You say, brushing him off with a small wave. “Don’t thank me until I’ve fixed the only purely human person in your idiotic triad.” Sam looks down at his feet and you chuckle, grabbing an antiseptic wipe and attempting to clean the cut from Steve’s shield.
“OW!”
“It would hurt less if you stopped moving!” This continues for what seemed like hours but was only a few seconds. You were finally able to clean and bandage the cut on Sam’s forehead and hand him some Tylenol for the other bruises after he stopped whining like a four year old. The three of them sat there for a little longer while you finished cleaning up and they thanked you, one by one heading out of the medbay. Steve lingered, pressing a kiss to your forehead.
“You’re adjusting really well. I’m proud of you.” He whispers.
“I know! I barely say gas anymore!” Steve smiles and kisses you once more before walking out after the other two. After putting away the bandages and tweezers, you sit down to actually enjoy your break, now shortened to ten minutes instead of thirty. You pick up the nearest magazine and start reading. Everything is going fine, until you reach the advice section of the magazine. And I thought the 40’s were harsh about women.
~~~
What you read in that magazine shook you a bit. You knew that beauty standards had changed over the years, but you didn’t know that they changed THAT much. Women were expected to be so much skinnier and healthier and plastic. After overhearing Steve tell Bucky he’d always liked a girl with a “good figure”, you began striving to look like the girls on the pages of magazines. Cooking healthier meals, working out more, even skipping meals sometimes to not pile on carbs. You realized it wasn’t the healthiest, but it seemed to be working. And yet every day, you looked in the mirror and loathed yourself a little bit more. On this mediocre day, you had just finished a run and were now looking for food when Wanda walked into the kitchen. 
“Hey Y/N!” She exclaims, walking over to you as you dug through the fridge. “What’cha making?”
“Oh nothing, just grabbing an apple for lunch.” You say nonchalantly.
“For lunch? Aren’t you gonna eat more than that?” She looks at you worriedly while you shrug and she sighs, pulling you closer to her so she can look at you head on. “Tell me what’s going on.”
“What do you mean?”
“An apple for lunch, working out when just three months ago you mentioned loathing it, and you’ve been skipping dinner with the team a lot. What’s going on?” You shrug once again and she pulls you over to the couch on the other side of the room before staring at you and gesturing for you to talk.
“Well- the future is really new and exciting, but it’s also scary. I picked up a magazine a while ago and it talked about body figures. And I know I don’t have the prettiest body but the future seems really harsh and then I overheard Steve talking to Bucky and saying he likes a girl with a good figure and I’m chubby and-” At this point, you begin to cry and hyperventilate as you vent your feelings to Wanda. She listens quietly as you rant about how you feel overweight and unlovable in the future, and how you think Steve is getting sick of you and might leave you for a different woman. A modern woman. A skinnier woman. 
“Oh you poor thing.” Wanda whispers, pulling you into a hug as you cry harder. She turns her head, a certain blond-haired man catching her eye as he stands quietly in the doorway. You continue to sob as Wanda glares at your still-fiance and rubs your back. They seem to communicate telekinetically before Steve nods and walks away, leaving Wanda to calm you down.
~~~
You slowly walk into the apartment you share with Steve, your medical bag slung over your shoulder. You slam the door behind you and take off your shoes, setting your bag next to the door. You’re about to stand up when a pair of hands clamps around your eyes. Gasping, you’re about to fight back when a familiar voice begins to shush you.
“It’s just me, it’s just me.” Steve whispers, causing you to relax a little while Steve loosens his hands a little bit. You start to speak as you attempt to pry his hands off your eyes.
“Why didn’t you say that? You nearly gave me a heart atta-”
“Don’t open your eyes!” He exclaims, scaring you once again. Steve can practically feel your heart begin to race once again. “I-I have a surprise for you.” You nod and he stands you up, leading you blindly further into the apartment.
“Should I be nervous?”
“I don’t think so.” Steve answers, leading you a little bit further before taking one of his hands off your eyes, sliding the other to cover both. You hear the balcony door open and wind rushes in as Steve leads you out onto what you assume is your balcony. He removes his hand and you quickly gasp as you look around you. The tiny balcony that had once only contained a single light was now covered in soft yellow fairy lights, a rug placed down instead of the harsh concrete and soft music playing. You quickly recognize this as the song you two danced to the night he proposed. The night he left. Turning around, you find him standing there with one hand out to you and a grin on his face. “May I have this dance?”
“Of course.” Steve quickly grabs your hands and pulls you closer. Resting your head on his shoulder, the two of you slowly sway to the beat of the song, the calming chaos of the streets of Manhattan now just a background noise in your tiny little bubble. You look up at Steve and he’s smiling down at you, occasionally mouthing along to the song. Quietly laughing once more, you decide to focus on the man in front of you, starting with his eyes. “Have your eyes always been this blue?”
“I mean, I think so. Kind of hard to tell.”
“Well they’re pretty.” He smiles at your compliment, and Steve hears you mumble something else. He doesn’t quite catch it all, but he does hear one word. Kids. The two of you dance for a little while longer before it starts to actually get cold, and the two of you head inside.
“I have one more thing.” He says, taking your hand and leading you to the bathroom. The two of you stand in front of the mirror as he slowly starts to undress you, and your mind goes in a whole different direction than what he’s planning. Steve finishes pulling off your clothes and instead of kissing you like you’d hoped, he moves you in front of him so you’re forced to stare at your reflection. You start to squirm as he looks at you, a small frown resting on his face. “I hear you talking to Wanda today.” He starts, immediately being cut off by your gasp.
“Oh god. I’m so sorry. None of that has to deal with you, it’s just me being stupid and-” You quiet down when Steve gives you that look, and he soon resumes talking. 
“You’re not stupid. Your reasoning is valid, but I want you to know that you have nothing to worry about. I will always choose you.” But what if you don’t? He can practically see the doubt on your face, so he pulls you closer to him and begins his original plan. Steve kisses the top of your head, lips pressed softly against your hair. “I love your hair because it’s part of you. It’s gorgeous and always seems to look perfect, no matter how much you criticize it.” And he continues doing that. Going slowly down your body and pointing out what he loves about every single part of your being. Once he reaches your thighs, however, you start to grow more self-conscious. How could he love something like that? It’s all cellulite. And yet he carries on.
“I love your thighs because they’re perfect to hold. Whether I’m dancing with you in my arms or having them squeeze my head, they’re perfect in every way. They’re perfect for me, because they’re a part of you.”
Every single body part, from the hair on your head to the feet attached to your legs (he didn’t kiss those, he said no thank you), was properly adorned with love from your fiance. By the time he finishes, there are tears in your eyes, and he stands up with a goofy smile on his face.
“I want you to know this, Y/N. I mean every word I just said. I love every part of you.” You nod slowly and he finally does what you’ve been waiting for. Steve kisses you softly before pulling away and beginning to run a shower. You stand there quietly until he’s done, and he motions for you to join him. Once the shower is warmed up, the two of you make your way in, simply staring at each other for the time being. Steve wraps his arms around your shoulders in a hug, the two of you just standing there silently under the water.
“I love you.” You murmur, some of your words blocked by his chest, the others getting through to him. Your fiance smiles and looks down at you, similar to the way he did outside.
“I love you too.” He gives you a kiss on the forehead before reaching behind you, grabbing your bottle of body wash and squirting some on his hand. Confusion crosses your eyes before he begins washing you, something he does every once in a while on special nights. Your fiance carefully moves his hands around your body, his actions calming from the very hectic day you had. He continues to do this with your shampoo and conditioner, movely slowly in order to not pull you from the beautiful land between sleep and consciousness. Once he finishes with you, Steve lets you rest against him as he takes care of his own shower routine. The one time he moves you is to rinse out your hair, making sure everything is out in order to not have to do it again. He knows how much you hate being woken up. 
~~~
Grabbing a towel, he carefully wraps it around your body, drying you off before repeating his actions on himself. The two of you exit the bathroom and you stand in the middle of the bedroom, your fiance moving around somewhere off to your right. Steve returns with his shirt and boxers for you to where, along with some boxers for himself. After getting dressed, the two of you brush your teeth and get ready for bed before finally falling into the wildly-made bed from this morning when the two of you were late. You cuddle into Steve’s side and wrap his arm around your shoulder, the man chuckling at your actions. The two of you sit there for a little longer before Steve turns to you.
“Y/N?”
“Hmm?”
“What did you say about kids earlier? After you asked about my eyes?” You stare up at him as you start to blush, and Steve nudges you to explain what you said.
“I said-” You pause. “I said that I hope our kids have your eyes.” You hear Steve gasp and you look down at his chest, the two of you never having the conversation of kids before.
“You-you want kids?” He asks, sitting up to be able to look you in the eyes.
“Of course I do! I’ve wanted them since forever, but back then, you said you were scared of them having your medical problems. And now it seems we kind of don’t have time for them with the whole saving the world thing and-” Steve cuts you off with a kiss, the both of you smiling and he pulls back first.
“I will make time for them.” He whispers, kissing you once more for good measure. “So,” He begins, sitting up a little straighter. “When do we want to start trying?”
Permanent Tags: @wintersoldierslut​ @breakmy-bedbarnes @stuckys-hot-dogs​ @andreasworlsboring101 @yaxamarvel @donutloverxo​ @celaena-carstairs-cullen​
Just a reminder that all requests are open! My masterlist is in my bio, so you guys know who I specialize in, but really I do anyone y’all request. As I’ve mentioned, nothing is too fluffy, angsty, smutty, or gorey for me. I mainly write Marvel and its characters/actors. I can also write some characters from other things, you just have to ask! Also please let me know if you want to be a part of the Permanent Tags! My Prompts list is attached to my masterlist in case you need something extra! But please, for now,
Call me Emily
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Chapter three! I already skimmed through it and just. Holy fuck I’m falling in love with this series all over again, and this is just the opening arc, how the hell is this so good??? I’m genuinely just in awe and fuck is it making it hard to decide where to have a cut-off point for this chapter. I suppose we’ll just have to see what fate decides.
(Also, the temptation to just paste in all of the last three pages of the chapter is so incredibly strong, you don’t understand.)
[No. 3 - Entrance Exam]
We start off with some exposition: UA’s hero course is designed to give students all they need to go pro, and is the toughest and most popular hero course in the country, with only a 1 in 300 acceptance rate. Discounting the four slots that are recommendation students, that’s 36 slots a year, which is about…
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Yeah. That’s a lotta applications, and that’s just for the hero course! 
Several alumni are mentioned: All Might, who declined the people’s choice award; Endeavor, who’s stopped more crimes than anyone else in recorded history; and Best Jeanist, who’s won the Best Jeanist award eight years running. (One of these things is not like the other~ One of these things just doesn’t belong~) The exposition suggests that graduating from UA is basically a requirement for becoming a great hero - something which we’ll learn soon enough isn’t quite true.
But yeah, Endeavor with the record for crime handling, even above All Might. Quite the impressive hero, though that face…
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Not precisely reassuring.
So yeah, Izuku here mentions the date of the exam - February 26th. I figure that this has to be a Sunday, for the simple fact that Japan has a slightly different school schedule than us. Most notably: Japanese schools (some of them, anyways) have 5.5 day school weeks. Yes, that means the first half of Saturday can still be a school day. 
While I couldn’t confirm for sure whether this is more common among the higher end schools, I feel like a school like UA, with its ‘Plus Ultra’ motto, would definitely be a school to have a half-day (or even a full day) on Saturdays, and since they also have to accomodate for middle schools that have Saturday morning classes, I figure that it would make the most sense for UA to schedule this exam on a Sunday. 
The benefits of this, as we’ve already seen, is that we can then narrow down the timeline for the rest of the series, just based on that single, confirmed date. We know from the last chapter that the Sludge Villain had to happen on a Thursday or Friday of the first week of school (April 14th/15th), with the first training session two days later (the 16th/17th). But what this also gives us is when Izuku’s first year of UA starts, AND the possible years it could start on. 
Since we see the glowing baby is in a modern hospital, we can assume that’s correlated to about our times. Give it a few generations, and we can guess that we’re in the 2200s or 2300s for the current era. Based on that assumption, we get the following years that have February 26th on a Sunday:
23rd century potential years: 2204, 2209, 2215, 2226, 2232, 2237, 2243, 2254, 2260, 2265, 2271, 2282, 2288, 2293, 2299
24th century potential years: 2310, 2316, 2321, 2327, 2338, 2344, 2349, 2355, 2366, 2372, 2377, 2383, 2394, 2400
As a side note, when I got into the series, my brain weirdly latched onto the idea that this had to all be happening in the year 2317. I don’t know why I decided on that number, but that’s what I rolled with, and hilariously I could be RIGHT about the year the current manga arc is happening in, provided Izuku’s first year is in 2316. Sometimes you just know, ya know? I know at least one other friend made these calcs independently of me and chose to run with 2237, which is totally valid! Probably makes more sense to be in the 2200s, but there’s room depending on how much time one thinks has passed.
As for when Izuku’s high school school year starts, we know that Japanese schools start on the second Monday of April. Since we don’t know if this is a leap year or not, we’ll end up with two dates, but that’s fine!
Feb 26 (Sun) -> Feb 27 (Mon) -> March (6/5, 13/12, 20/19, 27/26) -> April (3/2, 10/9)
Therefore, Izuku’s first day of classes (not counting the orientation, which I’ve seen a few other timelines assume is on the Sunday before classes start) is April 10th (or the 9th if a leap year)! I know this is all in the future from this chapter, but still, I wanted to share this at some point and figured now was as good a time as always.
Math!
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Sorry, I’ve just wanted to share this math I did for a while now, I put a lot of work into it and I am very proud of it. Let’s get back to the chapter.
So Izuku lives a 40 minute train ride away from UA, and has made it just in time for the exam. Apparently, this is only the practical portion? Or well, that’s the part that gets focused on in this chapter, with no mention of the paper exam. I would imagine they’d be the same day, though? But I suppose one can do whatever they like with it.
He’s standing there looking at the school, thinking about how he didn’t have a chance to test the power, while the other students head in-
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Excuse me, Toga?? I know that hairstyle is just a bit off, but… ???
...right, anyways. Izuku is wondering whether the hair really did anything (also, it was apparently sour, which, ew.) Katsuki comes up behind him and tells him to move aside.
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Truly a flattering image. Izuku panics a bit and greets him, but Katsuki just walks by without another word or gesture, leaving Izuku confused as he watches him head on into the building. The narrative notes that since the villain incident, Katsuki hadn’t bothered Izuku, while the unnamed characters in the background apparently recognize Katsuki from the ‘sludge’ incident (well, not shocked how the fandom held onto that name). 
Izuku notes that he’s gotta stop flinching instinctively, and then tries to hype himself up, noting that it’s not like before, and think about the past ten months while taking a wobbly step forward- and then tripping over himself.
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I’m sorry Izuku just has so many fantastic faces in this chapter I am crying trying to limit myself to just a few. But yeah, that little derp as he realizes what’s happening is adorable, especially while Ochako gently sets him back on his feet. She mentions that it’s her quirk, and apologizes for using it, but that it’s a bad omen to trip and fall. (I wonder if that gets played with again during later parts of the series… will have to check to see.)
While Izuku freaks out over talking to a girl, Ochako notes that the exam is nerve-wracking, and then heads off while wishing both of them luck as Izuku stares after. 
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This fucking kid. I love him so much. His flustered excitement gets him some weird looks from the others still outside.
We transition to a new character (Present Mic) who immediately shows off his performative side by calling for a ‘hey!’ which… is met with silence from the crowd. He doesn’t let this throw him off, instead letting them know that he’ll present the guidelines for the practical, followed with a ‘YEAH!’ that gets met with an even heavier silence.
Izuku and Katsuki are seated next to each other, with Izuku descending right into excited muttering over Present Mic and how he listens to his radio show every week. Also with the assumption that all the UA teachers are pro heroes, which I mean, true, but still. Katsuki tells Izuku to shut up.
Present Mic explains the test: ten minute long ‘mock cityscape maneuvers’, with the applicants split among seven arenas, labelled ‘A’ through ‘G’. With more than 10k applicants total, that’s about…
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Yeah, more than 1500 per arena. Fucking hell, no wonder the robots deplete so quickly in only a few minutes. Also of interest:
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“Bring along whatever you want.” So technically, if Izuku were able to procure the tech and training to handle the robots, there would be nothing keeping him from getting into UA quirkless… though I imagine any kid who gets in mostly on tech probably gets side-eyed… though if said kid made their OWN tech, they might also get an offer from the Support department.
(AU where Mei accidentally took the heroics exam and got a shitload of points, but she ended up taking the offer for Support instead despite setting the record for most points in said exam. Katsuki forever wants to fight her. Izuku and her are good friends.)
Also, another thing I love is how Katsuki just told Izuku to shut up a moment ago, and then:
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He’s the one to initiate conversation on the details of the test, basically agreeing on the reasoning behind dividing up the students between arenas. Katsuki is annoyed at not being able to crush Izuku, which has Izuku awkwardly silent. 
Also mini-Mic.
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Poor, poor Mic. He just wants audience participation. Anyways, he continues on to explain the points system, with the help of cute little Mario-themed silhouettes. There are three kinds of faux villains, with different points awarded for defeating each based on their difficulty levels. Also, attacking other examinees is prohibited!
A student (cough Tenya) raises their hand to ask a question, going on to note that the handout sheet appears to have four varieties of villain, and that such a blatant error (if it is one) reflects poorly on Japan’s top academy. He then spins around and points at Izuku, calling him out for his muttering and how distracting he’s been, and that ‘if this is some sort of game to you, then please leave immediately!’ 
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Is that… Mineta seated behind Izuku? I can’t find another panel that disproves that theory, so. Whelp. If you ever for some reason want to have Izuku accidentally deal with the grape early, he’s right there. 
Anyways, Present Mic brings the convo back to the initial question/comment, noting that the fourth villain is worth zero points, and is more of an obstacle. He then brings up Super Mario Brothers, the old retro game, and compares the Zero Pointer to a thwomp. There’s one per site, serving as a gimmick that’ll rampage in close quarters. Tenya thanks Mic and apologizes for the interruption. 
And so we get our final words from Present Mic:
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??? either he's referencing the original guy (which I think would be a misquote because I doubt OG Nap ever noted anything like that) or some French hero or the like who took on the name.
Discord offered this to me while putting together the post:
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So there you have it. Tentatively confirmed.
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Those EYES man, dude’s got the Rinnegan going on.
Honestly, I have to end on this panel just because of that last line from Present Mic. Like, look me in the eyes and tell me this isn’t the exact point to end on. 
The discord’s takeaway from this:
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Link
LETTERS FROM AN AMERICAN
August 27, 2021
Heather Cox Richardson
America is in a watershed moment. Since the 1980s, the country has focused on individualism: the idea that the expansion of the federal government after the Depression in the 1930s created a form of collectivism that we must destroy by cutting taxes and slashing regulation to leave individuals free to do as they wish.
Domestically, that ideology meant dismantling government regulation, social safety networks, and public infrastructure projects. Internationally, it meant a form of “cowboy diplomacy” in which the U.S. usually acted on its own to rebuild nations in our image.
Now, President Joe Biden appears to be trying to bring back a focus on the common good.
For all that Republicans today insist that individualism is the heart of Americanism, in fact the history of federal protection of the common good began in the 1860s with their own ancestors, led by Abraham Lincoln, who wrote: “The legitimate object of government, is to do for a community of people, whatever they need to have done, but can not do, at all, or can not, so well do, for themselves---in their separate, and individual capacities.”
The contrast between these two ideologies has been stark this week.
On the one hand are those who insist that the government cannot limit an individual’s rights by mandating either masks or vaccines, even in the face of the deadly Delta variant of the coronavirus that is, once again, taking more than 1000 American lives a day.
In New York, where Mayor Bill de Blasio has required teachers to be vaccinated, the city’s largest police union has said it will sue if a vaccine is mandated for its members.
In Texas, Governor Greg Abbott on Wednesday issued an executive order prohibiting any government office or any private entity receiving government funds from requiring vaccines.
In Florida, Governor Ron DeSantis has also forbidden mask mandates, but today Leon County Circuit Judge John C. Cooper ruled that DeSantis’s order is unconstitutional. Cooper pointed out that in 1914 and 1939, the Florida Supreme Court ruled that individual rights take a back seat to public safety: individuals can drink alcohol, for example, but not drive drunk. DeSantis was scathing of the opinion and has vowed to appeal. Meanwhile, NBC News reported this week that information about the coronavirus in Florida, as well as Georgia, is no longer easily available on government websites.
On the other hand, as predicted, the full approval of the Pfizer coronavirus vaccine by the Food and Drug Administration has prompted a flood of vaccine mandates.
The investigation into the events of January 6, when a mob stormed the U.S. Capitol to overturn the results of the 2020 presidential election, also showcases the tension between individualism and community.
Yesterday, after months in which Republicans, including former president Donald Trump, called for the release of the identity of the officer who shot Capitol rioter Ashli Babbitt, Capitol Police officer Lieutenant Michael Byrd, the 28-year veteran of the force who shot Babbitt, gave an interview to Lester Holt of NBC News.
Right-wing activists have called Babbitt a martyr murdered by the government, but Byrd explained that he was responsible for protecting 60 to 80 members of the House and their staffers. As rioters smashed the glass doors leading into the House chamber, Byrd repeatedly called for them to get back. When Ashli Babbitt climbed through the broken door, he shot her in the shoulder. She later died from her injuries. Byrd said he was doing his job to protect our government. “I know that day I saved countless lives,” Byrd told Holt. “I know members of Congress, as well as my fellow officers and staff, were in jeopardy and in serious danger. And that’s my job.”
The conflict between individualism and society also became clear today as the House select committee looking into the attack asked social media giants to turn over “all reviews, studies, reports, data, analyses, and communications” they had gathered about disinformation distributed by both foreign and domestic actors, as well as information about “domestic violent extremists” who participated in the attack.
Representative Jim Banks (R-IN) immediately responded that “Congress has no general power to inquire into private affairs and to compel disclosure….” He urged telecommunications companies and Facebook not to hand over any materials, calling their effort an “authoritarian undertaking.” Banks told Fox News Channel personality Tucker Carlson that Republicans should punish every lawmaker investigating the January 6 insurrection if they retake control of Congress in 2022.
Biden’s new turn is especially obvious tonight in international affairs. The U.S. withdrawal from Afghanistan, a country we entered almost 20 years ago with a clear mission that became muddied almost immediately, has sparked Republican criticism for what many describe as a U.S. defeat.
Since he took office, Biden has insisted on shifting American foreign policy away from U.S. troops alone on the ground toward multilateral pressure using finances and technology.
After yesterday’s bombing in Kabul took the lives of 160 Afghans and 13 American military personnel, Biden warned ISIS-K: "We will hunt you down and make you pay.”
Tonight, a new warning from the State Department warning Americans at the gates of the Kabul airport to “leave immediately” came just before a spokesman for CENTCOM, the United States Central Command in the Defense Department overseeing the Middle East, announced: "U.S. military forces conducted an over-the-horizon counterterrorism operation today against an ISIS-K planner. The unmanned airstrike occurred in the Nangarhar Province of Afghanistan. Initial indications are that we killed the target. We know of no civilian casualties."
Biden’s strike on ISIS-K demonstrated the nation's over-the-horizon technologies that he hopes will replace troops. Even still, the administration continues to call for international cooperation. In a press conference today, Pentagon Press Secretary John Kirby responded to a question about U.S. control in Afghanistan by saying: “It’s not about U.S. control in the Indo-Pacific. It’s about protecting our country from threats and challenges that emanate from that part of the world. And it’s about revitalizing our network of alliances and partnerships to help our partners in the international community do the same.“
Meanwhile, this afternoon, news broke that the Taliban has asked the United States to keep a diplomatic presence in the country even after it ends its military mission. The Taliban continues to hope for international recognition, in part to claw back some of the aid that western countries—especially the U.S.—will no longer provide, as well as to try to get the country’s billions in assets unfrozen.
A continued diplomatic presence in Afghanistan would make it easier to continue to get allies and U.S. citizens out of the country, but State Department spokesman Ned Price said the idea is a nonstarter unless a future Afghan government protects the rights of its citizens, including its women, and refuses to harbor terrorists. Price also emphasized that the U.S. would not make this decision without consulting allies. “This is not just a discussion the United States will have to decide for itself.… We are coordinating with our international partners, again to share ideas, to ensure that we are sending the appropriate signals and messages to the Taliban,” he said.
Evacuations from Afghanistan continue. Since August 14, they have topped 110,000, with 12,500 people in the last 24 hours.
Perhaps the news story that best illustrates the tension today between individualism and using the government to help everyone is about a natural disaster. Hurricane Ida, which formed in the Caribbean yesterday, is barreling toward the U.S. Gulf Coast. When it hit western Cuba today, it was a Category 1 storm, but meteorologists expect it to pick up speed as it crosses the warm gulf, becoming a Category 4 storm by the time it hits the U.S. coastline. The area from Louisiana to Florida is in the storm’s path. New Orleans could see winds of up to 110 miles an hour and a storm surge of as much as 11 feet. Louisiana officials issued evacuation orders today.
The storm is expected to hit Sunday evening, exactly 16 years after Hurricane Katrina did. But this time, there is another complication: this is the very part of the country suffering terribly right now from coronavirus. Standing firm on individual rights, only about 40% of Louisiana’s population has been vaccinated, and hospitals are already stretched thin.
Today, President Biden declared an emergency in Louisiana, ordering federal assistance from the Department of Homeland Security and the Federal Emergency Management Agency (FEMA) to the region ahead of the storm, trying to head off a catastrophe. The federal government will also help to pay the costs of the emergency.
—-
Notes:
https://www.rev.com/blog/transcripts/pentagon-officials-hank-taylor-john-kirby-press-briefing-transcript-august-27-afghanistan-update
https://www.cnn.com/2021/08/27/weather/tropical-storm-ida-friday/index.html
https://apnews.com/article/health-louisiana-coronavirus-pandemic-1a2264b5a43033ed70fe9790c2e89437
NYPD story is from the New York Post, but a citation from them always stops the delivery of lots of letters, so I’m going to suggest people look for it themselves.
https://gov.texas.gov/uploads/files/press/EO-GA-39_prohibiting_vaccine_mandates_and_vaccine_passports_IMAGE_08-25-2021.pdf
https://www.whitehouse.gov/briefing-room/statements-releases/2021/08/27/president-joseph-r-biden-jr-approves-louisiana-emergency-declaration-2/
://www.washingtonpost.com/world/2021/08/27/afghanistan-kabul-taliban-live-updates/#link-KFQMWZKFSNH4DBBMK2VAJMAZF4
Meredith Lee @meredithlleeCENTCOM: "U.S. military forces conducted an over-the-horizon counterterrorism operation today against an ISIS-K planner. The unmanned airstrike occurred in the Nangahar Province of Afghanistan. Initial indications are that we killed the target. We know of no civilian casualties."
78 Retweets151 Likes
August 28th 2021
https://www.usatoday.com/story/news/2021/08/27/afghanistan-live-updates-taliban-kabul-news/5611093001/
https://www.nbcnews.com/news/amp/ncna1277715
https://apnews.com/article/lifestyle-health-education-florida-coronavirus-pandemic-1908088a0b5c5b02d89fd7e007822408
Ryan Struyk @ryanstruykThe United States is now reporting 1,194 new coronavirus deaths per day, the highest seven-day average since March 19, according to data from @CNN and Johns Hopkins University.
246 Retweets677 Likes
August 27th 2021
https://www.nbcnews.com/news/us-news/officer-who-shot-ashli-babbitt-during-capitol-riot-breaks-silence-n1277736
Jim Banks @RepJimBanksRead my letter to 1/6 Chair @BennieGThompson about his norm shattering decision to spy on his colleagues. @ATT @Verizon @TMobile @Facebook @Twitter @FCC
136 Retweets311 Likes
August 27th 2021
/photo/2
https://news.yahoo.com/gop-rep-jim-banks-republicans-195845753.html
https://www.cnn.com/2021/08/27/politics/us-military-airstrike-isis-k-planner-afghanistan/index.html
LETTERS FROM AN AMERICAN
HEATHER COX RICHARDSON
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taleoftalespod · 3 years
Text
Tale of Tales | episode: 1.07 “Risen (Part 1)”
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Once there was a god who rose from the dead…
In this (year late) episode of Tale of Tales, we'll explore the complexities of imperialism, the joys (and sorrows) of sex, and why you literally cannot win once you've gotten yourself mixed up in goddesses' interpersonal disputes.
https://www.buzzsprout.com/800948/8267888-1-07-risen-part-1.mp3?blob_id=37471845&download=true
Tale on this episode:
Publius Ovidius Naso, “Venus and Adonis”, The Metamorphoses, ed. Charles Martin (0:18:47-0:43:58)
“Inanna and Dumuzid”, reconstructed from various hymns collected by Samuel Noah Kramer and Diane Wolkstein in Inanna, Queen of Heaven and Earth: Her Stories and Hymns From Sumer (0:51:22-1:29:54)
All Music Licensed under Creative Commons BY Attribution 4.0 License
http://creativecommons.org/licenses/by/4.0/
Track Listing:
“Afterlife” by Alexander Nakarada (0:00:12-0:03:09)
“Tranquil Fields - Eastern” by Alexander Nakarada (0:03:10-0:04:33; 0:54:22-0:56:26; 0:58:13-1:00:40)
“Wanderer” by Alexander Nakarada (0:18:47-0:20:25)
“Stay the Course” by Kevin MacLeod (0:24:32-0:31:17; 1:02:33-1:04:40)
“Ancient Rite” by Kevin MacLeod (0:31:17-0:36:28; 0:51:22-0:54:22)
“Tranquil Fields - Peaceful” by Alexander Nakarada (0:37:55-0:41:55; 1:33:32-1:34:36)
“Send For the Horses” by Kevin MacLeod (0:41:55-0:43:58)
“The Enemy” by Alexander Nakarada (1:04:38-1:07:28)
“Oppressive Gloom” by Kevin MacLeod (1:08:39-1:14:19)
“Reign Supreme” by Kevin MacLeod (1:14:50-1:15:53)
“Expeditionary” by Kevin MacLeod (1:15:51-1:18:57)
“Gathering Darkness” by Kevin MacLeod (1:20:29-1:25:06)
“Burnt Spirit” by Kevin MacLeod (1:24:55-1:26:45)
“Tempting Secrets” by Kevin MacLeod (1:26:24-1:29:54)
Episode Extra: The Afterlife of Mary Magdalene
There is another woman, closer to home for Christianity, who has been known for the love she had for a dead man. Though the number of women at the empty tomb varies depending on the gospel being read, the Christian Church has traditionally recognized the round number of the Three Marys: Mary the mother of Jesus, Mary Salome, and Mary Magdalene, also known as the Myrrh Bearers since they brought precious ointments with them to embalm Jesus’ body. Mary was a popular name at the time — in Hebrew, it’s Miriam, the name of the prophetess who helped Moses lead the Israelites out of Egypt during the Exodus. In a time of political dissatisfaction and nostalgia for an imagined past of religious and national freedom, many Jewish parents of the first century named their children with the expectation of an imminent reversal of fortunes. 
Mary Magdalene is an enigmatic figure from her very first appearance in text: her title “Magdalene” doesn’t translate very well into anything. The most common scholarly reconstruction is that it means she was from Magdala, a large fishing village in the Galilee, but even that isn’t very certain. Mark and Matthew only refer to her by name, without any other description beyond her attachment to Jesus’ following. Luke informs us that she had been rid of seven demons by Jesus, but also that (somewhat more importantly) she and a couple other women were his patrons — they funded his work. In spite of her mysterious past as a demoniac, then, her role in Jesus’ ministry reflected not simply womanly servitude but the power and prestige of a typical rich Roman woman helping pay a client’s bills — a position common enough in early Christianity to afford women quite a lot of say in the Church in the first few centuries CE.
Naturally, there was some tension about these powerful roles, and the second and third centuries saw increased squeamishness from Christian men about women’s outspokenness, and for one reason or another Mary Magdalene became, for both misogynist and proto-feminist sides of the debate, the prototypical woman disciple. The second century Gospel of Thomas ends with a scene in which Peter, prototypical of male discipleship, asks Jesus to tell Mary Magdalene to go away since “women don’t deserve to live”, but Jesus reassures him that she can stay because his guidance will make her (at least spiritually) male — a pro-Mary Magdalene take in which women are allowed to be prominent in the Church but must act like men to do so. Another somewhat-easier-to-digest text, named the Gospel of Mary by scholars, describes a discussion between the disciples after Jesus has gone back to heaven — Mary Magdalene tries you reassure the male disciples that Jesus promised her he’d be with them forever, and Peter responds that Jesus would never have spoken alone to a woman, inciting a furious argument between all the disciples about Mary’s place. Later legends told how Mary Magdalene sailed to Rome after Jesus’ resurrection and tried to convert Emperor Tiberius, bringing a white chicken egg as a humble gift; when Tiberius claimed a man could no more rise from the dead that her egg could change color, the egg in her hand turned blood red — a potential source for the modern Easter egg tradition.
Misogynistic arguments found support in Mary’s sordid demonic past and her subservience to Jesus and relative silence in the New Testament gospels themselves. The medieval pope Gregory XIV did the Magdalene a further disservice by proclaiming (with no evidence) that she was the same woman as the “woman of ill repute” in Luke 9 who cried on Jesus’ feet, instigating a number of inventive portrayals of Mary Magdalene as the terrible scandalous harlot whom Jesus converted  into a repentant, quiet saint. A sorry, penitent Mary Magdalene, usually tantalizingly undressed but still covered by her long hair, sometimes contemplating her own mortality via a skull in one hand, became a favorite subject of Christian artists, giving the Church a whore to complement Mother Mary.
The past century has seen attempts to revitalize and reclaim the image of the Magdalene. Some attempts have been less progressive than others — such as the rumor that, rather than a sex worker (gross), Mary Magdalene was Jesus’ wife (good), an allegation that inspired The Last Temptation of Christ and Dan Brown’s The Da Vinci Code. More recently, Pope Francis in 2012 declared Mary Magdalene “apostle to the apostles”, based on the fact that in the Gospel of John she is not only the only woman at the empty tomb, but also the first person to see Jesus alive again, and the one whom he himself entrusts with the news of his resurrection, essentially making her not only the very first apostle, but also the very first Christian. In her book The Resurrection of Mary Magdalene, feminist theologian Jane Schaberg notes, “Mary Magdalene is the madwoman in Christianity’s attic... hidden there because of an open and not fully appreciated secret, and its implications, at Christianity’s core: that the male disciples fled and the women did not.”
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thomothysdoodles · 3 years
Note
1, 3, 4, 5, 6, 8, 9, 10, 11, 12, 14, 17, 18, 20, 23, 26, 17, 28, 31, 32, 35, 37, 38, 40, 41, 42, 43, 44, 45, 46, 47, 48, 49, 50, 51, 52, 53, 54, 55, 56, 57, 58, 59, 60, 61, 62, 63, 64, 65, 66, 67,, 68, 69, 70, 71, 73, 74, 75, 85, 86, 87, 88, 90, 92, 93, 94, 95, 96, 98
I am so sorry, I literally have no idea what came over me
Wow Lulu you really said ‘let’s ask this bitch EVERYTHING’. I love it tho lmao. Since it’s long imma put it under the cut tho
4. How did your elementary school teachers describe you?
“A pleasure to have in class, a bit lost in their mind, if they committed and focused more they’d excell but they settle for good grades”
From elementary to high school lol
5. Do you prefer to drink soda from soda cans, soda bottles, plastic cups or glass cups?
I like soda cans
6. Pastel, boho, tomboy, preppy, goth, grunge, formal or sportswear?
Somewhere between tomboy and grunge I think
8. Movies or tv shows?
Tv shows
9. Favorite smell in the summer?
Sunscreen and freshly baked bread
11. What do you have for breakfast on an average day?
A cup of milk with some cereal or biscuits. For the past month I’ve been following the keto diet tho, and I usually are some ricotta with peanut butter for breakfast
12. Name of your favorite playlist?
“Sad but vibing” lol
14. Favorite non chocolate candy?
Strawberry lollipops
17. Most frequently worn pair of shoes?
A black vans pair, I bought em in August but the left one already got a hole on the front 😤
18. Ideal weather?
Cloudy but not too windy or cold. I just don’t like the sunlight in my face
20. Preferred place to write?
On my phone’s notes app lol, I’ve got almost two thousand notes in here
23. Strange habits?
I hide stuff in my room with no apparent reason. I’ve got money stashed around my room in four different points lol
26. Favorite activity to do in warm weather?
Given the chance, I like to race with my bike to get some refreshing wind
27. Favorite activity to do in cold weather?
Cozy up in a blanket and watch some tv
28. Five songs to describe you.
Karma— AJR
Ultimately— Khai Dreams
Putting a spin on Slow Dancing in the Dark— egg
Mars— YungBlud
Gotta be a Reason— Alec Benjamin
31. What outfit do you wear to kick ass and take names?
Black jeans, black sturdy boots, and a silly little hoodie lmao
32. Top five favorite vines?
‘DONT FUCK WITH ME, IVE GOT THE POWER OF GOD AND ANIME ON MY SIDE— AAAAAAAAAAAAAAAAAAA’
‘Let me see what you have!’ ‘A KNIFE!’ ‘NO!!!’
‘Hey bro, what do you wanna eat?’ (‘The souuuls of my enemies’) ‘A bagel’ (‘NOOO’) ‘..two bagels.’
FR E SH A VOCA DO
‘Two shots of vodka..’ *pours half a bottle of vodka*
35. Average time you fall asleep?
I am terrible at this. I love sleeping but I also love feeling ✨ unbothered ✨ doing whatever I want in the middle of the night. So, never before 3am usually
37. Suitcase or duffel bag?
Suitcase
38. Lemonade or tea?
Tea
40. Weirdest thing to happen at your school?
I dunno how weird it is, but I always found peculiar that there were cigarette butts on the ceiling of the bathrooms. Like, seven feet tall ceilings. How did those cigs get there??
41. Last person you texted?
My best friend to tell her that my sister found a way to let me watch supernatural on American Netflix >:3c
42. Jacket pockets or pant pockets?
Jacket pockets
43. Hoodie, leather jacket, cardigan, jean jacket or bomber jacket?
Hoodie and/or jean jacket
44. Favorite scent for soap?
I dunno. Talcum powder I think
45. Which genre: sci-fi, fantasy or superhero?
Superhero
46. Most comfortable outfit to sleep in?
Tee and boxers. Sometimes socks too
48. If you were a fruit, what kind would you be?
Umh. Clementines maybe. Easy to peel, sweet but also not, sometimes with seeds.. and some people loathe the little white stripes they have and they spend hours peeling those away
49. What saying or quote do you live by?
“Like any / unloved thing, I don’t know if I’m real /when I’m not being touched.” —Natalie Wee
50. What made you laugh the hardest you ever have?
My best friends always make me wheeze, it can be the stupidest dumbest thing ever, I’m really fucking easy to amuse lol
51. current stresses?
My driver license my driver license my driver license my driver license my driver license my d
52. Favorite font?
I have no idea. This one? Lol
53. What is the current state of your hands?
Good. I just cut my nails, I really wanna put some nail polish but my dad comes back home tomorrow and he always looks me weird when I put it
55. Favorite fairy tail?
The little mermaid
56. Favorite tradition?
A tradition I have with my friends is that when we celebrate someone’s birthday, we go to the thrift shop and buy them stupid stuff to wear or put on. On my birthday a couple days ago I had to wear playboy bunny ears and a black glittery bow tie lol. Once I bought my best friend a tiny pirate hat, and for another my friend took a boa with pink feathers lol
57. The 3 biggest struggles you’ve overcome?
Mmmh
I’m having a hard time with my parents since I dropped out of uni but I think I’m starting to overcome it finally
When my parents were about to divorce and in was dreading the idea of moving from this city
That time in middle school I spent a couple weeks at the hospital to run a bunch of neurological tests
58. Four talents you’re proud having?
I’m pretty good at multitasking
It’s very difficult to enrage me (yes I consider it a talent)
I can juggle lol
I can read in moving cars/trains etc without getting sick :D
59. If you were a video game character, what would your catchphrase be?
“What the f—“
61. Favorite line you heard from a book/movie/tv show/ etc?
“Happiness isn't in the having. It's just in the being. It's in just saying it.” Aka Castiel’s love confession (OF COURSE I WAS GONNA SAY SOMETHING DESTIEL RELATED)
62. Seven characters you relate to?
No specific order:
Dean Winchester
Eric Derekson
Jake Peralta
Doug Eiffel (👀)
Tony Stark
Klaus Hargreeves
Diego Hargreeves
63. Five songs that would play in your club?
Anything from P!ATD
Bang!— AJR
Natural— Imagine Dragons
Anything from Set It Off
Maniac— Conan Gray
64. Favorite website from your childhood?
I didn’t use computers in my childhood lol
66. Favorite flower(s)?
Fresias 💕
67. Good luck charms?
I used to keep in my pocket a little hazelnut my dad gave me once telling me that it was a good luck charm. I took it away tho. I dunno, maybe my rings
68. Worst flavor of any food of drink you’ve ever tried?
I have to admit I never tasted it, but the smell of truffle literally makes me gag, so that
69. A fun fact that you don’t know how you learned?
Apparently your love language is both the one you give AND want love, and also the one you most lacked growing up. So. Mull that over.
70. Left or right handed?
Rightie
71. Least favorite pattern?
Holey ones. Make my sight go double
74. At what pain level out of ten (1 through 10) do you have to be at before you take an Advil of ibuprofen?
A seven I guess. I usually try to sleep off anything I have, I hate to take medicines, and loathe to call the doctor lol
75. When did you lose your first tooth?
Around.. six I think?
85. Fairy tails or mythology?
Mythology forever
86. Cookies or cupcakes?
Cookies 🍪
87. Your greatest fear?
That the other shoe will drop and I’ll be alone and lonely
88. Your greatest wish?
To have enough stubbornness to do what I wish to do without getting demoralized so easily
90. Luckiest mistake?
Me and one of my best friends got to know each other through other common friends, and once they both couldn’t come and we ended up spending the day together. We had lots of fun, but we also got drunk and I lost my mcfreaking watch lmao
92. Lamps, overhead lights, sunlight or fairy lights?
Lamps
94. Favorite season?
Winter ❄️
95. Favorite app on your phone?
Tumblr! (And the music one. And the podcasts one. And— jk lol)
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Some Seamster!Quinn Cooper HCs
I didnt intend for this to be this long, but my seamstress heart was inspired. I got kind of carried away, and had to refocus, so I'm going to do another post soon with some advice and anecdotes for wrighting costumers.
For the last couple of months I have been absolutely Obsessed with @poindextears 's Crickets, her SMH post-Waffle Frog OCs, and I have had a lot of headcannons about Quinn Cooper: a theatre kid extrordanare and Hoh icon who talks like he's from 50s and is the boyfreind of Nando (Cricket dman) as we have quite a bit in common. All of Mel's fics are amazing, and I would highly recommend! Give them a read on tumblr or AO3
--
I know Mel has said that Quinn's favorite place is Joanne's, which is completely understandable for someone who doesn't live near actual textile markets... but Joanne's (and similar chain craft/fiberarts supply stores) suck.
Like first of all, on a monetary level... I'm going to start with the assumption that high school Quinn didn't have a large project budget (reasoning: 1. his family is already tight with money, 2. I can't imagine his not-particularly-supportive guardians gave him lots of spending money (esp with theatre fees and materials) 3. I can't imagine he brought in tons of money on the side with a theatre schedule + grades good enough to go to med school + time with his old lady freind + time for sewing)
With that being said: Fabric is expensive. Way more expensive than people expect. Especially if you don't have expensive machinery (like overlock machines) that make cheap synthetic fabrics usable. Also I like to imagine Quinn is in the "fabrics made of plastic are itchy and bad for the enviornment" club like me.
All that is to say: Joanne's is absolutely the worst place that isn't actively upscale to buy fabric (or materials) on a budget.
- The shop's target demographic is stay-at-home white suburban moms who have the time to clip coupons, buy materials on a "when it's on sale" basis as opposed to a "my sister didn't notice the four seperate places I marked my shears 'fabric only' so now I physically cannot continue this project without buying new extra-sharp fabric scissors'" basis, and importantly: can stop by the store every day for a month because discounted items change on a day to day basis, all of which is not particularly conducive to someone a high school kids on a budget.
- Even with all the discounts in existance, the fabrics there are still super expensive and especially for the often lackluster quality (like... they are fine but if I'm paying literally $40/y for enough faux fur to make a big enough "mane" to cover the gap between the cowardly lion's padding and the actor's neck, we shouldnt have to sweep the fur bits off the stage at intermission)
- Additionally if you need a lot of fabric, say enough 7ft squares of heavy mustard yellow fabric for 30 lioness cape/pants? You might just need to run 4 seperate Joanne's out of two different fabrics that were close enough to each other to work
If you are putting in the time and effort to make something complicated,
- Also, and this is probably the most obvious: there just aren't that many options. If you want anything other than a cotton or fleece, than you better hope the single shade they have in the right color works
So I have established: Joanne's = Bad
So how does Quinn factor into all this?
Well first of all I would like to imagine that at some point Quinn helped out in SMH costuming, where they teach him the magic of using something that already exists. Samwell being as liberal as it is, I would like to think that the costuming people are aware of how awful the current state of fabric waste is, and, how his sewing skills are so much better used altering things at thrift shops beginning his journey twords my completeley basess headcannon that he one day adopts some vintage looks
While I think he would be down to adopt some of these practices in his costuming (a la my personal anectode below), I have a feeling that Quinn is one of those people who just likes to make things from scratch. (reasoning: 1 his general personality, but far more importantly, 2 THIS BOY WANTED TO MAKE EVAN HANSEN'S POLO BY HAND, WHY??? WHAT IS THE PURPOSE??? DO YOU KNOW HOW MUCH TIME THAT TAKES???????? YOU ARE WILLING TO SPEND UPWORDS OF TEN HOURS OF YOUR LIFE ON A MODERN STYLE SHIRT THATS GOING TO BE SEEN 4 TIMES???)
I get it, especially for historical reconstructions, there are people who genuinely love sewing by hand, I love Bernadette Banner as much as the next seamstress, but I honestly don't know how they do it.
I like to think that Quinn would be wandering around some thrift store and out of the corner of his eye notice some curtains and have a vision of frolicking through a meadow like Julie Andrews in cloths made out of a curtain... metaphorically. But he def gets "Do a Dear" stuck in his head every time he wears it
Of course the SMH Costuming crew introduce him to some better places to at least get draping and mock up fabrics, but I think they would also introduce him to an actual fabric store.
Samwell is close enough to Boston that I'm sure there's an actual fabric warehouse within driving distance, so when Quinn can't find a suitable material at his beloved Joanne's, and is understandably skeptical about ordering fabric online, Ford is just like dude, go to the fabric warehouse, so he gives it a try.
Ok his fist thought when he gets there is omg everything is so big. Ok, that's his second thought, his first thought is ugh this smells like the SMH locker room, bc a giant block of concrete with no internal climate control in the New England humidity stuffed to the brim with moisture-holding fabric is def gonna make some kind of funk.
But after that like...
Tumblr media Tumblr media
Ok, on the left is your average Joanne's while on the right is your average fabric warehouse
I can totally imagine him physically getting lost. He is tiny, and those places are total mazes, absolutely ginormus, they are all stacked literally 8 feet tall, and all the rows look the same.
Fabric in warehouses is stored for maximum capacity as opposed to places like Joanne's where it is purposely stored in ways that display the whole selection at once. Additionally, while hobbyist bolts face out as much as possible so you can see it at a glance, professional grade bolts face in for protection
...If it's on the shelves at all, the hallmark of a textile warehouse is just dozens of bolts leaning haphazardly in precarious places
This tiny boy is just absolutely surrounded by rows upon rows of fabric, stored in ways that are absolutely not conducive to being looked at easily, and is incredibly frusturated bc Aggghhh I can't look at any of this without moving all of it around, and I can't reach any of it!!!
BUT!
Guess what he has?
Nando to the rescue!
Quinn's big strong dman boyfriend is more than willing to move around and carry the bolts for him and when need be he'll just straight up plop Quinn on his shoulders so he can see the stuff at the top :)
Ok, that's the gist of what I had to say, some other little seamster!Quinn hcs:
his old lady friend taught him the absolute basics, and his wedding gift from her is her 70 year old sewing machine that he first learned to sew on and he treasures that thing FOREVER
bc of his apparent love of hand sewing he is one of those people that swears by genuine leather thimbles, idk why it just feels like him
whenever people compliment his outfit he is just casually like "Oh thanks, I made it" (bc non sewers are always astounded by that and we get to gloat) because I said so
he makes Nando cute crop tops
31 notes · View notes
zenithlux · 4 years
Note
Prompt request: 40 with Vergil and one of your OC
You got it! I’m going to do Vergil/Roxy because I haven’t written enough about them xD Very slightly early Cadence spoilers, but nothing crazy. I also changed the sentence just a little bit to make it fit better. 
#40. “Have I entered an alternate universe or did you really just crack a smile for me?”
Roxy knew how difficult it was to make Vergil smile. From his tragic past to his disagreements with his brother and generally grumpy attitude, his shell was a hard one to crack. It didn’t mean she hadn’t seen the ghost of a smile from time to time, but it did mean that they faded as quickly as they came. And as much as she wished to count those as smiles, it wasn’t enough. 
She wanted more. She wanted a real, long-lasting smile. 
Roxy also never took offense to his seemingly distant and unfriendly personality. The last few months had taught her better than that. He was a phenomenal caretaker, and she knew from conversations that he took his job very seriously. She knew it was more than the money. He did care. At least a little bit. They did at least like each other enough that she considered him a close friend. 
However, he was far too serious. And she was trying to find ways around that. 
At first, she’d tried something far too easy. “Knock, knock,” She said out of the blue. It was a long-shot, but she had some hope when he looked up with this usually raised eyebrow look. 
Then he spoke; “No.” 
That had knocked the wind out of her sails. “Oh come on,” She said. “Live a little.”
“Responding to childish jokes is not ‘living a little’,” Vergil said. 
“But these childish jokes are timeless.”
“Dante tries them far too often,”
“But I’m a lot better than your brother,”
Vergil scoffed, but she swore she saw a flicker of a smile. Progress she had thought at the time, even though he’d returned to his usual disinterested look within seconds. “You’ll have to try harder than that.”
She had scowled at him then, but all that had done was fuel her determination. She would make him smile. Somehow. 
She tried again on another day.
“What’s the best thing about Switzerland?”
Again, he’d given her that look. This time, however, his voice had been so deadpanned she’d almost applauded him for it. “I don’t know, but its flag is a huge plus.”
She’d had to choke back her own laughter. This was serious business. “What do Alexander the Great and Winnie the Pooh have in common?”
“The same middle name.”
“Do you know why it’s hard to explain puns to kleptomaniacs?” She said.
“Because they always take things so literally,” Vergil said. 
She groaned. “Your brother is the worst.”
Again, she got a split second of something, but he hid it so fast she wasn’t even sure she saw it right. “Indeed.”
Her next attempt had been a complete accident. 
It was one of their hunting days where Vergil got everything as close to death as possible and she’d shoot them down without about as much enthusiasm as a child who’s birthday party had been spoiled. “You know I can fight these demons just as well as you.”
“This is faster,” He said, sheathing Yamato with that slow click he always did. A nearby demon burst as he very, very slowly rose to his feet. 
She rolled her eyes. “Why are you always so dramatic?”
He blinked once. Twice. Then glanced at her. “I am not dramatic.”
She stared at him for a good thirty seconds before she burst into laughter. “You’re joking right?” She said between breaths. When his confusion turned to a scowl, she’d only laughed harder. “Do you not see yourself?” She grabbed her stomach, trying her best not to double over. “You’re worse than your brother.”
“I am in no way more dramatic than  Dante.”
“Yes, you are!” She said. “Your brother’s a goofball, but at least he’s aware of it.”
She saw his eyebrows twitch as his grip tightened on Yamato. “I am fully aware of how I act.”
“So you’re dramatic on purpose then.” She pulled back on the strings of her bow, firing a trio of arrows at the closest set of enemies. Then, she tossed her bow and bowed with a flourish before it landed in her other hand. She heard Aki chirp in her head, though she couldn’t tell if it was annoyance or amusement. “I’m afraid I don’t have a sword to sheathe,” She said. “Nor am I capable of exploding demons seconds after they’ve already died. But you get the point.”
“There is no point to get,” Vergil said as he slashed at another demon. Then, predictably, he spun his sword before sheathing it again. 
“There you go again!” She said. “Dramatic.” 
“I am nothing of the sort.”
She fired again, then spun her bow in her hand before transforming it back into Aki. Vergil was feet away by now, eyes trained directly on hers. He might have been more intimidating if she wasn’t having so much fun pushing his buttons. “You can’t go a single fight without showing off in some way,” She said. His eyes narrowed just a smidge more, but he didn’t respond to that. “You know why?” She said as she took another step closer. 
“Why?” he said flatly. 
She pressed a finger to his chest. “Because your brother is such a goofball that you feel you have to one-up him.”
“I do not take my brother into account.”
“Maybe not consciously,” She said. “But you most certainly do. And you know what’s even better?”
“What?”
“You don’t even have to try with me,” She said. “Yet you still do.”
“And why is that?” He said. 
“Because I interest you,” Roxy said with as much confidence as she could. “And showing off is the only way you know how to show it.”
He hummed at that, looking down at her. She frowned, craning her neck to keep his gaze. “And you’re far too tall.”
And that, of all things, is what got him to smile. 
Roxy choked back her laughter. “I think I’ve entered an alternate universe,” She said. “You actually cracked a smile for me.” 
It was gone the second she finished that sentence. “No one will ever believe you.”
She smiled. “But I saw it,” She said. “And that’s all that matters.” 
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skgway · 4 years
Text
1828 Dec., Tues. 30
5 40/60
11 20/60
Some time talking to Jno [John] etc. Goodish motion as of late yesterday and the day before. Another motion loose and largeish as if after a dose. Take treacle to my pudding every day – 
At my desk at 7 35/60 – wrote the following note to  “John Rawson Esquire, Ash grove, Elland” (and sent it to the post by Jno [John] a little before 9) 
“Dear Sir – I hear you are thinning your woods of some very nice young beeches and sycamores – I want about eight of each to plant out as single trees, and, if you can spare me so many, shall be very much obliged to you – I can send a couple of men and the cart any day you may have the goodness to name – I beg my compliments to Mrs. Rawson, and am, dear sir, very truly yours Anne Lister, Shibden Hall Tuesday 30 December 1828” – 
Breakfast at 7 55/60 in about 20 minutes – On considering over what William K– [Keighley] told me yesterday made the marginal observations and references on the margin of yesterday – William K– [Keighley] said Thomas G– [Greenwood] was losing by his hard wood (meaning oaks, sycamores, ashes, beeches, and suchlike) but gained by his mahogany and cabinet making – 
His better stick to what he understood – Not right to sell his wood at such a price as 15 1/2 d [pence] a foot – 6d [pence] for grower and everybody theirs to undersell, and lower prices – Must have lost by it – It was sold before he had got it away from here – The common price a pair of cart shafts oak 10/6 ash 9/. [shillings] 
Greenwood sells the latter at 7 /. [shillings] a pair – Many a man will not deal with him – If this widow woman’s husband had been living, he would have had nothing to do with him – When Greewood came for the wood, and I told him the other lot was about£5, he said that was much higher valued then the other – There ought to be above 100 foot of wood for that price. Should not be more than 14d [pence] a foot – I suppose he calculated to make 1 1/2 per foot – William K– [Keighley] says he ought to have 5 percent for his money – and 1/2d [pence] a foot would do – 
Wrote the above of today – Then at my accents till 10 1/4 – William K– [Keighley] yesterday calculated the alder at the fish pond 5 feet at 13d [pence] = 5/5. 2 grained sycamore in hall lane 13 feet and 12 feet at 1/6 = 1.17.6 sycamore bottom of calf croft also 2 grained 6 feet and 5 1/2 feet at 15d [pence] = 13/9. Sycamore Well Royde fence between Ing and Brow, 5 feet at 15d [pence] = 6/3 Elm in a same hedge row 2 feet at 1/6 = 3/. [shillings] – 
Again looking over my accounts till 10 3/4 – Went out at 11, down to Mosey and his man taking up the railing in Charles Howarth’s field along the top of Lower Brook Ing wood and setting it 4 feet farther from the holly hedge – Ordered the about 9 yards of hedge cut down yesterday by William Keighley junior in mistake at the top of Lower brea wood and bottom of Well Royde crow to be double railed this afternoon and Mosey and his companion did it – 
The pruning and young oaks in Hall wood till 1, and then went to Throp and the 2 wallers planting in the Cunnery plantation – Sauntered about there and in the upper fields during the 55 minutes the men were at dinner – Went down about 2 3/4 and sent Jno [John] up with more oaks – Throp had then planted near 300 today – Except this Jno [John] did nothing for me today – William finish the little bit of clearing of the plantation that remained to be done – 
Then went along the walk and cut across the fields to Well Royde – Sauntered about there, then, went along the Northowram road to the end of it beyond Quarry house – Admire this road the view etc. and returned by Wellroyde – 
Had just got into Lower brook Ing at 4 1/2 when Jno [John] met me to say Mr. Waterhouse was coming – Hurried home – Sat 10 minutes in the little breakfast room – At 4 50/60 went up to dress came down at 5 1/4 – and sat talking – They drank tea and I had my dinner at the same time in the drawing room. Mr. W– [Waterhouse] gave me the account of the canal tonnage and of the stock and dividends – The cut up to H–x [Halifax] cost £600000 – Wont pay more than now (nine percent had yearly) these 7 or 10 years – Shares now worth 100 guineas percent ∴ [therefore] pays 3 1/2 percent on the investment – Mr. W– [Waterhouse] went away at 8 20/60 – 
Went upstairs for near 1/2 hour – Then came down – Sat talking – Wrote out from my father the contents in day works of the different fields my father occupies – Wrote the last 13 lines – Very fine mildish day – Went upstairs at 10 25/60
A striking proof of how very little influence I have with Marian occurred this evening – I have repeatedly observed that all the jesuitical party and all the knowing ones among the Roman Catholic priesthood feared nothing so much as emancipation – Hated Canning because he was for it – Looked up to Wellington as their champion against it – No impression made on Marian – 
Mr. Waterhouse happened casually to say this evening that his brother said all the well informed of the Roman Catholic clergy in Portugal dreaded nothing so much as emancipation and bringing the Roman Catholics more in contact with the protestants – I saw Marian was struck by this observation – I have just named it to her – She seems already more than 1/2 converted – 
Well! Said I, how often have I made similar observations in vain – You will come round at last – but I must not convert you – Oh! no said Marian you will never be to blame – True – I know none with whom my influence in all matters of opinion is so small as with my own  and only sister – 
Wrote the last 8 lines and had just done at 10 40/60 at which hour Fahrenheit in my room (52º and the wind very calm earlier in the evening) highish – Mr. W– [Waterhouse] mentioned Todd’s the great ready monday haberdasher’s shop in the city – 70 or 80 shopsmen – 
[sideways in margin] Speaking of the manor of Southowram, mentioned the circus of the waste near Joseph Hall’s said I had asked Mr. R– [Rawson] if he was tired of the manor, and he had answered it was worth £3000 to one – He gave £1000 for it – Mr. W– [Waterhouse] agreed he could not do better than take the same money for it again – I said if he let me consider too long I might change my mind, but I was a thousand for it now – 
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rptv-starwars · 4 years
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'The Empire Strikes Back' at 40: What the 'Star Wars' sequel's iconic special effects owe to Ray Harryhausen
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By Ethan Altered-States (Ethan Alter)
Yahoo Entertainment, Yahoo Movies  •  May 27, 2020
https://www.yahoo.com/entertainment/the-empire-strikes-back-star-wars-special-effects-ray-harryhausen-212159259.html
[article was edited for brevity, clarity, and to omit dumb commentary by the original author]
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Dennis Muren poses with an AT-AT walker behind the scenes of The Empire Strikes Back. (Photo: Lucasfilm)
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Both Ray Harryhausen [special effects creator prominent in the 1960s for stop-motion animation] and The Empire Strikes Back (ESB) are celebrating milestone anniversaries this year. 2020 marks the 100th birthday of Harryhausen, the special-effects pioneer behind vintage Hollywood spectacles like The 7th Voyage of Sinbad and Jason and the Argonauts, as well as the 40th anniversary of the second movie in the Star Wars original trilogy.
But they have more in common than the calendar year: The AT-ATs and Tauntauns that walk through ESB are inspired by Harryhausen’s menagerie of stop-motion creatures, from cyclopses to krakens. “They had character, they had performance and they had purpose,” says Dennis Muren, who parlayed a childhood spent watching Harryhausen’s films into a groundbreaking career as a Star Wars F/X legend. “They were wondrous to look at, and the designs of the shots were dynamic. Ray’s work grabbed you emotionally, because it began with him. I’m the same way: being emotionally connected to the performance and design of a character who, simply put, looks really neat.”
Currently the Senior Visual Effects Supervisor and Creative Director at Industrial Light & Magic (ILM), Muren first joined George Lucas’s pioneering visual effects studio in 1976, when it was still making and photographing spaceships in a Van Nuys warehouse. After the success of Star Wars (A New Hope), Muren followed ILM to the Bay Area as Lucas planned for a sequel. “It was the hardest film by far,” Muren says of how ESB came together behind the camera. “Everything just got bigger. The spirit of the film was still fun and adventure, but it had more romance, it had more action, the Empire was bigger and the universe was bigger than we thought on the first movie.”
Muren’s role also expanded with ESB as he took point on directing the fleet of miniatures in the film’s iconic opening on the ice planet, Hoth. With the advent of digital technology still many years away, Muren and his team brought the Rebel’s herd of tauntauns and the Empire’s squad of AT-AT walkers to life by hand. And through it all, he followed the example established by Harryhausen.
“I always think of the Cyclops from The 7th Voyage of Sinbad, who comes out of his cave roaring and angry, and his hands are up because he’s ready to grab one of the sailors,” explains Muren, who later won his first Oscar for his work on the film. (He currently has nine statues, the most of any living person.) “That’s what I always strive to put in my work: that there’s a reason for that creature to be there. You’re not just giving the audience an effect: You want them to feel something from it, whether that’s ‘Oh my God, that’s amazing,’ or ‘Oh, that’s really creepy,’ or ‘Wait, that’s impossible!’”
In honor of ESB's 40th anniversary, Muren walked us through the seemingly-impossible task of making the Hoth sequence, and his own close encounter with his F/X hero.
Yahoo "Entertainment": You said that The Empire Strikes Back was the hardest Star Wars film to make. What was the reason for the degree of difficulty?
Dennis Muren: Well, The Phantom Menace may have been equally difficult, because there was a lot of real groundbreaking work on that in terms of getting all the digital stuff to work. But we had two supervisors on that. For Empire, we had just moved up from Los Angeles, and only brought about 12 people up from the 50 in L.A. and had to hire locally just to get the thing done. All of us working on it wanted to top ourselves, and George had already done that with the designs. The number of lands and battles you saw in Empire was at least five times more than you saw in Star Wars. You had an ice planet and a city in the clouds — how are you going to get that to look right?
Doing any kind of compositing over a light-color background is very, very hard. And the whole movie was full of that in addition to your normal space battles. The vision was so big, and we had a couple of years to do it, but it took us so much time to get the fire to do it and the people to do it. We all wanted what George wanted, which was also what the audience wanted: to show you that this universe is so much bigger than what we saw in Star Wars.
Yahoo "Entertainment": What was the most challenging part of the Hoth sequence specifically?
Dennis Muren: The opening tauntaun shot was one of the most difficult things, and the most interesting. The story behind that was that George had brought back this helicopter shot from Norway [where the Hoth exteriors were filmed], and it was about 200 or 300-feet off the ground with the cameras looking straight down. He didn’t know whether if that shot was going to be necessary to the movie, but at the very end, he said, “Yes, it’s necessary to have this shot. Do you think there’s a way you can add a Tauntaun to this?”
There wasn’t! There were no tracking markers on the ground that would have helped us make the stop motion camera map exactly with the moves the helicopter made, and then we could have combined that with an optical printer. But none of that stuff was there. I thought about building a big model, but I didn’t think it would work with the background. George said, “Well, just think about it.” I spent 15 minutes thinking about it, and figured it out in 15 minutes! I learned an amazing lesson from that: There’s usually an answer, there’s always some way that you can fiddle around with what you know to attempt. If I had stopped thinking at 14 minutes and 59 seconds, we wouldn’t have had that shot in the movie.
Yahoo "Entertainment": The tauntauns definitely feel very Harryhausen in their design and behavior. Did their form match what you could accomplish then with stop-motion or did the stop-motion dictate their form?
Dennis Muren: George had the idea for a galloping horse kind of thing, and I think Ralph [McQuarrie] and Joe [Johnston] worked on the design. I was involved in how we were going to create a setting that looked like it was going to be real, and wouldn’t be encumbered by any of the cameras. I don't know how many shots we had of it — maybe 12 or 15 or something like that, and they were some of the last ones we did. There were a couple that George added right at the very end of that. It was like, “We can finally take a breather after two years, but no, there’s one more shot!”
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Dennis Muren (behind the camera) filming Suzanne Pasteur (a friend of Lorne Peterson's) on her horse for tauntaun movement reference. (Photo: Lucasfilm)
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Yahoo "Entertainment": I remember connecting to them very strongly as a kid — I always through they’d be fun to ride.
Dennis Muren: That comes from the design and purpose of it. It doesn’t act like an evil creature: It’s a fairly big, bulky thing and it actually looks kind of cute with a horn and steam coming out of its nose. It’s not a creature that could kidnap you or anything — it’s just a beast of burden. That’s true of all the Star Wars movies: The behavior is familiar, so the audience can relate. Even with the designs of the spaceships; I tried to show how they would bank off to fly to another planet or something, like an airplane would do in the air even though there’s not gravity in space and that would never happen. It looks really neat and you can relate to it.
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Luke Skywalker (Mark Hamill) on a tauntaun on the planet Hoth in The Empire Strikes Back. (Photo: Lucasfilm)
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Yahoo "Entertainment": In terms of the AT-AT walkers, that’s a case where you’re bringing character to a non-living thing. There’s behind-the-scenes footage of the ILM team studying elephants for movement reference.
Dennis Muren: When we saw the designs, we thought they were kind of like big animals. We went to an animal park in Dunn, California, and put a bunch of chalk marks on the elephant and had it walk by left to right and right to left with the camera on. That gave us the weight; those things would have weighed thousands of tons, and we had to make it look like they had gravity or else they were just going to look silly — not as powerful and as evil as they're supposed to look. We also shot the elephants in slow motion to make them look even bigger, and observed traits like how far up the knee goes up and how far forward the body travels. Does the foot just lift up? Does it drop back down again? All that stuff was used as a basis so that when we went to animate, we had a body part to do that.
We also had some really good equipment to look at the frames as we were shooting them and make sure the animation was working well. Like now, there's all sorts of stop-motion photographers, and ours wasn’t done like Ray would have done it where you couldn’t tell if you made a mistake and could go back and say, “Did I move this too far?” We were able to compare and say, “Oh yeah, we did move it too far,” and then change it to move to a better place. So it's probably more of a fluid motion than you might have seen before and that was important. Any sort of chatter in the stop-motion looks like the mechanics of the walkers. They're all mechanical anyway, so there's got to be little bumps and grinds in the motors. So that adds to the feeling, you know?
Yahoo "Entertainment": Besides Hoth, what was your favorite sequence to work on?
Dennis Muren: I don’t know — they’re all so different! [Laughs] I really like the asteroid sequence; that might top Hoth a little bit. It was also really difficult, but a lot of fun to do. George wasn’t interested in the beats of the action, but the attitude. It had to have a certain clarity to see what was going on, which was difficult because the asteroids were coming in from any direction. I did a mock-up of that sequence and realized that everything had to be based on the Millennium Falcon blasting through the asteroids. We came up with the idea of having all the asteroids going in one direction, from one side of the screen to the other, and then you could show how the Falcon makes evasive maneuvers.
Yahoo "Entertainment": Did you get a chance to meet Ray Harryhausen before his death in 2013?
Dennis Muren: Oh, yes. I was probably about 14 at the time, and he used to be in the phone book as was almost everybody else in those days in L.A. I called him up, and he was living up in Malibu, so my mom drove me two hours up to his house, and I met him and his wife. They were just the nicest couple in the world. They invited me in for an hour or two, and we kept in touch. As I got older, I went back to his garage and showed him my home movies, and he showed me some of his early home movies. He was a kindred soul. He later moved to England, so I didn’t see him very often after that.
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Special effects legend Ray Harryhausen working on a model for a Clash of the Titans character. (Photo: Courtesy Everett Collection)
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Yahoo "Entertainment": Did he ever visit you while you were making Star Wars or Empire?
Dennis Muren: No, but I did see him while I was working on Dragonslayer. We were at the same studio in England, and he was making Clash of the Titans. I think I brought him by to show him the dragon, and the rear-projection work. We were working on the next step beyond stop-motion, which was the combination of animation with a motion-controlled motorized camera. He didn’t entirely relate to that, and I can understand why: It could take five days if you’re lucky to get a full shot. At the end of the day, [his method] didn’t have quite the realism that ours ended up having, but he also had the energy to just get in there and grab the figure with his hand and spend the next eight hour animating it.
After Empire and things like the Tauntaun sequence especially, I realized that we needed to get away from stop motion and try and look for something else. I would say that we didn't get the tauntaun to move quite as much as we wanted to, and there were some shots that we didn’t quite finish. But George was utterly accommodating about everything, and there was a feeling of real accomplishment when it was all over. Empire just opened everything up: You can see there’s a lot more stories you can tell, and they’re still going on.
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papermoonloveslucy · 4 years
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HUMILIATED & UNHAPPY
July 16, 1960
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TV Guide ~ July 16-22, 1960 (Vol.8, No.29 & Issue #381) Cover photo by Sherm Weisberg, Fashions by Sacks Fifth Avenue
This was Lucille Ball’s tenth (of 39) TV Guide covers. 
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“A VISIT WITH LUCILLE BALL” by Dan Jenkins
On January 19, 1953, Desi Arnaz rushed exultantly into the Hollywood Brown Derby, grinning that wide, idiotic grin common to new fathers for the past several eons. Striding down a side isle, he threw his arms excitedly in the air and shouted, "Now we got everythin'!" By "everythin'," Arnaz was encompassing quite a bit of territory - an eight-pound son born that morning, the birth of the Ricardo son on ‘I Love Lucy’ that same night and a gold-plated peak of popularity for a television series which, in all probability, will never again be approached. On May 4, 1960, just seven years later, Desi Arnaz and Lucille Ball, quite possibly the most widely known couple in show-business history, were divorced. She had sued for divorce once before (she didn't complete the proceedings), but that was back in 1944 when Desi was a corporal in the Army, Lucy was a star at MGM and World War II was getting all the headlines. By 1960, the Lucy-Desi combine had made so many headlines that no one even bothered to look at the press-clipping scrapbooks any more, or the countless awards that had rolled in on them from all over the country. On an overcast spring afternoon, just 10 days after the divorce, Lucille Ball was sitting in her small but tastefully decorated dressing room on the Desilu lot. That morning, during a short drive over to the neighboring Paramount lot to confer with the producers of her upcoming picture with Bob Hope, she had stuck her head out the window of her chauffeur-driven car and shouted to a friend, "Hi! Remember me? I used to work at Desilu." The remark was not only typical of Lucy Ball but an unwitting reflection of her character and a classic off-the-cuff example of the laugh-clown-laugh tradition. Like most true clowns, Lucy is not a jovial, outgoing person. Her devastating sense of humor, often with a cutting edge, is reserved for her friends. In her dealings with the press she is precise, truthful - and sparing with words. A newsman asked her recently if she had plans to marry again. Lucy stared at him for a few seconds and said simply, "No." (1) The newsman felt that Lucy had missed her calling and should be rushed into the negotiations with Khrushchev forthwith. Relaxing (which is to say, at least sitting down for a few minutes) with an old friend in her dressing room that spring afternoon, Lucy alternated between abrupt sentences and spilled-over paragraphs. On the subject of her immediate plans, she talked almost as though by rote. "I start rehearsals this week for a picture with Bob Hope. It's called 'The Facts of Life.' [She did not wince at the title.] I liked it the minute I read the script and said I'd do it if Bob would. It's written and produced by Norman Panama and Melvin Frank. We have a 10-week shooting schedule. "Then I go to New York with the two children, my mother and two maids. We have a seven-room apartment on 69th Street at Lexington. I'll start rehearsals right away for a Broadway show, 'Wildcat.' It's a comedy with music, not a musical comedy, but the music is important. I play a girl wildcatter in the Southwestern oil fields around the turn of the century. It was written by N. Richard Nash, who wrote 'The Rainmaker.' He is co-producer with Michael Kidd, the director. We're still looking for a leading man. I want an unknown. He has to be big, husky, around 40. He has to be able to throw me around, and I'm a pretty big girl. He has to be able to sing, at least a little. (2) I have to sing, too. It's pretty bad. When I practice, I hold my hands over my ears. We open out of town - I don't know where - and come to New York in December. [Ed. Note: ‘Wildcat’ is now scheduled to make its debut in Philadelphia in November.] (3) "I'm terrified. I've never been on the stage before, except in 'Dream Girl' years ago. But we always filmed ‘I Love Lucy’ before a live audience. I knew a long time ago that I was eventually going to go to Broadway and that's one reason why we shot Lucy that way. But I'm still terrified. The contract for the play runs 18 months. Maybe it will last that long. Maybe longer. And maybe it will last three days." (4) The phone rang. A man's voice, the resonant kind which a telephone seems to make louder, wanted to know if Lucy would like to go out that night. Lucy's expression indicated that the whole idea was a bore but the man prattled on. He apparently had a commitment to attend a young night-club singer's act. "I've seen him twice already," Lucy said into the phone, "and his press agent is now saying I've been there eight times. If I go again the kid will be saying I'm in love with him. He's 2-feet-6 and nine years old. I don't want any part of it." The voice on the phone turned to a tone of urgent pleading. Lucy held the phone away from her at arms length and looked to the ceiling for advice and guidance. She finally hung up. "I go out because people ask me to," she said. "I have no love for night clubs, unless there's an act I especially want to see. And I don't especially want to see this kid's again." She lit another cigarette. "Nervous habit," she said. "I don't inhale, never did. Just nerves.” "I get tired too easily. The reaction is beginning to set in. I've had pneumonia twice in a year. That's not good." There was a long silence. Even for old friends, Lucy is not an easy person to talk to. "I filed for the divorce the day after I finished my last piece of film under the Westinghouse contract," she said suddenly. "I should have done it long ago." Would there ever be any more Lucy-Desi specials like those Westinghouse had sponsored? (5) She stared. "No," she said abruptly. She paused. "Even if everything were alright, we'd never work together again. We had six years of a pretty successful series and two years of specials. Why try to top it? That would be foolish. We always knew that when the time came to quit, we'd quit. We were lucky. We quit while we were still ahead." Was she happy?
Another stare. "Am I happy? No. Not yet. I will be. I've been humiliated. That's not easy for a woman." She started to talk about the recent years with Desi. She talked in a quiet, factual monotone, a voice that had been all through bitterness and was now beyond it. She talked with an implicit faith that what she was saying was off the record. It was. Some day, it was suggested to her, somebody was going to write the story. She stared. "Who would want to?" (6) She looked over at the framed picture of Desi that stood on a small table. "Look at him," she said. "That's the way he looked 10 years ago. He doesn't look like that now. He'll never look like that again." The door was opened and a spring breeze began drawing some of the heavy cigarette smoke out of the room. Lucy smiled a little and turned to her desk. "Try to write," she said finally, "more than I said but not as much as I said." 
FOOTNOTES
(1) Lucille Ball did indeed marry again - to Gary Morton (born Morton Goldaper) on November 21, 1961.  They remained married until her death. 
(2) Gordon MacRae, Jock Mahoney, and Gene Barry were considered before Lucille selected Keith Andes to play the role of Joe Dynamite. He was indeed 40 years old at the time of casting. He committed suicide in 2005. 
(3) 'Wildcat’s’ Philadelphia tryout opened on October 29, 1960. The Broadway opening had to be postponed when trucks hauling the sets and costumes to New York were stranded on the New Jersey Turnpike by a major blizzard. After two previews, the show opened on December 16th at Broadway’s Alvin (now Neil Simon) Theatre.
(4) ‘Wildcat’ ran for 171 regular performances. The show was on hiatus from February 5, 1961 through February 9, 1961 during Lucille Ball's illness. The production was to take a 9-week hiatus after June 3rd, 1961 and re-open August 7, 1961, to complete Ball’s contract, but the show closed and did not return due to Ball’s physical exhaustion. 
(5) Jenkins is referring to the 13 “The Lucy-Desi Comedy Hours” which were part of the “Westinghouse-Desilu Playhouse” which continued the adventures of the Ricardos and the Mertzes, including guest stars, musical numbers, and travel-themed episodes. 
(6) Lucy and Desi’s tempestuous marriage has been the subject of several books, two television movies, an award-winning documentary, and at least one stage musical! 
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TV Guide columnist Dan Jenkins had his name used by “I Love Lucy” in “Redecorating” (ILL S2;E8) in 1952 for the used furniture salesman played by Hans Conried.  His name was also mentioned in “Lucy and Ethel Buy The Same Dress” (S3;E3) as a possible emcee for their television show.  His qualifications? He plays tissue paper and comb! 
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In 1953, when Lucille Ball was accused of being a Communist, the real Dan Jenkins stood up at a press conference and said “Well, I think we all owe Lucy a vote of thanks, and I think a lot of us owe her an apology.” Lucy and Desi walked over to where Jenkins was standing and gave him a huge hug. Jenkins later said, “From that time on, we were very good friends.”  His last interview with Lucy was in 1986 during “Life with Lucy.” 
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OTHER ARTICLES
“Shari Lewis and her Puppets” - Lewis was a ventriloquist who’s main character was the sock puppet Lambchop.  In 1960, after years of guest-starring on television, Lewis got her own show, which lasted three years on NBC. 
“Ty Hardin’s Whirlwind Career” - Ty Hardin and his western show “Bronco” (1958-63) was ABC TV’s answer to Clint Walker’s “Cheyenne”.  
“From the Mouth’s of Babes Comes Happy’s Gimmick” - “Happy” (1960-61) was the nickname of a baby, who’s thoughts could be heard by the viewers in this one-season sitcom.  It was filmed at Desilu Studios. 
“The Untouchables - Fact and Fiction: Part 2″ - “The Untouchables” (1959-63) was a series that began on “The Westinghouse-Desilu Playhouse” and turned into a hit weekly show by Desilu. 
PHOTO FEATURES
“Linkletter’s Packing Tips” - Art Linkletter was one of television’s most popular hosts and presenters. Lucille Ball appeared on his show “House Party” in 1965 as well as a 1966 episode of “The Lucy Show” and a 1970 episode of “Here’s Lucy,” both times playing himself. 
“Connie Stevens’ Calorie Counter” - Connie Stevens was a singer and actress then playing Cricket Blake on “Hawaiian Eye” (1959-63). 
REVIEW
“Mystery Show” - was a mystery anthology series broadcast on NBC from May 1960 to September 1960 as a summer replacement for “The Dinah Shore Chevy Show” with Walter Slezak as host, except for the last three episodes, which had Vincent Price as host.
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At the time Evelyn Bigsby was the Associate Managing Editor for Women’s Features at TV Guide’s Hollywood Bureau. Her name was given to the new mother (played by Mary Jane Croft) who sits next to Lucy on the plane in “Return Home From Europe” (ILL S5;E26) in 1956. 
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Depending on the time zone, “I Love Lucy” was re-run every morning at 10 or 11am. Here it competed with “The Price Is Right” which was broadcast in color!  NBC (RCA) was the leader in color television and staked its claim far soon than CBS. “The Lucy Show” didn’t air in color until the fall of 1965. 
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In another market, “I Love Lucy” ran weekdays at 10am. This edition (same cover and feature articles, different listings) included “Lucy” episode descriptions, while others did not. Notice that an hour earlier the same channel re-ran Desilu’s series “December Bride”. On Monday, July 18, 1960, the re-run was “Second Honeymoon” (ILL S5;E14).  From this we can logically assume that this week, in this particular TV market, channel 2 and 8 presented:
TUESDAY, JULY 19, 1960 - “Lucy Meets the Queen (ILL S5;E15)
WEDNESDAY, JULY 20, 1960 - “The Fox Hunt” (ILL S5;E16)
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THURSDAY, JULY 21, 1960 -  “Lucy Goes To Scotland” (ILL S5;E17)
FRIDAY, JULY 22, 1960 - “Paris at Last” (ILL S5;E18)
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On Tuesday, July 19, 1960, at 8:30pm, CBS aired the unsold pilot for "Head of the Family". The pilot had Carl Reiner as TV writer Rob Petrie, Barbara Britton as Rob's wife Laura, Sylvia Miles as Sally Rogers, and Morty Gunty as Buddy Sorrell. In 1961, CBS would score a hit with a new name and a new cast of Dick Van Dyke, Mary Tyler Moore, Rose Marie, and Morey Amsterdam, filmed at Desilu Studios. 
For American TV viewers, this was the week between the Democratic National Convention (July 11-15) and the Republican National Convention (July 25-28).  Both parties affirmed their November presidential candidates: John F. Kennedy (D) and Richard M. Nixon (R). Kennedy would prove the victor on Election Day. 
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Eight years earlier, in July 1952, an estimated 70 million voters watched the broadcasts, which ended with the nominations of Adlai Stevenson II and Dwight D. Eisenhower.  Although the conventions were also televised in 1948, few Americans owned a TV set to watch them. There was a popular myth that Stevenson lost the election because of backlash from interrupting airings of “I Love Lucy” with hour-long campaign ads. Another story has Stevenson receiving a telegram from a Lucy fan that read: “I love Lucy, but I hate you.”  The situation was paralleled on “I Love Lucy” in “The Club Election” (ILL S2;E19).  By 1956, the conventions were less a novelty on television, and drew smaller ratings and less attention. In the summer of 1956, Lucy and Desi were preparing their sixth and final season of “I Love Lucy” and storylines had to revolve around big name guest stars (Orson Welles and Bob Hope) and the move to Connecticut. 
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Lucille Ball’s last appearance as Lucy Ricardo was on April 1, 1960, just four and a half months before this issue of TV Guide hit the stands. She wouldn’t return to series television until September 1962, by which time Lucille will be back on the cover of TV Guide once again.  She remained a yearly fixture on the Guide cover until 1974 and then made only one more original appearance to mark her return with “Life With Lucy.” 
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After this article comes out, the next time TV viewers see Lucille Ball on their home screens is to promote her film with Bob Hope, The Facts of Life, on “The Garry Moore Show” on September 27, 1960. The film opened in November 1960. 
For more about TV Guide and “I Love Lucy” click here!  
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whiskynottea · 5 years
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An Interruption in the 1st Law of Thermodynamics.
Chapter 1, Chapter 2, Chapter 3, Chapter 4, Chapter 5, Chapter 6, Chapter 7, Chapter 8, Chapter 9, Chapter 10, Chapter 11, Chapter 12, Chapter 13, Chapter 14, Chapter 15, Chapter 16, Chapter 17, Chapter 18, Chapter 19, Chapter 20, Chapter 21, Chapter 22, Chapter 23, Chapter 24, Chapter 25, Chapter 26, Chapter 27,  Chapter 28, Chapter 29, Chapter 30, Chapter 31, Chapter 32, Chapter 33, Chapter 34, Chapter 35,  Chapter 36, Chapter 37, Chapter 38, Chapter 39, Chapter 40, Chapter 41, Chapter 42, Chapter 43, Chapter 44,  Chapter 45, Chapter 46, Chapter 47, Chapter 48, Chapter 49, Chapter 50, Chapter 51 Chapter 52
AO3
Huge thank you to my beta, @theministerskat for correcting the same mistakes 53 chapters in without any complaint!
picture by: Kamryn Hinojos
Chapter 53. Dust and Smiles
When I lived in Scotland I missed the sun dearly. Sunny days were treasured, and I found myself smiling without any particular reason when the sunlight snuck between the curtains of my room in the morning.
But sometimes a person can have too much sun. And too much dust stuck to their body. And there is a point when you think of rain and realise a wistful smile has appeared on your face at the thought. It’s the same moment you realise there isn’t an inch of your body not coated in grime.
I reached that exact point on a quiet afternoon in June, two weeks before I left Zambia. Some would say it had taken me long enough.
I was left alone after treating the skin wounds of a couple of five-year-old boys that had gone out ‘to explore’. Their little feet had raised tons of dust as they ran away from the clinic and the first thing that came to my mind was that I was extremely tired of washing my hair every night only to feel it dirty again by noon the following day.
Then, just before the boys disappeared out of sight, one of them turned back to look at me, white teeth stark against his dark skin as he smiled, and waved goodbye.
And suddenly, I didn’t mind the dust that much. I didn’t mind the heat, or how heavy my body felt at the end of each shift. All that mattered was their smiles when they left the clinic.
My three months in Zambia were so full of experiences, I could hardly believe it hadn’t lasted longer. I learned how to talk to people who were in pain, how to heal them or -- when this was impossible -- how to make them feel better. I learned to listen to them, to search their eyes, to read their discomfort or pain in the way they moved. And I learned how a single smile can make your day, how two skinny arms wrapped around your body or two warm hands holding yours can fill your heart to the brim.
Spending my childhood with Lamb, I was used to living amongst people who were different from me. He’d taught me to look at people and see them for all they were. Humans. Different, beautiful, every one a worthy individual.
“All people are the same,” Lamb used to say. “All genuine smiles make the eyes crinkle, all hearts beat in the same way inside our chests, not aware of colour or tribe.”
In Africa, I saw life, and I saw death. I saw the universality of pain. I felt hands squeezing mine in terror and in gratitude. And I felt full. I felt alive.
When I first decided to volunteer I had thought I would find a piece of my mother in Africa. I believed I would discover who she had been, what she had pursued in life. I didn’t. And I wasn’t disappointed, because I had found a piece of myself in the faces I met in Livingstone, and I cherished that. And maybe -- just maybe -- that piece of myself was hers. Passed down to me, together with her amber eyes, an unbreakable part of myself.
Being a volunteer had been a full time job -- and a demanding one at that. But I didn’t want to leave, not yet. I had more to give, there were people here who needed me. But I knew that my time was up. In two weeks, I would feel Scottish air against my skin once more. I would feel Lamb’s arms hugging me for a few extended moments before he would push away to look into my eyes and pet my hair the way he always did. And a week later, I would be at Lallybroch. Jenny had asked -- demanded, actually -- to spend a week or two there. She had enough of the men, she had said when we’d texted. And true to her word to her brother, she had sent me pictures of the estate, in full bloom and beauty.
Jamie would come home after the summer term. We would spend two weeks together before his next term began and I would go to Oxford. To Oxford, where -- unexpectedly -- I would find a familiar face.
Robert.
He had been different since his personal confession. His arrogance and cheeky comments hadn’t abated, but there wasn’t an edge to his voice anymore. It felt as though he needed someone to know his story, even if that someone wasn’t a friend, even if it was just me. He clammed up after that and never talked about his mother again, apart from the time he’d told me it was her wish that had brought him to Zambia as a volunteer.
We started, however, talking about literature. One evening I found him reading that fantasy book I had finished a few months ago. And when the conversation turned to our future plans after Zambia, he had looked down at me with a smirk and proudly announced that he had been admitted to Oxford University. I’d almost spit my pineapple juice out and onto his face. After that, our expectations and dreams of studying at Oxford became the most common topic of our discussions. Robert would be studying economics, expected to inherit and work in his father’s wine business in Provence. That was a relief. The last thing I wanted was to have the self-centered, competitive French on my heels through medical school. From what I had learned about him in the few months we lived together, he didn’t like being bested by anyone. And neither did I.
Jamie was the first to know I had found a fellow Oxford student in the middle of Africa. He and I had been texting and sending photos all the time, and I kept changing my screen background, choosing the funniest of the pictures he sent me. My favorite picture of him though, was the one he had sent me right after I arrived in Zambia. He was wearing a wide, silly grin as he sat in the bleachers of Michigan Stadium, my Wolverine amongst the blue and yellow sea of other students. He had sent it together with a text, shouting, “MY FIRST SPRING GAME!”
Boys.
Despite the selfies Jamie sent me every day -- in class, on his way there, before training holding the towel I had bought him, or tucked in with his blanket at night in bed, my favorite part of the week was when I saw him during our calls every weekend. I was always trying to take in every detail of him during our video chats -- his beautiful eyes, the way his curls moved as he excitedly gesticulated, his voice.
I missed him and I knew he missed me too. Even when John was present in their dorm and Jamie wouldn’t say it, his longing was obvious in the way he looked at me.
Two weeks and I would be at Lallybroch, in Jamie’s room. It made no sense for me to fly straight to Michigan with Jamie having his final classes and preparing to sit for his spring term exams. I had looked for tickets to visit him right after the exams, but the fares were too high to even consider it.  
We had agreed that it was not the ideal situation but okay nonetheless. We would survive it. At least, once I was back in Scotland, we would be able to call each other every day. As John had said, laughing, the force of the internet would be with us.
Jamie would come home at the end of August, after his summer term, and we would be at Lallybroch together, spending every single minute with each other.
“We have to make up for so much lost time,” Jamie had said to me during our last call, and the glint in his eye was as terrifying as it was exhilarating.  
A text on my phone brought me out of my reverie and I realised that I was still standing under the sun, alone, looking towards the far end of the road.
I found myself doing that a lot lately.
Scot: John’s cousin is a pain in the ass.
Sassenach: Hello to you, too.
Scot: Hi babe. John’s cousin is a pain in the ass. She called him, woke us up, and she demands that we pick her up from her hotel and show her around.
Sassenach: Well, she came to visit. Makes sense, no?
Scot: It. Is. Too. Early.
Sassenach: It’s 1 pm here!
Scot: You’re not helping. It’s 7 in the morning. Maybe I can send her there, then?
Sassenach: Is that the cocky cousin or the nice one? I doubt they’ll like the dust we have here, in any case.
Scot: The cocky one. Can I come there myself? Please?
Sassenach: Why aren't you on your way, already? :P
Scot: Don’t tempt me.
Sassenach: I don’t have anything to do right now.
Scot: We didn’t send you there to relax under the sun, Sassenach. Get that gorgeous round arse to work.
Sassenach: It seems I’ve healed all of Zambia.
Scot: So humble.
Sassenach: Always. I took lessons from the best.
Scot: Fuck you.
Sassenach: What? Since when are you talking like that? I need a selfie to make sure it’s really you.
I spent a whole minute wishing his selfie to load faster, but I ended up with a sleepy Jamie on my screen, which was worth the wait.
Sassenach: So it is you. These Americans are rubbing off on you, no? AND I DON’T MEAN IT LITERALLY. Also, fucking seems a bit difficult right now, seeing as you’re half a planet away.
Scot: But I’m ready, you know, right now.
I could almost see his pout and the challenge in his eyes when I closed my own, and I felt my cheeks turn red.
Sassenach: Okay. Shut up!
Scot: DAMN WAIT TILL I SEE YOU AGAIN. JUST WAIT.
Sassenach: Oh I’m looking forward to that.
Scot: Aaaaargh
Sassenach: Eloquent. Now get dressed, go get John and Hector, and show the girl around. She came all the way from Penrith to see Ann Arbor.
Scot: I just don’t get why I have to go, too.
Sassenach: John is your friend. This is what friends do. I spent all Saturday afternoon shopping with Louise.
Scot: I hate you.
Sassenach: Me too. Send me pictures?
Scot: Always. You too. Actually, I need one right now.
I took a picture of my dirty dusted face and sent it to him, grimacing when I saw how sloppy I looked.
Scot: You’re so tanned, I want to lick you.
Sassenach: Believe me you don’t. I’m dirty.
Scot: DIRTY? OMG STOP TALKING. I’m hard already and I have to get dressed.
Sassenach: You are ridiculous. Have I ever told you that?
Scot: Only a million times.
Sassenach: Good!
Scot: I’m going to take a cold shower AND CERTAINLY NOT THINK OF YOU.
Sassenach: I wish I was there with you.
Sending that, I actually snickered. His reply came in milliseconds.
Scot: You are a heartless, dangerous woman.
Sassenach: And yet you love me. Now go shower.
Scot: I do love you. And I’ll prove to you how much once I get my hands on you, you tease. Ttyl!
Raising my eyes from the screen, I saw Louise looking at me.
“You know I can tell when you’re texting Jamie, from that silly smile on your face?” she asked, keeping her arms crossed in front of her chest as if judging me.
“What can I do?” I didn’t try to hide my smile. “I found myself a good one.”
Louise nodded and came to stand next to me. A moment later a heavy sigh left her lips, and I noticed the shadows in her eyes. “Margaret was crying again. I tried to talk to her, but she won’t listen. She’s leaving next week and she doesn’t want to go back.”
“Makes sense.” Louise’s mood had been bad the last few days. “The moment she’ll be back, she’ll have to deal with reality. He won’t be there, and there will be no way to escape.”  
“She keeps talking in her sleep. She’s having weird dreams, you know.” Louise twisted her rings absentmindedly, not looking at me.
“I know. I woke her last night because she was murmuring and thrashing about. Jeremy was awake too, and we kept her company until she was settled again.”
“I’m sorry to see her go, especially knowing she’s still so unstable. I think her family isn’t supportive and that terrifies her even more.”
I took a deep breath and let it out slowly. Two of the volunteers I got to know had come to Zambia carrying a great emotional load and needing a chance to escape. They were trying to heal themselves through healing the others. The universality of pain, all over again.
“Charlie called me.” Louise changed the subject, this time with a smile. “He said he misses me.” She rubbed her hands against her thighs, awkwardly, but met my eyes when I turned to look at her.
“Rather convenient, wouldn’t you say? Seeing as you’re going back home next week.”
“Not all of us are strong, Claire.” Her voice was harsh and I bit my lip, regretting being so straightforward.
“You know better, I guess.”
Louise sighed again. “I wish I did, actually. I don’t know what to do when I get back to Paris.”
I placed my hand on top of her shoulder and squeezed lightly. “You don’t need to decide right now. You can meet him, see what he has to say, how he’ll explain himself.”
Louise nodded, sleek brown locks of hair escaping her loose ponytail. “I wish we were as strong as you and Jamie are. Everything would be simpler.”
“Well, it’s not like everything comes easy and we don’t try at all. We’ve just decided that being together matters the most, and we’re not sacrificing what we have just because we’re not close. We’re both stubborn and it helps -- thus far, at least.”
My phone vibrated against my leg, and I unlocked it to see a picture of Jamie and John rolling their eyes, and a girl in the background.
Sassenach: Out, already?
Scot: Yeap. She’s fourteen but she’s so bossy I think John is afraid of her.
Sassenach: And you?
Scot: I’m being a good friend, as I was advised to be. I already regret it.
Sassenach: Where are you?
Scot: Out for breakfast. She had the longest order I’ve heard in my whole life. She actually ordered something from the menu and then changed every little bit of it. It was embarrassing.
Sassenach: Leave a good tip.
Scot: We will! Hector turned red as she kept going on and gave the waitress a shy smile.
Sassenach: I wish I was there, sitting at another table just to make fun of the three of you.
Scot: Believe me, babe, if you were here I’d sit right next to you at a table in another cafe.
Sassenach: Drama queen.
Scot: You haven’t met wee Geneva yet.
Sassenach: How come she visited without her parents?
Scot: They had promised her this trip if her grades were good. They were. She’s really smart, actually. It makes her more of a pain in the ass.
Sassenach: Maybe the three of you can teach her something, you know? Humility, for example.
Scot: Not a chance.
I stuck my tongue out, took a selfie and sent it.
Scot: Don’t you show me that tongue because I have dreams about it. And I hope you’re there alone.
Sassenach: I’m with Louise! She says hi!
Scot: Hello Louise! Take care of Claire for me, okay?
Sassenach: You realise I’m still the one reading the texts, right?
Scot: Just read that one aloud.
Sassenach: I’m capable of taking care of myself, thank you.
Scot: I know. My strong and stubborn lass. John looks desperate and Hector is huffing. I’m going to save them from their misery because I’m a good friend.
Sassenach: The best! Go save them, my gallant lad!
I huffed a laugh and turned my focus back to Louise. “It was quiet today.”
“Mmmm.” Her eyes were closed, her face relaxed under the sun.
“Whatever happens with Charlie, you’re going to be fine,” I said, using my most reassuring tone.
“Mmmm.”
I decided to join her and close my eyes for a bit, but an elderly woman and her daughter came into view. “Well, don’t blame me for that,” I murmured and nudged Louise, who opened her eyes, saw the patients, and shot me an accusing glance.
“Hello,” she said as she turned back to the women, and we both rose from the bench.
Who knew what waited for us once we got back to normalcy. For now, we had work to do.
Chapter 54
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chokememrstark · 5 years
Text
A Day Off // Winterspider
Words: ~ 2,4k
Summary: Peter watches a fun game between Tony, Steve and Bucky escalate and doesn't really like where this is going. When he notices Bucky looks more and more tired, he decides to step in and be part of the game too - but unlike Tony and Steve, he wants Bucky to have fun and enjoy a day off.
Warnings: background stucky and winteriron (non-explicit though), winter soldier!bucky, fluff, fairs
Note: It's important to note that Bucky and Winter basically switch in this story randomly - there is no real indicator, one morning he will wake up as Bucky, the next as Winter. This story involves Winter and Peter.
[Read on AO3]
Peter enjoys that Bucky lives at the compound now, it always means his visits become more fun. There are some things that are a bit difficult at first, for example that Bucky isn’t always Bucky, but Peter gets used to that pretty quickly. He can easily spot if he deals with Bucky or with Winter, who is far more quiet and reticent and at times very grumpy, but Peter doesn’t mind. When he deals with Winter he talks less and is more serious, when he deals with Bucky there is more joking around and laughing. He likes both though and both still go to the training area with him for his usual training sessions, the only difference is that with Winter, Peter has to actually be careful because he’s not holding back as much as Bucky does.
When the joke with the magnets starts, everyone is rather amused at first, even Peter. One day, Tony accidentally stuck a magnet to Bucky’s metal arm, which ended in a game where they all tried to stick as many magnets as possible on his arm without Bucky noticing. Bucky doesn’t mind, he actually finds it very funny how they try to sneak behind him and doesn’t try to stop them.
Then, one day, there’s just a single magnet on Bucky’s arm, one that says “Property of Steve”. Both Tony and Peter, who is over at the time, are confused, until Steve just drags Bucky off with him. This marks the beginning of a new game, one which Peter watches without participating, not quite sure what to make of it.
Over the next couple of weeks, Steve and Tony pretty much trip over their own feet to stick their name onto Bucky’s arm first every day, which ends up with the one succeeding “owning” him for that day. Bucky doesn’t seem to mind - and surprisingly, Winter doesn’t either - but Peter notices that, over the weeks, Bucky seems more and more tired. Peter knows the relationship between the three is a bit complicated and that they both have something going on with Bucky, so the owning game kind of makes sense, he guesses, but he doesn’t really like it. At all.
So, one day when Peter stays over the weekend, he sneaks out of his room early and into Bucky’s, putting his own magnet onto his arm. An hour later everyone else gets up and both Tony and Steve want to “claim” Bucky, only to realize there already is a claim on him. A magnet that says: ‘Property of Peter, hands off!’. Tony and Steve share a confused look, both dropping their magnets, when Peter walks over to them.
“Guess he’s mine for the day,” he says with a smile and drags Bucky away, only that it’s not Bucky today. Coincidence or not, Peter managed to claim Winter for the day, but he doesn’t mind.
“What did you do?” Winter asks when Peter leads him through the common area and towards the elevator, not quite understanding what is going on.
“I decided to play the game too,” Peter shrugs, taking Winter’s metal hand to keep pulling him forward. “We will spend the day together today, I promise you’ll like it.”
Winter, who is used to be dragged off to the bedroom after a claim has been made on him for the day instead of the elevator, just keeps looking confused.
“Don’t you want to stay?”
“Nope,” Peter smiles and presses the lobby button once they are in the elevator. “We’ll go out today, I have a surprise for you. I’m sure you’ll like it.”
Peter’s surprise turns out to be a trip to Coney Island. They catch several glances on the subway and trams they use, but while Winter is mostly silent and confused about the whole ordeal, Peter not once loses his smile, holding onto him to make sure they aren’t getting separated. When they arrive, however, Winter finally breaks his silence.
“What are we doing here?” he asks, looking slightly uncomfortable with the amount of people around them.
“Tony and Steve keep tiring you out,” Peter says seriously and looks up at him. “I just want you to have some fun for a day, you know? I’ve been here with my aunt a few years ago, it’s really great and there are so many things to do.” And before Winter can complain, Peter starts dragging him along.
They simply walk around for a while, looking at the attractions around them, until Peter spots one of the roller coasters, literally starting to pull on Winter’s arm.
“We have to go on that one!” he says excitedly, pretty much jumping up and down next to the other. “It’s so much fun and so fast!”
Winter looks up, reads the sign which says ‘Coney Island Cyclone’ and frowns.
“Are you sure about this?” he wants to know and Peter nods eagerly. It’s barely five minutes before they stand in line, Winter rather stiff and unsure about what’s going to happen and Peter excited like a child on Christmas. In a way, this is kind of the same for him.
Once they are seated - somehow they managed to get the front seats, of course next to each other - Peter grins from ear to ear. “Last time I was too short for this, I’m so excited to finally ride it!” he exclaims and laughs. As the ride starts, he clings to Winter with one arm and has the other steady himself.
There is a lot of screaming from Peter’s side when they finally go down and much less from Winter, who is simply pressed into his seat and stares at the track in front of them, but it’s obvious that Peter enjoys it very much. It doesn’t take long before Winter relaxes at least a little bit and when the ride is over, he looks at Peter as if to ask what he thinks. The boy beams at him with pure joy.
“That. Was. Fucking. Awesome!” he states and laughs happily, his cheeks slightly pink from screaming and the adrenaline going through his system. After they leave, he hooks up with Winter’s metal arm again, who doesn’t try to pull away this time. It’s as if he accepted that Peter feels safer this way in the crowded place and that’s kind of nice, actually.
As they walk through the place a bit more, Peter suddenly gets curious and looks up at him. “You had county fairs back in the 40s too, right?” he asks. “Did you ever went to one?”
Winter has to think about that for a while before he nods. “A few times, but they were smaller. Not so many people. And not so loud.”
“What kind of attractions did you have back then?”
“Mostly lucky wheels or freak shows,” Winter says and shrugs. “Usually you would take out a girl to them and eat bad hot dogs or try to fight against the strong guy to impress her.”
“The strong guy?” Peter asks curious and tilts his head.
“There was always one place with a ring and some guy who was very strong and some pretty girl asking people to ‘try your luck against Samson’ or similar things. And if you went there with your date, saying no was out of question because she would have thought you were weak. So the boys went into the ring, got their ass handed to them and left to be comforted by them.”
“That sounds pretty dumb,” Peter chuckles and shakes his head. “Glad we won’t have to do that today.”
“Me too,” Winter says and for a moment it looks like he will laugh, but he doesn’t. Peter shrugs and looks around to find a place to eat something.
“They got pizza here, do you want some?”
“If you are hungry, we can eat.”
So, they end up at a place that sells pizza, sitting in the sun while they eat and still, Peter smiles like it’s the best day of his life. He talks about other things they have here, like the big ferris wheel and the auto skooter and the ice skating area. He also mentions several booths where people can win prizes for things like tossing balls or shooting, which actually makes Winter turn his head.
“Shooting?”
“Oh yes,” Peter grins and nods. “They have a booth near the end, you get a number of shots and the more you hit, the bigger the prize you get. I never manage to get more than 50 points, though.”
“Do you want to try it again?” Winter asks and Peter’s grin broadens even more.
“I’d love to!” he says excited. “I’m sure you’d be so good at it, you’d probably get all the points!”
There is something like a smile on Winter’s face for a split second before he nods and finishes his pizza. “We can go there if you want to,” he agrees, making Peter almost jump up with joy.
Once they are both done, they head towards the booth Peter mentioned. On the way, Peter gets them both some ice cream, accompanied with the words ‘It’s hot and we should stay cool, right?’. Winter just nods and takes the offered treat, allowing Peter to hook back up with his arm so they can continue. At this point, he barely registers the looks they get anymore or reacts to them. He is more calm and far less nervous than he was when they arrived, which ultimately reflects on Peter, who seems to be in a rather peaceful mood himself.
They spot the booth shortly before they finished their ice cream and decide to stand back and watch a few others try their luck at first, with Peter explaining the whole thing.
“Not every target gives the same points, you have to go for the moving ones, okay?” He says and smiles up at Winter. “The birds give 100 points each, the ducks give 80. Most people go for the ones that don’t move, but they only give 10 to 20 points.”
“What do you get when you hit the highest targets?” Winter asks and Peter chuckles.
“One of those, for example,” he grins and points at the huge stuffed bears hanging from a wall of the booth. “They are 1000 points each, but barely anyone gets that much. The birds are really fast…”
Winter nods, but doesn’t answer. Instead, he watches someone start a new game, his eyes glued onto the targets. Peter observes him closely and notices the way Winter shifts, as if he’s preparing himself. He figures that’s exactly what��s happening.
Five minutes later, Winter finally nods. “I will try.”
They approach the booth once everyone else is done and Winter takes the rifle, barely listening to the man who gives him instructions. Finally, the signal sounds that starts a new round and Peter watches in awe how Winter aims and shoots. Every single shot hits one of the fast moving birds, all ten of them giving him full points. Peter’s eyes are wide and sparkling by the time he’s done.
“That was so cool!” he exclaims and suddenly hugs Winter tight. “You’re awesome!”
The man running the booth looks baffled when Winter puts the rifle back down and turns to him. He clearly didn’t expect someone to be as good as he was.
“W-Wow, that’s… that’s a rare one,” the man says and gulps. “So, for 1000 points you can pick anything you want.”
“A bear,” Winter immediately says and points towards the displayed ones. The man looks defeated when he walks over and cuts one of them off its hook, handing it to him.
“Congrats,” he says, but he doesn’t sound like he’s happy about giving this away.
Winter takes the bear and turns to Peter, handing it to him. “For you,” he says.”
Peter’s face lights up. “Are you serious?” he asks, taking the bear completely stunned. It’s almost as big as Peter is himself.
“You said you never got one,” Winter says quietly and Peter suddenly hugs the bear.
“I didn’t! Thank you so much!” The boy is absolutely delighted and holds the bear as tight as he possibly can. “I love it and I’ll take good care of it, I promise!”
Winter nods, his apparent nervousness fading away. They leave, this time without Peter holding onto him because he needs both arms for the huge bear he carries.
The rest of their visit is similarly amusing, even though Winter refuses to go on the second roller coaster ride with Peter. Instead, he watches over the bear, watching Peter enjoy his ride. Afterwards, they get some candy and eventually get onto the auto skooter too, but this time Peter asks one of the employees to watch over the bear because he really wants Winter to come with him.
When they get back to the compound, it’s late in the afternoon and Peter looks the happiest he’s ever been, still holding onto his bear Winter got for him and smiling brightly.
“Did you enjoy your day off?” he asks once they are back in the common room and finally sit down again.
“It was very nice, thank you for this,” Winter answers, watching Peter - who totally uses the bear as a pillow and sits on its lap at the other side of the couch.
“I had a lot of fun today,” Peter smiles happily. “And if you ever want to go again, I’m going to win a bear for you too.”
At this, Winter’s lips suddenly jerk and he actually smiles at the boy. “I would like that, yes.”
Peter’s eyes sparkle so much when he throws himself forward and hugs Winter again, tight and long. “I can’t wait!” he laughs and kisses Winter’s cheek. “But you have to show me how to aim like you do first.”
“I will happily do that,” Winter says, almost softly, and pats Peter’s back carefully.
The rest of the day they spend talking before Peter has to go back home, of course taking the bear with him. After this, he makes a decision to make sure he can take the other out from time to time, so they can have some fun together. He really likes WInter - and Bucky - and even though it’s hard to tell whether Winter actually enjoyed it or not, he knows the smile he gave him was genuine. And that really gives him some hope.
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caladhel-iarian · 5 years
Text
Introduction: Dhel, Vocalist for Dysphoria
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full name.  Caladhel Ia’rian.
pronunciation.  CULL-uh-DELL. YAH-ree-ON.
nicknames.
Dhel 
This is both his stage name and a family nickname.
Dek
This is a family nickname only. His grandmothers, his parents, and his siblings typically call him this.
Professor [Ia’rian].
His more ambitious students and his colleagues address him by this title.
Master [Caladhel].
It may seem trite, but Dhel has his reasons for enjoying this title beyond, “I’m a big, bad Dom, now get on your knees.” 
Hardass 
His students call him this behind his back. Unfortunately for them, while his vision may not be great, he has excellent hearing.
The Ice Prince
Would-be wives and ex-girlfriends call him this, usually with wistful sighs and a glint in their eyes that says they want to be the one to melt that ice.
Smokestack
Thanks, Ji.
Dull. 
An obscure pronunciation of Dhel, you probably shouldn’t call him this if you like yourself the shape you currently are.
Daddy. 
A lot of people seem to want to call him this, but if you enjoy his company and want to continue to enjoy it, I can’t recommend this. Dhel hates this and likely any woman who tries to address him this way. Use this term in bed and he’ll probably toss you straight out the window without bothering to open it first. Did I mention he lives in the penthouse on the top floor?
Various other silly endearments his brothers come up with on the fly.
Usually some form of alliteration.
height.  8′. He’s a big boy.
age.  305. Roughly equivalent to a human in his mid-to-late 30′s.
zodiac. Scorpio, with many of the negative traits said to come with the sign.
languages. If it’s a language, he probably has some passing familiarity with it, at least enough to ask for directions. He has native-speaker-fluency in Thalassian, Darnassian (ancient and modern), Shalassian, and Common. 
PHYSICAL CHARACTERISTICS.
hair colour. Thick, silky, and blacker than a crow’s wing with azure highlights in the sun. Mostly straight, though the jagged ends often sweep out in all directions. He has two long strands that drape over his shoulders and touch his abs, shaggy bangs, and the rest is a choppy mess.
eye colour.  Beneath the lime green glow, his irises are a rich chocolate brown with gold flecks. They resemble a deeper, darker tiger’s eye held up to light.
skin tone.  Olive with gold undertones.
body type.  Enormous, broad-shouldered, and covered in lean, ropy muscle, Dhel has the athletic build of a man who could outswim a shark on cocaine. 
accent.  Shalassian. He sounds like a cross between someone who speaks a Slavic tongue and an eastern Asian tongue.
dominant hand.  Ambidextrous, but he’s a southpaw naturally.
posture. Tall. Stately. Proud. Self-assured. Dhel walks like a man who knows exactly where he belongs in this world: in charge of it.
scars.
Thick, knotty scars cover his ankles, his heels, and his soles. They appear to be the results of clumsy hands wielding serrated knives.
The rest of his body bears the typical scars earned through childhood adventure:
A long, thin scar runs up the back of his left calf as a result of a tree-climbing accident.
His knuckles bear the marks from a stupid game of “does it hurt?” he played with his brothers and other students. The game involves rubbing a pencil eraser over the knuckles until the victim either cries uncle or bleeds.
A thin scar spans the length of his left palm. Made by Bren’s treasured pocket knife, it’s the reminder of a blood pact he made with his brothers as children.
tattoos.
Left arm:
Family crest on the inside of his forearm. It’s a massive wisteria tree on a hill with the sun rising behind it.
Infinity symbol curling around his wrist. It looks like a musical staff with several notes.
A trio of fox kits chase a red butterfly down the outside of his forearm.
Musical staff around his bicep. The staff contains notation and a few lyrics written in ancient Darnassian.
Lyrics:
Canary, I want to break your wings but if I do, will you ever sing again? Canary, here is all I can give you. You can have everything as long as you promise to stay in my gilded cage...
Oh, sweet Alice, who do you love? How many suitors do I have to get rid of?
Right arm:
Azure cloud serpent Ouroboros on the outside of his forearm.
Slumping marionette with severed strings on the outside of his bicep.
Fleur de lis on the inside of his wrist.
A Punch ‘n Judy stage with the titular characters on the inside of his bicep.
Words from his favourite poem on the inside of his forearm.
The poem reads:
If I freed you now, to whom next would you fly? I’d rather watch you wither under these hands than see you tamed by a snake who can only slither in the dirt, belly-down and ambitions no higher than his eye level. I’d decapitate every liar who approached you with sweet words. I’m not better than a devil who slept so long without you that my bed forgot your shape and my trembling fingers nurture the weeds that grew in the home I made for you where your sunshine still lingers.
Full body:
From his jawline to his toes, he is covered in runic tattoos that are only visible when he uses magic. They glow a vivid violet during his spellcasting and should you catch a glimpse of them, the runes come from a language thought long dead. 
most noticeable features.
An expression that says he wakes every morning to find someone has pissed in his shoes.
A lower lip piercing that he usually only wears onstage and for photo shoots.
His height. The man is enormous.
Glasses. If he’s not wearing contacts, he’s wearing his glasses. Otherwise, he can’t see his hand in front of his face.
A glacial glare, harder than diamonds and sharper than the edge of an obsidian blade.
Tattoos. Many, many tattoos.
His cheeks dimple when he smiles and his smile is crooked; the left side of his mouth pulls up higher.
Dhel is a chainsmoker. You’ll rarely see him without a cigarette and a cloud of purple smoke hanging around him.
The air around him is a good 3-5 degrees colder than the rest of his surroundings and if you touch his skin, you’ll find it cool as a cucumber. When he’s angry, the temperature drops even further and he’s been known to sprout ice crystals.
CHILDHOOD
place of birth.  Sunset Palace on Skyfire Isle. The palace sits at the end of Morning Glory Lane in the eastern part of the capital city, Berl’din Mor. Skyfire Isle is a massive island about fifty leagues to the northeast of Quel’danas.
hometown.  Berl’din Mor, Skyfire Isle.
birth weight / height. 8 lbs. 23 inches.
manner of birth. He was the second of the triplets born to first-time parents, Taenaran and Sumire Ia’rian. His brother, Calaglin, preceded him by two minutes and his other brother, Calabren, followed Caladhel two minutes later. Sumire gave birth to her first three children in the royal family’s wing of the palace with her mother (Mienari Ker’anith) and her mother-in-law (Tekkele Ia’rian) attending her alongside the midwives.
first words.  “Mm-mh.” (He couldn’t quite say “no” yet, so this was a suitable substitute for him.) “Ann’da.”
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Dhel with his tired baby brothers, Yenchul (red shirt) and Tevryn (blue shirt).
siblings.
Calaglin Ia’rian 
Elder twin brother by two minutes.
Lin.
305 years.
Roughly equivalent to a human in his mid-to-late 30′s.
Calabren Ia’rian
Younger twin brother by two minutes.
Bren.
305 years.
Roughly equivalent to a human in his mid-to-late 30′s.
Ylinderwyn Ia’rian
Eldest sister.
Wynnie.
218 years.
Roughly equivalent to a human in her mid 20′s.
Kethian Ia’rian
Sister.
Kethy.
149 years.
Roughly equivalent to a human in her early 20′s.
Istaunna Ia’rian
Sister.
Ista.
84 years.
Roughly equivalent to a 14 year old human.
Kouwin Ia’rian 
Brother and older twin of Kouyuu by five minutes.
Kou.
68 years.
Roughly equivalent to a 9/10 year old human.
Kouyuu Ia’rian 
Brother and younger twin of Kouwin by five minutes.
Yuu.
68 years.
Roughly equivalent to a 9/10 year old human.
Yenchul Ia’rian
Brother and adopted twin of Tevryn.
Yen.
25 years.
Roughly equivalent to a 6 year old human.
Tevryn Ia’rian
Adopted brother and twin of Yenchul.
Tev.
25 years.
Roughly equivalent to a 6 year old human.
Phirayaela Ia’rian
Sister.
Phiya.
3 years.
parents.
Taenaran Ia’rian
Current monarch of Skyfire Isle.
Elder twin brother of Taenorin Ia’rian (deceased).
722 years.
Roughly equivalent to a human in his 40′s.
Sumire Ia’rian nee Ker’anith
Current empress of Skyfire Isle.
621 years.
Roughly equivalent to a human in her late 30′s to mid-40′s.
parental involvement. High. His parents love their children and, despite having governesses and tutors to aid in watching their large brood, both Taenaran and Sumire made it a point to spend as much time with their kids as they could. The entire family is close-knit and protective of one another, and they always spend the holidays together. Not to mention, each of the older children has a comm device and the family keeps in regular contact.
ADULT LIFE
occupation.
Vocalist, lyricist, and pianist for Dysphoria.
Crown prince and heir apparent.
Adjunct professor at both the Sunfury Spire (Silvermoon) and the Violet Academy (Dalaran).
He teaches:
World Mythology (fall term).
Ancient Runes (fall term).
Advanced Evocation (spring term).
General education (both terms).
He only teaches general education to students 12 and younger.
On occasion, he also teaches ballroom dancing as an afterschool club elective.
close friends. Dhel is a private, moody man and if you aren’t part of his family, he’s more likely to shove you an arm’s length away than welcome you into his embrace--and he has a wingspan greater than seven feet. But he does have a few people who have managed to get reasonably close to him. They include:
Lin @calaglin-iarian
Bren @calabren-iarian
Eldya @eldya
Ji @puppet-master-jihye
Kearhyn @kearhyn
and Amorette, @amorette-frostsong
Reikandalin Ia’non (who doesn’t have a Tumblr)
Ishikilan Phyr’yl (who also doesn’t have a Tumblr).
He needs more friends. 
relationship status. Although he’ll tell you he’s married to his work, Dhel isn’t actually committed and doesn’t even seem to be dating anyone. But honestly, with his acid tongue and icy nature, that probably isn’t surprising. At this point, I’m not sure anyone could put up with him long enough to actually want to start a romantic relationship. When it comes to warming up to people, he moves slower than a glacier. A romance with Dhel takes time and effort, but in return, you’ll get a devoted elf who will move the universe for you.
financial status. Wealthy. Although a teacher’s salary won’t usually afford you a lavish life, Dhel is a prince from two long lines of royalty and noble blood... which means he has plenty of access to the family coffers. He also offers private tutoring for promising students and fronts a popular rock band during the summer and winter semesters.
driver’s license. I don’t think Azeroth really requires a driver’s license, but if it did--or if he were transplanted to modern day Earth--he would certainly make it a point to get his license. And probably be heavily invested in car mechanics.
criminal record.
Dhel has never been suspected of, charged, nor convicted for any crimes; his record is cleaner than a fresh sheet. But he is certainly guilty of several less-than-savoury activities, including (but not limited to):
Illegal drug use.
Blackmail and bribery.
Torture.
Homicide.
Human trafficking and false imprisonment.
Use (and abuse) of fel magic.
Forgery.
Grand larceny and looting.
Assault and battery.
Arson.
Stalking.
He is a careful planner who takes precautions to hide his tracks. Royalty can be dethroned.
Vices.
With more vices than the sky has stars, I’ll provide a few of his more prominent vices and a link to a complete list of his personality problems for those interested in seeing it.
Addiction (painkillers and cigarettes).
Wrathful.
Callous.
Condescending.
Ill-tempered.
Suspicious.
Workaholic.
Antagonistic.
Full list of Dhel’s vices can be found here.
SEX & ROMANCE.
sexual orientation.  Heteroflexible, sapiosexual, and demisexual. If you want Dhel’s attention, bring a strong personality and a brain. You can have the prettiest face and most perfect body in the world, but if you don’t have anything more than cotton candy or air inside your skull, Dhel will not be interested. romantic orientation.  Once again, heteroflexible, sapiosexual, and demisexual. Want to romance him or encourage him to romance you? Banter with him. Few things draw his attention more readily than a person who can keep up with him and go verbal blow for blow. His idea of flirting is bickering to test the waters.
preferred emotional role.  Dominant. Wholly dominant. Follow his lead or he will make you follow his lead.
preferred sexual role.  Dominant. Dhel typically has zero percent interest in allowing others to orchestrate any part of his life and that definitely includes the bedroom.
libido.  High, though he’s picky and doesn’t always indulge his baser wants. 
turn on’s. Intelligence. Guts. Strong personalities. Smart mouths. Dark, dry humour. Curiosity and willingness to learn. Talented people with a passion for their craft. Brats that must be broken. Creativity. Stubborn submissiveness. Adventure. Dominating others. Complete control. BDSM. His favourite riding crop. Poetry. Class (elegance). Loyalty. Obsession. Brunettes. Curves. People who can respect his solitude. Power play. Tears.
turn off’s.  Willful ignorance. People who waste his time. Wishy-washy people. Conceit. People who display evidence of the Dunning-Kruger effect. Stupidity. Listlessness, laziness. Nosiness. People with pudding spines. Infidelity. Women who try to dirty talk during sex--they inevitably say something that kills his mood. Blondes. Skin and bones. Those who haven’t figured themselves out enough to be consistent personalities. Being touched. Loss of control.
love language.  Acts of service. Gifts. Quality time.
relationship tendencies.  While he won’t hesitate to make his move for a one-night stand, Dhel is extremely picky when it comes to relationships. When he manages to land himself in a romance, he tends to think of his partner the same way a spoiled kid thinks of his favourite toy during show and tell--he wants to keep it to himself, wants to hide it away so no one else can play with it or break it. For his brothers and his family, he is wholly generous and willing to go out of his way to please them... but with a romantic partner, he looks for someone who will martyr themselves for him the same way he feels he plays the martyr for his loved ones. He seeks out those who like pain, those who have abandonment or connection issues so he can wind them around his finger and force them to be completely reliant on him. It’s another form of having control and Dhel is one bajillion percent a control freak.
And if you don’t have those issues? 
You will.
MISCELLANEOUS.
hobbies to pass the time.
Snowboarding and ice skating. He loves winter sports. 
Polar bearing with his brothers, much to their mother’s concern.
Tinkering with engineering. He likes building clockwork golems and toys, and his little siblings’ rooms are full of his experiments; the music boxes and robotic dinosaurs sit on the shelves alongside the dolls Bren creates.
Ice sculpting. His mother has a private garden dedicated to all the sculptures he’s made over the years.
Collecting books. The man could rent out his houses as libraries and if he’s traveling, you can bet he’s probably stopping in every bookstore he comes across.
Reading everything he can get his hands on. Doesn’t matter what it is, he’ll read it. You can never have too much knowledge.
Traveling and urban exploration. Dhel enjoys the strange peace he finds in the ruins of past civilizations.
Baiting people with biting banter. It’s how he vets them and uncovers those he deems worthy of his time.
Tea ceremony. Tea is his drink of choice and, as with anything he enjoys, he takes great care to learn everything he can about it. He is certified to teach the tea ceremony and has given demonstrations as an afterschool activity for those students who are interested.
Playing piano. As a child, he and his brothers were encouraged to study everything, including the arts. The triplets were allowed to choose their instruments and Dhel chose piano. He certainly has the fingers for it.
Making paper lanterns and origami. Folding the paper in such careful lines gives him a measure of peace and control; crafting soothes him in much the same way teaching does. 
Astronomy. He’s insanely curious about the stars and the worlds that lie beyond his own. One of his goals involves visiting foreign planets, especially when he visits the Consortium and hears their tales of strange places light-years away.
Hide-and-seek. As a kid, he was the hide-and-seek champion and he still enjoys playing with his younger siblings, his nieces, nephews, and small cousins.
mental illnesses.
Clinical depression.
PTSD. Thanks, Dalaran.
Obsessive-compulsive disorder. His OCD manifests in:
Unwanted acts of aggression (the urge to harm people)
The need for exactness or being as close to correct as possible.
Excessive cleanliness. Everything must be clean.
Hoarding objects gifted to him by loved ones (with the idea that if he can hold onto these things, he can hold onto the people).
Checking, double- and quintuple-checking his private possessions to ensure no one has touched or even seen them.
Dacryphilia. 
He gets turned on by making his partners cry.
Impostor Syndrome.
Insomnia.
Paranoid Personality Disorder.
physical illnesses.  While these aren’t exactly illnesses, they do cause him great physical stress. Dhel’s runic tattoos are actually a terrible curse etched into his skin and any time he channels magic of any variety, his body suffers excruciating agony of the sort that makes a person pray for death. When the weather is bad, his ankles cause him tremendous pain and he becomes even grouchier than usual while he struggles to keep himself from limping in front of other people.
left or right brained.  A pretty even mixture of both. He’s coldly logical but capable of great creativity and emotion.
fears.
Losing any members of his family or his few friends.
Never being good enough for anyone or anything.
Intimacy.
Invasive thoughts and existential crises.
Betrayal.
Watching his brothers crumble under the weight of their own issues and being powerless to do anything to help them.
Failing his people as a leader.
Unrequited love. He watched it come far too close to destroying Lin.
self confidence level.  Dhel comes across as perfectly at home in his own skin and, for the most part, he is. It’s the stuff behind the attractive curtains he worries people will see, but he keeps those curtains glued together.
vulnerabilities.  Thanks to his curse, he isn’t able to sustain extended spellcasting. If you can exhaust him magically, then he’ll be forced to fight you physically. His ankles and feet are a weak spot. His family, though he takes great pains to ensure their safety behind the scenes because he’s a suspicious asshole.
Tagged by: @loveherdekay and @snowfallen-nymph (Thank you both for the tag; I really appreciate it!) 
Tagging: @kolabooc @sanasunbringer @amorette-frostsong @eldya @dae-shadowvale @latildarommel @veleanthe @valishoneybee @nymm-wildseeker @sanguinesorceress @susan-gampre @duraxxor @silvertonguedaggermaw and anyone else who wants to do this thing. If you do it, please tag me in it so I’ll be sure to see it.
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