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#TAG YOUR SHIPS PLEASE
guinevereslancelot · 2 years
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my favorite ship dynamic is betrayal. not when they betray each other but when one or both of them turn against their cause, their principles and/or loved ones for the other. bonus points if the person they're abandoning everything for didn't remotely expect it. ultimate declaration of love. "you mean more to me than everything i ever believed in. i am more loyal to you than my conscience. i love you more than the thing i would die for."
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waterghostype · 12 days
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volume cw (i tried lowering it but jic. also loud swearing)
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howtokillavampire · 14 days
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do you ever see fanart so tasty that you are then obligated to join the fandom and spend all of your waking hours learning the lore behind the characters, or is that not a universal experience?
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cozylittleartblog · 2 months
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8th annual nick valentine post! fallout 4 npcs Love sitting. they'll see a chair and ask "is anyone gonna sit here" and not wait for an answer. its like nick is on a personal quest to sit in every chair in the commonwealth. if he sees a chair its on sight
its because his joints are bad, obviously. he's like 140
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kaladinkholins · 2 months
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Very interesting to me that a certain subset of the BES fandom's favourite iterations of Mizu and Akemi are seemingly rooted in the facades they have projected towards the world, and are not accurate representations of their true selves.
And I see this is especially the case with Mizu, where fanon likes to paint her as this dominant, hyper-masculine, smirking Cool GuyTM who's going to give you her strap. And this idea of Mizu is often based on the image of her wearing her glasses, and optionally, with her cloak and big, wide-brimmed kasa.
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And what's interesting about this, to me, is that fanon is seemingly falling for her deliberate disguise. Because the glasses (with the optional combination of cloak and hat) represent Mizu's suppression of her true self. She is playing a role.
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Take this scene of Mizu in the brothel in Episode 4 for example. Here, not only is Mizu wearing her glasses to symbolise the mask she is wearing, but she is purposely acting like some suave and cocky gentleman, intimidating, calm, in control. Her voice is even deeper than usual, like what we hear in her first scene while facing off with Hachiman the Flesh-Trader in Episode 1.
This act that Mizu puts on is an embodiment of masculine showboating, which is highly effective against weak and insecure men like Hachi, but also against women like those who tried to seduce her at the Shindo House.
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And that brings me to how Mizu's mask is actually a direct parallel to Akemi's mask in this very same scene.
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Here, Akemi is also putting up an act, playing up her naivety and demure girlishness, using her high-pitched lilted voice, complimenting Mizu and trying to make small talk, all so she can seduce and lure Mizu in to drink the drugged cup of sake.
So what I find so interesting and funny about this scene, characters within it, and the subsequent fandom interpretations of both, is that everyone seems to literally be falling for the mask that Mizu and Akemi are putting up to conceal their identities, guard themselves from the world, and get what they want.
It's also a little frustrating because the fanon seems to twist what actually makes Mizu and Akemi's dynamic so interesting by flattening it completely. Because both here and throughout the story, Mizu and Akemi's entire relationship and treatment of each other is solely built off of masks, assumptions, and misconceptions.
Akemi believes Mizu is a selfish, cocky male samurai who destroyed her ex-fiance's career and life, and who abandoned her to let her get dragged away by her father's guards and forcibly married off to a man she didn't know. on the other hand, Mizu believes Akemi is bratty, naive princess who constantly needs saving and who can't make her own decisions.
These misconceptions are even evident in the framing of their first impressions of each other, both of which unfold in these slow-motion POV shots.
Mizu's first impression of Akemi is that of a beautiful, untouchable princess in a cage. Swirling string music in the background.
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Akemi's first impression of Mizu is of a mysterious, stoic "demon" samurai who stole her fiance's scarf. Tense music and the sound of ocean waves in the background.
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And then, going back to that scene of them together in Episode 4, both Mizu and Akemi continue to fool each other and hold these assumptions of each other, and they both feed into it, as both are purposely acting within the suppressive roles society binds them to in order to achieve their goals within the means they are allowed (Akemi playing the part of a subservient woman; Mizu playing the part of a dominant man).
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But then, for once in both their lives, neither of their usual tactics work.
Akemi is trying to use flattery and seduction on Mizu, but Mizu sees right through it, knowing that Akemi is just trying to manipulate and harm her. Rather than give in to Akemi's tactics, Mizu plays with Akemi's emotions by alluding to Taigen's death, before pinning her down, and then when she starts crying, Mizu just rolls her eyes and tells her to shut up.
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On the opposite end, when Mizu tries to use brute force and intimidation, Akemi also sees right through it, not falling for it, and instead says this:
"Under your mask, you're not the killer you pretend to be."
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Nonetheless, despite the fact that they see a little bit through each other's masks, they both still hold their presumptions of each other until the very end of the season, with Akemi seeing Mizu as an obnoxious samurai swooping in to save the day, and Mizu seeing Akemi as a damsel in distress.
And what I find a bit irksome is that the fandom also resorts to flattening them to these tropes as well.
Because Mizu is not some cool, smooth-talking samurai with a big dick sword as Akemi (and the fandom) might believe. All of that is the facade she puts up and nothing more. In reality, Mizu is an angry, confused and lonely child, and a masterful artist, who is struggling against her own self-hatred. Master Eiji, her father figure who knows her best, knows this.
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And Akemi, on the other hand, is not some girly, sweet, vain and spoiled princess as Mizu might believe. Instead she has never cared for frivolous things like fashion, love or looks, instead favouring poetry and strategy games instead, and has always only cared about her own independence. Seki, her father figure who knows her best, knows this.
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But neither is she some authoritative dominatrix, though this is part of her new persona that she is trying to project to get what she wants. Because while Akemi is willful, outspoken, intelligent and authoritative, she can still be naive! She is still often unsure and needs to have her hand held through things, as she is still learning and growing into her full potential. Her new parental/guardian figure, Madame Kaji, knows this as well.
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So with all that being said, now that we know that Mizu and Akemi are essentially wearing masks and putting up fronts throughout the show, what would a representation of Mizu's and Akemi's true selves actually look like? Easy. It's in their hair.
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This shot on the left is the only time we see Mizu with her hair completely down. In this scene, she's being berated by Mama, and her guard is completely down, she has no weapon, and is no longer wearing any mask, as this is after she showed Mikio "all of herself" and tried to take off the mask of a subservient housewife. Thus, here, she is sad, vulnerable, and feeling small (emphasised further by the framing of the scene). This is a perfect encapsulation of what Mizu is on the inside, underneath all the layers of revenge-obsession and the walls she's put around herself.
In contrast, the only time we Akemi with her hair fully down, she is completely alone in the bath, and this scene takes place after being scorned by her father and left weeping at his feet. But despite all that, Akemi is headstrong, determined, taking the reigns of her life as she makes the choice to run away, but even that choice is reflective of her youthful naivety. She even gets scolded by Seki shortly after this in the next scene, because though she wants to be independent, she still hasn't completely learned to be. Not yet. Regardless, her decisiveness and moment of self-empowerment is emphasised by the framing of the scene, where her face takes up the majority of the shot, and she stares seriously into the middle distance.
To conclude, I wish popular fanon would stop mischaracterising these two, and flattening them into tropes and stereotypes (ie. masculine badass swordsman Mizu and feminine alluring queen but also girly swooning damsel Akemi), all of which just seems... reductive. It also irks me when Akemi is merely upheld as a love interest and romantic device for Mizu and nothing more, when she is literally Mizu's narrative foil (takes far more narrative precedence over romantic interest) and the deuteragonist of this show. She is her own person. That is literally the theme of her entire character and arc.
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acatpiestuff · 11 months
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when you find out your coworker is ripped
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minnow-doodle-doo · 1 year
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mermay?
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peridots-pixiwolf · 9 months
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[Start ID. A digital drawing of Gabriel and V1 from Ultrakill in super-saturated, pixellated colors. It seemingly takes place during phase two of his second fight, judging by Gabe's bright yellow-cyan wings and the consequent blush shining through his helmet. Gabriel is pictured on the left, facing the left side of the screen with his head turned to V1, preparing to strike them with the bloodied spear in his right hand. Small but frequent splatters of blood dot his armor and outstretched wings, fabrics torn through in places. V1 is on the right, aiming its piercer revolver at his face. Their arms are stacked in pairs on either side, idle Feedbacker and Knuckleblaster on the left and Whiplash tucked atop their default arm on the right. Both parties are stylized to resemble insects, Gabe with beetle wings and a halo in the shape of antennae, and V1 with the four wings, four arms, short antennae and bristles expected of a dragonfly. End ID]
woah.... happy 1 year anniversary to gay people
also a couple alts (background removed, just gabe, and just v1, respectively) in hopes it'll be a little easier to understand what's going on and all!
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additionally once again: special thanks to @magnumopos and @muzzleroars , neither of which I have actually spoken to in my life but both of which are credited with partially inspiring this! (dedicated section under the readmore due to the fact I do not generally tag people at all ever and wasn't sure if I should, but thought it was worth mentioning!) The former for giving me the wonderful idea of dragonfly V1, the latter for drawing V1 like a strange little creature + for the feedbacker plate, I enjoy both your works :]
(retroactively, on march 27th of 2024, assigning them a full bingo with credit to deep-space-lines. ehehehehe)
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zenodotus-cx · 1 year
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MXTX couples rated by whether or not they should have a kid:
Wangxian 11/10 should have not only one kid but several. Look how well they did with Sizhui. They're fabulous parents. They'd be thrilled with more babies.
Hualian -3/10 should never be responsible for children again. Oh my god. One of them was FULLY a disguised god and they didn't even realize because they barely remembered to feed him
Bingqiu 1/10 probably wouldn't be too bad at taking care of biological needs but SQQ has Wine Aunt energy and is bad enough with his disciples. Also Binghe would get jealous of his own child.
Moshang 7/10 would do well with kids! Should... probably wait a bit to figure out the logistics and get into a more stable point in their relationship, but they'd be good parents.
FengQing 4/10 would probably not fuck up immediately or super badly but shouldn't keep a child around for more than like. A week. Good babysitters, still shouldn't have their own
Beefleaf -100000000/10 are you kidding me here
3zun and any internal pairings 6/10 I think they'd think a kid could fix them. Not a good reason to have a kid! They'd still do it, though. The kid would probably only be MILDLY traumatized.
Any Jiang Cheng ship 1/10 Jiang Cheng is fabulous as an uncle. 100/10 should have more niblings. Should not have kids of his own because of his many neuroses
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braisedhoney · 10 months
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answer her questions vlad. why do you skip leg day vlad.
(more of this bc honestly, dani deserved so much better. also learning how to draw dani.)
still inspo from @lilianade-comics au where vlad sucks less! kind of! but also just generally a decent parent vlad au lmao.
(do not tag as ship. pls.)
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squipdop · 25 days
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max wouldve sworn at 16 hes too big for david to pick up like a bunch of grapes but alas. some things just dont change 🌲🌳
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they are... fwends...
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ogachukwu-the-freak · 2 months
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Can't fucking stand Black Butler antis, YES my favorite scene was the fucking asthma scene bitch AND???? I'M WEIRD? WHY DID YOU WATCH AN ANIME WITH CLEARLY SUGGESTIVE SCENES LIKE THAT HUH???
SPEAK UP.
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urfriendlywriter · 2 years
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kisses prompts to give the readers butterflies:
(feel free to use! yk what to do babies, tag me when u writee !! importantly the 2nd, 6th and 10th prompt >\\<)
hands around your waist as they pull you closer, goosebumps swarming every part of your body that they touch
kisses where they peck you a thousand times and you just sit there giggling with your face squished in their palms while they kiss
the kiss that breaks apart for a second, a smile stretching and they kiss you back again, fingers gently sliding down the side of your face to your neck
"i like the taste of your lips on mine"
kisses where they push you against the cold wall, their hands tracing your curves as they nibble on your lower lip, hands teasing every edge as you moan into the kiss
gently tugging at their collar, out of breath, they ask, "do you want me to stop?" you hurriedly say, "just the opposite, please"
kisses where they pin their hand on either side of your head, body pressing down on yours, places touching on where it shouldn't
neck grabbing during kisses >\\<
meeting each other after a long time and running into each other's arms, hugs tighter than ever as they place a kiss on your head, relieved that it finally feels like home
kisses that turns into love bites, and you slightly moan, "you like that, princess?"
intimate back hugs where they slowly trail kisses from your collarbone to your jaw, making you shiver, and they mumble, "god you smell fucking good."
for more:
'angsty romance prompts'
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ohyeahitsrarepairtime · 2 months
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Lil Charlie doodle based on the “draw your ship” thing
Who’s she marrying? You decide.
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pettyrgeo · 11 months
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The Cousins (tm)
Part 3 of Sumeru Cast Found Family AU.
Bonus :
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