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#just know that there's still a happy ending to this version of the tale
fictionadventurer · 1 year
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Prompt: fairy-tale heroine of your choice wakes up with amnesia. (Maybe her husband has to explain how they got married?)
Purity of Mind
Dora looked so innocent, asleep on her bed. The fresh white bandages binding her crown looked more like a mark of holiness than disaster. The doctor claimed she'd fallen from a balcony and hit her head upon a stair rail. Adam thought it seemed too suspicious an accident. A disaster on the one day he'd left the house? His sure-footed little wife wouldn't have stumbled like that--not unless she were nearly out of her wits. Perhaps fleeing from some great terror.
"She'll wake soon," the doctor assured him. "Her body's healed enough, but with a head injury like that, there's no telling what state her brain will be in."
The state itself, Adam thought, would be telling enough.
As if roused by the doctor's words, Dora's eyelids fluttered. She sat up, pale and trembling. Her gaze landed upon Adam, and she started to scream.
"Who are you?" she shrieked, gathering the bedclothes to cover herself. "What are you doing in my room?"
Adam had steeled himself for the usual accusations, but this left him off-balance.
Finally, he managed to say, "Dora, it's just me. Adam. Your husband."
"I have no husband!"
"We wed six months ago."
"Liar!" she shrieked. "I'd never marry a man with such an awful beard!"
Adam stroked his blue-black whiskers, neatly trimmed for his homecoming. A deep chuckle rumbled in his throat; after months of her tiptoeing around him, her frankness was amusing. "I paid your parents richly for the privilege."
Dora paused at that. The mercenary child of mercenary parents--the tale would ring true, no matter her objections to his facial hair. Yet the bewilderment didn't fade from her face. "I've never seen this house before."
"You've been mistress here six months."
"I don't believe you."
"Whether you believe me or not, it's true. You fell from a staircase and hit your head."
Her eyes were fire. "I'll bet you pushed me!"
"I was away from home. I only just returned." He would never have opted for such an impersonal death. It was much more satisfying to feel the life draining away beneath his fingers.
The thought brought him back to reality. No need to wrestle with her delusions; only one truth mattered.
"Dora," Adam asked. "Where are the keys?"
"What keys?"
"I left the keys of the house in your keeping. I'll need them returned."
"I never had any keys!"
Adam looked to the doctor, who said, "We've found no keys on her person."
Missing? Impossible. Adam stormed from the room and set the servants searching for the keys. Nothing in her wardrobe. Nothing in the rooms. Nothing in the gardens.
The door on the third floor was locked, with no signs of entry.
Adam returned to the sickroom as the sun was setting. Dora sat quietly on her bed, having been calmly convinced of her new reality, completely unaware of the turmoil she'd thrown his life into.
He could have torn her limb from limb right there, but he had no proof yet she was deserving of it. For the moment, his strategy was gentleness.
He sat on the bed beside her. "Dora, my dove, think. Can you remember where the keys might be?"
"I can't even remember you."
Adam examined her in every detail--the tips of her fingers, the whites of her eyes, the curl of her lips. No signs of deception.
"You truly can't remember anything?"
Tears glittered in her eyes as she shook her head.
She looked as innocent as a newborn babe. The timid little fool he'd married couldn't fake such total ignorance. If she'd peered behind the door, she'd lost the memory of what she'd seen. If she'd disobeyed, he had no way of knowing.
A new twist to the game--a second chance.
Adam left the room in a state of contentment. He could get new keys made. His secret was safe--locked away either behind the door or in his wife's blank mind.
And if her memory returned? If she had memories of that bloody chamber?
He could always kill her later.
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ahalliance · 1 year
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smth about 10 being 904 yrs old in day of the doctor then 906 in the end of time fucks me up
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metalandmagi · 9 months
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Romance Anime Starter List
I don’t know about you guys, but I’m sick and tired of seeing “Top ___ Best Anime of All Time” lists that are nothing but shounen. So, with "My Happy Marriage" getting a little attention from the anime community, I wanted to put together a list of some romance anime that I consider good “starters” for the genre. Because if I were just now becoming an anime fan, I’d think all there was to offer was shounen action series.
And by “starters” I mean basic stuff that’s not too…out there, and actually involves the characters getting together instead of just harems or using romance as a side plot (sorry Ouran High School Host Club and My Next Life as a Villainess). 
So if you’re new to anime and want stuff that’s not just guys beating the shit out of each other (which is also fun, don’t get me wrong), here are some basics.
Taisho Maiden Fairy Tale- When the pessimistic Tamahiko Shima loses all function in his right arm, his family sends him away to live in the mountains with the cheerful, hard working Yuzuki Tachibana…who was purchased by the Shima family to pay off her family’s debts and basically act as a caretaker/future bride for Tamahiko so they’d never have to deal with him again. It’s a more cheerful version of My Happy Marriage (without the supernatural stuff), except in this one, the guy is the one who has massive self-esteem issues and an abusive family. There are still very serious themes, but ultimately it’s not meant to make you cry every episode. I swear it’s so good, but nobody watched it!
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Horimiya- A slice of life in which pretty and popular high school queen bee Hori, finds out her quiet, unassuming classmate Miyamura is hiding piercings and tattoos that could get him expelled. The two gradually find out more about each other and get together in the most realistic way I’ve seen depicted in an anime. It’s also fucking hysterical and genuinely emotional.
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Recovery of an MMO Junkie- Another slice of life that focuses on two adults who meet in an MMO game without realizing they also know each other in real life. I don’t want to say much more than that. It’s adorable, and the main character is so relatable it hurts.
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Love with Yamada-kun at Level 999- Speaking of MMOs, this is a newer series about Akane Kinoshita, a college first year who’s reeling from a bad break up. In an attempt to get back at her ex, she winds up meeting Akito Yamada, a popular gamer who happens to be in her guild in the MMO they both play at an IRL meetup. The two go from acquaintances to something more as they keep running into each other. Even more relatable main characters and just wholesome relationships all around.
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Snow White With The Red Hair- A fantasy in which an apothecary named Shirayuki (meaning, you guessed it, “snow white”) runs away from her home in order to escape becoming the concubine of her town’s prince. While fleeing, she is rescued by Zen, the prince of a neighboring country, and she ends up becoming an herbalist to repay him. It's super cute with some genuinely swoon worthy moments and a couple that just works so well together. I have a habit of comparing this to Akatsuki no Yona, even though the two aren’t really that alike. This is more romance driven while Akatsuki no Yona is more of a serious historical fantasy with romance elements (Yona manga is amazing, but the anime barely scratches the surface, so that’s why I didn’t include it).
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Sasaki to Miyano- When the shy, easily flustered Miyano meets Sasaki, a cool “delinquent” upperclassmen, the two end up bonding over manga…specifically BL manga. That’s right, Miyano is a fudanshi, but due to his small stature and somewhat feminine appearance, he’s constantly trying to convince others that he’s not interested in having his own love story where he’d be reduced to a stereotypical doe-eyed uke. But as Sasaki and Miyano spend more time together, they realize that what they have is more than friendship, and they have to come to terms with their own perception of gay relationships. This is my favorite romance of all time. It’s a slow burn, but boy is it worth it. Their relationship is so natural and realistic, just like Horimiya. Just two people hanging out and bonding over things the way people do in real life!
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Given: The story of some boys in a band with trauma. Enough said. It's great. Go watch it.
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Bloom Into You- Yuu Koito is a high school girl who’s been waiting her whole life for her own perfect romance to start…but when she receives a confession, she realizes she doesn’t know how to respond when she’s just not into the guy. And then she gets another confession…this time from the cool student council president Touko Nanami, who basically jumpstarts her lesbian awakening. Very cute story about how we perceive the concept of love vs actually feeling it. Also has a canonically aro/ace side character, so that’s a win for me. Another show like this is Adachi to Shimamura (but I honestly don’t remember much about it. It just didn’t stick with me as much).
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Ore Monogatari- Takeo Gouda is a tall, bulky high school first year with a sensitive heart of gold. He wants nothing more than to find his own true love, but most girls are intimidated by his enormous stature, and they end up falling for his conventionally attractive friend instead. That is, until he meets the tiny, adorable Rinko Yamato. He falls in love instantly, but he’s sure she’s interested in his best friend like everyone else, so he vows to help get them together, even though his heart is breaking. Peak himbo behavior. Pure of heart, dumb of ass.
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Yuri on Ice- Yes it’s the gay figure skating anime everyone knows. And yes it’s a fucking romance, okay? I will die on this hill. The romance between Viktor and Yuri is just as important as the plot!
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Kaguya-sama Love Is War- Two insanely smart high school students both have a crush on the other, but since they’re…you know…high schoolers, neither of them wants to admit it first. So they come up with increasingly convoluted plans to get the other to confess first. This will go down as one of the best of all time. It’s a hilarious yet poignant modern classic.
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Fruits Basket- I’ve talked about it before and I’ll talk about it again. A romance “comedy” that slowly morphs into a drama about a girl named Tohru who finds herself living with the mysterious Sohma family after her mother dies. Little does she know, the Sohmas are the victims of a  (somewhat silly, but ultimately tragic) curse that she must fight to break. Even though I’m more into it for the family drama, the romance is still top tier and plays an important role in the story. This is my second favorite anime of all time, and it’s a classic for a reason. If anyone hasn’t watched it yet, GO WATCH IT! IT WILL RIP YOU TO SHREDS!
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And now for some honorable mentions that didn't quite fit into the regular list:
Ride Your Wave- A movie about a surfer who falls in love with a firefighter……and I’m not going to say any more than that. Go into it blind. If you like stuff like Your Name, this is a good one to watch.
Gekkan Shoujo Nozaki-kun- A comedy about a high school girl who finds out the upperclassman she has a crush on is actually a shoujo manga artist, and no matter how she tries to confess to him, he just never gets it.
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The Ice Guy and His Cool Female Colleague- A slow burn slice of life that focuses on a guy with ice powers who has a crush on his coworker. That’s it. That’s the show. When I say slow, I mean SLOW. It’s perfectly cute and fluffy, but my god does it take forever to get anywhere with these two.
Skip to Loafer- A high strung, small town girl decides to go to high school in Tokyo, where she meets a variety of classmates, including the laid back Sousuke Shima. The unlikely pair become friends, and soon enough, she starts to feel something more than friendship. The only reason I didn’t include it in the main list is because they don’t get together by the end of the first season, but it’s still really cute (also canonically trans character for the win!?)
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So that’s my starter list. And no, I didn’t include Toradora, even though it’s a classic. I know it’s blasphemous, but I like it more as a comedy than a romance. It kinda lost me with the ending. But anyway, maybe someone will find something they like. Or maybe you'll just want to roast me and my picks 😅
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actual-changeling · 5 months
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i think it's hard to understand the level of betrayal crowley must have felt, which leads to a lot of assumptions around him easily forgiving aziraphale or not being angry; so let's put ourselves into his position.
imagine: your partner, your best friend, the one person in the world that you love more than anyone else, asks you to change how you look, how you talk, who you are—so you can follow them back to an abusive household that threw you out and told you to never come back.
and they tell you that happy and excited and it's not even a question, it's a "by the way, we're doing that, isn't that great?"
you try to tell them no, it's not, i don't want to go back there, i like who i am now. they hurt me and scarred me for life, and they will do it again.
the person you loves, the person you thought loves you, looks at you and says "but you're bad. don't you want to be good? they can make you good."
come with me, you say. that house doesn't want us, we can have our own, we can build our own home. just the two of us, we don't need them, we're fine the way we are.
"i can change them" they say, as if you didn't try. as if you didn't try to change them first. as if that wasn't the reason they threw you to the wolves.
fuck it, you say. you confess your love anyway because they must know, right? they need to know. "don't leave me" you beg, plead, pray.
"oh," they respond, smiling. "nothing lasts forever."
you try to walk away, they stop you, they make it worse, make it clear they don't understand you like you thought. do they love you or the version of you they created in their head? you can't tell anymore.
"we could have been us," you say. we could have been happy.
you kiss them because you have to, because you will be damned twice over if you lose them without kissing them, because your patience snaps and you think you might die if you don't kiss them right now.
it doesn't change anything. "i forgive you"—for being me? for loving you? for refusing to tear myself apart? for kissing you? it's not like it matters. they're gone. you watch them leave.
would you immediately forgive them if they showed up on your doorstep? or would you be heartbroken and angry? you miss them, you still love them, but FUCK YOU. fuck you for demanding that of me. fuck you for everything you said. FUCK YOU FOR LEAVING.
six thousand years. six thousand years.
it would already be hard to forgive a person you have loved for two years or ten, and it gets worse the longer you know them. six thousand fucking years and aziraphale did that. we know why he did. we know how their story will end, but crowley doesn't.
all crowley has is aziraphale's speech and his face disappearing behind elevator doors. all crowley has is you're the bad guys and come with me and nothing lasts forever and i need you and i forgive you.
love alone does not and cannot fix that. aziraphale took six thousand years of trust and set them on fire with a smile on his face, and i understand the urge to try and find an explanation where he doesn't do that. where everything is secretly fine.
but there isn't.
aziraphale needs to rebuild that trust, he needs to earn it again. and mot importantly, he needs to understand why his words and actions broke it in the first place. but even then—even if crowley is the kindest possible version of himself and aziraphale does everything right—even then crowley would have every single right to say i don't forgive you. i love you and i understand you, we can be together, but i cannot forgive you for that and we both have to live with that now.
they will get their happy ending, i do truly believe that, but it might not be the fairy tale happily ever after you imagine and that's okay. it still counts. it's still good.
let crowley be angry and let them find their way back to each other, even if that path does not include forgiveness.
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rayroseu · 2 months
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I know its been said that Lilia likes acting cheerful despite his nearing death because he doesn't want to look weak. But, I think the undertone of his reasoning is he doesn't want to spend his last days in tragedy and sadness so he copes it with being happy as much as he can.😭
Isn't that a more obvious behavior especially now that we know that Lilia's life only has been happy for the last 2 decades, or less. I'm saying that because I feel like the years where Malleus grows up was depressing too because he was badly excluded and only recently, in NRC, did he finally have "a group of people to be a part of with freely"
I feel like this is more like an understandable reason why he wants to go away as "he can still smile and act happy" before his age deteriorates him up, and makes him "look lifeless" to his family.
Rather than making Silver and Malleus remember his death, I think his version of a happy ending was that party where they'll all have fun together. I think Lilia wants them to remember *his happiness* the most. Because Lilia's life has mostly been a tragedy, and I don't think he wishes even after his death, that he would still be a "tragic person".
I feel like his line about "not wanting Malleus to be a hero of a fairy tale" reflects that. Because he did experience being the "hero of a fairytale". He saved Malleus from being killed and dying. He is, in the story, the rightful hero of Briar Valley.
TWST has always told that heroes in this world are perfect individuals with perfect morals and life, but Lilia as a hero, added more depth towards the concept of heroes in TWST...
To be a hero, you need to be facing the story's conflicts, you have to sacrifice a lot, and be in pain for doing the right thing just for you to "have something to be victorious over."
And, I feel like that's a nice parallel to the theme that "villains are people that can be redeemed/grow up even if they're messed up". Its like saying everyone struggles even if you're a hero or a villain, like there's never a perfect role or a perfect world where there's no sadness.... 😭
also, I know Lilia mostly said that line about "heroes in fairytales" because he wants Malleus not to die forgotten like Meleanor and Levan, but its GETS ME knowing he said that as well because he doesn't want to see Malleus in any kind of pain😭
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takerfoxx · 3 months
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I'm so fucking confused what did the Rock do
It's a very long and complicated tale, but the short version, the Rock recently joined the board of directors for TKO (WWE's parent company) and SEEMINGLY (as we don't know the full behind the scenes story just yet) used his clout to push himself into the Wrestlemania main event, challenging his sort of cousin Roman Reigns for the WWE Universal Championship and pushing aside Cody Rhodes, the guy that was supposed to be Roman's challenger, and thereby sabotaging a two-year story that everyone was invested in right when it was about to see it's conclusion. And people are pissed about it.
That's the short version. Here is the loooooonnnnnggggg version.
WWE has been plagued by a number of issues over the years (not the least being that it's been run by an actual rapist for the last four decades), but the two relevant issues is a tendency to rely on past their prime stars of yesterday at the expense of building new stars for today, and when they do want to build a new star, they have a bad habit of shoving their chosen golden boy down everyone's throat to everyone else's detriment in a nakedly inauthentic manner until the fans get sick of them (see: Ultimate Warrior, John Cena, and, most recently, Roman Reigns, who will become important later). Needless to say, they've had a lot of trouble getting the crowd behind what is known as the White Meat Babyface, or primary good guy.
The Rock started off as the latter, being introduced as Rocky Maivia, who was a wholesome good boy who was just so happy to be here. People saw through it and booed the fuck out of him. In rare case of the WWE actually listening and responding, they turned Rocky heel and let him vent his frustrations at the fans, which let everyone know that, holy shit, this guy is actually insanely charismatic and probably the best trash talker in the business! Thus, the Rock was born.
However, while he certainly earned his accolades during his heyday, his returns since haven't been so universally admired (see previous note about the WWE pushing the stars of yesterday). One instance about ten years ago involves him main eventing Wrestlemania against John Cena over CM Punk, who was the reigning WWE Champion at the time, and was quite annoyed. Okay, the Rock vs. John Cena could be excused on account of being that much of a dream match, but then they had CM Punk end his year long title run to the Rock so he and Cena could main event again, this time with the title on the line. This was one of the many issues that reportedly led to CM Punk walking out a few months later.
Now, let's move away from the Rock for a bit and talk about Roman Reigns, who was another example of the WWE ramming their chosen golden boy down everyone's throat. Like the Rock, he is part of the venerated Anoa'i Family, who are practically wrestling royalty with how many superstars they've produced (though they're not actually related by blood, but that doesn't matter, as those who marry or are adopted in are still considered full members of the clan).
Roman began as part of the massively popular trio known as the Shield, alongside Seth Rollins and Dean Ambrose. And during their two year run, the Shield were kind of incredibly awesome. Three badasses closer than brothers just wrecking a path of destruction against all those who stood in their way, a perfect combination of violence and genuine comradery...right until Seth Rollins betrayed the group and they all became single stars.
Now, despite the WWE having high hopes for all three, Roman was clearly the anointed heir, despite being the least experienced of the three. Unfortunately, they went about this by making him essentially a John Cena clone. Smelling another corporate babyface about to be shoved down their throats, the fans turned on him and turned on him HARD, making him the most loathed face in wrestling for years despite always being treated by the company as a beloved hero. Finally, the decision was made to turn Roman Reigns heel, unleashing his dark side and turning him into the Tribal Chief, a sadistic and manipulative monster who's held an iron grip on the title for literally years. Needless to say, it has been a massive improvement, and he is now quite awesome (though people are sick of how long he's been champion, but that's neither here nor there).
Anyway, heel Roman has been champion for basically forever at this point, and it's been a question of who will eventually be the one to dethrone him, because whoever it is automatically becomes the biggest star in the business. And given what an accomplishment that is, there really can be no place it can happen other than the main event of Wrestlemania.
Enter Cody Rhodes.
Like Roman and the Rock, Cody also comes from a prestigious wrestling family. Cody is the son of the late, great Dusty Rhodes, the American Dream. And this pedigree has weighed heavily on him, both in and out of storyline.
Now, unlike his plain-looking and tubby father, Cody looks like he was grown in a lab to become the perfect WWE wrestler. Movie star looks, an absolutely ripped body, and physical charisma for days. Despite this, his first WWE run didn't go how he wanted. While he saw a fair amount of success, he never seemed to break out of the midcard and was eventually saddled with the loathed Stardust gimmick, which he absolutely hated, and after realizing that things weren't going to change, he decided to bet on himself and leave the WWE to prove everyone wrong.
This ended up working beyond anyone's wildest dreams.
To say that Cody was successful post WWE would be a gross understatement. Rebranding himself as the American Nightmare, Cody became the opposite of everything his father was, dressing in snappy suits and carrying himself in an arrogant, sadistic manner. He worked for a number of places, from TNA to Ring of Honor to New Japan, and saw massive success, winning multiple titles across multiple promotions and building himself as a force to be reckoned with. He was also the impetus for the historically significant All In event, in which a number of wrestlers from a number of different promotions banded together to put on the first non-WWE show to have over ten thousand people in attendance in over twenty years, which eventually led to the creation of AEW, which Cody was an intrinsic part of as well. Needless to say, Cody was cooking.
Unfortunately, his own way of doing things didn't mesh well with the AEW audience, and they turned on him pretty hard after a year or two. Eventually he left to return to the WWE, and a lot of people questioned if he was making a mistake, given how he was treated the last time.
However, his gamble had paid off. His worth had been proved, and now WWE was all in (pun intended) on Cody Rhodes. In contrast to the volatile AEW crowd, the WWE fans welcomed the prodigal son back with open arms. And surprising all cynics (including myself), this love continued strong even after the novelty of Cody Rhodes back wore off, probably bolstered by how carefully his storylines were plotted, some truly killer performances in the ring, and the respect garner by him being an absolutely fucking champ and wrestling Seth Rollins in a Hell in a Cell match despite having a horribly torn pec.
Finally, the WWE had a White Meat babyface that the fans universally accepted and wanted to see more of, and they were going to capitalize. He won the Royal Rumble to rapturous applause and entered in a program with Roman Reigns to challenge him for his title at Wrestlemania. And unlike other challengers, he actually seemed like a credible threat. Much was made about how his father had also challenged for the same title but could never capture it, so he wanted to do what his father couldn't and finish the story. People were behind Cody all the way, and the time seemed right for Roman to finally fall and a new top star to be crowned.
And then Cody lost. Roman cheated, and Cody lost.
Needless to say, people were pissed. However, others said that maybe this was leading to a rematch at the following year's Wrestlemania, making his eventual victory all the sweeter. Certainly, WWE still seemed behind Cody, as he spent the next year in several high profile feuds that kept him looking strong, including going over Brock Lesnar of all people. And again, the fans remained behind him, when in past cases they would have turned on the guy by now. Believe me, this hadn't happened in a very long time.
But not all was well. There were rumbles that the Rock might be queuing up for a return one of these days, possibly to finally face Roman Reigns in another dream match to settle who the true Tribal Chief of the Anoa's family. People had been wanting that match for years, but for it to happen now, upsetting Cody's chance to finally finish his story? Well, that was the worst possible time. However, these rumors seemed to be nothing more than that. Just rumors.
And then CM Punk came back.
Now, Punk is a whole can of worms all in himself, and could easily fill a full post of his own. But the important thing is that he and Cody are very much dark reflections of each other, especially in how both were screwed over by WWE during their first runs, left under dark circumstances, and returned to the fans' adoration. And they both coveted that Wrestlemania main event.
In fact, during an awesome promo battle between the two, Punk specifically pointed out that he intended to do to Cody what the Rock had done to him ten years ago: be that bigger star who came back after not being around for a long time and take that Wrestlemania main event away. And sure enough, during the Royal Rumble, the final two in the ring were CM Punk and Cody Rhodes.
And Cody won. The first man in years to win back to back Rumbles. He singled out Roman Reigns as his target, cementing their Wrestlemania rematch. As for Punk, he had a main event of his own, as he was apparently scheduled to face Seth Rollins for the World Heavyweight Title at night 1 of Wrestlemania. It seemed that both of the prodigal sons were getting their wish!
And then CM Punk got hurt really bad and had to pull out of Wrestlemania.
Well, that sucks, but it shouldn't upset plans too badly. Seth could just wrestle someone else, and Cody's two year story could proceed like everyone wanted.
Well, we all know what happened next.
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Yup. It happened. The Rock, likely with the backing of his new position on the TKO's board, had pushed himself into Cody's spot, while Cody (as it appears) will be replacing Punk to take on Seth Rollins instead. A two year story, flushed down the drain. Punk's words had turned out to be prophetic.
And while the fans were cheering in that video, once the buzz had worn off and people realized what had happened, that's when things got nasty. Over the last few days, people have turned on the Rock and turned on him HARD. Rocky sucks chants fill WWE events, #wewantcody trends for days, videos of the Rock get booed, and (unfortunately) even members of his family have gotten caught in the crossfire. People are NOT happy about this direction. Cody is their guy, and right when his story was going to be completed, right when Roman was going to be dethroned by the guy that everyone wanted to see beat him, this happens.
Plus, since then reports have been swirling that this decision was made by the TKO board, not WWE, with the Rock specifically pushing for it to "Save Wrestlemania." Which hasn't exactly warmed people to the idea.
Which is really funny, because the last time Roman Reigns and the Rock shared a ring together, it was in the middle of Roman's disastrous babyface run where the fans hated him, especially in Philadelphia, a city noted for its rebellious fans, and the WWE sent the Rock out to help Roman in hopes of changing their minds.
It didn't work.
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And where is Wrestlemania this year? Oh right, Philadelphia.
This is going to be...interesting, to say the least.
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mako-neexu · 1 month
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"surely this time i will be normal for one day"
[suddenly remembers prison tower is supposed to end you bc goetia planned it but dantes took on the role of being your abbe faria and became your tiny light of hope in this prison of despair because he himself knows better than anyone how it feels to be an innocent soul, to be dragged and trapped in a life of despair, betrayal, and be casted away in a hell where madmen dont come out alive and so saves you by killing him, "the one who escaped the chateau d'lf", he's also summoned initially as a tool to kill you but dantes, initially being just a shadow, made ogawa heim because 'fuck u goetia' and caught feelings seeing guda's iron determination so fought alongside them and against the one who gave him a demon worm in his head. and just as he became your tiny light of hope in prison tower, you get to see him casually admit guda is his "destiny" and saw them as someone who is "radiant" after going through everything with them…like you know, a star. thats why both his np refer to guda in the new saint graph. because a star burns brighter than flames, more dazzlingly than fire that he himself is in awe of you and made a new alt solely because of you, inspired by you, even as he hurt himself by creating a new spirit origin, because his wish is solely for you to see the end of your journey and reach antarctica, because guda is a person -is a living human - who wants to see tomorrow and thus he split himself into two- or rather assigned himself and his other self in the singularity "count of determination (to bring about the 7 tribulations)" and as the "count of regret (you, his worry, who has to go through this harsh journey)". count of determination is the one who enacted the trials, because he is the spirit origin who is a ruthless murderer from his revenge story and thus must make sure guda goes through the merciless trials to go forward, yet count of regret is still worried all the same for guda considering the dangers of creating this world and with cagliostro around and other unpredictable variables, and in this ongoing journey thats why "black shadow" count is still on the look out for you. and in these trials he is both your ally and enemy that you must overcome because he wants!! you!! to move forward!!! even as you face your most trusted betray you, overcoming despair and hatred even as you drown in hopelessness seeing those you love die, overcoming his flames and as he extends a hand out and tempt you into a life where where you are a god of revenge, reaching an end that you hope for- a tomorrow that you want. (because we dont know what happened to the "real" dantes whereas dumas' version wrote that love extinguished his flames, and so left france behind with haydee. a fictional happy end that most likely didnt apply to the real dantes given his attitude to dumas and his version of the story since they never interacted again beyond dumas talking about writing his tale. )
an end that also isnt part of the famous Avenger, Count of Monte Cristo summoned to the grand order, only the popular interpretation/parts that people remember the most engraved in his spirit origin. and for him, this avenger, this part of his life where he is at his lowest who became your tiny light of hope in that prison tower, despite burning with eternal hatred chose love time and time again, save you, help you time and time again, because he doesnt want you to end up like him. one who has lost all things precious to you and so turning into a life of vengeance and blood, burning everything to cinders until you as well consume yourself, losing yourself in the process, becoming an empty shell, quietly dying as emptiness and quietness takeover the aftermath of those flames. you, as radiant as a star, don't deserve that kind of fate. you, his accomplice, his co-conspirator should never succumb to or have that kind of fate where only hate, sorrow and despair awaits you at the end nor does he want your journey to be at a standstill, idle, where you are helpless the more this story- this journey drags on and unable to move forward because of forces beyond your control.]
[through my teeth/clenches my fists] "oh. okay. so we're doing this now. okay."
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c00kietin · 2 months
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It's the 17th of March, so y'know what that means-
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Happy Saint Patrick's Day to you all! I know the majority of you probably don't celebrate, which is fair, BUT I decided I wanted to talk a little more about the country I was born and raised in- the Emerald Isles of Ireland!! :D
If you're just here for the art, well here ya go! However, if you want to learn more in a VERY long post:
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Just to start off, here's the Irish flag and the Ivory Coast flag! Wanted to add this because they can get easily mixed up (I got them muddled up a LOT when I was younger-)
Since it is Saint Patrick's Day, I should probably elaborate what that's about- what I've been taught in school is that Saint Patrick preached the Gospel to the Irish, one method including the shamrock to represent the Father, the Son, and the Holy Spirit. Of course, and the whole "he drove the snakes out of Ireland" but don't worry. There are still snakes in Ireland. And I'm pretty sure "snakes" is a metaphor anyway. And, turns out, he wasn't even originally from Ireland- he was British! Oh yeah, and he was kidnapped by pirates to become a slave when he was a teenager for 6 year s -
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Here are some stereotypes or the first things that pop into your mind when you think of "Ireland"- leprechauns, short gingers, "Top of the mornin' to ya" and our love for spuds and beer. And, to tell you some stuff about them too!
Leprechauns originally wore red! They pop up in fairy tales quite often too.
Ireland is second when it comes to having the highest percentage of gingers with 10%, with Scotland having 13%. As for being short, I reassure you, there are plenty of tall and/or lanky people around. (A lot of my teachers are like this-)
I've heard no one say this as a greeting. The only Irish person I can think of who does is Jacksepticeye. You might be more likely to hear "How's it going?" or "What's the crack?"
As for loving beer, we are one of the highest consumers for it, but there are many other higher consumers! Also, I don't know if this is a thing in America or not, but we tend to call them pubs. Bars are a bit more...fancy? I don't know how to describe the difference.
And for loving potatoes? Okay. This is probably true lol. Almost everyone I know likes potatoes (with some exceptions). And, of course, who can forget the Great Famine when blight destroyed the potato crop and killed around a million people- spuds were a huge source of food back then.
And now, for language! Here are some I'm used to hearing quite regularly (and use often, too!)
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Another two that I want to add are more Cork exclusive, but saying "boy/girl" at the end of sentences and using "like" a lot is quite common (especially the like one- I say "like" all the time ;v;).
And now, Irish itself! Now, I'm not going to tell you anything major (I'm not a teacher) but I will try my best to explain a little!
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Irish is not the main language of Ireland but in some particular areas (shown in the right image) there are regions called Gaeltacht districts which predominantly speak Irish. Their Irish would be a lot better than my school-knowledge based Irish :'D Another thing to add is that different provinces (the provinces shown in the middle image) have different versions, or pronunciations of some words. Being from the province of Munster, I've been taught the "Munster" pronunciations and words.
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So..."Tá mé éan sásta" would mean "I am a happy bird" :D
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I apologise for how messy my writing looks-
OKAY. ONE MORE THING I WANTED TO COVER IN THE IRISH LANGUAGE IS THE NAMES, because I've seen plenty of people online and in real life joking lightheartedly how hard Irish names are pronounced. So here are some Irish names!!
Saoirse - this one is brought up quite a bit- It can either be pronounced as "seer-sha" or "sair-sha"!
Róisín - "roh-sheen" !
Eoin - even I had a hard time pronouncing this when I was younger- it's pronounced as "owe-in" like "owing" but without the g!
Fódhla - I remember this appeared in the newspaper once and a family member was baffled by it- it's said as "foh-la" :]
Another I want to mention is Eilish- you probably know it thanks to Billie Eilish, which is pronounced as "eye-lish"- but it can also be pronounced as "eye-leesh"!
Last one, Sinéad- you may have seen this one once or twice as is pronounced "shin-aid" :D
And now, some more quick stuff!!
Musicians from Ireland!!
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On the left you have Hozier (love his music!! :D) and the right is the Cranberries!!
Some other Irish artists you may be familiar with are U2, Thin Lizzy, Westlife and Sinéad O' Connor!
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Some popular Irish snacks!!
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crisps/chips!! (I love em both dearly)
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of course, how can I not bring up Irish bread: soda bread and blaas :D
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Hot chicken rolls!! (seriously how are these not more popular elsewhere-) and spice bags!! (chips with spices, peppers. maybe chicken)
Animal wise, we haven't got anything too crazy, but we do have one of the largest breeds of dog, the Irish greyhound and the now extinct largest deer, the elk.
I think I'm beginning to run low on space, so I'll end it there!! If you're also Irish, free to add on facts/words!!
I don't usually say this but I would kinda appreciate reblogs since I felt like I put a bit more effort into this ;v;
So uh, yeah- Happy Saint Patrick's Day!! :D
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Note
Regarding the great seven, did they win in Twisted Wonderland? Like, for example, did Jafar became sultan and the current royal family of the Scalding Sands are his descendants? Did Aladdin die because of him?
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No, that's (largely) not the case! Twisted Wonderland is simply a world in which the characters we know of irl as villains that did heinous stuff are just viewed in Twisted Wonderland as historical figures who contributed greatly to society. It's no different than how we may study our own historical figures and their accomplishments in social studies/history class.
While we do hear stories about the Great Seven and their powers, we rarely hear stories which would imply they somehow "won" in the end as opposed to the heroes. For example, Jasmine and Aladdin are implied to still very much be in love, as Jamil tells the tale of a street rat that married a princess. (If Jafar had "won", wouldn't he have been the one to marry the princess?) However, there ALSO exists a tale concurrent to that one in which we're told the Sorcerer of the Sands revealed that someone had lied about their social standing to trick a princess. There are no indications that these two stories are one and the same, so in the world of TWST it seems they're two separate instances that both draw inspiration from Aladdin. There are also no indications (ever) of the Disney heroes dying because of the Great Seven. In fact, it seems like many of them still got their original happy endings. (ADDENDUM: as a commenter pointed out, it’s also possible that multiple tales or versions of the tale came from the same initial story, something which happens irl as well.) Similarly, we know that the mermaid princess married a human prince, thus alleviating tensions between merfolk and humans with their union. This would not have been possible if Ursula had "won", as that would mean that Ariel would have reverted back to being a mermaid (or that little squishy thing Ursula has a garden of) and would "belong" to the Sea Witch forever. Ariel wouldn't have been able to stay on land and marry Eric in that state. Furthermore, Ursula may have gone on to become Queen of the Seas if Triton still intervened to save his daughter... but then why is Triton still honored as King of the Seas in the Atlantica Memorial Museum in book 3?
There are a few instances I can think of which would imply the villain "won", the main one being that Scar ruled the Pridelands as a wise and benevolent king (which is not true of The Lion King movie). I don't consider this Scar "winning", but more like... a twisted or exaggerated retelling of the actual event. For the villain to "win", that would also imply the heroes are gone or in a position to not stop them, right? Yet there are zero mentions of Mufasa or Simba being out of the picture, or even of Scar banishing family members that opposed his rule.
This all points to there being an alternate telling of history in TWST; it seems that the "evil" deeds of the Great Seven were censored and/or retold in such a way to paint them in a beneficial light, since the deeds of the traditional heroes also exist and are also considered true in Twisted Wonderland's history. (For example, Scar letting the hyenas into the Pridelands is reframed as a good thing, since he promoted the integration of a previously marginalized group into the country; Ursula is actually believed to have "mended all her ways" rather than it being a lie to deceive others.) Lilia even specifically mentions that it's possible to "change" history just by telling it a certain way.
On a related note, it seems that this year's birthday series (Platinum Jacket) will delve more into TWST's history and how the NRC boys feel or think about various classic Disney characters. I'm really looking forward to seeing how those expand the lore~
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princess-ibri · 6 months
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Tangled Unbraided
For ages I've wanted to find a way to use the old fractured fairytale idea of "Rapunzel Unbraided" Disney was going to do in the early 2000s, and decided to just go ahead and show what I've got. So here's some sketches of how the main characters would appear in this hypothetical Tangled spin off movie:
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The original synopsis for Unbraided ran as thus:
“An evil witch named Lucretia despised fairy tale happy endings and plotted to change all that. Meanwhile in modern day San Francisco, Claire and Vince are two vastly opposite teenagers who cannot stand one another. Claire is a short haired, fashion obsessed teen who was concerned with her looks. Vince is a stocky and crude pizza delivery boy on hard times. The two of them get on each other's nerves which gets the attention of Lucretia in the fairy tale realm. Lucretia takes Rapunzel and her prince Beau and transforms them into a squirrel and dog, respectively, while Claire and Vince find themselves filling their roles. Claire and Vince eventually team up with Rapunzel and Beau to defeat Lucretia and return to their respective places in time. “
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And I'd want to follow the basic plot of that, though with changes with what we have from the actual Tangled movie. But basically two teens from 2007 San Francisco (why not make it a 'period' piece with all this Y2K nostalgia going on that makes no sense to me, a Y2K kid x) get reverse Enchanted and find themselves in the Everrealm. Searching for a way home, mentored by a talking squirrel and dog that claim to be famous fairytale characters also trying to regain their human forms.
The reason the witch tries to recreate the Rapunzel story with two people who are unlikely to give it a happy ending is that she's trying to make a spell to warp reality and bring about another golden flower (so that we can have the one that eventually shows up in Sofia the First) and so gain immortality for herself.
My ideas for the growth journeys each character goes on in this hypothetical movie is of course that Claire and Vince both learn to be more comfortable with themselves/find their real potential, as well as learn that its ok to trust others emotionally, both in a platonic sense with Eugene and Rapunzel mentoring them, and romantically with eachother as they get closer.
Rapunzel and Eugene would have this be an opportunity for them both to work through the concerns they both have about being parents. Sure they both have better parental relationships now, but both grew up with either abusive or absent parents (and then hyper protective ones in Rapunzel's case with Frederick) and though they both want kids they're afraid they might still mess it up. So, getting to help these two teens find themselves and their way home gives them a sense of the type of parents they'll be, and that they'll be ok in the end.
(They also all eventually find out Claire is their many times descendent and thats why she looks like Rapunzel so much, and why the spell called her into Rapunzel's place)
For the Witch I decided to change her name from Lucretia as I already had a character with that name for the Bluebeard story. I still wanted her to have some actual connection to the og Rapunzel fairytale, and a way to know about the Sundrop flower, and while I know we already had Cass as Gothel's kid, per my DisneyVerse she did have more then one over those many many years 😅😬
We already had a benevolent version of another Gothel daughter with my rewrite of Ginny, so I decided this time we'd get to focus on a malevolent one, so our villain for this story is Azalea.
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(I based her looks on one of the tree nymphs from Gothel's backstory in OUAT, old Gothel/witch concept art and her name was inspired by Alice from OUAT being Gothel's daughter, just with a sharper sounding plant name x)
Also here's some original concept art of the Rapunzel Unbraided story treatment!
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(Some of these might technically be from the Rapunzel treatment but I feel they fit the story anyway)
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Also some video! A rough animatic overview of the whole story
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And a more polished small clip of Claire and Squirrel Rapunzel
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But yeah that's my rough little idea of how I'd incorporate the Rapunzel Unbraided concept/characters into the Disneyverse :)
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chaikachi · 10 months
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Little Red Riding Hood, The Big Bad Wolf, & The Silver Bullet
Aka I did an Oscar as The Little Prince analysis and now I wanna do one for Ruby's allusion in honour of the 10th Anniversary.
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I know most if not all of us are familiar, but I'm still going to start with a summary.
Little Red is a story about a young girl in a red cloak who is sent into the woods at her mother's behest to bring baked goods to her sick grandmother. There, she meets a malicious wolf that asks her many questions, to which she answers all truthfully and without hesitation. The wolf takes this information and uses it to beat the girl to her destination where he then swallows her grandma whole and disguises himself in the woman's clothes. There he waits for the child to arrive and come closer so he can swallow her up too.
There are actually two popular versions of this story with different endings that we often look back to.
In Perrault's story, there is no happy ending. They're both eaten up, the wolf is content. The end. But in the Grimm version, there is an additional character... the Huntsman (aka the woodsman). He hears the wolf snoring after its meal and ends up cutting the beast open & saving the victims. Then, with the help of Little Red Riding Hood, he kills the wolf before it can do anymore harm.
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All in all, it's a story about childhood innocence being lost, learning not to trust strangers, and being mindful to always follow the correct path. For if you stray too far, you may lose track of time, invite unwanted danger, or find yourself lost.
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In RWBY, we have some very clear allusions here since it's the basis for so much of the show as a whole:
Little Red - Ruby Rose
The Mother - Summer Rose
The Grandmother - Maria
The Hunstman/Woodsman - All Three of Them
The Wolf - Salem and her Grimm (but ESPECIALLY The Hound)
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They're all pretty self explanatory.
Ruby has the red cloak, her og trailer is clearly inspired by the tale, she loves baked goods, she's referred to as "Red" and "Little Red" by Torchwick & Cinder. She's also a huntress. And, by and large, her entire arc is about losing that childhood innocence and the view that life "is like a fairytale" as well as struggling with what the "right path" to follow is.
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Summer is the mother (baker of cookies) and also the huntsman (slayer of giant monsters). The battle axe being her weapon choice alludes well to the alternate name, Woodsman, as well.
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While Maria as the grandmother makes the most sense. Another silver eyed huntress that becomes a mentor figure for Ruby.
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And while Salem, her war, & the Grimm (that are all emblematic of that loss of innocence) can absolutely symbolize the wolf... There's a reason why I want to focus on The Hound.
All three previous characters are connected by a very specific common denominator: Silver Eyes.
And the hound is no different.
Just another huntsman... but one devoured by the malice of a canine. And, if Ruby's theory is right, that's the same fate that Summer met as well.
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And if you think about Silver Eyes specifically... What is one of the most famous lines from the original fairytale?
"My, what big eyes you have grandmother." "The better to see you with, my dear."
Which, when applied to the grimmification of SEWs, is HAUNTING.
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Terrifying when you remember "Woah... you have silver eyes". Also thanks to Behind The Scenes content, that Ruby's hair design was always meant to "be a bit wolf-y". And that since Volume 4, Salem has been interested in capturing Ruby alive... I am WORRIED ABOUT HER.
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Some interesting things about silver though that ARE worth noting...
1. "In folklore, a bullet cast from silver is often one of the few weapons that are effective against a werewolf or witch."
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2. "The term silver bullet is also a metaphor for a simple, seemingly magical, solution to a difficult problem."
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3. "In the Brothers Grimm fairy-tale of The Two Brothers, a bullet-proof witch is shot down by silver buttons, fired from a gun."
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The lyric "Yeah I'm a girl but I'm also a gun" from Triumph really tells us point blank (lol) why Ruby is so important to this war against Salem, huh.
I'm gonna end this meta on a fun little easter egg; a hidden fifth character allusion to the original Red Riding Hood fairytale: The Woods.
Now I know what you're thinking, the woods aren't a person, they're a location. But they're INCREDIBLY important to the story.
Overall, the woods are the world outside of the cabin that Little Red grows up in. Whenever she travels beyond it, she's liable to meet all sorts of horrible tragedies and monsters. But I want to talk again specifically about The Hound & just where Ruby first meets them: Atlas.
Or, more specifically, Ironwood's kingdom.
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For those unfamiliar, while Jimmy's main allusion is the Tin Man from Oz, his last name gives us a hint to another subtle allusion: Járnviðr. Aka the Iron Wood of Midgard in Norse Mythology (a mythos that's been alluded to a lot in RWBY).
Whiiich if you look at a stanza (40) in the infamous Völuspá, a historic poem which is chalk full of Norse myths, you get the following passage:
In the east sat an old woman in Iron-wood and nurtured there offspring of Fenrir a certain one of them in monstrous form will be the snatcher of the moon
A poem that talks all about the Biggest Baddest Wolf of the Norse pantheon, Fenrir... who is the offspring of a powerful Witch...
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and is destined to eat the moon...
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All within the Iron Wood, a character Ruby spends an entire volume contemplating on whether or not she can trust...
And the moment she does finally tell Ironwood the truth? The secrets she was keeping? The woods become unsafe, the witch and the wolf appear, and everything else falls apart. Resulting her and her team lost and very far from home.
Say what you want about analyses like these but CRWBY knows what they're doing, okay?
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ronearoundblindly · 4 months
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The Dignity of His Choice (abridged ending)
Speedy version of Reflections Part II & III (see previous or series) Steve Rogers x wife!Reader
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Alright, this may not be conventional, but I'm crippled by guilt over this story. There are so many elements that hit brutally close to home based on a personal experience this past year (arguably this past decade but whatevs), and so I have sifted through 28 A4-sized pages, front-to back, and 17 smaller pages, front-to back (save one sheet), as well as a typed-up 7k, in hopes of grasping this magical redemption arc that exists in my mind and falls flat everywhere else. I'm sick of it. I'm sick of loving this story so much that nothing is good enough, and I'm sick of hoping to offer a conclusion that never f***ing comes. Welp, today you can know the conclusion--or the gist of it at least--because that is my Christmas gift to myself. I'm washing myself of the guilt. -> What follows is an extremely unedited and maybe slightly poetic summary of the finale. God, I hope you enjoy it, but really, I just want to feel like I *can* finish something. Sorry if that's dramatic; that's just...the situation of 2023.
Thank you in advance for your understanding, and I hope this serves up some sort of holiday cheer! (No real warnings because smut is reserved for the full-length version. This tale, as always, is 18+ due to very heavy themes.)
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The thing is Steve doesn't regret his choice. How can he regret anything that ensured you were here, alive and happy, by his side? That's not an achievement he'll ever be ashamed of; there's no guarantee in the multiverse that he could have done better.
You spoke of being lucky. You felt guilt that of all the servicemen and women to lose their lives, yours came home in the end.
Steve doesn't see it that way. Yes, you and he are very, very lucky, but overall, Steve won.
In every war, there are battles. In battles, there are fights. In fights, there are shots taken, punches thrown. You don't need to land every punch to win a war. There are always losses.
Steve Rogers tends to win because he understands this.
He knows the value of strategy. He knows the value of hope. He especially knows the value of planning for the worst.
And so he's surprised--as he often is with you--that he hasn't lost more.
You accept the loss as well as the win. You endure more gracefully than he ever imagined possible during those long months alone and away.
His sacrifice may have played a factor in your safety, but in the end, it just came down to you. You fought for yourself. You battled for your beliefs. You warred for your convictions.
Steve can understand that. He admires it.
He plans to make this dreadful mess up to you, he hopes for the time to do so, but before he can strategize how, your bubble of isolation is burst by a knock at the door.
"Open up, Rogers. Please," Sam Wilson requests anxiously over F.R.I.D.A.Y.'s speaker.
He could simply mean you since you are a Rogers and neither of you have heard the okay that the world knows Steve's alive. Although, Steve still doesn't have a phone again, and you haven't exactly been checking yours during recent...activities... (Not to put too fine a point on it, but Bucky's little gifts aren't going to miraculously last eight days and nights.)
Steve stays in the corner of the kitchen, drying his hands from the dishes you two were washing together, while you answer the door.
It swings open in the direction that still hides Steve.
"Hey--" Steve hears the soft pause in Wilson's voice "--I think...I may be out of line here, but Stark ordered personnel to vacate the compound."
You cross your arms over your chest, nervous. "Do we need to leave? I--As in, you and I? Are we included in that?"
"No," Sam says flatly. "It's just...suspicious--look, can I come in?"
"Sam, wait!" You push to make a wall in the doorway, meaning Steve can no longer see you or what's happening while a silence, an extremely pregnant pause, stretches.
Afterward, there's a whisper.
"Is he here?"
Your reply is only a stutter of unfinished words, but that's enough. Sam's stepped past and halted a few feet inside before his scanning gaze lands on Steve.
Steve's not sure what he expects his friend to do. He's misjudging reactions left and right these days, so he can't presume that--
"Gym?" Sam ticks his arm, thumb pointing back out to the hall. "I'm going for a run."
He has to convince you and Steve that the whole place really has been cleared before Steve changes clothes.
The string-light and garland-lined corridors remind Steve that his apartment remains devoid of any festive touches. You two have been too distracted to realize it's the day before Christmas Eve, so the 'evacuation' will likely draw no attention from the average employee.
Stark is just adamant they have the holiday for family. That's all. The only people who live there are Avengers.
The smell of the rubber floor when they walk onto the track spikes nostalgia in the back of Steve's brain, and in his utter joy to be there again, he starts sprinting like old times.
His blood pumps and his lungs stretch, but it's too hard, too fast. His blood thunders in his ears and makes his head swim. His lungs burn fiercely and seize. He collapses, gasping through his weakest asthma attack yet, but it still happens.
Things are almost, almost the same. Things are still different.
Without taking the opportunity to gloat (too much), Sam uses his powers, skills he's had all along, to divine Steve's real fear:
Steve changed things, and he may have changed things so much that it's all ruined. He can't go back to being Cap because he showed his colors: he chose you over everything else. What if you can't go back to being his wife because of that same choice?
Sam helps Steve off the floor.
"You walked the same circle for a long time, buddy. Instead of getting off the track entirely, try one lane over. Baby steps."
Steve snorts. "Ya know, she said something similar."
"Yeah, well, some of us filled in the stoic charm while you were gone."
"Comes naturally to you, doesn't it?"
Wilson turns to walk backwards, flashing pearly whites. "The outfit is growing on me, and I think the press were just about to stop calling me Black Cap." He playfully punches Steve's shoulder. "We'll see how far this sets me back, huh?"
After realizing he has to take it easy, Steve enjoys a long, mostly quiet run beside his friend, never once passing him. Though Steve asks about returning tomorrow, Sam has to decline. Christmas Eve is for Sarah and her boys, and Sam's sister will raise hell if crossed.
Just before leaving the gym, Sam hugs Steve, the length and intensity of the embrace telling Steve all he needs to know. Sam--like everyone else who knows so far--is happier than he is hurt, and that stifles Steve in a torrent of humility.
He doesn't deserve the strength of this family built around him, but he is grateful.
Steve also doesn't expect to find Natasha and Bucky in his apartment when he returns. He was hoping to put up some decorations with you, bring a touch of joyous spirit to that place you've been emotionally entombed for months, but he outright frowns when seeing the box they brought.
Between you and Nat sits the bin of intel the Keepers gathered on you and left behind at a raided facility. You're pouring over the dirty details of horrible intrusion to your private life, both you and Steve's, and he can't help but watch your face closely.
You do look horrified. You look furious for minutes on end, file after file, until you finally ask, "who's had stuff like this on you guys?"
That's the thing. That's the part eating away at Steve's shame. It's why he can't be beyond a superficial level of sorry for what he's done.
"The Red Room," Nat replies softly.
Buck shrugs. "Hydra...among others."
Steve knows what that intel could have been a precursor to; they could manipulate more than just him. You could have been used, you could have been changed, and it would have been his fault. Extremes are most of his life, so Steve goes to extreme measures to keep his life separate from all of that.
Blurring those lines--bringing you closer to the fray of this scary and violent world feels irresponsible.
You continue to ask candid questions about what Nat and Bucky were doing this whole time. The response is grueling, a complex web of taking out targets without signaling an ulterior motive, every interaction carefully executed to seem natural, all the while knowing that Steve waited to come home and you waited for...well, the truth.
The way Natasha describes it makes Steve sick to his stomach.
He never wanted this, but he has to live with the consequences.
You thumb over a few stalking photographs in your hand and simply say, "that was quite a commitment."
Something triggers in Steve, and suddenly, his next move is crystal clear.
"I'll--I'll be right back," he blurts.
All three of you startle in confusion, sat around the coffee table like it's the most normal thing in the world to share so much. You've had top clearance for twenty-four hours. You're already a pro, and that makes Steve's idea that much more perfect.
He races through the building, glad he doesn't have to hide, and pounds on Tony's door.
As soon as Tony opens up though, Morgan rushes past his legs and lets out a blood-curdling cry that ends in a sobbing, "you're alive."
The little girl flings herself into Steve's arms, refusing to let go the entire time he asks Stark--all the Starks--for a favor.
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You wake up the next morning to find a note from Steve and a dress of yours hung by the tree you put up after a long meal with Nat and Bucky.
Important errand, the note reads. Expect Tony to come by at 11. Wear this, please. I love you.
It's the dress you chose for your first date with Steve, the date that kinda never happened because the compound was invaded and you had to kill a guy. Odd memory to resurrect, but you do adore that dress.
You're not surprised when Tony arrives in one of his signature suits, nor when he makes a show of walking you through the halls on his arm. He has the uncanny ability to chat about nothing using the maximum number of words. He's delightful that way.
Your first real clue is Morgan, standing outside some double doors to one of the flex rooms, like the ones changed for training different abilities, like the ones used for therapy circles. In fact, it's the same room, the exact same double doors as years ago.
The girl looks fit to burst, clearly told to keep her cheers to a minimum as she clutches a wicker Easter basket in her hands, crouching as if ready to spring into action.
Pepper stands close by. Nat and Bucky whisper conspiratorially a ways down the hall.
Then you notice.
Tony has on a black suit with red pin-stripes, Pepper a blue dress with a white belt, Natasha a red dress with a white belt, and Bucky a navy suit with a black-shirt underneath.
"We did our best on short notice," Tony rambles off, guiding you to a stop in front of the party.
"This is for you," Morgan squeaks, ripping a colorful bundle of pipe cleaners out of the basket. There are buttons woven to the tops of each 'stem.'
Pepper quickly adds, "wild flowers were...a bit scarce, as you can imagine."
You brave a single question.
"What's going on?"
Everyone just beams at you, falling into a pattern of pairs behind Morgan before Tony winks and tells you to follow his lead.
The doors open, and there, at the end of the aisle, stands Steve--your Steve--in his old Captain America outfit minus the cowl. His hair is still long and darker, but his beard is properly trimmed.
All you can think is how you'll tease him about that.
You pinch at the leather sleeve in curiosity, and Steve leans over.
"This is the last thing I'll ever do in it," he says before kissing your cheek. "Promise."
"Says the guy who's stolen it twice," Tony mutters from his place on the other side of Bucky.
"He has a point," Nat chimes in.
The poor priest clears his throat and bellows, "dearly beloved..."
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He keeps his promise.
At a press conference just before New Year's, Steve is announced as one of those rescued from "an enemy base" in an undisclosed location.
The crowd of reporters erupts in a chaos of inquisition, but all Steve will give them, standing there in a simple sweater and slacks, is his official resignation of the title Cap.
"What do we call you then?" someone shouts from the back.
"Just Steve. I am Steve Rogers, that's all." He looks to his left for the comfort of your face. "And this--" he grabs your hand "--is Mrs. Rogers, my soulmate."
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@im-a-slut-for-fluff @whiskeytangofoxtrot555 @fangirl-swagg @georgeweaslysgirl @austynparksandpizza @bucky-fricking-barnes-reads @fallinallinmendes @claireelizabeth85 @patzammit @supraveng @1950schick @jamneuromain @yiiiikesmish @ashesofblackroses @spectre-posts
A/N: and yes, the full-version will be written eventually.
[Main Masterlist; Ko-Fi]
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genshincreatorau · 7 months
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CreatorAU Headcanons Part 1
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【summary】 — some general headcannons on the subject of this AU and then my idea of how your visit to mondstadt would go.
【contains】 — clingy genshin men . flirting?
【characters】 — Venti . Diluc . Kaeya
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this is just some general knowledge about my version of the CreatorAU that I follow for my writing.
The Reader wakes up in Teyvat after the events of the game, meaning the traveler and their twin is nowhere to be found. having already left.
The Reader and the Creator are not exactly the same thing, while the Reader is from our world, as they are just you. the Creator is a consciousness that shares your body.
The creator is so deeply interwoven with your own mind that it might as well just be the memories of a previous life. one that you've now returned to!
The Reader has seen everything just like how we see it in the game all the way up to the Fontaine quest. before they got isekai'd and wake up sometime after the end of the game.
Now the only pressing matter left in Teyvat is the arrival of their one and only Creator. (that's you!)
the worship of the creator is not as wide spread as you'd think. it's different with each region.
it all depends on how much power and influence your acolytes hold in their nation.
now that all the boring lore stuff is out of the way, onto the character Headcanons!
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Mondstadt
the people of mondstadt generally don't know much about you as the creator, nor is it really that deep into your worship.
however the same can not be said for those you've shared a connection with via the intertwined fates.
each of your acolytes expresses their devotion in different ways and the ones in mondstadt tend to take it a bit more lightly then say the ones in Inazuma.
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Venti
Venti is the first to greet you when you arrived.
when you come to visit the land of freedom he is quick to show his face.
greeting you with a bow and a cheeky line about how he'd been wondering when you'd pay him a visit.
you in your current state aren't able to manipulate any of the elements so he is happy to help you move around more freely.
he'll give you a tour of the city, this bard is at your service, entertaining you with songs that tell tales of his people.
After you get approached by Jean and Diluc, your attention wanes off of him and he might just have whisk you into the air. gently placing you both in the arms of his statue. a fitting place for you if he does say so himself.
you fit so perfectly in his arms. don't worry, he let go.
you won't get a straight answer as to why he brought you here but its not hard to guess.
he'll redirect your attention to all the points of interests across Mondstadt. an arm not so subtly wrapping around your waist as he points out the places he could take you to.
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Diluc
his first attempt to approach you was cut short by the bards childish whims to have you to himself.
he had come to speak with you about your stay in Mondstadt, ready to offer you lodgings at his Manor.
it was only fitting that someone as important as you were to stay with him, a noble of high esteem.
not to mention the fact that he did not trust the Knights of Favonius with your safety. especially with the fatui still lurking around.
that's why he'd approached you when he noticed you speaking with Jean. unfortunately, he did not get the chance to bring up his offer.
no matter, if he knew Venti (and he did) then he'd be by angel's share come evening.
so he stayed in town, taking a shift at the bar and giving Charles the night off.
and just as he'd thought the infamous bard was quick to show his face, hand in hand with you and insisting you try the dandelion wine.
The drinks were on the house that night, if only so that he could have enough time to make a proper introduction. without Venti taking the spot light.
Diluc made sure not to waste any of your time. getting straight to the question at hand on where it is you were planning to stay during your time in Mondstadt.
it didn't matter if you had plans to stay somewhere or not, he'd still make his offer for you to stay at the winery.
Whether you'd accept his offer was up to you.
but keep in mind, your decision would determine whether he'd get to sleep at home that night or if he'd stay up patrolling the streets of Mondstadt.
Diluc would stay with you until it was time to close, either escorting you to the Winery where there would be a proper meal and a bed waiting for you.
or he'd simply escort you to where ever else you'd decided to stay for the night.
this gesture, while genuine, also served to let him know exactly where he'd need to be patrolling that night.
he'd spotted the fatui following you around.
he didn't care if they we're simply watching you to reporting back on your well being, or if their intentions we're to steal you away.
he'd be rid of them either way.
they had no business being there.
at least at the Dawn Winery he could rest easy knowing you we're safe, resting in the room just next door.
...
he could still feel where your hands had rested on his arm while he escorted you.
Diluc hoped he'd be able to take a nice long walk with you around his Manor the next morning. you were pleasant company.
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Kaeya
now Kaeya has a special place for you in his heart.
and no one else in mondstadt would ever truly understand why.
because his knowledge of you went further then most of your followers.
because back in Khaenri'ah, they didn't worship any of the Seven Archons. They worshiped you.
and although you might not remember the sacrifice you had made, and no one cared to inform you about what had happened. he'd still show his gratitude in any way he could.
he'd known that getting some time with you would be difficult when everybody would be vying for your attention.
so he had decided to postpone his introduction until the evening of your arrival.
suggesting to Jean that offering you a place to stay at the Favonius headquarters was the best course of action.
hence his disappointment when she returned with the news that she had been unsuccessful.
but apparently they weren't the only ones to make the offer. his brother was doing the exact same thing.
so, when he caught wind that you had indeed stayed at the dawn winery, he'd made his way back home.
he thoroughly enjoyed the look he'd gotten from his brother when he interrupted your stroll around the garden.
Diluc seemed so agitated. it was so amusing.
he stayed there the entire time. making conversation and putting on the charm.
though it wasn't until you walked back inside the manor that he took the time to properly greet you.
holding his hand out to you as if to shake it, only to plant a kiss on the back of your hand.
he had lingered just long enough for you to question if he was truly just being polite, it seemed almost purposeful.
as if to savor it.
this didn't go unnoticed by Diluc, and it seemed to burn up whatever patience he had left.
they didn't get into a physical fight, but the tension was palpable and you'd decided to take your leave before anyone got hurt.
heading back towards Mondstadt to continue your exploits in the city.
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【notes】 — this got pretty out of hand, i only meant to write something short for each nation but instead you got Mondstadt and three of its people. well! if anyone's reading this and would like to request specific characters or scenario then go for it!
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morrieandlicky · 1 year
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I realized something rather unsettling about E.M. Forster’s Maurice: it would’ve never happened at all—in fact it was so close to never having been written. 
Why? Because the novel is a direct result of Forster's visit to Edward Carpenter and George Merril in 1913—specifically, a direct result of a Merril’s touch on Forster’s backside, but broadly of Carpenter’s philosophy and the life he had with his lover, the lower-class Merrill. But here’s the thing: Edward Carpenter and George Merril were almost charged, arrested, and/or imprisoned because of their sexuality and relationship. 
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Having published his controversial The Intermediate Sex which sought to justify homosexual love, Edward Carpenter came under fire and faced a large public reaction. Someone named D O’Brien, a member of a right-wing group instigated his own large-scale campaign against Carpenter. He printed out pamphlets and wrote letters accusing Carpenter, even sent them to the Home Office and the police who then started investigating Carpenter. The authorities evaluated Carpenter’s published books on homosexuality to determine merits of persecuting him.
However, the Director of Public Persecution at the time, Charles, decided not to open any legal proceeding. Because with the shadow of Oscar Wilde’s infamous trial still palpably felt in the society, he did not want to stir any public discussion about sex or homosexuality through Carpenter or his books. As such, no proceeding against Carpenter happened, and his books were not banned. This ended in 1909. 
But the investigation did not stop there. The Derbyshire police was concerned with—and anxious about—getting a case against Carpenter and Merrill as two homosexuals. I think that since Carpenter was upper-class and had a solid reputation, the police went after Merrill instead, especially because O’Brien’s letters mentioned names of several people who knew about Merrill’s "indecencies". But these people were of no avail. Hence, no incriminating evidence was found against Carpenter “beyond strong suspicion”, and before 1911, the whole thing was thus, finally, dropped. 
And Forster’s visit to the two men living together in Millthorpe happened in 1913. 
(Below: a 1911 census showing Edward Carpenter, the head of house, living together with George Merrill, the housekeeper)
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Imagine: had Carpenter and Merril been caught—and imprisonment was most certain for Merril due to his lower station—they wouldn’t have been together at where they were in 1913. Forster probably wouldn’t have visited Carpenter at their cottage at all, and thus, Maurice and its happy ending would’ve never been formed. The lives of the real life Maurice Hall and Alec Scudder could’ve been destroyed before their fictional counterparts had been conceived—and Forster would’ve never seen the happy gay couple he knew to write a gay romance novel with a happy ending. 
(Forster could’ve written and even published another version of Maurice—albeit one with tragic ending and deaths of gay characters.)
I used to think Carpenter and Merrill evaded the laws and got through it all because they were smart and brave and discreet, but now I know they were also incredibly lucky, in the sense that it’s almost like Carpenter and Merrill were destined by some higher power to be together and live in an Edwardian gay fairy tale of happily ever after; they were meant to survive as outlaws and to welcome Forster into their home and inspire him to write a gay novel with a happy ending. “Fate has mated it perfectly,” might I quote from Forster himself. 
(Below: a 1921 census showing Carpenter and Merrill living together still)
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Probably in an alternate universe, Carpenter and Merrill were indeed arrested. Merrill went to prison and suffered the same as Wilde did; Carpenter however was let off due to his status (just like Forster had imagined for Maurice and Alec in real life his terminal notes). I don't want to wonder or ponder too much on that because for now, I'm just glad that I live in this timeline where a homosexual happy ending indeed happened in real life as well as in fiction, in the most impossible times.
Source: https://blog.nationalarchives.gov.uk/edward-carpenter-free-love-advocate-and-lgbtq-rights-pioneer/
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writingseaslugs · 1 year
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Pomefiore: Injured Reader
Disclaimer: All characters in this series are aged up. For more information about my version of this world and the type of reader you can expect, please do a quick read of THIS post.
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Injured Reader Headcanons
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Vil Schoenheit
Vil knows how to treat several kinds of injuries, since he was always prepared in case such a thing happened. While he rarely ever gets hurt, it’s important to know how. The last thing he needs is to have a scar marring his skin. He would rather die than let that happen, since he might look more villainous and get less roles as a result. Not to mention the modeling contracts that would flip out if he had one. So he simply does his best to stay injury free.
Vil almost wanted to cry for you when he watched you from afar, falling flat on your face. He could see your nose bleeding and is already heading over to you with a handkerchief. Before you know it, Vil is lifting your head and checking you for anything else, grimacing when he notices the scratch on your chin and top of your nose. He’ll be scolding you for being so reckless and falling, making sure to inform you that it’s important to work on being aware of your surroundings and where your feet are going.
He has several remedies and potions at his dorm, and will drag you there if it’s more of a superficial injury. If it’s a broken bone, he’ll be dragging you to the nurse and waiting patiently for you to be seen and fixed up. Once he knows you’re fine, you’re getting another round of scolding. If it was caused by your own clumsiness, then he might end with a little bit of teasing, threatening to make you attend a class with him on footwork so you can walk properly.
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Rook Hunt
Rook is no stranger to being injured. Unlike Vil, he thinks scars are a beautiful thing that tell stories of adventures. He even romanticizes them a bit, and will gladly tell you each and every tale of how he got a scar. Most of them were from hunting, but he has several on his arms from incidents when working with his bow. He knows how to treat injuries and will prevent himself from getting scarred if he can help it, but it’s no skin off his back if he has them.
Rook is concerned the moment he watches it happen, almost like a slow motion movie sequence. You had been wanting to learn how to use a bow and he was more than happy to help. He just didn’t expect the bow string to snap, even though he had double checked. Perhaps the fates had it out for you today? He’s rushing over to you and gingerly taking your arm, assessing the damage. He knows how bad those injuries can be and just knows you’ll have a nasty bruise to accompany the large gash.
Even if it’s your arm and not your leg, he’s going to carry you to the nurse’s office to use their facilities. He’ll be wrapping it up while apologizing so many times over that he let you get hurt in his presence. He’ll even kiss it better and let you know that, even in pain, you look breathtaking. Showering you in compliments becomes his go-to, since then you’re getting too flustered to think about the pain. He’ll be watching you like a hawk for the next few weeks.
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Epel Felmier
Epel is no stranger to injuries. Carving apples, especially when starting out, left his hands covered in small nicks and scars. It was something he prides himself in as it showed how hard he worked. Not to mention the men around where he lived had all sorts of scars. They were kind of manly, in his eyes, and he admired those who had scars. Thankfully, due to all his injuries, he also became really good at taking care of cuts. 
Epel was horrified when he watched you fall out of a tree. He didn’t even realize you were up there, but he still felt guilty for not catching you. He was sure if Rook had been there, you would’ve been caught. He’s running over and making sure you’re okay. He’s pretty sure your shoulder and ankle weren’t always at that angle, but it’s fine. He’s only having a minor panic attack as he’s figuring out how to help you.
If he can, he’d love to carry you. Sadly, his muscles just haven't appeared yet, so he probably can’t unless you’re somehow smaller than him. Maybe Ortho sized. He could carry Ortho-size. He’ll probably have to call someone, and judging by how he didn’t want to deal with Rook, he’s going to see if Jack can help. The wolf was all muscle and could lift you with ease. He’ll be trailing besides you two while you’re taken to the nurse, then he simply won’t be leaving your side until he knows you’re going to be fine.
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Beta Fishies:@kingheinrey, @epiphyllous, @mint-moushi
Are you a fan of Diasomnia like me? I bet you are if you read my content (we love the boys in this household). Want to support a visual novel that will feature Diasomnia dorm, has multiple routes and endings, as well as some spicy visual scenes? Check out @twstfournights and if you want info, check out their announcement post!
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ultraericthered · 5 months
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A tale of two evil Disney kings.
I put this out not to make any statement about how one villain compares to the other, but to compare how similar in the spirit and the details of their evilness these two are; the last straight up Big Bad of a Disney animated movie before the next decade and the first straight up Big Bad of a Disney animated movie we've gotten since.
And I also want to touch upon something that confounds me.
King Magnifico, despite the film teasing at him being a nuanced and even sympathetic character at first, ended up becoming a villain vile and irredeemably heinous enough to be upvoted as a Complete Monster on TV Tropes. Majority vote approved, so that's fair. ...But Turbo, the dude with a similar rap sheet, is still not only ruled a non-example, he's in the "never to be discussed again" category for all the nixing of adding him to the trope ever since 2012. Because why, exactly? I am legitimately finding no good justification for this now.
Turbo locked away his subjects' memories within Sugar Rush's code without giving them any say on the matter (whereas with Magnifico it's at least a contractual arrangement between him and the people who give their wishes to him), and while the Sugar Rush characters don't appear to be acting all that off in any way besides not remembering Vanellope, no one in Rosas really seems to be suffering, depressed, dispirited, and poor off from having given up their wishes and forgotten about them either: it's a frequent criticism that they all seem to happy and prospering, and that the bad side of Magnifico's reign is more told to us than shown. The suffering only really visibly occurs on-screen when Magnifico takes and breaks the wishes (though even then it's written off as "making people feel sad" by a lot of watchers, so it's not easy to argue it's all that heinous). And sure, Turbo's manipulation of Ralph left Ralph with more of a choice to make regarding Vanellope's cart and her ability to race compared to Magnifico with Simon, but that could be argued to make Turbo that much more insidious and reprehensible in his approach.
And then we have Cy-Bug Turbo vocally making clear his intent to overtake all games in the arcade he chooses and forcing Ralph to watch the Cybugs attack Vanellope, comparable to Magnifico vocally making clear his intent to break all wishes in Rosas in order to enslave the despirited masses forever and forcing them all to watch him torture Asha. Yes, the latter might hit harder since it's such a betrayal of all the people he was supposed to be protecting and caring for, but that doesn't make Turbo's climactic villainy any less heinous. Turbo lacks magic powers, he's just a program who overrode that of a Cy-Bug and intends to make full use of the bug's capabilities to infect the lifeblood of other games and to physically harm others, namely Ralph, who he tells straight to his face that he wants to kill. And like Magnifico with the dark magic tome, Turbo's code merging with the Cy-Bug doesn't destroy his moral agency, it only makes him into a more unhinged, unfiltered and destructive version of the same cruel, egomaniacal asshole he already was. The fact that he uses the words "virus", "arcade", and "game" in the same sentence proves he's not merely another instinctive Cy-Bug; he knows exactly what he's doing, and sets out to hurt countless others knowing that he's hurting them not caring, and even relishing it.
Well at least we have other trope wikis to look to if we wish to find Turbo under his rightful classification. He is a Complete Monster, period. With the raw deal TV Tropes has given him for over a whole decade, he's the one who should sing "This Is The Thanks I Get?"
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Yes, I am aware that the Complete Monster trope is not a badge of honor or trophy for whatever villain ends up on it,
No, I could not pass up this image.
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