Pixie princess*⁠.⁠✧

I think Ryne would become one of the pixie's favorite humans

reasons to survive

any dc character: *confessing something about their past they kept hidden out of fear/shame*

their batfam bff who had already known for a while and is now desperately trying to hide that they knew the truth this entire time: “oh, wow! that is so crazy, i am so sorry you had to go through that.”

Obi-wan and his friend Bant Eerin having a sad moment after certain events

Okay, I saw someone say that Nimona, while being good representation, “didn’t take the big step forward in queer rep that everyone says it did”.

That is wrong. So wrong, my dude.

Yes, an explicit and open queer relationship in children’s cartoons is not new, per ce. Hell, just this year, two popular kids’ cartoons had the main character in an open, adorable, plot-based queer romance. But this is different for a few reasons.

Reason number one, it isn’t left in suspense. Yes, they had that split for three odd weeks, but they started the film as a couple. One of the very first scenes is them together as a couple, Ambrosius saying he loves Ballister, them holding hands, Ballister leaning on Ambrosius’ shoulder. Ambrosius says he loves Ballister three times during the film, and none of them are any more than halfway in. It’s very clear, from their very first interaction, that they are an established relationship, which isn’t something I’ve seen...at all in other animation.

Secondly, they are the plot. Ambrosius not believing Ballister, Ambrosius cutting off Ballister’s arm, Ballister trying to get the video to Ambrosius - this is what drives the plot. In any other children’s animation with queer relationships, the relationship is not the main focus. Even The Owl House, which is so amazing with its constant representation, would still make sense if Luz and Amity never happened. But Nimona’s plot wouldn’t make sense without Ballister and Ambrosius’ relationship. It, quite simply, can’t be erased. It could work as a friendship, yes, but that’s the point. They could have just been two close friends that fell on opposite sides of a fight, but they weren’t. They were two lovers that fell on opposite sides of a fight. 

Thirdly, they aren’t sanitized for “family viewing”. An emerging trend in children’s animation is to only have mlm relationships as fathers to make them seem more “family friendly”. With the exception of Kipo, there really isn’t many tv shows or films that places light upon an mlm relationship. And if it does, it'll be a teen relationship because teenagers being queer tends to come across as less “dirty” and more “innocent”. But Goldenheart is none of these things. They are adults without the mollifying aspect of having a family. And on top of that, they fight. They wield swords and they get bloody and they shoot at things and get angry and yell. They aren’t “clean” and “innocent”.

As well as this, they are in a film. Films are far more accessible than tv shows. You have to watch twenty seven episodes before Lumity in toh is canon. Troy kisses Benson on the eleventh episode of Kipo. And there are two hundred and eighty three episodes of Adventure Time before Marceline and Bonnie kiss. But with a film, the queerness is much more forward - especially in Nimona, where it’s literally the second scene. Animated films hardly ever display queer relationships, but Nimona did.

Finally - they aren’t perfect. I don’t know about you, but three weeks of thinking your boyfriend/maybe ex is a murderer? Doesn’t sound like a healthy few weeks to me. I have only seen big relationship arguments portrayed in straight relationships in cartoons - think Star Vs The Forces Of Evil - whereas queer relationships either have the massive fight prior to being canonically gay - She Ra - or have conflict, not arguments, that are dealt with quickly - Dead End/The Owl House. But Goldenheart? Goldenheart suffers. Their relationship is pushed to such extreme boundaries as for them to be pretty much exes throughout most of the movie. And yet, they are clearly healthy, happy and very much in love at the end. 

TL;DR - Nimona is amazing with the queer representation, and it is a milestone for LGBTQ+ cartoons. Not only is the relationship romantic for the entire movie, the plot is driven by Ambrosius and Ballister’s sort-of-break-up. In short, they are treated the same way straight people are. They have flaws, they have massive arguments, they have plot importance, they have backstory. They are in love. And that’s what matters more than anything else. 

'it has gay representation' well as gay representative i would like to say that doesn't mean anything at all

Vanny in Space!

In case you're curious this is all art related to my AU!

Art/mini comics dump

Papyrus does NOT like hotland, something about that place really gets on his nerves...

Second one is just based on a crack comic I made when I FIRST made this au lmao, wanted to redraw it and post it. It's not serious at all

Then some concept art:D

Hanging out at Ramshackle

my version of the guys (tm)

Welcome to the Dungeons of Fear and Hunger.

obsessed with the dynamic they have in mk1 like. ohhhh that is a MESS, I love it

OH RIP JARROD HE'S GETTING FIIIIIRRRRRED 😭😭😭😭😭

Paradise sand jumping spider, Habronattus amicus, Salticidae

Found in western North America

Photos 1-5 by dlbowls, 6-7 by zygy, 8 by graysquirrel, 9 by mhedin, and 10 by sarasims

Establishing shots. My beloved.

me gathering anchor weed along the tiragarde sound coastline when suddenly im flipped off by some gays, killing me instantly. (i thank them)

more powerful wives doing funny things