Late night thought.
You know how when you need to put a cat down you can kinda just gentle toss them. And that sometimes people who are use to holding cats then hold a dog and forget that you can't really do the same thing for them. So they end up just throwing a dog. I would like to imagine that was what it was like for Bruce to go from having Dick as a child to Jason.
Bruce main experience with children would be this little acrobat who would just jump/flip out of his arms and honestly enjoyed the extra momentum of the toss when being put down. So that's just how he is use to releasing kids when carrying them. But then he has Jason, and is holding him and they have a cute moment, but then by instinct he throws Jason, and Jason just thumps to the ground. And both of them are staring at each other with confusion.
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lonely
[ID: A limited palette of green and pink, Vashwood comic. The first page serves as a prologue. The first panel shows Vash speaking to someone off screen while Wolfwood is lingering behind him. A black arrow is drawn pointing at him. In the second panel, Vash is buying donuts in the distance while Wolfwood is once again in view, lingering. and the black arrow is drawn pointing at him. In the third panel, Vash is leaving a cubicle and turning towards his right with a slightly peeved expression. He sees Wolfwood, leaning against the cubicle, waiting for him, and with the black arrow drawn, pointing at him, implicating the consistent hovering of Wolfwood’s presence during Vash’s everyday. At the bottom of the page, they’re drawn out of panel with Vash turning to Wolfwood and saying with an irritated expression, “You’re really following me everywhere, huh?” Wolfwood responds, “What, you got a problem?” Vash responds without hesitation, “Yeah, kinda...”
The second page starts with a new day. In the first panel, Vash is seen alone, weighing apples in his hands at a mart, with crowds passing behind him. In the second panel, he turns to his right and starts to say, “Hey, Wolfwood...” In the third panel, he’s startled from seeing a stranger, whom he’d accidentally called out to when he was expecting to see Wolfwood. He says, “Oh, you’re not him. Sorry!” In the fourth panel, the stranger walks off and Vash muses, “Right, he said he had something to do today...”
The third page begins with a close up of Vash's miffed expression, the continuation of Vash's thoughts, "Now that he's not here, this is just like how I used to be, but... It feels lonely somehow. Oh well, I'll see him again tonight, like always." In the second panel, it shows Vash walking through the marketplace crowd, alone. In the third panel, the door panel is a close up of the door opening with a peek of Vash's head. He says, "Wolfwood!" In the fourth panel, Vash is holding a bag of food with a bright smile and says, "Are you hungry? I got you something to eat today!"
The fourth page begins with a shot of the room, two beds being highlighted, one of them being made properly with the blanket draped over the bed and the other with the blanket folded and pillow sitting on top of it. There's no sign of Wolfwood. The second panel shows Vash with a disappointed look as he thinks, "He's still not here?" The third panel shows Vash putting the bag of food on the table. Stapled to the paper bag is the receipt with a written note "For Wolfwood." Vash's thoughts continue "He does like to stay out so, I guess there's no reason to worry..." The fourth panel shows Vash sitting his bed somberly with his thoughts continued, "It's not any of my business anyway..."
The fifth page starts with a close up his blank expression as he looks downwards, thinking, "Even if he left completely... That'd be understandable and better for him. I'll just travel alone again... like before... Huh?" The next panel shows Vash's composure break, tears welling up in his eyes suddenly, as he didn't expect to cry. He starts to sob, putting his hands to his face to quiet himself and wipe at his tears, as he says, "Ugh... Dammit... I miss h..." The last panel shows Vash leaning over into his hands, still crying, and in the back, the door swings wide open with a bam as Wolfwood walks through with the punisher swung behind him. He shouts, "SPIKEY! You in here?!"
The sixth page starts with Wolfwood confused, looking at Vash and Vash looks back, just as confused, with tears in his eyes and snot out of his nose. Wolfwood starts saying, "Ah? You..." No longer in panels, at the bottom of the page, Wolfwood takes the Punisher off of himself and starts to walk towards Vash, continuing with slight concern, "What's wrong with you? Did something happen?" Vash, hurriedly begins to wipe at his tears, denying immediately, "No! No, I'm fine! Nothing happened!"
The seventh page, Vash points towards the table, with a hand still wiping at his tears and he smiles as he says, "I uh got you food. On the table." Wolfwood looks towards to the table and responds, "Oh. I was getting hungry, thanks." He turns his head back to Vash immediately after with an uncertain expression, knowing the other wasn't responding to his concern, and says, "But, I know you're an idiot with this stuff, so I'm reminding you again. Don't brush it off if it's an issue, alright?"
The eight page, Vash's tears have dried and he looks to Wolfwood with a soft smile and responds, "Yeah. It's okay though..." A panel at the center shows a side view of Vash approaching Wolfwood. At the bottom of the page, with no panel, is a close up shot of Vash's hand, holding onto the edge of Wolfwood's jacket sleeve, as he says, "Because you're here now. Wolfwood."
The final page is a back shot of both of them standing next to each other, Wolfwood's head tilted slightly to the left, not fully believing Vash as he says, "That doesn't answer anything, Spikey." Vash responds, "There's no need to talk about it! You should enjoy your food. Let's have a drink too?" Wolfwood responds, "Tsk, tsk. Fine, yeah. I could use one." END ID]
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i’ve always kind of assumed that lo and li are azulon’s younger twin sisters and that’s why they were foisted off on azula, because she’s also a younger sister to the crown prince. but the fact that we never actually see them firebend is strange, because it implies either that nonbenders are instructing one of the greatest firebenders in the world, or that they are firebenders who simply do not firebend. and i think that the latter is more interesting, because it reflects how their position as elderly women devalues any firepower they might provide to the empire, passive and subdued even as they train ozai’s favorite weapon.
they are the ones to most overtly illustrate azula’s precarious relationship to femininity, after all. for example, noting the position of her hair after she successfully lightningbends in “the avatar state,” or emphasizing azula’s beauty when they introduce her in “the awakening.” and it’s clear that azula doesn’t really like them, dismisses and avoids them whenever she gets the chance. she can’t even tell them apart. their very existence is almost a humiliation. a reminder to azula that this is who she is destined to become once she lives past her usefulness. not the imperious azulon, her namesake, raised above on a fiery dais, but his sisters, insignificant and functionally powerless.
so of course “almost isn’t good enough,” of course “one hair out of place” is a failure. the only way azula can prove her worth to the empire she has devoted her entire self to in a way that matters is, perhaps, by being perfect, by being better and stronger than the discarded women who came before her. but that, too, is a delusion, that any amount of excellence will reward her in a way that compensates for the erosion of her very humanity. and yet, it’s all she has to cling to. so she gives it her all to excel within a system that will never really care about her because she has deliberately been made incapable of imagining an alternative. of simply recognizing the system for the failure that it is, conceptualizing a world beyond the bars of her gilded cage, and leaving.
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Familar Stranger
DP x DC au with a dash of dimensional travel where Danny, due to his ghostly nature, looks slightly different depending on how others perceive him.
Warning: OP has no knowledge of space other than Google and is also a non-native English speaker; proceed with caution.
Same startup kits; Danny becomes the successor to the Infinity Realm (he's a baby by both ghost and human standards, so there's a temporary council for now). Anyway, he still has some power over the ghosts, so he asks them to lessen the amount of fighting to focus on schoolwork and "princely education."
Now here's where my brainrot begins.
The Lazarus Pits, necromantic rituals, or portals of any kind that have "death" or "soul" in them tend to be connected to the Ghost Zone. However, the zone has its own defensive mechanism, so unless someone *Fentons* actively makes a gateway or has "experienced" death, it's nearly impossible to come upon the zone. A certain furry bridage in Gotham has unknowingly ticked all the checkboxes.
During a misson, one of the bats got caught in a magic situation and got transported to the Infinity Realms. They wandered around, dogding ghosts, slowly getting insane from all these damn corridors and living paintings, before they stumbled upon a seemingly random door (CW is involved; he's having a great time testing the poor bat).
Opening the door leads them to the universe. They closed the door, then opened it again. Yep, that's an entire universe complete with its own planetary systems and, oh, so pretty stars growing and dying in a blink of an eye. Another check around shows them that this is the only door so far in the endlessly long hallway. They look down (if there's even a down, for there's only infinity) and take an experimental step. The Milky Way lit up under their feet, with stars gathering around to form a twisting path to nowhere.
For the next couple of hours, days, or minutes, they made their way through the galaxies. Just when they were about to spiral into a midlife crisis, they heard... humming?
Did they finally lose it? They asked themselves before noticing a glowing figure sitting on an asteroid nearby.
"Hello?"
The figure flinched, and life paused. The blackhole by their left stopped spinning, the stars weren't twinkling, and the figure turned their head. Now it's their blood that runs cold.
"You're not supposed to be here."
Lazarus-colored orbs stared back at them with a familiar face but an unfamiliar voice. Damian tilted his head, looking at them in confusion (there's something wrong, wrong, wrong-). They blinked because, what the hell, seeing something other than a scowl on the boy's face is WeirdTM. Suddenly, that's a teenaged Jason staring at them, much closer than he(?) was before.
At this point, they realized— eyes moving over the entire regalia and the glowing crown that just appeared—they're probably in deep sh*t.
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