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maaikeatthefullmoon · 2 days

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Once upon a time, there was a Good Omens fanfiction reader, who swore they didn't like AUs.

They read all the discussions about the 'classics', the 'must reads' and shrugged.

"But it's not canon", they muttered to themself. "They're not human. How on Earth can anyone write these stories about them when they're not actually bloody human? It’s not right."

And then, dear reader, they were persuaded to read just one AU. They were still an angel and a demon, just in a slightly different universe. And then...then they tried a human AU. And then...then they were hooked. Obsessed, one might say.

That reader, dear reader, was me. Of course. Obviously. Well, duh. And I would like to share the obsession in the form of some recommendations.

I have the wonderful @shadesofecclescakes to thank for MANY of these absolute beauties, she is absolutely the QUEEN of recommendations (and medicinal gifs).

So, now, in no particular order, some Highly Recommended AUs:

Or Be Nice by charlottemadison Rated E - A is a bookseller, C is a drummer, they are BOTH petty bitches. They're newly neighbours. C has a CAT and I'm there for it, he also has migraines and I hard relate. It's bitchy and the pranks were DIVINE. It was also deliciously spicy. The loveliness is that the author really captured the flawed nature of humans but also how it can be overcome. Same author as What We Make of It (what was Shotgun Wedding - an absolute GO AU CLASSIC and one of the best things I've ever read)

Not a Mounted Dildo but a Fuck Machine by NaroMoreau & summerofspock Rated E - So very, very E. This one was just filthy. So wonderfully filthy. The authors would like to tell you there was no plot to their porn, but there really was. A meets a girl online, because A is straight. He really is. Honest. But then, oops, lockdown happens. But, it's a good thing, really. For his best homeboy C is there, to help this poor virgin 'learn the ropes' for when lockdown is over and he goes on his first date...with the girl he's so very much into...coz, no homo, yo...;)

The Whole Damned World Seemed Upside Down by WyvernQuill Rated M - An AU in the way that it's still angel/demon but after Crowley makes a wish for things to be 'different', the universe obliges...and he's dumped into a reality which is very, very different to what he knew. He learns some truths and there's a whole lot of drama. Beautifully written with a wonderful plot and great drama. Excellently described and would make for great TV. (Oh, and Death in the new reality is really squeamish - it's brilliant.)

Telling Tall Tales by Siobhans_World Rated E - A sweet pretend relationship fic, where A pretends to be Maggie's boyfriend to help her pass as straight for her family. But he then meets her cousin, C, who he then inevitably (ineffably?) falls for. Miscommunication, angst, fluff, gay panic, it's got everything.

Flawless by @mrghostrat & @chernozemm Rated E - I've decided only to include one fic by each author and boyyy was it hard for ghostrat! But Flawless was, well, flawless. For such a relatively short story, it kept us guessing until the end. The characters were all beautifully written - the flaws (ha.) were DEEP and CRACKED but so fucking perfectly sculpted and presented. It was incredibly real and believable. Extremely maturely written and satisfying. AND THE ART!!!

How To Pull An Angel: A Bunnings DIY Guide by NascentSurrender Rated M - When I first saw the title, I thought it was going to be a silly, irreverent, comedy romp. But it was actually a funny, well written story that will stick in my mind always. Firstly, C watches Bluey - which is now CANON for me. Secondly, having lived in Aus as a child, I've got a soft spot for the country anyway, and I've barely ever seen it come up, so this was lovely. There were some wonderfully humorous bits, but also tender and beautiful moments that I adored.

Montreal Confidential by Maggie_Honeybite Rated E - I learned about Montreal (and Canada & their baked goods), classical music and mafia stuff in this fic. A is a widower. C plays the cello. His cello's name is Bentley. This is one of the only age-gap, mild D/s fics I've actually gotten into. There's fluff AND drama. CW for non-con (not A/C)

Under the Summer Stars by @pannotbread Rated E - an amazing astrophysics/astroecology/astrobiology fic that has pining, slow burn and Only One Telescope (yes, really, and it's everything you'd imagine). It's got beautifully written (erotic) imagery and So Much Science that's been written accessibly but still with amazing detail. It's poetry. It's hot. It's gorgeous. CW for internalised homophobia and self hatred. *Not completed yet*

Oddity by @tsyvia48 Rated E - A museum fic! About David Bowie! A is in charge of collections, C is an actor hired by (highly incompetent) Gabriel to guest curate a new Bowie exhibit. Miscommunication ensues for delicious tension. There's bitchiness, there's a bit of light angst, there's a lotta love. *Not Completed Yet* Poetry Carved In Flesh by fellandcrow Rated E - I'm obsessed by tattoos. Hence, I am obsessed by this story. I'm planning a(n enormous) GO tattoo once GO3 is out, and this fic has actually helped me with my ideas. London-based A stalks lovingly follows Edinburgh-based tattoo artist C online. They build up a rapport. Well, C likes A. A is SMITTEN with C. C encourages A to get tattoos. Which he does. C designs a tattoo especially for A, the fic has currently left off at the point where C is in London and going to tattoo A. *Not Completed Yet*

There Is A Light & It Never Goes Out by @phoen1xr0se Rated M - A escapes from a disappointing, chaotic life to a remote island for five months to do research on puffins. There he meets lighthouse keeper C. Who also ran away, 20 odd years ago. There is a chaotic, found family on the island, but it is small, and it is lovely. This fic is written with love and passion and the imagery is so beautiful. The author has actually gone to do Actual. Physical. Research. on puffins. So how is THAT for dedication? Cannot wait until it resumes. *Not Completed Yet*

Ok, because I am Bad At Tumblr, I've not tagged the majority of authors, if you are on here - please let me know if you're here and I'll edit!

I should probably add in the following, I suppose. I'm writing an AU.

Free by, well, me. Imposterssyndrome (yes I know it's Imposter Syndrome, but that one already existed) Rated E - A runs a bookshop, C has an unfortunate past as a runaway ex-addict. They meet in an acute mental health ward after both having had a mental health crisis. Eventually A invites C to move in, and they navigate sharing a space, and their lives together. The story starts heavy, and is an emotional roller coaster, but there are moments of fluff and smut mixed in. There is a happy ending, I promise. It's a passion project, heavily researched and has a LOT of lived experience in it. I've gotten to know some amazing people through it who have messaged me and shared their experiences and I'm so glad I wrote it. *Not Completed Yet*

Last thing to say - once I finish Free, I will be teaming up with @shadesofecclescakes to write another human AU which is VERY much in her wheelhouse and I CANNOT FUCKING WAIT. I just know you're all going to LOVE it. The only thing that will make it even better is ART, so we're still on the hunt for someone.

**Last-last thing to say. I’ve missed off a few Biggies. There are some super popular AUs, mostly written around 2019. Most people will have read them. I’ve tried to focus on the perhaps lesser-known & WIP ones. Although I know many people don’t read WIPs, hopefully you’ll (book)mark them for future!**

#good omens fan fiction #good omens fanfic #fanfic recommendation #good omens fanfic recommendations #good omens fic recs #good omens au #good omens human au #go fanfic #fanfic rec #go au recs

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bliphany · 8 months

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Rewatching A Companion to Owls because that was my favorite episode in the whole Good Omens season 2 (probably my favorite episode in the whole Good Omens TV universe so far if I’m being honest)

As far as we know, Aziraphale was the one who first claimed that they were, in that case, on the same side.

Before 2500 BC both of them were probably just circling each other when they did meet on earth. But that event/cooperation really set the foundation of their relationship emotionally imo. Before that, they talked about each side’s plans that they couldn’t outright disagree but nothing too personal.

After that, though, there was more vulnerability and emotion showed in their conversation. We could see Crowley’s bad mood and Aziraphale’s nervousness was more towards his head office but not towards Crowley. Aziraphale saying “I don’t like this either but I can’t (except when we could win the day using a trick)”

Also, when Crawly said he was on his own side, Aziraphale replied with:”that sounds…” and Crawly challenged: “What?”

This time rewatching, it hit me that, for a moment Crawly might guess, or we as audience might guess, that Aziraphale would claim him to be hubris. That’s probably what Crawly got a lot from both Heaven and Hell. For questioning what had created him in the first place and what could destroy him in a blink.

However, Aziraphale didn’t say anything even close to that. Aziraphale recognized it because he also tasted it before.

It was loneliness.

So many people or beings alike, they viewed asking questions, giving different opinions as rebellious and refusal of connection while it was actually the opposite. That was an act of reaching out and to connect more deeply, to understand and to be understood. Yet it was called too curious for their own good at best, asking to be casted out at worst. It was blamed as not humble and hubris. While at its core it was nothing but frustration of failing to connect to something they deeply cared.

And that was indeed awfully lonely.

#good omens meta #crowley #aziraphale #aziracrow #ineffable husbands #good omens discussion prompt #a companion to owls #good omens 2500bc #the story of good omens is about many things and one of them to me is loneliness #my good omens meta

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neil-gaiman · 4 months

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Hi Neil,

Regardless of if you ever see this I’ll be happy the sentiment was put there.

As I got into adulthood I lost touch with many of my interests and hobbies. Things like study and work seemed to take over my life and I forgot about many of the things I enjoyed that kept me sane as a child.

But after watching and reading Good Omens I’ve done 4 things:

1. Picked up the piano again after 10 years not playing just so I could learn the theme song. I’ve been at it for months and I’m usually terrible at sticking to things but I’ve promised a friend we are going to do a duet with them playing the kazoo so I have to now obviously

2. I started to draw again on a regular basis

3. I started to write again for the first time since I was a kid and found I actually have quite a passion for it. I’d like to publish at least one book some day with my own illustrations

4. I retuned to tumblr and was pleasantly surprised to find such a wonderful fandom who all love this story as much as I do. And I think it’s wonderful you are also here to watch us all adore it. And so that we can send our appreciation back to you and everyone else involved in making it come to life.

The love and care you and Terry have put into it is so clear. This story and seeing how you interact with the fandom reminded me of how important story telling and creation is to the world. And its lead me back to many things I’d thought I had lost. So thanks to you and every other creative out there, it’s easy to get stuck in our bubble and think what we’re putting out there doesn’t matter. But if you or Terry had given in to that kind of thinking we wouldn’t have Good omens! And that’s something I like to think about when I doubt what I make.

That makes me very happy.

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laurashapiro-noreally · 6 months

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Good Omens S2 fic recs

Need something good to read?

it's written all over by @et-in-arkadia, who never fails to grab me by the throat. Aziraphale comes back that very night and gives Crowley exactly what he wants...sort of. (E)

A Million Times by @chamyl. A breathless, tender reconciliation with excellent Muriel in. (E)

Not for All My Little Words by @mia-ugly and soft_october. For everyone who wants to see Aziraphale apologize. A lot. (E)

I'll Wait by @copperplatebeech. Could've chosen any of a dozen of Copper's sharp, shrewd pieces. Whether you like them funny, aching, hot, or tender, she's got your number -- often all at once. This one's (T)

A Bit of a Gray Area by @princip1914. Look, I for one was waiting for bad angry standing-up sex in a bathroom. The fact that it's one of my favorite authors providing it is the icing on my eccles cakes. (E)

(Do eccles cakes have icing? Is the E in eccles capitalized? I am not doing research for this Tumblr post.)

Five First Kisses And One [5+1 Things] by @werpiper. If you need to believe that there were many kisses before That One, this is a great story to enjoy, and if you need to believe they were banging through history, @werpiper is a great writer to get acquainted with. (E)

in the french fashion by @giddygeek. Were you wanting that 1941 "something I can do for you" hot, romantic, in-character, and intellectually intriguing? Step right up. (E)

the soft animal of your body by @focusfixated. A short but powerful take on the ox rib situation. (E)

An Invitation to Dance by @lavraiemonchichi. Another short take. What if the apology dance, but kinky? (E)

Covenant of Salt by @twwings. Make it long, make it deep, do it in the dark. Hard, complicated like fine wine. Yeah, that's the way I like it. Get acquainted with twings, she's dynamite in this or any other fandom (ask me about her MCU novel!).(E)

the two shepherds of uruk by @inkatesbush. WHAT a story, OMG. A slow burn in the context of the Tower of Babel. These two hardly know one another, but they'll learn, oh, they'll learn. Agile prose, storytelling like a blow to the solar plexus. (E)

White on White by @twilightcitysky. What could be a more appropriate erotic awakening for Aziraphale than a sad wank in Heaven? Well, I could tell you, but you'd have more fun if you read this story and its sequels. (E)

The Butterfly Effect by @plaidadder. A master storyteller at the top of their game, this Doctor Who crossover works even if you don't know Doctor Who and aren't excited about crossovers. Why? Because what could be more satisfying than putting Aziraphale and Crowley in a time loop until they work out their nonsense? I'll tell you what: humor, stunningly romantic prose, Revelations-inspired eldritch horrors, and happy endings for everyone. (T)

Have fun and don't forget to leave comments!

#good omens #ineffable husbands #crowley #aziraphale #doctor who #fanfiction #fanfic #ao3 fanfic #fic recs #good omens fic recs #good omens fic #good omens fanfiction #good omens fanfiction recs #fandom is my fandom

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katrafiy · 1 year

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I think about this image a lot. This is an image from the Aurat March (Women's March) in Karachi, Pakistan, on International Women's Day 2018. The women in the picture are Pakistani trans women, aka khwaja siras or hijras; one is a friend of a close friend of mine.

In the eyes of the Pakistani government and anthropologists, they're a "third gender." They're denied access to many resources that are available to cis women. Trans women in Pakistan didn't decide to be third-gendered; cis people force it on them whether they like it or not.

Western anthropologists are keen on seeing non-Western trans women as culturally constructed third genders, "neither male nor female," and often contrast them (a "legitimate" third gender accepted in its culture) with Western trans women (horrific parodies of female stereotypes).

There's a lot of smoke and mirrors and jargon used to obscure the fact that while each culture's trans women are treated as a single culturally constructed identity separate from all other trans women, cis women are treated as a universal category that can just be called "women."

Even though Pakistani aurat and German Frauen and Guatemalan mujer will generally lead extraordinarily different lives due to the differences in culture, they are universally recognized as women.

The transmisogynist will say, "Yes, but we can't ignore the way gender is culturally constructed, and hijras aren't trans women, they're a third gender. Now let's worry less about trans people and more about the rights of women in Burkina Faso."

In other words, to the transmisogynist, all cis women are women, and all trans women are something else.

"But Kat, you're not Indian or Pakistani. You're not a hijra or khwaja sira, why is this so important to you?"

Have you ever heard of the Neapolitan third gender "femminiello"? It's the term my moniker "The Femme in Yellow" is derived from, and yes, I'm Neapolitan. Shut up.

I'm going to tell you a little bit about the femminielli, and I want you to see if any of this sounds familiar. Femminielli are a third gender in Neapolitan culture of people assigned male at birth who have a feminine gender expression.

They are lauded and respected in the local culture, considered to be good omens and bringers of good luck. At festivals you'd bring a femminiello with you to go gambling, and often they would be brought in to give blessings to newborns. Noticing anything familiar yet?

Oh and also they were largely relegated to begging and sex work and were not allowed to be educated and many were homeless and lived in the back alleys of Naples, but you know we don't really like to mention that part because it sounds a lot less romantic and mystical.

And if you're sitting there, asking yourself why a an accurate description of femminiello sounds almost note for note like the same way hijras get described and talked about, then you can start to understand why that picture at the start of this post has so much meaning for me.

And you can also start to understand why I get so frustrated when I see other queer people buy into this fool notion that for some reason the transes from different cultures must never mix.

That friend I mentioned earlier is a white American trans woman. She spent years living in India, and as I recal the story the family she was staying with saw her as a white, foreign hijra and she was asked to use her magic hijra powers to bless the house she was staying in.

So when it comes to various cultural trans identities there are two ways we can look at this. We can look at things from a standpoint of expressed identity, in which case we have to preferentially choose to translate one word for the local word, or to leave it untranslated.

If we translate it, people will say we're artificially imposing an outside category (so long as it's not cis people, that's fine). If we don't, what we're implying, is that this concept doesn't exist in the target language, which suggests that it's fundamentally a different thing

A concrete example is that Serena Nanda in her 1990 and 2000 books, bent over backwards to say that Hijras are categorically NOT trans women. Lots of them are!

And Don Kulick bent over backwards in his 1998 book to say that travesti are categorically NOT trans women, even though some of the ones he cited were then and are now trans women.

The other option, is to look at practice, and talk about a community of practice of people who are AMAB, who wear women's clothing, take women's names, fulfill women's social roles, use women's language and mannerisms, etc WITHIN THEIR OWN CULTURAL CONTEXT.

This community of practice, whatever we want to call it - trans woman, hijra, transfeminine, femminiello, fairy, queen, to name just a few - can then be seen to CLEARLY be trans-national and trans-cultural in a way that is not clearly evident in the other way of looking at things.

And this is important, in my mind, because it is this axis of similarity that is serving as the basis for a growing transnational transgender rights movement, particularly in South Asia. It's why you see pictures like this one taken at the 2018 Aurat March in Karachi, Pakistan.

And it also groups rather than splits, pointing out not only points of continuity in the practices of western trans women and fa'afafines, but also between trans women in South Asia outside the hijra community, and members of the hijra community both trans women and not.

To be blunt, I'm not all that interested in the word trans woman, or the word hijra. I'm not interested in the word femminiello or the word fa'afafine.

I'm interested in the fact that when I visit India, and I meet hijras (or trans women, self-expressed) and I say I'm a trans woman, we suddenly sit together, talk about life, they ask to see American hormones and compare them to Indian hormones.

There is a shared community of practice that creates a bond between us that cis people don't have. That's not to say that we all have the exact same internal sense of self, but for the most part, we belong to the same community of practice based on life histories and behavior.

I think that's something cis people have absolutely missed - largely in an effort to artificially isolate trans women. This practice of arguing about whether a particular "third gender" label = trans women or not, also tends to artificially homogenize trans women as a group.

You see this in Kulick and Nanda, where if you read them, you could be forgiven for thinking all American trans women are white, middle class, middle-aged, and college-educated, who all follow rigid codes of behavior and surgical schedules prescribed by male physicians.

There are trans women who think of themselves as separate from cis women, as literally another kind of thing, there are trans women who think of themselves as coterminous with cis women, there are trans women who think of themselves as anything under the sun you want to imagine.

The problem is that historically, cis people have gone to tremendous lengths to destroy points of continuity in the transgender community (see everything I've cited and more), and particularly this has been an exercise in transmisogyny of grotesque levels.

The question is do you want to talk about culturally different ways of being trans, or do you want to try to create as many neatly-boxed third genders as you can to prop up transphobic theoretical frameworks? To date, people have done the latter. I'm interested in the former.

I guess what I'm really trying to say with all of this is that we're all family y'all.

#transgender #third gender #hijras #femminielli #trans women are women #trans solidarity #trans rights #transmisogyny #transunity #transunitism #this is what trans unity looks like

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patronsaintofelsewhere · 8 months

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Thoughts on Angel Crowley & Healing from Trauma

(Minor Good Omens S2 Spoilers)

As someone who’s endured my own Trauma and dealt with the resulting PTSD, watching Crowley’s journey from a joyful, silly, and entirely innocent angel to a withdrawn, lonely, hyper-vigilant demon as a result of the Fall both shattered my heart and confronted me with the fact of myself, and I’d like to talk about it.

When you* experience Trauma, you experience an existential disorientation and a profound sense of grief over the world you thought you knew–one where you were safe and nothing bad had ever happened to you. “Innocence died screaming,” and all that.

You're also therefore mourning the loss of who you were, and struggling to make sense of who you are now. Which is why this conversation is so gut-wrenching:

“I know you.” “You do not know me.” “I knew the angel you were.” “The angel you knew is not me.”

This dialogue admittedly still makes my eyes swim. It’s reminiscent of the many conversations I’ve had with people close to me who knew me Before and After. Not only are you grieving the loss of your own innocence, so are those around you, and it feels like you’re wearing their loved one’s face like a mask.

And then underneath the grief, there’s a river of–what you’ll later discover is misplaced–guilt. They want you to be who you were. Fuck, you also want to be who you were -- to not have experienced what you did -- but you can’t.

And when they catch a glimpse of something that reminds them of Before-You -- because it's not like that you has just up and vanished, you've just changed -- they say things like, “I feel like I have you back!” Like the After-You is a consolation prize, something to be tolerated while they wait for the Before-You to return.

It’s not malicious. They love you. They want you to be happy. But it just serves as a reminder of your loss and suddenly you’re acutely aware of how alone you are with the Thing that hurt you.

After trauma, you’re lonely and you're afraid. But those emotions make you feel quite naked, because both of those things would require you to depend on other people to feel better and, at this point, the thought of doing that is far too scary, so to the world, you’re angry. Thus begins the cyclical self-fulfilling prophecy.

And that cycle goes a bit like this: People see the mistrust and the bitterness and the volatility (the shield that keeps people at an arm's length and helps you feel safe). They don't see the profound sustained fear underneath, the desperate need to feel seen and accepted. And so people pull away.

And that real or perceived abandonment feeds the monster that’s taken up permanent residence in your ribcage and screams at all hours that you’re not worthy of love, that you’re irreparably broken, and you’ll always be alone. And you pull away from the people that love you. And the cycle repeats. And you start to believe all of the bad things about yourself that the monster tells you.

Being confronted with a character who you adore and who you also relate to closely is bittersweet in that it’s both immensely painful, but also offers you an opportunity to interrupt that cycle, to explore a different -- perhaps more forgiving -- lens through which to view yourself. To practice self-compassion by proxy, if you will. After all, we tend to extend far greater empathy and forgiveness to others than we do to ourselves.

Angel Crowley, "who squeaked and squealed when he was happy; who flailed his arms around and made explosion noises with his mouth to explain nebulas; who preened when told his stars were pretty,” (joycrispy) reminded me a lot of “Angel T,” or rather myself before Trauma.

And Crowley's story is tragic. I was heartbroken and angry for him; I felt the depth of the betrayal he experienced at the hands of someone he loved who he'd believed loved him; I found myself wanting to protect him, to comfort him. Crowley did not deserve what happened to him.

And, over a decade later, I realized that I’d finally accepted that I’d been an innocent, just like Crowley had, and I didn't deserve what happened to me, either.

And -- if you find yourself relating to this post -- neither did you.

Once we can tell ourselves that and actually believe it, we can start to lower the shield. We can allow people closer, including ourselves. We can bring the parts of ourselves we may have hidden away back to the surface. We can soften again. We can truly start to heal.

Crowley, at his core, remains the same. He is still kind, deeply loving, playful, silly, and – against all odds – hopeful. But his trauma has changed him; his innocence is gone.

He struggles to trust others; fears abandonment; engages in unhealthy coping mechanisms; finds it easier to prioritize and tend to Aziraphale's needs and desires than his own; and has difficulty expressing his emotions.

But he also gained an abundance of empathy, a deep love for humanity, and a strong sense of justice.

We adore Crowley exactly as he is now; we don't wish for him to be who he was before the Fall. And neither does Aziraphale.

In kind, we won’t be who we were — nor should we try to be — but we can be something new, a different version of ourselves that is equally good, equally worthy, and equally deserving of love.

After over a decade, I think my Trauma wound has mostly healed, as much as Trauma wounds can, anyway; it’s a dull ache rather than an acute pain. Yet Crowley's story assuaged that remaining hurt like a salve I hadn’t realized I needed.

So thank you to @neil-gaiman for giving us such a beautiful story, and to David Tennant, Michael Sheen, and the rest of the cast and crew who bring the characters we love to life on screen.

Good Omens truly is a gift. May it continue to inspire us to offer kindness and love to ourselves and one another. 🖤

* I am aware that I say “you” when I should use the singular first-person “I,” but I still struggle with this when talking about my own trauma. So I’m using “you” and you, reader, will deal with it x

#good omens #good omens season two #good omens 2 spoilers #aziraphale x crowley #anthony j crowley #angel crowley #anthony crowley #crowley #crowley good omens #good omens crowley #crowley trauma #gos2spoilers #go s2 #go season 2 #good omens 2 #aziracrow #david tennant #good omens character analysis

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cybernaght · 9 months

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The fandom echo chamber: fanon, microanalysis and conspiracy brain

As someone who has been in fandom spaces, on and off, for 20 years, I find some fascinating trends popping up in the last decade that I thought to be fandom-specific but clearly aren’t. So, I would like to do a little examination of where those things come from, how they are engaged with, and what it says about the way we consume media. This is a think piece, of sorts, with my brain being the main source. As such, we will spend some time down the memory lane of a fandom-focused millennial.

This is largely brought about by Good Omens. But it’s also not really about Good Omens at all.

Part one. Fanon.

The way we see characters in any story is always skewed by our very selves. This is a neutral statement, and it does not have a value judgement. It’s simply unavoidable. We recognise aspects of them, love aspects of them, and choose aspects of them to highlight based entirely on our own vision of the universe.

Recognition comes into this. There is a reason so many protagonists of romance novels have a “blank slate” problem. Even when they do not, we love characters who are like us or versions of us that we would like to be. And when we say “we”, I also mean, “me”.

(I remember very clearly this realisation hit me after a whole season of Doctor Who with writing which I hated utterly when I questioned why I still clung so incredibly hard to Clara Oswald as my favourite companion. Then I looked at myself in the mirror. Oh. Well. That would do it, wouldn’t it?)

Then, there is projection, and, again, this is a neutral statement. Projection exists, and it is completely normal and, dare I say it, valid way of engaging with — well, anything. Is the character queer? Trans? Neurodivergent? Are they in love? Do they like chocolate? Are they a cat person? Well, yes, if this is what the text says, but if the text does not say anything… You tell me. Please, do tell me. Because, in that moment of projection, they are yours.

And then, there is fandom osmosis, and that is the most fascinating one of them all, the one that is not very easy to note while you are inside the echo chamber. It’s the way we collectively, consciously or not, make decisions on who or what the characters are, what their relationships are, and what happens to them.

(Back when I was writing egregiously long Guardian recaps on this blog I actually asked if Shen Wei’s power being learning actually was stated anywhere in the canon of the show. Because I had no idea. I have read and reread dozen of fanfics where that is the case, and at some point through enough repetition, it became reality.)

We are all kind of making our own reality here, aren’t we?

Back when things were happening in a much less centralised manner - in closed livejournal groups, and forums of all shapes and sizes - I don’t remember there being quite as much universally agreed upon fanon. Frankly, I don’t remember much of universally agreed upon anything. But now, everything is in one place: we have this, and we have AO3, and it’s wonderful, it really is so much easier to navigate, but it’s also one gigantic reality-shifting echo chamber, with blogs, reblogs, trends, and rituals.

Accessibility plays its part, too. If you were, say, in Life on Mars (UK) fandom between seasons, and you wanted to post your speculation fic, you had to have had an account, and then find and gain access to one of the bigger groups (lifein1973 was my poison, but ymmv), and then, if you feel brave you may post it, but also, you may want to do so from your alt account if you wanted to keep yours separate, and then you would have to go through the whole process again. And I’m not saying that fan creations then were somehow inherently better for it than fan creations now (although Life on Mars Hiatus Era is perhaps a bad example - because some of the Speculation Fic there was breathtaking), but there is something to say about the ease of access that made the fandoms go through a big bang of sorts.

(I mean, come on, I can just come here and post this - and I am certain people will read it, and this blog is a pandemic cope baby about Chinese television for goodness sake.)

The canon transformations that happen in the fandom echo chamber truly are fascinating to witness as someone who is more or less a fandom butterfly. I get into something, float around for a bit, then get into something else and move on. I might come back eventually when the need arises, but I don’t sustain a hiatus mind-state. This means that when I float away and return, I find some very intriguing stuff.

Let’s actually look at Good Omens here. Season two aired, and I found it spectacular in its cosy and anguished way; deliberately and intelligently fanfic-y in its plot building; simple but subversive, and so very tender. (I will have to circle back to this eventually, because, truly, I love how deliberately it takes the tropes and shatters them - it’s glorious). And, to me - a person who read the book, watched the first season, hung around AO3 for a few weeks and moved on - absolutely on-point in terms of characterisation.

So imagine my surprise when the fandom disagreed so vehemently that there are actual multi-tiered theories on how characters were not in possession of their senses. Nothing there, in my mind, ever contradicted any of the stated text, as it stood. This remained a strange little mystery until I did what I always do when I flutter close to an ongoing fandom.

I loaded AO3 and sorted the existing fic by popularity. And there it was, all there: the actual earth-shattering mutual devotion of the angel and the demon; willingness to Fall; openness and long heart-aching confession speeches. There was all of the fanon surrounding Aziraphale and Crowley, which, to me, read as out of character, and to one for whom they became the reality over the last four years, read as truth.

Again, only neutral statements here. This is not a bad thing, and neither this is a good thing, this is just something that happens, after a while, especially when there are years for the fandom-born ideas to bounce around and stew. I can’t help but think that so much of what we see as real in spaces such as this one is a chimaera of the actual source and all the collective fan additions which had time and space to grow, change, develop, and inspire, reverberating over and over again, until the echoes fill the entirety of the space.

Eventually, this chimaera becomes a reality.

Part two. Microanalysis

Here are my two suppositions on the matter:

1. Some writers really love breadcrumb storytelling.

Russel T Davies, for instance, on his run of Doctor Who (and, if you are reading it much later - I do mean the original one), loved that technique for his seasonal arcs. What is a Bad Wolf? Who is Harold Saxon? Well, you can watch very very carefully, make a theory, and see it proven right or wrong by the end of the season.

Naturally, mystery box writers are all about breadcrumb storytelling: your Losts and your Westworlds are all about giving you snippets to get your brain firing, almost challenging you to figure things out just ahead of the reveal.

2. We, as humans, love breadcrumbs.

And why wouldn’t we? Breadcrumbs are delicious. They are, however, a seasoning, or a coating. They are not the meal.

Too much metaphor?

Let’s unpack it and start from the beginning.

Pattern recognition colours every aspect of our lives, and it colours the way we view art to a great extent. I think we truly underestimate how much it’s influenced by our lived experiences.

If you are, broadly speaking, living somewhere in Western/North-Western Europe in the 14th century, and you see a painting in which there is a very very large figure surrounded by some smaller figures and holding really tiny figures, you may know absolutely nothing about who those figures are, but you know that the big figure is the Important One, and the small ones are Less Important Ones, and the tiny ones are In Their Care. You know where your reverence would lie, looking at this picture. And, I imagine, as someone living in the 14th century, you may be inspired to a sense of awe looking at this composition, because in the world you live in, this is how art works.

If you, on the other hand, watch a piece of recorded media and see the eyes of two characters meet as the violins swell, you know what you are being told at that moment. You don’t have to have a film degree to feel a sort of way when you see a green-tinged pallet used, when cross-cuts use juxtaposing images, or notice where your focus is pulled in any given shot. This stuff - this recognition of patterns - has been trained into us by the simple fact that we live in this time, on this planet, and we have been doing so long enough to have engaged recorded media for a period of time.

As humans, we notice things. Our brains flare up when they see something they recognise, and then we seek to find other similar details and form a bigger picture. This often happens unconsciously, but sometimes it does not. Sometimes we do it on purpose: finding breadcrumbs in stories is a little bit like solving a mystery. It allows us to stretch that brain muscle that puts two and two together. It makes us feel clever.

So yes, we love breadcrumbs, and, frankly, quite a lot of storytelling takes advantage of this. It’s very useful for foreshadowing, creating thematic coherence, or introducing narrative parallels and complexity. It’s useful for nudging the viewer into one or the other emotional direction, or to cue them into what will happen in the next moment, or what exactly is the one important detail they should pay attention to.

Because this is something media does intentionally, and something we pick up both consciously and not, it is very hard to know when to stop. We don't really ever know when all of the breadcrumbs have been collected. It becomes very easy to get carried away. There is a very specific kind of pleasure in digging into content frame by frame, soundbite by soundbite, chasing that pleasure of finding.

But it is almost never breadcrumbs all the way down. They are techniques to help us focus on the main event: the story. I truly believe those who make media want it to reach the widest possible audience, and that includes all of us who like to watch every single thing ever created with our Media Analysis Goggles on and those who are just here to enjoy the twists and turns of the story at the pace offered to them. And I think, sometimes in our chase to collect and understand every little clue we forget that media is not made to just cater for us.

One can call it missing a forest for the trees. But I would hate to mix my metaphors, so let’s call it missing a schnitzel for the breadcrumbs.

Part three. The Conspiracy Brain.

If you are there with me, in the midst of the excited frenzy, chasing after all those delicious breadcrumbs, then patterns can grow, merge together, and become all-encompassing theories. Let’s call them conspiracy theories, even though this is not what they truly are.

So, why do we believe in conspiracy theories?

One, Because We Have Been Lied To.

All conspiracies start with distrust.

If you are in fandom spaces - especially if you are in fandom spaces which revolve around a queer fictional couple - especially-especially if you have been in such spaces for a period of time, you have most certainly been lied to at one point or another.

We don’t even have to talk about Sherlock - and let’s not do that - but do you remember Merlin? Because I remember Merlin. Specifically, I remember the publicity surrounding the first season, with its weaponised usage of “bromance” and assertions that this whole thing is a love story of sorts, and then the daunting realisation that this was all a stunt, deliberately orchestrated to gather viewership.

And, because we were lied to in such a deliberate manner for such an extensive period of time, I genuinely believe that it forever altered our pattern recognition habits, because what was this if not encouragement to read into things? Now we are trained to read between the lines or see little cries for help where they might not be. Because we were told, over and over again, that we should.

(Yes, I think we are all existing in these spaces coloured by the trauma of queer-bating. I am, however, looking forward to a world where I can unlearn all of that.)

Two, Cognitive Dissonance.

The chain reaction works a bit like this: the world is wrong - it can’t possibly be wrong by coincidence - this must be on purpose - someone is responsible for it.

Being Lied To is a preamble, but cognitive dissonance is where it all originates. In so many cross-fandom theories I have noticed a four-step process:

A) this is not good

B) this author could not have made a mistake

C) this must be done on purpose

D) here is why

(Funny thing is, I have been on the receiving end of the small conspiracy spiral, and it is a very interesting experience. Not relevant to this conversation is the fact that a lot of my job revolves around storytelling. What is relevant is that my hobbies also revolve around storytelling. And one of them is DnD. Now, imagine my genuine shock when one of the players I am currently writing a campaign for noticed a small detail that did not make a logical sense within the complexity of the world, and latched on to it as something clearly indicating some kind of a secret subplot. Their thinking process also went a bit like this: this detail is not a good piece of writing — this DM knows how to tell stories well — this is obviously there on purpose. It was not there on purpose. I created a clumsy shorthand. I erred, in that pesky manner humans tend to. And, seeing this entire thought process recited to me directly in the moment, I felt somewhere between flattered and mortified.)

This whole line of thinking, I think, exists on a knife’s edge between veneration and brutal criticism, relentlessly dissecting everything “wrong”, with a reverent “but this is deliberate” attached to it like a vice, because it is preferable to a simple conclusion that the author let you down, in one way or another.

Three, Intentionality

I believe that there is no right or wrong way of engaging with stories, regardless of their medium, and assuming no one gets hurt in the process. While in a strictly academic way, there is a “correct” way of reading (and reading into) media, we here are largely not academics but consumers; consumption is subjective.

However, this all changes when intentionality is ascribed.

The one I find particularly fascinating is the intentionality of “making it bad on purpose” because, as open-minded as I intend to always be, this just does not happen.

It certainly does not happen in long-form media. Even in the bread-crumb mystery box-type long-form media.

When television programs underdeliver, they also underperform, and then they get cancelled.

If all the elements of Westworld Season 4 that did not sit together in a completely satisfactory way were written deliberately as some sort of deconstruction for the final season to explore, then it failed because that final season will now never come.

(There will likely never be a Secret Fourth Episode.)

And look, I am not here to refute your theories. Creativity is fun, and theorising is fantastic.

But, perhaps, when the line of thought ventures into the “bad on purpose” territory, it could be recognised for what it is: disappointment and optimism, attempting to coexist in a single space. And I relate to that, I do, and I am sorry that there is even a need for this line of thinking. It’s always so incredibly disappointing that a creator you believed to be devoid of flaws makes something that does not hit in the way you hoped it would. It’s pretty heartbreaking.

Unfortunately, people make mistakes. We are all fallible that way.

Four, Wildfire.

Then, when the crumbs are found, a theory is crafted, and intentionality is ascribed, all that needs to happen is for it to catch on. And hey, what better place for it than this massive hollow funnel that we exist in, where thoughts, ideas and interpretations reverberate so much they become inextricable from the source material in collective consciousness.

Conspiracy theories create alternate realities, very much like we all do here.

So where are we now?

I am not here to tell you what is right and what is wrong; what is true, and what is not. We are all entitled to engage with anything we wish, in whichever way we wish to do it. This is not it, at all.

All I am saying is… listen.

Do you hear that echo?

I do.

#fandom thoughts #fanon #good omens #good omens 2 #bbc sherlock #merlin bbc #think piece #it's been years and I still have no idea how to tag #conspiracy theories #fandom content #all fandoms

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phyrestartr · 23 days

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Divine Favour | Sukuna x Kitsune!Reader (TEASER)

#full is NSFW, mild yuuji/reader, yuuji and gang are v early 20s, heian sukuna, male reader, typical kitsune shapeshifting, mentions of abuse, typical canon violence, morally grey reader, sukuna has FEELINGS but is BAD AT FEELINGS

A/N: this fic is so long rn lol I just have to release a piece of it into the wild :sob: feel free to reply if you want to be tagged for the full story when it's ready

☆☆☆

You were never supposed to be anything more than a trinket. You were a gift from some family trying to show off for Sukuna, so much so that they offered him a delicacy, something he surely didn't have yet–a yokai. A kitsune, to be more exact. One with peculiar black tails.

Sukuna found it interesting, and similarly desperate, to be brought such a creature as tribute. Certainly, it was meant to be seen as a high honour, yet somehow it felt…off. Why would humans give up something so powerful?

Unexpectedly, it'd be you who told him.

They submit me for the sake of convenience and mockery, your withering voice whispered where no one else could hear. You sounded weak. Tired. Maybe afraid, yet brave enough to reach towards the king and unveil the intentions of the men who brought you before him.

Sukuna's eyes flicked to you, his feigned interest in what the sorcerers said falling straight into dismissal. You were much more intriguing.

“Oh?” Sukuna asked, a smile creeping onto his face. The speakers ceased their jabbering and stared at your back with fierce intensity. Sukuna grinned wider. Oh, how he loved the way fear twisted mortal faces.

You didn't shift or crumple into yourself under the eyes of so many, however. You pushed on with what little energy and life you had, so intent on dragging that clan through the mud.

What I say is true, you assured simply. I expect to die today–

“Speak so everyone hears you, fox,” Sukuna commanded.

“--so I–I–” you coughed and cleared your throat, trying to rid your voice of the scratchy, weakness it struggled through. “I wish to not die with regrets.

“They have rendered me ill and unable to produce children, they see the black of my tails and regard me as an ill omen; yet they bring me to you, daring to spin sweet tales about the value of such an offering. But they lie,” You hissed. Your eyes glinted with molten malice, and Sukuna fell captivated. “They throw me to you as they would diseased meat to dogs.”

The courtyard fell silent, and Sukuna basked in it. You really were such a little troublemaker. A quietly chaotic force of nature.

The king stood, rolling his shoulders as he did, and his pride flared as you dropped to your knees before him in respect. He walked to you and patted your head as one might a child's before appraising the sorcerers stood before him.

“What a disappointment,” Sukuna sighed, raising another hand. The couple took up position, pooling their cursed energy in hopes of fending off the monster standing before them. The effort was quite cute. “Here I thought your clan might actually earn my mercy.” His hand dropped as the two lunged. Then, the two clansmen fell, too, both in neat, vertical halves. Quite overkill, yes, but he had a point to make.

Where he expected a reaction from you, he got nothing. Only panting and poorly-stifled coughs came from you, racking through the entirety of your skin and bones frame. Sukuna could see it up close now, the way your body trembled from fatigue, the sickly greying of your skin, the scent of disease clinging to you.

That wouldn't do. Sukuna liked his things to be in good shape.

“Uraume,” Sukuna droned as he stared down at you, “fix this.”

#sukuna x reader #ryomen sukuna x reader #sukuna x male reader #sukuna x m!reader #sukuna x you #jjk x you #male reader insert #male reader #jjk x reader #jujutsu kaisen reader insert #jujutsu kaisen x male reader #jujutsu kaisen x you

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cheeekycharchar · 10 months

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The Forbidden Fruit, Choices and Fear

[A GOOD OMENS META ANALYSIS OF AZIRAPHALE POST S2] I know everyone is still upset about that gut punch of an ending to GO S2.. and many are also extra upset at Aziraphale.. I'm in so much pain over it too but.. I have to rationalize that damned "I forgive you" line that broke all our hearts to comfort me until we get S3.. I basically overanalyze our favorite cocoa loving Angel to explain his reaction to the kiss and why we all need to be a lil kinder to him.

2500 BC in the Land of Uz.. Aziraphale, the Angel of the Eastern Gate, had the fear of God put into him. And this affected the rest of his immortal life up until that kiss.

Angels, after the Fall and the great war between Heaven and Hell, had the fear of the Almighty's wrath put into them. They all fell in line and stayed in line. Or else they'd end up like their fallen brethren.. or worse. But there was one lil Angel that had since toed that line..

"Didn't you have a flaming sword? Yeah, it was flaming like anything." "…Gaveitaway.." "You what?" "I gave it away!" As far as we've seen, this is the first time Aziraphale did something "bad". And he's already feeling the pressure. The guilt. The fear. He didn't follow the rules. He didn't do exactly as he was told. And suddenly, here's a Demon slithering up next to him and making him doubt his choice even more. The same Demon that snuck past the guardians of Eden and tempted the first human's into eating the apple, breaking the rules and getting them kicked out of paradise on Earth.

"Bit of an over reaction if you ask me. First offence and everything. I can't see what's so bad about knowing the difference between good and evil anyway. "Well, it must be bad.. [..] Otherwise.. you wouldn't have tempted them into it." "Not very subtle of the Almighty, though. Fruit tree in the middle of a garden with a 'Don't Touch' sign. Makes you wonder what God's really planning." "Best not to speculate. It's all part of the Great Plan. It's not for us to understand. It's ineffable. It is beyond understand and incapable of being put into words."

Already the seeds of doubt are tinkering in his mind. Stay in line. No more questioning the Almighty's plans. That's what got all the bad Angels thrown out of Heaven and then Adam and Eve exiled too.

"I do hope I didn't do the wrong thing." "Oh, you're an angel. I don't think you can do the wrong thing." "Oh, thank you. It's been bothering me." "I've been worrying, too. What if I did the right thing with the whole 'eat the apple' business? A demon can get into a lot of trouble for doing the right thing. It'd be funny if we both got it wrong, eh? If I did the good thing and you did the bad one." *chuckles* "..No. It wouldn't be funny at all!"

And then we get to season two's opening reveal. Crowley and Aziraphale had actually met before the wall of Eden.

"But that's idiocy!" {…} "It's not our job to advise the Almighty on the details of creation." "Well, then whose job is it?" {…} "Well, if I was the one running it all, I'd like it if someone asked questions. Fresh point of view."

And thanks to Aziraphale mentioning the Great Plan to Angel Crowley.. it put seeds of doubt into his mind. Making him question the Almighty's plans.

".. I'd hate to see you getting into any trouble." "Thanks for your help. And thanks for your advice. I wouldn't worry though. How much trouble can I get into just for asking a few questions?"

And then 10 million Angels fell. Kicked out of Heaven and marked as evil, unforgivable, and without God's love for eternity. Then we get the flashback to the story of a a prosperous man of outstanding piety named Job and how his life was destroyed because of a bet between God and Satan to test his faith even in adversity.

"What did he [Job] do? "Job? Nothing. Job's the nicest man in the world. That's why he's so perfect for the bet. You see, God was saying how righteous Job was and how much Job loved God. And Satan pointed out-- that maybe that was just 'cause God's been so nice to him. ..God's letting Satan destroy everything Job has. And then we'll see."

Now remember, the great flood wasn't too long ago. Where the Almighty wiped out nearly all of the human race with a big storm cause they were tetchy aka simply irritable, bad-tempered and annoyed. So this time, Aziraphale actually questions Heaven about this bet when he finds out that Job's children will be killed.

"Trust in God's plan, Aziraphale. Always." "Of course. So, once Job's trials are over, everything is restored to him?" "Even better than that. God will reward him with twice as much as he had before." {…} "I think they quite like the old ones [Job's children].. And if.. we kill them-" "-Aziraphale… we are the good guys. We're not killing anyone. What we are doing is simply not stopping hell. What they do is up to them."

His faith is wavering. He can hardly believe that Heaven would actually destroy a good man's family without truly understanding the fragility and consequences of human life/death; all to test him on a bet.

"Are we sure that Sitis wants to give birth four more times?"

Furthermore, they would be forcing Job's wife to give birth 7 more times despite Aziraphale's warning of them loving their original 3 children and that Sitis may not actually want to give birth to more children at her age. Hence taking away her choice. But thankfully, good ol' Crowley is the worst demon ever and is secretly protecting Job's children and goats. Something they're keeping between the two of them. And then during this deception… Crowley tempts Aziraphale with his first bite of food.

"Have an ox rib." "Are you trying to tempt me?" "Not at all. Angels can't be tempted, can you?" "Certainly not." "Well, there you are then. You're free to try the food."

A temptation he quickly falls into. A choice to eat the food and enjoy it to gluttony. Another sin under his belt. In the end, Virtuous Job passed his test but had the shit reward in return. Except Crowley and Aziraphale secretly saved the children.. which lead to Aziraphale lying straight to Heaven.. again.

And this is where he finally falls apart.

"I'm ready to go." "Go where?" "To Hell." {….} "But you have to. I'm like you now.. A demon.." "You think you're a demon?" "I'm a fallen angel! I lied.. To thwart the will of God." "Well yeah, you did, but I'm not gonna tell anybody. ..Are you?" *shakes head no* "No. Then nothing has to change, does it?" "…But what am I?" "You're just an angel who goes along with Heaven as far as he can." "That sounds um.." "Lonely?" "Yeah. But you said it wasn't." "I'm a demon. I lied."

As Crowley always tells him- Demons lie. And Aziraphale lied. Again. And now they're keeping this huge secret between the two of them. To never be spoken of or else possibly face the wrath of God. THIS scene right in this minisode here is SUCH an important part of Aziraphale's character and his future choices. And that's what it's all about, isn't it? Choices? The ability to choose between good and evil.

"Look, I am good. You, I'm afraid, are evil. But people get a choice. You know, they cannot be truly holy unless they also get the opportunity to be wicked." "Yeah, that only works if you start everyone off equal. You can't start someone off like that and expect her to do as well as someone born in a castle." "Ah, but no, no. That's the good bit. The lower you start, the more opportunities you have."

What we learn from this wee Scottish body snatching story is that something can be seen as evil but could actually be a good deed from a different perspective. And that Aziraphale truly believed that the lower you start, the more opportunities you could have. But he also believes in divine punishment. Punishment that can be dealt at any time for any thing. Big or small. From a few questions that make you lose God's love to selling corpses for survival money and accidentally getting your best friend killed or just having too much faith in God could destroy everything in your life for a bet. All of which he has witnessed with someone good (Crowley, Job, Elspeth, etc) losing everything that's important to them in the most horribly way. But Aziraphale remembers the hard lessons he learned; of inequality and responsibility of your actions and the choices you make.

Someone born into poverty doesn't get as much out of life as someone born into a rich lifestyle. Or.. a lowly snake and a lowly principality falling in love and being forgiven may not be as easily dismissed as a Duke of Hell and Archangel finding love in one another and simply being allowed to run away to the stars together without any punishment. It's all of these moments, these lessons that Aziraphale learns throughout the years that change his view on life but he still remembers the wrath of God throughout existence. Something as little as a question could get you kicked out of Heaven, eating an apple could get you banished from paradise or you could be the most faithful perfect and loved person and still have your entire life destroyed over a bet. What does he know most about the Almighty? They're "tetchy" and unpredictable.

"Aziraphale, Angel of the Eastern Gate. Where is the flaming sword I gave you, Aziraphale, to guard the Gate of Eden?"

He then conceals the truth to God themselves of the choice he made to give humanity a fighting chance of survival by giving his holy sword away. And is left alone without another word. Forced to walk on egg shells for the rest of his existence out of fear.

"So, giving the mortals a flaming sword. How did that work out for you?" "The Almighty has never actually mentioned it again.." "Probably a good thing."

That fear of the unknown consequences to his past actions.. his lies.. for good or for bad.. he could fall at any moment or lose everything he holds precious (aka his Angel-ness and Crowley).

"I'm not an idiot, Crowley. Do you know what trouble I'd be in if.. if they knew I'd been fraternizing? It's completely out of the question." "Fraternizing?!" "Well, whatever you wish to call it. I do not think there is any point in discussing it further."

So what does he always do? Deflects.. to protect himself. To protect Crowley. Not saying the real truth out loud. Keeping the reality of their relationship an unsaid secret like always.

But sometimes, actions speak louder than words.

"Should I say thank you?" "Better not."

Yet again, he breaks the rules. Doesn't even want to hear a thank you. Again, it must all go unsaid.

"You go too fast for me."

Crowley has always been one step ahead of him. Asking questions, falling, breaking the rules, etc. Aziraphale isn't ready yet. He's not ready to lose everything he holds dear to him by admitting out loud all of his sinful choices or else face the punishment he's been fearing for thousands of years.

"Go off together?" "How long have we been friends? Six thousand years."

Aziraphale starts panicking here. Crowley is saying too much out loud. Deny deny deny.

"Friends? We're not friends. We are an angel and a demon. We have nothing whatsoever in common. I don't even like you."

This bandstand breakup was literally Aziraphale freaking out about doing too many bad things dealing with the whole anti-Christ situation and Crowley getting too close to saying what they truly are to each other. But the fear is too much and he lies again. But this time to himself. Aziraphale has only ever wanted to do the good thing. To make the correct choices. To be on the right side. But he's always faltered. Made choices that he was sure were the bad ones. Lied on occasion. Kept secrets from Heaven and God. Given into temptations. And has always had this fear of God's Almighty wrath hanging over his head for millennia. Always waiting for the other shoe to drop. At any moment, everything will be taken away. But what could be the last straw? The straw that finally breaks the camel's back? To garner God's attention and punishment. It has to be something big. The biggest and most important part of his life. Something that matters to him more than anything in the world. His relationship with the Demon, Crowley. But he's learned. If you don't say it out loud.. if you keep it to yourself. Then you won't be punished. It's worked out for him so far. So why should he think otherwise? And then in the end of S2E6, Metatron gives him the opportunity to make a change to the Heavenly system. His chance to restore his best friend to his former holy glory. A chance to relieve all the suffering he's seen throughout history. A chance to make a difference. Despite all his secret sins, he's being given an unbelievable opportunity- one that proves that maybe he isn't as bad as he always thought he was. He's actually seen as worthy. But then Crowley gets angry about all this. He's against it all. He doesn't want that. He doesn't want to be an Angel again. He doesn't want to return to Heaven. He just wants to be with Aziraphale. And he finally says their best kept, unsaid secret out loud. With a love confession and a passionate kiss.

"You idiot. We could have been… us."

Aziraphale wants this more than anything but every instinct inside of him is screaming to stop it, to not let anyone see, to not let anyone know the truth. This final temptation. His one and true forbidden fruit that is the Demon Crowley.. and it's the one he knows he must resist at all costs.

The fear is overpowering. And the only words that come from his lips…

"I forgive you."

I forgive you for letting our unsaid secret out. I forgive you for trying to tempt me. I forgive you for refusing to join me in Heaven as a renewed Angel. But can he ever truly forgive himself for the choice he just made? Remember, in the end, Aziraphale is just afraid. Afraid to lose everything. Afraid to lose Crowley. Fear of punishment can be traumatizing after all. And it will all be fixed in S3. ;) HAVE FAITH IN GAIMAN!

..Sorry this was so long and drawn out but… I NEED SEASON 3 ALREADY.. (everyone! keep re-watching GO2 on Prime! and no more threats to the creators plz ^-^) Honestly, this was very cathartic to write and help me come to terms with the most heart wrenching painful TV kiss of all time D: But I need to see how their story unfolds. I need to see Aziraphale allow himself to make the choice to be with Crowley without fear of punishment. I NEED MY INEFFIBLE HUSBANDS. TOGETHER. T^T

PS. Literally as I was finishing writing this, I saw Neil Gaiman himself say this on his Tumblr, "But the story of Job is pretty central to the whole Good Omens conversation, including Aziraphale's bit of it." OMG I KNEW IT lololol

#Good Omens #Good Omens meta #good omens analysis #Good Omens 2 #Aziraphale #Crowley #ineffable husbands #Good Omens theory #go2 spoilers #character analysis #“I forgive you”

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gffa · 5 months

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Over the last week, I decided to go ahead with bookmarking all the fics I've recommended over the years on AO3 since I abide by tumblr poll results always (and man pour one out for all the fic that never made it to AO3 or has since been deleted, sooooo many gems lost to time!) and it was a bit more than the ~3,000 I was expecting:

Hopefully, this will be easier than browsing the hundreds of recs posts I've made, since you can filter for any of the author's tags now! These are mostly focused on Star Wars and DC fandom, but I did my time in the anime mines and occasional tours through some TV fandoms or movies. You can dig into everything unfiltered and start your own filtering, or the bigger fandoms you'll find:

MAJOR FANDOMS: Each of these should have 100+ at minimum and, in the case of Star Wars, literally almost half of them are in that fandom. Look, Star Wars fandom might be a trash fire in a lot of ways, but it is ON FIRE with some good fic. (Older bookmarks not guaranteed to match my current sentiments, especially re: the Jedi, but they did catch my fancy at that point in time!)

STAR WARS: - All Star Wars -OR- All Star Wars minus the Obi-Wan/Anakin ship - OR- Nothing BUT Obi-Wan/Anakin

BATMAN/DC: - DC can sometimes be tricky, but you can do a Batman* search and get most of them (though, sometimes Nightwing* or Young Justice* or Superman* will catch some of the others). Honestly, though, you might want to just do a search for what character or dynamic you like and have fun from there, because otherwise you're getting a face full of my Dick Grayson Is The Center Of The Universe And I'm Making That Everyone Else's Problem agenda. ;)

MARVEL/MCU: - Marvel* will probably get most of the various properties, though you may want to filter for Defenders* or Guardians of the Galaxy* if you're interested -OR- Marvel* without the Thor/Loki - These focus a lot on the Thor* fandom if you want to witness the results of like 8 years of constant voracious reading in that fandom (Minus the ship), because, seriously, I read a LOT of Odinson family fic. - Bonus, just do a search for Maximoff* to find some really good X-Men: First Class-verse because, listen, I have been ALL ABOUT the Maximoff twins since long before the movies or MCU brought them over and I will DIE ON THE HILL of "Marvel, make Magneto their bio-dad again or I'm never reading another comic of yours ever".

TOLKIEN/LORD OF THE RINGS/SILMARILLION/HOBBIT: - Tolkien* -OR- Hobbit* -OR- Lord of the Rings* searches will turn up most of my Elf-hunting, I primarily focus on the Sindar Elves, but look I can't resist my problematic Feanorian faves or that I will die on the hill that Fingolfin is the best ever. (You have NO IDEA how sad I am that so much fic on Stories of Arda or FFNET is not easily bookmarked on AO3, sob. I externally bookmarked a few of the bigger ones, but sooo many shorter faves are missing from my recs tag.)

CLAMP: - X/Tokyo Babylon legitimately bums me out because it's not a huge fandom and yet so much of what was written was pre-AO3 and lost when CLAMPesque went down or was never brought over from Livejournal, yet this fandom (well, the Seishirou/Subaru pairing) still burns brightly in my heart.

BOOKS: Chrestomanci | Omniscient Reader's Viewpoint

DRAMAS: Nirvana in Fire | The Untamed -OR- Modao Zu Shi

VIDEO GAMES: Dragon Age: Inquisition | Final Fantasy 8 | Genshin Impact | Okami

BANDS: Arashi

All right, whew, that was actually a fun project, despite how much work it was to hunt down a lot of older faves to see if they were on AO3, hopefully you'll find this useful!

#lumi.txt #fic recs #star wars fic recs #batman fic recs

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weirdly-specific-but-ok · 3 months

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Why the fight for queer rights isn't over (it should be obvious, but to some people it isn't)

TW: transphobia and homophobia

Hi, Tumblr, this is Asmi. If you know me, it's probably as the Good Omens Mascot, which is flattering. I've found so much love and queer positivity in the good omens fandom, and the beautiful thing is how it's canon. Many people outside the queer community don't realise how crucial media and communities like this are. Right now since I'm on break from education, I'm on tumblr for most of the time I'm awake (which is not a lot, I nap more than Crowley). It's wild how different it is from the real world, that I live in at least.

I'm sure a lot of you might have had a similar experience to this: Basically, two people in my life, my bio father and my ex, both told me to my face that queer people needed to stop calling themselves oppressed and how now it's queer people who hold all the power and are oppressing other people. With all due respect, what the fuck.

I live in India, and being a trans guy who is bi and aspec, it's a cesspit. While I'm gendered correctly on Tumblr, and people are so loving and supportive, in real life even my friends who say they support me misgender me 90% of the time. Same with my family. In my previous college which I had to leave because of bullying by both the students and admin, even the queer students would misgender me (I told them I used they/them pronouns, because he/him would have been too unsafe, but even that they didn't manage). In the college I'll join next, it won't be safe for me to be out at all, at risk of losing opportunities and safety. Gay marriage is still illegal. Homophobia and transphobia is the norm. This doesn't even cover all the daily indignities like queerphobic jokes, casual discourse on whether or not we deserve rights, etc. Discrimination against aroace-spec people is rampant even within the queer community, worldwide.

And I live in an urban area, one of the largest cities in India known for its progressiveness and for being relatively safe for queer people. I am privileged compared to other queer people here. The story in other cities, in rural areas which make up most of the country, is far more horrifying. I'm unqualified to speak about anything other than my own experience, but if you can (if you are in a stable and calm enough mental state to handle the information, please put your mental health first) I'm sure there are first person accounts on the many forums.

The fight for equality is not over. It doesn't end with laws riddled with loopholes, it doesn't end even with laws that genuinely help the queer community. Aside from the huge problems of living safely and with access to equal opportunities and resources for people, we deserve dignity, peace, and the right to feel accepted and that we're not an abnormality. And so much more.

I haven't said anything that hasn't been said before, but it can't be said enough. To the queer people reading this, take all my love. We need to stand together, eliminate discourse over who is queer enough to be queer, and be the safe space that the world will not provide for us.

It's not over, and it hasn't been won by a long shot, but what matters is that we're fighting. Even existing as ourselves in a world that tells us it is a crime, is defiance and a step towards making this right.

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neil-gaiman · 3 months

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Hello Neil, my name is Zalean. If you have a few minutes, I wanted to tell you a little story. Not really a question and I’m not sure how to use tumblr but I wanted to say thanks so much for coming to Florida a few months back and talking with Art Spiegelman. It was my first time ever figuring out how to buy tickets for something. I lived in, middle of nowhere, Vermont for most my life and had no idea what I was doing, I had never been to anything before, nothing had made me excited enough to do the 5 hour drive. And then you just appeared 20 minutes away from where I am living now.

See, I was just starting to get to know your books and work because I fell in love with Good Omens so deeply when I discovered it during season twos release. Funny thing is, I knew of you all along without even realizing it, Stardust has been my favorite book and movie since I was a kid because it was my dad’s favorite story. Finding out my two favorite things were actually connected, I started trying to get hands on as many of your books as I could. I hadn’t read in years before finding your books. It was eye opening.

The talk event at the Dr.Phillips Center was sold out by the time I knew about it, someone had asked me if I knew of the event when they saw my Good Omens keychains my mom had made me. I called the box office because there is no harm in asking. I explained how I’m an art student at UCF and desperately wanted to be inspired and learn from you both. The customer service people were amazing and ended up calling me back to get me a seat in the orchestra pit before they were released to the public. I drove alone, I walked there alone, I sat alone, and it was worth it. I was so thankful to get a seat and grateful to my professor who was a bit jealous he didn’t know about it but let me leave class early to go because of course the art professor would be understanding for any learning opportunities in the arts. And it was truly wonderful, it seemed real and that’s what I wanted. I didn’t want a show. I just wanted to hear, in some sense, that you were like everybody else. I brought a notebook and pen for any information or story’s that I thought made a difference to my little life. The other people around were wonderful, you inspire kind people.

Like I said, I had never been to anything like this and I didn’t know what to expect. I didn’t know you would have signed books and I only found out because the people next to me came in late. I asked them why they brought the books after it was over and the lights turned on. They did look at me like I had three heads for a moment until they realized I didn’t know there were books to buy, they looked kinda sorry for me but they were so nice. I had never really thought about the importance of someone’s scribble before this but it’s something that proves you were there. It says “Remember when this person made you happy? Remember when they changed your life? Remember when they gave you hope? Look at this and remember.” I hope to see David Tennant and Michael Sheen to get an autograph now that I understand the meaning behind it a bit more but honestly I just love diving into everyone’s projects, the wonder you all create. Oh what fun it is to live a life full of stories!

The people that were sitting next to me let me look at their signed books and hold them. I flipped through some of the big ones, handed them back and expressed my gratitude just to be in the theater. I showed them all my little quotes I wrote down, I never want to forget why I create things and you say so much about never stopping, always creating. Then the women handed me a different book, a smaller book, but when I tried to hand it back, a bit confused, she softly placed it back in my open hands and said “I want you to have it, we have plenty and I want you to love these stories just as much as we do. It’s just starting for you, I want you to remember who started it”. The book she handed me being“The Ocean at the End of the Lane”. The first book I decided to read by you and had just finished a week before. The women had no idea she given me a signed copy of the book that made me want to read again. Your books make the world better. For such a big theater and such a big stage, I just wanted to tell you my little point of view.

The story you told about wishing you enjoyed the past more than you did, I hope you get to enjoy it now, and I hope you want to. And thank you, to you and to Terry Pratchett for creating something special. I convinced my dad to watch Good Omens with me over December break, he loved it.

I forget sometimes that everything is someone's first time, and then I read something like this and feel like I need to remember that better. I'm glad the people beside you were kind.

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highlandwhackamole · 2 months

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A Grand(ish) Theory of What the Heck

I love the utterly unhinged, super detailed theories about what's going on in Good Omens, especially in season 2. I hope one or more of them turn out to be true, as some kind of glorious puzzle-box-hidden-code monstrosity. And also I think that there has to be a simpler explanation for things, for the people who are at least Somewhat Normal (tm) about this show. (... I assume such people do exist somewhere...) This is what I have been pondering recently.

The thing that started me thinking about this was this post, containing some promotional materials for season 2 that feature main characters with scenes in their heads. Like this:

Seeing this created a very similar situation in my own head, but with a nice shiny lightbulb.

All the weirdness: the car, the sideburns, the clock, the behavior of the folks of Soho, the vanishing storefront signs. The absence of God. I think this is all because everything we see is in their heads.

I don't mean it's made up. At least not entirely. Memory is already a plot point. Why not explore it on a deeper level? I've read theories emphasizing the minisodes' stories being retold by Aziraphale and Crowley. I think the whole season is like that.

You know that sort of conventional-wisdom-fact-concept that you can only dream faces of people you've seen before (or variations therein), because your brain can't make new faces up? So it just fills in what it thinks is close enough? I think that idea, applied to remembering or recollecting things, could explain so many things that are wonky in this show.

Wonky Things

Crowley parking in an impossible London location? He definitely remembers it was in London, so his brain just stuck some obvious London landmarks in there.

Awkward clattering happening when Crowley throws the stacks of books he's inexplicably carrying around the bookshop? He wouldn't actually throw Aziraphale's books! But he'd like to think he's cool and nonchalant enough to do that, and if he did it would definitely make Some Kind of Noise.

Jim walking toward the bookshop from somewhere mysterious? Maggie and Nina saw him first, and he came from that direction, so he must've walked all that way. They don't know about the elevator in the Donkey.

Aziraphale remembers tartan hills and the Loch Ness monster because he was having a jolly time driving through Scotland, so obviously the scenery must've been whimsical Scottish things.

Nina put the Honolulu roast sign up, so she remembers its presence, but perhaps the occult/ethereal visitors to her shop do not.

Maggie really did text Aziraphale about the rent, but a note through the mail slot is a much more dignified way for a scholarly angel to imagine he received a message.

On the Fallibility of Recall

This season is loaded with unrealistic inclusions. The colors are turned up to 11. Some of the scenes are more caricature than believable interaction. Remembering things never copies or reproduces them with what one might call high fidelity.

Scenes recalled by separate memories will inherently vary. One person's hefty jigger might be another person's dash. Who knows for sure where the sun was that day? You and I might recall an event having different lighting or a different color palette, sort of like viewing something with different lens filters.

According to Neil, Crowley is an unreliable narrator of the story of his Fall. He labels the variations in clock times as a continuity error in a show where Everything Is Meant, but he doesn't say whose continuity error it is. He insists that the Bentley is the same through the whole season; maybe it was the same, but remembered differently. Maybe this is part of why there's more CGI but it's harder to spot.

So What?

Is this all there is to it? I sure hope not. I like my Good Omens with enough layers to put to shame an onion wrapped in a cake and covered in a parfait.

Is this possibly the fancy footwork that's distracting from the real magic trick? I wouldn't put it past Our Gaiman. There are a lot of things one could hide in the narrative of unreliable memory.

Is this going to stop me from rewatching and repondering and remaking theories for the next couple years? Not even at gunpoint.

#good omens #good omens meta #ineffable mystery #neil gaiman #good omens questions #good omens 2

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twelvemonkeyswere · 9 months

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I re-read Good Omens via audiobook and I just collected my favorite details

"Crowley rather liked people" is a quote I still love so much. Even though he is a demon with the job of making people upset each other, he likes humans. The contrast between what they make him do and how he experiences Earth.

That scene with the ducks where Crowley almost drowns a duck and Aziraphale is like "I say, my dear" and Crowley is like "Oh yes I forgot myself" and allows the duck to return to the surface. Crowley is usually very polite about the most unhinged things which I just find endearing

All the times Aziraphale calls Crowley "dear boy"

The fact Aziraphale has "exquisitely manicured" hands lmao. I like to think he does go to the manicurist, same as he has a proper barber in the show

Aziraphale blushes sometimes and often gives mean looks to customers to push them out of shop

I like the on-going theme in the Good Omens universe of wanting to build a better world for loved ones, but how that drive, when taken to an extreme, is self destructive. Adam says he'll make the earth good for the Them, and will make sure the Them will be protected and happy in it. But the Them don't want it, they understand Adam is acting out and is not thinking things through. There is no point in trying to possess something and bend it to will forcefully. It wouldn't be good. It wouldn't be of free will. It would make them just another of his whims and no one, either the Them or Adam, actually want that

Aziraphale thinks Crowley is a creature of God when you "get right down to it", which is a thought both meaner and kinder than he realizes

Crowley is described to have "a voice so laid-back you could lay a carpet on it"and it's my most favorite thing ever lmaooo

"You're seducing women here!" /"I think perhaps you got the wrong shop" is always a brilliant line

Even though everything in the Bently turns into Queen's Greatest Hits, I love that Crowley actually loves music, and keeps his collection of records highly organized

Also love the fact that Crowley keeps his apartment orderly, though that's probably in big part because he doesn't really live there

I do appreciate that Crowley sleeps because he wants to, not because he needs to. Truly a relatable guy.

There's a big HOLY SHIT moment in the audiobook - the speech the American evangelist gives about the apocalypse. It's fucking incredible. The actor is amazing, delivering fire and brimstone and absolute hatred and certainty until Aziraphale pops inside of him.

Death really is Azrael, literally the angel of death

Aziraphale comes up with the solution at the end but ONLY because of Crowley, who challenged Aziraphale about the difference between the great plan and ineffable plan at the very beginning of the book

There are many moments where both Crowley and Aziraphale are thought to be a gay couple, but it really made me laugh that they are at the end of the world, telling each other it's been a pleasure to know each other all this time, and then Shadwell interrupts to call them "Nancy Boys"

Everyone in the Good Omens fandom is right, I do love that in the book, the wings of demons and angels are the same color

Crowley thinks the biggest battle will be heaven and hell vs humanity. This has got me thinking a lot. I figure this is because at some point humanity will rebel against any divine intervention, once we figure out that heaven and hell have been playing dice with us. But we'll see.

It does warm my heart that the story begins and ends with a garden and with the eating of the apple - Adam doesn't know why the old man hates people touching his apples so much, but the world would be a lot less interesting if he didn't. It's a fitting end for a fitting beginning.

#good omens #wendy reads #aziraphale #anthony j crowley #good omens 2

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shinybearnerd · 10 months

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"Notes of Chaos"

Hi everybody!

Since Good Omens season 2 is almost here, I wanted to share some of my ff with you.

The pairing is not between Crowley and Aziraphale, even tho there may be one of them in the future. They are so cute together and I ship them, but I think I'm not that good at capturing their ineffable love. Idk, I hope it makes sense...

This is my first time publishing a smut ff. I'm a little nervous lmao.

Anyway, I hope you enjoy this! Let me know if that's the case!

Pair: Crowley x Gn!reader

Words: 2,6k

Genre: Fluff, smut +18

Story: After the Armageddon, Crowley has been kicked out of his apartment and now he's living in his Bentley. You and Crowley are good friends, so you propose he stays at your place for the moment. He accepts, even tho he's reluctant. Days pass and you and the demon are coming to get closed and closed until one night, at a party...

-Engish is not my first language. So I'm sorry if there are any mistakes-

Every person that has known y/n would describe them as someone that has an infectious smile and bright eyes that light up even at the littlest thing.

They had always been fascinated by the idea of supernatural creatures, and as soon as they learned that Crowley was a demon, they were drawn to him in a strange and intriguing way. Despite their human nature, y/n was open-minded enough to accept Crowley for who he was.

Ever since the demon had entered their life, they had discovered an unexpected complicity with him.

After weeks of living together, Crowley had become accustomed to y/n's company and their eccentricity. Though at first, he'd been reluctant to accept their offer of hospitality, he'd gradually come to trust them and realized that he couldn't have found a better person, apart from Aziraphale of course, to share time with than them.

One evening, Y/n enthusiastically approached Crowley while he was immersed in one of the many blogs about plants that the demon followed. <<Hey, some friends are planning a party this night. Five minutes from here. Would you like to come with me? >> asked, trying to hide the excitement.

Crowley lifted his eyes from the phone and looked at Y/n, considering their proposal. Initially, the prospect of a party didn't seem very appealing to the demon, who preferred to spend the evenings alone or with a few people he felt comfortable with. But then, a thought crossed his mind: perhaps, this would be an opportunity to get closer to them.

After a short pause, Crowley nodded. <<Yeah, sure. It'll be fun.>> Y/n eyes immediately lightened up as they embraced him enthusiastically. <<Crowley, you'll love them! And I'm sure they'll love you too!>>

In the evening, the two walked towards the meeting place. Crowley followed Y/n. As they passed through the neighbourhood, the lights of the adjacent houses cast a welcoming atmosphere on the whole street.

When they reached their destination, the music and the sound of laughter greeted them. The party was on an elegant terrace, above a very chich club, with upbeat music and some people already laughing and dancing.

Crowley noticed that Y/n was like a fish in water, in the midst of people, while he preferred to remain cold. Still, Y/n's presence offered him a sense of comfort he'd never experienced before.

<<Come, Crowley, I want you to meet my people!>> They insisted, gently taking his arm and leading him.

The demon found himself in a various circle of people: there were artists, musicians and people with eccentric clothing.

And if before he felt out of place, at that moment he felt at home.

He left himself carried away by the festive atmosphere and found himself laughing and joking with guests who weren't Luna or her friends. Maybe it was the alcohol. Yes, it was definitely the alcohol.

As the evening wore on, Crowley realized how gorgerous and charming Y/n looked as they danced lightly. He was beginning to love the way their eyes sparkled with a particular light when they talked about something that fascinated them or when they talked to their friends… The way their nose crunched when smiling or laughing…

The hours passed, and the party continued in its fervency.

Crowley and Y/n found themselves sitting against the railing of the parapet. The bright colour of the lights created a magical and intimate atmosphere in some way.

There was no need to talk much. They seemed to understand each other even without many words. <<Crowley>> Y/n said, placing their hand lightly on his. <<Thank you for coming with me tonight. It's nice to have you here.>> The demon smiled. A sweet one that he rarely showed to others. <<Yes. I'm happy too. It was a... pleasant evening.>>

They were smiling at each other when suddenly the DJ spoke, telling everybody that the night was almost ending and that he was putting on the last songs.

Immediately, Y/n took Crowley by the arm, dragging him into the dance floor. The demon didn't know whether to feel bothered or amused by their gesture. He chose the second option.

The music was loud, but that didn't seem to bother Y/N, who danced carefree and sensually, as if there was no one around them.

Crowley found himself mesmerized by their presence. His ancient and mischievous soul recognized Y/n's attraction and excitement, and the thought made him smile. He even thought that they would have been a heaven of a demon.

He let himself go to the music, allowing Y/n to lead him on an intoxicating experience.

The evening had revealed a side of them that Crowley had never seen before: a wild and charming person, capable of awakening new sensations in him.

With an amused smile, Crowley followed Y/n's movements, letting the music surround them both. He no longer cared about the outside world or his worries. The only thought that mattered to him was sharing that moment with them.

At one point, they moved even closer to Crowley, their bodies almost touching. The heat and electricity between them seemed to increase. It wasn't just the music that moved them, but a mutual attraction that was growing more and more.

In a playful tone, Y/n whispered in Crowley's ear over the noise of the music. <<You know... we could wreak some havoc together! That would be fun.>>

Crowley smiled, realizing that they were playing with him, but at the same time seeing a small spark of truth in their suggestion.

<<We could, but you know, I've spent millennia wreaking it… Maybe I need a break, gorgeous.>> he replied winking behind his black glasses.

Y/n laughed, looking down as they resumed letting the music wrap around them. Trying to hide their blushed cheeks.

Something in hearing their laughter snapped in him and, without them realizing it, the demon slipped behind, grabbing them with one hand, which he held on their stomach, and pulling Y/n towards himself, continuing to dance.

Although Y/n seemed to never stop laughing, they felt their breath short for a few seconds. Crowley's touch made them shiver, but not in the way they expected. It was an electrifying sensation, a combination of awe and pleasure.

They turned to him, meeting his leering gaze, and their heart started pounding even faster. <<Crowley.>> they whispered, almost out of breath. The demon answered them with a knowing smile, moving closer. << Sounds to me like you need some guidance, Y/n. I can help you with the pacing if you like.>>

Y/n smiled. And immediately after they let themself be completely caught up in Crowley's grip. They felt his strong, warm hands on their skin as his rhythm joined in an intense, sensual dance. The heartbeat quickened the breathing of both mixed.

As they danced together, Y/n felt the heat of Crowley's body against theirs, a magnetic energy that seemed to grow stronger and stronger. It was as if their souls touched, opening the door to a deep and mysterious understanding. The more they danced, the more Crowley closed them, letting themselves be overwhelmed by their aphrodisiac smell; the more Y/n grinded and danced against Crowley. There were no words, just the music enveloping them, and their emotions melding together.

Y/n felt like they were in a trance, fascinated by the way the demon treated them. His touch was electrifying and everything they needed in their life.

Crowley, on the other hand, was surprised about how Y/n could push his emotions so high. In every movement, in every touch, he felt the pull of their power, humanity and irresistible energy. He had gotten used to being cold and calculating, but with Y/n, everything seemed different.

They continued to dance, letting themselves be guided by the music and the intensity of the moment, until they felt the demon's crotch behind them, letting out a sigh of pleasure. Which didn't go unnoticed by the demon, who gripped them closer. He leaned closer to them, leaning into Y/n's ear, grinding more. He spoke with a husky and amused whisper. <<Do you like dancing with me, my dear? >> Y/n moaned softly. << Yes...>>

Crowley's hands trailed up Y/n's hips as his sensual movements made them feel alive like never before. It was as if the whole universe was concentrated at that moment. The demon's hands squeezed them tighter, their bodies moving in unison. The dance floor felt like their kingdom, where they could express themselves without fear or judgment.

The music surrounded them more, leading them into a whirlwind of emotions and desire. Every movement, every touch, was filled with passion and mystery. Suddenly, it stopped. But, even though the song ended, the connection between the demon and the human was still strong.

They stopped to stare into each other's eyes, not saying a word. The short breaths were due to the movement and desire they felt towards each other. Crowley was breathing heavily too, looking at them through his glasses with an impenetrable gaze.

<<Follow me. >> he ordered, breaking the silence.

Y/n didn't have to hear it again. They let the demon grab their wrist and followed him, slipping through the crowd that had resumed dancing.

As soon as they got out, Crowley pushed Y/n against the nearest wall, approaching them with an intense expression in his eyes. Their lips met passionately, hungry for each other. Each kiss was a promise of pleasure and togetherness.

As Crowley brushed his hands against Y/n's skin, the contact ignited a fire that spread throughout their bodies. They felt the heat emanating from the demon, an intense and overwhelming feeling that made them want him even more.

Y/n's hands hooked on the collar of Crowley's jacket, pulling him closer. They could feel the hardness of his muscles against their body, and the energy emanating from him made them shiver with excitement.

Their breaths mingled, quickened by the desire that burned them from within. There was no more room for inhibitions, just the will to indulge in an uncontrollable passion.

As the kiss deepened and deepened, Crowley moved his hands over the curves of Y/n's body, exploring them with desire and reverence. His fingers traced lines down their back, leaving a trail of fire on their sensitive skin.

Y/n moaned in pleasure, responding to Crowley's touches with smooth movements of their body. It was as if they were in perfect harmony, dancing to an ancient tune of passion and desire.

The pressure of the demon's body against theirs intensified, and Y/n could feel their arousal spreading now. It was an explosion of sensations, a shiver that shot through their spines and spread through their entire being.

As the kiss broke off, leaving a line of saliva that united them, their gazes met once again. There was a promise of lust and affection in those golden eyes. An intensity that made their heart beat even faster. <<Crowley...>> whispered Y/n, their voice full of desire. The demon smiled at them. A smile full of mischief and affection that only they could see. Y/n bit their lower lip, their body vibrating with a desire that was impossible to ignore. <<Crowley, please... Fuck me.>>

Without saying a word, Crowley took Y/n's face in their hands and kissed them again hard and passionately. It was as if they were two souls on fire, consuming each other. Crowley's hands moved impatiently, exploring Y/n's body with uncontrollable hunger, starting to free both of the encumbrances of pants/and dresses.

Their breathing was irregular, their moans mixing in the night air with the muffled noise of distant music. It was a symphony of desire, a crescendo of sensations that carried them higher and higher.

The demon picked them up, pressing them against the wall, and Y/n wrapped their legs around him, welcoming him. Crowley began to playfully rub his hard erection against Y/n's core, who moaned impatiently. A sly smile was on his lips. <<Crowley... please!>> <<You know what to do, sweet cheecks.>> replied grinding harder against them. Y/n tightened their grip on the shoulders of the demon, who watched them in amusement. <<Crowley-… fuck. Please, fuck me hard. Ruin me! Ruin other people for me. >> With a sudden movement, Crowley thrust all of him hard, causing them to let out a strangled cry of pleasure. <<Fuck. You're so deliciously tight! ...Can I move?>> <<I'll kill you if you don't!>>

Their bodies moved in unison, dancing in a timeless, erotic choreography. Each movement was a promise of pleasure, a celebration of the intense connection between them. The more the demon moved, the more the human felt they were about to come.

As Crowley's trusts quickened, Y/n understand that he was close too. They could hear him gasping and grunting in pleasure, feeling Y/n's core squeezing him just in the right way. He tilted his head backwards, moaning and grunting into the free air as he had his way with Y/n.

<<Oh, my- fucking god! Yes, baby! Just like that!>> The blasphemy and the tone of their voice were his last straw. His movement quickened more, while his pushes became harder.

They soon came together: Crowley feeling his cock sweetly being milked by his lover's soft walls, and Y/n feeling his warm seed coating and filling them.

With their bodies still vibrating with passion, Y/n and Crowley remained embraced against the wall, wrapped up in each other and seeking the breath and the sweetness in each other's embrace. Their skins touched delicately as if they wanted to keep every spark of that magical moment.

With the accelerated beat of their hearts in the background, they exchanged an intense kiss, full of gratitude and complicity. Their warm skins pressed together as heavy breathing filled the air around them. It was as if time had stopped, leaving room only for the present, just for the two of them.

Crowley continued to support Y/n in his arms, his golden eyes fixed on their y/e/c. His hands caressed them delicately, almost as if he were touching a precious work of art. They felt every touch of the demon on their skin, an electric hiss that made them shiver with pleasure. He seemed fascinated by every inch of the human's body as if he were exploring an unknown and fascinating world. Every nuance, every curve, seemed to be etched into his mind like a symphony of beauty.

<<You're so gorgeous...>> Crowley whispered hoarsely, the words spoken with worship and adoration.

Y/n smiled, feeling loved and wanted in a way they had never experienced before.

<<And you are extraordinary. >> answered softly.

Their gazes met again, and deep in Crowley's eyes, Y/n could read a mix of emotions: desire, passion, but also a vulnerability that made him even more fascinating.

The demon's lips explored their necks, leaving a trail of hot kisses. His sensual bites on their skin made them quiver with pleasure, blending sweet with spicy in a symphony of sensations. Y/n's hands tangled in his red hair, pulling him even closer. They felt his heart beat in unison as if they had become one soul.

They lost track of time. It was just the two of them, immersed in a world of their own, a world of desire and pleasure that enveloped them like a whirlwind.

Suddenly the kissing stopped and Y/n felt Crowley's strong arms wrap around them while his head was buried against their chest. As if he wanted to protect them from the whole world and at the same time, wanted to protect himself.

They welcomed him gently, feeling the warmth of his body next to theirs. Making the demon feel loved. In the silence of the night, their breaths calmed. <<What a way to provoke havoc... >> he remarked, amused. Y/n chuckled. <<We should do it more often. >> The demon turned his gaze to look at them. A smirk full of love and devotion on his face. <<Yeah, we should.>> He brought his face closer and kissed them passionately, keeping their head in place with his hand.

<<I think it's time to go home...>> suggested Y/n with a smile. << Yes, I think so too.>>

He carefully set them down, asking if they could stand on their own. Once Y/n felt more comfortable, they dressed each other again and then left the party together. Crowley's arm was placed over their shoulders.

#crowley good omens smut #crowley #good omens crowley x you #good omens #good omens crowley #crowley smut #crowley x reader #anthony j crowley #fluff #smut #good omens crowley x reader #crowley x y/n #x reader #reader insert #gn reader

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weecherylita · 1 year

Text

I wrote a version of this as a message to Neil Gaiman on New Year's Eve, but (unsurprisingly) it appears to have gotten lost in his ask box. But given that this message is not just meant for Neil Gaiman, but also to the Good Omens fandom at large, I have decided to recreate it here:

Dear Mr Gaiman (& Good Omens fandom people)

On New Year's Eve 2021 I started watching Good Omens for the first time. Now one year (and a bit) later, it feels very appropriate to me to write a message of thanks, because Good Omens became a constant source of joy and mental refuge throughout what turned out to be an incredibly difficult year.

Not exactly difficult in a bad way, as some very good things happened. I gave birth to my second child*, and we moved house. But owing to work, pregnancy issues, several childhood illnesses (including 2 hospital stays) and said house requiring a truly overwhelming amount of time to make it fit for human habitation, everything has been a bit frantic and strained. Our focus has very much been on trying to make the transition as smooth as possible for our daughter (now 4), and adult relationships have been pretty badly neglected as a result. I feel like we forgot how to be together, as a family unit and as partners. Looking back, I think that's what actually hit me the hardest; that absence of family communion and emotional support

But then there's been Good Omens, this wonderful story with this wonderful fandom and this wondrous, ineffable relationship between the central characters. These characters who are able to build that sense of communion over the course of millennia, and express their love in such a variety of ways and in such difficult circumstances (no wonder I'm a bit in love with them).

So, thank you for the love and care you put into adapting Good Omens. Thank you also for your continued engagement with fans keen for more details about the story (the thing about Aziraphale saving the movie theatre from destruction because he remembered Crowley saying he liked it once melted my heart in the nicest possible way)**.

Thank you also to the Good Omens fandom for embracing this story with so much joyful enthusiasm, and keeping that love alive in so many ways - the fanart, the meta analysis, random headcanons, humorous shitposts, fanfiction great and small. It has meant a lot to me to be able to shelter under the heartwarming little canopy of creativity and joy when things have gotten difficult and I've been in desperate need of stress relief.

I am glad to say that in the New Year my partners and I are starting to put more time and effort into repairing our relationships - and one of the ways we are doing that is by watching Good Omens together.

So... Happy New Year (belated)

* It is testament to how much Good Omens has permeated my brain that even whilst giving birth, in between screaming at my husband "WHY DOES IT HAVE TO HURT SO MUCH!!!" there was actually a small voice in the back of my head saying that in a roundabout way it was Crowley's fault (though I imagine he might dispute that? Or possibly debate the point in private while readily taking credit for it in memos to hell).

** I am now super paranoid that I hallucinated reading that, but perhaps that is just my anxiety talking.

#good omens #neil gaiman #aziraphale #crowley #fandom stuff #personal #casual polyamory mention #i'm not sure which blog to put this on #is it more fandom or personal?

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