#only 2 episodes behind i'm working on it! | Explore Tumblr Posts and Blogs

Visit Blog

Explore Tumblr blogs with no restrictions, modern design and the best experience.

Fun Fact

Kazakhstan’s Minister of Communications and Informatics has blocked the Tumblr site because it contained 60 sites of terrorism, extremism, and pornography in 2015.

#only 2 episodes behind i'm working on it!

cowboywritersworld · 2 days

Note

Can I prompt (Face) Fem!Reader & (Heel) Damian are paired together for the mixed match challenge & have worked well together. They are being interviewed backstage & the interviewer points out the chemistry they share & wonders if there is anything going on between them. Reader & Damian laugh it off & reader tries to prove there's nothing between them by kissing him. Both try to play it cool afterwards but clearly the kiss sparked something.

Maybe we are lying to ourselves

General Masterlist | WWE Masterlist | Damian Priest Masterlist

Characters: Damian Priest, Reader

Prompt: (Face) Fem!Reader & (Heel) Damian are paired together for the mixed match challenge & have worked well together. They are being interviewed backstage & the interviewer points out the chemistry they share & wonders if there is anything going on between them. Reader & Damian laugh it off & reader tries to prove there's nothing between them by kissing him. Both try to play it cool afterwards but clearly the kiss sparked something.

AN: thanks for requesting, here you are! Hope you'll enjoy it! For this fic as well, I can come up with a second part, if anyone is interested. Maybe where after they win the final, they kiss better and admit they are attracted to each other.

The time the fan had determined they wanted to see you and Damian pair in the Mixed Match Challenge, you had been surprised. You are a face, while Damian is a heel, but you work so perfectly together.

You look as he pins your opponent, while you hold Charlotte back, to avoid her breaking the pin.

1... 2... 3! It's done. You are the first mixed team to advance to the final of that season of the challenge. You slid into the ring and the referee holds your hands in the air, while you take in both the cheers and boos of the fans attending that episode of Raw.

"Well done on keeping Charlotte out of the ring." Damian whispers to you as you both head backstage.

"That's my job and I'm pretty good at it." You reply as you high-five some fans on the way.

"So full of yourself." He huffs, shushing you to the back.

"Never as much as you are."

You tease him, following him until the interviewer stops both of you. She places herself between you both, a little behind, keeping the mic in front of you.

"I am here with Damian Priest and Yrn. Guys, you just advanced to the finals of this challenge. How do you feel about it?" She doesn't ask anyone in particular, but it's Damian who speaks first.

"We were put in a team together just by joke by the fans. Well... Here we are! Heading to the final match as the first team qualified! How many of you thought we could come so far into this challenge? Never underestimate us!" Damian looks always straight into the camera, moving around, his hands as well, while he speaks.

"We may have some bickering from time to time, but we work strangely good together. We won't stop here, so whoever is going to win the last semifinal, beware: we'll be the winners! You have no chance against us." You grin as you speak, looking from time to time to Damian, but you keep your focus on your part of the segment.

"Speaking of working well together..." The interviewer catches your attention once again and you both turn slightly to her. "Everyone sees the chemistry there is between you two each time you have a match together. It seems like you are perfect partners. Many are wondering if there is anything between you two."

"..." You are left astonished for a moment, not expecting such a question, but you are quick to answer. "Our relation is only workwise. There is nothing between us backstage or outside work." You laugh, playing it cool, while Damian follows you.

"Then how is it..." She can't finish her question, since you cut her off.

"Well, let us show you that there is actually nothing between us."

You feel slightly pissed off while you reach over to Damian, getting on your tiptoes - Damian being at 2 feet 5 inches be damned - to kiss him on the lips.

The kiss lasts not even one minute, the interviewer looks surprised, as much as Damian, but he smirks letting you lead that chaste kiss. Once you take some steps back, you avoid looking at Damian, looking at the camera instead.

"Our chemistry doesn't involve anything personal. Now, if you'll excuse us..."

You dismiss yourselves and go to your locker room, lightly touching your lips deep in your thoughts, raising an eyebrow as you feel Damian following you. You are questioning what you have just done, because instead of proving it meant nothing, deep inside your heart you feel it's not like that.

"You don't need to follow me, you know? The cameras aren't with us anymore." You try to act still cool, but you can't stop thinking about the kiss, wanting to feel those lips once more.

"You know we didn't need to prove that, especially not in that way, right?" He asks, grinning. "Kissing me like that, will make the fans talk about it, instead of have them thinking there is really nothing between us."

You blush a little, scratching your nape. "I... I acted on instinct. Thought we could persuade them somehow." You definitely hate yourself now, you definitely shouldn't have.

#damian priest #damian priest imagine #damian priest x reader #damian priest x y/n #wwe imagine #wwe fic #wwe fanfiction #ask me

50 notes · View notes

lolexjpg · 4 months

Text

dts s3 e9-10

e9: -bahrain is such a beautiful track btw i love her -damn they just jump straight into it boom explosion -before logan was the sad wet lil meow meow......2020 alex was the ORIGINAL -the way reporters are asking abt checo->red bull before he even won that race, makes me curious how much he was seriously in the conversation for the seat beforehand. anyone who was on tumblr at the time i'd love to hear what the gossip mills were like at the time 👀 -dany's "please tell me he's okay" always GETS me bc i know dany's the car he crashed with and it was 100% a racing incident but i cannot imagine the guilt he was feeling in the moment. i'm so fond of him he definitely deserved better by the red bull machine -gunther talking about how fire is the worst thing you can have in a crash--and thinking about how guanyu said his biggest fear in his silverstone crash was the car catching fire. we're really lucky that his car didnt honestly -the music design on this in INCREDIBLE like they really did an INSANE job here. cacos "thats an act of god" always gets me. really summarizes how improbably lucky he was to survive that. i'm so glad he did -gunther sucks but the way he insists he has to meet the rescue guys to thank them personally 😭😭 -ALBODIUM MY BELOVED (when will she return) -i didnt write anything down for the grosjean post crash self reflection bit. i just wanted to sit and experience it and not think :) -one can say this sakhir crash was the original checo third wheeling lestappen -when ppl ask how to get into f1, i always bring up the inside story series on youtube, and TOP of recommendations is the inside story on this race! it is truly insane what he did here, cant wait to see this race in full -i just think it wouldve been SO iconic if george had won this race. first ever mercedes race win before he even got a mercedes seat? wouldive been ICONIC. ppl talk abt the domino affect of alex's appendicitis but if mercedes didnt fuck up BOTH their drivers pit stops, checo wouldn't have won (probably), would he have been signed then? new butterfly affect to discuss -I THINK. i know the idea of checo leaving the sport soon is being discussed a lot, and even in this episode he discusses that if its the end for him he is proud of what hes accomplished and thankful for as long as he had to drive in f1. his red bull seat really was a lifeline, a second chance, and he has added to his legacy significantly with red bull. if he loses his seat on 2024, no matter what mean things i've said about him in the heat of the moment, he has a LOT to be proud of. if its his time to go, its his time to go

ep 10: -i think AD is a BANGER of a race track. i'm glad its the finale race -ok so lets see daniel gives renault their first podium in 9 years......then gives mclaren their first win in forever as well.....hmmmm.....washed up who? -cyril getting a tattoo youtube video is So Important 2 ME. cyril calling his wife to tell her the details while daniel dies silent laughing is the instant seratonin boost for me -every time zak & lando have a lil clearly staged chat it has the most sugar baby energy ever why do they do this -lando says so many nice things abt daniel here yet the dando antis choose to ignore them and insist lando does nothing but distrespect him 😡 anti-lando daniel girlies r my least favorite -NOT DANIEL HITTING THE BEAM ABOVE HIM IN THE GARAGE TOO the dando agenda continues -damn i hope they give this much dts attention to the battle for 7th last year too -lawrence rly hired seb to mentor his son huh -aston martin colors Do Fuck we all must admit -frothing at the mouth over the 4433 moment here. its mental illness innit -i've always felt. like the lewis racism segment was a bit shoehorned in here. like they went oh fuck we need to include this somewhere lets just slap it on the end of the episode. i think it would've been so much better and more impactful in a fully lewis focused episode. but ya kno? i'd rather they do it this way than not at all, so i suppose i shouldn't complain too much

#dtsrewatch #she speaks #only 2 episodes behind i'm working on it!

0 notes

not-the-cheese · 10 months

Text

one sentence summaries of every TMA episode

(1-60 i'll add more soon)

part 2 up!

world's most effective anti-smoking PSA

man DOES NOT open coffin. everyone claps.

woman is judgemental towards neighbor even though she has hobbies that are just as weird.

book makes multiple people fall off chair.

man finds bag of teeth and decides he absolutely needs to fuck around and find out.

worm sti.

there was a SCARY MAN in the WAR.

fuck this tree

well at least ted bundy was a great father :)

i'm like 55% sure vampires are real and i'm willing to take those odds

bitches be dying. you're next.

we kill this man because he made the soda too warm.

sorry ur husband's dead. maybe get some help.

Unbox with me ! (GONE WRONG)

hah i'm safe from this one because i have decided to Never Go Into a Cave Ever.

man is so annoying about this spider that even his cat can't be bothered

man's bully finds a book about a Bone Turner and subsequently begins turning people's bones.

this guy sucks at DIY home improvement

aw maybe this priest didn't do anything THAT bad!

oh fuck nevermind

THE SKY ATE MY SON.

the worms stole my identity. i haven't left the house in days.

man beats german children at game of bravery and wins a coin (he later loses this coin)

my ex boyfriend gets casted in the muppets and dies

sorry mom, i've abandoned jesus for a new religion : jesus in the dark.

tall squiggly and HANDsome

old man arm wrestles demon through door knob

the buzzfeed unsolved guys finally catch a ghost but it's their sound tech

immortality but at what cost

working at the big meat factory was so traumatizing it made me vegetarian

i go to america and get almost killed by a furry

well if you love that wasp nest so much why don't you MARRY it (and then she did)

antisocial boat crew bands together to exclude one guy from a midnight party. he dies from the rejection.

bone apple teeth

remember when that norwegian guy threw a tantrum about us not digging a hole? turns out we were right to not dig that hole.

babe come over my parents have taken ill and passed away

man fucks around and it costs him everything

HOMOPHOBIC CHINESE VASE

oh god oh fuck the worms are here

thank you for participating in worms! please rate your wormsperience from 1 to 10.

the wormsperience has left me deeply scarred. i'm going to get lost in a tunnel about it.

🎸music makes me loose control🎸

spooky stories to tell at the next police slumber party

child threatens to run away and join the circus one too many times, and now the circus has come to cash in.

these mosquitoes are mad sus

man frequents local barnes and noble and then dies(?) after liking a book too much.

realtor gets eaten by the backrooms twice. it's a terrible shame.

both me and this weird goth dude have an unsatisfying italy vacation

guy who turns people's bones gets a new job where he continues to turn people's bones.

man who should never be allowed to build prisons builds a prison.

Something Big Is In The Water.

what if u heard me about 15 feet behind you fumbling around and calling out ur name 😳 (and we were both prison guards)

i'm going to be honest i didn't retain anything from this episode except that this guy has the silliest old man voice ever

everybody hates the tax man, including these creepy taxidermy animals

hmmgh. ant house.

so turns out being only 55% sure that vampires are real in my career as a vampire hunter has had some consequences.

the only thing keeping you company in space is your abandonment issues

🎶 the snack that smiles back 🎶 (my husband!)

maybe the real treasure was the house siblings we encased in spider web along the way.

your dead brother wrote books about ancient myths and WHAT

Part 2

#i hope this convinces you to listen to tma #podcast #the magnus archives #martin blackwood #tma #jon sims #sasha james #podcasts #gay podcasts #tim stoker #elias bouchard #peter lukas

6K notes · View notes

maxwellatoms · 23 days

Note

Hello Mr. Atoms, I'm an animation student in college and fan of your work. I got this assignment in which I need to ask questions to a professional in the area. Could you pretty please answer them? It'd mean a lot to me.

1- Are you happy with your career? How it's going.

2- What are your opinions, expectations and hopes about the independent animation industry that's developing?

3- What do you think about the advent of artificial intelligence? Do you fear for the future of animators?

4- If money wasn't a problem, would you still do what you do?

5- Any animators you admire and would like to mention?

Okey dokey.

1- Are you happy with your career? How it's going.

Not really, in that there seems to be no career left.

The animation industry swelled its numbers greatly before 2020. Almost immediately after that, corporate greed synergized with a pandemic to reduce animated programs and the number of people working on them to almost zero. It takes almost a year from beginning to end to make a single episode of an animated show (by the modern standard). There was nothing being made in 2020 and four years later, we''re not in a much better spot. It's going to be a long drought for (especially) Kid's TV Animation.

Recently, many of my former co-workers have hit the financial wall and can't continue, moving away after (sometimes) 20 years in the industry. I begin to wonder if I'm very far behind.

A "bounce back" a year from now would need to start today. There are still some animated shows being made now, but those are almost universally "library" properties. That means it's an existing I.P. (Intellectual Properties like Garfield/Mario/Batman/Star Wars) so as an artist you're immediately in that box. Depending on the property and the studio, it can be an unpleasantly tight box. I grew used to holding and maintaining the vision for a show, but it's less fun when it's not my vision. It's even less fun when you can't inspire someone to follow your vision because they've been so ruthlessly abused.

I'm pretty sick of how big media corporations treat their employees. If I inherit one more burnt out crew due to mismanagement, I'm gonna lose it.

Over a decade ago I fought hard to get board artists story credit for the episodes they were actually writing, and felt like I'd won a big victory for everyone. The second my back was turned, it all reverted.

Mostly... what is the point now? My career is/was developing ideas, crafting those ideas into a workable show, then managing teams of thirty to seventy people to produce a couple of dozen episodes per year. Studios actively do not want new ideas right now, and are actively searching for ways to eliminate what artists from the process. I'm not sure what my job would be under this new system, but it feels like they decided to hang onto the anxiety-inducing deadlines while removing anything remotely pleasurable from the experience.

2- What are your opinions, expectations and hopes about the independent animation industry that's developing?

It's the only way to get anything done, currently.

The current state of the industry is not sustainable. I (along with a lot of other animators I know) are trying to decide what's next, and pretty much everyone agrees that "you just have to make something".

It is (in that very specific way) a great time to be a young animator. The system was never going to treat you well anyway. If you can get something like a Hazbin Hotel happening without studio help, you can currently write your own ticket. I'm super proud of Vivsie, because that's a LOT of stuff to handle. I never had to handle my own marketing or drum up money to make Billy & Mandy happen.

There are opportunities there, but it's definitely "Hard Mode". The best idea is probably to team up with a few other people you like and like to work with.

Hopes? I hope that the young animators take over and make something new on top of the bones of the old industry, rather than just allowing that industry to patch its rotting hide with their collected works.

3- What do you think about the advent of artificial intelligence? Do you fear for the future of animators?

I suspect true AI might just peace-out like ScarJo in "Her", but we're not there yet. What we have now isn't Artificial Intelligence at all (though I do believe it may be the underpinnings of the Artificial Suconscious of what may one day become an actual Artificial Intelligence.)

The LLMs and "Generative AI" are (so far) a big dumb waste. They consume tons of energy and aren't great for doing anything creative. If you've sat down with Chat GPT for a creative writing session, you've probably run into the "out of the box" limitations which prevent it from talking about sex or violence-- which happen to be a major component of most stories.

Still, the technology has come incredibly far in an incredibly short amount of time. I imagine we're going to hit the point where we're being hazed by artificially generated political ads way before Generative AI can produce a consistent and usable character turnaround, so that'll be the test. Whatever the legal fallout is from this stuff over the next few years will set the tone.

Still, studios have a vested interest in pleasing their shareholders. Generative AI potentially has the capability of not only replacing swaths of money-eating artists, but handing that control directly to the billionaire studio heads. Mark my words: We're headed straight for billionaire-generated content.

I don't think the public at large will want to watch Elon Musk's fever dreams, so there's that. So law and general distaste might stave it off for a while, but I think there's just too much impetus for studios to continue to try to please their investors. "AI Art" is here to stay.

Eventually that will lead to millions and millions of bots generating millions and millions of songs and paintings and movies all day every day. Most of it will be utter trash. Right now (so I'm told) viewers are already burnt out, and will generally only click on what they already know. On Netflix, where there are twenty things you've never heard of and one you have, you're more likely to pick the thing that gives you comfort and gives you a guarantee you're not wasting your time. With exponentially more A.I. trash, how would you even begin to filter it out?

You'd need absolute control of an already existing distribution system. We currently have a few of those, and all of the media companies are desperately trying to merge with them to insure their own survival.

To me, the post-Gen-AI landscape looks a lot like old-school Cable, but with endless I.P. and fewer masters.

4- If money wasn't a problem, would you still do what you do?

The real question is, maybe, "What am I even doing?" These days I try to do a lot of gardening. I'm trying to learn new art skills, because suddenly twenty five years of experience managing, drawing, and writing isn't worth much. I recently worked on Jellystone until Zaslav lost 2.5 billion in the wash and had to find justification for his new yacht. The show before that? Also culled midway through to save money. The days of multi-year gigs seem to be over, and if I'm going to scrape by doing freelance, maybe I can do that somewhere else.

I'll always make art. I can't seem to help it. Ideas aren't my problem-- it's executing those ideas without the help of a structured pre-existing system. I honestly don't know if I'll ever be able to pull that off. My strengths are great, but were always supported by friends I worked with.

Can I start an indie cartoon with all of these cool friends? Sure, maybe. Most of those people have gone on to have other careers of their own and got used to being paid. Now nobody is getting paid and no one can pay anyone else. My immediate circle are all now middle-aged people with families and no jobs. Convincing them to give up a large chunk of their day for an idea that's not guaranteed to pay off is going to take some real effort.

I technically have fifteen years until I can claim my "retirement", assuming that still exists by then. That's a pretty big hole to fill with... I don't know what.

The difficult "What comes next" discussions at home are really just starting.

5- Any animators you admire and would like to mention?

There are a lot of cool animation people out there. I already mentioned I was proud of Vivsie. I was also reminded recently just how great C.H. Greenblatt and Mr. Warburton are. I know they're my friends. They're both just really upstanding, creative people who take good care of their crews.

The treatment of animation industry professionals by the studio system has been one of the most demoralizing and heartbreaking parts of this demoralizing and heartbreaking time.

---

So there ya go. If you want to look for someone whose attitude is a little more upbeat, I won't blame you a bit.

Wherever you are, I wish you the best of luck. For me, just climb up there and crush it. I would very much like to add you to #5 someday.

#maxwell atoms #animation industry #grim reaper

462 notes · View notes

bambihrt · 3 months

Text

Celebrating your Anniversary with Lucifer Part 2

I wasn't planning on writing a second part but after seeing how loved part one was I just had to so enjoy!

Lucifer considered himself a nervous demon. Blame his abandonment issues for that. He knew you loved him, but he couldn't help his anxiety telling him that you'd leave just like everyone else has. One night when sleep couldn't find him, he snuck into his workshop to fiddle with his ducks to distract him from his worries. All of a sudden he felt two arms circle his neck and you nuzzle to his left side.

"C'mon baby, you can work tomorrow, let's go to bed."

Though he knew he wouldn't be able to fall asleep, he took your hand and let you lead him to your shared bedroom. As he crawled under the covers, you snuggled up next to him. holding him as you pet his hair. Throughout this whole encounter, he was silent and had a distant look in his eyes. You could see through this act immediately and knew what the cause of his nighttime anxiety was.

"I can't wait to wake up next to you forever. I'll always be here with you Lucifer. I love you."

After that night you made sure to always validate his feelings when he was having a moment of low self-esteem. You started leaving notes around your home for him to find at random moments. Opening the pantry he'd find a note on his favorite cereal telling him 'good morning lu!' and opening his tool box he'd find another post-it saying 'can't wait to see what you create :D'. Through these little actions, he'd learned to trust that you will be there for him.

One day while you were out to see your friends he was having a bit of a depressive episode and didn't want to bother you while you were enjoying yourself so he went into your office. He grabbed your favorite plushie knowing it would smell like you and give him comfort. As he turned the stuffed animal in his arms he felt a crinkle and pulled what was stuck on it off. A note reading 'call me love :('. This moment was when he knew.

Lucifer had to marry you. Nothing would make him happier than the honor of being your husband.

Bringing him back to the present day, he watched you try and hook a golden duck for him in the game you made. Of course, you would do something so special for your anniversary. You weren't the only one with a surprise up your sleeve. He checked his watch noting it was almost time.

"(Y/n)? My love? I've left my phone inside I-"

"Oh I'll go grab it don't worry," you immediately cut him off not wanting to make him go in on his own. As you headed inside the hotel, you were met with a trail of rose petals leading you under the chandelier. "What is this?"

Unbeknownst to you, Lucifer was walking behind you and cleared his throat stealing your attention away from the grand decor around you. He got down on one knee and pulled a box out of his pocket.

"I thought it was only fitting to do this in the very place we met and on our anniversary. From the moment I met you, I knew you were special. You showed me the light when I was stuck in a dark place and ever since then, I've loved you more than anything. You have been the best partner I could ever dream of. There's only one thing that could make my life perfect and that would be you agreeing to marry me. (Y/n) my heart and soul, will you allow me to be your husband?"

Nodding, you couldn't get the words out as you began crying. You had no idea Lucifer had been planning this. A high-pitched squeal came from behind as Charlie jumped out throwing rose petals over you, "I'm so happy you're joining our family!"

Lucifer reached out to your hand, slipping the most beautiful ring you'd ever seen onto your finger, and gently pulled you into a tender kiss. Softly whispering, "Thank you for everything, my love."

#hazbin hotel #hazbin hotel x reader #x reader #lucifer morningstar x reader #lucifer x reader #lucifer hazbin hotel #lucifer magne #hazbin hotel lucifer

437 notes · View notes

myosotisa · 1 year

Text

i'm starvin, darlin - e.m.

Eddie Munson x Reader

ǁ summary: Since coming back from the Upside Down, Eddie has slowly been changing. Each week seems to bring something different and he finds himself doing things he never thought he would.

ǁ tags: gender neutral reader, no pronouns, no y/n. nickname used (sweetheart). mentions of season 4 final episode and what occurred. canon divergent (every one lived). it's not smut, but smut adjacent. it's sexy

ǁ word count: 2k

ǁ notes: i sat down and wrote an entire one shot in one sitting again. and i am also not going to edit this one. and i do not feel bad for lowercase hozier title, so don't even try me like that. if y'all really like it, i can add a part 2 with smut, but this is it for now

There are still a lot of things Eddie is having to come to terms with since the night his heart stopped.

That night in the Upside Down, laying in Dustin’s arms, he had died. Without a doubt. Dustin had felt his pulse and there was nothing there. And though he didn’t know CPR, had no idea what he was doing, Dustin had laid him down on the ground and started to beat against his chest. Like maybe if he hit hard enough and in the right place, his friend would come back to life.

Somehow it worked. No one bothered to ask why.

But they all knew something was wrong two days later. Eddie, barely breathing and with a weak heartbeat, had been dragged back to the surface and hidden away in the RV they had stolen. Someone watched him round the clock as they debated what to do. If they should try to get him to a hospital, how they’d be able to explain it. But then something miraculous began to happen:

Eddie started healing. All on his own. Way faster than any person should have been able to.

His skin stitched itself back together faster than should be possible, leaving less scar tissue than it should have behind. His chest began to rise and fall in more steady breaths, his heart beat getting stronger, bones resetting themselves with slow and quiet creaks as he laid in that RV bed and slept. He’d been asleep since they brought him back.

The day he woke up, his body had almost entirely healed itself. From the brink of death, having even stepped over to the other side, and now he was almost back to before it ever happened. It had only been a week.

Everyone rejoiced, refusing to question anything weird that may have happened in the Upside Down and just thinking they finally won for once. Max had casts on both her arms but was otherwise unharmed, Steve had recovered from his own injuries at the rate of a normal human and now sported a scar around his throat that he sometimes felt self conscious about. Dustin was on crutches with his broken leg for another month at least. Eddie was alive and whole and back to himself. They’d made it, everyone had made it.

He began to notice more and more things that were different as the days went on.

The first thing he caught on to was that he had the capability to be strong. Way stronger than someone who had recently been bed ridden should be. It was like in the comic books with the Hulk – if he wasn’t paying attention or if he got too emotional, he could easily break anything. A walkman destroyed, a ceramic bowl reduced to shards, a metal pipe bent beyond fixing, the wooden handle of a hammer shattered in his grip. The boys were all present for the hammer incident and sighted it as one of the coolest things they had ever seen. They swarmed him, asking him how he did it, what else he could do, how strong he really was.

Only the other teens, Steve, Nancy, Robin, you, started to look a little bit closer.

When the next few changes became apparent, it was clear something unnatural had happened to Eddie that night in the Upside Down. He could feel other people's feelings. They brushed against his consciousness like ghosts whenever he looked at someone. Happiness like warm rays of sunshine, fear like a shuddering gust of wind, anger like hot coals pressed to his skin. It wasn’t a conscious effort – in fact, there were a lot of times he wished he could turn it off. Whenever he looked too hard at someone, it’s like his brain adjusted to a different frequency and their emotions reached out to him, no matter what they were. And he didn’t struggle to make sense of the sensations like he thought he might, his brain completed the dots easily at first, but then he began to recognize them consciously. It was certainly useful sometimes, especially when it came to you, but it still felt a bit invasive. When he’d explained it to a few people, he assured he tried to ignore it whenever he could, but sometimes he couldn’t help but react. The icey spike of terror he felt when you woke up next to him from a nightmare. The velvet comfort that enveloped you and him when he held you after.

The first time he spoke into someone’s mind it was an accident. Steve had whipped toward him, breath catching in his chest, eyes wide and mouth open in a gasp. Eddie felt it like ice down his spine. “Did you… You did that?” He’d asked breathlessly. It had been so shocking, Eddie wasn’t even sure what’d he said, or projected, or whatever it was.

“I - I don’t know.”

Steve stepped closer, suddenly looking determined. “Try to do it again.”

It was a slithering feeling when he dipped back into Steve’s mind. Like sliding his way in between cracks to a place he didn’t belong, seeping into the forefront of his thoughts to plant one of his own. It made him feel dirty, uncomfortable, and wrong. But it worked. Steve explained it as having a thought like his own but it came out in Eddie’s voice instead. An intrusive thought but not an uncomfortable one.

As with all of the other discoveries, a meeting was called. Dustin, Mike, Lucas, Max, Will, El, Robin, Jonathan, Nancy, Steve, and you. Steve did most of the talking while Eddie sat and looked at his hands. These meetings, while he acknowledged were important for everyone to keep track of his progression into… something, it still made him feel a bit like a zoo animal in a cage. A magician with a magic trick. All the boys immediately begged him to do it to them, they wanted to see what it felt like, wanted to see how easy it was for him to do it.

Nancy and Jonathan had shooed them, catching on to how overwhelmed Eddie was, their excitement and curiosity battering against him like a whipping wind of too much. Once it was just the older people in the room, you crossed over to where he was, kneeled down in front of him, reached out to hold his hand.

Pity felt like someone was pissing in his pants.

“Are you okay?”

How could he say no? How could he admit that he was scared, confused, and feeling more and more like a monster with the passing days? “It’s just a lot. To deal with.”

Your smile was pained as you pushed yourself up onto your calves and wrapped your arms around his shoulders. His came around your waist on instinct, the breath feeling like a wheeze in his lungs as he held tight. Face pressed into your hair with his eyes squeezed shut, he inhaled deep in relief.

That was when the next thing changed.

It was a desire. A need. One he couldn’t place a name to. Like he was desperately missing something, desperately craving something and he didn’t know it was. It crawled under his skin like ants and sent him scratching for a feeling that couldn’t be satiated. No matter what he tried: eating, drinking, masturbating, exercising. The feeling wouldn’t go away. It got stronger day after day, his mind focusing more and more on the void it left behind until it was all he could think about.

Steve threw a little get together at his house once a month or so. Just time for everyone to get together, eat some food, listen to music, play board games, maybe watch a movie. This was the first get together since his hunger began.

He was sitting on the couch on his own, decompressing. While normally he was right in the middle of everything, today it was a lot to handle when he was hyperfocused on the crawling beneath his skin. He had his legs spread wide, hands resting on them, leaning deep into the cushions of the couch in Steve’s basement. While he had initially tried to close his eyes, hang his head back, maybe stare at the ceiling – he couldn’t stop his attention from drifting back to you.

You and Eddie had been friends for a long time. Understandably, you’d gotten much closer after the events in March. The two of you had helped each other through hard nights of nightmares, panic attacks in parking lots, flashbacks in public. You’d been a great comfort to him since he came back. But today your laugh sounded like music. The smell of your perfume hit him even across the room. Each emotion crashed over him in waves, pushing and receding like the tide as he tried to get off your frequency, unentangle himself from you before he did something he didn’t mean to do.

I’m starving.

Your back stiffened, the grip on your plastic cup getting just a bit tighter. A moment of fear quickly shifted to mellowed surprise, curiosity. He’d never spoken into your mind before, hadn’t meant to do so now. But you still shifted, your eyes slowly coasting across the room until you caught sight of him on the couch.

A shock of electricity shot down his spine as you made eye contact, his hands tightening over his thighs in reaction. Unsure exactly what to do, he settled for projecting again. Slithered his way into your ears and settled a respectful distance from the area he’d never been brave enough to venture. Sorry, he offered with a wince, didn’t mean to.

What he didn’t expect was the utter flood of feeling that hit him next. Like a drip of warm honey settling into the space between his hips, pooling there in a subtle swirl as the warmth from it started to diffuse outward. You realized you’d been staring and your eyes flit away, but the feeling didn’t cease. In fact, it only got stronger. Your lower lip caught on your teeth as you shifted between your feet. Things that would be completely normal to see, wouldn’t have anyone looking twice, but Eddie could. Your desire. The want that poured from you like water when your eyes first met his.

Was this the first time? Had something changed between you and him? Or had he just never caught on before?

The ants beneath his skin began to vibrate as he narrowed in on the feeling, on you. Like the part of him that had slithered into your thoughts was now bearing down, digging in for purchase, wanting to stay awhile and feed on this new feeling, what you were offering. It didn’t even occur to him what he was doing, how invasive it might be, how wrong he normally would have felt. All he knew is that it felt like licking at the thing he’d been craving for so long and he was helpless to chase after it.

Sweetheart. It came easy as breathing now, teeth sunk into your consciousness from where you stood across the room. You whirled on him again, another flood of warmth hitting him deep as you leaned your hip against the counter you were standing next to and focused on him. What’s got you so worked up?

He couldn’t even consider how bold he was suddenly being, the fear that he might ruin this friendship well out of his grasp. Especially when your embarrassment spiked along with the want, the pool of warmth now suddenly coming to life to have a heartbeat of its own. Your eyes widened, shifting on your feet again as you broke eye contact. It only took a few moments before you couldn’t help but look back at him again. The buzzing settled further, now like a purr beneath his skin. It was bearable as long as you kept your eyes on him.

You wanna do something about it?

thanks for reading, please reblog and leave a comment if you liked it!

#eddie munson x you #eddie munson x reader #eddie munson smut #eddie munson fluff #eddie munson hurt/comfort #eddie munson fanfic #eddie munson fanfiction #eddie munson imagine #eddie munson imagines #eddie munson blurb #eddie munson blurbs #stranger things fanfic #stranger things fanfiction #myos ideas #vampire!Eddie munson #kas!eddie munson #myo4munson

2K notes · View notes

levmada · 3 months

Text

every—lesser known—canon fact about Levi Ackerman.

infamously over the years, there have been countless false rumors about Levi in particular out of the cast. many of them have become popular, even ubiquitous, and it's annoying!

and also disheartening when you find out it's not true....

and hurtful when you realize it was - sometimes - made up by trolls.

so i'm making this post<3

credit to @levisfavoriteacup for the idea!!

*disclaimer: i'm not perfect, so this may not be Everything™️ but I am confident that it's the majority of information available, and that it's trustworthy. :)

First the most populars. There is no evidence across interviews nor other content over the years that:

Levi is ugly, and is considered ugly in AOT.

Nope. See here: (tumblr link), or:

Isayama finished his first sketch of Levi mostly on a whim, but the moment he drew his face, he had a sense it would work well / he knew he had something good. Something told him: "the yaoi fangirls are going to like this one".

As time passed and his popularity grew, Isayama caught onto this and wanted to portray him more attractively (in multiple ways) to the viewer/reader.

But from the beginning, this was something of the goal. He is short because Isayama had in mind what young women/fangirls in Japan consider attractive: a man with a higher-pitch voice; has a small face; and who is "short but strong".

In the world of AOT, he (in a nutshell) is mostly considered plain or awkward, but combined with his reputation and style, he's very charming. "He cleans up nice." Overall, it is positive :) But more importantly, realistic I think.

He's also something of a celebrity. People who advertise their product as being used by him are more successful; when he's seen in a shop, this by itself is considered "advertising" and more people come in. Quote: ""the tea that the hero bought”".

He's definitely not a 2/10 at any rate😇.

—the 24th episode of Naoki Yoshida's Anime Plan, 2013 / Interview with Frau Magazine, 2013 | Hajime Isayama x Hikaru Suruga (2014) | AU Smartpass - Erwin & Levi Close Up Interview Part 1 | Taking shelter from the rain reprise: Levi and Peaure

Levi’s type would be someone who’s "tough, feminine and sensual".

Levi's type "might" be tall people. But context matters, because in multiple translations "don't you think?" and "might be" are thrown around a lot. Isayama isn't known for his clarity. When asked, he practically said the question right back. —fan Q&A from a festival in Betsumaga, Aug.2014

What this quote might have come from is a statement by the author of an article Isayama was likely involved in. I can't say this is 100% canon, but in my opinion it's a little less canon than the Smartpass AUs; if those are sub-canon, then this is sub-sub-canon:

Levi's romantic type is someone who walks three steps behind him, and likes cleaning.

In the past, in Japanese culture, for a wife to walk three steps behind her husband implied highly traditional gender roles. What this is much more likely to mean is that Levi's romantic type is someone who will let him protect them, or will run away and survive even if it costs his life. (And they have to like cleaning.)

—the article is from 2013, and no longer exists. but the link was used as recently as 2021 as a source in this post by a reliable translator. I've found this quote also in varying qualities of translation across Japanese and English forums, so to the best of my knowledge, it's reliable.

Levi's cravat is a piece of his mother's dress + he was wearing her dress when Kenny found him.

This is a popular rumor that Isayama has never confirmed (i think it is true, tho.)

December 25th was chosen by his comrades because he doesn't know his actual birthday.

The guidebook only states that it is his birthday. I can't find any more context on this. —AOT Guidebook; p.256

His character profile:

—AOT Guidebook; p.78–79

His name is Hebrew, and means "attached" or to be "joined".

Isayama came up with Levi's name after watching American documentary "Jesus Camp". (It's about a summer camp-type program where evangelical Christian children are taught extreme beliefs. One of the children was named Levi.) Isayama heard it and thought it sounded cool. —Hajime Isayama x Hikaru Suruga (2014) | 2010 blogpost by Isayama

Levi is in his early 30s (in s3/RtS/volume 19). –Interview, Universal Studios Japan’s SNK THE REAL exhibition, 2016 | confirmation

If Kuchel was still alive, Levi would want to make sure she had an easy life. This means specifically filial piety, a concept exclusive to the East: he would fulfill his duties as a son for her. (tldr he's a mama's boy :3) —Bessatsu Magazine, 2019

Levi would have thin facial hair, but he prefers not to, so he shaves frequently. —January 2020 issue of Bessatsu Magazine (chapter 124)

He doesn't like coffee milk or coffee jelly. They're out of the question even.🤐 —July 2018 issue of Bessatsu Magazine (chapter 106)

He just gets depressed when he drinks coffee. Maybe he loves tea that much? He stopped calling Hange names like 'shitty glasses' since they became commander because he "seems" to respect their position that much. However, a Smartpass story delves deeper into this (and states as I suspected): [After Hange makes a joke] "Since becoming the commander succeeding Erwin, they’d toned down on their past speech and behaviour that had a touch of tomfoolery; Levi understanding that they were nevertheless trying to maintain the self “that was the case then”, also loses the will to curse at them." + "In the past, Hange had a Hange-type dream, and should have been progressing to that purpose. That lately, was it the weight of the office of commander, or was it due to the reality that is “all the world was our enemy”, their manner had changed considerably." —May 2017 issue of Bessatsu Magazine (chapter 92) | Goodnight. Sweet dreams, dear. Act II: Levi

If he and Kenny had fought one-on-one, Levi would've won. —December 2016 issue of Bessatsu Magazine (chapter 87)

intermission: all about tea

His favorite "food" is black tea. No actual food.

He doesn't add sugar or milk to his tea because he considers it too expensive—which it is canonically. Despite this, he will share his tea with his comrades (his original squad as far as is seen).

Even though he's Captain, he'd rather drink it straight (the implications of which are he's a hardworking man, like that of a farmer. aka, this makes him seem humble).

If a time of peace ever came, Levi wants to open a black tea shop (he said in a dreamlike way, not so much based in reality).

He also knows a good amount of facts and history about it. He's a tea enthusiast!!

Levi receives pilfered tea in shipments monthly, thanks to Erwin.

—AU Smartpass - Erwin & Levi Close Up Interview Part 2 | Part 1 | Taking shelter from the rain reprise: Levi and Peaure | Bessatsu Magazine, Jan.2014 | September 2016 issue of Bessatsu Magazine (chapter 84) | AU Smartpass My First Time Around: Levi Ackerman | The Case of the Corps Tea Party - File No. 09 Levi's Side (3/3) | sugar and milk in tea from the Japanese perspective

Levi, out of his original squad, found Petra cute/sweet in the general sense of the word "kawaii". Like Levi's romantic type however, this was sort of a non-answer to the question (of whether Levi thought she was cute). —2014 interview

After RtS, Levi seems to consider Hange and the 104th his family. —AU Smartpass My First Time Around: Levi Ackerman

He wears a cravat because Isayama based part of his design off Rorschach from the movie 'Watchmen'. He looks "delicate" because of his size and weight, but he's so powerful because [in issues before the reveal of the Ackerman bloodline] of "invisible power" at work. —January 2016 issue of Bessatsu Magazine (chapter 76)

The best way to describe the way he thinks is to compare him to the main character from the movie The Hurt Locker (2008). His character was born from Hiei from the manga 'Yuyu Hakusho', and Rorschach from the movie 'Watchmen'. The former was the basis for his appearance (especially his eyes), and the latter was the basis for his personality. Firstly though, Isayama had an image of a small man being the strongest.

—Hajime Isayama x Hikaru Suruga (2014) / Brutus Magazine (2014)

He is something of a protagonist (especially in s3p1). — Animedia, June 2018

His favorite tool (in general...?) is microfiber cloths (for dust I guess. Levi has no need for weapons :3) —July 2015 issue of Bessatsu Magazine

He will usually laugh/smile when he sees convenient cleaning goods (i.e., vacuum cleaners? feather dusters? ((cuz he's a shorty?❤️)) —Bessatsu Magazine, Dec. 2013

He does want to be taller sometimes. He gets eager to clean up after meals rather than cook at all. He can cook, though. —Bessatsu Magazine, Aug.2014 | fan Q&A in Oyama, Oita, Mar.2018

Levi mostly couldn't adapt to the changes that came about after the truth was discovered. Only he wears mostly the same uniform, cape, and blades.

After RtS, Levi personally retrieved Erwin's remains himself, for whom there was a special memorial service. After Eren (inadvertently) called him a "tiny old man" in season 3, Levi didn't care, but when he thought of it by himself later, he was hurt (unclear exactly why). Levi's father, most likely one of Kuchel's customers, is an insignificant man who's short. That's where Levi's height comes from. His face comes from his mother. At the start of season 4, Levi didn't change much compared to the 104th because he's turning into an "old man" who'd rather stick with his flip phone so to speak. He "doesn't break out into cold sweats". AKA he's always calm under pressure. He considers prostitution to be an ordinary job because of his childhood. Levi's vision is very sharp, way above average. He thought Eren's new look beginning season 4 was unclean/dirty (in more ways than one perhaps). —fan Q&A in Oyama, Oita, Mar.2018

He has slight bouts of insomnia. He never snaps/explodes when he's angry. But he does get angry or grumpy a lot, in general. He doesn't sing. It's more likely he would dance. If he was a fan of Momoiro Clover Z (jpop girl group), his favorite would be Momoka. When/if he drinks, he has a high tolerance, but he can get a little drunk :) One thing he highly hates and fears is mold. He is the one who ordered Armin to dress as Historia during the uprising. His blood type is A. Blood types are much like horoscopes in Japanese culture, and Levi's is as such: kichōmen, or well-organized; he likes keeping things neat, but can be stubborn and stressed out easily.

Whether he eats enough or has a good diet? He is "a bit lax". Maybe he forgets to eat sometimes, or has a low appetite. When Levi bathes, he goes for a quick shower then soak in hot water, which takes about ten minutes. Like a bird :')) He on any given night gets about 2-3 hours of sleep. He thought Eren was the best at cleaning (in season 3 / uprising arc). Because of his childhood in the Underground, Levi has a preoccupation/obsession with cleaning (specifically to ward off disease). He also doesn't have any pajamas, mostly keeping day clothes on when he goes to sleep - which is in "his" chair. Levi cuts his own hair using clippers. (Something like:)

He's aware Oluo imitated him, and found it annoying. Levi's horoscope (in general) as a Capricorn: Humanity’s Strongest Soldier - Levi. He possesses warmth in the midst of a dispassionate nature, and he is capable of leadership without verbal expression – both of which are special qualities of a Capricorn. Capricorns tend to hold certain levels of authority, even if they must carry out somewhat unreasonable tactics while in such positions. But when such authority is backed up with actual abilities, a Capricorn can gain Levi’s type of confidence and also be put on a pedestal by those around them. However, Capricorns won’t be dependent on others, much less trust them easily. They don’t hold high expectations and thus never feel a sense of failure. Levi’s faults include the inability to express himself clearly. Even though he wants to encourage his companions, he always speaks in a roundabout way, and without Hanji’s translation it’s nearly impossible to understand Levi’s intended meaning. Even though he is dependable in most situations, when it comes to love/romance, he expresses himself clumsily/awkwardly. —FRaU Magazine, Aug.2014. | fan Q&A in Oyama, Oita, Mar.2018 | Levi: Close-up Report (Part One) | Translator *the horoscope wasn't written by Isayama, but was published alongside canon information, and it's also not factually wrong, so I'm including it.

The dark circles under Levi’s eyes are to convey the “self-destruction” he takes on to reach the “standard” of Humanity’s Strongest. —Interview on the topic of Levi, May 2015

His 'liege'—as Eren is to Mikasa, and Uri is to Kenny—is Erwin. He is afraid of making deep relationships because of the cruel world he lives in; he can't know when someone he cares for will die or how soon. That 'gap' left in Levi's heart by Kenny's death was filled by his squad (the 104th). If Levi hadn't joined the Survey Corps, he would've been a "very irresponsible person". Risky with his life perhaps? As a kid, Levi used to make himself stronger in order to receive praise from Kenny. When he abandoned him, he wondered what his strength was even for. He was able to find peace with Kenny after his death. In CH72, the reason Levi kicked the shit out of Eren and Jean is because of his argument with Erwin earlier.

He knows he's a slave to his own strength, aka the idea of being a hero. He realizes it when Kenny asked what he's a slave to in s3/ch69. —Answers Guidebook, Aug.2016

If he ever changed his appearance, the one thing Levi couldn't be able to give up is his undercut :') He would grow out the top and tie it up :3 —Oyama homecoming event Q&A in 2014 | 2 | 3

Levi knows how to use a gun, but he "places more trust" in knives. —Bessatsu Magazine, 2019

Levi tolerates saunas. But instead of enjoying himself he seems to see it as a test of endurance. (LOL) —Bessatsu Magazine, 2020

Levi has newspaper-level handwriting that he practices often. He's very conscious of it and being connected back to the Underground. —AU Smartpass TEXT: Levi’s Signature

Isayama had considered killing Levi around the time of the thunderspear explosion. (As always) Isayama deliberated with his editors whether or not it'd be meaningful if he died, and they decided it wouldn't be. —Kawakubo interview, 2021

Specially, Levi holds his swords in a reverse grip "his own way" since he wasn't officially trained. —Illustrate Note Magazine, 2017

Levi forcefully bathes Hange by knocking them unconscious. —AU Smartpass - Erwin & Levi Close Up Interview Part 1

Levi is 4 at the time that Kuchel dies. —What the director informed Kamiya Hiroshi of on set

His character song is called "Dark Side of the Moon", found on YouTube here. Translated lyrics here.

how to draw Levi:

—AOT Guidebook; p.229 | +Illustrate Note Magazine, 2017

#please share... this took days of time and effort #levi aot #snk levi #snk levi ackerman #levi ackerman #levi attack on titan #captain levi #rivaille heichou #levi heichou #captain levi ackerman #levi rivaille #rivaille ackerman #aot manga #snk #levi art #levi shingeki no kyojin #attack on titan #levi.thoughts

291 notes · View notes

disregardandfelicity · 22 days

Text

i was lucky enough to attend the premiere on tuesday (as the +1 of a contest winner); in case this is of interest (and, indulgently, to preserve it for my own memory), here are some tidbits from my night:

for the screening, the cast had assigned seats (jacob and delainey in the same row, sam behind jacob, eric behind sam, assad on the other side of the aisle, the same side as rolin, hannah, and mark johnson). sam and jacob were off to the side chatting during intros and never sat in theirs

delainey got applause from the audience upon her first on screen appearance, the only cast member to get one

daniel had a fair few interview beats which got laughs from the audience

afterwards, an actor from the venue came up and gave a little speech as though he was from a sister coven to the TdV in paris. then we were dismissed to the party, which was upstairs

initially post party, assad and luke were in the front larger room of the reception - sam and jacob were, i believe, already gathered in a far back corner in the second room, along with some other people. eric didn't stay for the party

the venue had a couple little 'shows' - at one point the whole cast and some other guests went up several flights of stairs to a room (delainey commented on how many flights there were as we climbed) where a version of the no pain scene from the books was reenacted by venue actors

kalyne coleman was there, i saw her chatting with jacob. i let her cut in front of me for drinks as an excuse to talk to her. there's a nod to grace in the episode and it sounded like that was a surprise to her (a pleasant one!)

my conversations with the cast were deeply unsubstantive, i was too pleased to be there to come up with anything too clever or probing to say tbh

when i spoke to jacob, i started by saying "sorry" (just reflexively) and he immediately, very warmly, was like what are you apologizing for! when i said how excited i was for the season and he said something like 'i hope it doesn't disappoint' (which i did think was surprisingly pessimistic for a premiere party lol but having seen the quote about hoping ppl still like louis by the end, maybe he is actually a tad concerned! i did obviously say i didn't think it would)

sam was the best at these meetings because he very naturally asks questions back. i told him i loved him in the newsreader as well, and he asked whether i was pirating it (i'm not exactly, i had a vpn). then we all walked off to do that no pain scene experience

after the no pain scene, we exited down some stairs which opened to the second smaller room. assad was behind me so i asked him who did it better (these actors or the show), and we joked about that. he then introduced himself to me, and when i couldn't help noting that i did in fact know who he was, he said he would never want to assume. sam came up to us and assad introduced him to me, and i got the joy of saying we'd met!

(SKIP this bullet if you don't want newsreader vibes-based spoilers) sam asked me what i liked better, iwtv or the newsreader. i said iwtv but that newsreader was great and season 2 was so sad! he said season 3 is the last of the series, and told me it's dark and bleak, worse than season 2, maybe only a second of peace/happiness at the end. so. there's that to look forward to....

he also told me about the crossover staffing between shows (emma and the DOP). i tried to ask if he was responsible for any of that but dont think i articulated it well but he said 'you want to work with the people you like'

my delainey convo was brief, i turned while we were walking up to the no pain thing and realized she was next to me, so just took the opportunity to let her know i was excited about her in next season

around 10-ish, sam and jacob left to (i believe?) go to levan's friends bar, along with hannah and others i didn't recognize. assad and luke were around for another 30-40 minutes after that, then the whole thing ended at 11. i didn't notice when or with who delainey left

delainey, as far as i noticed, did the least mingling; assad and luke did the most. generally speaking (and as expected) sam and jacob hung around together or in the same spaces. also perhaps as expected, assad and luke were hanging around together for lots of the night. at the end of the night, when it felt less burdensome to ask, i got a pic with those two. they were very cool about it, luke was sweet, we'd spoken earlier, he stuck out his tongue for one of the shots and he found me again later to chat

that photocall video i took (above) was after the 'no pain' experience.

#interview with the vampire #iwtv #mine

304 notes · View notes

whatsk-poppinhomies · 7 months

Text

Pairing : Dad!Bangchan x F!Reader TW : children ; all fluffy though ; Word Count : 0.5k Request : nope A/N : getting back into the mindset of writing, I've been through a month long journey of bullshit and I'm craving some tooth rotting fluff right now, and here's some Channie!

“Ella…” Chan sighed, seeing the reflection of his daughter toddling through the door of his studio, her blanket dragging along behind her as she wobbled across the floor. “What are you doing up?” He questioned, his voice just above a whisper as he removed the headphones from his ears and placed them to the side of the desk, swiveling his chair around and extending his arms to pull his daughter onto his lap.

“Storming outside… woke me up…” She mumbled, her soft voice still laced with the sleep that she had yet to fully awaken from. Chan hummed, finally noticing the sound of rain pattering against the window and the low rumble of thunder that he could feel shaking the floorboards if he paid enough attention to it. “Why you up?” She asked after a moment of silence, and he could only chuckle, glancing back at his screen to see that it was already 3 in the morning.

“I guess I just lost track of time…” He mused, turning his hair back towards his screen to save the files he had been working on before turning off the laptop. “Whaddya think of a little snack and one episode of Bluey… And then we go back to bed? Huh?” He proposed the plan knowing well that his daughter would agree, and the swift nod of her head and bright smile that pushed up her puffy cheeks, although expected, still melted his heart. “No telling momma though, okay?”

You woke up the next morning, your husband's side of the bed empty, just as it had been when you had gone to bed. He never failed to worry you with his lack of sleep, and you could already envision the sight of him snoring in his studio chair, his head hanging uncomfortably over the back of it which would undoubtedly cause him to complain of a neck ache the rest of the day.

Trudging down the hallway, your eyes barely even open, you were greeted with the familiar tune of one of the intros to a show that your daughter would watch in the morning while you prepared breakfast. Upon further inspection, walking closer to the couch, you could see two bowls of melted ice cream set upon the coffee table, the rainbow sprinkles still clinging to the edge of the bowl. “Christopher…” You whispered, glancing down at your sleeping husband who was practically hanging off the edge of the couch while your daughter starfished across the cushions to take up most of the room.

You couldn’t help but laugh at the sight of it, but it warmed your heart as well. It was moments like this that you’d snap a photo of in your mind and hold onto the memory of it forever. You cherished these moments, because although they weren’t fully your own, little things like this were a constant reminder to you of how lucky you were to not only have the little family that you did… But to have been able to have this family with Chan.

Perm. Taglist : @whatudowhennooneseesyou @duchesskaren @mytherapisttoldmenotto @lovesunshinefelix @moon0fthenight @kurolils @maruskz @hello-2-u-from-me @mrswolfiechan @bunnychangbin @his-angell @if-spearb @yomomma104 @lanatheawesome @facelesswrittes @grannyindehouse @cutie-wooyo @felixmainacc @syuuji @jiisungllvr @yukichan67 @randomwimp @silentreadersthings @cutiespaghetti @furiousheartpoetry @its-hannjisung @lixpixstix @felixluvr915 @wordsofkpop @kayleigh-28 @szkstay @spnwinchestersd @fleatree @yehsehneeah @vampcharxter @iloveksmohsomuch @lvlnijiro @neteyamsmate4life

519 notes · View notes

vbecker10 · 5 days

Text

Talk to Me (Part 2)

Part 1 / Part 3 (in progress)

Pairing: Loki x female reader (Y/N)

Summary: (4 months after the first part) You and Loki have grown incredibly close, to the point where you both have feelings for each other but are afraid to admit it. One night, you have a nightmare while staying in Loki's room and he calms you but accidentally shows you his Jotun form in the process, triggering his own insecurities.

Warnings: fire (a small one), panic attack, fear of running a friendship, Loki being insecure about being a frost giant

A/N: Well... here's the second part I didn't plan on making lol @irishhappiness made a comment wondering how Loki would comfort Y/N if she has a nightmare which triggered her powers and then this just sort of happened... also there will now be a third part that I am working on 💚

FyI - I used some of my own experiences with panic attacks for this part, I know they are all different but this is just what they feel like when I have them

It's almost midnight when you finally see Stark Tower and smile knowing you are home, and going to see Loki again. You had both been away on missions for the last week but he texted you that he arrived back hours ago. You text Loki and let him know you'll be landing in a few minutes and Thor nudges your shoulder.

"Texting my brother again?" he asks with a smile.

"Yes," you dramatically hold your phone away from him. "Do you mind?"

He laughs, "Of course not. I'm glad to see you two have grown so close."

When the jet finally lands, you walk down the ramp and see Loki waiting for you near the entrance to the building. Thor waves and Loki rolls his eyes, keeping his hands in his pockets. He is unable to hide his smile when he sees you step out from behind his brother.

"I had a feeling it wasn't me he was waiting for," Thor jokes, looking down at you.

"I'm sure he missed you too," you laugh. Loki, as if to prove he is only there for you, walks past his brother without a word and wraps you in a tight hug. You hug him back, your body relaxing instantly the moment you're in his arms again. "You give the best hugs," you mumble against his chest.

"Does he?" Thor asks and takes a step towards his brother when he finally releases you.

Loki faces Thor and reminds him, "Y/N is still the only person allowed to hug me."

You giggle and hit Loki's arm gently, causing him to look back at you, "Be nice."

"I am being nice," he smirks. "I didn't threaten to stab him if he tries to hug me like last time."

You roll your eyes at him but Thor laughs and pats his younger brother on the back hard before leaving you both for the night. You pick up your bag and walk together towards the Tower, telling Loki the highlights of your time away. When you finish, you ask Loki how his mission was.

"Successful of course," he says proudly then he adds, "I wish we had been assigned together. You are far better company than the Captain and Stark. Plus, then I would not have had to miss you."

You giggle and try to hide the blush that creeps up your cheeks at his words. You would have preferred Loki was your partner on your last mission as well, or all of your missions for that matter.

"You should probably head to bed," Loki suggests when you reach the elevators even though the last thing he wants to do is say goodnight to you already.

"Or we could watch the last episode of that show you insist you hate," you offer hopefully. You didn't want to admit you were exhausted, you just needed to spend a little time with him.

He chuckles, "We could do that."

You sit next to Loki on the couch and try to focus on the show but you're finding it difficult. Not only are you fighting to stay awake but Loki is also sitting closer to you then he ever has before. When you first started this show a few months ago, he would sit at the other end of the couch, placing a collection of snacks between the two of you. Over the course of the series, he had gradually started sitting closer and closer to you. You weren't sure if he was doing it on purpose or not but it wasn't something you were going to complain about. Tonight, there is no space left between you, your shoulders touch and his leg rests against yours comfortably.

All you want is to lean into him and feel his arm around you but you don't move. He really has gotten good at giving hugs and you've decided that means he is also very good at cuddling. It is a theory you want to test but your friendship is too important for you to risk it. He is still in such need of a friend and you have to put that first.

You almost make it to the end of the hour long show, but not quite. Your head nods and comes to rest lightly on Loki's shoulder as you finally lose the battle to stay awake. He looks over and smiles when he feels you shift. He could tell you were too tired to watch the show but there was no chance he was going to turn down spending even a minute with you.

He runs his fingers slowly through your hair and you smile in your sleep. You nuzzle against him and he wishes he could hold you the whole night. He knows he can't though, you are simply friends. He sighs, wondering if this is as close as he will ever get to falling asleep with you and places a soft kiss on the top of your head. His heart skips a beat when you respond by mumbling his name in your sleep. Carefully he gets up from the couch and helps you lay down on the pillow he conjured. He waves his hand again and covers you with the softest blanket he can create.

He stands over you for a moment, taking in how cute and peaceful you look curled up under the blanket. He whispers, "Sleep well, darling," then goes into his room.

Loki lays in his bed but finds himself unable to get close to sleep. He wishes he could pick you up and bring you into his bed so he could keep you close. He has never missed anyone the way he misses you, he has never had a person in his life like you before.

When he was a child, it seemed as if he had dozens of friends but they weren't really his. They were Thor's friends and he simply inserted himself in their games. As he grew older, he found it harder and harder to relate to his peers and they slowly distanced themselves from him.

You are the only person who has ever chosen him over Thor or anyone else for that matter. He knew he was truly your first choice when he was the one you came to two months ago when you became an aunt in the middle of the night. He could barely believe the fact that he was the person you wanted to share one of your happiest moments with. He sat with you for over an hour, looking at the same ten pictures of the little new born but he would have done it all night if it meant he could see you smile and listen to you laugh.

He groans and puts his hand over his eyes, there is no doubt in his mind that he is your closest friend and you are his. He can talk to you about anything but the one thing he cannot bring himself to tell you is that he wants to be more than your friend.

Loki's eyes finally close but only moments later he sits up, his body rigid with fear as you scream. He throws off his blankets and runs into the living area.

"Y/N," he says your name in a panic, his heart pounding in his chest at the sight in front of him. You are sitting up on his couch, looking at the blanket he placed over you which is fully engulfed in flames. You hold your hand shakily over the fire but you can't pull the flames back, you are still too frantic from your nightmare to control your powers.

Loki instantly drops his illusion and waves his hands towards you as he comes to your side. The icy air covers the blanket and quickly smothers the fire. You kick off the charred blanket and pull your legs up to your chest, lowering your head on your knees as you breath heavily.

"Are you okay?" he asks, putting his arm around you as he sits on the singed couch. You shake your head no. "What do you need?" he asks but you don't respond.

You squeeze your hands shut tightly to stop them from trembling and look up towards Loki's voice but you are lightheaded and the quick movement makes you dizzy. You know he asked you something but his voice seems far away as does the rest of the room. You can no longer feel the couch you are sitting on or the floor under your feet, you are vaguely aware that you are disassociating but there is nothing you can do to stop it. Your heart pounds faster in your chest and you fear it may never slow down again.

Loki takes your hand and pulls you up from the couch when you don't answer him. He sits on the floor with his back against the couch and guides you down so you are sitting directly in front of him with your back flush to his chest. He takes your hands in his and let's out a quiet gasp of pain when sparks erupt from your fingers.

"Y/N," he whispers in your ear. You mumble his name in return and he asks, "Can you name five things you can see?"

"What?" you ask, confused by the random question. His cool fingers interlace with yours and small clouds of icy air calm the flames that are rise from your hands.

"Tell me five things you can see," he repeats in a low voice.

You try to focus on answering him. You can hear your heart pounding in your ears as you look around the far off living room. Slowly, you list five objects.

"Good, now can you tell me four things you can touch?" he asks quietly.

Your breathing is still ragged as your chest tightens but you push yourself to think about Loki's second question. You take a breath then look around to find the first three objects. "And I can feel your hands," you give Loki your fourth answer, his fingers squeeze your hand gently. As you say each item, you can almost feel the room shrinking to a less distorted size.

"How about three things you can hear?" he asks.

"My breathing," you turn to rest the side of your head on his chest, "Your heart beat and your voice," the answers come quicker now.

"Two things you can smell?" Loki asks, you finally register how worried his voice sounds.

"My shampoo," you answer, suddenly remembering when Loki told you he loved the way your shampoo smelled. You bought four more bottles of the fruit scented soap that weekend. "And your cologne," you tell him, a smile crosses your lips when you inhale deeply and breath in your favorite smell.

"You're doing so well, I just need you to tell me one thing you can taste now," he says.

"Do the apples on your dining table count?" you ask him as your eyes scan his apartment.

"If you think they do, they count," he responds and you nod that they should count. "How do you feel?" he asks after a moment.

"Better," you realize suddenly. Your heart rate feels normal, even your breathing is steady and easy. You are no longer lightheaded and feel as if everything around you is real and not distorted. You ask, "How did you know how to do that?"

"I read that it was a popular grounding technique," he explains. "I looked into ways to help you after you told me your nightmares sometimes triggered panic attacks."

You smile at the effort he had gone through to make sure he could help you, "Thank you Loki." You feel safe and comfortable pressed against Loki and look down, feeling your hands still in his hands. Loki's skin is a deep shade of blue and it takes you a moment to realize why. You shift to face him, his crimson eyes fixed on yours and he smiles. "Is this your Jotun form?" you ask, touching the ridges on his cheek with your fingertips lightly.

His smile vanishes and he immediately shifts back into his Asgardian form, pulling his fingers free from your other hand. "I'm sorry," he says nervously as he gets up and walks away from you.

He sighs, "I did promise that, didn't I?"

"For what?" you ask getting up but he ignores you. "Wait, Loki," you call as he heads towards his bedroom and pauses under the door frame. You walk towards him and say, "Please don't do that. Don't shut me out." You slip your hand into his and he looks at you. "You promised you would talk to me, remember?"

You nod and try to smile, hoping he will open up to you. You are always worried Loki will retreat behind the walls you've worked so hard to break down.

A small smile tugs at his lips and he says, "I don't know what I did to deserve such a fiercely devoted friend."

You shrug and hold your forced smile as you feel a twinge of pain in your chest when he refers to you simply as his friend.

"We will talk in the morning, I promise," he says as he moves to pull you into a hug. "You need to rest."

I hope you liked this!! Please like, share and comment if you did 💚💚 Please let me know if you want to be added to my taglist!

@soubi001 @mochie85 @lokiswife-dark-fox-queen @animnerd @cabingrlandrandomcrap @icytrickster17 @lokisgoodgirl @mischief2sarawr @stupidthoughtsinwriting @mjsthrillernp @holdmytesseract @lulubelle814 @goblingirlsarah @foxherder @alexakeyloveloki @siconetribal @lokidokieokie @kneelingformyloki @jiyascepter @eleniblue @loreniscrying @muddyorbsblr @alyeskathewave @loz-3 @firedrakegirl @javagirl328 @princess-ofthe-pages @morally-grey-variant @soulpiercing @km-ffluv

158 notes · View notes

cheriladycl01 · 19 days

Text

Fast Cars on the Island - Oscar Piastri x LoveIslandContestant! Reader Part 3

Plot: Your an engineer for Mclaren and you were asked as a PR stunt to go onto Love Island. You would keep your job of course but Mclaren wanted some more media traction.

A/N: I know they would never do this, and that's why its fiction!

Credits to brawn-gp for the GIF

Ian Stirling Intro:

"And its a bright and sunny morning here in Love Island, birds are chirping, the skies are blue... and there's one eager islander already looking at the view - OH! Look at that I'm rhyming" the voice says as it shows the different camera angles in the bedroom until it settles on your bed, showing that only Charlie is in it.

"Seems like our engineer, is an early bird herself... and is cooking the others a nice breakfast. Are we sure she's not part of the McLaren Catering because that looks delicious!" Ian exclaims as it pans to you laying out the scrambled eggs.

"Time to wake up those other islanders!" he says and the footage pans back to the bedroom where the lights turn on and everyone is woken up.

The First Morning:

You waited as all the other islanders come down and you smile as they enter.

"Babes? Whats this?" Auriela asks looking at the stuff you'd cooked and laid out for breakfast.

"I'm an early riser because of my job, so I just thought I'd make a start on breakfast for us!" you smile as they all cheer happily. Charlie comes up behind you, holding your waist before kissing your cheek.

"Thanks sweetheart!" he grins taking a seat next to you and taking an slice of mango from the fruit platter you'd cut up.

"Thank you" Aaron says softly and you smile at him.

You guys spend the morning chatting, exploring the villa, sunbathing, working out and swimming around. It wasn't until about 11.30 that Chris got a text come though.

"I GOT A TEXT!" he shouts from over in the gym and everyone starts gasping, the boys who were in the gym with him - Charlie and Jai start to jump on him excitedly slapping his back acting like little school kids.

"Read it out!" Millie shouts from next to you and Aaron in the pool.

"Islanders, it's time to get to know each other more in todays Challenge 'Kiss and Pie' your positions are fighting for the choice at the next coupling up" Chris reads out and you all look around in shock before getting ready to go to the challenge.

Lando and Oscar:

They boys were watching gearing up for episode 2.

But it was hard, Oscar was struggling seeing you cooking in the bikini and in the gym with the boys and then swimming around with Aaron it was killing him, but when the challenge came around he didn't know what hit him.

The Challenge:

The way the challenge basically worked was a fact about an islander was said out loud and the person who chose it had to kiss the person they thought it was about and then shove pie in the person you thought least likely. Pie being literally whipped cream.

"Okay, who has broken up with their boyfriend of 5 years after he proposed to her..." Chris says in shock before all the boys huddle round and start discussing.

He goes up, kissing Zavi making her blush a little.

"I'm so-so sorry Y/N!" he cringes before shoving the plate of whipped cream in your face, it falling down in between your cleavage.

"CHRIS!" you exclaim and look at him while wiping the excess cream off your face.

"Sorry... but all the boys agreed your marriage material..." he shurgs before running back off to the boys group.

"Okay, who has had three girlfriends at the same time... oooooo you WHAT?" Millie reads out in shock before coming over to the other girls.

"Who do we think it is?" Millie asks.

"It's got to be Charlie?" Auriela exclaims.

"I agree!" Zavi laughs and Millie walks over kissing Charlie full force making you just laugh. It wasn't like you were threatened anyway. She then goes to put the cream in Aaron's face, he was clearly the most loyal in the villa right now.

"Okay, who owns a Mclaren...!" Aaron reads out and before he can even discuss it with the boys he's walking up to you and kissing you. Both of his hands were on either side of your face tilting it to the side to kiss deeper. It was a really really nice kiss despite you both being covered in cream from the last two rounds.

He grabs the plate of cream before lightly smacking it on Auriela's face.

"YOU OWN A MCLAREN?" Daniel shouts looking over at you and you nod.

"I work for them, in a way!" you grin and all the boys look impressed with this new found information.

The games continue, more getting unleashed as you have a kiss with Daniel and another one with Aaron.

It was a fun afternoon but the sun was starting to set and you guys were due to go back to the villa.

Lando and Oscar:

Oscar's eyes were glued to you, he was having the most perverted thoughts about you and honesty he hated it. He was now sat in Lando's hotel room with a blanket around him and a pillow covering his lower half.

"Mate, you are drooling!" Lando laughs looking over at his friend.

"No... I'm not!" he cries looking over at his friend.

"Yes, you so are! My god, I saw you leaning in when you watched them kiss!" Lando grins looking over at his friend who sits back awkwardly.

"Come on dude. It's fine to admit you have the hots for her!" Lando exclaims and Oscar blushes a beetroot red.

"Fuck off man!" he groans holding the pillow down a little tighter to his body.

"Dude come on, maybe you should go in there and claim your girl... she's getting close to Aaron!" Lando jokes, and misses the look in Oscar's eyes as he watches you and Aaron kiss again, and he cant help but want it to be him.

Back in the Villa:

All the girls had gotten ready and were looking super cute, they were currently sat round the firepit with a glass a wine talking about their day out.

"God, I already miss home. And the job!" you groan looking between all the girls and their heads snapped up in shock.

"WHAT?" they cry out looking up, you'd all only been here two days... how on earth were you missing home already.

"I just... it's nothing!" you giggle.

Just then someone's phone pings ... it's Zavi's.

"I got a TEXT!" she exclaims and you all look at her.

All the boys come rushing over to the firepit to hear what it is.

"Islanders, please get ready to welcome your two new islanders!"

...

Taglist:

@littlesatanicassholebitch @hockey-racing-fubol @laura-naruto-fan1998 @22yuki @simxican @sinofwriting @lewisroscoelove @cmleitora @daemyratwst @lauralarsen @the-untamed-soul l @thewulf @itsjustkhaos @purplephantomwolf @chasing-liberosis @summissss @gulphulp @starfusionsworld @jspitwall @sierruhhhh @georgeparisole @youcannotcancelquidditch @tallbrownhairsarcastic @ourteenagetragedy @peachiicherries @formulas-bitch @cherry-piee @spilled-coffee-cup @mehrmonga @bigsimperika @blueberry64857959 @eiraethh @curseofhecate @alliwantisadonut @dark-night-sky-99 @i-wish-this-was-me @tallrock35 @butterfly-lover @barnestatic @landossainz @darleneslane @barcelonaloverf1life @r0nnsblog @ilove-tswizzle @laneyspaulding19 @malynn @viennakarma @landosgirlxoxo @marie0v @yourbane @teamnovalak @nikfigueiredo @fionaschicken @0picels0 @seomako @urdad-hot @tinydeskwriter @ironmaiden1313 @splaterparty0-0 @formula1mount @styl1shl1v

#f1 imagine #f1 x reader #formula 1 x you #formula 1 #formula one #formula one fanfiction #oscar piastri x you #oscar piastri f1 #oscar piastri one shot #oscar piastri imagine #oscar piastri #op81 fluff #op81 imagine #op81 x reader #op81 fic #op81

242 notes · View notes

thegirlwhorideslikeasamurai · 4 months

Text

Viktor Nikiforov is an adult character with adult problems and anxieties. However, unlike for Yuuri, whose struggles couldn't be more obvious to the audience, Viktor's issues are portrayed with subtlety. Which is ironic since, of the entire cast, Viktor is confronted with the most drastic life-changing choices and changes.

We meet Viktor as a competitive figure skater who has reached a point in his life many people eventually end up. The initial excitement for your profession has long since withered away and you're stuck in a life that is making you miserable. You're only staying out of convenience, the fear of change, the fear of taking a risk, or due to a lack of opportunity—or a combination thereof.

That's where Viktor is in episode 1. You can read the misery in his fake smiles and in his empty expression when he skates—an activity that once has been his passion (we know because creating your own programmes demands a creativity that is the result of passion). There are rumours that he might retire, and when being asked about his future plans, we see again the empty expression of a man who has lost his purpose. He has accumulated quite a fortune through sponsorships if his expensive clothes are any indication of that, but money can't buy happiness.

For twenty years, Viktor has lived for his sport and neglected his private life over it. His body might keep up for a couple of more seasons, but his mind is weary and his creativity is running dry. Twenty years is a long enough time to make even a decisive person think that that one thing is all you will ever be good at.

When you're stuck like that, maybe even to the point that it affects your mental health, it's hard to make it out of the slump on your own. Having someone showing you an alternative can work wonders to shift your perspective and enable you to take matters into your own hands again. For Viktor, this shift comes in form of a cute and utterly drunk fellow skater who not only seems to have a crush on him but very explicitly voices his wish that Viktor becomes his coach.

Viktor is a master of his craft. He choreographs his own programmes, he has music composed for these, and he has twenty years of experience in figure skating. Before that fateful banquet, Viktor already showed low-level coaching tendencies like when he gives (unsolicited) advice to his younger rinkmate...

or when he encourages him to become junior world champion without a quad jump and agrees to choreograph his first senior programmes.

These examples indicate that Viktor has a hidden skill he might not have been aware of during his active career as a skater. He could build on that if the sets his mind to it.

While it's true that Viktor only decided to become a coach when he saw that video (see Sayo Yamamoto's episode commentary), his feelings for Yuuri played a major role his decision because he felt a connection. That's important because feelings ignite passion and provide you with new purpose. It's tempting to assume that Viktor went to Japan for a booty call, but this totally disregards the complexity of his situation and the key role feelings play in igniting passion in someone and giving them new purpose.

"People shine brightest when they understand what kind of love sustains them."

Turning your life upside down and leaving behind the safety and convenience of a job you're good at but that you learned to hate, comes with fears and requires a certain readiness to take risks. Many people don't go to such lengths unless 1) their current situation is insufferable and 2) they have a very strong motivator to start all over. Like love or passion. As both stem from the same place, I'm equating them in the following.

Taking your first step into the uncharted territory of your new future IS scary. It can be one of the hardest things you have ever done. Especially if it means a complete reorientation. But burning for this future—be it out of love for your new subject/field, a specific person you will work with etc.—is a truly inspiring experience that fills you with the confidence that you can actually do it. So far, Viktor has been on the receiving end of coaching, but his feelings for Yuuri, his experience as a skater, and his resulting dedication to the task ultimately turn him into a good coach for Yuuri and help him succeed where Celestino failed. And it's obvious that Viktor really loves being Yuuri's coach.

Viktor Nikiforov is a true inspiration for everyone who faces the choice of staying on in a life or work situation that is making them miserable or going full risk by following one's heart. I cannot thank Sayo Yamamoto and Mitsurou Kubo enough for creating a show with so many mature characters that are dealing with realistic adult issues and I'm happy that one of my favourite YOI characters is one of them. I wish that Viktor would receive more appreciation for this.

I want to thank the reader of Thousand Spotlights whose comment about my portrayal of Viktor inspired me to finally write this post 🩷 Also many thanks to @cecebeanie for reading over it in advance 🩷

Please note:

In some cultures, changing your job frequently is normal and thus not a big thing for people, but the concept I've discussed is the universal.

This meta doesn't attempt to be a comprehensive analysis of Viktor's situation as this would have gone beyond the cope of this post (I have written other metas that discuss some of these). Viktor shows signs of depression and/or creative burnout that might or might not have to do with focusing on skating for most of his life. Depression can manifest itself differently in different people and no one's experience is less valid than someone else's.

If you enjoyed this meta, please consider giving me a follow or checking out my works on AO3 (link in bio), which build upon my analyses.

#yuri on ice #viktor nikiforov #yoi #yoi meta #my yoi meta #yuri on ice meta #victor nikiforov

367 notes · View notes

snorlaxlovesme · 4 months

Text

alright everybody, it's time we talked about Hostage. (buckle up because this is going to be long, but it'll be worth it)

season 2 episode 8 of Link Click was one of the most confounding episodes in the entire season while airing. starting with Lu Guang's insane boat crash/martial arts smackdown rescue of Cheng Xiaoshi and ending with Cheng Xiaoshi diving into a photo to possess Lu Guang to get answers for his actions, from start to finish it was a wild ass ride where we, the fandom, AND the characters spent the whole time questioning Lu Guang and his motives

and...puzzlingly... didn't really get an answers by the end of the season

Lu Guang wasn't granted any post-climax time to explain what happened that day from his perspective, and while Cheng Xiaoshi was possessing him he didn't get any answers because he literally WAS Lu Guang, just doing whatever the hell he thought he needed to do.

the thing about Hostage that has always felt extremely off to me, is that we DO get explanations for Lu Guang's actions during the episode, but they're from people wholly unqualified to be giving them.

Captain Xiao finds Lu Guang's phone, hidden in a folded towel, and concludes that Lu Guang had left them clues. Qiao Ling, after seeing that Lu Guang had taken a photo that night, came to the conclusion that Cheng Xiaoshi must have been the one possessing Lu Guang during his deranged rescue plan at the pier, seeing as Lu Guang wasn't an adept fighter at the dojo and he was acting extremely impulsive. She even goes so far to say, later in the episode, that Cheng Xiaoshi HAS to dive into the photo, because it's already happened, and needs to follow Lu Guang's words to not change the timeline.

all of these assumptions, to me, are horseshit

I refuse to listen to ANYTHING Captain Xiao says. one, because he simply does not know these kids and should not be making assumptions about them, and two he is in fact the worst cop in the world. and Qiao Ling, bless her heart, has only found out how their powers work mere DAYS ago and doesn't understand the nuances of them at all

so I'm gonna debunk all that nonsense and explain to you what Lu Guang's REAL actions were that night, and what was up with that cryptic photo he took

now you might be thinking, Kelly, you're not even starting in the right place, because those weren't Lu Guang's actions, they were always Cheng Xiaoshi's, just in Lu Guang's body!

FALSE. on two counts! we have evidence of Lu Guang and Cheng Xiaoshi performing the act of escaping the hospital differently. Lu Guang does not use the kettle to break the window to distract the cops. we're not sure what he uses, but that kettle is still there.

Lu Guang also places his phone face down in the towel

while Cheng Xiaoshi places it faceup

so by the end of the episode we have literal, physical evidence that these two performed this timeline differently, and therefore it was not "Cheng Xiaoshi the whole time" like Qiao Ling tried to misinform us to believe. i also have another Big Brain post [x] that explains why Lu Guang being an impulsive, supposedly "good" fighter during that pier rescue scene are both in-character for him.

(and if we wanna get really nitpicky about how an injured Lu Guang could have raced across town in his condition, i simply believe that Lu Guang was smarter about it that Cheng Xiaoshi, and probably took a bus or cab. Cheng Xiaoshi, pure of heart and dumb of ass, ran because HE physically could while inhabiting Lu Guang's body. our injured catboy did not sprint across town while holding his organs in place)

so if we already have all this cold, hard evidence stating that Lu Guang really is THAT bitch and did all that shit on his own, what the hell is my problem? why can I not let this episode go?

BECAUSE I WANNA KNOW WHY LU GUANG TOOK THAT PHOTO

Captain Useless seems to think that Lu Guang took that photo as some sort of helpful clue left behind for the gang

but what, pray tell, was this photo supposed to tell us without someone with Lu Guang's powers there to interpret it? without Lu Guang to tell him what to do, Cheng Xiaoshi left to his own devices knows just as much as himself as he does possessing Lu Guang

and, the bigger question, is if this was supposed to be some sort of almighty clue for the gang, why did he not text this photo to either Qiao Ling or Cheng Xiaoshi before escaping the hospital? he took the time to text Qiao Ling the location of the boat, did he not? why not the photo too? seems like a crappy way to clue someone in, to take a photo and save it on your password protected phone that you just went out of your way to hide from plain sight

because that's the thing! after the season finale we discover that Lu Guang's password is literally a reminder of his dive, or even more specifically, a reminder of his trauma. we KNOW that he didn't share his password with Cheng Xiaoshi, he just just happened to figure it out on his own

so tell me how Lu Guang expected this trauma-password protected phone, with it's one singular picture, to get in the hands of Cheng Xiaoshi, hmm? riddle me THAT

so we've established by now that 1. Lu Guang's actions in the beginning of episode 8 were indeed his own and 2. that photo was never meant to be seen by Cheng Xiaoshi, who shouldn't have known Lu Guang's passcode

given the trauma-passcode, we have to believe that the only person ever meant to see this photo was Lu Guang. i've made ANOTHER post previously [x] stating that Lu Guang might have used his powers in a way we haven't known possible, by taking a photo and using his Blue Eyes White Dragon powers to see 12 hours into the immediate future

plausible, but not what i'm about to propose now.

because I think Lu Guang took that photo as a contingency plan

listen, the only person who had ANY credentials to theorize what Lu Guang was up to that night was his trusted partner. while Qiao Ling and Captain Xiao spouted their nonsense theories, Cheng Xiaoshi said the only smart thing that entire brainstorming session

and I think Cheng Xiaoshi was right. he wasn't wrong in assuming this photo was a Save Point of sorts, the only thing he was wrong about was who would be using it

the only other person in this show capable of diving into a photo, we find out during the finale, is Lu Guang

we also find out in the finale that powers are transferrable, and it looks like they transfer when the owner of that power dies in someone else's arms

Lu Guang took that photo that night NOT for Cheng Xiaoshi to find and use, but for LU GUANG himself to use. i believe Lu Guang firmly believed that Cheng Xiaoshi was to die that night, and he would do everything in his power to make sure he had a chance to change it again if he needed to.

that meant:

1.taking a photo on his phone as a Save Point.

2. hiding his phone in the hospital bathroom so it could not be taken from him or busted later in the night. and

3. racing to where he knew Cheng Xiaoshi would be, so he could either

4. a.) rescue him, or b.) ensure that during CXS's death, the diving power was transferred back to him so he could do the night over again.

Lu Guang took that photo as contingency plan to save Cheng Xiaoshi's life should he get killed that night.

but that plan was botched when Cheng Xiaoshi used it instead to possess Lu Guang, because each photo can only be used once.

which might also explain why Lu Guang was SO DISTRAUGHT when Cheng Xiaoshi was shot

they had deleted all their photos earlier that week to prevent the twins from possessing them remotely

that was the last photo Lu Guang had taken. the ONLY photo on his phone. if Cheng Xiaoshi died that night, there would have been no Save Point to return to

#link click #cheng xiaoshi #lu guang #shi guang dai li ren #this is such a long post but i truly do believe i'm onto something here #no i do not know how Lu Guang OR Cheng Xiaoshi hotwired a boat tho #i'll have to believe that's somehow a sidehobby they both share

313 notes · View notes

confused-pyramid · 4 months

Text

There Is More When You Let Go | s2

pairing: aaron hotchner x childhood bsf!reader

summary: Hotch and his childhood best friend working together at the BAU: a slow burn across the seasons.

word count: 18.8k

warnings: canon!typical violence, mentions of abuse, death of a spouse, kidnapping, torture, drug use, specific episodes mentioned in this part are 2x01, 2x05, 2x06, 2x13, 2x14, 2x15, 2x16, 2x18, 2x23

a/n: here's season 2 of the anchor series! I had a lot of fun writing this one (hence why it got so long lmao), and I included a lot more direct show content in this part, so I hope you like it. Also more flashbacks:) Title is from Benediction by Luke Sital-Singh

series masterlist

A gunshot. That's the last thing you hear before Elle's front door flies open, almost throwing you back onto the stairs. The shock of seeing the Fisher King standing right in front of you almost makes you miss the puddle of blood that has started seeping across the floor to your feet.

"Elle," you gasp, your moment of distraction enough time for the man to push you behind him and make a break for it. You fall forward with the force of his shove, but he's much slower than you are. If you ran after him now, you could almost certainly catch up to him, but the sight of Elle bleeding out in front of you makes you immobile.

Making the split second decision to abandon the chase, you throw yourself forward and press your hands against her wound to control the blood flow.

"You're gonna be okay," you tell her, even as her blood trickles out from below your palm. "I need to call for help."

Pressing one hand down harder, you try to ignore the sounds of her gasping in pain as you reach behind you for her house phone. After dialing 911, you hold the phone between your ear and shoulder and bring your hand back to apply more pressure.

The paramedics arrive within five minutes, and they pry you off of her as they pull out a defibrillator. You had been so focused on stopping her from bleeding out that you hadn't even noticed she had stopped breathing. How could you have missed that?

"Charging to 200."

You lean back against her couch as tears leak from the corners of your eyes.

"Clear!"

***

"They took her into surgery," you say when Hotch meets you at the hospital. Your eyes keep darting around, like you're looking for something, but you don't know what.

"What happened?" he asks, placing his hands on your shoulders to regain your focus. The pressure calms you down.

"I think he was waiting for her," you whisper, your throat tightening. "He had to have been. It all happened so fast."

His eyes stay on yours, as though trying to predict your next movement. "I'm glad you're okay."

More agents filter into the hospital and he begins to turn away to talk to them, but then you stiffen under his hands. "I had him, Hotch."

"What?" he frowns, looking at you again. "What are you talking about?"

You lift your hands to your face to brush away a strand of hair, barely noticing the stains all over your skin. "He was right there. The unsub. I could've grabbed him...but I didn't."

Anderson walks over with a question, but Hotch doesn't take his eyes off you. "You went to Elle. It's okay, you made the right choice."

"But the girl he took," you protest, shaking his hands off, "this could have lead us to her, but she's still-"

"You did the right thing," he cuts you off, waving Anderson away to speak with someone else. "It's not your fault."

You grit your teeth, your voice still tinged with guilt. "How do you know?"

"Because," he sighs, running a hand through his hair, "it's mine. I sent her home."

You open your mouth to tell him how unfair that is, but he cuts you off with an order to go wash up before he leaves to explain the situation to the other agents.

The only bathroom on that floor of the hospital is at the end of the patient ward, so you trudge down the hallway and into the single family restroom, trying to avoid the worried glances from all around.

You haven't seen your reflection since before leaving with Elle, and you know it can't be a pretty sight, but the face staring back at you in the mirror is still a shock.

The bottom of your shirt is matted to your skin, and your hands are covered in now-dried blood that looks flaky and dark. When you look up, you see a streak of blood smeared over your nose from when you swiped at your face earlier.

Grabbing a fistful of paper towels, you run them under the faucet before scrubbing at your face and peeling your button down off to rid them of any trace of Elle's blood. When you're sure there isn't anything left, you turn the faucet back on and stretch your hands forward, watching the warm water turn a muddy red color as it swirls around the drain.

Eventually, the water runs clear, but you can still see the blood in your mind. You are suddenly ambushed by a memory you thought you had pushed down long ago. Red blood, cold skin.

How was there so much blood in the human body?

Your department-mandated therapist told you at the time that you would be in denial for the first few weeks, but you weren't denying anything. You had seen his body, seen the blood pooling around him as the coroner snapped photographs for the crime scene report. You knew he was dead. You just couldn't get that question out of your mind.

The memory shifts and suddenly you're seventeen again. You're seventeen and you are reaching for your first aid kit for the second time this month as Hotch sits on your bed with what feels like a permanent wince fused to his lips.

"Hold still," you whisper as you pour rubbing alcohol onto a cotton pad and press it into the cut on his hand. There's also blood under his nose and in his teeth, but he doesn't seem to notice.

He hisses as the alcohol makes contact, but he doesn't pull away. He's used to this routine now. You both are.

"I'm sorry I came by so late," he whispers through gritted teeth as he watches your fingers peel open a bandage. You want to berate him for apologizing, for feeling so much guilt all the time, but it's fruitless. It's like he was born with it inside of him, always clawing its way out at the slightest inconvenience.

"Don't be." You shoot him a look that he knows to mean 'be quiet and let me finish this'. He heeds your unspoken order, but after a few minutes, it's you who breaks it. "How did this one happen?"

He looks down and you immediately want to take it back. "You don't have to answer."

He's quiet for a beat. "He was drunk and I cleared his bottle away before he was finished with it."

Your lips thin and you press your hand to his knee, desperately needing to connect yourself to him in some manner.

"I tried to keep him in the kitchen, so Sean wouldn't hear, but I guess the noise woke him up." He takes a deep breath, and you can almost feel the determination entering his body as he sits up straighter. "I couldn't let him get to Sean, so I finally did it. I fought back."

He looks down at his bandaged hand then, and you can see pride accompanying the blood etched into the lines of his face. "I finally fought back."

Your eyes refocus and when you look at yourself in the mirror again, there's no trace of Elle's blood on your body anymore.

***

When Elle is discharged from the hospital, you spend the rest of the break helping her move out of her house and into a new apartment. When you drove her back home, the blood had been cleaned off of her floors, but you could see in her expression that it wasn't enough. This place would always be a reminder of what had happened to her.

The apartment search was quick, only a week between finding a place she liked and signing the new lease, but she saved the actual move out for the last few days of your break, instead hopping between sleeping in your guest room and a motel in town.

That's why you find yourself in Elle's old bedroom on the final Saturday before you're due back at work, packing some of her clothes into a suitcase while she works on clearing her bathroom. She tossed out almost everything she didn't absolutely need, only packing up her basic clothing and a few other sentimental keepsakes from her past.

"What about these?" you ask, holding up a pair of dark wash jeans that you remember her wearing to the bars with you a few months ago. God, has it really only been a few months?

She peeks out of the bathroom for barely a second. "I told you, I don't care. Keep it, toss it, your choice."

You don't know how you feel about being in charge of her future wardrobe, especially since you tend to live in loose jeans and old tee shirts when you're not at work, but you can understand where she's coming from. The instinct to hand off every decision to someone else.

You remember how hard it was for you to even decide what to eat for dinner after Jeff died. You also remember Hotch slipping pre-packed meals into your fridge whenever he came over to keep you company.

It takes you a couple of hours to clear out her house, and another hour to drop her and her stuff off at the new place, with promises to visit whenever you can over the next months of her leave.

You don't realize how exhausted you are until your front door shuts behind you and you collapse onto your couch, still in your dirty clothes. The summer sun is completely below the horizon as you lean back into your throw pillows and grab the tv remote. You haven't used your tv in months, and you figure that a vacation from work is the perfect opportunity to dust it off.

The screen comes to life on a local news channel, where a young reporter with teased-up hair is announcing a recall on a vacuum cleaner brand you've never heard of. She finishes her spiel before handing the mic off to an older woman who starts reporting the details of a car accident that took place in a neighborhood a few miles from yours.

These reports don't usually get under your skin - you have seen enough to know that it happens everyday - but suddenly, you can't stand to look at the crime scene tape flashing on your screen. You don't wait long enough to see what caused the accident. Whether it was a simple mistake, or if it was a drunk dri-

Grabbing the remote, you turn the television off and stand up, shaking your limbs out in an effort to rid yourself of the anxious feeling that's been growing inside of you.

You make yourself a quick microwave dinner and wolf it down in a few minutes, before trudging upstairs and hopping in the shower. You take your time washing the dust off of your body, and only emerge when the hot water runs out.

Even after cleaning yourself off and climbing into a fresh set of sheets, sleep doesn't come easily. The minutes tick by slowly as you stare at the ceiling, and before you can overthink it, you grab your phone off your nightstand and hit the first number on your speed dial.

It rings twice before the line connects. "Is everything okay?"

"What happened to 'hello'?" you ask, huffing out a laugh as you sit up in your bed.

Hotch grunts quietly. "Hello." You can hear the tiredness in his voice, but he sounds alert. You didn't wake him up. "What can I do for you?"

"So I have to need something to call you?"

"Y/N."

"Sorry for wanting to talk to my friend-"

He sighs so loudly, you can practically see his eyes rolling. "Are you going to tell me why you called or not."

"I helped Elle move out today."

That gets his attention. "How is she doing?"

You shrug, even though he can't see you. "As good as can be expected. We threw out almost all of her stuff, you know. She ended up with just a suitcase and three boxes at the end."

"That's just her way of coping, I guess."

"When we got to her house, it was..." You pause for a beat. You don't know the correct way to bring this up. "Well, it was clean. The blood was gone."

He doesn't say anything, and you know you were right. "Hotch, it was you, wasn't it."

He exhales quietly, as though he's trying to control his volume. Shit, maybe Haley's sleeping next to him. This is why you don't call someone after midnight.

"She didn't need to see a crime scene in her own home."

You wonder if he knows how he sounds right now. How caring and compassionate he can be when he doesn't try to tamp down that side of himself.

"You're a good unit chief," you say, leaning your head back against your wooden headboard. "I don't know why you keep things like this hidden."

You do know why, but that isn't what's important right now. There's a small creaking sound over the receiver and you imagine he's getting out of bed and crossing the room. Then the click of a door closing. "All that matters is that it's done."

You can't control the exasperated sigh that leaves your body. "Who are you trying to kid, Hotch? This is me you're talking to. I know how you worry that you aren't setting a good example for the team, but it's things like this that go a long way. It really wouldn't hurt for the team to see you showing some emotion."

"That's what they have you for," he says, his voice tightening the slightest bit. "They don't need that from me. When my emotions get in the way, I can't do my job properly."

You scoff. "And what job is that, exactly?"

"Keeping you safe."

He doesn't need to raise his voice to make you feel his anger. "If I had kept my emotion out of it, I wouldn't have sent her home. I wouldn't have let you accompany her, and I wouldn't have put both of you in danger."

Your hand comes up, rubbing circles into the skin above your chest. "Aaron...that wasn't on you." You can sense his protests coming, so you try a different tactic. "It wasn't on me either. No one but Garner deserves any blame for what happened."

The line is silent for a few moments, and you take the little victory. "I'm sorry I called you so late."

"Oh, it's alright," he chuckles. "You know I was up anyway."

***

She came back too quickly. You can't get the thought out of your head as you watch Elle restlessly tap her foot on the ground as she waits for the final word on whether she will be acting as bait for the serial rapist.

You don't think she's ready, and you've made your opinion known to the team, but Gideon made up his mind quickly.

"You think Elle's ready for it?"

"We'll be there for her."

You watch her vigilantly from Hotch's SUV as she enters the house and drops her keys on the table by the window. She's wired, which is a small relief, but Gideon's instruction not to have her gun on her has you more anxious than you'd like.

"Why isn't she leaving?" Hotch says from next to you, echoing your thoughts.

A car driven by a man fitting the profile pulls up on the opposite side of the street and you hear Morgan dialing Garcia. After a few seconds, he's back on the line. "William Lee. It's him."

"Bingo," Gideon's voice exclaims through your earpiece. "She's on the move."

You turn away from the car and see Elle exiting the front of the house. She glances at the man on her way to her car in the driveway, and it's only then that you notice the gun stuffed in her waistband.

"Her gun's out," you whisper, mostly to yourself. "What's she doing?"

"She's panicking."

"We've got no reason to bring him in."

"Don't blow it, don't blow it."

A chorus of yells echo through your earpiece as Elle stomps down the drive and points her gun at the unsub. "FBI, put your hands where I can see them!"

You throw open the car door and run over to apprehend the man as he fervently denies all of her accusations. "I was just stopping to look at my map."

The police put him into an interrogation room back at the station, where Hotch and Gideon try to get him to confess by showing empathy for this motive. It seems to be going well until his lawyer shows up, putting an end to the conversation.

She's been tense all day, so you're not surprised when Elle blows up. "You're letting him walk?"

Gideon is the first to step in. "Back off, Elle."

"You don't know what he's done," she yells, as though trying to reason with the police. The pain in her voice is palpable, but you can't deny the truth, even if you aren't able to voice it to her.

Hotch doesn't face the same issue. "The only reason he's walking is because you panicked."

"I'm supposed to believe that you've got my back?" she fires back, her anger redirecting to fly in his direction.

"What are you saying to me?"

"The last time you sent me home, Hotch, it got me shot."

All of the air leaves the room. You grab Elle's arm and pull her back, expecting more resistance than you get. "Walk with me."

She follows you across the hall and into a little meeting room that's scattered with evidence bags and files from the case. You let the door click shut behind her before you start speaking. "You need to take a breath. I know you, Elle. I know exactly what you're capable of. You just need to give yourself time to heal."

The fury in her eyes hasn't abated since you apprehended Lee a few hours earlier. You're not sure it will in this environment. "Take a walk. Get some air, and then come back."

She doesn't meet your eye as she pushes past you and storms out of the station.

***

"There's no reason for us to stick around anymore, is there?"

Gideon shakes his head and you purse your lips, glancing at the doors behind you. You haven't been able to shake the feeling that something terrible is going to happen, but you suppose that's a common notion on this team.

"Wheels up at noon tomorrow."

You're walking out to the parking lot with the team when the feeling hits you again. The last time you felt this level of dread was right before you got the call from organized crime just over two years ago.

Your fears are confirmed when Hotch's phone rings with a call from the local PD that they have Elle at Lee's address. The drive over is silent, and even though you're always the first to call Hotch out on his guilt spirals, you can't get the thought out of your head that this is all your fault. You knew she had come back too quickly. Never mind that it wasn't your call. You should've fought it harder.

Lee's bullet-riddled body is like a beacon of your guilt as Elle insists it was cut-and-dry self defense. "I was having a conversation with him and he drew his weapon and I fired."

The police don't let any of you talk to her as they load her into the back of their cruiser, but you know what you have to do if you want to be able to sleep tonight.

"I'm going to the station," you tell Hotch before flagging down another one of the officers on the scene. He moves to stop you, but you sidestep him and level him with a glare that high school you would have been proud of. "I have to do this."

The station doesn't finish processing her until halfway through the night, but you couldn't fall asleep even if you wanted to. When they finally remove her cuffs and bring her out, you stand up from the plastic chair you spent the last four hours in and stretch out your legs.

She doesn't spot you immediately, but when she does, her body almost deflates. "I'm fine, L/N. You didn't have to come here."

She stops in front of you, her jacket hanging over her arm as she stuffs her badge back into her pocket. If you didn't know her so well, you would be surprised by how relaxed she looks. You wouldn't recognize the front she has had up since she stepped off the plane.

"What happened, Elle?"

That catches her attention, and you watch as the mask slips by a hair. "You don't believe me?"

You don't want to accuse her of something you have no evidence of, but you also can't ignore all of the signs in front of you. "Can you really look me in the eye and say you didn't go there hoping Lee would provoke you?"

She just looks at you, and you watch in real time as the mask slides back into place. Without another word, she turns around and walks out of the station.

***

The next case doesn't come until a few days later. Elle gets cleared by the bureau's internal investigation, but you can't imagine Hotch won't tack on a psych eval just to be safe.

"Nicholas Faye of Ozona, Texas, was beaten to death roughly 13 hours ago."

JJ clicks her remote and the screen in the conference room changes, displaying the crime scene photos.

"God," you curse, averting your eyes for a moment. "He's just a child."

"Blunt force trauma to the head," she continues with a forlorn sigh. "He's the second young boy in Ozona to die the same death in the last 2 months. Local hunter found his body in the woods."

Morgan looks down at the case file. "First victim's name: Robbie Davis. Are these boys connected somehow?"

JJ shrugs. "Ozona's population's roughly 2, 500. Everyone has some kind of connection."

"Well if they weren't linked before, they most certainly are now."

Hotch and Gideon's absences from the conference room don't escape your notice, so you keep an eye out for them upon leaving the briefing.

You spot them discussing something in hushed whispers by the coffee station, and you wait for them to finish before you approach Hotch.

"You missed the briefing."

His eyes pinch, and you notice that the lines in his forehead are more prominent than usual. "What is it?"

"Elle missed her evaluation."

Your breath releases like a sigh. "I can check her apartment."

"No," he says matter-of-factly, with a shake of his head. "Gideon wants all of you in Texas for this one. I'll go look for her."

You would normally argue, but the horrific images from the briefing are still imprinted on the backs of your eyelids. "Okay. I'll see you soon."

He leaves you with a nod, and you grab your go-bag before following the rest of the team to the jet.

"You guys see Elle's cleared?" Reid pipes up as soon as the plane takes off.

Derek nods, his lips thinning. "Self defense."

"So it was a good shot."

"She hit what she was aiming for."

Reid frowns. "That's not what I meant."

"I know."

"If they cleared her how come she's not here with us?" You glance up and realize Reid is looking at you. "Or Hotch?"

You don't want to reveal more than is necessary, especially when the situation is this precarious and personal, but you're saved from responding when Gideon turns around and yells, "Focus on the case!"

JJ turns the conversation back to the unsub's motivations, and you all discuss a possible profile until a new female victim emerges that strays from the previous victimology.

Gideon doesn't waste any time delegating tasks. "When we land, Morgan and Reid, go to the new crime scene. The little girl."

He turns to you. "We'll look at the scene where Nicholas Faye was found."

The murder site is so far into the woods, that you can't help but imagine what it would've been like to be the little boy who was brought all the way out here with no hope of return. You can't believe that a young child would come this far out of their way unless they trusted the person they were following. "I think the victims knew their killer."

Gideon seems to be on the same train of thought. "They followed him to this spot."

"What makes you think that?" the local officer asks.

Gideon looks at you expectantly, and you take the invitation with a grateful nod. "Well I guess they went this deep into the woods because they trusted him. He probably stashed his weapon here beforehand. This means we're looking for someone intelligent, methodical."

The police officer accompanying you doesn't look sure of your assessment. "He bashed the kid's head in, it looks like a moment of rage to me!"

"I agree," Gideon muses, turning away and looking further into the woods. "It doesn't make any sense."

After informing the town's parents of the five PM curfew, and the children of the new buddy system in place, you excuse yourself to go call Hotch for an update.

"Anything new?" you ask when he answers the phone.

"I went to her appartment to talk to her," he explains, "but she was leaving with an overnight bag."

Your heart collapses in your chest. "She's running."

"I don't know, I hope not." He pauses for a beat. "I'm following her."

"All right," you sigh, wishing there was more you could do from here, "I really hope I'm wrong about this."

He's silent for a second, and you realize your slip up. "I just mean, I don't want to- I mean, fuck."

"I know," Hotch whispers. You can hear his car starting in the background. "But Gideon's right. She's innocent until proven guilty."

He ends the call with a promise to keep you updated, and you head back to the station, where another child has been reported missing. The missing boy's little brother draws your attention to a local legend that leads you to a Mr. Fennigan's so-called "haunted" house up in the hills.

***

"Garcia," you say into your phone before putting it on speaker and setting it down at the table you're sitting at. After establishing that Finnegan's house was empty, you and team have been searching the property for any indications that he's the unsub. "You got anything for me?"

"Only that Fennigan's house on the hill is like the Bates Motel of Ozona, Texas."

You roll your eyes, even though she can't see you. "We heard the legend from that counselor, Charles I think."

"Be careful, though," she says, her voice going lower as though she's telling a campfire story. "People that go into that house supposedly never come out."

"Garcia."

"But then there is that matter of his missing wife."

Deciding to humor her, you clear your throat and whisper, "Do you think she's still on the premises?"

"I got two words for you, my friend: 'rear window'. That guy probably chopped that lady up into delicious bitesize pieces."

You suppress a laugh. "Pen, do you really think that's gonna scare me?"

She huffs and you grin, tugging open one of the drawers next to you and peeking inside.

"You're no fun. Reid was scared shitless."

"He's just afraid of the dark," you smile, before your eyes catch on something bright under the table beside you. "Garcia, I gotta go. And cut Reid some slack."

"No promises, Mama."

You tuck your phone away and reach below the table, where you find a small pink backpack with the last victim's name scrawled on top in Sharpie. "Guys! I found something."

The clues from Finnegan's house lead you back to Charles, the town's guidance counselor, and then to his son, who the police are able to catch in the act of luring away Tracey Belle, another young girl. You don't relax until she's back with her parents, and even then, there's still a tension in your shoulders.

Cases involving children never get easier, but you can't help the kinship you feel to little Tracey Belle, who had the same look in her eyes that you recognized in yourself when you were ten years old. You don't remember your mom's funeral much, mostly because you were so young, but also because the whole day was a blur. The few flashes that come back here and there are your father's eyes, red from crying, and the cold gray of the headstone that you visited with him every year on the anniversary until you graduated.

The plane ride back is morose, and no one looks up from their reading material until it's time to disembark. Hotch isn't at the office when you drop off your case file, so you rub the exhaustion from your eyes and drive home.

There's a figure sitting on your porch when you pull into your driveway, and you're a moment from panicking when her face comes into the light.

"I turned in my badge," Elle says after you lock your car and walk up the steps.

Something twists in your gut, but the one emotion you aren't feeling is surprise. "Do you want to come inside? How long have you been waiting?"

She shakes her head, and you give her some time to formulate her thoughts. After a minute, she meets your eye again. "You were kind to me."

You don't know what to say, but you can see the change in her since just last week. She already looks lighter, and you can't help but think about how heavy the job can be. It's a weight on each of your lives that never seems to let up, and while you're going to be sad to see her go, you understand. It's the right choice.

Elle presses her lips together before curving them into a small smile. "You supported me after...after Garner. I'm gonna miss you."

You smile at her, even as your heart fills with sadness. "i'm going to miss you too."

Her body shifts like she's making to leave but then she turns back one last time. "You're too good for him, you know."

You get the sense that you know what she's referring to, but it's not something you can acknowledge without sending a flare shooting up your spine. She nods once, like that's all she wanted to say, and turns away into the night. You blink your eyes closed, squeezing them tightly as though it will somehow make the last few months a nightmare you can wake up from. But that's not how this works.

You give yourself a minute to pretend, but when you open your eyes again, she's gone.

***

The case that takes you to Golconda, Nevada feels almost unique to Gideon, as he takes each of the unsub's decisions personally in a way you haven't seen before.

Once you give the profile to the local police, the sheriff, Georgia Davis, leads you to a woman with a story to match the previous victimology.

"Jane," she says softly as she walks into the holding area at the back of the station. "These people are from the FBI. I'd like you to tell them your story."

Her story takes you through a tale of alien abductions and young love, but the kernel of truth underneath sounds awfully similar to the unsub's M.O. Her eyes still shine with a childlike tenacity that you don't usually see in other victims of such prolific and disturbing killers.

"Her subconscious mind has created a delusion that she was abducted by an alien," Gideon sighs after Sheriff George sends you all out of the room to let Jane rest. "She didn't show him the fear he wanted, so he let her go."

When it becomes clear that he is still in town, you disperse around the local R.V. park in search of his vehicle.

Hotch pairs you with Emily Prentiss, the new agent who joined the team after Elle left, and you welcome the opportunity to speak with her more than you've gotten the chance to since she arrived.

"How have you been settling in?" you ask her as you both stroll along the edge of the R.V. park.

"The team has been very welcoming," she says as she continues to scan the vehicles around you. "I'm just glad to be joining such an accomplished unit."

"That's kind of you," you smile, noting the extreme focus in her eyes. Her intelligence and intense concentration on each of the cases you've worked made much more sense when you learned about her history. Her background must have sparked more than a few nepotism claims over the years, so you don't mind letting her overcompensate, if it means she will prove to herself that she deserves to be here. "Everyone seems to like having you around. I certainly don't mind."

She shoots you a smile that you return by patting her forearm comfortingly. You were worried it would be hard for another agent to settle into the space Elle left on the team, but Prentiss has made easy work of it. She has the same humor as Derek and Penelope, and you've seen how well she gets along with you and JJ. Even Reid has welcomed her with open arms.

"This team is kind of famous," she says after a moment, piquing your interest.

"Oh?"

She shrugs, turning into another row of vehicles. "You've all been through so much, but it just seems to have made you more of a family."

When you first joined the team, that was all you wanted. You were by yourself, completely alone, and the team had become your family in the blink of an eye. It was exactly what you needed. These days, you're not so sure anymore. More family just means more people to lose.

"Can I ask you a question?"

You look at her with a nod. "Yeah, of course."

"It's about Agent Hotchner."

You should've figured. Every new agent tries to vie for his approval, until they realize it's not something you can force. "Yeah?"

She sighs, and you can tell this isn't something she wants to be talking about. "I don't know if I understand him. You're the only person who seems to have his ear. I guess I'm just wondering how I can do the same."

"I got his attention and respect through decades of friendship," you say, watching her eyes widen as you speak. "But he's not the enigma you may think he is. Showing off won't help your cause, but working hard and doing your job well is all you can really do."

She nods, taking in your words. "Thanks. I'll keep that in mind."

You smile, bumping her shoulder to lighten the mood. "Don't worry about him. He knows your worth, I can tell."

Prentiss leans against you for a moment before shaking out her legs and turning back to the lot. "I don't think the unsub is here. We should meet up with the rest of the team."

Once Gideon puts it together that the unsub is hiding out somewhere in town, Hotch suggests that you all turn in for the night, but the older man doesn't want to listen.

"We could wait till first light, Gideon," he stresses, turning his body to stand between him and the officers. "It's gonna be dark soon."

"Do what you like," Jason grunts, shoving past him. "I'm gonna find him."

Hotch starts to go after him, but you step forward and put your hand on his shoulder. "Let him go. Maybe the walk back to the station will help clear his head."

He sighs heavily, and you know it's all the agreement you're going to get right now. "Let's head over there too. He needs our help if he wants to crack this before morning."

The stress lines on his forehead are almost as noticeable as they were the day Elle left the bureau, and you grab his wrist as he tries to turn away. You raise your eyebrows, knowing he'll be able to read the question written in the ridges of your face. How are you holding up?

Hotch rolls his neck to the side, stretching it out after what has been a very long day. When he looks back at you, you wait for a nod that comes after a moment. Alright. Been better, but alright.

Back at the station, the work is slow going, and you don't feel like anyone is helping with how uptight Gideon is acting. The air inside the small building has started to feel suffocating, and you finally get your chance to escape when Sheriff George grabs her car keys.

"I'm gonna take Jane home," she tells you when you approach her at her desk. "It's been a long night, and she needs to sleep in her own bed."

"You need to rest too," you say, noticing the droop of her eyes from sheer exhaustion. "Go home, Sheriff. I'll take her back. I remember her address from earlier."

She doesn't look convinced, so you lean in with a smile. "It's getting really stuffy in here. I need some air too."

That's all it takes to satisfy her, and she pats your arm with a nod before handing you the keys to the cruiser and walking to the exit.

You only see Morgan as you pick Jane up from the holding area, so you tell him you'll be back in a half hour and head out to the back lot.

"How long have you been living in this town?" you ask Jane as you make the short drive to her house.

"Since I was a teenager," she says dreamily, her eyes gazing out the window.

"You never wanted to live anywhere else?"

She shakes her head profusely. "Why would I? This is where I can be found."

You frown at her words, but it's not the oddest thing she has said today. When you arrive at her house, you park the cruiser out front and lead her up the porch steps, where she slowly unlocks the front door. "Do you want to come inside?"

You figure it wouldn't hurt to scope out the place, so you accept her invitation and follow her inside. "This is a beautiful home, Jane." Trinkets are scattered everywhere, and rudimentary sketches cover the walls.

"Thank you," she responds from another room. "You're very nice." You follow the sound of her voice to her kitchen, where she is struggling to lift a pitcher of juice from her fridge.

"Here, let me help you," you say, taking it from her and setting it down on the little breakfast table in front of her stove. "Do you have any cups?"

She walks over to a cupboard across from you, and you unclip your side-holster and set it on the table until the sound of a footstep behind you makes you spin on your heels.

You're assaulted by the sight of a tall, white man, who you immediately recognize from Gideon's profile earlier that day.

"Jane!" you yell, inching toward the table where your gun is. "I need you to run."

"Come with me, Jane," the man says, ignoring you completely. You use the moment of distraction to reach for your gun, but he's quicker than you. A sharp pinprick of pain shoots down your neck as your hand knocks over the pitcher of juice and your limbs suddenly feel like they weigh a million pounds.

"Jane, he's a murderer," you yell, hoping your voice doesn't sound as quiet as it does in your head. Your vision is already blurry, and you wish Reid was here to distract you by spouting off a list of fast-acting drugs from memory. "Jane, run!"

The last thing you hear before you black out is the sound of hurried footsteps receding into the background.

***

None of this makes sense. As each minute ticks by, he can't shake the feeling that they are missing something that's right under their noses.

"JJ just called," Morgan says, walking back into the station with his phone waving in his hand. "Apparently an anonymous caller called the tip line and claimed they saw an R.V. driven by a man who fits the description we gave to the media."

Hotch frowns. "Claimed?"

"Well, not a single R.V. or trailer has passed through any of the roadblocks."

Morgan's words click in his brain, and he instinctively glances beside him as an idea forms, but you aren't there. Now that he thinks of it, he hasn't seen you in over an hour.

"Who does the number belong to?" he asks, shifting his focus back.

Morgan is about to respond when Deputy Silo runs into the office, shoving past the other cops in his way. "We got a call from outside Jane's house. I think it was from the unsub."

Hotch stands up immediately, grabbing his jacket and gun, but next to him, Morgan stills, his face going slack.

"We need to head over there now," Hotch says, listing off a few instructions to the deputies nearby. Where are you?

"Hotch."

"And have some of your guys check in town," he continues, "in case he took her with him."

"Hotch."

He turns around. "What is it?"

"L/N drove Jane home."

His heart drops.

***

Just stay for a few more minutes, Jeff implores, his fingers dancing over your arm as you try to sit up.

You laugh as he tries to pull you back into the bed. I can't, I have to go into work.

Just five minutes, I promise. He pouts as you slide your legs out from under the covers. Three. One. One minute, please. I miss you.

I miss you too, you sigh, pressing a kiss to his lips. I'll see you tonight.

His hands reach up to caress your face, like he always does in the mornings. Cupping your cheek with his palm and running his fingers through your hair.

You settle into the feeling, wishing you had more time to just lay in bed with him. But you don't. Because Jeff's not here anymore.

Your eyes snap open right as the unsub tapes your mouth closed.

***

His hands grip the steering wheel as his SUV barrels up the small country road leading to Jane's house. He can't seem to press the gas pedal hard enough, and Reid's incessant foot-tapping in the backseat is driving him crazy, even though he understands the anxiety coursing through his body.

He beats Deputy Silo to the house, and flies out of the car without waiting for the other agents to open their doors. He's not sure what he's expecting to see inside as he pulls his gun from his waist holster, but he doesn't give himself a chance to think about it before kicking the door in.

"What the hell are you doing?" Morgan yells from behind him as he checks around the door and makes his way through the small hallway. The house is silent, aside from the footsteps of the agents behind him, but the pounding of his heartbeat in his ears is almost deafening.

"Clear," he shouts after checking each room up to the kitchen. When he steps inside, there's juice all over the floor, and he spots the pitcher on its side beside the fridge. Juice, not blood.

His eyes flash to the table and his breath catches in his throat. He would recognize your holster anywhere, especially since he was with you when you bought it.

What do you think? It's not too bold, is it?

I definitely wouldn't mess with you.

"Why didn't she reach for her gun?" he wonders out loud.

"Because she couldn't." He turns around to see Reid holding up a large, empty syringe he found under the table.

He can't take his eyes off the juice on the floor, splattered everywhere as though someone had knocked it off the counter. The image of Elle's blood spilled all over her living room is still fresh in his mind, and he can't get over how easily the dark red cranberry juice seeping into the floorboards could have been yours.

Growing up, it was a common occurrence for you to patch him up and wash the blood off his skin, but there was only one time when he had to return the favor.

He still remembers the proud glint in your eyes after you had literally head-butted a man who had grabbed you in a college bar by Georgetown. Already a year into law school, he would've thought you'd have more forethought than to injure yourself in the hopes of getting back at the jackass, but once he saw your bloody grin, his annoyance had fizzled away.

"What on earth were you thinking?" he had asked as you stuck a scrap of napkin up your nostrils to control the flow after the head-butt broke a few blood vessels in your nose. He hadn't seen you much throughout undergrad, but he was glad that you hadn't changed too much, even if it meant you were just as wild as before. "I'm getting you ice."

A few minutes of angry haggling later, he returned to your side with a small bag of ice that he held to the bridge of your nose. Nothing he said could have ruined your mood that night, especially since the man had been kicked out of the bar and banned for life.

"Did you see the look on his face?" you had asked, your eyes twinkling behind the quickly melting ice.

"I did," he sighs, before breaking into a grin. "I'm just glad that your future law degree will give you another method of retaliation against scumbags like him."

You had laughed then, causing a few drops of blood to spray out of your nose, but all he could think about as he jerked back to avoid the mess was how happy he was that you were back in his life again.

Hotch flies back to the conversation happening around him, his brain refusing to let him imagine the worst case scenario.

"Those footprints," Morgan is saying as he starts listening again, "they got to be Jane's."

Reid nods, following along. "They go to the back."

"She escapes. The unsub knows the ketamine's gonna wear off, so he's got to act."

"No," one of the deputies says. "He hasn't got what he came here for."

His voice returns to him all at once. "So he took Y/N for leverage."

"He thinks we have Jane. Which means he wants a trade."

"Whatever he wants, we need to find Jane and your agent fast."

His agent. He feels sick at the thought of whatever that man is doing to you. "Garcia can track the phone number from the anonymous caller. You go to town, we'll find Jane."

***

Your eyes are blurry as you try to clear the fogginess in your head from whatever he injected you with. You can see the shape of the unsub moving around the room, and you squint your eyes to get a better look at the anatomical posters and drawings on the walls.

When your vision begins to focus again, the man comes toward you with a smile. "You're awake." He reaches forward to check the tape on your wrists and you try to jerk away from him, but your body is still flowing with the drug. You can't move as he brushes your hair behind your ear and smiles down at you, a sinister lack of emotion in his eyes. You stop trying to move, realizing it's no use. He's been doing this for years. Mutilating women. Cutting them to pieces.

You can feel your heart rate increasing, and you try not to look at the knives and saws littering the tables around you in an effort to keep yourself calm. Your team is looking for you. Derek knows where you went.

When he grabs your arms and starts lifting you off the makeshift operating table you were lying on, you try to scream, but the tape just pulls at your lips, tearing at the thin skin underneath.

Your eyes widen as he drops you into a metal coffin-like box, but he just looks at you with a shake of his head. "No need for that," he tsks before closing the lid over you, enveloping you in eery darkness.

***

Reid and Prentiss help him inspect Jane's house further for clues as to where the unsub could've taken you. The wind chimes of rib bone blowing in the breeze on the front porch catch his attention almost immediately.

His chest feels tight and he clears his throat. "He's obviously been here before and left these gifts for her."

"How romantic," Prentiss grimaces.

"Well, his version of romance."

Prentiss frowns. "What, are you trying to say you think he keeps coming back here because he's in love with her?"

"That's impossible," Reid interjects. "A sexual sadist can't feel love."

"Well," he says, "define love." He doesn't know if he can. He knows he loves Haley and Jack. He likes to think he always wants to be with them, but when a particularly excruciating case arrives on his desk, his desire to catch the bad guy trumps everything else in his mind. He knows he will always try to protect them from anyone or anything that wants to do them harm, but is that love?

It must be, because he feels the same instinct to protect you, but it manifests in him differently.

"Chemically, it involves surging brain elements called monoamines, dopamines, norepinephrine, and serotonin."

Of course that would be Reid's answer.

He continues rattling off a list of foods that contain these chemicals, and Hotch tunes him out, turning back to the house. They're missing something, they have to be. It's not until they spot a small trailer out back that it clicks.

***

You don't know how much time passes until the effects of the drug finally wear off enough for you to rub your wrists together to loosen the tape around them. The noises outside the coffin stopped a while ago, and you assume the man has left, likely to resume his search for Jane.

When the tape finally breaks, you let out a relieved gasp and let your arms rest for a few moments, before you begin slamming your fists into the bottom of the lid. It doesn't budge, no matter how hard you pound at it, so you change tactics, instead clawing your fingers at the seams in search of a hinge or screw you can loosen.

You're still trying to pry open the lid when you hear a muffled voice speaking outside the coffin. Despite your determination to stay calm, your heart squeezes in your chest as you bring your hands up to fight back in case he opens the lid. You feel someone slide your box across the floor, before opening the top and flooding your eyes with light.

When you adjust to the brightness, you see the familiar faces of Hotch, Reid, and Prentiss standing above you, and you almost cry with relief. Hotch reaches down with a small "thank god" and pulls you up and out of the coffin. Prentiss carefully peels the tape off your mouth, wincing as some of the skin of your lips comes away with it.

When you're standing up again, your legs give out as the fear leaves you, and you collapse into Hotch.

He catches you easily, holding you against him tightly as you shake from the sheer relief of being found before something irreversible happened. You're acutely aware of your teammates watching you hang onto your unit chief as though your life depends on it, but you can't bring yourself to let go.

It's only after your hands stop shaking that he finally pulls away.

***

When you return from Texas, most of the team heads straight home, but Gideon hangs back, calling you into his office.

"How are you doing after today?" he asks as you shut the door behind you and take a seat in front of his desk.

"Fine," you say simply, looking him straight in the eye. You're not sure exactly what you're feeling, but it definitely isn't fine. The few times your eyes fell closed on the flight back, you could still feel Frank's fingers pressing the tape onto your face.

Gideon scrutinizes you for a moment, his brow crinkling as he waits for you to elaborate. You can appreciate his intention, but you really don't feel like talking about it right now. Not when the memory of the cold metal on your skin is still fresh.

"Okay," he concedes after a minute of silence. It's not really a concession - you can already hear him recommending you for a psych evaluation - but it's enough for the moment. "You don't have to do it right away, but you need to eventually fill out an incident report. I can get you the paperwork now, but I mean it, take your time."

He reaches into his accordion file folder and pulls out a sheet of paper that's mostly blank, except for a few lines at the top. "Just hand it in to me or Hotch when you're done."

You accept the paper and leave his office, with a promise to head home soon. You heard his suggestion to finish it in your own time, but you can't imagine coming back to this at a later date.

Dropping into your chair, you lay the paper down on your desk and read over the form. The first section is the same as every other form you've had to fill out at the bureau: name, date, badge number.

The second half is just one line of instruction before a vast sea of white space. Describe the incident in detail.

Images from Frank's workshop flash in your mind. A roll of silver duct tape. A bloody washcloth. A rusted scalpel. Nothing you can effectively put onto paper.

The words don't come, even as the lights in the hallway automatically turn off, and the hushed voices from the nearby offices go silent. You eventually stand up to shake out your legs and get another coffee, not because you need it to stay awake, but because it feels like the normal thing to do. The idea of sleeping just takes you back to the darkness of the coffin, and a shudder runs through you as you pour yourself a cup and dump the muddy remains of the pot in the sink.

You're about to head back to your desk to fruitlessly stare at the form for a little while longer, when your eye catches on a small lamplight from Hotch's office at the top of the stairs. Gulping back a mouthful of stale coffee, you toss the rest in the trash and grab your report before hiking up the stairs.

"You're still here?" he asks when you knock on his door and push it open. "I thought you left hours ago."

The same question Gideon asked you earlier is etched into his face, but you know he won't voice it just yet. He was always good about knowing your boundaries (and when to push them).

"I could ask you the same thing," you smile with a shrug, before flopping down into the chair by his desk. "You really need to replace this chair, by the way. It's horribly uncomfortable."

He snorts quietly. "It's a perfectly fine chair."

You laugh, the sound quickly turning into a yawn.

"Go home," he stresses, dropping his pen and fixing you with a pointed stare.

"You first."

"I have work to do."

"So do I."

He looks down at the paper in your hands. "Gideon gave you the form already? I was going to give it you in a few days."

"I'm glad he gave it to me today," you say, before dropping your eyes with a sigh. "I've just been having some trouble finding the words to describe what happened."

"You don't have to do it now..." he starts, but you cut him off.

"I do. I don't want to come back to this later. I need to finish it now, while I still can."

"Okay," he accepts after a moment. "Then take your time. I'll be here."

You fall into a comfortable silence as you bring your pen back down and start writing.

***

He doesn't finish his own paperwork until well after midnight. When he looks up from his reports, you're asleep, your head resting on your crossed arms over his desk.

He would normally wake you and tell you to head home, but you look so peaceful for the first time in too long. Haley and Jack would have gone to bed hours ago, so he figures it won't hurt to stay with you for at least a little while as you get some much needed rest. He can't imagine that sleep has been coming easy - he saw you shaking yourself awake each time you closed your eyes on the plane - so he lets you slumber.

He still hasn't gotten the image of you with your hands and mouth taped out of his head, and he doesn't know if he ever will. When your legs had given out, his arms had instinctively shot forward to grab you before his brain could catch up. He can barely look at the bandages on your wrist now, where the tape rubbed your skin raw.

Standing up from his chair, he slides his suit jacket down his arms and steps around his desk. Being extra careful not to wake you, he drapes it over your shoulders and lets you sleep.

***

Hotch gives you the next week off, but the quiet solitude of your house is too much to bear with all of the memories swirling through your brain. You know he would have called you if there was a case out of town, so a few evenings later, you find yourself in your car, driving over to the Virginia field office.

When you walk into the bullpen, it's empty aside from Reid at his desk and Prentiss at the coffee station. It's late, and you assume Reid is just taking some notes down from the last case, but you aren't sure why Emily is still here.

"Hey," she says when she sees you sit at your desk. "Don't you have the week off?"

She looks exhausted, but you understand where she's coming from. The urge to overcompensate for being new. For not being the agent you're replacing. You felt it with Gideon when you were transferred here. She likely feels it with Elle.

"I needed to get out of the house," you explain, adjusting your seat and settling back.

"I hear that," she says, before putting a lid on her coffee cup and grabbing her bag. "I should actually go home for once, but I'll see you in a few days."

Spencer doesn't look up from his notepad until the sound of the door closing behind Emily jerks him from his stupor.

"You're here," he states, as though he's not sure if he is supposed to be asking a question or not. "What are you doing here?"

You shrug, smiling at him. For a genius, he can be kind of clueless sometimes. "I wanted to see you guys."

"Oh," he says, placing his pen on his desk, "well, it's just me here."

You grin. "Works for me."

That makes him smile slightly, but it falls in an instant. "I'm glad you're okay."

Your heart leaps into your throat. "Thanks, Spence, me too."

You expect him to return to his notes, but he just looks down and back up again. "Are you? Okay?"

You frown, more out of a lack of understanding, but he starts backtracking immediately. "I'm sorry, I shouldn't press-"

"It's fine," you reassure, pressing your lips together. "It's what everyone's thinking anyway."

He doesn't say anything for a moment, so you continue to fill the silence. "You just can't let the stares get to you."

"How, though?" he says after a beat. You're not sure what he's asking, but the confusion you're feeling must be mirrored in your expression, because he elaborates. "Ever since my mom came here for the Garner case, I feel like everyone has been looking at me, with all this...pity."

Your chest squeezes as you think about all of the lingering stares that followed him around in the week after Garner killed himself. Even Morgan couldn't hide his shock when Mrs. Reid showed up at the field office. "Have I?"

He shakes his head, and your chest relaxes with relief. Spencer glances up at you, and he looks so young for a second. "You're one of the few who hasn't."

"I guess I just understand the stares better than anyone," you sigh, feeling the familiar ache as your memories return to you in flashes.

You hear him suck in a breath as the realization dawns on him. "Agent Adler..."

You nod and Reid gives you a second to take a breath before he continues. "He was my instructor once, you know. At the academy."

You smile as your eyes shine with unshed tears. "Yeah, I know."

There's this kid in my hand-to-hand combat seminar.

Kid?

He can't be more than 20, maybe 21 years old. But the kid has guts.

You remember those nights before Jeff joined organized crime so fondly these days. The calm before the storm.

"He never treated me differently."

You look up with a sad smile, the memory receding as Spencer shares his own. "Hotch made me take a few physical training classes at the academy after I joined. All the other instructors acted like I was a joke, or a prank being pulled on them...but he never did."

That doesn't surprise you. Jeff was so nurturing and kind, much better than you ever were before you met him.

"I really miss him sometimes," he whispers softly.

You reach forward and press your hand on top of his. He doesn't pull back. "Me too, kid."

***

You can't remember the last time the team went out together. There was one night, what feels like years ago, when you all got dinner together after an especially cut-and-dry case that ended within the first day you arrived on scene. When the cases are long and hard-fought, it's not the same; everyone bolts the minute the jet hits the tarmac.

Tonight, something feels different. There hasn't been a new case in a couple of weeks, and everyone seems lighter.

"I'm back," Haley smiles, carefully setting two drinks down on the little high top table you are crowded around. "Spicy marg for Emily, and mojito for me."

You're still nursing the old fashioned you ordered a half hour ago, and Hotch is only halfway through his pint of Guinness.

"How are they treating you at the BAU, Emily?" Haley asks, before putting the straw in her mouth and taking a large sip.

"She means is he being nice to you," you grin, cocking your head at Hotch as he shoots you a look of mock-offense. You know I'm right.

He flashes his eyes. And?

"Everyone has been incredibly nice," she says with a smile as a waitress approaches you with a drink in her hand.

She sets it on the table in front of you and glances behind her. "That man over there bought this for you."

Haley starts hooting before the waitress has a chance to leave the vicinity. She's definitely starting to feel her mojito, but you would never judge her on her one night away from the baby.

"That was weird," you say, hoping you don't look as awkward as you feel.

Haley leans forward and grabs your hand, an earnest smile on her face. "You should go talk to him! Only if you want to, of course."

"Yeah, it's your night off," Emily agrees, shooting you a smirk over the rim of her margarita.

"I don't know, guys," you say, sliding the drink to the center of the table.

You can tell Haley isn't done encouraging you to have a wild night, so you brace yourself for the pounce, but thankfully, Hotch stands up just as she's opening her mouth, and takes her hand. "Come on, honey, let's go show them how it's done."

"Oh!" she smiles, her face lighting up as she follows him onto the dance floor. "You ladies don't have too much fun without me."

"Wouldn't dream of it," you grin, before downing the last of your original drink.

Emily watches them shimmy into the crowd, her chin resting on her palm. "They are so sweet."

"They've been that way forever," you agree, glancing back over at them as they dance lazily in the center of the dance floor. Haley's movements are a bit looser as she slides through his arms, but he keeps a firm grasp on her hand, keeping her upright even when it looks like she may fall.

He still looks at her the same way he did in high school, when he saw her at that first rehearsal for Pirates of Penzance. There's so much wonder in his eyes, like he's seeing her for the first time, every time.

***

You should be happier right now. You're done with high school, sitting in a sea of green caps and gowns with all of your friends, but all you can think about is how soon he's going to be gone.

You're going to be at different schools next year. Him at Harvard, you at UCLA, opposite ends of the country, for four years. The gravity of what that means didn't sink in until this very moment, the worst possible timing, because you're supposed to be happy right now.

"High school couldn't end fast enough," the girl next to you grins, her cap decorated with the glittery letters of the school she will be attending next year. "I'm so ready for all of this to be over."

You're not. You force your lips into a smile and let yourself glance a few rows up, just for a moment. When it's just the back of his head, you aren't confronted by the confusing emotions that have been swirling around your brain for the last few months. Of course you would realize you're in love with your best friend a semester before school ends. But that isn't the only reason your timing couldn't be worse.

You wave at your dad in the crowd, you is wearing more school colors than even you are, and he waves back enthusiastically. It distracts you for a moment, but then you face the front again, and your eyes are drawn back to the same place.

He turns back then, with a grin meant just for you, and your heart flutters like it's in a butterfly enclosure. You smile back, more genuine this time, but his attention shifts behind you after a quick nod. You don't have to turn back to know who he's looking at in the stands.

You shouldn't be surprised they got along so well, you practically set them up. After their first date, he seemed lighter than air, giddy with the impatient brush strokes of a first love. The look in his eyes now is the same as it was that day.

How did it go?

I'm gonna marry that girl one day.

You don't know why you had just assumed he was joking around. Hotch never joked about things like this.

Eventually, he turns back around in his seat, and you stare at your hands as you clasp and unclasp them over and over and over again until you no longer feel the cavity in your chest where your best friend used to be.

***

The next case comes in as you're working on your second drink. JJ corrals everyone at the bar into taxis, and sends you all off to the airport where the jet is already fueled and waiting.

"You missed a fun night," you note as Gideon climbs into the plane, a few minutes after the rest of you arrived.

"I had a good time," he says simply, before sitting by himself a few rows over. He hasn't spoken to you since he gave you the incident report, but you know it's not about you. Being forced to let Frank get away was hard on him, but you don't know how to assuage his guilt about your kidnapping if he won't even look at you.

Derek flips open his case file and huffs out a breath. "Well, good time's definitely over."

"The Kyles," JJ says, beginning the briefing as the plane takes off, "Dennis and Lacy were murdered an hour ago in their suburban Atlanta home."

You look up, assuming you heard her wrong. "Only an hour ago?"

"Police were on scene unusually fast," she nods.

Derek frowns. "Why?"

"One of the unsubs called them and told them that the other was about to murder the victims."

Prentiss lets out a humorless laugh from across from you. "You're kidding."

"From inside the house."

JJ scans the file again. "According to the dispatcher, the first male sounded terrified and begged them to get there before the other, who they both identified as Raphael, was about to kill the sinners that lived there."

Gideon enters the conversation with a confused frown. "Sinners?"

"Also, when they arrived, the police found this displayed prominently on the bed." She holds up a photo of a page that looks torn out of a book.

"Revelations, chapter 6, verse 8."

Gideon sighs. "They're on a mission. And mission-based killers will not stop killing."

***

Gideon was right, as he usually is. The killings don't stop, and videos of the murders are posted online, spreading the killers' message for them.

"JJ, why don't you and Reid go out there, see if you can find Mr. Hankel and see if he remembers something."

"On it."

Garcia calls almost immediately after they leave. "There's a new video from our psycho."

Hotch stills. "Get it on the monitor here as soon as you can."

The police officer you met at the first crime scene joins you, Hotch, and Morgan in front of the computer as the video appears on the screen. The first thing you see is the dirty mattress. Then come the dogs.

You avert your eyes as the woman's screams for help fill the room.

"Jezebel's death," Hotch whispers, almost to himself.

"My god," Morgan grimaces. "You can turn it off."

The officer suddenly leans forward. "Oh, wait."

"You haven't seen enough?" Morgan asks, disgust coloring his tone. He has two sisters, both of whom he protects fiercely. You can't imagine what he's thinking about as he watches the screen.

"Those dogs," he says, his voice growing in strength as he speaks. "Those three dogs attacked someone a couple of months ago. I would have had them impounded, but the victim knew the owner."

"You have the owner's name?"

He checks his notepad, flipping through it rapidly. "Hankel."

Your blood runs cold. "Hankel?"

"Tobias Hankel."

You're on your feet before he can finish saying his name.

***

The drive to the Hankel farmhouse is filled with hand wringing and nervous leg bouncing. You keep catching Hotch glancing over at you, but you don't care. You just need him to drive faster.

When he pulls up in front of the house, you and Emily throw your doors open before he can come to a complete stop. Hotch and Gideon head toward the house, so you lead Prentiss and Morgan over to the barn, where you can hear the faint sound of panicked breathing.

Lifting your gun and flashlight, you push open the barn door and are greeted by the sight of JJ pointing her gun at you. "JJ, it's L/N, Prentiss, and Morgan. You're okay."

She looks frenzied, her hair and clothes covered in a layer of sweat and grime. When her flashlight comes down, you notice the dead dogs on the ground.

"Tobias Hankel is the unsub," she gasps, stumbling over to you.

"We know, honey," you whisper, taking her arm and leading her outside, before glancing at Emily behind you. "Call an ambulance."

She nods and rushes over to the clearing in search of better cell signal as Derek steps forward, his face still twisted into a worried frown. "JJ, where's Reid?"

"They just completely tore her apart," she babbles, her eyes still frantic even as you put your hands on her shoulders to steady her. "There's nothing even left-"

"JJ, look at me."

Her eyes snap over to Morgan, and he brings his voice down again. "Where's Reid?"

"We split up," she says, her voice still tight, but slightly calmer. "He said he was going to go in the back."

"House is clear," Hotch calls from behind you, making you spin around, your mouth twisting with dread.

"So where is he?"

JJ's eyes glance back at the cornfield behind the house, and suddenly you're running. You can hear someone calling your name, but all you can think about is Spencer with an unsub who's idea of torture is biblical and cruel.

There are two sets of footprints in the dirt by the edge of the field, but after a few feet, they turn to drag marks. Oh no, oh god no.

***

The whole team - except for Reid, your brain keeps reminding you - sets up in Hankel's house, with even Garcia joining you on the scene to limit communication time.

You can't sleep as you alternate between reading Hankel's journals and hovering over Penelope's shoulder as she pores through his downloaded images and videos. Even as exhaustion pulls at your eyes, you periodically splash your face with water from the bathroom to keep yourself up. If anyone can understand how terrifying it is to be taken by a psychotic killer, it's you. Succumbing to sleep feels like a defeat, like you've given up on him.

You don't find anything useful until after Emily and JJ return from meeting with Tobias's N.A. sponsor, but in the sixth hour of scouring his journal, your brain clicks with a realization. "Guys, some parts of this journal match his father's handwriting. But they were written after he died."

"The bedrooms upstairs..." Gideon mutters, his eyes shifting up like they do when he's thinking. "One of Tobias's personalities may be his father."

Your brow furrows and you look down at the journal in front of you even as your eyes burn with fatigue. "Then who is Raphael?"

"My guess," Gideon sighs, "a mediator between the two."

Hotch looks at you, and you can see the concern etched into his face. "We need to start profiling Tobias's father. He may be the one who chose where to take Reid."

Morgan nods. "I'll get Garcia on it."

He leaves the room and Hotch comes over to the table, where you're still staring down at one of the journals. Your hands are covered in pink half-moon indentations where your nails were pressed, and he fights the urge to take you away from here, to save you from this hurt. "You should get some rest."

"I'm fine, Hotch," you whisper through gritted teeth. He can hear the worry in every word that leaves your mouth. The terror at the prospect of losing the team's youngest profiler.

"You didn't sleep at all last night," he points out gently.

"Neither did you."

You're not wrong. He didn't get a chance to shut his eyes either, but he's used to the sleepless nights. He supposes you are, too.

Your focus returns to the journal, and you don't notice as he slips out of the room and finds Gideon by the front of the house.

"Reid's brilliant," the older man sighs when he notices Hotch, almost like he's trying to convince himself. "He'll make it."

"I take advantage of Reid for his brain," he says softly, "but I never teach him how to handle things emotionally."

Jason shrugs. "Lead by example."

"What kind of example is that?"

For a bunch of criminal psychologists, you all still have no idea how to truly deal with losing people. Maybe that's just how life works. He thinks about the weeks after Jeff's death, when he wasn't sure if you would ever be okay again. Even as he held you while you cried, and promised that you would feel okay someday, he's not sure if he ever actually believed it.

But then one day, your eyes stopped shining at the mention of his name, and you no longer fell apart after each time you had to question a victim's widow.

Even after your mother's death, you were stoic. He remembers holding your hand at the funeral, but your grip was almost stronger than his, like you were holding him up with your sheer willpower to stay upright.

Seeing you now, he's not sure what will happen if Reid doesn't come back. He just knows he doesn't plan on finding out.

He and Gideon rush back inside when Garcia's voice frantically calls for everyone to look at Hankel's monitors. His eyes squint inadvertently as the video feed of Reid tied to a chair lights up the screens in front of them, almost like his brain is trying to block out the image.

Your hand flies to your mouth, but not before a small anguished sound escapes. "He's been beaten."

"This is for us," Garcia whispers, tears streaming down her cheeks. "He knows we're here."

"I'm gonna put this guy's head on a stick," Morgan spits out, before turning around and slamming his fist into the room's wooden door.

Gideon leans closer to the screens, clearly trying to take in any detail he can from the scene. "Why can't you locate him?"

"He's rerouting to a different I.P. address every 30 seconds," Garcia explains, her voice thick through the tears. "I can't track him."

***

The screens shut off and the video feed of Spencer is gone. Penelope starts frantically typing away at the keyboard, likely in an effort to regain the signal, but it doesn't seem to be working.

Your body feels heavy, like there are weights on all of your limbs. Realistically, you know it's mostly the stress and exhaustion, but you can't stop thinking about the frightened look on Reid's face and how he must be feeling.

When you walk back through the house, the sound of a hushed argument in the kitchen catches your attention.

"JJ, what do you want from me?"

You recognize Morgan's voice, and you almost turn away to give them some privacy, but something in JJ's voice as she responds keeps you at the door.

"I just...I want someone to tell me the truth."

"The truth is one of you is here, and one of you isn't. You gotta figure the rest out for yourself."

You're walking inside before you can stop yourself. "Morgan, go help Penelope with the video file."

He looks surprised when he sees you, but he doesn't argue before leaving the room.

JJ rakes a hand through her hair as you approach her slowly. She doesn't shy away as you stand next to her, so you reach out and squeeze her forearm once before pulling back. "I was terrified when Frank took me in Texas."

She looks up with a shocked expression, her eyes finally meeting yours for the first time all day.

"I was terrified," you repeat, "but I never lost hope, because I knew you guys would come for me, no matter what."

Her eyes crinkle with sorrow and you pat her arm again, almost as much for you as for her. "I didn't blame anyone for what happened to me, JJ. Reid isn't blaming you either."

Her lip trembles, and you pull her into a hug as the tears finally come.

***

"Your team members...choose one to die."

Spencer gasps on the grainy computer monitor. "Kill me."

"Tell me who dies."

"No."

The back and forth continues as Hankel stalks toward him and lines his revolver up with Reid's forehead. "Choose."

"I-I choose Aaron Hotchner."

The room stills.

"He's a classic narcissist. He thinks he's better than everyone else on the team. Genesis 23:4. 'Let him not deceive himself and trust in emptiness, vanity, falseness, and futility, for these shall be his recompense. In emptiness, vanity, falseness, and futility, for these shall be his recompense.'"

Reid's words sink in and you unconsciously reach towards Hotch, but he's already walking out of the room. You follow him into the other room, the rest of the team on your heels.

"I'm not a narcissist," he says, his voice lighter than you're expecting. He grabs a Bible from the table and quickly flips through it, landing on the verse Reid mentioned.

"Come on, look," Gideon urges. "You can't think anything from that. He's not in his right mind, Hotch."

He waves away everyone's concern. "No. Stop. Stop. All right, everybody right now- what's my worst quality?"

No one says anything. You can feel Morgan revving up, so you jump in to start things off. "You're a workaholic."

Your mind flashes back to your hometown's library, all the late nights where you would fall asleep in your chair as he worked away into the early hours of the morning. His home was a trigger after his father died, and you could see the guilt eating away at him as he realized he didn't miss his dad as much as he was supposed to. As much as Sean did. The guilt that wore him down as he struggled to figure out how to be there for his brother, when he couldn't understand his pain.

He nods at you then, and there's nothing but determination behind his eyes.

"You're a bully," JJ chimes in.

Morgan adds, "You can be a drill sergeant sometimes."

Hotch is still nodding. "Right."

"You don't trust women as much as men," Emily says, her voice wavering slightly.

"Ok, good," he says, tapping the page with his finger. "I'm all these things, but none of you said that I ever put myself above the team, because I don't, ever."

"Hotch, what's your point," you whisper, chewing your lip as you anxiously glance back at the screen.

He shushes you with a wave of his hand. "Reid and I argued about the definition of classic narcissism, and he knew that I would remember that, and he also quoted Genesis, chapter 23, verse 4. Read it."

You lean forward, taking the book from him. "'I am a stranger and a sojourner with you. Give me property, forbear a place among you that I may bury my dead out of my sight.'"

"He wouldn't get it wrong unless it was on purpose."

"Bury my dead," Morgan repeats, his eyes widening. "He's in a cemetery."

***

Hotch heads to the nearest cemetery with Morgan and Gideon, while you follow closely behind, with JJ in the seat next to you and Emily in the back. The drive is short, and you all throw yourselves out of the SUV when you park, as everyone spreads out to search the cemetery.

"Come with me," you tell JJ when you see her eyes flit around the darkness, a slightly panicked expression on her face. "We'll find him."

The wet mulch of the graveyard sinks under your quick footsteps, and you keep your eyes peeled as his name choruses around you, from all of the officers milling around.

The search ends with the sound of a gunshot, and when you get to the source, you nearly collapse with the relief of seeing Hankel on the ground as Reid kneels beside him.

"Spencer," you gasp as the other agents examine Hankel's body. He looks up at the sound of your voice and his face contorts for a second as you kneel in front of him.

A small sound leaves his mouth and suddenly your arms are crushing him to you, your panic ebbing away with the rapid rise and fall of his chest. "You're okay. You're okay."

Hotch reaches out when you break apart and helps him up before Reid pulls him into a tight hug that surprises everyone. "I knew you'd understand."

Hotch tightens his arms for a moment, before they both pull back and JJ throws her arms around Reid. "I'm so sorry."

He pats her back, and for a split second, you can almost imagine he's comforting her, instead of the other way around. "It's all right. It wasn't your fault."

She steps away from him and he asks for a moment alone, so you all move back a few paces, allowing him the time to come to terms with the death of the man who somehow both tortured and saved him. You use the second of space to catch your breath as you will yourself not to let the tears of relief fall.

When Spencer finally stands up, you grab onto his shoulder as he wraps his arm around you, and you help him over to the ambulance that is waiting by the edge of the cemetery.

"Thank you," you gasp as he sits on the edge of the vehicle, suddenly unable to help yourself.

He frowns, his hair hanging in sweaty pieces in front of his face. "For what?"

"For staying alive."

***

The next case takes you to New York, where you find yourself hyper-vigilant as you watch Spencer try to acclimate to the job again. You can't help but notice the small changes in his demeanor, including the snappiness in his tone as he responds to everyone's questions, but you attribute it to the shock of his kidnapping.

After returning from the city, you decide to take some time to complete the paperwork you've been letting slide. Hotch managed to head home at a decent hour for once, and JJ and Prentiss are no where to be seen, but you spot Morgan twiddling his thumbs at his desk, his eyes darting over to peer at Reid almost as often as yours do.

An hour into scribbling out a case report, you head over to the coffee station to refill your mug. It has cooled down since you made it a couple of hours ago, but it still tastes just how you like it.

Burnt, Hotch's voice grumbles in your head. Even when he's gone, he won't leave you alone.

Topping off your mug, you turn around to get back to work and end up bumping into Reid, who looks worse for wear than he did on the jet.

"Shit, sorry," you smile, trying to get him to meet your eye. "I didn't see you there."

"Watch where you're going," he snaps, before stepping around you.

You don't let him get away that easily. Grabbing his arm, you hold him in place as he tries to wriggle away. "Spencer, don't do that. You know you can talk to me about anything, right?"

"I'm fine," he says simply, his expression almost emotionless as he glances back at you over his shoulder.

"I'm serious," you say, putting extra emphasis on your words. "I know what you're feeling. I can help."

His expression shifts into one of animosity and something else you can't place. "You don't know anything about what I'm feeling."

His words are like a slap to the face, and he uses your break in focus to tug himself out of your grip and stalk over to the bathroom around the corner.

You press your lips together, willing yourself not to take it personally. He's just been through a horrifying ordeal. No one can expect him to continue on like normal, at least for a little while.

"Something is up with him," Morgan says from his desk, before spinning in his chair to look at the spot where Reid walked away. "He's acting...hostile."

"He's just adjusting," you say quickly, your protective instinct coming out in full force. You close your eyes for a moment to calm your voice down. "This is a normal reaction for what he went through."

Derek doesn't look convinced, but he doesn't press the issue. You don't even know if you're convincing yourself, because you know why this kind of hostility and irritation manifests: when you're hiding something.

You weren't a particularly crazy teenager, so you didn't have much to hide from your parents, but there was one secret you held until you left for college that manifested in your daily interactions. One secret that changed how you acted around your best friend, how you spoke to him, how you even looked at him.

You push the thought away before turning to stare at the bathroom door as it falls shut behind Reid. You know Morgan's right. You just don't know what to do.

***

"Hey, Reid," Derek says, looking at him with a small smile. "What's going on up there?"

He shrugs. "Just thinking of this old friend of mine from Las Vegas, Ethan. Pretty sure he lives in New Orleans now."

JJ called you at home a few hours ago with the briefing and an instruction to pack for warm weather. Wanting to pack light, you threw on the tank top you planned to wear, and a button-down for the flight. A few cursory glances around the jet tell you that almost everyone else had the same idea. Of course, Hotch is still in his suit, and Reid has on a sweater vest that you're sure he won't take off, even if the temperature skyrockets.

"Really?" Derek asks. "You going to give him a call?"

Reid shrugs again, and you absentmindedly wonder if his shoulders hurt from the number of times he has used that motion over the past week. "We grew up competing against each other in absolutely everything. Spelling bees, science fairs. We also both had our hearts set on joining the Bureau but first day at Quantico he backed out."

Emily, who is sitting next to you, looks up with a grin. "He probably just couldn't take the heat."

"It's not really for us to judge, is it?" Reid states, and her face falls immediately.

"Right. My bad."

He hasn't been as irritable in recent days, but sometimes a random response will rub him the wrong way. You find Emily's hand on the armrest and squeeze it once. She looks down at her hand and then at you, a grateful smile on her face.

JJ directs everyone back to the images that were recovered as you approach Louisiana.

"A slaughter like this takes time," you note as you examine the depth and shape of the wounds on the dead man in the photos before you.

"Andrei Chikatilo fantasized that the men he killed were his captives," Reid adds, chiming in from across the cabin, "and that torturing and mutilating them somehow made him a hero."

Gideon nods, looking up from his file. "This city's barely back to life. Something like this could cripple its psyche."

"So," you say, looking at JJ. "Where do we start?"

She sighs. "All of the records were washed away in Katrina."

"With no case files, there's only one place we can start," Hotch says, drawing your attention. "Square one."

The plane lands soon after, and you disembark into the midday heat, heading to the latest crime scene immediately after dropping your bags off at the station.

Instead of a body, there's a very alive man waiting for you all at the scene.

"You must be BAU," he says, reaching out to shake JJ's hand. "Will Lamontagne."

She smiles at him, accepting the handshake. "Hi, Jennifer Jareau, we spoke on the phone."

The detective is looking at her so intently, you almost feel like you're interrupting something by bring here. "Okay, then. I pictured you different."

You glance over at Emily, who is already looking at you, a smirk on her face.

"These are Agents Gideon, Morgan, Prentiss, and L/N," she introduces. "This is Detective William Lamontagne Jr."

He nods at you. "Appreciate you guys being here."

"Of course," you say, trying to keep the smile off your face as you shake his hand. Beside you, JJ has turned a light shade of mauve that you presently allow her to pretend is just from the heat.

***

"Morgan called," Hotch mentions when you finally meet him back at the station. He hasn't seen you since you got off the plane. "He and Prentiss think the unsub is a woman."

You ponder the idea, your eyes lighting up as the gaps in the profile get filled. "All straight male victims, killed while on a night out at the bars. Always in groups of other men, drinking. A woman would be able to lure them away. That makes sense."

He nods, turning back to the letters from the unsub. He's about to call the rest of the team back in when he notices your forehead crinkle out of the corner of his eye. You look up at him. "Wait, you said Prentiss and Morgan think it's a woman. What about Reid? Didn't he fly out with them?"

He sighs, mentally kicking himself for letting that slip. He doesn't want you worrying about Reid any more than you already have been, but he knows there isn't anything he can do to stop you. "Apparently he missed the flight. They couldn't get ahold of him."

"What?" Your brow furrows with concern, and he quickly interjects to keep you from spiraling. "They will be back from Texas any minute now, and Gideon said he spotted Reid heading over here a few minutes before you arrived. Nothing has happened to him."

"What are you talking about?" you exclaim, before bringing your voice down. "The worst thing happened to him. He's hurting more than any of us can possibly imagine. I just don't know how to help him get through it."

He doesn't correct you. He doesn't say that almost every single member of this team can at least somewhat relate to what Reid may be feeling, including you. Instead, he puts his hand on your arm and says, "You're doing all you can."

You sigh. "And what's that?"

"You're promising to be there when he's ready for your help." He sees the tension visibly leave your shoulders, and he pulls his hand back. "That's all any of us can do."

***

When another body is found in the French Quarter, the plan changes. Everyone disperses in pairs to cover the streets in the hopes of catching the unsub in action.

Even as night falls, the temperature doesn't, and you strip off your over-shirt, leaving you in a pale pink tank top. When you emerge from the bathroom, Hotch is the only one waiting for you outside, with all of the other pairs already patrolling Bourbon Street.

He gives you a funny look when he sees you tying your button-down around your waist, and you bump your shoulder against his with a laugh. "What are you looking at?"

He exhales in a quick burst, before meeting your eye. "You look different."

"That doesn't sound good."

"No," he shakes his head, his eyes blinking shut as he clearly regrets his choice of words, "no, it's good...uh, you look good."

Your stomach flips and you turn your face down to hide the smile that's threatening to appear. "Thanks, Hotch."

He huffs out a laugh before leading you up to the bars, where tourists are bustling around in large groups. The sounds of buskers playing their accordions at the street corners loosens a memory from your brain, and you turn to him with a bright smile. "Remember your first performance of Pirates of Penzance?"

He frowns. "I remember it being my first and last foray into the world of theater."

"No," you giggle, glancing around you periodically even as you continue the story. "I mean, do you remember how that one accordion player tripped and almost fell into the orchestra pit like ten minutes into opening night?"

His eyes light up at the memory and he laughs. "I thought it was hilarious, but Haley was so stressed out the whole performance. To this day, I've never seen that vein in her forehead get so big."

"You were pirate number four," you chastise him with a grin. "She was one of the leads. I hardly think you can compare experiences."

He shrugs, his eyes still scanning the vicinity. He looks like he wants to say something, but then you both notice Morgan and Reid rushing towards one of the side streets and your conversation halts. "Let's go."

***

With help from Detective Lamontagne and his late father, the team is able to catch the unsub right before she kills another man. Once she's in custody, you wait outside by the ambulances, watching from afar as JJ and Will talk by his car.

After a few minutes, she hands him something and walks back over to where you're standing. "I can't believe I just did that."

"What did you do?" you ask, trying not to laugh at how freaked out she looks.

She puts her face in her hands for a second, before looking at you with a sigh. "I gave him my number."

"That's good!" you smile, squeezing her arm. "That's good, right?"

"I don't know," she says softly, her eyes squinting as she looks at you. "He seems really sweet. And he's clearly great at his job. I think the distance just worries me."

"You can take it slow," you tell her earnestly. "This doesn't have to be any more serious than you want it to be."

"What if I want it to be serious? Eventually, I mean."

You can't help but smile at the look on her face. You recognize it on yourself from when you first met Jeff: the excitement of possibility. "Then that's up to you too."

She nods, and you let out a smile. "Let loose, JJ. He seems like a good one, and you definitely deserve something good."

JJ glances over at the police cars, where Will is talking to one of the paramedics. "I hope so."

***

You sit by yourself on the flight home, giving yourself a bit of time to unwind from the case. You don't encounter female unsubs often, but the ones that arise always have a tendency to get under your skin. Maybe it's because their motivations seem so different from the others. Or maybe you just feel bad for them.

You're so zoned out that you don't realize Spencer is sitting next to you until he taps your arm. "Hey."

"Hey, Spence," you smile, trying to keep your tone light so he doesn't think you expect too much. "What's up?"

He looks down for a beat before meeting your eyes. "I'm sorry."

Your heart twists and you press your lips together to keep from speaking too quickly. "You never have to apologize to me."

"I do," he says, shaking his head. "Please just let me."

He looks so strong all of a sudden. You haven't seen him look so steady in months, and it makes your chest feel lighter. "Okay. I forgive you, Spencer."

He nods, making a move to get up, but you don't let him get away just yet. "Just promise me something."

He purses his lips, like he's unsure of how to respond, but eventually he dips his chin into another nod.

"Promise me that next time you feel this way, you'll come to me."

He looks at you with an expression you can't decipher, but it quickly falls into contrition. "I promise."

***

"What are you thinking about?" Hotch's shoulder bumps yours as he sits down on the edge of the desk next to you.

"Nothing," you say quickly. He's not sure why you're lying. He can sniff out your dishonesty from a mile away.

"I thought you and Reid got a chance to talk on the plane last week," he frowns, following your line of sight.

You sigh, turning your gaze away from the younger agent. "We did. I just keep thinking about what he said about the unsub at the last scene."

He's like a drug addict.

It would be almost impossible for him to quit without help.

"All of us knew," he says softly, his eyes turning up, searching for something he can't see. "To some extent, we knew. But he's doing a lot better now. We just have to give him time to trust us with the truth."

Your eyes find his. "How did you know you could trust me? When we were kids, I mean?"

Your question takes him aback. He wants to say something profound, to mention a specific moment when he realized that he could share the worst parts of his life with you without the fear that the world would end, but it wasn't that poetic. All he knows is that you were a kid, and he was too, and the first time you saw the splotches of black and blue painting his skin, you didn't turn away. You looked at him, not with pity or sorrow, but with a strength that he still draws from to this day. "I think I just knew you would always be there."

You ponder his words, your eyes traveling back to Reid, who is flipping through a book he brought with him. He knows there are a lot of ways you could take what he said, but he believes you'll take what you need, because he was telling the truth.

You really were always there for him. Even when you weren't - either because of physical distance or because you were in a fight - he never doubted that you would be there if he needed you.

"Come on," he says after a beat. "Let's head back."

You nod, your mind still a million miles away. "Okay."

***

Friday nights used to be your date night. Jeff would promise to be home by seven, usually with a bottle of wine and a bouquet of flowers, and you would cook something special together before watching a movie or falling into bed.

After he died, Friday nights became your least favorite time of the week, serving as a constant reminder of what you should have, and no longer do.

Today, for the first time in over two years, you think you might be ready to remember those nights you used to love. Grabbing a bottle of cabernet from your pantry, you pull out a thin-stemmed glass and pour yourself some wine. Your heart thuds heavily as you swirl the wine around, and you are willing yourself to bring the glass to your lips when your pager goes off. You feel a shameful sense of relief as you set your glass down and reach for your purse.

181 Arthur Street. Why does that look familiar?

You wrack your brain for a second before it clicks. It takes you less than a minute to toss your wine into the sink and grab your coat.

***

"Where's Gideon?" you ask when you spot Hotch and the team standing in his kitchen.

"He's not here," he replied. "It seems he left in a hurry."

Morgan looks at him with an urgency you recognize in yourself. "PD thinks he did this?"

"They have six witnesses who saw him running down the street covered in blood, wielding a gun."

"Okay, he was probably chasing the son of a bitch who did do this."

Hotch shrugs, and you can feel the momentary helplessness in the motion. "Either way, we're under strict orders not to get in the way of the investigation."

"Gideon's a suspect," Emily nods, "we're his colleagues."

"Conflict of interest," JJ agrees. "There's no way they'll ask for our help."

"Which he needs badly right now."

You turn into the bedroom to look at the crime scene for the first time. The mutilation of the victim's body brings a familiar nausea to your stomach that you swallow down. "Do we know who she is?"

Hotch comes in behind you. "An old school friend." He turns back to spout off a list of instructions to JJ, but you can't take your eyes off of the woman.

Evisceration of the torso. Removal of various organs. No defensive wounds.

Something in her hand catches your attention and your eyes flicker down to see what she's clutching. Using one of your gloved hands, you pry open her fist and reveal a broken piece of bone. A rib bone.

"Frank," you whisper, almost to yourself. "It's Frank."

"What did you say?" Morgan asks, stepping up next to you. You unfurl your hand to reveal the bone, and he swears under his breath. He turns around to address the rest of the team. "Frank's back."

After JJ snaps a dozen photos of the crime scene on her phone, you all head out into the night air to regroup and formulate a game plan. You hang behind the team on the walk out, your mind spinning with memories of hands and voices you still see sometimes when you're trying to fall asleep.

"Y/N." Your eyes snap up to Emily's as she strolls alongside you. "You okay?"

She looks sincere, and you find yourself wanting to talk all of a sudden. You nod, heaving out a sigh. "Yeah, it just feels very fresh all over again."

"I can imagine." She takes your hand and gives it a small squeeze. "You can come to me if you need a break from all of it."

She leaves you with an earnest smile, and you realize, not for the first time, how glad you are that she's on the team.

***

You aren't able to save Rebecca Garner this time. Frank kills her, and you once again feel that familiar bitterness of nausea rising in your throat as you see her mutilated body.

When you realize he's going to go after children again, you join Hotch and Morgan as they go to Tracey Belle's house.

"We need a crime scene team," Hotch barks into his comm when the home comes up empty, no trace of anyone inside.

"That's my house!"

You turn around and see Tracey's parents running up to the entrance, panic reflected in their eyes.

Hotch steps forward to block them. "Mr. Belle..."

"You have to let us in. My daughter's in there."

He turns to the mother. "Ma'am, you can't go in right now."

"Where's Tracy? Where is she?"

You can see the interaction pulling him down, like a ship anchored to the sea floor.

"What's important to know right now is Tracy is alive, okay? Your daughter's alive."

S.W.A.T. takes the parents aside to explain the situation to them in more detail, and you go to Hotch's side as a pained expression crosses his face. More than anything, you want to comfort him. To tell him that Tracey isn't Jack, that this won't happen to him...but how can you?

Gideon's girlfriend was murdered tonight. Jeff was killed while undercover. Your mother was killed by a drunk driver. No one is ever really safe.

Your eyes flash back over to Mr. and Mrs. Belle, and your chest tightens almost uncontrollably as you imagine how scared Tracey must be.

When Emily and JJ find Jane in a holding cell at the local precinct, her knowledge of Frank's backstory provides more clues about his whereabouts. You go with JJ and Reid to his mother's apartment in Manhattan, while the rest of the team heads to the train station to find Frank.

The idea of Tracey being all alone, frightened for her life, plagues your every thought as the three of you drive to the city. You try to clear your mind as you push through the front door and check for any sign of life. Instead, what you find is the dusty corpse of Frank's late mother.

"Guys, over here." Reid points to a latched door. Stepping around the bed, you immediately unlock the door and throw it open, revealing the tiny, shivering form of Tracey.

"Oh, sweetie," you gasp as sits up in fright, her posture only relaxing once she sees the FBI vests. "You're okay, honey."

You undo the ties on her wrists and she all but falls forward and into your arms. You pull her into a tight hug, making sure to be careful of any possible injuries she could have sustained. The feeling of her chest rising and falling against yours brings you a familiar comfort, and you squeeze her tighter, before finally letting go.

***

He finds himself in Strauss's office again as he explains what happened with the Frank case. How he killed himself and Jane, but he can't bring himself to take that as a failure, because he knows she never would've found the strength to leave him anyway. "Once again, the team has battled a monster and won."

"The future of the BAU is not in the balance here." Her eyes are brimming with scorn. "The residual impact as a result of the investigations into the crimes and criminals you pursue is. Every cause has its effect."

He almost scoffs. "You think I don't know that?"

"I believe you are no longer effective in your post."

There it is. He knows she never liked the way he handled his team. The next words are out of his mouth before he can stop them. "The modern furniture, strategically placed magazines, the framed diplomas, the art on the wall are all in conflict with your family photos."

Her eyes widen but he just continues, undeterred.

"You have three children, but you favor the middle one, your son."

"What do you think you're doing?"

"Of course you love all your children," he shrugs, "but not like your son."

Strauss twists her hand into a fist. "That's enough."

"The bonsai that you obsessively nurture is to compensate for feelings of failure as a mother..."

"Agent Hotchner," she says, her voice bordering on rage. "I said that is enough. My position is not in question here. As your superior I am questioning your ability to lead your team."

"My team?" he scoffs, unable to keep the malice from his tone. "Let me tell you about my team. Agent Morgan fought to protect his identity from the very people who could save him. Why? Because trust has to be earned and there are very few people he truly trusts.

"Reid's intellect is a shield which protects him from his emotions and at the moment his shield is under repair.

"Prentiss overcompensates because she doesn't yet feel she's a part of the team. She needn't worry.

"Every day, Agent Jareau fields dozens of requests for our team. And every night she goes home hoping she's made the right choices.

"Garcia fills her office with figurines and color to remind herself to smile as the horror fills her screens.

"Agent Gideon in many ways is damned by his profound knowledge of others, which is why he shares so little of himself. Yet he pours his heart into every case we handle.

"And Agent L/N," he pauses finally, taking a moment to find himself again, "she has taken the immense loss that life has handed to her and transformed it, not into cynicism, but into empathy, for her team, for the victims, for the world."

Strauss doesn't say anything, and he can't help the vindication that shines through his voice as he says, "I stand by my actions and I stand by my team. And if you think that you can find a better person for the job, good luck."

"Agent Hotchner," she emphasizes, making him look back at her one last time.

"How do I know you favor your son?"

She simply looks at him, a mixture of irritation and shame on her face.

"I'm good at my job."

***

"What's wrong?" Hotch looks up in surprise as you sidle up next to him. He was staring at the portrait of the FBI director, hanging in the hallway outside the bullpen, and he only does that when he's professionally stressed.

He looks like he wants to avoid the question, but you fix him with a glare that makes him sigh. "We're being evaluated."

"Doesn't that happen every year?" you ask, still not understanding.

"It's six months early."

You take a deep breath. This past year has been tough for everybody, but you think the team has come through the other side better people. "So they're assessing our unit. It'll be fine, we did great work this year."

"The only file they didn't request was mine."

That sends a spike of anxiety through your bloodstream, but he doesn't need your fear. "They could never fire you. You stepped up to the plate when Gideon left. You helped make this unit what it is."

You're the reason I joined at all, you want to say. You made this unit my family. I can't imagine being here without you.

But that isn't fair. He doesn't need to carry this with you. This burden of having no one else.

So instead you just smile at him, bump his shoulder with yours, and say, "You're going to be fine. This team wouldn't be the same without you."

TAGLIST: @citrusiove, @distortionbobble, @sanayikes (message me to be added!)

388 notes · View notes

ckret2 · 2 months

Text

Chapter 44 of human Bill Cipher wishing he was trapped in the Mystery Shack again:

The Eclipse: Part 2

Gravity is disappearing, and to find out why, Ford's inspecting the sites where the fabric of spacetime might have been damaged by Weirdmageddon. Dipper's glad to come along.

Bill really, really, really isn't.

"I am genuinely offering you helpful advice, that also happens to be self-serving because you idiots wouldn't trust me if I claimed I was being charitable anyway," Bill went on, as he'd been going on for the past five minutes. "This isn't a trick! I'm not running a con! I'm completely serious: being outside during an eclipse is the stupidest thing you could do. You don't want to watch it, I want to watch it even less, staying inside is mutually beneficial!"

"Do you think I should have brought my camera?" Dipper asked, determinedly ignoring Bill as he trailed behind them.

"What for?" Ford asked, also ignoring Bill.

"I've been trying to expand my Guide to the Unexplained series this summer—I've been doing longer episodes, a couple of them are ten minutes—but I wasn't sure if we'd see anything cool and my backpack was already heavy..."

"Hmm. I suspect either there won't be anything worth seeing—or, if there is, we'll be far too busy dealing with it to record footage."

"Yeah," Dipper sighed, "I guess you're right."

"This is why my journals have more illustrations than photographs."

Bill let out a loud groan of frustration before jogging to catch up with the humans. He checked the trail ahead to make sure he wasn't about to trip, then turned to walk sideways, facing Dipper and Ford as they walked. "Okay, fine, you win. So, just to be clear—the only reason you two are dragging me out here is to check a few locations for these imaginary 'micro-rips' you think are shredding the fabric of reality apart. Right? As soon as we've checked the three places you want, it's over, you admit you were wrong, and we go back to the shack?"

"Yes, Cipher," Ford sighed. "Once we've checked those locations, if we can't find evidence that any of the areas of most concern are near the one hundred thousand micro-rip danger threshold, we'll go home. Since dimensional rips could pop up anywhere around Gravity Falls, there's a possibility there could be clusters over the danger threshold away from the three areas of concern, but with no way to guess where they might be—"

"Fine. Then let's get this over with," Bill said. "Totality is in two days, if we're back home by tomorrow night we'll still avoid it. But if you try to drag me outside again after we get back, I'm hitting everyone with the Amnesia Limina curse and nobody's going outside."

With that threat delivered, Bill cartwheeled ahead of the humans, landed on his feet, and bounded ahead in long moonwalking lopes.

"Any idea why gravity's going down faster for him than the rest of town?" Dipper asked.

"Only that, if there are rips opening between us and the Nightmare Realm, perhaps they're giving Bill back some of his powers," Ford said. "Perhaps his powers are stored in the Nightmare Realm. Although I don't know how that would work." It was a better explanation than Bill's claim that he could just float better than humans, anyway.

The bracelet around Dipper's wrist momentarily tightened as Bill reached the far end of his invisible tether, then loosened as Dipper continue forward; and then tightened a second time, and a third time. From up the trail, Bill shouted, "Would you hurry up!"

"You slow down! Some of us still have to walk!"

But even so, the slowly decreasing gravity was making the hike noticeably easier. Their backpacks sat lighter on their shoulders, and each stride seemed to carry them a little higher and farther than they expected. They startled a deer, and then the deer startled itself with how high it jumped.

"On second thought, it might not be a good idea to take him back to the shack while this is going on," Ford said. "Even if there aren't enough micro-rips in the basement, I'm not wholly convinced it won't end up the epicenter of whatever's about to happen. And if Bill wants so badly to be so close to it..."

From further up the trail, Bill shouted, "If you were any more paranoid, you'd be asking your own shadow why it's following you!"

"If you had access to any more of your powers, you'd be possessing my shadow!"

"Ha!" Bill had stopped to perch on a fallen tree that on any other day would have been far too slender to hold an adult's weight, balanced on it like a tightrope, and waited there for the others to catch up. "Fine, we don't need to go back to the shack, whatever makes you happy! As long as we get inside. Stanley's camper, a motel room, the old Corduroy cabin—hey, the Northwest place is pretty empty these days, isn't it? Is Specs renting out rooms, or...?"

"I am not taking you to Northwest Manor," Ford said. "Fiddleford's had enough trouble without letting you into his life again." Although that was only one of several reasons Ford wanted to keep them apart. For Fiddleford's safety, they couldn't risk Bill finding out that Fiddleford had been told his identity; and, now that Bill had confessed he could see through walls, they couldn't give him a chance to peer through the manor's walls and discover the ongoing paradox fuel synthesis project.

Bill laughed in disbelief. "Oh now you're concerned about somebody else's wellbeing, when it's his—fine! Fine, fine, fine! That's just fine! That's great! Terrific!" He hopped off his perch. "No evidence of self-preservation and let's not even think about respecting the triangle's wishes, but when the hillbilly might be in imaginary danger—!"

"That 'hillbilly' is one of the most brilliant men alive and the best friend I've ever known—"

"Ha!" Angrily, Bill yelled, "Some best friend, he erased you straight out of his head! You don't even know what a best friend is!"

Ford winced—he knew he'd never been much of a friend back to Fiddleford—but while he was gearing himself up to defend himself against whatever accusation Bill lobbed next, Bill turned away from the humans and stormed up the trail, leaving them behind as the weaving path took him behind several trees.

Every couple of steps, Dipper's bracelet twitched against his wrist as Bill tried to get even further ahead and was thwarted. He chuckled. "Do you think you touched a nerve?"

The corner of Ford's mouth quirked up; but he shook his head. "He's just mad he's not getting his way. As usual."

####

"I take it this is our first destination," Bill said, hands planted on his hips, looking around the forest. "This looks like the area where Shooting Star gave me the rift."

Dipper said, "You mean the place where you tricked—"

Bill shoved Dipper's hat down over his eyes. "Anyway, that aside, all the glued-shut wormholes and this are a bigger hint." He tapped the tip of one dress shoe—dusty after a walk in the woods—at the start of a long crevasse in the ground weaving through the trees.

"Yes," Ford said distractedly, taking his micro-rip scanner out of his backpack and turning it on. "This is the place." He took an initial reading, frowned, and followed the crevasse deeper into the woods.

Bill trailed along after him, gesturing at the jagged lines of bending light hanging in the air. "You did a terrible repair job, by the way. Stretching the edges of the rips to meet like that puts more stress on the reality in between the rips. You should have sutured them and let them heal naturally," Bill said. "If there are a bunch of tiny rips in the area, your own shoddy work probably caused them."

"Mm-hm," Ford said, fully focused on the scanner.

Bill's shoulders slumped. He hopped to the other side of the crack in the earth from Ford and strode ahead purposefully, ignoring him.

He glanced at a wooden sign staked next to the crack, nearly passed it, and did a double take. The sign read "MABEL'S FAULT". Bill laughed in surprise. "Who did this?"

"What—?" Dipper caught up and saw the sign. "Oh."

####

2012

Mabel's smile faded as she entered the clearing. "Oh. I... think this is the place where—Bill tricked me in Blarblar's body."

"Guess that explains all the rips in this area," Dipper said. He patted Mabel's back.

She looked down—and spotted the new crack in the ground. She gasped, immediately latching on to the distraction. "Hey, what's that! That wasn't here before!" She knelt next to the crack and peered inside. "Whoa!"

"Huh. Maybe it opened up when the rift broke?"

"How deep do you think it goes?" Mabel hopped back up, straddled the gap, and yelled down into it, "Hello!"

"Careful," Dipper said. "What if it's unstable?"

"We should give it a name," Mabel said. "It's a new geographic feature! We can put it on maps and be famous! What'll we call it?"

"Huh." Dipper stroked his chin. "Well... it looks kind of like a miniature fault line... and you were here when it formed, so I guess that kinda means you discovered it... so maybe... 'Mabel's Fault'...?"

Mabel stared at him.

Dipper's eyes widened in horror. "Oh. Ohh no."

Mabel bit her lip.

"I didn't mean it that way! I swear I didn't mean it that way—"

"Dipper!" Mabel cracked up. "We're calling it that."

"No," Dipper said, mortified. "Oh my gosh. I'm so sorry. Please please don't—"

"Grunkle Staaan, Grunkle Fooord!" Mabel took off toward where they'd last seen their grunkles. "Did you hear what Dipper said—!"

"I'm sorryyy!"

####

2013

Dipper cringed. "Look, I didn't hear it until I said it out loud, okay—"

Bill burst out in shrill cackles.

"I didn't mean it!"

"Y-you're the worst brother ever!"

Dipper groaned, contemplated climbing down into the fault, and instead settled for pulling his hat down over his face again.

Ford passed by with the scanner, shot Bill a suspicious sideways look, and demanded, "What's so funny?"

Still laughing, Bill gestured at the "MABEL'S FAULT" sign.

"Oh." Ford glanced at Dipper, fought not to smile at the poor kid's embarrassment—he'd gotten enough teasing last summer—and said, "Right." He moved on.

"Hey," Bill called, "What's the score?"

Ford paused, but didn't reply.

"Well?" Bill pressed. "You're already past where the rift broke! Don't you figure that's where the most rips would be?"

Ford said, "The scanner's detecting about fourteen thousand."

Bill whistled. He meandered back to Ford's side of the fault. "Sounds like a lot. I'm telling you, the wormholes in this place should've been sutured, that's what your problem is."

"It is a lot," Ford said brusquely. He hesitated. "But."

"But?" Bill prompted.

"But... it's less than a fifth of what we'd expect to see if the fabric of reality were falling apart."

"Wow. Let me pretend to be surprised." Bill made zero effort to look surprised. "That's because the fabric of reality isn't falling apart. You idiot."

Ford glared at his scanner silently.

"You fool," Bill tried. "You buffoon."

Ford rounded furiously on him. "The more you say it's nothing, the more you just convince me that you're lying!"

"Which is stupid! If you always assume I'm lying, how do you know I'm not saying 'it's nothing' to trick you into thinking it's something when it isn't!"

"I don't know! There's no way to know with you! That's why I'm checking with a scanner!" Ford pointed aggressively at the scanner. "Because I'm a scientist!"

"You're a pretty pathetic scientist if you refuse to listen when the expert on a topic tells you what's—"

"—maybe if the self-proclaimed 'expert' weren't a mythomaniac—"

"Guys," Dipper said tiredly. "You've had this argument three times. Can we move on?"

Ford closed his eyes and let out a long sigh. "Right."

"No," Bill said. "Not until I win it."

"Can it, Bill." Ford glanced toward the sky to orient himself, looked around for the path through the trees, and started walking. "Come on. Next site—the place where the rift closed."

Bill clenched his jaw. Under his breath, he muttered, "As if I've ever done anything in my life to make me look untrustworthy..." He glanced up as well—and his gaze lingered on the sky much longer than Ford's.

####

"So I was thinking about what we could do after this," Dipper said, looking hopefully up at Ford.

It took a moment for Ford to drag himself out of his thoughts and look at Dipper. "Yes? You mean after..."

"After the ecl—" Dipper winced, "the... rips get sealed, or whatever's going on." He'd pulled out his journal and was holding it hopefully. "Maybe... I could show you the research I've been doing on the Fremont Nightwigglers? I think they've been stealing pants in town."

He gave Dipper a little more attention. "Is this one of their migration years?"

"Yeah, I think so! One was caught on a security camera—or at least what looks like one. Here." Dipper flipped open to the two-page spread he was currently working on and held it up for Ford to inspect.

He studied the pictures, smiling slightly. "Would you look at that. Very impressive research. I only experienced one migration during my time in Gravity Falls, and they'd all but moved on by the time I caught wind of it. Never even saw one—I had to interview the townspeople to get a description of them."

"Really? I don't remember seeing them in your journals."

"Ah, they never made it in. I was focused on compiling magical spells and artifacts for Journal 2 at the time. I took some notes with the thought of putting them in Journal 1, but never felt like I'd collected enough information to write about them—especially when I hadn't witnessed one myself," Ford said. "You've already collected more here than I ever did. I wasn't even sure they were real!"

Dipper's face lit up. "Really? It's not that much—I still haven't found one yet either, it's mostly interviews about the crime spree."

"It's more real investigative work than I did on them. I only got as far as asking a couple of people at the diner to describe the local stories. You've got the dates and times they've been hitting the stores."

"I guess so." Dipper beamed proudly. "I haven't heard any 'local stories' about them, though. I only recognized them from a documentary I saw on Californian cryptids."

"That might be the Blind Eye's handiwork. Everyone recognized the name when I lived here. I'll see if I can dig up the notes I took, you might find the information valuable," Ford said. "I'm not sure where I left them, but they're probably still somewhere in my study."

"Scrapbook in your study on the top right corner of your desk," Bill said. "Under the box of glue bottles. You're welcome."

Ford threw him an irritated look. Bill had gotten ahead of them while Ford was looking at Dipper's journal, and now he was crouched beside a creek, scooping up handfuls of water, momentarily inspecting them, and letting them spill back out. The eye on the hood stared balefully up at Ford from Bill's back.

Ford asked, "What in the world are you doing."

"Communing with the dread harbingers of the coming eclipse," Bill said flatly. "You can't see them of course, they're invisible to you."

"Of course." Ford muttered, "I don't know why I bother to ask."

Under his breath, Bill mumbled, "Don't know why he bothered to ask."

Ford studied the creek and checked his map. They were hiking east toward the lake, with the town to their south and the cliff to the north; the creek ran north to south in front of them. On the other side of the creek, southeast of them, was a thicker, overgrown part of the woods, the shadows between the trees darker and quieter. "This seems like a safe place to wait," Ford said. "Dipper, you stay here while I scan the next site. Keep him out of trouble."

Dipper nodded. Bill cast Ford a sullen look, then rolled his eye and looked back at the water.

"After I've checked the next spot, we'll follow the cliffside to the lake," Ford said, pointing northeast, away from the dark area of the forest. "If there's still daylight, we can take a boat behind Trembley Falls and set up camp inside the cave."

"Sounds good." Dipper looked at Bill's tiny borrowed backpack. "You... didn't bring a tent, did you."

"Sorry, do you think I have a tent to bring?" Bill asked. "Do you expect me to slide an entire tipi out of my—"

Ford interrupted, "Dipper, you brought a tent, right?"

"Yeah?"

"Then that's sufficient. You can share my tent and we'll set up Bill's as far from ours as possible. We'll be safer that way."

Bill ignored the implicit accusation with silent dignity.

Dipper nodded. "Good idea."

"Now, let's see..." Ford studied the creek. It was much wider than he could usually jump, but under the current gravity conditions... He bounced on the balls of his feet a couple of times, testing how light he currently felt; then took a few steps back, got a running start, and with a "hup!" leaped across the creek. He cleared it by several feet and almost ran into a tree.

Dipper gasped. "Are you okay?"

"Fine, Dipper! Just... don't know my own strength." How low was gravity now, he wondered? He could see grass swaying beneath the surface of the creek. It hadn't rained lately; without as much gravity, even water was being pulled down less, letting it rise higher and flood the creek's banks. He hoped they figured out how to reverse this before the lake flooded. When they made it into the cave, they'd have to camp on high ground. "I'll be back in a few minutes."

Dipper side-eyed Bill; but when he kept gazing into the water without a word, Dipper said suspiciously, "What, no complaints about camping?"

"What's there to complain about?" Bill asked.

"I don't know, you've complained about everything else so far."

"This is the only part of your expedition that isn't a terrible idea," Bill said. "I love camping! Hypothetically. The Nightmare Realm isn't known for picturesque campgrounds. But hey, I like being surrounded by trees. And a private tent? Deluxe accommodations! It's just too bad you'll be dragging the mood down."

"Hey."

Bill laughed. "You're too easy."

Dipper scowled. "You don't seem like the type to be into camping."

"Why not?"

Dipper thought about it. "Man, I dunno, you just—seem like a city person? You're always talking about how much you want to throw wild parties, that's basically the opposite of camping in the woods."

"Is it?" Bill asked. "Welcome to the cult of Dionysus."

Given what Dipper could remember about Dionysus from the book of Greek mythology he'd read in sixth grade, he supposed wild parties and hanging out in the woods weren't mutually exclusive. So what was it about Bill that made Dipper feel so strongly that he wouldn't be caught dead roughing it?

Finally, Dipper said, "I guess it's the top hat and bow tie."

"They're not a top hat and bow tie."

He gave Bill a perplexed look. "Really? What are they?"

"Did you ever read that horror story about the bride with a velvet ribbon tied in a bow around her neck, and when her new husband unties it, her head falls off her neck and bounces down the stairs—?"

Dipper shuddered. "I'm sorry I asked."

Bill laughed.

After a brief silence, he finally dragged his eyes away from the water and impressively flicked a couple of mosquitoes out of the air with a finger. (Dipper wished he could do that. His arms were coated in soothsquito bite messages. He wondered what "BURN TACK" was supposed to mean.) Bill took off his backpack, rummaged around in it, and muttered, "I should've brought a book." He looked around the bank of the creek for a patch of sunlight, pushed his sleeves and leggings up to expose as much skin as possible, and flopped down in the light, eyes shut and hands laced on his chest over the backpack.

Dipper supposed that meant he was being ignored. He took his journal back out and flipped to the section on the Nightwigglers. He'd need some empty space to add Ford's local folklore once they got home. Was there any open space in the next few pages?

"It really shouldn't be called 'Mabel's Fault,'" Bill said out of the blue. "It's not her fault. It should be called 'Bill's Fault.' I'm the one who made it, aren't I?"

Dipper lowered his journal. "Sorry, are you actually accepting blame for something? You're admitting you did something wrong?"

Bill didn't even open his eyes. "I'm not 'accepting blame,' I'm claiming credit. Weirdmageddon was great. Can't help that you're all too boring to see that."

"But you said 'Bill's Fault.' Not 'Bill's Triumph' or something."

"Sure, because we're talking about a geological fault. Don't read too deep into it, kid."

"Pff, no, you definitely said it was your fault. I can't believe Grunkle Ford missed that—"

Bill abruptly sat up. "Hey. What's the 'next site.'"

"What?"

Bill counted off on his fingers, "Six-Fingers said there are four sites you want to hit, right? The place where the rift formed, the place Weirdmageddon started, the place the rift was during Weirdmageddon, and the place Weirdmageddon ended. The rift formed at the portal—been there—Weirdmageddon started at the fault—been there—during Weirdmageddon it was in the sky—going there tomorrow—so where did Weirdmageddon end? Wasn't it in the sky too?"

"Oh," Dipper said. "It's just. Y'know. It's just a... place."

Bill gave him a sharp look.

Dipper swallowed hard. "No big deal. Just... trees and stuff."

Bill flipped up his eye patch, staring in the direction Ford had disappeared. Dipper could see the white of his eye turning red.

"Hey!" Dipper got in front of Bill, trying to block the view of the forest. "It's nothing important. You—you wouldn't even be interested. Really."

Bill just stared straight through Dipper. And then, before Dipper could react, Bill was on his feet and bolting past him. By the time Dipper turned around Bill was already across the creek, following the path Ford had taken.

"No no no, come back!" Dipper jumped the creek and sprinted after Bill, shouting, "Don't go that way, you can't go that way, Bill—"

There was a dark, quiet knot of overgrown plant life deep in the forest, as if no animals had dared visit the area for nearly a year, leaving it to choke itself on its own greenery. Bill was headed straight for the heart of it. He moved through the trees like a swimmer through underwater ruins, kicking off trunks to propel himself forward, grabbing branches to help twist his body around and between them without slowing down—more flying than running, gravity hardly seeming to touch him at all.

He barreled past Ford and his scanner without even acknowledging him. Ford gasped, "Wait—" He turned the direction Bill had come from.

Dipper was squeezing between two trees and tripped over a hidden root. "Grunkle Ford—!"

"Dipper! You still have the bracelet!" Ford pointed, "Run the other direction!"

"Right!" He turned around and squeezed back between the dense trees.

And Ford took off after Bill.

Wild brambles tore at Bill's skin and ripped at his hoodie; he ignored the pain, letting the prickles bite into him as he forced his way through the shrubs—

And then he stood in the clearing, gasping in unsteady breaths, his wide unblinking eyes staring.

In front of him, wide unblinking eye staring vacantly into the trees, was his corpse.

"Bill!" Ford fought against the brambles, trying to figure out how Bill had gotten through. "Don't touch it! We don't know what could happen—"

Bill lunged for the statue.

The bracelet snapped tight around his wrist. Bill's fingers were inches away from his corpse's outstretched hand.

Thirty feet away, Dipper's bracelet went tight while he was trying to scramble over an ancient log. He awkwardly tried to keep his balance on the log; rather than risk toppling back in Bill's direction, he flung his weight the other way, keeping the invisible thread between them taut by leaning so far over that if it weren't for the bracelet holding him up he'd fall to the forest floor.

Bill fell to his knees, clawing at the dirt and grass with his free hand and feet, desperate to drag himself closer in spite of the completely immovable bracelet.

It seemed impossible to Ford that the thin invisible thread wrenching Bill's arm back would hold him for long; Bill would sooner dislocate his own shoulder to gain those last few inches. Ford fell out of the brambles and seized one of Bill's legs. "Bill—"

Bill tried to kick Ford in the face. "You KNEW!" he shrieked. "You knew I was here this WHOLE TIME and you NEVER TOLD ME, you ANIMALS! I could have had my body back! I COULD BE HOME!"

That was exactly what Ford was afraid of. Gritting his teeth, Ford wrapped an arm around Bill's torso and the other around his neck, struggling to get enough purchase on the torn-up ground to move Bill.

Wheezing for breath, Bill tried to kick out one of Ford's knees. Ford took advantage of the split second one of Bill's feet wasn't dug in to drag him back; he only managed to move him a few inches.

But a few inches of slack on the invisible thread was enough to throw off Dipper's balance. He instinctively tried to flail back upright, overcorrected, and tumbled off the log the wrong way. "No—!"

Bill lunged out of Ford's hold, scrabbled across the last few inches to his corpse, and planted his hand on his stone face.

He froze.

Ford froze.

Nothing happened.

"N..." Bill grabbed his arm, grabbed his hand, as though trying to shake on a deal with his own body; nothing. "No." He sounded more confused than anything. "No, no, nonono..."

He hung off the statue by his grip, pressed his forehead against their joined hands. And then he let go and slowly put his trembling hand on the dead face. And then he sat there, breathing shakily, every few seconds sucking in a hitching gasp that made his shoulders jerk.

Ford gingerly got to his feet, brushed his clothes off, and looked at Bill. He didn't move for a moment; then reached for Bill's shoulder; then stopped, curled his hand into a ball, clasped it behind his back, and turned away. "Dipper," he called. "You can come back. It's..." He cast one last glance at Bill, then forced himself to look away. "It's safe."

By the time Dipper caught up, Ford had made his way back into the overgrowth, leaving Bill alone in the clearing. Dipper started, "What...?" but fell silent when he saw Ford's face. He looked past him at Bill and winced.

Ford shoved his hands in his pockets and mumbled, "We should give him..." Dipper nodded.

Bill remained kneeling for less than a minute. Then he leaned forward, used his sleeve to wipe some of the moss off of his dead eye and the bird crap off his hat and hand, and unsteadily heaved himself back to his feet. He moved like he was very, very old. He glanced over his shoulder at Ford and Dipper. "What're you two staring at." His voice sounded like somebody was attempting to strangle him and his smile looked like a zombie had pulled its skin back on wrong. "You should've said you were waiting on me. I was just..." His eyes briefly unfocused. He shook his head. "Just taking a break." His cheeks were dry. He hadn't even cried.

They stepped back as Bill wove around the brambles. Dipper swallowed hard and asked, "Are you alr—"

"Of course I am." Bill plodded mechanically toward the path out of the dense dark woods.

Ford asked, "Do you want t—"

"What I want is to get wherever we're pitching our tents before nightfall." Bill pulled his eyepatch back in place. "You're making us camp, right?"

They had no choice. If they wanted to get to the top of Trembley Falls, reach Gravity Peak, and get back down the same day, they had to be ready to ascend in the morning. They couldn't afford to go back to the shack tonight. "Are you s—"

"What were the readings like," Bill asked.

Ford hadn't even gotten as far as taking readings around the statue; he'd still been checking the perimeter of the overgrown zone when Bill ran past. He looked for where he'd dropped his scanner, picked it up, and checked. "215 micro-rips detected. Higher than baseline levels, but—not even as high as readings around the portal."

Voice thick with venom, Bill said, "What a surprise."

When the forest had brightened again and the creek was visible, Bill turned to travel upstream alongside it. Dipper pointed across the creek at Bill's backpack. "You forgot your..."

"Right," Bill said tiredly. He hopped across the creek.

And gasped in shock when, instead of floating across as before, he landed heavily in the middle of the creek. He squeezed his eye shut, pinched the bridge of his nose, and took a long, silent inhale; and then he climbed out and grabbed his backpack. This time, he put enough force behind his jump to make it back across the creek.

Dipper and Ford exchanged a look. Ford said, "Do you need a minute to dry—?"

"No."

"You could catch a cold in those damp—"

"I knew how germ theory works on your planet when your gill-breathing ancestors were still swimming around in their own feces," Bill snapped. "When I say 'no,' it's not because I don't understand, it's because I don't care. Don't treat me like I'm ignorant and don't act like you care."

Ford's jaw tightened. No, he didn't care. Bill accepted basic human decency as easily as he offered it. "Fine. Catch pneumonia."

"Fine!"

Ford pushed past Bill to lead the way to the lake. He tried not to notice how Bill was trembling.

####

Maybe ten minutes passed in silence before Ford worked up the nerve to say, "You—know why we didn't tell you." It was the closest he'd get to an apology.

Bill was silent for a long moment. "Of course I do." It was the closest he'd get to accepting it. "When I get my power back, I'm going to invent a very clumsy, easily startled species of bird whose feathers are scalpel blades. And then I'm unleashing a million in the shack, barricading the doors, and blowing an air horn."

Dipper grimaced. Ford muttered, "Thanks for reminding us not to feel too bad for you."

Bill let out a raw, broken laugh.

It was a very quiet hike to the edge of the lake.

####

After spending the first half of the expedition trying to hurry Ford and Dipper up, now Bill was the anchor slowing them down. He trudged so slowly that Dipper kept having to stop to give his bracelet a little slack; but Bill kept moving, and Ford and Dipper agreed without speaking not to say anything about it.

By the time they reached the lake, the sun was just touching the rim of the mountain curling west around Gravity Falls. The water had risen so far, it flooded the roots of the trees nearest the shore. Far down the shore, distant dark dots, locals were doing cannonballs off the submerged pier, reveling in how high they could jump, how slowly they fell, and how their splashes hung suspended in the air.

Under the unusual conditions and with night coming on, Ford decided that it wasn't safe to try to set out for the cave under the falls. They'd camp on shore and start in the morning.

This, unsurprisingly, started another fight with Bill. "If we were falling behind, you should have said so, I'd have picked it up—!"

"I'm so sorry, I didn't want to imply you were too ignorant to tell the time—"

"The time isn't the issue, I just didn't think you'd give up for the night before it's even civil twilight—!"

Dipper just found a low hill to pitch his tent on.

When Bill noticed, he broke off the argument, flung his hands in the air in defeat, and crouched by the lake to sulk and study the water. He reflexively scratched his arm, pushed up his sleeve with a frown, and read the soothsquitos' message. "'Deeth in the mourning,'" he muttered. "What's deeth? That's not a word."

Maybe they'd been trying to spell teeth, Ford thought. Why would they warn Bill about teeth?

Ford pitched his tent, he and Dipper made a fire, and they attempted to reconstitute some of Ford's dehydrated astronaut food to mixed success. Bill stayed by the lake and tried to eat the cereal he'd brought, but gagged on the second handful and decided dinner wasn't worth the effort.

As Ford cleaned up after dinner, Dipper rummaged through his backpack. "Hey, Grunkle Ford. So..." He pulled out a portable chess kit. "I brought this to Gravity Falls back when I thought this would be a normal summer and I thought we might go camping? And, well, here we are, and I guess things are kiiinda weird, but, I mean... might as well...?"

Fiord smiled wanly. "I think that's just what we need to unwind."

They unrolled Dipper's canvas chess board and took several tries to set up the pieces on the uneven surface. Ford let Dipper take white; he figured the younger and less experienced player could use the advantage of going first.

Bill wandered over with a can of cider early in the match and crouched at the edge of the firelight to watch. He had rolled his sleeves back down, tied his bow tie, and flipped up his hood, and in the dimming flickering light he looked disconcertingly like his real self. He hadn't bothered to stuff his hair into his hood, and it gave the impression that some strange golden internal organs were spilling out of a gash beneath Bill's eye.

After watching for several minutes, Bill said, "Dibs on playing the winner."

Ford and Dipper said, "No."

"Why not!"

"Because we don't like you," Dipper said.

"Oh, come on." Bill ignored Dipper, turning toward Ford. "Remember how much fun we used to have?"

"I remember that you're an incorrigible cheat and made every game miserable," Ford said.

Bill reeled back. His face was hidden under the shadow of his hood, yet somehow the shadow gave off the impression of fury. He chugged half his cider, unslung his backpack, and dug around inside it. "Who wants to play against humans anyway." He unscrewed a bottle of cold medicine, topped off his cider, and poured the concoction down his throat. "Ugh. You're not even any good. Black's got mate in three and I bet neither of you can see it."

Ford and Dipper stared at the board, trying to find the looming checkmate.

Bill stood. "I'm gonna go hallucinate, pass out, and hallucinate some more. More fun than hanging out with a couple of nerdy losers playing a stupid game of..." He trudged off toward his tent, muttering to himself.

Ford concluded that Bill was probably making up the mate in three—although not confidently—and returned to the game with a sigh. "It will be nice to drop him back in the shack," he muttered.

Dipper nodded. "Yeah."

Ford won—not in three moves—and they started a new game. Several minutes in, Dipper asked hesitantly, "Grunkle Ford? Do you really think the micro-rip theory...?"

Ford pursed his lips, but admitted, "Out of all the locations of concern, you could argue that the spot in the sky where the rift spent a week floating has the highest probability of sustaining lasting damage, so we still need to check. But..." He shook his head. "Based on the empirical evidence—I'm beginning to have my doubts."

Dipper's shoulders relaxed; part of him had worried questioning the Acceptable Theory would be taken as disloyalty. "Then, what do you think about Bill's...?"

Ford snorted. "'Gravitational eclipse' explanation?" He propped his chin in his hand, thinking. "I'm only certain of two things: Bill knows exactly what's going on; and he's hiding something he doesn't want us to know. Everything he's told us so far is what he wants us to think is the truth, and because of that, any of it could be lies. He hasn't given us anything we can independently verify in any way—just vague claims he expects us to take his word for and refuses to elaborate on. Even if he is telling the truth, it doesn't matter. We have to act like... not like he's lying, per se; but like what he says has no correlation with whether it's true."

And thus had been the case with everything Bill had said and done since his capture. Every power he claimed he still had, and every power he acted like he'd lost. Every bit of magical, historical, or interdimensional trivia he spouted off to make himself sound smarter. Every sweet thing he'd said to Mabel, every favor he'd offered Stan—and every time he'd told Ford he wanted to be "friends."

Dipper nodded. "Mabel says that's just how Bill talks. He doesn't care about whether what he's saying is true, he just tells you what he thinks should be true."

Ford would have to keep that in mind when talking to Bill in the future. "That girl's a wizard with Bill. Maybe she's right." Still—he had a hard time believing that figuring out what Bill was really saying had actually been that simple all along. (Maybe he just didn't want it to be that simple, after all the time he'd wasted.)

Ford glanced down at the ring the Hand Witch had gifted him. The first time she'd given it to him in the eighties, she'd told him that if the ring ever turned black, he'd chosen the wrong friends and doomed himself. He couldn't tell if it was just the firelight, but as he looked in the deep blue cabochon now, he swore he saw a swirl of black spiraling beneath the surface. He wished he knew what that meant—was he supposed to trust Bill more, or had he already absentmindedly taken something Bill had said on faith that he shouldn't have? Had that swirl first appeared only now during the eclipse, or when Ford had started studying the miniature grimoire Bill had gifted him? Was it even due to Bill? Ford hadn't studied mood-ring-o-mancy.

Dipper snuck a rook onto Ford's back row. "Checkmate."

Ford huffed. "Well done." He'd been so distracted, he hadn't even noticed Dipper lining his rook up.

Dipper pushed Ford's king over. It dramatically fell in slow motion.

They packed up the chess board, put out the campfire, and slept uneasily.

####

In spite of the sedative cold medicine, Bill couldn't get any decent sleep. It wasn't even a good trip. Every time he shut his eyes for a few minutes, he hallucinated/dreamed that he was locked back in the shack staring at the high attic ceiling, or staring silently at Soos's bedroom—or watching over the town graveyard from high above; or locked like a hunting trophy in a glass display case in some local hick's darkened den; kidnapped and tied up beneath Gideon's bed; closed in a dark airless leather box; preserved like an ancient relic in the museum; hovering above Gravity Falls' valley and trees in the still night sky —

—or petrified in the middle of a quiet knot of overgrown plant life deep in the forest.

Or still in the tent but with his head wrenched around wrong, unable to move or feel his limbs, staring out at an angle that should have been impossible—until he awoke with lungs heaving to find his body was right and he wasn't dead; only for the humanity of his shape to reassert itself and he envied the stone corpse.

He crawled out of his tent, threw up his ill-advised concoction of cider and cold medicine, and collapsed, slipping in and out of a delirious doze until morning.

####

(I have been so looking forward to inflicting this chapter on y'all. Hope you enjoyed, please let me know what you think, and if you thought that was bad then stay tuned for things getting even worse for Bill!! 🎉)

#(there's another 2 pics I might later add at the top; but I don't wanna spoil it when the chapter's new. give folks a day to read or so lol)#bill cipher #human bill cipher #grunkle ford #stanford pines #gravity falls #gravity falls fic #gravity falls fanart #fanart #my art #my writing #bill goldilocks cipher

193 notes · View notes

Last Seen Blogs

cravingjasmine

✨💖✨

besoundstaysound

Stay Sound

long-cold-winterr

Welcome to my nightmare

stylestream

Style Stream

belowshop

BELOW