kim truly trusts you incident 7 dead (unavoidable but could be much worse) multiple others including me and kim injured

if u pay attention there are themes and motifs on my blog

My Beautiful Laundrette: Continuity, costume notes, polaroids

These extensive costume and continuity notes were produced during the filming of My Beautiful Laundrette, a 1985 film written by Hanif Kureishi and directed by Stephen Frears. Originally devised for television, Kureishi’s first screenplay was shot on a low budget in only six weeks. Set in Thatcher-era south London, the film is a ground-breaking exploration of race, class, politics and sexuality. It centres on Omar, a young British-Pakistani man who is given the opportunity to renovate his uncle’s laundrette, and Johnny, his boyhood friend who has fascist sympathies and who becomes Omar’s lover. The romantic relationship between these young men develops alongside the film’s other concerns ─ such as the British Asian struggle to maintain ethnic identity while assimilating into Western society, represented by Papa Hussain, an alcoholic, disillusioned socialist, and Uncle Nasser, a rich entrepreneur. The film stars Saeed Jaffrey (Nasser), Roshan Seth (Papa Hussain), Daniel Day Lewis (Johnny) and Gordon Warnecke (Omar). My Beautiful Laundrette became a huge commercial and critical success after it was applauded by film critics at the Edinburgh Film Festival, leading to international distribution for cinema in 1986 and an Oscar nomination for Kureishi. What are continuity notes? When shooting a film, continuity notes are logged for every take to ensure continuity between screen direction, action, costume, props, and so on. Photographs, like the Polaroids shown here, support the work. Written in a messy hand, these notes convey the sense of an animated atmosphere on set. For a film that is so concerned with identity and boundaries between characters, the continuity notes emphasise the role of costume as a signifier of status. Note the flash suit and aviator sunglasses worn by nouveau riche drug trafficker Salim, and the transformation of Omar from an unemployed lad in jeans and sweatshirt to the cleaned-up, suited businessman who is increasingly swayed by Thatcherite economic competiveness.

© Hanif Kureishi (Screenwriter), Penny Eyles (Script supervisor) Held by the British Library (1) (2) (3) Individual pieces in the link

SHE SAID THE LINE ‼️

i can’t overstate how much masters of sex is a perfect show if you love people just being messy for no reason. the fact that they put bill and virginia’s first kiss after a season of fucking into the same episode they make bill find out virginia is collecting live-in boyfriends for free childcare services. they are just constantly coming up with ways to make bill masters want to kill himself and you know what? he deserves it

Special Agent Dale Cooper & Sheriff Harry Truman TWIN PEAKS | 2.13

at the end of the day i truly believe that the sheenbergnant babysitter has more knowledge than any person in the world and were they ever to write a memoir of some sort it would be the most groundbreaking nonfiction of our time

bringing up the fact that david tennant and michael sheen are neighbors is like a hate crime against me. by the way

#fanboy

does anybody remember saul goodman

[touches your smooth hairless legs] Promise you'll stop for me...

just so you know in rpf world during curtain call michael was beaming really big and he was looking directly at david and anna and georgia and david was smiling back at him but kind of shyly and then when he walked off the stage but paused to read the screen displaying the current impact of the nhs he turned around one more time to give them a secret smile......

polycule’s out tonight, huh?