February 13, 2000, the final Peanuts comic strip was published. Written and illustrated by Charles M. Schulz, it ran from October 2, 1950, to February 13, 2000, continuing in reruns afterward. The strip is the most popular and influential in the history of comic strips, with 17,897 strips published in all, making it "arguably the longest story ever told by one human being". 

At its peak, Peanuts ran in over 2,600 newspapers, with a readership of 355 million in 75 countries, and was translated into 21 languages. It helped to cement the four-panel gag strip as the standard in the United States, and together with its merchandise earned Schulz more than $1 billion. Reprints of the strip are still syndicated and run in almost every U.S. newspaper.

Peanuts achieved considerable success with its television specials, several of which, including A Charlie Brown Christmas and It's the Great Pumpkin, Charlie Brown, won or were nominated for Emmy Awards. The holiday specials remain popular and are currently broadcast on ABC in the United States during the corresponding seasons. The Peanuts franchise met acclaim in theatre, with the stage musical You're a Good Man, Charlie Brown being a successful and often-performed production.

Peanuts has been described as "the most shining example of the American success story in the comic strip field"; this is ironic, given its theme is "the great American unsuccess story." The main character, Charlie Brown, is meek, nervous, and lacks self-confidence. He is unable to fly a kite, win a baseball game, or kick a football. In 2013, TV Guide ranked Peanuts the fourth Greatest TV Cartoon of All Time.

April 7th 1930

From The Brooklyn Daily Times (made available by The Brooklyn Newsstand)

Image ID, and the story written in plain text is in the alt text.

The full page:

He lay staring up at the sky, though the sun was hidden from his sight by smoke and dust and powder. The mini-ball had shattered his left thigh… he could not stand. The pain was excruciating, his hands were covered in blood from where he attempted to feel his injuries. He could hear the rifles firing, accompanied by the cannon and rallying cries. What horrified him most… he could hear the…

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Just a couple of dudes reminding you that Aldis Hodge is, in fact, the sexiest man alive. In addition to being a horologist, he's also a painter and a violinist. He also went to school for architecture.

Tears in Paintings

source: x

Etiquette Problems in Pictures, Lillian Eichler, 1924

Back at it with my enchanted merthur shenanigans

thoughts on "tradwives" as a 19th-century social historian

It's great until it's not.

It's great until he develops an addiction and starts spending all the money on it.

It's great until you realize he's abusive and hid it long enough to get you totally in his power (happened to my great-great-aunt Irene).

It's great until he gets injured and can't work anymore.

It's great until he dies and your options are "learn a marketable skill fast" or "marry the first eligible man you can find."

It's great until he wants child #7 and your body just can't take another pregnancy, but you can't leave or risk desertion because he's your meal ticket.

It's great until he tries to make you run a brothel as a get-rich-quick scheme and deserts you when you refuse, leaving your sisters to desperately fundraise so your house doesn't get foreclosed on (happened to my great-great-aunt Mamie).

It's great until you want to leave but you can't. It's great until you want to do something else with your life but you can't. It's great. Until. It's. Not.

I won't lie to you and say nobody was ever happy that way. Plenty of women have been, and part of feminism is acknowledging that women have the right to choose that sort of life if they want to.

But flinging yourself into it wholeheartedly with no sort of safety net whatsoever, especially in a period where it's EXTREMELY easy for him to leave you- as it should be; no-fault divorce saves lives -is naive at best and dangerous at worst.

Have your own means of support. Keep your own bank account; we fought hard enough to be allowed them. Gods willing, you never need that safety net, but too many women have suffered because they needed it and it wasn't there.

[mc is reading a devildom textbook that is on human world history]

mc: .......

satan: ... you look troubled

mc: yeah cause it's all wrong

satan: what do you mean?

mc: well, first of all it says the earth is flat

got a message out of the blue about that 'why Batman doesn't kill' explanation I left on someone else's post like two years ago but it was just "wait is Alfred dead????" and I sort of forgot that most of tumblr Batfam fandom doesn't actually read comics and so largely has no idea that Bane killed Alfred back in 2019 and he's stayed dead since

52 years ago today, April 4, 1971, the final episode of Hogan's Heroes aired. It ran for 168 episodes from September 17, 1965, to April 4, 1971, on the CBS network. Bob Crane starred as Colonel Robert E. Hogan, coordinating an international crew of Allied prisoners running a Special Operations group from the camp. Werner Klemperer played Colonel Wilhelm Klink, the incompetent commandant of the camp, and John Banner was the inept sergeant-of-the-guard, Hans Schultz.

Hogan's Heroes won two Emmy Awards out of twelve nominations. Both wins were for Werner Klemperer as Outstanding Performance by an Actor in a Supporting Role in a Comedy, in 1968 and 1969. Klemperer received nominations in the same category in 1966, 1967 and 1970. The series' other nominations were for Outstanding Comedy Series in 1966, 1967 and 1968; Bob Crane for Outstanding Continued Performance by an Actor in a Leading Role in a Comedy Series in 1966 and 1967; Nita Talbot for Outstanding Performance by an Actress in a Supporting Role in a Comedy in 1968; and Gordon Avil for cinematography in 1968.In December 2005, the series was listed at number 100 as part of the "Top 100 Most Unexpected Moments in TV History" by TV Guide and TV Land. The show was described as an "unlikely POW camp comedy.

Hogan's Heroes was filmed in two locations. Indoor sets were housed at Desilu Studios, later renamed as Paramount Studios for Season Four and then Cinema General Studios for Seasons Five and Six. Outdoor scenes were filmed on the 40 Acres Backlot. 40 Acres was in Culver City, in the Los Angeles metropolitan area. The studios for indoor scenes were both located in Hollywood, CA. Undoubtedly, one of the most original and curious aspects was to create the effect that there was always a snowy winter, something unusual in warm Southern California, but normal in the German winter. The actors had to wear warm clothes and frequently act like they were cold, even though it was warm for much of the year and usually hot during summer.

Although it was never snowing on the film set and the weather was apparently sunny, there was snow on the ground and building roofs, and frost on the windows. The set designers created the illusion of snow two ways: the snow during the first several seasons was made out of salt. By the fourth season, the show’s producers found a more permanent solution and lower cost, using white paint to give the illusion of snow. By the sixth and final season – with a smaller budget – most of the snow shown on the set was made out of paint.

After the series ended in 1971, the set remained standing until it was destroyed in 1974 while the final scene of Ilsa, She Wolf of the SS was filmed

The actors who played the four major German roles—Werner Klemperer (Klink), John Banner (Schultz), Leon Askin (General Burkhalter), and Howard Caine (Major Hochstetter)—were all Jewish. Furthermore, Klemperer, Banner, and Askin had all fled the Nazis during World War II (Caine, whose birth name was Cohen, was an American). Further, Robert Clary, a French Jew who played LeBeau, spent three years in a concentration camp (with an identity tattoo from the camp on his arm, "A-5714"); his parents and other family members were killed there. Likewise, Banner had been held in a (pre-war) concentration camp and his family was killed during the war. Askin was also in a pre-war French internment camp and his parents were killed at Treblinka. Other Jewish actors, including Harold Gould and Harold J. Stone, made multiple appearances playing German generals.

As a teenager, Klemperer, the son of conductor Otto Klemperer, fled Hitler's Germany with his family in 1933. During the show's production, he insisted that Hogan always win against his Nazi captors, or else he would not take the part of Klink. He defended his role by claiming, "I am an actor. If I can play Richard III, I can play a Nazi." Banner attempted to sum up the paradox of his role by saying, "Who can play Nazis better than us Jews?" Klemperer, Banner, Caine, Gould, and Askin had all spent the real Second World War serving in the U.S. Armed Forces—Banner and Askin in the U.S. Army Air Corps, Caine in the U.S. Navy, Gould with the U.S. Army, and Klemperer in a U.S. Army Entertainment Unit. But the sitcom was not the first time Klemperer had played a Nazi: in 1961, he starred as the title character in the serious drama Operation Eichmann, which also featured Banner in a supporting role. Ruta Lee, Theodore Marcuse, and Oscar Beregi, Jr. also appeared in the film, each of whom went on to make several guest appearances on Hogan’s Heroes.

https://www.facebook.com/Retrovision

James Longstreet - American

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the book ice court heist has big group project involving people who don’t like each other vibes but the tv version is just going to be forced couples counseling via trying not to die together

Dante and Virgil in Hell (1879)

— by Gustave Courtois

Alien: So your calendar was created by this guy Caesar in...

Human: Rome.

Alien: And later updated to its current form by this guy Gregory in...

Human: Also Rome.

Alien: And your international date line passes opposite...

Human: Greenwich, England.

Alien: Why?

Human: Well, they used to have a really good clock...