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#poor Jason doesn’t watch star wars either
squarecloud73 · 1 year
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*I worship you Tumblr don’t remove it
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We all know who's days it is ☠️
Nico tries to wear a star war costume to match his bf.
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Who is now deeply touched but conflicted.
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internalsealpanic · 3 years
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Love Through the Ages (Tim Drake)
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Summary:  Love like baggage needs to be declared.
a/n: This is part two of a series that is a fic rec list disguised as a fic. For these fics, most of the characters will be speaking different languages, so unless specified otherwise assume that the characters are speaking in the first language I mention. They’re all vampires with centuries under their belt. Why wouldn’t I make them all polyglots.  Also, thank you to the proof reading gang for putting up with my shenanigans.  I will have links to the fics I recommend in the fic itself.
Warnings: Everyone is dramatic.
Masterlist
Series Masterlist. 
You watch the rusty green of the warehouse wall disappear behind a spray of orange paint. There is nothing more satisfying than watching paint make old things new. 
A whistle interrupts your reverie, making the can slip from your hand. You swear, the harsh syllables echoing in the empty air. The can bounces down the scaffold and lands in someone’s hands. Tim’s face gets sprayed with a mist of orange. He makes a noise and rubs at his face. You bark out a laugh and he grimaces at you. The begrudging fondness obvious on his face. 
He waves at you, eyes still stinging from the paint. Giddiness flourishes in your chest. “I knew I’d find you here!” He shouts in a dialect of Mandarin that you hadn’t heard in ages.
It takes you a moment to understand him. You’re honestly extremely rusty. It takes you another moment to realize that it made no sense for him to find you. “How?” You shout back in Romanian. 
Tim shakes his head, throwing his hand over his shoulder. “Open canvas.”
You snort, looking down at him. Tim’s breath catches as he stares up at you, your smile. You’re haloed by sunlight. You look like an angel descending from heaven.
Tim’s forced to pick up his jaw when he hears your voice again. You’re tapping your watch. The words are lost to him.
“What?!”
You shake your head, strands of hair coming loose from behind your ear. “I asked...” You shout in a coarse frawl. “... Isn’t it a bit early for you to be here?”
It was. 
He was only 30 minutes early. No big deal. 
He shrugs. “I just wanted to watch you paint.” He says, trailing off. Oh God, Tim thinks. Does he sound lovesick? Is Cassie right? He pushes the thoughts down, opting to look at the building instead. On the side of the building was an immaculate portrait of the Red Hood rendered like a saint, haloed in golden light and surrounded by your orange marigolds. It would look at home in any grand cathedral. Your talents never ceased to amaze him.
“Should I ask why you’re defacing a building?”
You turn back to the building picking up a can of yellow paint. You tilt your head. “It’s a massive improvement, yes?”
Tim looks around. The pavement is littered with wet trash mixed. The buildings were rusted. Everything else is covered in grime. “You’re rude…  but not wrong.”
You preen, electing to ignore the first half. You turn back to your canvas before Tim can get another word in. He knows he’s lost you. 
“So, why *the* Red Hood?” 
You look away from the portrait, setting the can of yellow spray paint. It sprays your sweatshirt and Tim laughs. You stick your tongue out at his face flushing. You liked this sweatshirt. He gave it to you the last time you had meandered into Gotham. “Why not? We’re in the Bowery. He’s like a saint here.” You snip, switching to Russian. Ok, that made sense. You toss your sweatshirt into Tim’s face. The fabric is lousy with the smell of paint and of 5-hour energy drinks. It was an improvement over the pungent odor of garbage. 
He tries to rub the orange paint on his face away before he tucks your sweatshirt beneath his arm. You’re still looking down at him, wry amusement on your face. “I’ll paint your beloved Red Robin when I get to China Town. Heard he was quite popular in those parts.”
Tim’s heart flutters.  He stutters out his next question. “Why are you using spray paint for this type of illustration?”
“Kon said I couldn’t do it.”
Tim snickers, “As if Kon could tell the difference.”
You frown only realizing your mistake. You curse under your breath. Tim doesn’t stop laughing at you. “Shut up!” You snarl.
Tim dodges the next paint can you throw but the next one hits him square in the face. You grin triumphantly. Tim raises a middle finger at you and you giggle in response. You feel bad, seeing him wince in pain. You’d buy him apology tea later but for now, you clasp your hands and call out to him sweetly. “Sorry, Timmers!”
Tim, equally as mature and well aware that you’re only half sorry, blows out a breath, muttering something colorful before shouting back: “we should get going if we wanna eat out after looting the museum.”
At that, you launch yourself off the scaffolding, your body feeling weightless as it falls. Tim drops your sweatshirt as he holds his arms out to catch you. He catches you easily. You two spin as you wrap your arms around him. 
“You are certifiably insane.” He laughs. His nose smooshed against yours. 
“And so are you.” You snort, hugging him. 
He hugs you back. You hum so softly into his hair that Tim wouldn’t be able to tell it from a breath if he were human.  Tim holds you close, hugging your waist tightly. He doesn’t really want to let you go. You don’t either.  You and Tim stand there for a bit when you hear his cell beep. 
“Why does your phone sound like a pager?” 
“Because Babs told me how to.”
“That literally explains nothing.”
“I’m not taking crap from the gremlin who had ‘Baby Shark’ as their ringtone for 12 months. WILLINGLY.”
You pout at him, your face so close to his. Tim’s only half paying attention to your defense. To be fair, it basically boiled down to ‘it isn’t that bad’ and ‘Bart’s ringtone is worse’. 
After a short shopping trip and a cab ride later, you arrive at the museum in fresh clothes and less paint on his face for Tim. 
“All the World’s a Stage. They botched it! The nerve! The barbarity of it all. It's just like when they botched ‘Words with Friends’ or ‘In Ice We Trust’ or even ‘Tomcat’. That last one was pretty much gift wrapped for them!” You say throwing up your hands nearly hitting Tim and whatever poor bastard was unlucky enough to be behind you. 
“For someone who isn't invested in modern media, you're getting fired up.” Tim chuckles, eyes flickering behind you. You had managed to miss the people behind you but you do have a rather conspicuous space behind you. 
“They had such good material to work with”  you say, gesticulating wildly. “And- and they butchered it.”
“You need a 5 minute breather?” Tim asks, resting a hand on your back. 
 “Shut up,” you laugh.
Tim grins at you as if he had no idea what this ultimate betrayal feels like. 
Determined to prove him wrong, you say : “C'mon, Timothy,  you ranted like this when they botched the star thingy.”
“It’s Star Wars, you heathen.”
“Star. Thingy.” You repeat, crossing your arms. 
Tim squints at you. You know he’s not gonna blow up at you but somehow that’s scarier. 
“You can pay for your own cab later.” He grumbles. 
“Star. Thing-Y.” 
Tim turns to leave. This always worked. Always without fail, you grab at his hand, lacing your fingers with his. Tim tries not to smile.
“Fine.”
“Was that so hard?”
“It was excruciating actually.”
“You're being dramatic.” He says, showing the woman behind the ticket counter your passes. 
“Excuse me, I left all my drama in the Renaissance.”
“Oh really?”
“Ok not really but admit that both Andromeda and Stars, Forgive Me have better writing.“ You bite out.
 “I- That’s unfair,” he says. You raise your brow in response. 
“...”
“Fine,” he sighs. “But admit that Andromeda should have been named ‘Space Whores’.”
You squint at him then smile. “Oh abso-posi-tute-ly.”
 “Have you seen this dirty old hockey mask?” You ask, tapping the glass as if the hockey mask would react if you just agitate it enough. 
 “What is that?” Tim asks, looking over your shoulder. His brows crinkles when he sees the mask. “How is that romantic?”
You hum. “Ask the curator?” You suggest, looking around. He was usually out and about. He could never sit still even if he tried. You lean down narrowing your eyes at the plaque. “Says here some dude called Jason terrorized 3 kids over summer.”
“That’s very romantic for our Jay to do.” Tim says, crossing his arms and switching to Cantonese. It was a weird habit but you knew why. Apparently for all Jason’s skill in languages he somehow could not get a handle on Cantonese. 
 “Not that Jason.” You say, smirking. 
“You sure?” Tim asks, leaning closer to you. 
You snicker,  “As in character as that would be...”
“True,” he says, edging closer and closer to you. You rock on your heels nervously at the proximity. “It’s a shame, I thought there would be a machete to match too…” You can feel Tim’s breath on your cheek. 
“OH LOOK AT THIS.” You say twisting away and pointing to a black and white photo. Tim’s hands leave his sides to grab for you, to pin you to his chest, but he has enough self control not to. Instead, he follows you.
“It’s just a man and a woman in business suits. Yanno something you can see in any metropolitan city.”
“Yes but,” you say, tracing a nonsensical pattern into the air, “I’ve heard a story about this, they were both extremely rich and heads of their companies, went from enemies to lovers - my all time favourite.” 
Tim looks closer at the photo of the man and woman with their backs to the camera just holding hands along the NYC sidewalk. It’s cute. “I thought your favorite was lovers to enemies.”
“Well of course, it is! The drama, the absolute tragedy. It’s better than any trope in existence. But I love that this is just black and white. You don’t need anything else to indicate they’re in love with each other.”
Tim is all too tempted to point out that that likely wasn’t intentional, that it was a limitation of the time, but the look in your eyes robbed him of his breath, so he swallowed his thoughts. 
Your eyes rove over the room frantically in search of something. 
“So is there any reason you wanted to go to this exhibit instead of watching lavalantula 10 in theaters?” Tim says, tapping another case. 
You turn to look at him, shock etched into your features.“10? We've seen lavalantula 1 through 9 in theaters? Why did I agree to that?”
“Cus you love me?”
You narrow your eyes at him. “Probably not.”
Tim gives you a hurt look. 
You scowl at him. You have no idea why everyone thinks he’s the nice Wayne sibling. He is a manipulative little shit who plays you like a fiddle. And yet here you are falling for it. An absolute buffoon. 
You grumble an apology under your breath before continuing. “This is more cultural Timmers and lord knows we need more culture.” You wave sarcastically. 
“I think we've lived enough culture.”
“it cannot hurt to experience more Tim,” you snort. He rolls his eyes. You grab onto his arm and look up at him bright eyed. Two can play it at that game. “Please Tim....”
He scowls at you. “Fine-”
“Yes!”
“-but you owe me a movie marathon.”
“Fine. Fine,” you nod, “just don’t pick something dumb.”
“I just got the new star trek box collection.” He beams. 
“You could just shove me into a grave.” You sigh dramatically. 
Tim grins. “The Renaissance called-”
“Oh fuck you, Grackle.”
He snorts and you hate that you fall in love with him more every time he laughs. 
You cross your arms giving him a hard look. “Fine but we have to have an intermission of my choice.” You say, offering a hand. 
“Deal.” He says, shaking your outstretched hand. 
“Great, you've just agreed to watch the Great British Baking Show with me.” You say smug. 
Tim curses himself. 
"Are you still looking for that one painting?"
You tip your body back to look at him, your eyes wide and startled. It takes no time at all for them to shift to their usual angry shape. "Yes," you say quietly. It's Tim’s turn to be startled. Your hands curl into a fist. "It wasn't done and those bastards took it." 
Tim reaches out to put his hand on your shoulder. 
You cast your hands up to the sky dramatically.  "The barbarity of it all!"
Tim smiles, letting his hand fall to his side. You would be ok. 
You two walk on as Tim rants about StarGate  could have had a bigger fanbase if it hadn’t excluded so many people. You add StarGate to the list of things to not remember. 
You stop.
Your heart presses a bruise in your throat. 
Framed in  wood laden in ivy and marigolds is a painting that was painfully familiar.  Even unwashed, you can still see the bright reds of rose petals, the wild greens of the women’s skirts, the brilliant oranges of marigolds, and the blinding whites of cobble stones. The image was a practice in entropy made into perfection. The chaos of Valentine's day in a small town square reduced and captured in an infinitesimal moment.
Damian told you that people had started calling them Warsaw’s Faceless Sweethearts. You hated that.  A part of you wants to scream. You want to tell them that this wasn’t for them. This painting was made for one person and one person only.
You’ve been staring at it too long. Tim looks at you. You’ve known him too long to not know that he’s worried. That he’s feeling that stupid surge of protectiveness he always does when you go quiet. It’s in the cautious way he reaches out to you, slow and steady the way you approach a spooked animal. You want to lash out at him but he’s your Tim. Besides, too much of your mind is trapped in the painting, in the white gazebo, in between the couple who’s stuck in the moment before a kiss. 
Tim stands closer to you, his fingers lacing into yours with centuries worth or practice. He looks at the painting. “This painting looks familiar.” Tim says for the lack of anything better to say. It was yours. He knew that with only a few seconds of looking. 
“I… I don’t think so,” you say clumsily, “that’s definitely not the painting I’ve been looking for. Yup that one looks completely finished. Yup definitely.” You tug at Tim’s arm. 
He gives you a look, staying perfectly in place, before turning back to the painting. His gaze draws low. In a glass case sits scraps of paper lined with charcoal.  It takes an embarrassingly long time for Tim to realize that they’re sketches the artist did. Tim recognized the baker, the blacksmith, the seamstress, and even the constable. Most glaring of all he recognizes your marigolds.  His eyes drift to the sketches of the couple in  the gazebo. They were numerous, haphazard and unsatisfied. You were clearly frustrated with the groom’s face. Tim wonders who the poor guy could be. 
In the corner of the page in the center, he sees it.  “Wait… is that me?”
“NO!”
“Is that you?” He asks, pointing to the figure next to his. In the sketch, your lips are brushing against his. Tim’s lip tingles trying to replicate the sensation. 
You’re frozen stiff. You try to pull your hand away. You want to bury your face in them. Scratch that, you wanna be buried six feet under. Tim doesn’t let go of your hand. 
“That’s the umbrella you lost back in London.”
“I lost a lot in London, Timmy.” 
“Well...” Ok. Yeah, you did. Hence why he can’t get you to London even with the promise of letting you ‘improve’ Buckingham palace. But that isn’t the point. “(Y/n), this is gorgeous.” He says, turning to you. You look at him stunned and scared. He squeezes your hand.
You shake yourself out of his grip. Tim lets you. He knows when to back down. 
You step forward leaning on the rope separating you from your work. “I told you it wasn't finished.” You say, glaring at the painting as if willing the colors to move. 
“What happened?” He asks, bumping his shoulder against yours.
You bump your shoulder against his. “Warsaw.”
“I don’t follow.”
“That little town in Warsaw. It was kind of hard to finish the painting when soldiers were setting fires to houses. Ok, they didn’t do it directly but there was smoke.”
“Yeah kind of.” Tim agrees, smiling sadly. He looks back at the painting. “I want to keep it.”
“What?” You blink not quite following the shift in conversation. 
“Darling, I think we should have it. It’s ours after all.” Tim says holding your hand in his. Your mind is bouncing between too many things. He called you darling. He’s holding your hand. He’s smiling so sweetly at you. You’re addicted to that look in his eyes, pure unadulterated adoration. 
You cover your face with your free hand, feeling the smile on your face go uncomfortable wide. You feel something on your forehead, a kiss like a raindrop. It comes again and you feel like you’re going to collapse. 
“It’s yours..” He trails off hesitantly. “..if..” You look up at Tim, waiting with bated breath. Tim squeezes your hands. “...if you’ll be mine. ”
@batarella​, @anothertimdrakestan​, @lucy-roo​, @multifandomgirl-us​, @bungunz​, @birdy-bat-writes​,  @boosyboo9206​, @americasmarauders​ , @l-inkage​, @arestorationofbalance​ , @cloudie-skay​, @wunderstell​   @hyp-oh-critical​ @glorified-red​
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deithe · 3 years
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the bones (2,847 words) (1/1)
(an introspective on jason grace. kind of?)
read here on ao3 or read below the cut!
jason falls in love with the human equivalent of a forest fire
(his mother fell in love with the sky itself)
jason grace grew up being told that his destiny was very, very simple.
his first and most important mission, handed down to him from lady juno and mother lupa, was that jason was destined to save rome. that his destiny lay with new rome and camp jupiter, a new romulus to lead the pack to greatness. he would spill so much blood in new rome’s name that the little tiber would overflow and the gods would crown him with a golden laurel made from monster ichor.
he would be everything everyone else needed.
a spear for the senate, a shield for new rome, a standard to replace the one that had been lost, a sword for the gods to wield, and another pack member for lupa. he would be the perfect soldier, a demigod fashioned by two god-mothers for the simple act of being a weapon.
his second duty was that jason was to be nothing like his father.
his father, evil, unpredictable, selfish and cruel, was to be jason’s antithesis. lady juno stressed this, as did the senate, as did his praetors (though praetor saville jason eventually killed in battle, so jason doesn’t take her words to heart anymore). jason was never, ever to be like his father. all sons of jupiter before him were either driven insane or were killed, and jason’s great destiny could not afford for him to do either of those things.
‘hubris’ lady juno once told him, while going through his latin lessons in the damp cold of the den (or wolf house, as she called it), ‘is the thing that kills sons of jupiter’.
so jason was to never be prideful, but at the same time, never to believe he was inferior. he was to be subservient but never meek, he was to be a capable fighter but never violent. he was to be kind but not a pushover. open but not flirtatious.
he was to be perfect. he could not afford anything else.
then he, in the span of a few months, murdered his prateor after finding out she was a traitor, watched his friend be assaulted by a family legacy of prophetic visions which turned him into a paranoid asshole, watched his other friend assume a leadership role, one which he tried to refuse, and fought an army, killed a titan and toppled kronos’ black throne.
he also became praetor and then was promptly kidnapped by lady juno, leaving said other friend with all the responsibility.
then any and all plans the gods had for him were ruined by a daughter of aphrodite with eyes like the earth and a son of hephaestus with a smile like war.
how could jason be the perfect soldier when his loyalties no longer lay with new rome? he loved his home, he loved his siblings-in-arms, he loved the legion-
he loved leo and piper more than the breath in his lungs, than the sky and earth and more than his destiny. he loved them enough to try and find whatever scraps of himself he had. to create something they could love too.
(heracles killed himself after accidentally killing his family. love killed him in the end)
and so, jason failed in his first mission. he could no longer put new rome above them, above camp half-blood.
jason doesn’t think becoming his father is an option for him, however. his father is prideful and arrogant and his father's likeness, he will eventually learn, belongs only to his prodigal sister.
and so, jason grace finds his last name, a family he never knew, friends he could die for and an empty cabin that seemed less lonely with leo or piper in it.
then they went on a quest, leo built a ship and they all set sail to stop gaia from rising.
then jason lost leo, then jason lost everything, then jason lost himself and then lost piper-
and, in the middle of winter, leo valdez came crashing down on a metal dragon with eyes like a nuclear explosion and teeth made for tearing meat from bone, or tearing jason’s heart from his chest.
and then jason found himself again in the space between the junction between leo valdez's fourth and fifth ribs.
leo valdez is a lot of things. he’s a son of hephaestus and a complete asshole. he’s the first child of hephaestus to be born with the ability to create and control fire in over 400 years. he’s a 5’4ft guy who wears platformed boots to make himself seem taller. he’s so powerful that he obliterated gaia. he’s a genius. he thinks spraying axe bodyspray on himself is the same as a shower. he overworks himself even when he doesn’t have to. he can fight gods and go toe-to-toe with any big three kid and hold his own. he likes to survive on a diet of mango monster energy and takis. he's obnoxious. he's thoughtful. he makes mean-spirited jokes at other people's expense. he's the best person jason's ever met
he’s-
currently late for their date.
It’s not that jason minds, per se, but leo has a nasty habit of getting so completely lost in his work that he can plan a date for the next day, and jason won’t see him for at least three days. it’s one of the downsides of being the trophy boyfriend of a genius.
jason sighs and rocks back on his heels, eyes darting up to the grey, overcast sky. he can almost hear leo in his head, asking if he could pretty please make it less goddamn cold? and his pout when jason refuses to change the weather for him.
it's not that jason won't. it's just that he can't. it makes aeolus snappy.
sometimes he still does it. manipulates the air currents just enough to warm the air around them and leo smiles, a real one, small and soft. like it wasn't meant to be seen. a secret thing, just for jason.
jason doesn't see leo smile like that often.
it's mid-february in new york and jason is kicking around central park in the grey mid-day light. it's quiet, this part of the park, with barely anyone passing jason as he leans against a tree, wet dew dripping into his unstyled hair. it's cold, but not cold enough for a freeze or snow. just the right amount of cold to turn your hands numb and purple from cold
which. if you've never seen leo 'was raised in texas and has fire powers' valdez in new york snow, jason fully believes you've never lived.
he spends another 30 minutes splitting his time from staring into space and wandering around the meeting spot they've arranged. it's peaceful here. jason can even hear some birds twittering and chirping in the trees above. the cold even stops bothering him. jason likes being alone sometimes.
it reminds him of the lupercal and lupa. long days and nights in the loneliness of the redwood forest. just him and the wolves and the stars.
though now jason has sturdy boots and a wool jacket, so not exactly the same.
he's in the middle of trying to coax a timid sparrow onto the hand, crouched on the balls of his feet when he feels a presence beside him. he goes stiff when he realises and then, like all the tension has been zapped out of him, goes relaxed again.
"that," leo whispers, also crouched beside jason, "is one fat fucking bird"
jason represses a grin, "don't say that. he's probably barely eaten all winter," and leo snorts, moving closer to jason so their shoulders brush. the bird regards leo with some caution but his black, beady eyes seem to acknowledge that jason would keep him safe.
"he looks better fed than me, jace. do you care more about this bird than your own poor boyfriend?" leo says, faux-sadness in his voice, "how cruel, jason grace. how cruel".
jason turns in time to see leo shake his head, black curls wild around his face as they shudder like leaves in the wind. his eyes are dark brown, watching the bird watch leo. a staring contest.
leo says his name like no one else does. like it's a name. like it's good. like it's something familiar and warm. he does not say 'jason' and imagine a great hero or a wolf-boy with no past. he does not say 'grace' like a joke, like grasp for power, like it carries too much weight for his tongue to bare.
he says it like it belongs to jason. he says it like it's important. not too fast, but not too slow.
leo turns his head to find jason staring at him.
"jason" he calls, lips quirking up at the edge, pulling out the 'o' like toffee, "i know i'm pretty irresistible but please, keep your longing stares for the bedroom"
jason shoves up against leo's shoulder, blush bursting across his already red-cold face.
he pushes just slightly too hard and leo goes spilling across the wet grass, yelping in surprise.
"jason!" he yells, looking up at jason half shocked and half in amusement. "what the fuck, dude!"
jason can't help himself.
leo is wearing jason's hoodie, the black one mrs.blofis picked out for jason which leo claimed as his own even before they started dating. his new denim, fur-lined jacket (from the hide of the nemean lion they killed last year) is just slightly too big and he's wearing black jeans. he looks like the college freshman he is. he looks mortal.
he looks human. he has leaves in his hair and his cheeks are flushed from the cold, teeth showing through the toothy smile he's giving and-
it's uncanny, sometimes, how well they can pass for normal. you almost can't tell leo's died and come back to life. you almost can't tell he's more powerful than any living mortal.
almost.
jason falls on top of leo in the wet grass, which causes leo to yelp, again, and knee jason in the stomach.
jason groans "dude, what the hades was that for?" and he rolls of leo, onto the wet grass beside him, arms protectively covering his bruised stomach.
"you fell directly on top of me, you big lug," and leo sits up, picking a leaf out of his curls absentmindedly, "if you haven't noticed, you're like a bean-pole with muscle mass. that shit hurts!"
jason pouts up at leo, who manages to look both unimpressed and fond. he rolls his eyes and offers his hand to jason, who accepts and leo hauls him into a sitting position in front of him
"hi, leo" jason says finally, "you're late"
"i'm not late, loser, you're just a nerd and get places earlier than normal people. its super weird," leo tells him, matter-of-factly, scooting closer to him as they sit on the ground. "you should really get it checked. might be terminal nerdiness. the glasses are just the first sign"
jason raises an eyebrow, curviving over said glasses. "i didn't know it could be terminal. oh well, guess i'll just wither away and die from being punctual. what an injust life i lead. how the sorrows never end"
leo pouts, eyes sparking with enough warmth to keep out the cold for decades to come, "don't be so down about it, I hear being a nerd has perks,"
jason moves closer, so his knees are half-pulled up to his chest and he's balancing his weight on his hand. leo fits perfectly in the bracket of his arms.
"oh? do tell?" he asks, and leo is close enough that jason can see the faint freckles on his cheeks. they're fading from how far away leo has been from the sun, but jason loves them anyways.
"yup," leo says, popping the p and smiling like the cat who got the cream. "do you know that all nerds get super hot and funny and sexy boyfriends? as compensation for being such nerds, of course"
jason pulls back his head a bit, just as leo laces his arms around his shoulders, "really?" and his voice is soft, but the smile won't disappear from his lips, "wow, didn't know that. guess I'm lucky that you're such a huge nerd or-"
leo kisses him like coming home. and in a way it is.
jason has known many homes. he's known the small apartment with his mother that smelt like spilt wine and smoke and mold. he's known the lupercal and the redwood forests around it. he's known the barracks at camp jupiter and the feeling of purpose in his chest. he's known cabin 1 and cabin 9 and bunker 9 and on the back of festus and on the argo. he's known the feeling of reyna laughing as he tells her wild stories and of the fifth cohort raising him on their shields. he's known lying in leo's private room with piper and leo, listening to low music and feeling safe with just them.
but the one person who jason has felt like home since they met was leo. his high ground through the tsunami. his parachute during a plane crash. the one point of home. like the north-star.
jason smiles into the kiss, his free hand tangling itself in the rough fabric of leo's dark blue denim jacket. it's soft and chaste, more a press of warm lips than anything. it's comforting. it's familiar. it's everything he wants.
leo pulls back a bit, just far enough to speak but still close enough that his breath brushes up against jason's cold face. "hi," he says, brushing his nose against his, "missed you, bro".
jason snorts, "i missed you too, leo, how's MIT treating you?"
"like i'm it's bitch is how it's treating me," leo tells him, slumping slightly into jason, forehead against jason's. "can we not talk about college? i think if we talk about college I might start crying and then our date will be ruined"
jason pulls back a bit to look at leo. he does look more tired than usual, eye-bags darker and lips bitten from nervousness. he frowns, using his free hand to cup his face. "are you okay? we can just go back to your dorm if you're too tired-"
"ugh, no way" leo groans, "fuck that. i just wanna spend time with you, okay? i wanna be mushy and all that gay shit. i want bad food and to kiss you again and again and do more than kissing-"
jason rolls his eyes.
"-and then go back to mrs.blofis apartment and watch really bad movies you like for some reason and then i'll go to sleep beside you and it'll be gay and shit"
"gay and shit?"
"gay and shit, you better believe it grace. but first-"
and leo untangles himself from jason and stands up, brushing the dirt from his knees leaving jason frowning on the floor.
he offers out his hand, brown skin calloused from work, long, thin fingers curled slightly as the palm faced upwards.
"c'mon, super, treat your louis lane to some greasy new york food before he decides batman has better pay"
jason is so, so lucky he got leo valdez. that the fates decides to make sure that his destiny crosses leo's. that he convinced leo valdez to let down his walls, to stay, that jason wouldn't leave him like the others, or hurt him or betray him.
that jason was in it for as long as leo wanted him to be. that jason only wanted leo to say his name, wanted to give it to leo because leo's the only one who's mouth jason trusts with it. that jason wanted to give leo his past. wanted to show him and tell him where he got each scar.
he trusts leo with this. he trusts leo's hands to not burn it all to ash. because he knows that if leo wanted to, he could. he could burn jason alive with a thought. turn him to ash and glass with a flick of his hand.
jason has fallen in love with a nuclear bomb, with a supernova of a boy and jason doesn't care if it kills him, because he has spent so long pretending to be what everyone else needed, that now he was going to be who he wanted to be. even if it got him killed. even if it burned him alive.
jason grace has fallen in love with the human version of a forest fire. he should be afraid of it, of leo. he is not. he never will be.
beryl grace fell in love with the sky itself. wanted all the stars in heaven and didn't care what happened to her. as long as she knew she had the stars attention. as long as she knew the sky loved her back.
as long as he knew the fire loved him back.
he takes his hand.
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damianwaynerocks · 4 years
Text
Zuko & The Waynes
tag list: @bi-fr0000g​
batfam x avatar crossover
PT 1
Description: Prince Zuko has just seen a light; the Avatar has returned. He was just about to go capture him, when he falls through a portal, and lands in Gotham City. He’s angry. He was just about to regain his honor, to regain his father’s love. After he is adopted by Bruce Wayne and becomes Zuko Wayne, the second youngest child, Zuko starts to have second thoughts about regaining his honor. Living as Zuko Wayne makes him think that maybe, just maybe, he’s deserving of love just the way he is. 
This started out as an incorrect quote, but then I loved the idea of Zuko having his Book 3 realization through becoming a member of the bat family, so I did. Also, there will 110% be a part 2.
this takes place in episode 1. like the beginning. he hasn’t even seen aang yet.
-
Fire Navy Ship, Near the South Pole, Earth 24
The story of Zuko Wayne begins with a bright light over an icy sea.
A bright light rocketed into the sky, parting the clouds. A boy with his left eye horribly scarred in a military uniform on a Fire Navy ship, his black ponytail fluttering in the wind, gripped the railing of the ship as he watched the light.
"Finally!" Prince Zuko yelled, whirling around to face a smaller man in a similar uniform who was playing some sort of board game at a small table, "Uncle, do you realize what this means!?"
Iroh, Zuko's uncle, looked up at his nephew with a calm expression, a game piece in his outstretched hand. "I won't get to finish my game?"
Zuko rolled his eyes and he turned back around, staring at the space where the light had been. "It means my search is about to come to an end." At his uncle's disinterested sigh, Zuko turned around again, gesturing behind him. "That light came from an incredibly powerful source! It has to be him!"
"Or it's just the celestial lights. We've been down this road before, Zuko," Iroh said, placing the game piece back on the board before looking back up at the prince. "Please, sit. Why don't you enjoy a cup of calming Jasmine tea?"
"I don't need any calming tea!" Zuko snarled, "I need to catch the Avatar-" he broke off to shield his face with his arms from the sudden wind.
A small purple tornado was in between Zuko and Iroh, pulsating with a strange light. It started to flatten into a portal, moving towards Zuko.
"Zuko, Move!" Iroh cried, lunging to grab his nephew out of the portal's way, but his cries never made it to Zuko's ears as the prince fell into the swirling vortex.
-
Crime Alley, Gotham City, Earth 2
"Oomph," Zuko grunted as he landed on a hard concrete surface. He sat up slowly, resting his hand on his forehead, dizzy. He blinked several times, trying to take in his bizarre surroundings.
A carriage-looking device was rolling through the street, no animals pulling it.
There were poles on either side of the street with lights shining out of them, lights that weren't coming from lanterns.
However, the most bizarre thing he could see was the man dressed similarly to a wolfbat in front of him.
Zuko scrambled to his feet, igniting a fire in front of his fist threateningly. "Stay back!" he snarled.
The man said nothing, looking at him closely. Zuko's skin was crawling; there was something unsettling about this man- or at least, he thought it was a man.
After thirty seconds of only the sound of Zuko's heavy breathing, the man spoke. "What's your name?" he said in a deep, gravely voice.
Zuko tightened his fists. "I am Prince Zuko of the Fire Nation," he said, "Now tell me; where am I!?"
"Gotham City," the hulking man replied.
Zuko swallowed. His father had made sure that Zuko knew the name of every city in the world.
He'd never heard of Gotham City.
"You've never heard of it." The man's words were more of a statement than a question. "Well, I've never heard of the Fire Nation. It doesn't exist."
"What are you talking about!?" Zuko was struggling to keep his voice even at this point. "The Fire Nation is the most dominating force in the world!"
"Not in this world, it isn't," the man growled.
"What do you mean 'this world!?'"
"You fell through a portal, you claim to be a prince although there is no record of a prince named Zuko ever existing, and there is no such thing as the Fire Nation," the man listed, "It's clear you aren't from this world."
Zuko's eyes flew open as his breathing became heavier. A different world? That wasn't possible. The fire in front of his hand fizzled out as he gripped the sides of his head.
The man was silent, before; "Come with me."
Zuko, too mind-boggled to argue, followed the man robotically to one of the carriages. The man opened the door for him, and Zuko stepped in. He didn't register anything else until he heard another man speak.
"Batman," an elderly man on a holographic screen was saying, "How was your night?"
"Alfred," Batman grumbled, "Prepare a room. I'm bringing someone."
"Would this 'someone' happen to be another child?"
"Yes," Batman replied. The man sighed.
"Of course I will prepare him a room, but Batman, you really need to get a hobby other than collecting children," the elderly man said before the screen disappeared.
"H-How did you do that!?" Zuko asked, dumbstruck, "How did you speak to that man!? He isn't in this carriage!"
"Car," Batman corrected him, "And it's video chat. I'm assuming technology was not as advanced in the Fire Nation?"
"We had war balloons," Zuko defended with a sniff. He looked out the window at the surroundings zooming behind them. "How are we moving so fast?"
"Five cylinder engine."
"That makes no sense."
"It will, once you've been here a while."
"What are you talking about!?" Zuko said with a start, "I need to go home!"
"That portal," Batman said, turning to look at him, "has been a problem for the past three years. It only opens annually. We'll try to get you back, but you'll probably have to wait until next summer."
"Next summer," Zuko repeated. His eyes narrowed. "That's unacceptable! I just found the Avatar, I need to capture him so I can regain my honor!"
Batman said nothing. Another screen appeared, the words 'call from Nightwing' displayed. At Batman's word of approval, a man with black hair and a domino mask appeared on the screen.
"Batman!" Nightwing yelled with a wide smile, "I hear I'm getting a little brother! Who is he?"
"Someone who came from Ziphran's Portal," Batman replied. Nightwing whistled lowly.
"Ooh, a dimension hopper! Like Jon! They can bond- no Damian this does not mean he won't be your friend anym- Damian put down your utility belt you are not hurting your new brother."
"I'd like to see him try," Zuko snorted.
From off-screen, Zuko heard someone screech, "Was that a fucking challenge?!" before Nightwing turned around, scolding whoever it was for using that kind of language. The video feed cut out as they pulled up to a waterfall.
Batman drove the car through it, entering a cave. Zuko's eyes widened. There were machines everywhere. More high-tech than Zuko could have ever imagined.
Batman stopped on a circular platform, and the doors opened. Zuko stepped out, looking around at the room. His gaze landed on three people.
One was Nightwing, the other a boy in a red and green outfit who looked to be about thirteen, and another boy around Zuko's age in a red outfit. All were wearing masks.
"This is Zuko," Batman introduced, putting a hand on Zuko's shoulder, who quickly ripped it off. "He's a prince from a place called the Fire Nation."
The boy in red laughed. "Prince? Aww, poor Robin isn't the only prince anymor-" he was cut off as the youngest punched him in the stomach.
"So, are we adopting him?" Nightwing asked excitedly, looking Zuko up and down. Zuko stepped back nervously, not used to someone being so happy at the thought of spending time with him.
Batman didn't answer, instead looking down at Zuko. "How did you get your scar?" he asked.
Zuko almost didn't respond, but the glare Batman was giving him was too much. "I spoke out of turn and told my father that we shouldn't purposely kill our troops," he spluttered, "And so he challenged me to an Agni Kai, and when I refused to fight him, he lit my face on fire."
"Ope, he's got trauma!" the boy in red yelled from where he was seated at a chair, "And black hair! He meets all the qualifications for adoption!"
"No!" Zuko snapped, glaring at the boy, "I can't stay here! I have to capture the Avatar so I can regain my honor!"
The boy laughed again. "Okay, Edgelord, chill. You'll be able to go back in a year."
"He will be staying here," Batman said before Zuko could verbally assault the boy, "Because he's from another world, we can't put him on the streets."
"So, we should introduce ourselves!" Nightwing suggested. He took off his mask. "I'm Dick Grayson," he pointed at the boy in red, "That's Tim Drake," he pointed at Robin, "And that's Damian Wayne. There's also Jason Todd, Cassandra Cain, Duke Thomas, Stephanie Brown and Barbara Gordon."
Damian rolled his eyes. "Father did not adopt Brown or Gordon."
"Maybe not legally, but emotionally? Waynes." Dick turned back to Zuko, "We usually aren't all here together, but my apartment in Bludhaven got bombed and Tim got sick of his neighbors, so we're here until we find a new place. Jason's coming in a couple days to see Alfred, and he's supposed to start coming to breakfast once a week."
At that moment, two girls walked down the stairs. One had blonde hair, the other black hair. The blonde one smiled. "Ooh! Bruce, you got a new one!" she did a flip off of the stairs, landing in front of Zuko. "My name's Stephanie! I'm excited to get to know you!"
Zuko glared at her. "You won't have the chance to get to know me. I'm leaving so I can capture the Avatar. I need to regain my honor!"
Stephanie scrunched her nose as she took in Zuko's hair. "The only thing you need is a hair cut."
"On it," the other girl- Cassandra -said, before taking out a throwing star from her pocket and hurling it at Zuko, slicing his ponytail clean off. Zuko's jaw dropped as he watched it fall to the ground.
"No!" he yelled, "My top knot was the only thing distinguishing me as a member of the royal family!"
"Oof," Stephanie winced, "Sorry, dude, but it's ugly."
"On that note," the elderly man from the call- Alfred -said from the top of the stairs, "I think it's time Master Zuko get some rest. He's had a long day."
As Alfred spoke, Zuko realized that he was, indeed, dead on his feet. Maybe it was lack of sleep, maybe it was the fact that he didn't have anywhere else to go, or maybe it was Dick's bright smile, but Zuko felt that he would be safe at this place. He nodded, trudging his way up the stairs.
Alfred led him to a room on the third floor, and turned on the light. Zuko scrunched his eyebrows in surprise.
"How did you do that!? You just flipped that switch and that lantern lit!"
"It's a lightbulb, Master Zuko," Alfred explained, "I take it your world didn't have electricity? Here, almost everything is automatic, made to make activities easier. I'm sure you'll grow to enjoy them. Take a shower while I get you some of Master Timothy's clothes to wear to sleep."
"Shower?" Zuko asked.
"Yes, it's like a bath but the water falls on you." Alfred led him to a smaller room in his bedroom. "Here, I'll show you."
As Zuko stepped into the shower, his mind was reeling. A shower was warm rain solely used for washing. Cars were carriages with no animals to pull them that traveled ten times as fast. He was in another world, away from everything he'd ever known.
Away from Uncle Iroh.
Zuko sighed, stepping out of the shower, grabbing a towel to dry off with. He opened the door of the bathroom, and saw clothes on the bed. Putting them on, he noticed how strange they were.
They weren't robes. It was a plain red shirt and the comfiest pair of pants he'd ever been in. It was the comfiest outfit he'd ever been in, really.
But it wasn't Fire Nation apparel. Alfred must have taken his military uniform to wash it. His ponytail gone, Zuko had nothing to remind him of home.
As he laid his head on the pillow, one last thought fluttered through his brain: I'm completely alone.
-
The next two days consisted of Zuko staying either in his room or wandering around the manor, trying to learn the layout. Alfred would bring him meals three times a day, but other than that, he left him alone. He was starting to relax. If these people were going to hurt him, they would have by now.
On his fourth day, Zuko was in the library, when he overheard Damian complain that he had nobody to practice broadsword with.
"I'm good with those," Zuko said. Dick and Damian looked up from the corner where'd they been.
"Finally, someone who is willing," Damian replied, "Come, Zuko, let's go."
_
Damian and Zuko were circling each other, each holding blunted broadswords. Dick was watching from the sidelines, smiling.
Zuko struck first, spinning around and using the momentum to drive his sword into Damian's side, who did a backflip to dodge.
Damian rushed forward, slashing downward at Zuko's head. The latter quickly brought up both swords, blocking Damian's attack.
They were evenly matched, the 'princes' were. The fight went on for an hour, neither landing a hit on the other.
A 21 year old man with black hair came in 30 minutes in, cheered Zuko on, yelled that his name was Jason, and at the 45 minute mark began texting on his phone.
Finally, the two called a truce, both drenched in sweat. Zuko turned to Jason and Dick.
Dick was smiling widely at him, and Zuko was shocked at the effect it had on him. The smile made him feel like he was the only person in the room.
Zuko nodded at Dick, before turning to Jason. "What's that?" he asked, gesturing to the phone.
"This, my dear boy, is a phone," Jason waved it in the air. "You can talk to anybody in the world with it, no matter how far away they are, and they get it instantly and respond instantly. And you can search through the internet, which is like a giant library with every single thing you could ever want to know about in a split second."
"Seriously?" said Zuko, "That's insane."
"Tim's already working on one for you," Dick said, "He's putting all of our phone numbers in it and stuff." he gasped, slapping Jason on the shoulder. "We gotta put him in the group chat."
Four hours later, Zuko had his phone, and was in the group chat called 'The Waynez'
dick: YO ZUKO'S HERE duke: whaddup dude i'm duke i'm in san fran rn
Zuko frowned. He went to safari, and googled "san fran."
zuko: what are you doing there? duke: mission with kon tim: how is my bff duke: if he doesn't take those stupid sunglasses off i will literally steal his kneecaps jason: lmao me
Zuko sucked his teeth as he read the conversation, hopping on to his bed. "Steal kneecaps?" he muttered, "Just what kind of family did I get myself into?"
zuko: what kind of family did i get myself into ? dick: the best! jason: just wait till b lets you join us in our nightly activities zuko: like that nightwing and batman thing? zuko: also does b stand for bruce or batman? jason: it stands for Bitch jason: & yes that thing. i'm red hood, tim's red robin, duke is signal, and damian's robin damian: if you call father a bitch one more time jason: iF yOu CaLl FaThEr A bItCh OnE mOrE tImE jason: what are you gonna do ur like four feet tall damian: say goodbye to your kneecaps motherfucker dick: DAMIAN NO tim: AHAHDJ DAMIAN duke: GUYS HE'S GONNA THINK YOU'RE SERIOUS jason: you literally started it??
Zuko let out a huff of laughter. Siblings who only fought in a joking manner?
He could get used to this.
-
Zuko was nine.
He laughed, looking up at a younger Uncle Iroh with shining, happy eyes, unscarred. "I love you, Uncle!" he chirped.
Iroh smiled warmly. "I love you too, Zuko."
"ZUKE!"
Zuko woke from his dream with a start to see a figure standing over him.
Dick grinned. "Hey, do you wanna go on a- put that fire out, it's me -do you wanna go on a drive?"
"But it's-" Zuko looked at the clock beside his bed "It's 2:00 AM! And I was sleeping!"
"Did you have any dreams?"
"No," Zuko lied, looking at Dick's shoes, "I don't have dreams,"
"Fine," Dick said, putting up his hands in surrender, "Don't tell me. But come on, get dressed!"
"But it's so early!"
"It's only 2:00 am, I'm usually out right now!" Dick huffed, before walking to Zuko's closet and grabbing jeans and a blue t-shirt- Alfred must have gone and got him clothes -and threw them at him. Zuko groaned as the clothes hit his face.
"Alright, alright!" Zuko gave in, getting out of bed with a stretch of his arms. "Give me five minutes."
"I'll make you some coffee, so you'll be awake!" Dick said as he left the roof, shutting the door behind him.
"Coffee?" Zuko said aloud as he put on the clothes, slipping blue Nike tennis shoes on. "What's that?" His phone chimed- the group chat -and Zuko grabbed it off of his nightstand to look at it.
dick: hey Tim I'm giving Zuko some of your coffee
tim: ??? why
dick: So he'll stay awake. we're going on a drive.
jason: take the bat mobile i dare you
dick: no we're taking my mustang
jason: coward
dick: ANYWAY
dick: i don't think he's ever had coffee before
tim: like ever? fine but only this once maybe then he'll go to Starbucks with me
tim: SINCE NOBODY ELSE IN THIS FAMILY WILL
damain: will you all be quiet, I'm busy.
jason: yeah he's at emiko's
duke: OH SHIT
damian: i haven't spoken to emiko in months, you imbecile.
jason: that's not what Roy said, brat
"Who's Emiko?" Zuko asked Dick as he opened the door to his room where he was waiting for him.
"She's this girl Damian tried to get to join his team," Dick explained, leading him to the kitchen as he put a pack of coffee into the keurig, "Jason gives him crap about her because they're so much alike."
Zuko nodded. "So, what exactly is coffee?"
"It's this drink that has caffeine in it, which is a drug that gives you energy, in simple terms," Dick explained, "Tim loves it. I don't think he's addicted, but he loves the taste." Dick poured the coffee into a different cup, took a gallon of almond milk out of the fridge, and poured some into it. "Starbucks is a huge coffee chain. They're all over the world. They have tons of different recipes, but almond milk lattes are how I like mine." He handed the cup to Zuko.
Zuko took a sip, and he hummed. "This is really good," he said, "Kind of bitter, but good."
"Right?" Dick led Zuko to another room and opened the door to a garage filled with cars. He pressed a button on his keys, and the car blinked, the doors opening. "Hop in, Zuke!"
"Don't call me that," Zuko grunted, getting in the car as he took another sip of the coffee. Dick, not fazed, told him to buckle up and took off.
"Did you have music in the Fire Nation?" Dick asked as they drove down the road, not yet in Gotham.
"Yeah," Zuko replied, looking out the window. "We had sungi horns and folk songs."
"So... no My Way by Queen Key, I'm guessing?"
"What?"
Dick smiled widely and turned on the radio. "Play My Way," he said to the car, and a song started playing.
Zuko's face scrunched up as it started. "This is music?" he raised an eyebrow.
"Meanwhile I'm turnt as fuck!" Dick sang off-key, "I left my pizza in the oven that bitch burnt as fuck!"
Zuko raised his eyebrows with a flat look on his face, but to his annoyance, he found himself not minding the song. And eventually, with Dick's calming presence and encouragement, Zuko began to sing with him."Bitch, my way! My way! My way!" the brothers sang, Zuko's voice quiet while Dick's was loud. As the song ended, Dick handed Zuko his phone.
"Here, pick one!" he said, before turning his eyes back to the road.
"I won't know any of them, though," Zuko reminded him, "What if I pick a bad one?"
"Then we'll sing it anyways!" Dick replied, "Because you picked it out!"
Zuko looked down, scrolling through the playlist. Go Hard, Watch Me, Love Story... he didn't know any of these songs, but tapped the song Starstrukk.
Dick gasped as the song started. He turned up the volume until the car was vibrating from the bass. Headbanging, Dick started screeching.
“Nice legs, daisy dukes, makes a man go WOO HOO!"
"Dick, wasn't that a whistle?"
"I can't whistle so I have to say woo-hoo."
Zuko found himself liking this song too, and once again, sang along with Dick at the second chorus.
"I think I should know!! How!! To make love to something innocent without leaving my fingerprints out!! Now!! L-O-V-E's just another word I never learned to pronounce!"
"Here," Dick said, grabbing the phone and pulling up the lyrics, "Sing along!"
With the lyrics in front of him, Zuko sang the rest of the song with Dick, gradually getting louder until the both of them were screaming at the top of their lungs. At the end of the song, the two laughed.
"That was so good!" Dick praised. Zuko started to answer, before both of their phones chimed.
tim: zuko did you like the coffee
zuko: yes
tim: ok good we r going to Starbucks tomorrow
duke: ?? don't you have work??
tim: i'll tell them I'm spending time with the newest wayne so i'll be late tam will understand
duke: bro bruce hasn't had a press conference about him yet
tim: tam knows I'm red robin i think she can keep this secret
zuko: what time?
tim: 9 so u can sleep in
damian: you're being oddly nice, drake, you're never that nice to me
tim: i literally took a bullet for you like three months ago.
zuko: it's okay, you don't have to wait that long for me
tim: ?? what r u talking about ur my brother, ofc i do
Zuko blinked, not expecting that. They'd only known him for two days, and they considered him family? "Isn't it really soon to accept me?" Zuko said aloud to Dick, "I mean, I haven't helped or contributed or anything."
"So?" Dick gave Zuko a weird look. "You don't have to earn our acceptance. You had it from the moment Bruce decided to adopt you."
Zuko didn't answer. He must be lying, or just trying to make him feel better. You can't just accept someone into a family without cause.
"Now," Dick turned down the volume, "Look outside!" Zuko did as he was told, and his eyes flew open.
It was beautiful. Multicolored lights blurring as they sped past them, architecture that Zuko had never seen. "It's gorgeous," he whispered.
"I figured you'd like it," Dick chuckled. They drove around the city for a while longer, Zuko in awe. Finally, they pulled back into the garage at the Manor.
"So, you have fun?" Dick asked as they got out of the car. Zuko nodded.
"Yeah. I did."
_
"WAKE UP!"
Zuko lurched awake, glaring at Tim above him. "Do you guys always wake each other up like this?"
"Only when there's things to do!" Tim answered, "Now come on! We'll take my car. I'm so excited man."
Zuko, exhausted, yawned as he followed Tim down the stairs to the garage he'd been in seven hours earlier. Getting into a Ferrari, they took off.
"So, Zuko, what was life like in the Fire Nation?"
"Very different."
"How so?"
Zuko pursed his lips together, not answering. Tim shrugged.
"Alright. Keep your secrets." Tim pulled into a parking lot and shut the car off. "We're at the second most glorious place in the universe!"
"What's the first?"
"My therapist's office," Tim replied casually, "My friend Kon's making me go. I'm the only one in the family who goes, even though we all need it."
"What's therapy?" Zuko inquired as they got out of the car.
"It's, like, treatment for your mental health. Your issues. Dealing with your past. I needed it for sure," he pointed at his head, "Lots wrong up here." He laughed. "You probably need it too, Edgelord."
Zuko grunted in response as they stepped inside the building. Tim inhaled the air with a smile. "Doesn't that smell amazing?"
It did smell good. It smelled like coffee. He'd only smelled it once before, but Zuko had decided that it was one of his favorite scents.
"So, Dick gave you his almond lattes with no sweetener, right?" Tim looked at Zuko with a raised eyebrow. At his nod, Tim added, "Was it too bitter or was it good?"
Zuko looked around the coffee shop, surprised at the number of people in line. "Too bitter," he answered.
"Okay," You could tell that the gears in Tim's mind were turning, and he asked, "Are you hot right now?"
"I'm always hot, I'm a firebender-" he was cut off by  Tim slapping his hand over his mouth.
"Maybe in your world, people are open about powers," Tim said sternly, "But in our world, if anyone finds out who you are, bad things will happen. That's why Batman and everyone else wear masks."
Zuko nodded, and Tim took away his hand. The firebender cleared his throat. "Well, yeah, I'm always hot. Doesn't usually bother me though."
"So do you think you'd like a cold drink or a hot one?"
"Cold coffee?" Zuko echoed, crossing his arms over his chests, "I'll try it."
"Alrighty," Tim said with a grin, gesturing for Zuko to follow him to the line. Zuko flinched as he saw people staring at him, at his scar. Hearing mutters about it, he looked down, trying to hide it.
Noticing this, Tim scowled. He raised his head high. "My name is Tim Drake-Wayne, ward of Bruce Wayne," he said loudly, "And if any one of you continue whispering about him, or make him uncomfortable in any way, I will personally sue you for harassment!"
Apparently the name 'Wayne' carried some weight, as everybody looked away. Tim turned back to Zuko. "So, let's try a caramel macchiato."
Zuko took a drink after the barista handed it to him, and he nodded. "I love it, really good."
"Starbucks is always good," said Tim, "Now come on, let's get you back to the manor."
Another week passed, and Zuko started to grow comfortable. He wasn't happy there, sure, but the Waynes were welcoming, and he was actually starting to consider them friends.
In therapy, Tim had been talking about his trauma, and because it helped, he'd roped the family into doing the same.
Zuko was shocked. He couldn't believe how much they've went through. Damian's childhood. Jason's death and resurrection. Bruce and Dick watching their parents die, and their sexual assaults. Tim, who'd watching everyone he cared about die. Cass, who was treated as nothing more than a weapon for most of her life.
Finally, it was his turn. "Do I have to do this?"
"Zuko, if I have to, you have to," Damian snorted. Zuko sighed, biting his lip nervously.
"So, my mom was banished before me. Then when I was 13, I was sitting in during a military meeting, and I spoke up, telling my father that he shouldn't purposely kill our troops," he laughed bitterly, "So instead of grounding me like Bruce does, he challenged me to an Agni Kai, and when I wouldn't fight him, he lit my face on fire and banished me, saying I could only return if I captured the Avatar, who hadn't been seen in a hundred years."
Jason whistled lowly. "No offense but your dad fuckin sucks."
"He only did it to teach me respect!" Zuko snarled, clenching his fists.
"Jason," Tim scolded, "The rule is that after we share our story, nobody comments on it."
"Okay, but Zuko's acting like Damian did when he first came here," Jason argued, "Thinking that the people who are supposed to protect them are allowed to hurt them." He turned to Damian. "Is that something your grandfather would do?"
"Yes," Damian said without a beat, "Absolutely."
Zuko gritted his teeth. "You're wrong. All of you!" He rose to his feet and stormed up the stairs to his room.
My father loves me, that's why he gave me the chance of capturing the Avatar! Zuko thought as he slammed the door to his room. If he didn't care for me, he wouldn't have gave me a chance to earn back his love!
Then why do these people love you without conditions? a small voice in his head spoke.
Zuko clenched his fists, and started punching the wall. He continued punching until his knuckles were bloody. He continued punching until he fell asleep.
And yet, he woke up in his bed. He blearily opened his eyes, confused as he looked at the spot where he'd fallen asleep. The holes in the wall were there, but the blood was gone, and his knuckles were bandaged. Looking to his nightstand, Zuko saw a note.
I'm sorry for carrying you without asking, but I didn't want you to hurt your back from sleeping on the tile. Come down to the cave in the morning to change your bandages. - Bruce
Bruce had listed him off the floor solely so Zuko's back wouldn't hurt. He'd cleaned up the blood in the middle of the night so Zuko wouldn't have to see it. He'd even bandaged his hands.
This family didn't make any sense.
_
A week later, Tim and Zuko were at Starbucks. Zuko was sipping his caramel macchiato, repeatedly checking his phone while Tim worked on his laptop.
Tim raised an eyebrow. "Nervous?"
Today was the day that Bruce Wayne was announcing that he had adopted another kid. There would be pictures of him, Zuko would have to post on the Instagram that Tim had made for him, and he couldn't imagine all of the comments about his scar. "No, not at all."
"It'll be okay," Tim said, shutting his laptop so he could better face Zuko. "It can't be worse than whenever Damian was revealed. 'Bruce Wayne has love child?' "Young Wayne looks to have serious mental health issues'" he rolled his eyes, "Damian was so mad."
"When will I be interviewed?" Zuko asked, tapping his fingers against the table.
"We don't know yet," Tim replied, "We're hoping to get anybody but Vicky Vale. She's a vulture." he paused. "But don't worry. We'll all be there with you."
"I'm not worried," Zuko insisted, "I just... need to know so I can clear my schedule."
Tim raised an eyebrow in disbelief. "Oh? Brooding take up a lot of time?"
"Shut it, Tim-Wit." Zuko's phone chimed, and he jumped with a start before looking at it. Sure enough, the article titled 'Bruce Wayne Adopts Another' was up.
"It's out!" Tim said, "Great! Time to post on Instagram!"
"What?" Zuko panicked, "Already? But- but my scar!"
"It'll get shown eventually," Tim pointed out, "Plus, Dick and I already have our pictures picked out. Dick has the one of you smiling when he got you two matching shirts."
Zuko smiled softly, tugging on the hem of the before mentioned shirt, a dark blue Ralph Lauren.
"And they're up!" Tim said with a grin, shoving his phone in Zuko's face, "Take a look!"
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"That's a good picture," he voiced. Tim nodded, muttering an agreement, before showing him Dick's post.
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Zuko replied to Jason’s comment with an eye roll, before he froze, the caption sinking in. He blinked in shock. Dick would... die for him? He shook his head. "I still don't get why you guys care for me so much. Like I said, I haven't done anything to earn it."
Tim gave him a sad look. "Zuko, don't you get it? We don't love you because you did something to earn it or whatever. We love you simply because you exist."
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girlobsessed21 · 4 years
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My thoughts on The 100 7x05
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Hey, guys,
Sorry for not doing any comments on the last two episodes. I’ve been a little busy and I struggled to connect to the show, so it hindered my enjoyment, but it’s all better now. Liked episode 4 and 5 was even better, jampacked with info and it answered a lot of questions.
Welcome to Bardo
Badass Octavia is da bomb (people don’t say that anymore, right?). When she was captured in episode two, I thought she had lost her fighting spirit, but it’s back, bitches. Well, until she runs into an invisible wall trying to escape. She’s captured and transported to M-cap (whatever that means). Then we get a welcome little flashback to Lincoln but it’s obvious that Bellamy would be the hand reaching out. He’s her rock, like she’s expressed many times.
Unlike John Murphy who is not quite a friend, or family and definitely not a lover. Introducing so many new characters in the final season of a show is never a good idea, because this is the time to wrap up all the stories of the existing ones, but come on, who cannot love Levitt. Even when he first meets Octavia, he doesn’t want to hurt her. Jason, you better not harm one hair on this precious little puppy’s head!
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As he binges The 100 through Octavia’s eyes, he starts rooting for her, and he actually gives a damn, unlike most people on this show. He understands her strengths and weaknesses and he makes her see it too. “You’re a warrior to be sure, but your heart is pure.” Wow, what an honest and beautiful line. (Scroll down for my shipping comments.)
So is O and Hope’s fleeting little reunion. It’s amazing to experience this deep loving side of Octavia after her darkness. She’s truly one of the most diverse and developed characters on the series. Now Hope and her resilience is quickly making it to the top as well.
While Hope is trying to send her back home, we learn that memory loss is due to the time dilation. One quick note on this, it’s not linear, there’s no easy equation to calculate it unless you’re Stephen Hawking or Einstein. I don’t think it’s constant either. 10 years on Skyring = 11 days on Bardo = a few minutes on Sanctum. In the current time, 5 years on Skyring = 1 day on Sanctum = 7 days on Bardo. So, it’s clear that the planets are moving, and other factors are playing into the phenomenon. It’s more important to understand the time relative to each planet.
Levitt was the one who tattooed Hope’s code onto O’s back, also the one who planted the note into Hope’s arm. Indeed the kind of man you want on the inside, he even accepts a blow to the face as thank you.
Sheep-ish?
Thirty minutes on the clock and the trio gets led to a congregation to praise the shepherd. I never thought it was Anders, I do, however think it might be Cadogan. The Bordoan’s built the underground forest because they destroyed their planet. Ugh, what’s new? The shepherd herded his sheep from earth to Bardo via the stone. Cadogan and his second dawn cult?
Back to Clarke. So, after last episode I thought ‘the key to winning the last war’ line was an artifice for luring Clarke to disciples, but now it’s clearly true. They’ve located the key and they will win the last war. Levitt was interested in Clarke surviving the City of Light with the flame in her head, they probably assume she still has it. Cadogan burned Becca alive. Could it be because of the flame? Is this all because of that damn little chip that can’t seem to die?
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Bellamy is not dead, I repeat, Bellamy is not dead! I believe that memory could be staged or implanted for a reason. Also, there’s no body, he jumped through the bridge. In the promo photos, he wears a ring but his actions towards Octavia seem a little cold and generic. On first watch, I thought it was bad acting but if he was programmed to do this, it makes sense.
Note the sequence of events. Octavia returned 7 days ago and was asked to talk her brother down, but we don’t see the actual scene. Instead we’re shown a memory. They could have implanted it to make her vulnerable and perhaps more susceptible to the procedure. I don’t know, but this theory could lead to Robot-sheep!Bellamy on Nakara, where he’ll encounter Clarke and the gang.
I have to be honest, I really don’t like this character arc for Bellamy. It’s unoriginal and a mime of Peeta’s storyline in Mockingjay. Sorry, but so far it feels like the writers were so over the show, they just wanted to get it done. And that attitude really bleeds into one’s creative concepts. I could be completely wrong, in fact, I hope I am.
Echo spins a Finn
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My word, I lost the love of my life once, but I sure didn’t kill anyone. When Echo received that vision of Roan, I was hoping for some progression on her individual arc, they’ve made me care about her, and now we get the opposite. Why? One thing I have to admit, a killer performance from Tasya Teles! No pun intended.
Look, this show hasn’t explored Bellamy and Echo’s relationship enough to make her murder believable. It was the exact same thing with Finn. I wasn’t invested in Finn and Clarke’s connection, so his actions of killing a grounder tribe was more repulsive than understandable. Sure, Echo loves Bellamy and her sole purpose is to save him, but I’ve never truly witnessed their love for each other. They had one or two intimate scenes which cannot compel a deed like this. And in the process, she screwed Hope and Diyoza.
Anyway, I don’t think there’s any coming back from it. She murdered an innocent person in cold blood. That’s sure to open a door to the dark side.  Just look at Octavia after killing Pike and her actions were justified by jus drein jus daun.
Say Sanctum three times slowly and it sounds like… Sanctum
Blind faith
Look, I’m just gonna come out and say this song is getting old. Every episode featuring Sanctum is the exact same thing with different lines. Can we please move on from it, already? Yes, we know the COG want Russel dead, and the adjusters will go to extreme lengths to free Russel and the prisoners are background noise.
I did appreciate Nelson stepping in to try and save the girl, though. Still doesn’t save the fact that it’s repetitive. The Sanctum plotline is really struggling to take shape and I hope it happens soon. Dramatic eyeroll.
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At least in the drought of a desert, you can always count on Murphy. “…I say we live and let die.” Typical cockroach line, right, but it’s ironic when he’s the one to step up, even if it is for Emori. Under the magnifying glass it’s the exact same plot as episode 1 and 3. He hesitates to take action, and eventually becomes the hero.
I mean, he saved that poor kid from being burned alive. Can you imagine sacrificing your own child in such a horrific away? Cults are beyond whacked, and, unfortunately, it’s reality that cult members are so blinded by their faith that they do not see rhyme or reason.
How did Murphy fail that test? I didn’t. When Trey named the four pillars, I thought, isn’t rejoice one of them? Surely, a cockroach would have smelled that trap a mile away.
Indra the great
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Can we just give a massive round of applause to Adina Porter!!! That powerhouse walk vibrates strength and majesty, damn, she should be a false god, I wouldn’t dare threaten her with or without an army.
Three little words was all it took for her to recognize evil. “There’s a spider on your shoulder.” Smooth. Too bad she can’t kill him. Why not, how many of the faithful are left to cause an uproar? Wonkru doesn’t know it’s Sheidheda, they won’t care, the COG will fall in line and the prisoners will be happy as long as they get their compound. Sorry, I don’t get it and I don’t understand why she doesn’t tell anyone.  Someone please explain?
Granted, JR Bourne as Russel is way better, but I still don’t understand his actions. I hope they explore and explain him more, because he still feels flat unless he knows something of this final war. I’m hoping these two storylines align soon since it’s really driving a wedge between me and my love for the show.
Shipwreck
I’ll start with the easy stuff, Murphy, Emori and the perfect dress gets a heart eye emoji from me. They are so damn cute this season, can they please live happily ever after in the palace?
Octabriel vs Levittavia
Now, I enjoy Levitt fangirling over Octavia. I feel like he has a deep sense of her through her memories. If I have to root for an underdeveloped relationship, it will have to be one where the characters share thoughts and experiences even if it is through a sick, sci-fi procedure.
On the other hand, Gabriel and Octavia have immense chemistry, two seconds of them together bends my mouth into an “Aah, cute” pout. This will also add some approval and representation for mixed racial relationships.
I really don’t mind either way as long as they make me care through showing and not telling.
Bellarke
So, if my theory is correct, and Bellamy does end up on Nakara, Bellarke will encounter each other quite soon. Bellamy won’t be himself though, but he might pretend to be Bellamy to win Clarke’s co-operation. Is there hope for Bellarke yet?
Echo is now trotting a dangerous path and Bellamy might be pledged to a cause, so I doubt there will be a happy ending for Becho. Since 7x01 I’ve been thinking that the writers might want to develop something between Clarke and Gaia but if they are separated, is there enough time? Guess we’ll see.
This monster of a review is finally done… If you read through everything, you deserve a gold star! Let me know what you think, till we meet again…
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astyle-alex · 3 years
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[Fanfic] Museum Mishap | the BatFam
Museum Mishap  |  Chapter 5/6
Fandom: the DC Universe, Batman & co. Pairings: Jay x Tim Characters: Jason Todd, Tim Drake, Bruce Wayne, Dick Grayson Rating: Gen Audiences Warnings: None
Total Word Count: 38,590
Summary:
Middle-School Tim Drake is on a field trip to the Science Museum, but with a WE exhibition of top-secret new technologies being staged in the basement, Tim separates from his classmates and breaks into the staff-only areas by using the skills he's developed over years of stalking Batman and Robin.
Current-Robin Jason Todd catches him in the act, but he's not there to confront Tim for trespassing or truancy - he's there because there's a rumor on the street that Tim Drake knows Batman's real name. And the rumor's gaining ground, quick, drawing in the wrong kind of attention.
When a Drug-Lord decides to take the rumor seriously enough to kidnap the little genius, Jason jumps into the crossfire. It all goes downhill from there. Fast.
(Jason is 14, Tim is 12)
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Museum Mishap Chapter 5: Checking Up
     Dick is the first to notice something’s different about Jason.
           Which is fair, because even though Bruce is the first person to see Jason after he wakes up on Saturday, a full 27 hours after being rescued from Sabini (ten of which he’d spent sleeping peacefully in his own bed instead of the Cave’s infirmary) – and even though Alfred is the first person to talk to him after he comes downstairs for breakfast – the bulk of what is actually noticeably different about Jason is aimed directly at Dick.
           Literally.
           Because Jason is starting.
           At Dick.
           From across his plate of scrambled eggs and sausage and toast piled high with strawberry preserves instead of the peach marmalade Dick likes and has on his own plate, Jason is staring. At Dick. Directly.
           He’s not even glaring at him, he’s just… watching.
           Which actually makes Dick more self-conscious than if Jason had been glaring, makes him think he’s done something wrong. Something especially wrong.
           Dick had never asked for a little brother, and to be perfectly honest he could admit that he hadn’t exactly been very nice to the one he’d acquired unexpectedly. While he had concrete and valid reasons to be pissed at Bruce for how he’d handled things, Dick wasn’t quite self-centered enough to miss how he hadn’t done right by Jason either.
           He’d screwed up their relationship in the beginning and now he spent most of his time trying to avoid making it worse. Which meant most simply that he spent most of his time straight up avoiding it…
           The longest span of time Dick had spent alone in a room with Jason since storming off to California a few weeks before his sixteenth birthday – to go be Robin with people who appreciated him and his skill and his right to wear the R, because it was his and always would be – was about the length of a Star Wars movie. The longest they’d spent together without such a specific and effective distraction was about twenty minutes.
           In which Alfred usually checked in on them halfway through.
           Because Jason does deserve the R.
           And he’s always resented that the older brother he’d never asked for thought he didn’t.
           Which isn’t exactly true, but Dick has never been able to explain that before Jason – brilliantly observant, woefully astute, and brutally willing to cut to the quick as he was – said something that made Dick get defensive. Which is when the yelling always started.
           And the quiet moments in between the yelling had always been punctuated by glaring.
           But now Jason is staring – and distinctly not glaring – and Dick doesn’t know what he did, or what he should do now. So, he sits in silence and plays with his eggs and worries.
           Because something is different about Jason this morning, and he doesn’t know why – or what it has to do with him. Or what Jason thinks it has to do with him.
           Because if Jason’s pissed with him for not getting to him quicker last night, for not jumping in earlier – early enough to stop Sabini from breaking his leg perhaps – then Jason would already be yelling. But he’s not. He’s staring.
           And Dick doesn’t know what to do.
           “Do you have a driver’s license?”
           Dick is so startled by the question he nearly drops his fork.
           Actually, he does drop it. He just manages to catch it before it skitters off the counter.
           “B won’t let me in the Cave with my leg and Alf won’t let me have the keys to any cars topside until I’m legal,” Jason explains – without explaining anything.
           “Yeah, I’ve got my license.”
           Dicks voice doesn’t squeak or waver. He’s moderately certain that some sort of magic or robotic voice replacement tech is behind the phenomenon. Or maybe his Robin conditioning is finally proving useful outside of the dark allies where his calm could comfort victims.
           Jason nods. He’s still staring.
           But now he’s squinting, evaluative. Not quite a glare, but closer.
           “Cool. Can you drive me somewhere after breakfast?”
           Dick nods. He decides not to ask to ask why Jason isn’t asking Alfred to drive him.
           He also decides not to ask where Jason wants to go until they’re already in the car.
           They don’t speak again until after Dick pulls into the circle at the end of the Drake Estate’s mile-long driveway, and even then, it’s just a gruff C’mon to hurry Dick along while Jason hauls himself out of the car on his own.
           Dick is slightly distracted as he cuts the engine. He nods to Jason – who’s paying him zero attention – as he marvels openly at the fact that they do, apparently, have neighbors.
           The Drake mansion isn’t quite a massive or effortlessly grand as Wayne Manor, but it’s a decently imposing imitation. There’s wealth here, excess. And no hint of the soft touch that Alfred has to bring a human element into the aching chill of life with money.
           Dick wants to ask what they’re doing here, of all places, but Jason is focused.
           It’s a feat for Jason to wrestle his crutches out of the car and limp his way up the wide steps of the ostentation front stair, but he manages. He does it without even making Dick feel terrible about not offering to help – though he knows if he did offer, Jason’s only response would be to curse and try to whack him with the pointy end of his crutches.
           Dick follows silently up the stairs after him and waits as Jason rings the doorbell impatiently, pressing it again after only a few seconds of silence.
           He’s not quite scowling at the Drakes’ front door, but he’s not smiling either. Whatever he’s thinking about is serious enough to warrant asking Dick for help instead of Alfred. Dick is definitely concerned by that, but there a hopeful anxiousness twisting in him too.
           Because Jason needed help, and he asked Dick to provide it.
           It’s not much, but it’s something.
           Jason’s leaning on the doorbell again when Dick hears a shuffling inside that indicates someone coming to check the matter. Dick hopes it’s not an elderly butler – Alfred moves around pretty well for his age, but it’s a big house and it takes even him a minute to get to the door on the bizarre occasion Wayne Manor has unexpected security-approved visitors.
           The Drakes’ equivalent can’t possibly be as light-footed or quick and Dick wants to tell Jason that it’s not whoever’s fault that it takes a while getting from one end of a mansion to the other on a Saturday morning for an unanticipated guest.
           There’s the sound of the lock being turned, but the door doesn’t open immediately.
           Jason is about to lean on the bell again – and Dick is seriously considering how counter-productive it will be to stop him from being overly rude – when the knob finally spins and the massive solid-wood structure sweeps inward.
           Dick plasters a smile on his face and –        
           It’s the kid from Thursday night.
           Dick’s whole being freezes.
           It’s the kid that took a beating because Sabini thought he knew something about Batman.
           Dick is stuck in a sudden mental rut of wondering why this kid – and Dick know he’s a tough one, he’s seen it, but he’s a head shorter than Jason and probably weighs as much as Dick’s leg and he’s just survived a torturous kidnapping and should be on bedrest with soup and blankets and stuffed animals – why this kid is answering his own door.
           Especially in a house like this. His family is clearly rich beyond reason and could have a flurry of staff to care for the household’s daily needs and to fawn sweetly over the poor injured young master. So why is he answering the door?
           When his door costs as much as the entire Trailer the Flying Graysons called home in Haly’s Circus. When there are still bruises on his face where Sabini’s fingers gripped him that haven’t quite gone ugly and greenish from healing. When the butterfly bandage on his cheek is still the only thing holding the skin together beneath the antiseptic goo.
           Jason’s brain is clearly doing the same acrobatics as Dicks, asking questions it’s not really keen on getting answered because the answers can’t be good, but Jason recovers faster.
           Which is good because the Drake boy – Timmy, Dick remembers, except no, that’s just what Jason called him, he introduced himself as Tim in his brief moment of lucidity on Friday morning – is looking between the pair on his doorstep like one of the rescue dogs Dick remembers Haly bringing into the circus fold on their first days of being treated well.
           They were cautious and skittish and quick to shy away, but also a little bit awed by the care and attention being paid to them – slightly overwhelmed to say the least. And Tim Drake is clearly in a similar state of mind.
           Dick is frozen on the doorstep.
           Tim is frozen in the doorway.
           Jason falters too, but only for a moment. Then he’s using his crutches to nudge Tim out of the way, so he can swing himself through the door and into the Drakes’ imposing foyer.
           Dick follows.
           Tim remembers to close the door – and lock it too, with a sturdy deadbolt that Dick knows will provide actual security – and then shuffles after Dick and Jason.
           Silent on his feet – impressive, given the floppy sneakers he’s wearing – Tim allows Jason to lead the way through the mansion’s sprawl to its kitchen. Tim is watching Jason’s back as he swings forward on his crutches, which gives Dick time to look around the mansion as they walk. He knows Jason’s scoping the place out too, and he’s glad Jason can manage it with that subtle street-wise skill he’s got ingrained. Dick could probably be subtle – he was trained by Batman – but he’s finding it hard to rein in the reaction he’s having to the place.
           It’s absolutely sterile here.
           More like a museum than like a house.
           Nothing looks soft, or like it’s meant for people to sit on, and the few chairs and cushions Dick has clocked as they move through the sprawl don’t look like anyone has ever used them. There’s not a speck of dust, but honestly that just makes it worse. There are people that come through here, in order to clean it at least, but nobody lives here.
           “What’re you saying about your face,” Jason asks bluntly when he stumbles upon the masterwork that is the Drake kitchen. Dick can tell that finding the kitchen has help Jason relax a little, that being in a place that’s meant to be sterile has helped at least as much as the prospect of diving into the soothing rhythm of cooking, but Tim doesn’t pick up on Jason’s new degree of ease and relax himself. If anything, he tenses more.
           “I’m going to say that I tried to launch a rocket in the back yard and it blew up in my face,” Tim explains. He watches as Jason moves to investigate his fridge.
           He notes when Jason stiffens, flinches as he realizes what he just said to prompt it, and he whips his head around when Dick is the one to speak up about it. “You’re ‘going to say’?”
           Dick knows the way he blurted it in aching disbelief is rude. Not calm. Not helpful.
           But he’s lost sensation in his limbs and his stomach is still sinking towards the center of the earth at supersonic speeds.
           They had dropped Tim back into his bed at 2pm on Friday afternoon, once Bruce had convinced Alfred that he was stable and well on his way to healing. That was almost 20 hours ago. Dick’s stomach churns as he realizes that no one’s been to check on him in almost a full day.
           Tim survived a brutal beating, and he’s been dealing with the mental fallout of his kidnapping – not to mention the physical aspects of his recovery – entirely alone.
           Dick is staring at Tim, wide-eyed and worried, and he knows it isn’t helping as Tim looks down and toes at the marble floor.
           “Mrs. Simz doesn’t work on Fridays,” he mumbles. “She thinks I spend Friday nights with my school’s chess club.”
           Jason snorts. “Of course, she does. That sounds perfectly reasonable.”
           He pauses. Anyone but Dick probably wouldn’t be able to catch the way he steels himself and forces down a mix of rage and worry before he asks lightly, “Hey, kid, you got any flour hiding in this joint? Baking soda?”
           “Why?”
           “I’m gonna make pancakes, obviously,” Jason replies, shouldering open the fridge and pulling out milk and eggs. He spreads his haul on the island and shoots Dick a look that he hopes means that he should start investigating the Drake cabinets for mixing bowls and a griddle and such. Because that’s what Dick starts doing.
           “Pancakes?”
           “Yeah, they’re kinda like pizza – you eat them,” Jason replies, a gruff amusement in his voice that tells Dick there’s some sort of inside joke involved.
           Dick wants to think that there’s no part of the joke where he should be legitimately concerned that Tim doesn’t eat, but he also remembers how easy it was to pick the kid up when they rescued him. Sure, he’s only twelve, but Dick is fairly certain that he weighed at least twice what Tim does when he was twelve. Comparing him to Jason – even the emaciated twelve year old Jason that had first been brought to the Manor – would be too tragic to let him keep the smile on his face, so Dick consciously fights the urge.
           Tim jumps in to help direct Dick and Jason around his kitchen, Tim acting as Jason’s legs while Jason barks orders. Dick didn’t know Jason could cook, but he’s not as surprised as he thought he’d be – even when Jason whips out the fancy tricks like cracking the eggs one-handed and twirling his spatula as he times the flips perfectly.
           Butter and syrup appear on the island as Dick tries to help put the finishing touches on their meal. It’s been over an hour since breakfast, so Dick can definitely eat – and he knows Jason is probably already starving. Tim is looking at the looming stack of pancakes warily, however, and Dick is pleased with himself for not shooting Jason a worried look.
           It gets even harder to resist when they actually settle down to eat and Tim expends a painstaking amount of effort on arranging the careful stack of pancakes on his plate instead of making any move to dig in.
           “So, Timmy,” Jason says around a mouthful of pancakes, “Find any cool new toys since you’ve been home playin’ with your rocket?”
           Both confused, Dick and Tim look blankly at Jason – who rolls his eyes. Then he taps his ear and makes a wide gesture about the kitchen. He’s asking if Tim’s found any Bat bugs.
           Dick knows Batman must’ve left some – Tim was suspected of knowing his secrets for a reason, after all, and Bruce would certainly want to keep tabs on any future developments that might potentially occur. What Dick does not know is why Jason’s asking Tim if he found any listening devices hidden in his home – why he’s referencing the plausible option so casually, so openly. Unless… unless Tim knows.
           Scandalized, Tim looks between Jason and Dick – redness creeping up his neck until his ears are bright ruby – and then stares down at his pancakes. He nods.
           Like he’s pulling teeth, Jason waits a beat to make sure Tim is still alive and then asks with the same casual air, “Find any in here?”
           This time, Tim shakes his head, still staring resolutely at his pancakes – and still making no move to actually eat them.
           Jason nods, satisfied.
           Tim waits, but Jason doesn’t say anything else.
           Eventually, peeks up. Looks at Jason. Waits.
           Then he slowly, sheepishly turns his head to look at Dick. He’s waiting for the other shoe to drop, for the accusations and yelling to start. Tim does know their secret, and he expects to be in serious trouble for it.
           Jason levels his own look at Dick, daring him to break the tenuous trust they’ve developed in the last few hours by voicing any sort chastisement.
           When they’d first brought Jason and Tim back to the Cave, Batman had been on Jason about getting to the truth of the rumors around Tim – to the point of absurdity, considering that there were two traumatized and injured kids to care for, considering that Jason himself was being questioned before Batman would give his broken leg the medical attention it needed…
           Dick had spoken up in defense of Jason – asserting his own opinion that Tim was ignorant of the secret that got him wrapped up in this mess – mostly because he was pissed at Bruce for being so callous. Dick knew that Bruce cared, that he cared so much he buried all of his feelings deep beneath an impenetrable layer of cold practicality so he could deal with the pragmatic details of resolving the situation.
           But it was really hard to remember that he cared when it felt more like he wanted answers in his own interrogation rather than to help the adopted son he’d just rescued from a drug-lord who’d been asking the same questions.
           But Dick had defended Jason’s stand against Bruce.
           At the time, he hadn’t realized Jason was lying – that Bruce honestly did have a valid reason to worry about Tim’s ability to threaten Batman’s secrets. He knew Jason wasn’t being entirely honest, but he’d brushed it off as embarrassment at getting caught and needing rescue.
           Knowing what he does now, that Tim is aware of much more than he should be, Dick isn’t certain he would’ve made the same call. On the one hand, he wants to trust his brother’s judgement – to stay focused on Tim as a victim rather than a threat – but he also feels the urge to trust his mentor’s trend of caution, because if Tim threatens Bruce’s secrets he’s also threatening Dick’s. And Jason’s. And possibly Barbara, and the Titans, and any other mask they’ve ever worked with… Tim could be very dangerous if Jason’s wrong about trusting him.
           But Tim is waiting to be yelled at – waiting to face the good guys’ wrath for simply being clever. And Dick had seen the R on Tim’s sweater. He’s a fan, and he’s been clever, and he’d taken one hell of a beating for a twelve year old kid to be expected to handle.
           And he hadn’t talked.
           It was more than Dick would’ve expected from most grown-ups. It was as much or even more than he’d expect from adults trained to withstand interrogation.
           If Dick needed proof that Tim wasn’t a threat, that was it.
           Tim was still staring at him – waiting for his anger. Waiting to be punished.
           Jason was staring too – waiting for a reason to get angry himself.
           Resolved to let Tim continue to fly under Batman’s radar, Dick doesn’t say anything. He just takes another bite of his pancakes. The bite goes down easier than he expects, validation that his gut trusts Tim on a level beyond instinctual. Something more like kinship.
           Tim keeps staring – like he doesn’t quite recognize what it means that Dick is just going on with eating like a major secret affecting both of their lives hasn’t just been exposed – but Jason relaxes. He even flashes Dick what could pass for a smile.
           It makes Dick feel like he’s made the right decision all over again.
           He’s got very little good history with Jason, but he’s working on his own issues and he thinks that, just maybe, he and Jason can work with this – can use Tim’s hush-hush existence as a bit of common ground to try standing by each other instead of against each other.
           Tim is still staring, though.
           Still waiting, still worried, still convinced that he’s in trouble.
           “Pancakes not to your liking, Tim?” Dick asks, flashing him a grin. It’s not the dazzling, thousand-watt smile that’s always made him shine as a media darling, but it’s still bright and teasing enough to startle Tim. And genuine.
           Jason growls before Tim recovers, retorting, “Hey, my pancakes are fantastic, asshole.”
           Dick gives a shrug, his smiling building as he feels out Jason’s grumble and realizes that there’s almost no real malice in it – none of the gritty defensiveness he’s used to from Jason.
           “They’re, um, great,” Tim replies in a squeak.
           With another snort, Jason says, “You haven’t even tried them yet.”
           He reaches across the island and swoops a smear of butter onto Tim’s topmost pancake, giving the terrified youngster a mild heart attack. He pushes the syrup across the table with his fork – it’s good stuff, real maple in a ceramic jug – until it clicks pointedly against Tim’s plate.
           “Eat.”
           Tim picks up his fork, obedient but still anxious and pushes a few bites around before he finally picks one up and forces it into his mouth and down his throat.
           Watching as Tim swallows and waiting until it looks like he might take another bite of his own volition, Jason says, “You gotta relax, Timmers. We’re the frickin good guys.”
           Dick gives a supportive smile as Tim forces himself to nod.
           His eyes jump guiltily to Dick for a moment but then he settles and takes another bite of his pancakes. This time he looks much less like he wants to throw the food back up immediately.
           “How’s, um, how’s your leg,” Tim asks. Guilty, which makes Dick’s lungs tighten, but at least he’s speaking up – which means he might be able to be convinced he’s not at fault.
           “It’s good,” Jason replies with a shrug. “I’ve gotta stay off it completely for the next week, and I’m benched for the next three, at least, but it doesn’t hurt anymore.”
           Dick snorts. “You’re supposed to stay off it for three weeks,” Dick counters automatically. He lets himself fall into older-brother over-dive to add, “And B wants to keep you benched for the next two months. Alf might actually put you in a coma if he sees you trying to go down to the Cave before the cast comes off.”
           With a shrug, Jason says, “So like two weeks and we call it even.”
           Dick tries to claw back the sigh that’s threatening to cut off all his air.
           “It was a pretty bad break,” Tim pipes up. He looks slightly guilt-ridden, but he forges on to add, “But it was direct contact to the bone, instead of to a joint, and I’m guessing it was a stable, simple tibia fracture – no skin penetration or muscle tears – and it was either transverse or very slightly oblique, so it should heal cleanly.”
           “Not if he bungs it up by trying to do cartwheels on it too quickly,” Dick counters.
           “I’m gonna leave the cartwheeling to you, Dickiebird,” Jason replies with a chuckle that’s warm and teasing and so much nicer than the conversations he’s used to having with Jason.
           It almost sounds like they’re just talking about your average sports injury, and Tim even joins in a few more times as the discussion shifts to Dick and his penchant for cartwheeling down the long halls of Wayne Manor. Tim’s a fan of the Flying Graysons, and after a little figuring, Dick actually remembers meeting him before – before the show for a picture and a hug and a somersault promise, before Zucco, before his parents fell… before life got so complicated.
           Dick and Jason and Tim stay gathered around the island in the Drakes’ kitchen until Tim has completely finished his plate of pancakes without needing to have Jason force him through each bite. And they stay an hour after they’ve cleaned up, and an hour after that too.
           They stay until Alfred sends Dick a text to warn him that Bruce is getting antsy with their absence, antsy enough to start wondering where they’ve gone.
           Tim looks sad as they start gearing up to head back to the Manor, but Jason assures him that they’ll be back tomorrow – and after school on Monday, assuming Tim actually goes to school on Monday. Neither vigilante would blame him if he wanted to take a day off.
           “Why?”
           “Because you got beat up by a drug-lord,” Jason told him with a gruff, but affectionate exasperation Dick can hardly believe he’s hearing from the ill-tempered teenager, “That totally warrants a fucking vacation day or two.”
           Tim shakes his head. “No, I mean why are you gonna come here? Why’re you here at all, if I’m not in trouble for… you know.” He mumbles through most of the words, falling back into the timid little thing he was when he first saw Dick and Jason standing at his door.
           It’s only now that Dick realizes how much he’d managed to come out of that shell.
           “We’re checking up on you, baby bird,” Jason huffs, “Duh.”
           “But why?”
           Tim stands there like the question is perfectly innocent, like it’s not one of the most heartbreaking thing Dick has ever been asked.
           If Jason didn’t have a broken leg and crutches to wrestle with, Dick is sure that Tim would be trapped under Jason’s arm getting his hair mussed beyond all possible repair. As it stands, Jason looks halfway to smacking Tim with one of his crutches.
           Or smacking whoever made him feel like his current state of being is somehow one that is in any way an acceptable situation for a child.
           But Dick smiles and slings an arm around Jason’s shoulders.
           “Because we’re Robins,” he says, promising, “And that’s what we do.”
           There’s a pause.
           And then Tim nods, smiling back in a way that makes Dick’s limbs feel gooey as he goes all warm and fuzzy. He can feel Jason lean into his side, can see that he’s smiling too – not as broadly as Dick is, but the expression is just as genuine. A bit surprised, perhaps, but happy.
           The door closes behind them and Jason clambers into his side of the car without beating Dick with his crutches for helping. The drive back to the Manor is just as quick as the one away from it this morning, but not as quiet.
           The Robins get themselves on a united platform about having gone to visit Drake as civilians – he’d recognized Jason as a Wayne and they’d gone to commiserate with Jason as a fellow victim of random, rumor fueled violence. They explain again to Bruce that Tim doesn’t know anything about Batman and latch onto Alfred’s concern that the boy’s parents are still out of the country. The Robins volunteer to go over and check on him tomorrow.
           At Alfred’s insistence, they agree to spend most of the day there, and several days next week – and bring over some of Alfred’s amazing, high-nutrition cooking.
           With all three of them set against Bruce in this, he relents to giving full approval to their plan – assuming that Nightwing patrols with Batman for the next three weeks while Robin remains obediently on bedrest.
           The butler sides with Bruce on that one, but he gives the boys a wink behind Bruce’s back and it makes Dick get that warm and fuzzy glow again.
           He’s halfway giddy all through that night’s patrol.
           Batman notices.
           But Dick doesn’t explain when he’s asked about it.
           He just says that he and Jason are finally seeing eye to eye about what it means to hero in Gotham, to be Robin… to be a good Robin.
           He smiles into the sunrise after a long night of beating up petty thugs on Gotham’s street corners – of looking into and utterly quashing any remaining rumors that Timothy Drake has any information on Batman. And maybe the throws a few extra flips into the maneuvers that carry him from rooftop to rooftop of Gotham’s city skyline.
           It’s a beautiful day and Dick resolves to make the most of the chances he’s been given – however unfortunate the circumstances around them. The world is already a slightly better place, and Dick is determined to make it more so, bit by bit.
           Because we’re Robins. And that’s what we do.
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The Craft: How a Teenage Weirdo Based on a Real Person Became an Icon
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“We Are The Weirdos, Mister.” A phrase you’ll find printed over t-shirts, pin badges, mugs, earrings, tote bags, necklaces, and more all over the internet. It’s the most iconic line from The Craft, a film released 25 years ago that still has a rabid following today. For anyone unfamiliar with The Craft, it’s a line spoken by Fairuza Balk’s Nancy, an inferno in black lippy and sunglasses, the de facto leader of a homemade coven made up of outsiders who have taken the raw deal the world has given them and rejected it by learning to harness the power of nature. This line is everything. We are no longer going to be victims, it says. We will no longer be afraid. We reclaim our space, our power. That we are four teenaged girls will no longer mean we have to watch out for ‘weirdos’ – because it is us who are the weirdos. Mister. 
“Nancy is the one everybody wants to be,” says Peter Filardi, the man who created Nancy, Rochelle, Bonnie, and Sarah all those years ago, chatting to Den of Geek from his home, an original poster for The Craft peaking out from behind him on the wall. Next to it is a poster for Chapelwaite, the series Filardi is currently showrunning with his brother Jason, based on Stephen King’s short story, “Jerusalem’s Lot,” a prequel to Salem’s Lot.
“Nancy is the one who is particularly put upon and who finds the power to get revenge or get justice and is going to do that with no apologies. I think it’s how we all envision ourselves or would want to see ourselves, I guess. Here we are 25 years later. Why do you think we’re still talking about it?”
It’s an interesting question because we very much still are talking about The Craft. With Chilling Adventures of Sabrina, A Discovery of Witches, His Dark Materials, and of course last year’s remake of The Craft, we appear to very much still be in the season of the witch, but none is quite as resonant and impactful as the original The Craft. Watching it back 25 years after its release, it’s still just as relevant.
The very first script that Filardi sold was Flatliners, the story of arrogant, hot-shot medical students who plan to discover what happens after you die by “flatlining” for increasing lengths of time. Filardi’s script prompted a bidding war and the movie became a big hit, starring Hollywood’s hottest: Kiefer Sutherland, Julia Roberts, and William Baldwin. 
After Flatliners, Filardi had been working on a script about real life teenage Satanist Ricky Kasso, (“He was one of the first to really put the hallucinogenics together with the music and the theology and then sort of brew them all up into this really volatile cocktail,” Filardi explains), so when producer Doug Wick approached him about another supernatural project, Filardi was game.
“He said he would like to either do a haunted house story or something to do with teenage witches. And because I happened to be working on what I was working on I was pretty well-schooled in earth magic and natural magic and Satanism and all sorts of stuff. And we just started talking, and we hit it off, and we decided to develop and create The Craft together,” Filardi recalls.
At the time Wick had just two full producer credits to his name – for Working Girl and Wolf – but he would go on to produce swathes of heavy hitters including Hollow Man, Jarhead, The Great Gatsby, and win the best picture Oscar for Gladiator. Meanwhile, Andrew Fleming, director of The Craft and co-writer of the screenplay, had made horror thriller Bad Dreams and comedy Threesome, and would go on to make several comedy movies as well as many hit TV shows – he’s currently working on season two of Netflix’s popular Emily in Paris.
Filardi’s story was always going to be about women, and it was always going to be about outsiders, the memories of high school still fresh enough for him to remember the pain. “I’m sure it’s like this for every kid. You have memories from those high school years of horrible things that happened to people around you, or were said or done and just the petty cruelties,” he says. “I’m glad I’m an old man now!” (He’s not, he’s 59).
Rewatching and it’s certainly striking how much empathy you feel for the girls. Sarah (Robin Tunney), who is the audience’s way in to the movie, lost her mother during childbirth and has battled mental health problems, even attempting suicide. Recently moved to a new neighborhood with her dad and step mother, she is instantly the outsider at her new school, and is immediately treated abhorrently by popular boy Chris (a pre-Scream Skeet Ulrich), who dates her and then spreads rumors that they slept together. Rochelle (Rachel True) is a keen diver, subjected to overt racist bullying by a girl on the swim team, while Bonnie (Neve Campbell) hides away because of extreme scarring she has all over her body. Before Sarah arrives, the three dabble in magic and protect themselves as best they can from the horrors of high school by telling people they are witches and keeping them at arm’s length. It’s the arrival of Sarah, though, a “natural” witch with some serious power, that turns things around.
“I think that maybe traditionally Hollywood would have done a version where the women were witches like Lost Boys,” Filardi says. “The women were witches, and they had this power, and they’re the dark overlords of their school or something like that. And that’s exactly the opposite of what worked for me and how I thought magic works in general. 
“Magic has always historically been a weapon of the underclass, for poor people… Think of England. People of the heath, who lived out in the country… The heathens, they didn’t have a king or an army or the church even behind them. They would turn to magic. And that’s kind of what I saw for our girls. For real magic to work, you have the three cornerstones of need and emotion and knowledge. And I hate magic movies where somebody has a power and they just do this and the magic happens. I think it’s much more interesting if the magic comes from an emotional need, a situation that really riles up the power within.”
These witches aren’t evil and they aren’t even anti-heroes. Instead, this is pure wish fulfilment for anyone who’s ever been bullied, or overlooked, or been dealt a particularly tough hand, and this level of empathy comes across hard in the film. Watching now and so many of the themes are so current with reference to issues of racism and the emergence of the #MeToo movement.
“I did not write it as a feminist piece per se,” says Filardi. “I really just wrote it as an empathetic human being, I think.”
There’s extreme empathy dripping throughout the script, but don’t mistake that for pity. The Craft deals in female empowerment and just plain fun. It’s here that one of The Craft’s enduring conflicts arises. Are you Team Sarah or are you Team Nancy?
The correct answer of course, is Team Nancy…
“It’s always harder to be the good guy or the good girl,” laughs Filardi. 
After all, before Sarah shows up, the other three are doing fine – surviving, doing minor spells, and looking out for each other. The influx of power Sarah brings allows the group to up their game and together they each ask for a gift from “Manon,” the (fictional) deity who represents all of nature that they worship in the film. Bonnie wants to heal her scars, Rochelle wants the racism to stop, Nancy wants the power of Manon, but Sarah casts a love spell on Chris. Sarah is either taking revenge on Chris, or she’s forging a relationship without consent, and it’s a move which eventually leads to Chris’s death. 
Meanwhile, Nancy is someone who just refuses to be a victim, despite the fact that of the four she’s clearly had the toughest life, living in a trailer with her mum and her abusive stepdad. Nancy won’t allow the audience to pity her. Nancy doesn’t let things happen to her, she makes her own choices, whether they are good ones or not. When newly empowered Nancy is running red lights, with Rochelle and Bonnie whooping in the back, and Sarah telling her it’s all gone a bit far, “Oh shut up, Sarah” feels like the right response. While Sarah might be technically correct, we are rooting for these girls to be allowed the pure joy of something they have created between them.
Nancy is an amazing creation, and Filardi says he couldn’t have anticipated how much the character would resonate.
“I did not envision the great look that Andy Fleming brought to her,” he smiles. “But Nancy was inspired by a real girl, whose older brother lived in a trailer in their backyard, and just had a hard go of it. She’s true to the one I wrote. She always embodied the earth element of fire. Each of the girls is their own earth element. There’s earth, wind, water, fire. And you can pretty much guess who’s who…” 
We could speculate but it’s perhaps more fun to let the audience decide for themselves.
“Nancy in the beginning was always the constructive aspect of that element. She’s the light in the fire in the dark woods that draws the girls together,” he explains. “When she’s all passion and raw nerve, she’s very much like fire, but then when she crosses Sarah and gets overwhelmed with the power of her new abilities, she becomes the destructive side of that same element and burns the whole thing up. But she’s a fantastic character. I think that Fairuza Balk just elevated Nancy to a whole other level. I guess that’s what happens when you’re blessed with the right actor for the right part.”
Exactly who the true protagonist of The Craft is is something Filardi still contemplates. What is notable is that though, yes, Nancy, Bonnie, and Rochelle do at one point try to, um, kill Sarah and make it look like suicide, which isn’t a very sisterly thing to do, they never really become true villains. By the end, the only fatalities are sex pest Chris and Nancy’s abusive step father, and both deaths could reasonably be considered accidental. While Bonnie and Rochelle are stripped of their powers, they aren’t further punished, it’s only Nancy who gets a raw deal. Driven to distraction by her surfeit of power, we find her ranting in a mental hospital strapped to a bed. 
Filardi’s ending was different, though he won’t be drawn on details.
“The original ending was different. I’ve never really gone into the detail of what the original ending was. Well, the original ending was just different…” he says, mulling over what he might say. “So, let’s see. Well, Chris always died… and it was just very different,” he hesitates. “I don’t really get into it because there’s no real sense. It is what it is. I always like in a movie… Having two different children and you love them both for different reasons, but I would have never wanted to be hard on the girls in the final analysis in any way thematically.”
One element of the script that saw slight changes was the motivation of Rochelle, after the casting of Rachel True. 
“To be honest, I think she was the exact same character. She was picked on by the swimmers. There was an added element that she had an eating disorder. She used to vomit into a mayonnaise jar and hide it on the top shelf of a bedroom closet. But other than that, she was really the same character,” he says. “Andy Fleming and Doug Wick, I don’t know who came up with the idea, but they cast Rachel and she added this whole other element to it, the racial element, which I think it was great and I think totally appropriate.”
Though Filardi didn’t work on the remake and hasn’t actually seen it, he’s able to see for himself, first hand, how well the film has aged and how it continues to endure for young women – he has teenage daughters of his own.
“I see them going through all the same stuff that I watched girlfriends going through. And it hasn’t changed all that much,” he says ruefully.
“It’s funny. For years, they had no idea what I did for a living. I think they just thought I hung around in the basement. And one daughter was like… She was going to school with somebody whose father was in a rock band or something, ‘Nobody in this house does anything interesting. Everything’s boring.’ And it was around Halloween and they were showing The Craft at the Hollywood Forever cemetery. I took them to the cemetery and it was great. There were boys dressed in Catholic high school uniforms and women all in black and with blankets and candles and wine and snacks. Amidst the tombstones, they set up a huge screen and showed the film. So, that’s when they first saw it. And it was really fun. A really nice thing to share with my daughters.”
Things don’t change that much. High school is still horrible. Magic is still tantalizing. The outfits are still fabulous. And Nancy is still a stone cold legend. The Craft is an enduring celebration of outsider culture that we’ll probably still be talking about in 25 years to come. After all, most of us, at one time or another, feel like the weirdos. 
“I think of it as the story about the power of adolescent pain and self-empowerment. I think of beautiful young people who are just picked upon or put in positions they shouldn’t be or don’t deserve to be, and having the ability to fight back and weather it and survive,” says Filardi when we ask him what he’s most proud of. 
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“I’m also proud of all the great contributions that the other talented people brought to the script. All I did was a script, but you have actors and directors and producers and art directors and production designers who just… Everybody seems to me to have brought their A-game. I didn’t come up with Nancy’s great look. Other people get all that credit. Like you said, you see her on t-shirts. So, so many people just brought so many things. I guess I’m just proudest to think that a bunch of strangers come together and connect to the message of the piece, and together just make something memorable all these 25 years later.”
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Survey #196
“what separates man from beast? turn to your master.”
What's a show that you absolutely refuse to watch? 13 Reasons Why. How many times have you been in love? Twice. Do you remember how old you were when you started swearing? 7th grade, however old that is. How many years older than you would you date someone? ~9, maybe 10. Depends on just how much I'm interested in the person. What was the last thing you pinky-swore on? *shrugs* Don't even recall the last time I did that. Would you consider yourself a nice person? I think I am. Are you a car kind of fella? No. I don't even know the names of the most basic models. Are there a lot of mirrors in your house? Not at all. There's like... two. Who’s the laziest person you know? Proooobably me. True or false: Glee is annoying. All musicals make me cringe. Would you make a good teacher? Why? Fuck no. I'm not dealing with 20+ kids, and I'm also way too awkward for that. Is the fan on? Actually no. I have a small heater in my room that turns on/off to regulate the temperature. Otherwise, my room is frigid this time of year. Have you ever broken someone else’s bone? No. Do you really believe in your ‘one true love’? I don't believe in that concept. There's billions of humans on this earth; you don't have just one that you'd be wonderfully compatible with. Do you worry more about other people’s happiness than your own? It depends. Have you ever had feelings for 2 people at the same time?
 Yes, Jason and Juan until I picked between them definitively. You could also say Sara and Girt, but I'd come to learn my feelings weren't romantic towards Girt. Do you believe that leaving a significant other for someone else is ever a good idea? Sure; if you're even considering someone other than your s/o, that says something anyway. It's a far better alternative to cheating. Is it possible to ‘fix’ a ‘broken’ relationship?
 Mixed emotions, idk. Would you ever throw out/give away something an ex gave you?
 I've thrown out stuff, but I haven't given anything away, though I'd probably be able to. If you found someone seemingly perfect for you, but it turned out they had a child… would you still give the relationship a chance?
 No chance. Who is the first person you see in the mornings? Well, I live with only Mom. Who was the last person you were in love with for more than a year?
 In love, probably Jason. I consider someone being in love and just loving someone are of different intensities. Do you have a secret life?
 The RP site is unknown to just about anyone. Have you ever seen the last person you kissed without a shirt?
 Yes, but she was just changing her shirt rq, and I didn't really look anyway out of respect. Do your parents know EVERYTHING about you?
 No. Are you friends with your best friend’s boyfriend or girlfriend?
 She's the same person lmao. Favorite thing to eat with peanut butter?
 Jelly. If you had to get a piercing right now, what would it be? At this very moment, probably my left daith. Do you have a nervous habit? (e.g. biting nails, tapping feet, smoking) Most obviously, I knead my hands and I'm fidgety. My eyes dart around, and I bite my lip a lot. Current favorite song? I've been hopping around between a lot lately. Maybe "Counting Bodies Like Sheep To The Rhythm Of The War Drums" by A Perfect Circle. Do you know anyone famous? No. Do you own a Bible? No. Have you ever pierced your own body part or that of someone else? No. The last time you held a baby: Moooonths ago, like last summer when Colleen needed me to hold her son for whatever. The last form you filled out: Something for vocational rehab. The last time you stayed up past 12AM: Saturday night/Sunday to see the super blood wolf moon. It was incredible. The last time you gave up on or quit something: Well it's not like I'm ever doing anything noteworthy to remember quitting. The last video game you played: Some of The Legend of Spyro: Dawn of the Dragon. The last time you were in a big city: Not since March '18. The last television show you watched: Avatar: The Last Airbender with Sara. I'm surprisingly really into it and can't wait to keep going ahhhhhhh. Who was the last person you sat next to? My mom. Do you wear socks to bed? No, I hate socks. How many Canadian provinces have you been to? None. What kind of car did you take your drivers test in? N/A What is your first memory of being in a hospital? I have very faint memories of when I was a very little kid, my sisters and I played in the room where my mom and her three co-workers worked. I can't remember why we were ever there? All I know is we always wanted to go to the little gift shop to get candy lol. Does anyone in your life treat you badly? Are you allowing them to treat you that way? Or do you stand up for yourself? Not consistently. Have you ever cut someone out of your life because of how they treated you? Rather how she treated most of the human population. How much was the rent/mortgage at the cheapest place you’ve ever lived? Idk, probably here, where I think it's $700-something. Do you still keep in touch with your very first best friend? We're friends on Facebook, but that's it. Who got married at the last wedding you went to? Oh JEEZ. I think he was one of Ashley's co-worker's nephews or something like that?? I can't remember the exact connection, but it was complicated. What was your favorite home-cooked meal when you were a kid? Like, made from scratch? Um. I dunno. Nothing stands out. What was the topic of the last conversation you had with your dad? The laptop we're working on getting. Have you ever been to a wedding where the bride was a total bridezilla? No. How often did you visit your grandparents when you were growing up? Almost never. Dad's were in Ohio, Mom's mother was in Florida (my grampa died when I was like, two), and here we are in NC. We couldn't afford to travel much. Have you ever had psoriasis? I don't think so? I do have super dry skin, but I don't think I've ever had scaly patches. How much of your time to do you spend being bored? What could cure that boredom? Almost every day past afternoon, really... and having shit to do that doesn't confine me to this house, or have Sara here. Do squeaky toys annoy you? Yes. Animals: love ‘em? Why or why not? I absolutely love them; they're our neighbors. It's amazing how creatures that can't speak can be so interesting. Is a solitary person necessarily an unlikable person? Um, no. Are you a picky eater? You have ABSOLUTELY no idea. If you play Sims, have you ever saved a Sim from death? I've played the animals one, in which case, yes, lol. Are you hopelessly addicted to the computer? Admittedly so. Almost everything I do is on there, and it's sad just how lost I am on what to do if I don't have WiFi or a gaming console. I've been this way since I was a pre-teen though, so it's not exactly something I think I can un-learn. Like I'm not one of those people who puts every opportunity behind sitting here on it at least, I'll happily jump up for something fun and/or interesting, but it's still my go-to thing to do. Do you prefer online or face-to-face communication? Why? Depends on the person and my mood, but more often than not, online because I'm a socially awkward abomination. What kinds of things do you watch on YouTube? Let's plays mostly, but also random shit from some people I'm subscribed to, beauty videos with Jeffree Star solely because I love that hoe and am there for his personality, uhhh other misc. things that make me laugh. If you’re offered a trip to either Hawaii or Alaska, which would you choose? Probably Alaska, esp. if it's a good season for the Northern Lights. Do you have any close friends that were adopted? No. If you could have any job/talent, what? (regardless if can or not)? Hyperrealistic traditional artist or meerkat biologist. Who, in your opinion, is the best thriller writer? I wouldn't know. Does your mom eat meat? Yes. Was your dad ever in a sports team? Yeah. Do you prefer thick or thin crusted pizza? I stroooongly prefer thick. Thin is just flaky and hard. Have you ever had an eerie/paranormal experience? What happened? A lot. The top two that scared me the most follow: 1.) I was home alone, very late in the night watching TV, and Teddy, who was glued to me, would not look away from the bottom of the bed and was barking and growling relentlessly. I even tried forcing his head to look away with how badly it was scaring me, but he absolutely would not let it. Me personally, I "felt" a strong and malevolent female presence just fucking staring at me, and I called my mom literally crying. I was so shaken up that at like 4:00 A.M. I think it was, she had to call our poor neighbor to sleep in the house with me. Safe to say, I did not sleep in my bed; I'm pretty sure I didn't for a good few days. 2.) I was outside one night, walking with my iPod as I did most nights. I suddenly stopped dead when I saw this white, transparent thing walk very fluidly out of the woods of my backyard and just vanish. It was fucking crazy because it felt like time had slowed, and I remember perfectly it looked like a bipedal creature walking on all fours instead, but it was not a fucking human or animal. It reminded me of some Rake depictions (which I don't really believe in), but not precisely. My entire body absolutely chilled, and I was like a deer in headlights for many seconds, but after that, I have never run faster than I did going back inside. I immediately told my mom, freaking the hell out, but who knows if she believed I actually saw something. I didn't do nighttime walks for I think around a week, and for a loooong time, I'd altered my path so I couldn't see the spot it had appeared, and I over my dead body would ever go to the clearing at night. I also either saw a star do some weird-ass shit over the course of a week or so, or it was some UFO doing something okay only facts here. All three of these things happened at our old house, sooo glad that is no longer home lmao. Do you have any friends with the same name as you? No. How many people of the same name as you have you ever met? Oh jeez, plenty. How often do you see your best friend? Our history so far has been every ~2-3 months. Do you like incense or does it give you headaches? I love that shit oml. Do you prefer to watch or attempt? Depends? Do you shout when you’re upset? Occasionally. Where was the last place you ate, except from home? I believe Wendy's. What was your favorite thing to do as a kid? Play Spyro or make-believe with my favorite toys. Do you take any vitamins? Which ones? Yes, for vitamin D, as my deficient of it beforehand was absolutely abysmal, and it was probably the cause of my knees wanting me dead. Have you ever lost something really precious to someone else? Maybe? Who makes you feel small/inferior? It's entirely unintentional, but my psychiatrist, ha ha. He is a fucking genius with incredible knowledge of like... everything. Are you protective of your family? Well yeah. I'm especially protective of my younger sister, but not like, incredibly. What size ring are you? Idr. What’s something you regret buying, but you just can’t get rid of it? Sad as it is to say, my rat Mitsu. She's nervous of being held, yet she always jumps up onto the cage's bars when I'm passing and enjoys me petting her through them, but that's all I can do, and I feel awful. Her claws also reeeaaally irritate my skin (maybe from the bedding, idk), but getting rid of a pet rat isn't exactly easy, especially with the fear of her being bought merely as food. What villain do you believe is most worthy of a redemption arc? Is Harley Quinn still even a villain??? What was your favorite school project you ever made? Idr. What role do you take on when you have to do a group project? (for example: leader, delegator, slacker, etc.) The meticulous writer/taking the notes. What’s a funny mistake you’ve made recently? Oh boy, how is nothing coming to me among certainly a million options in the back of my mind??? OH WAIT. I was texting Sara and mentioned I was watching Shane Dawson, but it autocorrected to "Shame," and I was like, "still accurate." What would be your reaction if one of your parents said they were having another kid? My mom's long past that age. And my parents are divorced. How many friends do you have that don’t live in the same country as you? One of my long-time Internet buds, off the top of my head. What is always in your wallet that doesn’t need to be? HAHA. One time in high school, me a few friends got together to just wander the mall. We went into a tux store and got a card there for literally no reason, but it's still in my wallet for memory's sake. What is a strange red flag you have when pursuing a relationship? Excessive and/or raunchy flirting. If a single thing you say fits the latter, you're fucking out. How many people have you thought “Glad I don’t have to interact with them ever again” about? Probably a decent number. What do you NOT want on your tombstone? Don't mention shit about God or Jesus or whatever. How many couches do you want in your residence? One long one or two average ones for the sake of accommodating company. What is the strangest website you have bookmarked? Nothing strange. What is your typical number of windows/tabs open on your computer? Ha, usually 4-5 tabs. Sometimes more, sometimes just two or three. Do you follow the expiration date on food? Like, religiously. What is the coolest name that you would never name a real human child? "Magnus" is the first that came to me. What fish scares you the most? Probably stonefish. Hard to spot 'em, venomous as hell, enough to sometimes kill. How do you feel about snails? In almost all cases, they gross me out. Just not as much as slugs. I hate slimy things. How often do you think about what guys will think of you? The older I get, the less I give a fuck what one thinks, at least about how I look. If you are on birth control that allows you take pills and skip your period, how often do you opt to skip it? How come? I can't skip mine. Is there a book series where you loved the first book, but for some reason the other books in the series just didn’t measure up? Idr. Are there any stores/restaurants that you would like to shop/eat at, but there aren’t any located near enough to you? Oh, I'm sure. I'd have to think. If you are a part of a certain fandom or are a fan of a popular series/musician, is there a rivalry between your fandom and another one (e.g., Lady Gaga fans vs. Katy Perry fans or Marvel vs. DC)? The Silent Hill and Resident Evil franchises are often compared, but I haven't seen much "rivalry." There are some people who pit Markiplier and JackSepticEye against each other with them being close in subs, but it's wonderful that I usually see only great bonding between the two fandoms instead, and they usually overlap with fans. Metallica is constantly shit on by Slayer fans. There's more, I'm sure, but I don't feel like digging deep into the thousand fandoms I'm in lmao. Do you ever have smell hallucinations? Don't think so. If you were told by a professional that you were unable to become pregnant, how would that affect you? Is there something important to you about conceiving a biological child rather than adoption? And finally, if you even want to have children, would you choose adoption or surrogacy or would you go on childless? Honestly? I'd be fucking ecstatic. I'll probably never have hetero sex ever again, but rapists always worry me. I don't at all want kids. Is there something that you did not used to take seriously, that you either now take seriously or wish that you had in the past (e.g., a relationship that you miss, your education, etc.)? Man, I don't know. I would say my college, but I didn't really have a choice in my decrepit mental state, and fuck that school from a trillion different angles anyway. Are you physically affectionate with your friends? Just with hugs. I'm not a platonic cuddler/kisser/hand-holder. Are any of your friends/relatives actually impressive artists or writers? Are you willing to share an example of their work? My cousin is an incredible artist, but I don't believe I've seen her work in years. When it comes to relationships/crushes, are you more often the pursued or the pursuer? Pursued, I guess. Do you ever find yourself making negative comments about other people’s appearances, whether it’s people you dislike or even just people on tv? I generally keep comments to myself. Have you ever dated someone on the football team? No. Do you have any ceramic animals in your house or outside? There is this pointless dolphin in the corner of our backyard?????????? Why????????????? Who made you???????????????? Have you ever made a summer bucket list? No. Have you ever stayed in a hotel suite? No. What type of waffles do you like? (Plain, blueberry etc..) Plain or chocolate chip, 'pending on the mood. Have you ever been to a night club? No. What was the last thing to make you sad? A picture on Facebook of some dick posing beside an elephant he killed at a watering hole. It was in an anti-trophy group or something like that. Do you kill spiders when you see them? If it's in my house and not tiny, unless it's too close to me. Are you allergic to any animals? Which ones? No. Does it bother you when people play with your hair? It would if it was anyone but my s/o or maybe my mom, but even from her, that might feel weird. What is your favorite movie series? SHREK, BITCH. I haven't seen the fourth one though and I am legitimately mad. Not sayin' it for the meme, I legit love Shrek okay. Did your parents get married before or after you were born? I actually found out recently it was after I was born. True/False: You’ve had an odd dream this week. It's weird, I've actually been briefly recalling them lately... but not for long. I believe I have, though. Who was the last person to let you down? Mom, probably. Can you dry swallow pills? I'm capable with small capsule ones, but I don't. What was the last thing you ordered online? Sara's Christmas present. Are you happy with your relationship with God, or do you want more from it? I have no relationship with him, if you're addressing the "God" I'm assuming you do. Even with the entity I believe in, I don't really see us as having a "relationship" in this life. They're just my silent judge that sees me according to how I deserve. Is your spirit made for adventure? Eh. Yes and no. Have you ever been rejected by a church? No.
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docmurph12 · 4 years
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Ok. So two parter on CATS coming up. POSSIBLY a three parter depending on how long it takes to get through background. Here we go......
So my first request review comes from my good friend. I'm not sure how this is going to go, because I'm going whole hog on this one, again in the interest of pure objectivity.
My understanding of CATS is this. It was a Broadway musical based very loosely on T.S. Eliot's "Old Possum's Book of Practical Cats". My friends in and fans of the theater community have told me there isnt really an intended overriding plot. The Wikipedia page I found begs to differ, but they insisted it really is just a collection of vignettes, told through the perspective of a cat. Simple enough? I believe so. Now, I also understand this stage musical to have been adapted a number of times, largely for Broadway and for specific actors and actresses, with the noted exception of the film CATS (2019). Yes that one. Yes I intend to watch it. On purpose. But wait there is more. The 2019 film was trashed nearly universally but everyone before they finished the trailer and after the film was released and viewed. Most people said the performances were fine but visually it was recieved as, to put it simply, fucking wierd. I saw one review that said it was released unfinished, with a CD character model floating into the middle of a scene out of context and with no animation, a mess with texture rendering (apparently Ian McKellan has a scene where his fur just doesn't show. Like the texture is flat. Like it looks like it was published on a floppy disk alongside the original Doom). Not to mention the myriad questions that seem to come up in conversation about the character design choices as a whole. Jesus, how bad is this thing??
My resources tell me a BUNCH of super important contextual things about this one, most important of them being that this is SUPER META Broadway at it's best. Like this is the most Broadway that has ever Broadway'ed. This could be a good thing (one of my favorite musical pieces is fucking everything from Les Miserables), or it could be a bad thing (anyone that knows me knows that with notable exceptions I am NOT a big fan of musicals AT ALL, which is strange for me given my proclivity for weirdness, good storytelling, and music). This is going to be fun for everyone I think so strap in folks. This is going to be a wierd ride through furry land with a guy that wants nothing to do with it, lol. (SCORE, looking like 2 parts)
First I'll be looking at CATS (2019), because I am a glutton for punishment, and my wife says that the best way to get through this is to chew through the shit sandwich first, and then to get through the good stuff, so the good stuff is what sticks. I'm not sure I am going to enjoy either part, but I am open to it so here we go. I'll try to keep my writing as live as possible, per usual.
RIGHT AWAY, as I'm completing the Amazon rental purchase, this cast is fucking loaded. Taylor Swift, Jennifer Hudson. Judi Dench, Jason Derulo (wait, he acts too? Maybe his part is the worst part in this, I hate his music worse than I dislike Taylor Swift), Idris Elba, Ian McKellan, Rebel Wilson, and more. And that doesnt even include any love for people I am not familiar with that might carry some star power over from Broadway. So this thing is loaded for bear with acting heavies. That said, I really don't understand the comic appeal of Rebel Wilson. I don't think she is funny. You already lost me with Taylor Swift and Jason Derulo. All that said, this cast roster looks expensive.
Ok I am a minute and 47 seconds in and my first thought already is what the hell am I listening to? If this was originally put together in the 80s, and its either loved (ironically I guess?)or reviled, why would you stick with the same musical choices as instrumentation is concerned? I'm guessing I am going to have more on this later.
So completely inconsequential to the actual review the word jellicle as it relates to cats is totally ruined thanks to my learning of a word not in may people's vocabularies. Farticles. Thanks to my cousins for that one.
Alright, so full disclosure. I am not a fan of Rebel Wilson. I enjoy aspects of characters she plays, and she can be funny at times, but when your whole act revolves around one aspect of you (in her case it is that she is a large woman. Seriously its like every joke in all 3 Pitch Perfect movies) it says a lot about your ability to tell a story or joke. That said, it is so nice to not hear Rebel Wilson tell fat jokes. She is genuinely talented. It's hard to watch her in this cat suit (? Cat body? Cat war crime? More later), but it's interesting to see someone explore another side of their craft.
The sound design is...off. I'm not sure how else to describe it. You can LOUDLY hear body parts hitting set pieces. Footfalls, people jumping and grabbing on things. Like seriously you can hear it over the music. It sounds like someone got lazy in the mixing room, or they were trying to make it feel more like a stage production. News Flash. It doesn't make it feel like a stage production. It makes it feel like nobody in the production staff cared as much as the actors. I am beginning to suspect that ALL the money on this movie was spent on casting. And concept art.
I am genuinely confused by the choice to have only a couple cats wear clothes, and when they remove them, their fur looks exactly like the clothes they removed. I'm finding myself looking at things they did that wasted money. Money that could have been spent anywhere else to improve this thing.
All things considered, I could watch Idris Elba play the title character in Jaws, and enjoy it.
I'm pretty impressed by the entire cast's commitment to everything they picked up from their movement coaching. It is obvious that they were trying to incorporate a lot of typical feline movement and habitual aspects, even going so far as utilizing ballet movements for some of the dancing (probably because it is more "feline", to use the word again.) Nobody has really slipped yet. It's pretty impressive.
I think the thing that has me most surprised throughout is that this thing has the ability to elevate some (Rebel Wilson, Jason Derulo, Francesca Hayward, Jennifer Hudson, the VFX artists) and drag others through the dirt, (Judi Dench, Ian McKellen, Idris Elba, the VFX artist team), most times in the same scene. It's crazy how on one hand someone truly can astound you with their performance, blow you away with a wonderful rendition of a song some people know well, and on the other hand you see wonderful, well established actors really putting their asses into a performance that has no way of doing them service because there isn't anything there. For comparison, look at Ben Kingsley in Ghandi, or Lucky Number Slevin, versus his performance in Bloodrayne. It's really hard to watch these respected thespians work their asses off for something that won't ultimately pay off for them because it doesn't have the capability to.
Ok so halfway verdict here:
This was a fucking mess. Now I didnt see the original theatrical release, so I have no idea how truly barrel bottom things got here. I CAN say, that I can see the bones of what this is supposed to be buried in the mess of cat shit (see what I did there????).
The concept of the costuming is essentially what I imagine it is for the stage show, but seeing it in it's execution is.....disturbing. The movement coaching was pretty solid and worked well with the dance choreography, but in combination with the actual character design there is an implied sexuality in the feline-ness that makes you uncomfortable, but not in the thought provoking way, just in the "forced to look at naked people covered in cat fur for an hour and a half" kind of way. Like I was even kind of into Idris Elba's performance of Macavity, until he took off the hat and trench coat and now I'm just watching a naked Idris, but with cat ears and a tail. To be honest seeing this throughout the film really took you out of the immersive aspects of it. Not to mention that while lighting was ok, the actual character models pasted on the motion capture actors moved strangely, sometimes the faces were disjointed with the heads, sometimes textures looked unfinished (not as bad as I thought it would be but I know people that could do better than that on their computers at home.) Just a jarring experience visually overall.
The score was ugly and dated too. Or maybe not the score, so much as the instrumentation. Sound design was atrocious throughout, it seemed like the intent was to make it feel more like a stage production, but if that's the case, why go the route they did in terms of set design and all that? Being able to hear hollow flooring under heavy footfall, or people loudly slamming hands into bars they need to grab to catch themselves, or the piss poor choice in instrumentation, the whole thing feels like B roll for the DVD extras. You know what actually did great in updating the music for a more immersive experience? Aladdin. Check my first review out for more on that one.
So halfway verdict? I say a rough D. I dont see myself going back for this one, but I'm not unable to see the appeal. I just am sort of anticipating the 1998 Broadway production (part 2 of this review) so I can see what this is really SUPPOSED to be. Watch for part 2, coming later!
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toomanysurveys9 · 6 years
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The Redundant Basics I. What does the name say on your birth certificate?
marlina dee.
II. What is the name that all your friends call you by?
usually marlina. sometimes marley.
III. What day of the year do you blow out the candles?
september 1.
IV. Which country authorized your passport?
i don’t have a passport yet. i’m going to get one for wyatt and me though because we want to travel.
V. What are you Zodiac and Chinese signs?
virgo and rooster i think?
VI. In terms of politics, do you sit on the right or the left?
eh. not really on either side completely.
VII. Look in the mirror. The color of your hair is what?
brown.
VIII. Look in the mirror one more time, what color are your eyes?
blueish.
IX. Hop on the weighing scales! How far did the number jump past 0?
i don’t know or care.
X. Stand up straight! How high up is the top of your head from the ground?
about 5′2.5″...
Home Sweet Home
I. Who are all those other people living in your house?
mom, dad, grandma, grandpa, jacob, wyatt, ashley, erin, lillith, rose, phe, cocoa, buffy, and tia. it’s too many people for a tiny 3 bedroom trailer.
II. Do you get along with mom or dad better?
mom i guess. although not so much when we’re living together.
III. What do your parents friends call them?
mom and dad usually.
IV. Any siblings living outside the house?
my brother. he’s so lucky he was able to get out.. i can’t wait to get out.
V. What’s the name of the place you live in currently?
goshen.
VI. You love it there, dont you?
no. i can’t wait to get the hell out of here.
VII. If you could live absolutely anywhere on the Earth, what locale would you choose?
looking at tennessee or georgia.
VIII. Out of all those blood related, immediate or other, which single person would you list as your favorite?
wyatt. without a doubt. that’s my son for those of you who don’t know.
IX. Who is one you wish you didnt share blood with?
jason.
X. Overall, you like moms side of the family more, or dads?
mom’s. dad’s side sucks.
Knowledge Is Power
I. First things first, private or public school?
i went to public schools through high school, and then a private college.
II. What’s its name? mascot? colors?
high school was redskins. bethel was pilots.
III. What is/are the class(es) you can’t wait to get to?
i’m no longer in school.
IV. How about the class you consider bedtime?
when i was in school, i hated the ones about religion, and math classes.
V. The name(s) of your favorite teachers:
high school: snyder, snyder, mama yoder, and sabo. college: lafountain and carlson, even though carlson scared the hell out of me too.
VI. The name(s) of the teacher that puts your to sleep:
loved him, but spivey.
VII. Are you an English/Art, or a Math/Science person?
english/science. sucked at art and math. lol.
VIII. What sports do/have you played:
none. i wanted to play soccer but parents wouldn’t let me since i was so allergic to grass.
IX. When the teacher checks the homework, do you usually get a “0” or a “100”?
i got 100′s more than 0′s.
X. If you could change one thing about your school, what would it be?
i wish i had gone to a different school for college in general.
Confidentiality & Beliefs
I. What’s your worst fear? Have you ever experience this fear?
that i’m going to fail as wyatt’s mom. i kind of feel like i have considering how we’re currently living.
II. Have you ever acted troubled, just to get attention?
no. i have not.
III. Do you believe in God? Jesus? Satan? Heaven? Purgatory?
no. to all of it.
IV. Do you have a secret that you’ll take to the grave with you?
i don’t think so.
V. Have you ever told somebody you loved them, when secretly you didnt at all?
not that i can think of.
VI. (Friends, Religion, Politics, Family, Education, & Relationships) Organize the previous six in order of your personal preference in life:
family, relationships, education, friends, politics, religion.
VII. If you could change one thing about your physical looks, what would it be?
stomach.
VIII. If you could change one thing about your personality, what would it be?
i wish it was easier for me to make friends.
IX. Have you ever cried in front of someone, and felt ashamed of it?
yes. every time i cry.
X. Have you ever done drugs? Are you on drugs? Do you plan to take drugs?
no, no, and no.
The Hills Are Alive With The Sound of Music
I. If you had to pick, what’s your favorite song of the moment?
boy by lee brice.
II. Do you get most of your music from the internet, or from the store?
internet.
III. Even though you can download music, do you still buy cds just because of the cd-case, CD itself, booklet, or just general authenticity?
sometimes i guess, if i really really want it.
IV. What lone genre of music do you prefer above all?
i will probably always love country above all else.
V. What genre of music would you never be caught dead with?
opera probably.
The Small & Silver Screens
I. What’s your favorite movie?
any disney movie. harry potter. lotr. star wars.
II. Generally, what genre of movies do you jump at the oppurtunity to see? (Action, Adventure, Comedy, Horror, Drama, Romance, Science Fiction):
depends. probably action adventure, or romance.
III. Who is the actress/actor you most admire?
misha collins. jensen ackles. jared padalecki. robin williams.
IV. Do you cry during/after certain movies? If yes, what was the last movie you remember crying at?
occasionally. i cry so easy anymore, it’s ridiculous. lol. i don’t remember the last movie i cried during or after, but i’m pretty sure it was animated.
V. What time of day do you prefer to see movies at (morning, noon, or night):
night.
VI. What is the tv show you never miss?
i miss lots of shows. i only have netflix.
VII. What is it you like about it so much?
^^^
VIII. Whats the one tv show you can’t stand?
most reality shows.
IX. Do you think you sped more time watching the television or using the computer?
television. i rarely have time for the computer, whereas the television can be left on as background noise.
X. Do you personally think that you spend too much time watching tv?
not really because i don’t really watch it a whole lot.
Bon Appetite
I. Whats your favorite meal?
pretty much anything my parents cook. :p
II. How about your favorite dessert?
probably ice cream.
III. When only a kid, did you eat your vegetables?
usually, depending on the veggies we were having.
IV. Do you still eat vegetables?
^^^
V. Are you a poor, average, or excellent cook?
probably pretty average at the moment.
VI. What type of food do you prefer?
hmm. i like a lot of pastas, so italian is a favorite and i guess chinese.
Salt or pepper?
probably pepper. not a huge salt fan.
VIII. ketchup or mustard?
ketchup. i barely like mustard.
IX. Do you prefer going out to breakfast, lunch, or dinner?
breakfast or dinner.
X. Do you eat to live or live to eat?
eat to live.
All’s Fair In Love and War
I. Do you have a boyfriend/girlfriend/crush?
husband actually.
II. Are you in love? Or are you using them?
in love... most of the time.
III. Do you find most of the time you dislike the people that like you and vice versa?
back when people liked me, yeah. lol.
IV. In terms of relationships, are you loving or manipulative?
loving. i usually fall for manipulative people.
V. Do you live to love? or would you rather love to live?
this one doesn’t really make sense.
VI. Do you believe that sex should come before or after marriage?
whenever you want to have sex as long as you’re two consenting adults.
VII. Do you plan to marry, if so at what age?
i am married. we got married when we were 22, a couple months before we turned 23.
VIII. Do plan to have children, if so how many?
i have one and would be okay having one more at some point, but i’m also more than okay with just wyatt.
IX. Are your parents married or divorced?
they’re married and have been 25 years.
X. Do you want to have a big, spactacular wedding with everyone you know invited or a small, traditional, get-together with family and close-freinds wedding?
ours was more on the traditional, small side.
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eternalwaking2015 · 7 years
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Best Movies 2016:
Behold, the dreaded list of favorite movies. The year came and went, and with it came a laundry list of movies seen. These were my favorites from 2016, released (and seen in a theater) within the calendar year. I couldn’t and didn’t see everything, either because I’m poor, or busy, or just not interested in seeing The Angry Birds Movie. But there were many, many notable films that I either saw on DVD instead of a theater (Green Room; Sing Street; Lo and Behold), or haven’t seen period (Moonlight; Silence; American Honey; Toni Erdmann; Elle; The Birth of a Nation; Tickled; Certain Women; Lion; The Love Witch; Hidden Figures; The Handmaiden; Hell or High Water; Paterson; I, Daniel Blake; Hunt for the Wilderpeople; 20th Century Women; Jackie; Loving; Nocturnal Animals; Fences; Voyage of Time; Manchester By the Sea; etc.) I wish I could’ve seen them all. Of course, I do. I probably will later on...
This list here is my own. Personally decided. It doesn’t hold any weight where it doesn’t belong, which is in any other person’s own list. It’s valuable to me, and maybe my opinions are valuable to you too. If you want to argue opinions, fuck yes, do it!
These are in alphabetical order. I only wrote a quick word on two of the ten films. This was because it is now 8pm on January 2nd, and the writing to be done is not yet done. So it will remain undone. I always say I will be better, and this time I mean it a bit more than I usually do.
Bring on 2017
...
Every other film seen in 2016 / Honorable Mentions : Hail, Caesar! || The Witch || Batman v Superman: Dawn of Justice || The Nice Guys || X-Men: Apocalypse || The Neon Demon || Finding Dory || Star Trek Beyond || Jason Bourne || Suicide Squad || Cafe Society || Sausage Party || Inferno || The Girl on the Train || Rogue One || Fantastic Beasts and Where to Find Them || Passengers ||
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Arrival Director || Denis Villeneuve Writer || Eric Heisserer DP || Bradford Young
Quite a spectacular film that achieves the rare feat of being a pure science-fiction film. It is often the case to disguise a genre with sci-fi imagery for a fantastical effect. An action film with space ships is still an action film. Blade Runner is actually film noir. Alien is a horror film, as is The Terminator. 2001: A Space Odyssey is impossible to categorize as anything but science-fiction, and so is Arrival.
Amy Adams plays an accomplished linguist recruited to communicate with extra-terrestrials who’ve landed on Earth. Once they land, they do not attack. They do not even talk. But they’ve landed, and how we shake hands with these aliens in a first contact story is the focus of the film.
We expect each side to have their finger on a trigger, and for the film to be a slow build to an attack. Whichever side comes to the breaking point first will play out predictably. Except that’s not what happens in the film, and what I predicted never happened. Always good to feel surprised. Instead, we see a calm film that features fear, and paranoia, but also curiosity. What do the aliens want if they aren’t hostile? Do they need help? Are they on a mission? Were they looking for us?
Much has been said of the twist ending, and while I didn’t see it coming, I feel like Amy Adams’ performance was the main reason why. She wears pain in her body language throughout the film, and I’m not sure if that decision makes sense. 
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Captain America: Civil War Director || Joe Russo & Anthony Russo Writer || Christopher Markus & Stephen McFeely DP || Trent Opalach
Great film. Yes, it is.
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Deadpool Director || Tim Miller DP || Ken Seng
Deadpool himself directed this film. That should have legitimately been what the creatives did. They should have created a film that Deadpool himself directed. It’s never been done. But I forgive them.
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Doctor Strange Director || Scott Derickson Writer || John Spaights DP || Ben Davis
Trippy. I enjoyed it very much.
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Don’t Think Twice Director || Mike Birbiglia DP || Joe Anderson
I wish I wrote more about this one. I probably will on Letterboxd. But I love Mike Birbiglia, I loved this film, I laughed, and I felt my feelings. I hate/love movies that do that. I also saw it two months before it was released, because I’m awesome. Humblebrag.
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Hacksaw Ridge Director || Mel Gibson DP || Simon Duggan
Intense. Inspiring. Make more movies, Mel...
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Kubo and the Two Strings Director || Travis Knight A very pleasant film, with lots of creativity and fantastic imagery.
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La La Land Director / Writer || Damien Chazelle DP || Linus Sandgren
Because I have two eyes and a heart, that’s why.
This is really just a beautiful, beautiful film. I do have one comment that I must share: There was a moment during the film when I completely forgot I was watching a musical. When you see this film, maybe you’ll feel the same. I didn’t realize the music had disappeared. Maybe it was because I was so engrossed in what I was seeing, and who I was watching. Right now, I can’t tell you if the music disappeared for one minute, or an hour. It feels like I lived a small lifetime with Mia and Sebastian. I wasn’t ready for the film to end. I’ll let you decide for yourselves if what I’ve shared is a complement or a criticism. 
The ending is both heartbreaking and uplifting. It’s a very brave ending in my eyes, and it hits deep with me. I’m so happy this film exists.
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Midnight Special Director || Jeff Nichols DP || Adam Stone
My kind of movie. Sci-fi. Original. Michael Shannon. More people, less special effects.
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Swiss Army Man Director || Daniel Kwan & Daniel Scheinert DP || Larkin Seiple
So amazingly, wonderfully, completely insane. In the best way. These filmmakers reject normality, sanity, conformity, reality, and are beautifully nuts. Please see this film. It begs to be seen. It’s the 1975 of movies. If you like that band then what I said just makes perfect sense. Maybe it doesn’t, whatever...
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rosestonewrites · 7 years
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so i haven’t been watching riverdale recently b/c i was trying to race through all of the clone wars before it left netflix.  Now I have finished that!  So it’s time to resume Shouting About Riverdale.
I liveblogged wrote a notepad file about my reactions to 1.03.  And it turned out, uh, long.  So look below the cut for a whole lot of capslock, my continual love affair with a) Beronica and b) Jughead, and yet more anger re: Grundy.
IT'S TIME TO YELL ABOUT RIVERDALE, GUYS.
Ok, so, the Jason and Cheryl thing?  Not surprised, and I'm pretty sure she's telling the truth.  Her killing Jason just doesn't make sense.  And, wow, a lot of the parental units in this story are just... awful, aren't they?  I hope we find out what actually happened with Polly sometime soon; I don't doubt that he was shitty to her, but there's a lot Betty's mother isn't telling her about what happened, and it would surprise me 0% to find out that either Polly or Jason's parents exacerbated whatever the fuck was going on.
JUGHEAD AND BETTY ARE INVESTIGATING, AW YISS.  Jughead is great and Betty is great and I'm so excited for this new plotline, guys :D
okay idk anything about Archie so idk if this new guy is going to be Significant but it's nice to see Veronica not getting hung up about stuff.  Go make out with a pretty dude, Veronica!  Go you!
just... fuck off, grundy, just go.  fuck off ugh
OKAY I CHANGED MY MIND.  Fuck off Chuck.  Fuck yooooou.  That said I am HELLA into Betty and Veronica going "full dark" re: Chuck.  Also Betty hiding her eyes when she went through the locker room omg you adorable bb :D
THEY'RE MAKING A POSSE AW YISS also that's totally barb from stranger things, i identified an actor, wtf is this
FUCK THEM UP VERONICA OMG
jughead omg.  just jumping into the booth like a fucking gargoyle.  my friend, my dude, i love you but you're probably going to freak some poor kid out doing shit like that.  keep doing that.  freak 'em the fuck out.
ok so.  i understand the point of getting archie to work with the pussycats.  He needs musical mentoring that doesn't come from FUCKING GRUNDY and Josie & co. are it.  And I am HELLA GLAD they did this sequence.  Because he doesn't know!  You can't fucking know what it's like to grow up a POC if you didn't do it!  As uncomfortable as the first episode made me... I think they did this right.  I mean, idk, I'm a white person too, and I grew up not in America so there are obvs different dynamics and like... historical and cultural shit that I'm almost certainly missing... but it seems like they're handling this pretty well.  This is good.
oh my GOD cheryl.  are you... are you just following them around.  are you stalking veronica/betty/kevin.  WHAT ARE YOU DOING.  she just keeps showing up omg.
ohh no.  oh no.  do not make me sympathise with the woman who you've been setting up as the Bitch Queen, Riverdale.  I do not need another Cordelia Chase problem.  (If you dislike Cordy I will FIGHT YOU.)  I mean maybe they're just doing this to give her more... dimensionality, I guess? than just OH NO A MEAN GIRL.  I am super interested to see where this leads.  also FULL DARK NO STARS betty YEAH.  FUCK THEM UP BETTY
are we doing "Archie saves the song" tho.  are we doing that.  immediately after “archie doesn’t have the necessary life experience to write for the pussycats”.  (hella here for some original music finally though)
god betty's mum is awful though.  LET HER LIVE HER OWN LIFE FFS.  honestly at this point it would 0% surprise me if a) polly isn't actually in a group home, she just ran the fuck away and their mother chose the lie that would best help her to assert control over betty or b) their mother had polly involuntarily committed somehow.  just.  gross and awful.
OH BUT THIS IS LEADING INTO A SEQUENCE I AM EXCITED FOR.  they're gonna entrap chuck or something, right?  HERE FOR THIS.
oh god the look on veronica's face when betty came in STOP MAKING ME SHIP THIS.  that was the expression of a person who just got like.  hit over the head with hotness.  there was no room for expressions, only OH GOD SHE'S WEARING WHAT???!?  stop.  you're not going to follow through, riverdale.  don't do this to me.  gOD.
I'm glad Archie and his dad worked things out.  He's one of very few adults in this show who aren't terrible people... like.  Fred and Hermione and... someone else?  Probably???
FIGHT GRUNDY FRED.  FIGHT HER.  omg the look on her face.  she doesn't know if archie told him about their HELLA ILLEGAL relationship but she knows something's up.  Interested to see where this -=-  HOLY SHIT THAT ESCALATED FAST.  but, ok, fair enough, Betty's mother did a truly shitty thing.
HI JUGHEAD YOU'RE GREAT.  and... archie and fred didn't work it out?  why is he hiding.  also wow grundy being all OH PHEW HE'S JUST ASKING ABOUT MUSIC.  fuuuuck you grundy.  ooh yeah he's asking hard questions.  KEEP DIGGING FRED.  FIND OUT AND  C R U S H  HER.
and now betty's mother is being shitty to hermione.  is there anyone she isn't determined to be awful to.  anyone.  i can hear fucking crickets.  GOD don't listen to her hermione.
HOLY SHIT betty.  she's going SO HARD on this omg.
"Save it for your statement, which you can make to Sherriff Keller or to me.  I suggest the latter."  omg jughead ilu
oh god this could get dangerous betty.  OH MY GOD BETTY someone has to get this poor child therapy.  
YAY fred is coming through :DDDD  ok you gotta notice SOMETHING fred PLEASE... nope D:
WHAT TERRIBLE CONSEQUENCES WHAT THE SHIT
yay for some closure for betty and cheryl i guess???  we will see where this goes.
nononono do not do the thing DO NOT fuck you grundy
ooooh shit what did he see  OH SHI TOH SHIGT HE SAW GRUNDY OOOOOH SHIT
ok.  that was a genuinely good cliffhanger.  one for you, riverdale.
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mikeyd1986 · 5 years
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MIKEY’S PERSONAL BLOG 143, February 2019
On Monday night, I went to my Boxing small group training session at CinFull Fitness. Quite a few people were running late so Cinamon and I were wondering if anyone was going to turn up for tonight’s class. Luckily, Jade, Patrick, James and Scarlett ended up coming in the end. Tonight’s workout consisted of: several boxing drills, med ball slams and kettle bell squats (5 reps +5 each round), 3 rounds of walking lunges, 10 squats and 10 push ups, one minute of jab box combos (increasing by 1-2 reps).
I was struggling a little tonight. Maybe it was due to my sleeping problems, lack of energy during the day, lack of air circulation, group performance anxiety, who knows? But I feel like my boxing technique is gradually improving. At times, I do miss a rep or forget a movement but I just keep going, keep trying and keep striving. Thankfully the weather outside was pretty mild and not overly hot so I could breathe and recover easily.
On Tuesday night, I did my Body Balance class with Astrid Christophersen at YMCA Casey RACE. The weather was acting particularly strange tonight. One minute it was clearing up, the next it delivered another downpour of rain. Luckily I was undercover inside the group fitness room when it did decide to come down. Tonight we ended up doing release number 68 which consists of tracks including Of The Night by Bastille, Elastic Heart by Sia, Come Get It Bae by Pharell Williams, Maps by Maroon 5 and Pretty Hurts by Beyonce.
It was generally a pretty cruisey release with a double Tai Chi Warm Up to start. Sun Salutations & Standing Strength (Mountain pose, Downward Facing Dog, Plank, Crocodile, Intense pose, Warrior 1 into Warrior 3. Triangle pose. Side Angle pose). Balance & Hip Openers (Eagle pose, Angel pose, Star pose, Divers pose, Frog pose, Swan pose with quad stretch). Pilates (Oblique twists with crunches, Extended toe taps, Bridge pose, Arm balances, Crocodile pose). Twists (Seated twist, Twisted Down Dog, Twisted Pyramid pose). Hamstrings (Supine Hamstring stretch, Turtle pose, Wide Legged Forward Fold). http://www.totallylesmills.com/site/BODYBALANCE
On Thursday morning, I had an appointment to see my psychiatrist Dr. Ricardo Peralta at Vita Healthcare in Mount Eliza. Today it honestly felt like I had a snowball of pressure mounting up inside of me. It didn’t help that I was feeling weary and restless either. It was difficult to tell if my medication (50mg Quetiapine) was actually having a benefit besides making me sleep for longer. Sadly it wasn’t doing much for my energy levels during the day as I’ve felt a steep decline this week.
The 50 minute drive from home to Vita Healthcare honestly felt like a chore possibly because I had a large to-do list to get through today. Annoyingly, I felt sleepy the entire time behind the wheel which meant that I had to dig up extra energy to concentrate and focus more on the road. I relaxed a little when I finally arrived at the clinic, though it didn’t take long for me to get really flustered and nervous. I guess I really didn’t want this appointment to be a waste of time and actually get my money’s worth. (Dr. Ricardo is NOT cheap to see but he’s worth it!).
It didn’t spend much time beating around the bush, I got straight to the heart of the matter: my sleeping problems and low energy levels. I asked him whether he knew of a sleep specialist that I could see in order to get a sleep study done and come up with an official diagnosis. Thankfully he did and he wrote me up a referral to see one located at Wattletree Consulting Rooms in Frankston. Now the next step will be to book an appointment with them and hopefully they can work out why my sleep has been so terrible.
I couldn’t explain why I was feeling so anxious today. Perhaps it could be related to the unstable and inconsistent weather this month, my poor sleeping patterns, not eating the right foods, my mood swings, high stress levels from work. Could be a whole lot of things. But things felt a lot more smoother today at the clinic with the receptionist processing my medicare rebate and booking another appointment for me. Unlike my last visit in which everything felt like it was up in the air. https://www.vitahealthcare.com.au/our-team/#ricardo
On Thursday night, I cooked a basic fish and chips with steamed vegetables for dinner. This was probably the easiest meal I’ve done so far and thank goodness for that because I haven’t been feeling particularly energetic recently. Following this recipe, you start by mixing chopped herbs, olive oil and lemon juice together. This will be the coating for your fish at the end. Then you can fry up the fish fillets in a frying pan. I bought the blue grenadier as they were on special at Coles. Whilst this is happening, you can cook up some frozen chips in the oven and steamed vegetables in the microwave. That’s pretty much it. https://www.mumslounge.com.au/lifestyle/food/lemon-herb-fish-fillets-recipe/
On Friday morning, I caught up with my Mum and her friend Jules for coffee at Degani Cranbourne Park. We spent an hour talking about our experiences with driving tests, Jules’ recent overseas trips to Scotland and the Northern Territory (Watch out for those crocs!) to our poor sleeping patterns and finding sustainable employment. It was a nice time even with all the visual and auditory distractions that a large shopping centre tends to bring.
On Friday night, Mum and I went out to the movies to see Escape Room at Village Cinemas Fountain Gate. *START SPOILERS* Directed by Adam Robitel (Insidious: The Last Key), this film combines elements from Saw, Cube and Final Destination and is based upon the idea of real-life escape rooms. Six strangers get send a mysterious package containing a black cube and once opened, they discover that they’re each invited to participate in an escape room challenge hosted by MINOS ESCAPE ROOMS. There is a cash prize of $10,000 up for grabs for the winner.
Let’s run through each of the strangers. Zoey Davis (Taylor Russell) is a quiet achiever, has a shy personality and university student studying Quantum Physics. Ben Miller (Logan Miller) works inside a store room at a local grocery store and is generally an arsehole to everyone. Jason Walker (Jay Ellis) is a stockbroker from a major corporation and is very cocky and arrogant. Mike Nolan (Tyler Labine) is the oldest and also the most likable and talkative of the bunch. Amanda Harper (Deborah Ann Woll) is a war survivor and has claustrophobia plus post-traumatic stress disorder. And Danny Khan (Nik Dodani) is a video game nerd, escape room veteran and very annoying (He just won’t shut up!).
Once they all arrive inside the waiting room, this is when the game actually begins. The objective is to find clues hidden around the room, solve puzzles and find a way to “escape” each room. But the twist here is that these rooms are designed to kill the participants inside. This first room for example becomes a giant furnace. The rooms themselves become more complex and elaborate as it goes on. The strangers also discover that they are actually connected to each other by the fact that each of them have been the sole survivor of a major traumatic event.
Later on, we also discover that the “game” is being controlled by a mysterious Game Master named Dr. WooTan Yu, who’s name seems to pop up everywhere in each of the rooms. Speaking of rooms, they are very creatively designed and easily the best feature of the film. My favourite would have to be a deadly bar complete with a billiard table and a liquor shelf. Each time the phone rings, an ear-piercing dial-tone noise can be heard and the room suddenly starts falling apart to reveal an elevator shaft on the outside. Then the classic song “Downtown” by Petula Clark starts playing and gets increasingly more distorted.
Like the films I mentioned before, each of the strangers starts to get knocked off one by one until there’s only two left. Of course the film doesn’t come to a simple conclusion but throws in plenty of twists and leaves it open to a future sequel. Besides the corny dialogue and paper-thin characters, I still really enjoyed what Escape Room had to offer in terms of the thrilling set pieces and a shadowy organisation pulling the strings. 7.5/10 *END SPOILERS* https://www.youtube.com/watch?v=VXk5qYKpq0Q
“So we're different colours. And we're different creeds. And different people have different needs. I can't understand. What makes a man. Hate another man. Help me understand. People are people so why should it be. You and I should get along so awfully.” Depeche Mode - People Are People (1984)
“Now I'm not looking for absolution. Forgiveness for the things I do. But before you come to any conclusions. Try walking in my shoes. Try walking in my shoes. You'll stumble in my footsteps. Keep the same appointments I kept. If you try walking in my shoes. If you try walking in my shoes.” Depeche Mode - Walking In My Shoes (1993)
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It was an argument that belonged in Toys ‘r’ Us in 1986.
My Dear Ol’ Dad and I were arguing over toys. However, calling it an argument implies that one or both parties were speaking. Instead Dad sat in his recliner and groaned while I stomped around his living room, stuffing old He-Man action figures back into a box nearly as tall as my 10-year-old daughter, mumbling how “freakin’ stupid” this all was.
Meanwhile, Jellybean sat awkwardly quiet on the couch, trying not to laugh as two adults acted like children.
The reason it happened is a story of obsession repackaged as nostalgia.
o o o
Jellybean and I love a road trip. We make music playlists. We download episodes of Lore, our favorite podcast. She agonizes over which of her Squishies to take (speaking of obsessions: but that’s another column), and the movies she’ll end up not watching. 
Dad lives in the literal woods outside of Milledgeville, Ga. It takes us about two hours to get there. We hang out with my 94-year-old Granny. Her mind and memory are steadily slipping into darkness, but seeing us seems to brighten her day a bit. My step-mom (seems weird for a 43-year-old man to use the term “step-mom”) cooks a huge meal – most of which we thankfully take home for leftovers. Dad and I talk sports, the weather, and his eternal effort to cut acres of grass in June with a push mower without dropping dead of heatstroke.
Dad’s house is also where my old toys live.
To be clear, these toys no longer belong to me. They belong to Dad. He saved them, or rescued them, rather. For whom and why is a bit of a mystery, but he has done these things, and I’m grateful for the effort.
Most of the time.
  An original Star Wars poster
Jellybean surrounded by my old toys.
o o o
There’s a fine separating a hoarder from a collector.
I, like my father before me, consider myself a collector because the things I covet have real world value. Unlike those sad bastards you see on AMC who refuse to throw away dot-matrix printers or open salsa from the Reagan administration, the stuff we keep can be sold on reputable web sites like Ebay to grown children as equally odd and enthusiastic as our selves.
The internet, in addition to amateur porn making it seem like every housewife in the world is a secret sex freak, has legitimized collecting. If you own it, you can bet there’s someone out in the nooks and crannies of cyberspace willing to pay you for it … not that Dad nor I would do that. Thus we own things most find silly and hold on to it for decades because, “I’ll be really valuable one day.”
That’s what I’d like on my gravestone – “It’ll be valuable one day.” Maybe that’ll make Jellybean think twice before dumping all my cool stuff off at Goodwill.
So, if hoarding is placing an irrational, emotional attachment on crap, then collection is putting irrational, emotional attachment on crap of relative value.
Dad has been grade A collector since before I was born. My Dear Sweet Mother shares tales of Dad in cut-off jeans digging around the dump for antique bottles. Over the years he’s given me some of these very bottles. I love stuff with a story behind it.
Dad isn’t exactly an outlier in the family.
Both Mom and her mom were collectors – mostly animals. At one point, grandmother could have been the Noah of miniature animals. She was raising miniature horses and miniature goats. There was also a Vietnamese pot-bellied pig and Chinese pug named Mr. Wong. Granted, these animals weren’t technically miniature, but they were small and round, so they fit under the umbrella.
Grandma with Georgia Girl, 1990
My Dear Sweet Mother provides safehaven by fostering homeless dogs and feeding some of the saddest stray cats the world’s ever seen, not to mention that her own two yippee dogs eat better than she (or I) do.
I’m a sucker for dogs, but I don’t trust cats. I feel like they’re all plotting against me. Plus, they’re arrogant, hateful and unwelcoming of love. Cats don’t care about you. That’s why I never understood the whole lonely old cat lady cliche. If you’re lonely – get a dog. If you’re a sociopath – get a cat.
My collecting has gone through stages. There were comic books, then CDs (at one point, I had about 3,000). Mostly, I collect books (especially Stephen King hardbacks) and juvenile-looking pop-culture or favorite-rock-band referencing T-shirts.
Pretty proud of my Stephen King bookshelf
Then there’s the toys.
I don’t scour thrift stores and flea markets for old toys, like I do for books (or vinyl). Rather, I save my old toys … or, more to the point, I save the old toys that Dad chooses to give to me for birthdays and Christmas.
And this brings us to the crux of what will go down as the most absurdly passive-aggressive argument in the history of father/son relationships.
o o o
I wanted to take some of my old toys home for my grandson – AKA Bam-Bam – to play with. The thought of sharing my old toys was a kind of grown-up wish fulfillment.
Dad was cool with this … to a point.
What he couldn’t say out loud, and I didn’t understand was that he liked having my old toys around (and by “around” I mean in a huge box in the back of closet) because they reminded him of me when I was a kid.
Yep … that’s a Donny Osmond doll.
Who doesn’t love the Lone Ranger
Damn, I loved Godzilla
Taking them away was like removing those memories, and Dad didn’t like that. But rather than verbalize this, we acted like two spoiled kids throwing a temper tantrum in the K-Mart toy aisle because our mom said we could have either the G.I. Joe action figure with Kung-Fu grip, or the He-Man action figure with battle armor, but not both.
That’s right: my father and I were in a standoff over G.I. Joe and He-Man.
It started after lunch. I was dividing the box into piles of “Keep” and “Put Back.” Given the disturbing number of leg-less Beast Man toys and at least three Skeletors that been snapped at the waist. All laid out, the ruins looked like a full-color shot from Gettysburg (had North and South battled an alien race jacked up on steroids).
And while we’re on the subject: why are He-Man figures so terribly bow-legged. Those poor souls should’ve been fitted with Forrest Gump braces before shipping ‘em out.
Anyway …
The Put Back pile dwarfed the Keep pile, but I could feel Dad’s eyes on me. He wasn’t happy. Jellybean, on the other hand, was having a blast naming random Mortal Combat, Dungeons & Dragons and Go-bot figures – “Tough Guy,” “Mr. Magic,” “Scooter,” and “Jason.”
Finally, Dad broke the growing silence and tension with, “So how many are you planning on taking?”
“I don’t know, Dad,” I answered, spitting that last word out like the petulant child I was devolving into. “I haven’t decided.”
But the spell was broken. The fun of revisiting my childhood was spoiled. I was pissed. It was time to go home. Like any child, I muttered things under my breath that I was too cowardly to say out loud (a habit I had as an actual child) and slammed all the toys back into the box. I even snatched some out of the hands of an awkwardly dumbstruck Jellybean.
Jellybean was still giving hugs and waving goodbye as I stomped out to the car.
Before slamming the car door, I shouted, “Hope you had a happy birthday, Dad” with all the venom I could muster, sounding like Brad Hamilton pounding on the bathroom door after getting fired from All American Burger. (“Hope you had a hell of piss, Arnold!”).
My temper tantrum was played out by the time Jellybean and I hit the highway, but I was still trying to make sense of what had just happened. That’s when my wonderfully pragmatic daughter spoke up:
“Well, daddy, I see your side. But I also see Papa Don’s side. You wanted to give those toys to Jase, but he doesn’t really know Jase, so he wanted to keep them because they make him think of you as a kid. You’re all grown up now and don’t really play with toys – at least not as much – and he kinda has a hard time letting go of that.
“He wants you to have them, but he also wants to keep them.”
Well. Crap. I turn the car around.
I met Dad on the porch and like men uncomfortable with expressing their feelings, we communicated mostly through grunts, head nods, shoulder shrugs, and more hand gestures than a third base coach being attacked by killer bees. We agreed, finally, that the whole thing was a silly misunderstanding.
Two days later a priority mail package arrived at my door stuffed with He-Man action figures. By the next weekend, Bam-Bam was bashing and battling all over the house like just another blonde-headed kid did once upon a time at his father’s house.
Watching him play made me happy, and I know it would’ve made Dad happy, too.
Bam-Bam and Buzz-Off
A boy and his toys
      Two grown men arguing over toys It was an argument that belonged in Toys ‘r’ Us in 1986. My Dear Ol’ Dad and I were arguing over toys.
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trendingnewsb · 6 years
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5 Unsung Heroes Who Made Your Favorite Movie Fight Scenes
Not unlike any given trip to IKEA, action movies are chock-full of fights, the difference being that someone has to choreograph all those epic punches and spin-kicks. And since most of us don’t sit through a film’s credits without the promise of, say, Captain America staggering in front of a green screen to advertise a movie that won’t be out for three years, we’d like to take a moment to highlight a few of the cinematic artists who crafted some of our favorite movie fight scenes. Such as …
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Thank Jonathan Eusebio For John Wick, Black Panther, The Avengers, And More
Loosely based on the story of everyone who watched Marley & Me and then angrily punched a hole in their drywall, John Wick (aka Scruffy Matrix) finds Keanu Reeves hitting and shooting his way to get to the baddies who offed his puppy dog. The fantastic action scenes were choreographed by Filipino American martial artist Jonathan Eusebio, who also worked on the sequel (titled John Wick: Chapter 2, perhaps in an effort to make literature seem more action-filled and exciting).
Summit EntertainmentThis time, he’s killing people for ruining all his shirts in the last movie.
Eusebio has done lots of great work, even in movies hardly anyone saw. Like Hitman: Agent 47, an adaptation of the successful video game series in which Mr. Clean has a midlife crisis, becomes a contract killer, and ransacks Donald Trump’s suit closet. Take this scene, wherein the titular Mr. 47 gets knocked onto a subway train, then rolls onto the tracks …
20th Century Fox“Aw, that was my tra-” “Don’t worry, I’ll help you catch it!”
… leading to a deadly bout of hand-to-hand combat that also involves navigating speeding trains and puddles of urine.
20th Century Fox
20th Century FoxAt least, we hope that’s only urine …
Eusebio has also worked extensively as either a stunt or fight coordinator in Marvel movies such as Deadpool 2, The Avengers, Doctor Strange, The Wolverine, and the cultural juggernaut that is Black Panther. The latter featured giant battles, an extended car chase, and the only casino brawl in history not caused by booze, money, or Celine Dion tickets.
Marvel StudiosPlus the deadliest use of a wig in a non-Steven-Seagal fight scene.
He also worked on the Expendables series, which is presumably the usual process, albeit with more Metamucil breaks. Perhaps most impressively, he was the uncredited fight coordinator in the obligatory “that escalated quickly” sequence in Anchorman 2. Give this dude his Lifetime Achievement Award already.
4
The Guy Who Did They Live Also Turned Matt Damon Into A Badass In The Bourne Series
They Live is John Carpenter’s classic 1988 film about a pair of shades that allow a drifter to see the secret skeleton-faced alien overlords controlling our planet, and until they make a biopic about Bono or David Caruso, no pair of sunglasses will be so damn important in a movie. Perhaps the most memorable part of They Live is an extended fight scene between star and professional wrestler Rowdy Roddy Piper and Keith David, in which they punch each other in a filthy alley for roughly the length of The Eagles’ “Hotel California.”
Universal PicturesThis is your periodic reminder that Piper thought all of this happened for real.
Carpenter delegated the choreography of the scene to his frequent collaborator Jeff Imada, with only the request that “three specific wrestling moves” be a part of it. He doesn’t say which ones, but they probably didn’t involve slamming your opponent into concrete littered with candy wrappers and used condoms.
Universal PicturesIf you go frame by frame, you can see a full pack of bubble gum falling out of his pocket.
But Imada didn’t dissolve into a puddle of water like the aliens at the end of that movie (we think, it’s been a while). His name is on a ton of classic films before and after They Live, including Lethal Weapon, Rambo, Blade Runner, and Charlie Sheen’s magnum opus Hot Shots! Part Deux. More recently, he was the fight choreographer on The Bourne Supremacy and The Bourne Ultimatum — two of the ones starring Matt Damon, not his understudy Jeremy Renner.
Universal PicturesAlthough it’s hard to tell who it is with that camerawork.
Imada even did stellar work on otherwise-forgettable movies, such as this epic fight in The Book Of Eli, in which a post-apocalyptic Denzel Washington battles a horde of chainsaw-wielding madmen …
Warner Bros. Pictures
… or the critically panned but occasionally kickass Green Hornet remake, featuring scenes seemingly meant to gaslight audiences into thinking their popcorn was laced with PCP.
Columbia PicturesOr something else, considering Seth Rogen is in this movie.
A way better fight coordinator than a script picker, Imada has also worked in Batman v Superman: Dawn Of Justice, After Earth, the Total Recall remake, a couple of Fast & Furious movies, and the Twilight franchise. So if you notice any especially skillful angst-filled werewolf-on-vampire punches, that’s probably due to his expertise.
3
The Transporter‘s Corey Yuen Has Been Kicking Asses For Almost 50 Years
The Transporter sounds like a Star Trek spinoff about the exciting lives of those poor saps who spend eight hours a day standing in a windowless room waiting for someone to decide to beam somewhere. But no, it’s a 2002 action movie starring Jason Statham, Qi Shu, and Jason Statham’s bare chest.
20th Century FoxAnd bare head.
Statham stars as Frank Martin, a guy who transports packages somehow even too shady for UPS. Of course, this allows for a multitude of scenes wherein he kicks the crap out of bad guys, and by metaphorical extension, male pattern baldness as a whole.
20th Century FoxThe famous scene where he interrupts a breakdance competition.
The Transporter was co-directed and choreographed by Corey Yuen, who has a laundry list of martial arts movie credits. Or rather, the laundry list of a hotel hosting a bedwetter’s convention, because this guy’s been making movies since the late ’60s, working with luminaries such as Jet Li, Jackie Chan, and Sammo Hung. Yuen’s American directorial debut was No Retreat, No Surrender, which was also the first movie starring Jean Claude Van Damme (unless you count his performance as “Gay Karate Man” a few years earlier).
youtube
Behind the scenes, Van Damme was apparently straight up knocking the other actors unconscious. When Yuen chastised him for breaking character to check whether his scene partner was, you know, still alive, they shot a second take … whereupon Van Damme proceeded to knock him out yet again.
Also in Yuen’s filmography are the ’70s kung-fu flick 7 Grandmasters, featuring glorious swordplay like this …
Tokyo Shock
… and the friggin’ nuts Badges Of Fury from 2013. Sadly, it isn’t about anthropomorphic badges (or badgers) that are super angry.
Easternlight Films
Easternlight FilmsThough that wouldn’t be any less believable than the other scientific laws that govern this movie’s universe.
2
Yayan Ruhian And Iko Uwais From The Raid Also Popped Up In Star Wars: The Force Awakens
Like the frustrated daydreams of your apartment building’s super, the Indonesian action hit The Raid (subtitled “Redemption” in the U.S. so audiences wouldn’t think it was about bug spray) found a cop ass-kicking his way through a filthy high-rise — like Die Hard, if John McClane wasn’t a middle-aged former sitcom star. The movie concluded in a monumental fight scene only made better by grabbing a Nintendo controller and hurriedly mashing the buttons.
Sony Pictures Classics*play for full effect*
Written and directed by Gareth Evans, the fight choreography was done by stars Iko Uwais and Yayan Ruhian — who were so unknown at the time that Uwais was working as a “delivery guy for a phone company” when he met Evans. Of course, after the movie’s success, they soon followed it up with The Raid 2 (Re-Redemption?). It too was full of one insane action scene …
Sony Pictures Classics
… after another …
Sony Pictures ClassicsThose walls were originally white.
The pair’s post-Raid careers haven’t been as plentiful as you might think. While both of them appeared in Star Wars: The Force Awakens, they disappointingly merely showed up to verbally threaten Han Solo, presumably because Harrison Ford is far too old to get kicked in the face.
Lucasfilm“Hi, we’re here to deliver your space phone book.”
But it turns out that wasn’t the only highly-anticipated sci-fi sequel the Raid guys worked on. They also showed up in Beyond Skyline! You know, the sequel to that alien invasion movie so low-budget that it was filmed in the director’s apartment. But with Uwais and Ruhian on board as actors as well as choreographers, Beyond Skyline has some surprisingly badass scenes …
Vertical Entertainment
… including one where Ruhian gets his arm ripped off by a damn alien and keeps fighting.
Vertical Entertainment“What’s the sound of one hand hacking?”
1
Road House Was Authentically Nuts Thanks To Benny “The Jet” Urquidez
Road House is a bonkers ’80s action movie starring Patrick Swayze as a bouncer who works to clean up a corrupt town while also roundhouse-kicking anyone under 21. In one of the most memorable fight scenes in any movie, Swayze has a beachside brawl that ends with him ripping out the other guy’s throat with his bare hands. Warning: The following clip is NSFW, unless you work as a bouncer in Missouri, in which case we have to assume this is business as usual.
Metro-Goldwyn-Mayer
Metro-Goldwyn-Mayer“Come again!”
This cinematic gem was partly the work of fight coordinator Benny “The Jet” Urquidez, a champion kickboxer who somehow managed to forge a career as a tough guy even with an Elton-John-inspired nickname. Urquidez once claimed that he was challenged to a fight to the death in a Hong Kong warehouse. He also claims to have won the fight, but refused to kill, leading to an audience riot. Those deathmatch patrons can be real jerks.
Urquidez did the choreography for many more Hollywood movies, even managing to make Lou Diamond Phillips and Marky Mark seem like martial arts masters in The Big Hit, which concludes — in the most ’90s of fashions — in a fight inside a giant video store.
TriStar PicturesThe fight ends with Wahlberg using AOL disks as ninja stars.
Urquidez also performed in some movies. Here he is tussling with Jackie Chan:
Golden Harvest
Golden HarvestHow many of you can say you’ve had your nipples twisted by Jackie Chan? No more than 20.
And you might recognize him from Grosse Pointe Blank as rival hitman Felix La PuBelle, who tries to murder John Cusack at his high school reunion.
Touchstone PicturesWhich, if you’ve ever been to one of those things, would frankly come as a sweet release.
Urquidez landed that gig because he’s John Cusack’s kickboxing teacher, which is apparently a thing John Cusack does to say in shape so he can carry around all his boomboxes.
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Nat's TV round up - 2017 in Review
Television is an unusual beast when we discuss how great it is. The last year marked a few key notes, notably the increasingly large presence that streaming services have thanks to A Handmaid’s Tale, which went on to win Best Drama at the Emmy's, becoming the first streaming show to do so. Normally, it would be smarter to discuss television in the middle of summer when most notable series are in-between seasons. That's no longer the case, thanks in large part to streaming services, as well as basic and premium cable.
I don't have a list of every show I watched this past year and I won't be handing out a dozen awards for how great a singular show was. Instead, I'll offer up three separate awards: Best Returning Series, Best New Series and Best Animated Series. It's pretty self explanatory. Best Returning series is for shows that are in their second season or beyond. Best New Series is for shows in their first season, mini-series included. Best Animated series is simply for animated shows in general which are no longer following the strict yearly season format of live action shows.
Best Returning Show: Game of Thrones (Season 7) There really wasn't another option. Despite the season being a few episodes shorter and arriving in the middle of summer as opposed to its usual spring premiere, game of thrones remains the best show currently airing. Season 7 had a slower start, but quickly catalyzed into one grand moment after another. The thrilling seven episodes that aired featured massive battles on the water, on the ground and in the frozen wastes beyond the wall. Gone are the slow politically driven conversations that were featured in earlier seasons, only fitting and satisfying conclusions to loose ends remain.
Perhaps the only detractor for this season is the smaller episode count. While the cast is much smaller this season, the missing few hours of content would have been appreciated to once again flesh out conversations and character motivations. And while the finale promises even greater things for season 8, the wait until then is an unpleasant one. The final season probably won't see light until 2019.Game of Thrones remains the only show on tv that sends the collective masses into hysteria. Season 7 led to more “Did you catch that?” moments than any other season yet and we hope the wait for season 8 isn't too long. Perhaps some news on those spin offs would be enough to keep us from going insane? Your move, HBO.
Highlight moment: Episode 4 - The Spoils of War This episode features the single greatest battle in game of thrones yet. It's the only time in recent memory where my jaw was on the floor in awe. I actually had a fork in my hand when the scene started and by the end it had fallen to the floor. For what was only about half an hour, I was 100% drawn in with zero distractions to my television screen. It wasn't a plot twist or a satisfying end to a subplot. No, the greatest moment in television last year was something that only multi-million budgeted movies get right and it was glorious.
Other Notable Series
Stranger Things (Season 2): This is probably the closest a returning series got to beating out Game of Thrones and it wasn't even close. Stranger Things continued the story of the first season with all of its 80’s charm. This season, however, loses points for splitting up its characters too often and the pacing issues it suffers. While there is some great action and character moments (Dustin is the star of this season), it just doesn't hold a candle to Thrones.
Comedy Series (Its Always Sunny in Philadelphia, Brooklyn Nine-Nine, Modern Family, The Good Place): This is my junk food. I love comedy series and these are the four most notable ones that I keep track of. Always Sunny continues to be one of the best written shows on tv and the season finale was fantastic. Here's hoping for at least one more season from the gang. Brooklyn Nine-Nine had an excellent year notably for tackling issues like police brutality and the rights of the accused, something that would have never happened on a network comedy ten years ago. Modern Family had a decent year and here's hoping that the series reaches its conclusion soon. Some of the jokes are starting to get old and the lack of interesting new characters has made the series start to become stale. The Good Place is the most recent series on the list. I loved the twist ending to season one and the direction season two has taken so far. There's a lot of potential here.
House of Cards (Season 5): Oh how the mighty have fallen. A year ago I was so excited for House of Cards to return and now I'm ready to put it out of its misery. Production issues aside, season 5 was a bloated mess that took an idea and spent an entire season trying to make it come off as a big deal. All it left was the watering down of Frank Underwood as a character and a sloppy gateway for a sixth season. Luckily season 6 is coming so our other lead, Claire Underwood, will have a fitting conclusion.
Orange is the New Black (Season 5): After struggling to find its footing a few seasons ago, Orange is the New Black is stronger than ever, mixing comedy with real drama. Most of season five deals with the aftermath of the final episode of season 4 and the writers run with it. My only concern is the show’s main character, Piper, taking a back seat for most of the season. Here's hoping she plays a larger role in season 6.
Better Call Saul (Season 3): With it's best season under its belt, Better Call Saul remains one of the best shows on tv that unfortunately isn't garnering the audience it deserves. Season 3 picked up the pace and is slowly transforming into its own beast of a show outside of its predecessor’s shadow. While AMC isn't the Titan it was a few years ago, their commitment to this series gives me hope that its wings won't be clipped too soon as there's a lot of potential here. Please, please check this show out. It's well worth it.
Best New Series - Glow: I made it a goal in 2017 to check out new series whenever I could. While I didn't watch as many new shows as I had hoped, I found myself struggling to crown a winner for best new series. I ultimately settled on Glow, a new series from Netflix starring Community-alumni, Alison Brie. Set in the 1980’s, Glow is a show about a group of wannabe actors and wash ups, trying their hand at women’s professional wrestling. As someone who has always loved the absolute cheesiness of professional wrestling, watching a show about it is a treat. The series is a comedy with some dramatic moments, similar to Orange is the New Black. In fact, the series has a lot in common with Orange is the New Black, but wins out for having a greater sense of theming. It knows it's a comedy and plays with it perfectly.
The biggest detractor is the length. At ten episodes with a 30 minute run time, the show is over just as it really begins to get good. Netflix has renewed the series for a second season, but still at only 10 episodes. An additional 5 episodes in the season would have been perfect. It would also give the large supporting cast a chance to shine.
I'm eager to watch more of Glow and I think it has the legs to replace some of the older shows in Netflix’s line-up in the coming months. Highlight moment: Episode 10 - Money’s in the Chase The entire season is building up towards their first public performance and the season finale spends its entire run time showing us that performance. I loved this as it really feels like we're watching the show with the audience. It's full of some great twists and some absolutely corny wrestling moves. Here's hoping season 2 features more of these performances.
Other Notable series:
Ozark: My runner up for best new series. I really enjoyed this show, especially Jason Bateman as the lead. It has a similar theme to Breaking Bad, which is always fantastic. The biggest problem for Ozark is that I'm afraid it won't have the legs to last more than a few seasons. I could be wrong, but that and some pacing issues are what made me choose Glow over it for best new series.
Mindhunter: This show has an absolutely horrible pilot, but a pretty solid show follows that. I'm excited to see where the series goes from here. The pilot almost killed the series for me and hints of its problems last throughout. Poor direction, awkward camera angles and bloated writing aside, the show gets better the more you watch.
A Handmaid’s Tale: I believe I'm one of the few people out there who did not enjoy this series. It's well made and the acting is top notch. I have no major problems with the series from a design standpoint. It's the story and characters that lose me. Everything is so drab and dull. I never cared for the characters because they kept trying to keep things a mystery. Maybe I wasn't in the right mood or mind set for this show. I found the most interesting character to be on who barely appears in the show and one that they inevitably cut out entirely. I expect a season 2 for the show and hopefully it'll grab me. Until then, I would say to watch the first episode and see if it's your style. If not, it's worth skipping.
Girl Boss: There is nothing notable about this show. It isn't good. It's not necessarily hot garbage either. It can be funny, but it isn't hilarious. It's 100% average, or perhaps, mediocre. Why does that matter? Because this was the first “Netflix original series" that I experienced like this. Netflix has pumped out some garbage before, but they usually let you know in advance. Not this time. Girl Boss was hyped up to be another great series from the streaming giant and it failed to make an impact. I guess that explains why it was cancelled, a rarity for Netflix.
Best Animated Series: My Hero Academia (Season 2) If there’s one thing I watched more of in 2017 than previous years, it was anime. While it was mostly re-watching various Dragon Ball related shows, I decided to check out a new series that my friends had been raving about. That new series was My Hero Academia. I thought the 13 episode season one was good enough. It had an amazing set up for the world and the characters started to grow on me towards the end. Season 2 is fantastic. It covers three arcs from the manga in 25 episodes and really begins to put the series into perspective. I normally avoid long running series like this until they’re closer to the end, but this is my exception. Season 3 is coming sometime in 2018 and I’m excited to start reading the manga soon. This is an absolutely fantastic series with some great fight scenes, interesting characters and really well done animation.
Highlight Moment: Episode 10 - Shoto Todoroki: Origin Season 1 introduced us to a lot of new characters, but only a handful got enough time to be fleshed out. Season 2 began to fix this immediately by turning Todoroki into Deku’s (Our protagonist) main rival. The entire arcs lasts for most of the season, but it’s the fight between Todoroki and Deku that puts this show as my favorite of the year. Weaving an origin story into the series’ biggest fight yet is a major undertaking, but doing it this well is a masterstroke. Much like the massive battles in game of thrones, I was left speechless while watching this episode. What makes it even better is that the entire arc has no villain. It’s simply our heroes battling for the spotlight in one of the best made tournament arcs in recent memory.
Other Notable Series:
Attack on Titan (Season 2): I watched the first season of AoT back in 2015 and fell in love with the series. I dropped it after catching up on the manga, however. With Season 2 releasing in the states finally, I picked the series back up and I’m in love once more. Season 2 has better pacing than season 1, but suffers from a shorter episode count (12 episodes vs the 25 from season 1). Because of that the story can feel a bit uneven especially with a major plot reveal happening at the very end of the last episode. The animation is still top notch though, perhaps even better than season 1. And thankfully, season 3 will be airing sometime next year. No more half decade wait times. Rick and Morty (Season 3): Speaking of wait times, thank god Rick and Morty is back. I was considering giving this my best animation series award, but it came up short compared to My Hero. I had a blast with season 3 however. It was laughing the entire time, even if some of the episodes weren’t as funny as others. Bob’s Burgers, South Park (Season 21) and Bojack Horseman (Season 4): I guess this is like my catch all category? Regardless, I enjoy all three of these series and felt like each of them had a somewhat decent 2017. Bob’s Burgers is basically my junk food cartoon show, even if it’s starting to wear a bit thin. South Park had a decent season; one that I enjoyed more as I watched it while playing the latest south park game. And of course, Bojack came around for a fourth season. It wasn’t quite as good as season 3, but I still enjoyed it.
That wraps it up for my favorite shows of 2017. I mentioned quite a few shows that I’m looking forward to in 2018 before, but I’ll give special mention to Westworld which is returning for its second season soon. I should also mention that there are a few shows from 2017 that I’ve been meaning to catch up on, but haven’t had the time. It mostly includes seasons released in December and I’ll get to them eventually. If I feel the need to discuss them further, I’ll write up a separate piece.
Until next time. Continue enjoying the new year and stay beautiful.
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