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hells-wasabii · 3 months

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here’s a thing you could try doing (if you want to) the Hazbin hotel gang with seraphim child reader who somehow appeared in hell after the ep 8 battle.

the gang now has to look and protect this child since others could use them for their own means with the power the kid has and for some reason they can’t go to heaven… almost like they have a purpose here in hell

A/N: This is probably going to get a part 2, I'm a little invested in where this could go! It's probably gonna get turned into a little series with a plot.

With a child seraphim i really don't see one knowing what hell even is yet. Sure, they would tell them about it, but definitely wouldn't know what it is. Or alcohol, or curse words or anything vulgar really. I hope you enjoy!

Character: General

Type: Fic (Nonromantic, Plot-centric,Hotel staff/residents with seraphim child!reader, General)

It was an honest mistake. You really hadn't meant to, but Emily and Sera were starting to argue again, something that had been happening often since that nice Charlie girl you had met at the zoo came and gone. So you had snuck away. You hated when they argued, they were your family. Family shouldn't fight, ever, you had decided early on.

Curious, you continue on towards the portal. You investigated, peering through to see a strange place bathed in red, you saw a broken building, something that reminded you of something one your brothers had shown you from the human world. War, you thought it was called. Something horrible that humans thought up to hurt each other.

You hated when people were hurt. You wanted to get closer and help anyone who might be hurt, even if your powers hadn't fully come in yet.

Then an idea came to your mind! You could ask your brothers to help! They would know exactly what to do! With this in mind, you attempted to return back through the portal, only to be pushed back by some invisible force.

Wait... What? Why wouldn't it let you back in?

Then it happened. You were still a young Seraphim, your wings weren't super strong yet, and as you peered down at the red place your wings gave out. Luckily, your brothers and sisters had trained you in case something like that happened! You were able to slow your descent, at least enough for it not to hurt when you finally landed.

So you started to make your way to the pretty, large building on the hill with a sign that read Hazbin Hotel. Though the building didn't seem quite finished yet, it was still really pretty. Odd, hadn't it just been all broken?

As you pushed your way in through the heavy doors, you saw three people over at a tall counter: A cat man with wings cleaning a really small glass, an angel, but she didn't have her wings out, and- Oh no! She seemed to have misplaced her halo, too! That wasn't good! And a pretty pink and white spider-man that was sipping on a pretty looking juice

The pretty spider-man looked over at you and did a spit-take, nearly choking on his juice.

"What the fuck is a kid doing here?" He exclaimed, gesturing at you, fuck? What kind of word was that? No one had taught it to you, and you couldn't remember any of your fellow Seraphim using such a word, either. This seemed to get the other two's attention as they turned to look at you, shocked expressions on their faces.

"What does 'fuck' mean?" You asked, head tilted in confusion looking between each of the strangers. The pretty spider-man looked like he was going to start laughing but the angel next to him hit him hard in the shoulder, only serving to confuse you more.

"Charlie!" Excited, you ran forward, using your wings to jump higher than you would have otherwise, right into her arms. The blonde non-angel caught you with ease.

The princess of hell's eyes widened looking up to find her companions looking just as confused and shocked as she felt.

This wasn't good, not one bit.

#hazbin hotel #hazbin hotel x reader #hazbin headcanons #hazbin imagine #charlie x reader #angel dust x reader #huskerdust #husk x reader #vaggie x reader #all of these are nonromantic/platonic #except for huskerdust

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barbwritesstuff · 5 months

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The Goodreads Choice awards has happened. It included a 'romantasy' category and no 'graphic novel' category. I take that as permission to make up my own ridiculous genres as I tell you about what I read in 2023.

Obviously, 2023 is not finished yet, but I'm doing a reading challenge at my library, so I don't think I'll be reading stuff I want to read for the rest of the year. Just stuff my librarian friend thinks its funny to make me read.

I've read 65ish books. Here are the highlights sorted into easy and normal groups.

Scifi books in which the main character spends 99% of the book wandering around a horrifying cave:

I enjoyed both of these, but Piranesi was a joy to read.

Vampires:

Empire of the Vampire was wild. House of Hunger was horny. Dowry of Blood was both of those things.

Ace books:

Disclaimer: I didn't actually like Loveless or Let's Talk About Love very much but I know a lot of people did, so I thought I'd include them here.

Vanilla surprised me because I don't normally like poetry but it was really good. Heartbreaking, but good.

Memoirs by people way too young to write memoirs:

All of which were funny!

Books about white people being shitty to Asian (specifically Chinese) people in the entertainment industry with ambiguous endings and a huge amount of research into the industry on blast:

Yellowface is for you if you like Hbomberguy's latest video. Seriously, those two go together like a fine wine and a good cheese. The Whitewash was also fantastic and so under appreciated.

Books that made me want to quit my job and become a ridiculous but stylishly dressed criminal:

Seriously. Rogues included a step by step guide on how to become a wine forger... and I was tempted.

HISTORY:

Okay, so Babel isn't really history, in that it's actually a magical dark academia, but it's tied into historical events, and made me look up some history, so I think it counts. The wager was the most exciting history book I've ever read. I was so invested in the lives and deaths of these silly scurvy-ridden seamen.

There are other books I read and enjoyed but I can't think of funny categories to put them into, so you don't get to hear about them.

Anyway. That's it. Read books.

Also, get a library card if you can. I practically live at my local library and have learnt so much from reading.

Here's last year's post if you want more books...

#book recs #reading #bookish

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teardrop-scales · 7 months

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Hi I have a request! How about a love potion one shot or head canon with lmk Wukong and fem (s/o)? Please and thank u 🙏🏻

Love potion: Sun Wukong x reader headcannons 🧪

A.N: I decided to do this in a headcannon format, but more story-driven one, and I actually changed your request a bit so Wukong and reader aren't a couple yet in this. Hope that's okay!

You were having a peaceful afternoon after your early morning shift at work when MK called you.

You were surprised at this; you knew he was supposed to be training with your friend/crush Wukong and usually that made him quite busy and unreachable. So you knew that something must've happened.

When you picked up the phone , it turned out that The Monkey King himself somehow accidentally drank a love potion that he had in his stash of artifacts and other useless things.

MK wasn't exactly sure how the potion worked; on the bottle it was only written that, thankfully, the effects last only for a day or so, and the poor kid couldn't exactly ask his mentor about it right now. Besides, you were sure that Wukong wouldn't know even in the right/normal state of mind.

According to MK, the monkey acted somewhat normal for a few minutes, until he saw you in the photo he had of you two stashed somewhere. Then the potion truly started to kick in. At least that's what you think happened, provided you understood MK's frantic explanation correctly.

And to summarize, the boy wanted you to take care of Wukong for a bit until the potion stopped working, since the monkey was apparently constantly bugging him about wanting to see you. You could even hear Monkey King gushing about you and cutting in through MK's phone "to say hi".

You kinda feared what it would be like. You just hoped he wouldn't be too overbearing and that you won't explode from flusteredness, given you had a crush on Monkey King and thanks to the potion, he was in love with YOU of all people.

But you knew that MK had to go to his afternoon shift at Pigsy's, and Wukong couldn't be left alone in this state, so of course you agreed.

So in a short amount of time MK was standing in front of your apartment door with the Monkey King behind him. The boy thanked you once again and then he was gone. Leaving you alone with your lovesick crush.

His eyes were much wider than normal, and there was a slight pink gleam in them. He also had a wide smile on his face, his tail swishing behind him. Basically all the signs that he was happy.

"Peaches, I'm so glad to see you!"

He exclaimed in a much more higher pitched and cheerful voice than normally before crushing you in a hug.

"Yeah, good to see you too, Wukong" You replied and awkwardly reciprocated the hug, while Sun buried his face in the crook of your neck and inhaled your scent.

Overall Wukong was much more cheerful, talkative and emotional than normal under the effect of the potion.

After the hug he started asking you a ton of questions, like, how was your day? How are you feeling today? No demon tried to attack you since he last saw you, right? Etc.

You also noticed that he called you 'Peaches' a lot. Of course, sometimes he did call you that before the potion, but only sometimes and he always acted like that was a slip up. He usually calls you by your name or similarly to MK, 'bud'/'buddy', maybe 'pal' sometimes.

To be honest, you weren't sure what to do with Wukong and how to keep him busy and not bored until the potion stopped working. So you suggested watching a movie.

And of course, probably 'cause of his lovesick state, he chose a romantic comedy...

It's not like you've never watched that kind of movie with him before, you actually did - you both liked to make fun of the characters and point out the corny and cringy aspects of the movies, but this time Wukong was really invested in a way he never was before.

The second you both sat on your couch, the monkey clung to you, hugging and cuddling you like a teddy bear. He was so close it was impossible for him to be any closer to you. Wukong pressed his furred cheek against yours and curled up to your side, his tail curling around your ankle.

Meanwhile you just sat there, inwardly screaming and having a panic attack at how close and intimate he was right now, and how much you liked it and secretly wished he wouldn't let go. And he didn't for the whole movie, being too invested in it to notice or care about you blushing.

This time he also made comments during the movie (that's just the way he is, sometimes he just can't keep completely quiet for that long), but not snarky/mocking ones. Instead he kept staring at the screen with sparkles in his eyes each time the characters did something which could be considered "romantic" and saying something along the lines of "Ooh, that is so romantic! Wouldn't it be nice if we did something like that, Peaches?" Or change his mood completely and ask with a smug expression "Soo, what did you think? What would YOU think if SOMEONE did something like this for YOU?"

Summarizing, he was VERY subtle...

You tried to answer both honestly and nice enough not to hurt his feelings. But, truth be told, you lied a few times so he wouldn't feel bad/hurt. You felt slightly guilty about lying to your friend/crush, even about such stupid things. Oh well, if you're lucky, Wukong won't remember any of this.

To be honest, you were thankful that this whole love potion experience took a pretty lovey-dovey route and not... Y'know, the more suggestive and lustful one? Because when it comes to Wukong it sometimes could be both. It probably also depended on the potion itself.

So yeah, you were grateful that the most he did was throw a more suggestive comment with this smug face of his here and there.

After the movie ended, you figured it was a good time for dinner.

Right after you started getting off the couch and out of Wukong's grasp, he asked with a pouty tone where were you going.

"I'm just going to the kitchen to make pancakes for dinner. With peaches~" You added in a sing-songy voice. You knew how much your monkey friend loved those fruits, so you always made sure to have some at your house just in case.

"Oh!" Wukong's face lit up slightly at the mention of his favorite fruits. "You don't have to get up though! I can make the pancakes with no problem, you don't have to do anything, in fact, you don't even have to get off the couch! I'll do everything for you, no biggie. You must be so tired after your morning shift today, Peaches! Besides, I'm a pro at cooking!"

You barely managed to hide a snort after his last sentence. It was endearing that he wanted to spoil you and do things so you wouldn't have to but he definitely wasn't a pro at cooking. You taught him some basics and thanks to that The Monkey King was able to cook simple dishes so they were actually edible. But not much more than that.

However, you agreed for two reasons: one, so you wouldn't hurt his feelings (it was so cute how his eyes and entire face shined and how bright his smile was when you said "okay"), and two; you were quite curious how this would turn out.

"Okay, but call me if you need help."

"You're so sweet, Peaches! But that won't be necessary."

After that Wukong went to the kitchen.

In short, it turned out that Sun mistook powdered sugar for flour, so the pancakes were... Quite a disaster, honestly.

You had to console the poor Monkey for a few minutes, because he felt like he failed and disappointed you. He was practically close to tears (that potion really did make him much more emotional, huh?)

He only cheered up after you suggested ordering something from Pigsy's. And of course, being the gentleman he suddenly became thanks to the potion, he insisted he should be the one to make the call. You could imagine that the pig wasn't very happy to hear him, but nonetheless after some time your order arrived with MK to your door.

"So, how is he?" Asked the teen. "I hope he was... Umm... Well behaved?"

"He was actually. It's just that he's much more cheerful and emotional than normal." You chuckled.

After that you invited MK inside, since he just ended his shift while bringing your and Wukong's order.

You and your crush ate your dishes and MK ate some chips you had in the kitchen. Meanwhile Wukong kept gushing about you to the teen, making you very flustered and flattered at the same time.

"I just love you Peaches so much!" Happily exclaimed Wukong at one moment.

Then a small, quiet gasp escaped your lips. Oh, how much you wished he truly meant those words. But you knew that this was just the potion talking, sadly.

After that MK suggested he should take Wukong back to the Flower Fruit Mountain since he ended his shift now.

Unfortunately, Sun heard that and he wasn't pleased. He immediately embraced you and squished you tightly against himself and kept saying how he needed to stay to protect you from demons or burglars breaking into your house. And also claiming that he doesn't want to be alone and that he had such a good time with you, so he didn't want it to end. Wukong was pretty much like an emotional child thanks to the potion at that moment. MK tried to pry him off you, but to no avail.

You had to promise Wukong that he could come over the next day in order for him to let you go and calm down.

Finally Sun agreed to go with MK, but not before hugging you tightly once more, kissing your cheek and saying "Love you, Peaches!".

You couldn't help but let out a sigh of relief when Monkey King left with his successor. This was an interesting experience, but it was quite tiring too. You also had many complicated emotions after this and needed a lot of time to process them. All of this just made you realize how hopeless you were in your crush on Monkey King himself and, how badly you wanted him to truly love you.

Later, in the evening, you suddenly grew curious about the love potion which your friend drank. So you decided to call Tang to check if he knew something about it; after all, who else could have such knowledge if not him?

"A love potion you say? Hmm... Well I do recall hearing some myth about some deity or someone who wanted to invent a potion which could make people fall in love. They kind of succeeded, but actually later it turned out that the potion didn't create those feelings from scratch."

"What do you mean?" You had a feeling where this was going, but you needed a clear confirmation.

"In order for the potion to work, the person who drank it had to already have some feelings for someone. The potion just caused those feelings to grow abnormally stronger and made the drinker more emotional, confident and bold about their feelings. Umm, but why are you asking?"

You were flabbergasted. Could it be...? "Oh, it's nothing, I was just curious. Thanks Tang, I have to go now, bye!" After that you ended the call, not even letting the scholar say goodbye.

That meant that Sun Wukong, aka The Monkey King himself had a crush on YOU. A REAL CRUSH. SINCE WHEN?! How long was he hiding it? Either you were really dense and oblivious or he was really good at hiding his true feelings. Honestly, it was hard to determine which was true in that situation.

For a solid minute you just sat there with your mouth open. Your mind literally screamed "error". Then you suddenly squealed like a teenage girl, jumped in the air and said "YES!"

Well. It seemed like you needed to have a little chat with Wukong.

#the monkey king #lmk monkey king x reader #lmk sun wukong #lmk #lmk sun wukong x reader #lmk x reader #sun wukong x reader #sun wukong #monkey king x reader #lego monkie kid x reader #lego monkie kid #requests open

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zexapher · 24 days

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Vacuan Nights, Like Vacuan Days

They’re just so great together! I’d love for Jaune and Weiss to get a little downtime in Vacuo to live out a moment like this. They really deserve it, and I’d love to see Jaune’s guitar make a reappearance.

The comic here was inspired by u/Silverstar1243’s excellent piece of art, A Serenade Under the Moonlight. Send some love to them on their twitter, commission some art if you’re willing and able, they’ve made some great stuff.

You folks may have noticed I threw in a couple of references for those in the know; the Golden Oreos behind Yang (double stuffed, I might add) for the trio’s ship, Weiss liking it rough for Mallobaude’s great fic, and of course I made a whole theme around the Arabian Nights Disney song. A song, along with its Aladdin compatriots, which I spent the better part of a day finding covers for just to listen to on repeat while I worked.

This one’s now officially my longest comic project, with 14 panels, two over the past record since I added the White Knight kiss at the end. I’m pretty happy with how it turned out. Not sure I’d say it was more difficult than my Vanity of Vanities post, but for this one I actually knew how to use my editing software going into it (at least somewhat).

Put a lot of work into this one, been working on it on and off since February. Took a few breaks for vacation, to make my memorial post for Rooster Teeth, and another five meme edits or so, but I came back around to it. First half was pretty easy, relatively minor edits inserting characters into scenes and so on. The second half with Jaune and Weiss was tougher though, with color correcting, merging poses, redrawing features, drawing Jaune’s entire head to fix some lighting issues, etc. Really like how the edit to make Jaune strum his guitar turned out.

The time it took to make the whole comic got me down a little, until I did a bit of math. Including my side projects since starting this, all the scripting and editing and all, I’ve been pumping out a panel every two days. That seems pretty good to me, that kind of accomplishment makes me a little proud of myself.

Really need to get around to watching the second part of the Justice League Crossover movies. It’s got a few Vacuo scenes that might make things a little more authentic instead of me just using Saphron’s house and pretending it’s a suite in Vacuo. I do love taking yet more character stills from Jaune and friends experiencing deep trauma and turning it into something positive, been making that a bit of a personal habit. And I’ve got to say, the background for Jaune and Weiss’ scene is really beautiful, pulled it from when Sun and Neptune hear Ruby’s message about Salem. That’s just a really good shot all on its own, I even saved a copy for my computer’s wallpaper after editing out the two.

Posting a big RWBY White Knight edit, watching not one but two RWBY Beyond episodes, and all on the trail of the news that RWBY’s found partners that they’re negotiating with and that the creative team is expected to stay on. And I'm sipping bubble tea. Life is good.

Anyway, pardon the long write up. I’m invested in this one, and am quite pleased with how the comic turned out. I hope you all get a kick out of it as well!

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likeabxrdinflight · 3 months

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I want to talk more about the way the characters have been adapted for the live action adaptation, because character writing is the thing I care about the most and as a psychologist it's probably the aspect of any story that I'm most invested in. I can get around pretty much any plot contrivance or weird maguffin or even shitty pacing if the characters of a story are engaging enough. This is my bread and butter, so to speak.

And I want to start with Iroh, because I think he is by far the best adapted character from the original. But I suspect I think this for different reasons than other people might, because the beloved Saint Iroh from the animated show this man is not.

See the thing with animated Iroh is that he's just...a bit too perfect. We know he's been complicit in the war in the past. We know he laid siege to Ba Sing Se, we know he had a complicated past. But we never really see it, we only barely hear about it, and more often than not there are other aspects of Iroh's past that serve to further deify him. He was a general in the war, but then he goes on to protect the last dragons and learn the true meaning of firebending. He led a 600-day siege and lost his son but he came out of that experience Enlightened, having journeyed to and from the spirit world. He joins up with the White Lotus (at some point) and becomes the wise old sage we know and love.

Except most of that is revealed in later seasons and is inconsistent with his actions alongside Zuko in season one. Season one animated Iroh is kind of a passive character, largely existing for comic relief and as a support to Zuko. But there's very little to suggest he's disloyal to the Fire Nation or their cause. He says it himself- "I'm no traitor, Zhao!" Now you can certainly interpret that line in several different ways, but I suppose that's the point- there's a lot left up to interpretation with animated Iroh. We get a sense of who he is in relation to Zuko, but his own development largely happens off-screen. And because to Zuko he's a wise, caring uncle and mentor, that's largely how we, the audience, see Iroh. We love him because Zuko loves him. And that's fine for what it is, and clearly it was effective- Uncle Iroh is almost universally beloved. But it does leave a lot of questions about him up in the air.

Live action Iroh is a very different character. This Iroh is a deeply broken man who was been profoundly impacted by the war and what he has lost because of it. I do not get the sense that the loss of Lu Ten has led to any spiritual enlightenment for this Iroh- there's no indication that he can see spirits, for example, or that he has ever traveled to the spirit world himself (he does still oppose the killing the moon thing, though.)

Right out the gate, we get the sense that this Iroh has lost faith in what the Fire Nation is trying to achieve with the war. He explains to Aang fairly early on what the Fire Nation's goal and perspective is, and can rattle off this dogma quite easily. But when questioned by Aang if these beliefs are also his beliefs, he dodges them rather un-deftly. So you know immediately that this Iroh doesn't really support the war. Later you see him somewhat bluntly telling Zuko that the throne may not be all it's cracked up to be, and he's fairly openly critical of Ozai in other moments. So you know from the jump that Iroh's not really on Team Fire Nation.

And yet this is also not a truly repentant man. When he is captured in Omashu, Iroh gets another brief scene with Aang while they are both imprisoned there (this is before Aang meets with Bumi). And in this scene, Aang tries to convince Iroh to help Zuko stop being The Bad Guy. And Iroh defends Zuko to Aang and stresses the point that it is not Zuko who owes him any great debt, but he who owes Zuko. Later, when he is confronted (and hit several times) by an Earth Kingdom soldier who lost his brother during the siege, Iroh does not apologize. He does not flinch at the man's accusations, nor does he deny them. He defends himself, albeit weakly, by stating he was a soldier, and it was a war. He has the audacity to accuse this soldier (somewhat obliquely) of having been made dishonorable by the effects of war. It's kinda messed up, honestly.

But then this man accuses Iroh of knowing nothing of loss. He leaves the shot, and we saw Iroh's face just crumble, and the scene cuts directly to Lu Ten's funeral, where Zuko chooses to sit with his uncle and support him through what must have been the darkest moment of his life. Back in the present, it is only later, after Zuko has come to rescue Iroh, that he speaks more honestly to the Earth Kingdom soldier- he shows mercy and states that they've all "seen enough death."

So what we have here is an Iroh who is deeply disenchanted by the war and does not support it or the goals of the Fire Nation, but who has continued to stand alongside Zuko and support him in his goals. We have a man who doesn't necessarily regret his actions as a soldier in the war but who very much does regret what those actions have cost. We see a man who is profoundly impacted by loss and grief and has become emotionally reliant on his nephew as a source of support. Not that he's parentifying Zuko or anything, he's very much not, but he is rather obviously channeling all the love he once felt for his son into Zuko instead. Zuko is his lifeline, he needs Zuko and you get the sense that without him, Iroh would truly fall apart. I mean the man is on the verge of tears more often than not when Zuko is in even the slightest bit of danger in a way that animated Iroh was not.

This is what I think is different here. Animated Iroh seemed to turn against the war because it was morally wrong, it had thrown the world out of balance, and imperialism is bad. Live action Iroh seems against the war because it wasn't worth it. It wasn't worth the cost, or the death, or the grief. He couldn't see that until he lost Lu Ten, but now he sees it everywhere. I get the sense that this Iroh just wants it all to stop, and I'm not sure he cares how that happens.

The White Lotus is definitely hinted at, but I suspect that was his motivation for joining it. It's not about restoring balance to the world for this Iroh. It's about restoring peace, so that he won't have to lose Zuko like he lost Lu Ten. So that the death and destruction stops. So he can just live a quiet life and put the past behind him.

It's a different take. And it's not that he doesn't still have a lot of wisdom to him, that he's not still a gentle, caring person. But he's a much sadder person, and he's lost that sense of "enlightenment" that his animated counterpart had. There's a selfishness you can read into to this version of his character that's much more apparent than the animated version.

I think a lot of people are gonna hate this, because it's a darker take on a much loved character. But I love it. This Iroh is human, this Iroh is flawed, and this Iroh has a lot more growing left to do. And that's awesome. If we get to actually see more of a character arc for him too, if we get to see him also growing and changing alongside Zuko? Please. It's not like he needs a total redemption arc, per se, but if in his journey with Zuko throughout the Earth Kingdom we can see Iroh gain some of his fortitude back, we can see when he decides he needs to push Zuko down a certain path, to take a side in the war, to see that it's not just the death and destruction that makes it wrong? God there's so much potential with that.

Now, maybe this isn't what will happen with seasons two and three. Maybe they'll back track and try to make him more similar to the animated version. I don't know. But for now? Live action Iroh is fantastic, and Paul Sun-Hyung Lee is giving a hell of a performance. He's warm and tender when he needs to be, fierce when he has to, and just profoundly sad throughout it all. And I love him so much more for that.

I'll be controversial here and say it. So far, live action Iroh is a better character than animated Iroh.

#I never disliked animated Iroh to be clear but perfect can be boring #this Iroh is not perfect and that is so much more interesting to me #natla spoilers #natla #iroh

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pikahlua · 1 month

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"A deuteragonist has a very different role in the MHA and that is a whole other post ."Can you please write this article? I am tired of Bakugo being constantly downplayed. There are very few people who understand his character and role in the story as well as you do.

Haha I mean hehe it's just hoho I never said fufu that Katsuki is the deuteragonist guffaw shucks haha I mean come on snort why are you putting words in my-

Katsuki Bakugou is the deuteragonist.

Katsuki Bakugou is the deuteragonist

"Of course you would say that. You're a Katsuki Bakugou stan! You are invested in inflating his importance in the story because you love him." - some people, probably

No. If that were true, I would be arguing Katsuki Bakugou is the protagonist. But I'm not.

Because Katsuki Bakugou is the deuteragonist.

It's not that I love him and therefore assert that he's the deuteragonist. I love him because he's the deuteragonist (plus many other reasons). He is an archetypal familiar shounen hero made interesting in part by the fact that he is NOT the protagonist and deliberately written in the deuteragonist role/function, and I will go into visceral detail about this momentarily.

I promise you I don't go around in other fandoms arguing my favorite non-main character is the deuteragonist. I fully embrace whatever role it is they play in the story. YOU WILL SEE THE EVIDENCE OF THIS VERY SOON, FOR EVERY CHARACTER IN MHA.

What is a deuteragonist?

A deuteragonist is a story archetype. They are the second-most important character in a story (which is a vague as hell definition). They are often known as the "secondary main character."

That's it. Everything else one might say about a deuteragonist is just a sub-archetype.

A deuteragonist can be a sidekick, a love interest, a rival, an antagonist, or even a neutral party. They are often, not always, written as foil characters to the protagonist. They often, not always, provide a different and yet similar outlook to the protagonist's. Their utility in a story can be quite varied. Sometimes they support the protagonist, and sometimes they oppose the protagonist. Often, they are used to help the protagonist complete their character arc.

Sometimes, there can be more than one deuteragonist.

What the hell is a deuteragonist?

The problem is, the function of a deuteragonist can change just depending on the type of story we're talking about. A deuteragonist in an ancient Greek tragedy (theatre), where the term originally came from, won't necessarily function the same way as a deuteragonist in a 2-hour contemporary movie. Things get even more complicated when we're talking about a TV series, a book series, or a comic book series in which the cast becomes so large we're likely to see MULTIPLE deuteragonists.

My Hero Academia, like many long-running shounen manga, has an ensemble cast. Would you be surprised if I told you My Hero Academia not only has multiple deuteragonists, not only has multiple antagonists, but also has multiple protagonists? Because it does!

Sometimes people wanna divide MHA into three or four acts and make the claim that the deuteragonist changes from act to act. I say they aren't going far enough. MHA is divided into arcs, and each arc has its own protagonist and antagonist and sometimes even deuteragonist. This is a STAPLE of ensemble cast shounen manga, where often there will be so many characters they get grouped off into trios (or more) and one among them will be the group's designated protagonist.

Sure, in most MHA arcs, Izuku is the protagonist. But he's not always. Who is the protagonist of the Pro Hero (Endeavor vs Hood) arc? Who is the deuteragonist? It's not Izuku and Katsuki; it's Endeavor and Hawks! What about the protagonist in the My Villain Academia arc? Tomura. The Hero License Supplementary Course arc? Katsuki and Shouto (who can't seem to decide if they're co-protagonists or protagonist and deuteragonist and who is which). The Overhaul arc? Izuku is the protagonist and Mirio is the deuteragonist. Some arcs really play with these roles or make it unclear who is playing which role or if the role even exists.

What is a deuteragonist in My Hero Academia?

So if we have a bunch of protagonists, does that mean the most important one is the series' overarching protagonist and the one second in importance is the deuteragonist? It COULD be, but it's not necessarily true.

There aren't that many arcs where Izuku is not the protagonist. If we look at the number of arcs where someone else is the protagonist, following the above logic, we could end up with All Might or Endeavor as the deuteragonist. Maybe some people would earnestly make the argument Endeavor is the deuteragonist--I don't know, I haven't met those people I guess. The problem with this approach in my eyes is that it entirely discounts the deuteragonists of each arc. Would it not follow that the overarching deuteragonist is the character who has played the deuteragonist in the largest number of arcs? What if that character is different from the character who has played protagonist the second-most number of times? And this is to say nothing about if the protagonist or deuteragonist are the same as the antagonist in a given arc! It's difficult to weight any one character in this fashion particularly when you have an ensemble cast.

This is getting into the question of focus and screentime. How much should we weight this metric? Admittedly this one can also be complicated, especially when it comes to long stories with ensemble casts. The question is how much does screentime actually convey how much a character is the focus of a story, and does that necessarily translate to protagonist and deuteragonist? Because for many the question is: could the deuteragonist be an antagonist in MHA?

It just gets a little harder to argue someone besides Katuski Bakugou is the main deuteragonist the more Katsuki's screentime allocation looks something like this:

Okay, perhaps that exact size of gap is hyperbole. But there is a clear, measurable gap between Katsuki Bakugou and everyone else and I don't think anyone has ever disputed that. Please check out this post by @dekusheroacademia that has compiled some of these statistics (they also make some excellent points about evaluating the elements of a deuteragonist and how various characters fit or don't fit those characteristics).

Still, this is merely supporting evidence, not conclusive. I am well aware of the concept of a false protagonist, where someone appears to be the protagonist until later someone else is revealed to be the story's true protagonist. And while I've never seen a false deuteragonist where someone SEEMS to be the deuteragonist and is later revealed in a twist not to be (as opposed to the deuteragonist just merely changing NOT as a deliberate twist where expectations were set to be otherwise), that doesn't mean it can't happen.

Tangentially related, we could also potentially look at marketing as another piece of supporting evidence. It's not conclusive that just because Katsuki Bakugou is one of the most merchandised characters in the franchise that he is more important to the story than those who aren't, but it's still notable supporting evidence. After all, based on Horikoshi's marketing of his own story i.e. who he draws in which orientations on chapter and tankoban covers, or how he lists characters on character intro pages, we could easily come to the conclusion as casual readers that Izuku is the protagonist. There are many cases where one could conclude Katsuki is the deuteragonist based on such presentations alone. But again, I concede this is not conclusive.

So, if we set aside individual story arc roles, screentime, and marketing, what does that leave us with?

What is THE deuteragonist in My Hero Academia?

Even if we can determine Izuku Midoriya is THE protagonist of MHA based on things like the number of times he's protagonist in story arcs, his screentime, and marketing, I'll set those aside for the deuteragonist and see if there's something else that can help us here.

What element are we missing? The overall story.

Sure, we can break down the story into arcs and assign deuteragonists that way, but that's not getting us to THE deuteragonist. So let's start with the protagonist. How do we know Izuku Midoriya is the protagonist of MHA without considering the previous metrics? The way the story focuses on him. It is easy enough for anyone to recognize the characteristics of a protagonist in him from a functional perspective. He is a POV character. We hear his thoughts. He narrates the story. We see the story over the timeline of his character growth. His character arc coincides with the overall story themes.

I've talked many times about how My Hero Academia at its core is a story that explores the question: what is a hero? MANY characters explore this question, but the character who compiles these answers together and rounds them all out and grows and has his perspective change and exemplifies the moral is: Izuku Midoriya.

So let's go back to the functional elements of a deuteragonist. Remember those sub-archetypes? Well, in a shorter story with no ensemble cast, what do a sidekick, a love interest, a rival, an antagonist, and even a neutral party all have in common? They are defined by their relationship to the protagonist.

You see, in a story where all the characters interact with each other and converge on the major theme of the story, ALL characters are defined by their relationship to the protagonist. But in particular, the function of a deuteragonist is to supplement the story with what the protagonist needs FUNCTIONALLY. When is a sidekick the deuteragonist of a story? When the story focuses on the adventures of the protagonist and their sidekick. When is a love interest the deuteragonist of the story? When the story focuses on the developing relationship between the protagonist and the love interest (i.e. the romance genre). CAN a story with a love interest deuteragonist focus on their adventures and individual character development too? Yes, but sometimes the result is that the love interest is ALSO the sidekick...or the rival. When is the rival the deuteragonist? When the story focuses on the clash and growth between the rivals. When is the antagonist the deuteragonist? When the story focuses on the battle between them. NOTE that when I write this, I don't mean it focuses on the protagonist's adventure that culminates in them meeting the antagonist at the end for a battle. I am talking about when the BATTLE ITSELF is the main focus of the story. See stories like Silence of the Lambs or Death Note for a clearer example of what I mean, where the focus of each is on the psychological games the protagonist and antagonist play with each other. The point is, the story on a structural level, on a meta level, has to focus on these sorts of interactions to determine its deuteragonist.

Obviously this gets more complicated with a large story and an ensemble cast because you could have bits of the story where the structure changes and seems to focus on new things. That's why I pointed out that the more immediate protagonist and deuteragonist and antagonist often change in MHA depending on the story arc.

When I try to determine who is THE deuteragonist of the entire story, I have to look at the entire story. I have to ask myself what the story is about. So what is the story about? What is MHA about?

If you said MHA is about Izuku falling in love with Ochako, I'm sorry but you're wrong.

If you said MHA is about Izuku taking on All Might's mantle, I'm sorry but you're wrong.

If you said MHA is about Izuku defeating/saving Tomura, I'm sorry but you're wrong.

If you said MHA is about Izuku rekindling his friendship with Katsuki, I'm sorry but you're wrong.

MHA is about Izuku Midoriya (and most everyone else) learning what it means to be a hero.

It's in the fucking title. MY HERO ACADEMIA. The story is about Izuku's education (as it takes many forms) to learn what it means to be a hero.

So who is the deuteragonist in the story about Izuku Midoriya learning what it means to be a hero? The character who is second-most important in how Izuku Midoriya learns what it means to be a hero.

A lot of characters do teach Izuku Midoriya what it means to be a hero or at least some piece. But who is MOST IMPORTANT?

See, My Hero Academia is LONG. If we just focus on the parts of the story in which Izuku tries to learn from All Might or take on his mantle, we lose ARCS of the story. The same is true if we focus on his love life, or his rivalry with Katsuki, OR EVEN HIS BATTLE WITH TOMURA AND ALL FOR ONE. In the case of the latter, we're basically excluding HALF the story: the school arcs!

MHA is structured such that it alternates between what we colloquially refer to as "school arcs" and "villain arcs." And while exploring the question of "what is a villain?" is an important subset of the main theme, it is not the entire story. You can't just label all the school arcs as "filler" (because they're not) and chuck them out. Each story arc contributes to the lessons Izuku learns and the theme of the main story.

I can think of something every character teaches Izuku with respect to this theme. I can think of a lesson Izuku has taken away from every encounter and every story arc. But who ELSE is present in nearly every story arc? Who represents the foil to Izuku who allows us, the audience, to learn alongside them what it means to be a hero? Who learns the bits Izuku does not need to learn because he already exemplifies those answers in spades? Who represents the other half of the hero equation that Izuku is missing? Who has his own blanks filled in by Izuku himself? Who has played all the sub-archetypes of a deuteragonist for Izuku Midoriya, including antagonist, rival, sidekick, and even arguably love interest (replace with platonic interest for the rekindling friendship angle if you want so we don't have to go into that whole thing here please, I'm talking about the generic structural elements within a story more than anything)?

Izuku Midoriya cannot possibly have learned the fundamental lessons of what it means to be a hero without Katsuki Bakugou's character arc to supplement him. Katsuki Bakugou is an irremovable, integral player in demonstrating the theme of collectivism that informs the main story, not just for Izuku to learn it but for THE AUDIENCE to see it too. He is one half of "win to save, save to win." He is the standard shounen manga archetype who has to learn the value of teamwork/collectivism so that he can teach it to Izuku Midoriya and save him from himself. The story is structured in such a way that it resembles LESSONS for the characters to learn, and Katsuki's "education" in this respect is VITAL to the story, second in importance only to Izuku Midoriya's.

P.S. Is it actually taking away from Katsuki to call someone else THE deuteragonist?

Yes. I know some people don't want to have to say it that way, but it is. Based on a number of metrics, Katsuki Bakugou is most widely recognized as the deuteragonist. If there's a default answer to the question of who is the deuteragonist but you think the deuteragonist is someone else, then in order to be persuasive you must not only argue why you think your chosen character is the deuteragonist but why Katsuki Bakugou is NOT the deuteragonist. If you want to argue someone else is the deuteragonist, you are taking on that onus, that burden of proof. You have to disprove Katsuki Bakugou is the deuteragonist.

Are there other characters who fit the deuteragonist function at times? Yes! There are multiple deuteragonists! But if in spite of the multiple protagonists we're still able to call Izuku Midoriya THE protagonist of My Hero Academia, then we are absolutely able to call Katsuki Bakugou THE deuteragonist as well.

tl;dr MHA is about learning what it means to be a hero and Katsuki Bakugou's story is second-most important to that theme, which makes him the deuteragonist

#anon ask #ask pika #my hero academia manga spoilers #final showdown spoilers #katsuki bakugou #meta #deuteragonist #now just because i care does that mean i actually CARE?#no not really #think what you want you aren't doing anything to ME

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deadpool15 · 6 months

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Million Dollar Baby- Pt1

Aerin Creer shall be the OC for this fic. It will be in parts.

The outfit that she is wearing will always be in the pic above. the character is 23 years old, while Byeon is about 25.

All repressive characters will be the same as before.

So, you guys won her powers, which will be telekinesis

There will be russian in the story and maybe even korean, but I will limit it to little things.

I'm using a translator, so I'm sorry if it's incorrect

Age 9

"You all need to realize there are privileges in this world, and eating is one of them. So, hit harder, or you will starve." A man yells over all the chaos of the fighting children. I never learned their names except Alexi. My torment and pain were caused by him. Though, my entire existence was purely for kicks. Apparently, my overly obsessed mother believed she could create the perfect child for her husband or, more so, my father. He was a powerful man in a country where the only law to exist was his own. Some say he was the devil himself, but all my mother saw was the love of her life. Drugging herself with experiments and foreign concoctions to make the perfect soldier. She died during childbirth, or that's what I like to think. My mother died that night, and some women took care of me for 4 years. Eventually, she had a deal with some goons, taking money she couldn't afford. And in turn, they took her child.

A living nightmare, one way to describe my current situation. We are trained day in and out to be the obedient warriors that will be the next generation for Pavel. It's where I met Ryu Shi-oh or he met me. "Get up and fight. Or your a worthless fucking nobody and we aren't investing time in that bullshit." Alexi screamed at me, after being hit so many times I couldn't get back up. Everything hurt. They had gathered us all around to fight as a presentation to the leaders. Alexi told me if I embarrassed him, he would beat rhe shit out of me. What else was new, though? "Get up right fucking now!" I stared at the ground before something clicked inside of me. It's like I didn't give a single fuck about the outcome. "Shut the fuck up." I stared up at him as if looks could kill hoping he would explode right there before my eyes. All the children turned around, shocked, while stopping. Alexi laughs out loud before shoving me. "Get your fucking hands off me you little dick asshole!" I yelled at him. For the first time in my life I yelled. I was fighting back. Usually, I'm pretty sure he would love this, but since he had thr higher ups here, he was beyond pissed.

I could see Shi-oh in the corner of the room, motioning for me to stop. But this time, I wasn't backing down. Before I could think he punched me. Rocking my body all the way down to the floor. "The fuck did you say, say it again bitch. Go on, I dare you. I'll fucking chop you into pieces and feed you to rhe dogs!" The old me would've sat there in tears, fearing for my life. The silent room was shaken by my loud, obnoxious laugh. If there was one thing I had learned in my lifetime, men wouldn't like to be challenged. He stormed over to me and punched me yet again. Then, I started to kick me in the stop over and over again. Though, I kept laughing, refusing to give him the satisfaction. My ribs were sore, some probably broken before I grew tired of it. I started to cry while laughing, I'm pretty sure I looked like a manic to everyone in the room.

I started yelling stop, I just wanted in to be over. I was done with the pain and suffering. But he kept going, like always no one ever listened to me. Before he reaches to kick me again, a force pushes him back, clasing into the wall. A crack had been heard, and anyone could tell his skull had been split open. Though, he wasn't dead yet, no, not quite. I continue to laugh as everyone backs away from me, I see the higher ups standing from their chairs in amazement and slight fear. I push myself up off the grown and see Alexi. He looked like shit, maybe even worse than me. I turn to look at my broken finger and move to crack it back in place before it does it on its own. I hear whimpering, I turn to the crushed in wall. "Are you fucking crying, you have to be fucking with me right now." I laugh out loud holding my bruised ribs while staring at him. "H-help me." It looked like its body had been piered into the wall, I saw some of his insides. I went to turn until I realized he wasn't going to shut up. The constant whining from the man who loves man. How ironic.

I had no idea what was going on, yet for some reason, my body felt like it was on fire. Everything was so loud. My skin felt itchy, and my head was pounding. My senses felt hyper, and I was overwhelmed by everything around me. What the fuck was happening? "Be quiet....Be quiet." I just wanted it to stop. His cries felt like they were drilling into my skull. Yet he wouldn't stop. I didn't even realize I had thrown my hands up in rhe sir to cover my ears before I screamed out, "MAKE IT STOP!" The lights shattered to the floors, and some of the children dropped dead, with their eyes, nose, and ears leaking blood. Brain particles were scattered across the floor. Alexi was dropped from the wall, yet his head was still inside of the wall. Decapitated completely from his body with pieces of his spinal cord attached to it. I was so exhausted. I only remember myself falling to the ground while seeing Shi-oh running in my direction, screaming.

The Pavel leaders stood up immediately at the sight of everything around them. Some were in complete distress while seeing the future soldiers laying across the floor dead. Yet, the man in charge was only thinking one thing. Magnificent. He couldn't believe his eyes. That child had killed approximately 10 people in a room with so much as moving a muscle or a weapon near. He was used to good fighters, but this was a whole new level. She was the future, and seeing Shi-oh walk right up to her and help was just simply the best. The young boy whole showed promise faithfully in love with the girl who had mysterious abilities all in his hands. Seems everything would work out. "My precious дети." Oo, did he have plans for them. They would take everything, their futures were so bright. He would make sure they stayed on the path.

Present time

I stepped out of my car, grabbing my cat. All gifts from a certain someone whom I was visiting. Noticing a black jeep trying to be secretive, yet I paid no mind to it. Making my way inside of the building. Needing no introduction considering everyone knows who I am. Or just my status, one would say. "He is right in his office ma'am though he is busy with a worker." His secretary tells me while looking around nervously. "Never too busy for me, though, right?" He just nods and leads me to the door. We make it there with him trying to knock before I feel like this is all taking too long and pushing the door open. I hear him telling me to wait a moment, but it falls to deaf ears. I walked in, noticing now while he wanted me to wait. A girl around my height is sitting down, talking to Shi-oh. They haven't noticed me yet, so I sat there and waited in silence until she passed him her phone and he put his number in. Eventually, she leaves while she notices my presence and smiles at me while saying hi. I give her a fake smile and walk father in the room.

"The fuck was that, huh?" He turns around finally seeing me. Walking over and hugging while lifting me off the ground. Still holding me the air, which is easy due to our size difference. "My beautiful лепесток. What are you doing here?" I stared at him. He always had a habit of making it difficult to angry at him. "I was coming to see you." I motion for him to lower me down, and I sit my cat on the floor. Watching it walk around the office, I get startled again when he picks me up and sits down in his chair at his desk with me on his lap. "Before you get ready to hurt me, I was simply recruiting her to a higher position." I poke my finger deeply into his chest. "Why you wanna fuck her?" He slowly looks up, as if he is thinking about the question. While he is doing that, the objects start to lift around the room, and he takes notice. "No,I don't want to fuck her or anything like that. But she is strong, very strong. I've seen it first hand лепесток. She will be uselful." I simply smile at him before I peck his lips.

Moving closer on his lap, I start to slowly kiss his lips again. Getting lost in the plump lips I love so much. Before he reaches my face to take my shades off. He lowers his hands and grips my hips. "You are so fucking beautiful, baby. Why the fuck would I want her when I have all this." I start to grind on his lap, while the desk moves backward. Needing more room. "And don't you forget it. Gonna change the world, baby."

I'll post every Saturday for this story.

Taglist: @seonghwaexile

#SoundCloud #Spotify #strong girl nam soon #stronggirlnamsoon x reader #ryu shi oh #byeon woo seok #ryu shi oh x reader

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jesperr-fahey · 8 months

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started rewatching original castlevania and am thinking about nocturne and like. hm. when i finished nocturne last night, my main thought was "that was really good, but not as good as the original" but i'm rewatching now and putting into context that. this is the first season! even if you count the first 2 seasons of castlevania as the "first" (with the short half season at the beginning), it's... kind of a slow start? which was my biggest "problem" with nocturne. i didn't feel very invested in the characters at first, the fight scenes weren't quite as exciting as i wanted them to be, etc

but that's true in castlevania too! trevor and sypha aren't nearly as strong as they are later, and they don't even start fighting with alucard until several episodes in. and they're pretty one-dimensional at the beginning, too- you get hints of sypha's passion, trevor's and alucard's grief, but not much. that all comes later, as we get to know them

and that's the point nocturne is at! richter, maria, annette, they're all getting stronger- richter couldn't even use magic until close to the end of the season, he still only has a basic whip, so of course the fights weren't as crazy as we maybe wanted them to be. he's not there yet. but he's getting there- we just have to give him a chance. i think i've forgotten that i had to give trevor and sypha a chance, too.

#castlevania #castlevania nocturne #castlevania spoilers #nocturne spoilers #i don't know if this makes sense hahaha i'm just thinkin #my other complaint is that richter didn't get his ass kicked enough.#i need my belmont boys bloodied at all times thank you <3

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raven-at-the-writing-desk · 6 months

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With Playful land ending soon, can you try which part of the Halloween event is better which is either Playful Land or Glorious Masquerade? For example, the topic is characters and you picked Glorious Masquerade because of etc like that. (NRC cast design, NRC cast role, Yuu and Grimm's role, New character/s, Movie-inspiration event, Plot, Music, Place Setting, Opening, Ending) You can add more topics if you want.

By “better”, I’m going to assume you mean which (between Glorious Masquerade and Stage in Playful Land) I preferred in each of those categories? (I say "preferred" here because I'm judging based on my own tastes; obviously everyone will have a different opinion on how the two events compare.)

It’s quite a few to get through, so I’ll just quickly summarize each. This post will also serve as my general thoughts on Stage in Playful Land.

***Spoilers for those two events below the cut!!***

NRC cast design — I’d say the designs are pretty split down the center?? In theory, I love the concept of masquerade balls and marionettes, but in practice the designs look all over the place and I really only like a select few of them.

NRC cast role — GloMasq was stronger in this, especially the choices for the SSR trio. Malleus and Idia are a deliberate rival and foil to Rollo, whereas Azul’s UM comes in clutch during the final showdown. Meanwhile in Playful Land only Kalim seemed to be very significant story-wise; he was the one trying to convince everyone to sit down, eat, and try to understand Fellow’s motives, is the last to be captured, and gives the big speech about how he’ll never abandon his friends + the importance of school. Ace has his usual schtick of being brutally honest and there are some parts where Ortho’s robotic abilities come in handy (like playing sounds to distract the puppets), but these seem like very minor roles compared to what the GloMasq trio did. Perhaps they were good choices for the end when they all decided to destroy the amusement park though??

I also feel like some things the SSR trio does in Playful Land (like dispersing the puppets by using a “lost item”) could have been done by any smart or deceptive character (Leona, Vil, Cater, etc.), not just the SSRs (ie Ace). Furthermore, the other cast members in GloMasq seem much more important in how they split off and battle—there are good reasons or synergy given as to why they pair up the way they did (ie Riddle and Epel needing to be good flyers, Ruggie and Jamil willing to use others as meat shields, etc), while in Playful Land it seems more random (like Floyd losing interest) or obligatory (mostly the third years stepping up to defend the younger students).

It’s also anticlimactic how Fellow just let them all go??? Especially compared to Malleus, Idia, and Azul and Rollo squaring off to the bitter end.

Yuu and Grim’s role — Once again, this goes to GloMasq. In Playful Land, Yuu is automatically caged and tossed into a corner to wait it out to the climax. At least in GloMasq Yuu is actually doing something (even if it is offscreen): they’re with Grim and Trein, helping the townspeople from the flowers. (Note: I’m not entertaining the “but Yuu is magicless! It was a wasted opportunity for them not to have a bigger role in GloMasq!” thing because I’m talking only about canon and not hypotheticals here.)

New character(s) — … Do you even need to ask 😭 Obviously, I’m loyal to Roro-chan Rollo; I just find his story and character to be super interesting, especially with the root of his conflict being inner turmoil and an inability to move on… It makes him an excellent foil to Idia.

While I do also enjoy Fellow and Gidel, I feel that I’m not as invested in them because despite the terrible dark shit they're doing, the conflict they get wrapped up in gets resolved in an underwhelming manner. Plus, there was not a lot of elaboration on their own backstories?? It was mostly told to us via Fellow, yet kept so vague that the fans are left to fill in many missing details on their own. I’ll have another post out later going into more depth with how I feel about Fellow and Gidel.

Movie-inspiration — I think both events have their moments of film inspiration. A lot of GloMasq's comes through in the traditions and culture of the city, whereas Playful Land's are embedded into the games, foods, rides, and attractions in the park itself. Playful Land feels more overt because of how flashy everything is, but also because it's not really based on any real-world area (unlike the City of Flowers/Fleur City, which is fantasy Paris and therefore also has Paris elements) it has to stand on its own. They don't need to worry about developing a unique "culture" for a smaller area like a park; they can just cut loose and have everything be fun and whimsical like Pleasure Island is. For this reason, I feel that Playful Land has stronger movie ties.

Side note: I want to put out the disclaimer that I personally don’t think how much an event references its source material should be counted when evaluating the quality of its writing. Just because you mention things from the film or reinterpret them doesn’t mean the story itself is good.

Music — I’m going to give this one to Glorious Masquerade because while the tracks are nice for both (I love the dramatic bells in GloMasq and the eerie music box of Playful Land, and both songs with lyrics are also great!). However, the narrative context and meaning behind the songs with lyrics are very different, and I feel that this makes Let My Wish Resound performance that much more meaningful. Additionally, Playful Land introduced a sung version of Rave Up! Up! in part 3 (even if it was just the first half of it) whereas GloMasq saved its sung version for part 5, which grants us more time to get hype. (I also like the rhythmic/twistune of the boys dancing over the boys… idk, dancing and doing property damage for funsies.)

Opening — Both openings do a good job at building up the hype for the ominous events to come, but again GloMasq wins on a technicality… which is the quality of the evil laughs given during them 💀 Fellow’s is kinda weak (like it stutters and sounds like he’s out of breath), at least Rollo can do a slow, unabashed laugh like a proper villain/j

Setting — This one’s suuuuper subjective; I don’t really like amusement parks I know, I’m boring so that automatically means I don’t find Playful Land to be a compelling or interesting setting (even if it fits thematically). I’d much rather just be allowed to wander and explore a city unsupervised, get to learn about its history and culture by experiencing it myself. GloMasq’s City of Flowers/Fleur City allows Twisted Wonderland to be expanded so much more (like, thinking about how this city relates to other cities and countries), whereas one isolated floating park doesn’t add much to the overall world lore.

Plot — Playful Land was so… boring 🤡 I’M SORRY, IT’S TRUE (to me)????? Like, they were just aimlessly wandering around during the second half of the event (even though it should be obvious that Fellow is at the theater)???? While at least in GloMasq they knew where to go (the bell tower) right away and strategized around that… Plus, we keep switching perspectives between the captured boys and the action, which bogs down the pacing. GloMasq keeps the action going and only takes very brief pauses to check in on our villain for the evening. There was way too much time spent meandering and not enough time spent actually Doing Things in Playful Land.

Stakes — GloMasq’s were higher. This isn’t to say that higher stakes automatically means the event itself is good. It’s just that the same urgency isn’t present in Playful Land because the scope of it is not as grand. If the crimson flowers/fire lotuses spread, there is no stopping them—and it endangers many people, communities, industries, etc. if they do. Meanwhile, a handful of people go missing in Playful Land. It’s still tragic, and their losses will still impact their loved ones—however, that’s still on a smaller scale than what the flowers would have done to their world.

Ending — GloMasq trumps. It’s just perfect how Rollo indicates he won’t give up and then drops ominous lines foreshadowing Malleus bringing ruin to them all (ie book 7) 😂 Love the pettiness of the banter, the ballroom setting, the perfectly timed delivery of the gift/song, and especially how Rollo’s punishment was so perfectly fitting for someone as neurotic and self-righteous as he is!! Also loved little details like the gargoyle and Trein wanting to keep an eye on Rollo 💕

The conflict resolution for Playful Land felt like a deus ex machina…? Fellow’s literally about to win (he caught them all) and the boys get let off the hook because Fellow had a change of heart. The boss told him it will cost a lot to repair the destroyed puppets so it’s coming out of his paycheck… That, and I guess all the stuff the boys were saying about how great school is finally got to him? Fellow got so fed up he called the whole thing off???? So he releases everyone and they all go around busting up the park???? I mean, they did foreshadow it by pointing out earlier how Fellow isn’t loyal to his boss + showing more phone calls where the boss is getting increasingly annoyed 💦 so it’s not as anticlimactic as Endless Halloween Night (one of my least liked events). I just mainly dislike how the conflict is triggered in part by Fellow’s boss being rude 😭 Like damn, what if his final straw hadn’t been claimed??? Then everyone is screwed.

At the very end, Fellow and Gidel decide to go on the run?? Which… isn’t an easy thing to do but it’s hand waved away so fast. If the staff meant for it to feel this way because the original Pinocchio also left Honest John and Gideon’s fates ambiguous and they did show remorse for their victims 💦 idk, it’s cases like this that make me think TWST is at its best when it does more of its own thing rather than strongly stick to the source material…

I also have?? Mixed thoughts on how TWST doesn’t follow up on the whole “yeah a bunch of rich people are caught up in running a human trafficking operation using this scary ass magic”. I know crime must exist in TWST, so in a sense this is… realistic??? But it feels odd to see such a big thing being casually mentioned and not being treated with full gravity?? (Maybe these are the types of crimes that special mage police defense forces (like the one Deuce wants to join) investigate??) Guess that’s just going to sit in the back of our heads from now on… It’s not satisfying seeing a story “end” like this, but I understand why it had to be 😭

The cathartic release of breaking down the park that once trapped them all is fun, but too goofy. I know it symbolizes a lot more than that, but it’s just not for me.

And so (to no one's surprise, given the frequency with which I talk about R*llo), I much prefer Glorious Masquerade to Stage in Playful Land. It's not even a contest to me. A certain pseudo-French boy aside, I just think the former has much better writing overall. By comparison, Stage in Playful Land has a very strong aesthetic and start, but not much else to keep me engaged??? It was an entertaining if not mid event aside from the big scare when the twist is initially revealed (because none of us expected it to be that dark) and minor other parts like Kalim’s big speech. The rest of the event felt like walking around and not doing anything useful.

I honestly think the failure of Playful Land to execute on its ideas comes in part from the hype of Halloween events (like, so much attention is put onto them that when Halloween events flop, it is SUPER noticeable) and the legacy of GloMasq (which set the bar VERY high) 💦 A shame, really…

Anyway, round of applause for Roro, who stays winnin’--

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galedekarios · 5 months

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Hey! You're my go-to blog when it comes to Gale. I love your meta about him, your insight and your knowledge of his character. This being said, I'd like to know your opinion of this line in his romance:

“To know you love me for the man I am, and not the magic I command... None have loved me so purely before.”

Do you think he's talking about romantic love here? Because his mother and Tara clearly love him for the person he is, too. Or are his insecurities and the idea of himself so strong that he can't see this? Thank you in advance, have a great evening!

thank you so much! 🖤

personally, i do think that he does mean this in a romantic context.

HOWEVER, having said that, i do think there are different insecurities woven into his perception of relationships that venture outside of his worth due to magic, and into his worth as a person who is in need of help and support - yet considering the core of why that is, they are also connected.

what i mean by that is that there are moments in particular that make me believe he feels a burden to people, because he is in need of help and - from his perception - makes others 'work' to help him, he asks a "sacrifice" of people (needing magical artefact so he consume the weave inside to stabilise the netherese orb) that is so great in his eyes that he feels the need to convince them that said sacrifice is worth the "investment".

i realise this is sort of going in two directions, but i don't think i can answer this differently so i hope you'll bear with me for a bit:

i'll try to look at the relationships you mentioned in your ask separately to illustrate what exactly i mean.

1. from what little we do know about morena, nearly every time she is mentioned it's made clear that she truly and unequivocally loves gale, and i do believe gale is aware that she loves him, too - and really, truly just for him.

we have these two convos with tara that highlight how that love (both are from gale's origin playthrough):

Tara the Tressym: Well, if it isn't my favourite fellow himself. Gale: How are things back in Waterdeep? Tara the Tressym: More or less the same - though news of some mad faction calling themselves 'Absolutists' is starting to trickle in. Tara the Tressym: I told your mother not to worry. That if they were anything to worry about, Baldur's Gate would handle things quick-sharp. Keep them from spreading their tendrils north. She still wants to know when she'll see you again, sir. I avoid giving any answers. But she misses you. Gale: I miss her too. Tara the Tressym: I'll tell her. With my Cat Flap of Displacement, I can afford the occasional visit. I'd bring you along, if I could. Perhaps some day. - Gale: I can't risk putting her in danger. Tara the Tressym: I know that, but she doesn't. She'd keel over if she knew just how you'd tried to manipulate the Weave. Or maybe she'd just say something like, 'My Gale always was one to make the impossible possible.' Oh, but she adores you.

and this one from act ii:

Gale: Will you love me when I'm a mind flayer? Tara the Tressym: Depends. Are mind flayers warm-blooded? If so, my prize napping spot on your lap won't be compromised. In which case, I suppose we could find an accord. And, of course, your mother would still think you a prince, no matter how many tentacles you had. And with a nautiloid, you may even manage to visit her more often.

from the one tiny snippet (that is still bugged) in which gale mentions his mother to the player character, he seems quite assured in that love his mother has for him as well:

Player: So your last name is Dekarios? Gale: It is. Courtesy of my mother, the inimitable, dare I say it sometimes unavoidable, Morena Dekarios. It's been so long since I've used it. 'Gale Dekarios' cut a poor figure next to the wizard prowess of 'Gale of Waterdeep'. [...] - Player: Doesn't your matter mind? Gale: Oh, she's happy if I'm happy. Morena couldn't care one jot what I call myself. Tara's the real stickler for using it. Has done since I summoned her. I'd prefer you not follow her exmaple, if that's all the same to you. 'Gale' is more than sufficient.

she's happy if he's happy.

i think the only thing that detrimental to the relationship with his mother is the orb, the shame he feels over what has happened and fearing he may put her in danger. which, sadly, is a valid concern to have. these fears aren't only echoed in the conversations with tara. we have this bit from the same conversation as well:

Player: You’re right. Just 'Gale’ is better. Gale: I agree. And on the plus side, if I get myself into any truly cataclysmic straits during the remainder of our journey, my family name will go untarnished.

his family name will go untarnished and with that, his mother's name.

this is more speculative, but in another meta i mentioned that i do believe that gale's father left the family at some point, abandoning morena and gale. his father also is not mentioned in the letter from elminster in god!gale's ending:

this could of course be meaningless and his father simply may not have been there at this point in time, but i think this overall goes with the theme of an absent father and it may have brought gale and morena even closer.

2. tara herself doesn't let gale doubt her love him when the game allows her to be there.

she is extremely quick to try and beat any and all self-deprecating remarks gale may make. she is aghast at mystra's demands to the point of saying that she is considering picking up a crossbow to "put the gods" out of "our business." she's always been there for him, and she always will be. she's his longest friend and companion, as well as colleague.

i've picked a another example here to illustrate what i mean:

this very sadly appears to be cut content (tara was supposed to be there for a companion gale as well), but:

Gale: You seem to have fared well enough without me, Tara. You look positively prosperous. Gale: Or should I say, positively proser-puss! Ha! Tara the Tressym: No, you should not say that ever again. Gale: Apologies! Couldn't help myself. Tara the Tressym: True enough. That's why I came looking - to help, if I could. Gale: I have not failed to notice. I truly do not deserve such loyal companionship. Tara the Tressym: Yes, you do.

unfortunately, like i said, tara as gale's familiar and companion was cut from the final version of the game, so while we do know that gale is aware of all that tara has done for him (considering the conversation from the tiefling party, helping him through his isolation, finding out what his condition needs to be treated, getting magical artefacts for him, etc.), we have act iii companion gale saying this:

Gale: Tara remains as wilfull as ever, but I'm glad you've finally made her acquaintance. Given the length of my time away, I feared she might have given up on me. I should have known better - she'd never do such a thing.

while this is not gale thinking tara doesn't love him for who he is, it is very much gale thinking that tara may have given up on him because of their time apart.

there are definitely insecurities lurking there in the vein of "i cost her so much effort and so much work, so maybe now that i've been away for so long, she's finally had enough."

it's very sad to see.

3. when gale talks about previous lovers he has this to say:

Player: Gale, am I the first... mortal being you've been with? Gale: What a question... Gale: No, you are not the first. Though you are the first since my relationship with Mystra came to its ignominous end. Gale: When the true danger posed by my condition became apparent, I had no choice but to sequester myself away from civilised society. A reclusive wizard - who'd have thought? Gale: After so long with Mystra, I have to say the pleasures of mortal love are much sweeter than I remember. Though perhaps that's simply because it's with you.

this tells us that he must have had at least one lover before. yet, and that is where the quote in your ask is from, he also says this:

Player: What does our relationship mean to you? Gale: You must know, our relationship is the brightest spot in our otherwise bleak endeavour. Gale: To know you love me for the man I am, and not the magic I command... None have loved me so purely before. Gale: You are everything to me, and yet our relationship is only a nascent fraction of what it will become. You give me hope, and I've not had that in some time.

i think we can extrapolate from that that not only his relationship with mystra made him feel these insecurities, but that the relationships he had previous may have also fed into this perception of his worth as a romantic partner is tied to his magical abilities.

it's not hard to imagine: waterdeep is very much a city of intrigue. gale was not only a graduate of blackstaff academy, but a powerful archwizard and a chosen of mystra.

4. lastly, i want to talk a bit more about what i said in the beginning and when i talked about tara and companion!gale: that gale feels he is a burden / an investment.

it's already reflected a bit in the way that he believes his relationship with tara has deteriorated in act iii simply because of the distance between them now that he has been away from waterdeep for a prolonged amount of time.

the first time you can get a sense for this aspect of gale is when you agree right away to help him with his condition. there's a prolonged amount of silence and it's clear on his face that he didn't expect you to agree so quickly and without needing to be persuaded.

Gale: Thank you. I see my trust in you was not misplaced! Gale: I'm sure we won't have to look very far to find what I need: Faerûn overflows with magic-infused treasure. Gale: As do our packs, as a matter of fact. We've such an item already in our possession, primed for the moment the need arises. Gale: I know the allure magic artefacts hold. I understand their value and their power. All this to say: I understand the sacrifice I ask of you.

Player: No. If you aren't willing to tell me the truth, I'm not helping you. Gale: I understand that I'm asking for a lot, but I can't tell you everything.

he makes sure to thank the player deeply every time they do give him an artefact, bowing to them, citing their "boundless kindness" and it's also why he is also quick to reassure them that there will be an upside for them, making this "sacrifice" for his sake.

gale's power and knowledge and skills as a wizard.

he is useful and he can make himself useful.

your "investment" in him now will be "worth" the return later.

in conclusion, i hope now it's clearer why i felt like i had to bring these two things together. i believe they are clearly interwoven with each other.

also sorry for rambling! this got away from me a bit. 🖤

#gale dekarios #gale of waterdeep #baldur's gate 3 #bg3 #baldurs gate 3 #ch: gale dekarios #vg: baldur's gate 3 #series: baldur's gate #meta: mybg3 #text: asks #long post for ts

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ravenstargames · 2 months

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✦ Lost in Limbo Devlog #10 | 04.01.24

And just like that, March is over! We are heading into a very busy April, but as nervous as we are about it, we are also pretty excited. This month has been full of newly accomplished goals, new challenges, and wonderful milestones! Let's jump into it, shall we?

<<There’s not much information about the figure that greets you in a mysterious occult shop. The only known thing is that they were the beginning of everything…and also the ending.>>

This month we finished the rework and the sprite of the first character you'll meet in the demo! They're as mysterious as they're charming, which makes them specially dangerous...

Also, we finished March with a boom! We opened a casting call to add some voiced lines and soundbites to the demo. We have received a lot of wonderful auditions, more than we expected! It has been overwhelming (in a good way) and so exciting to finally get to this stage of the demo's production! ; v ; Also, as always, Raquel has outdone herself with the artwork—just look at these two! 💜

Another background finished by our wonderful Airyn! 💜 This is one of my favorite ones (I'm afraid I'll say this about every background Airyn works on, but oh well), so now the only step left is to animate it! There's three backgrounds left (all of them in progress), so we hope this month we can make good progress on them!

Coding-wise, the script is almost fully coded. Almost. Ten pages left. Then, I'll start polishing everything—transitions, animations, sprites, some finishing touches on some screens...But honestly, seeing everything finally come together is quite moving. Being super positive, we'll start looking for beta testers at the end of the month for windows and mac. Sadly, I'm not sure if we'll be able to test mobile at the same time, but we'll see! I'm going to work so hard to achieve it!

We are soon starting the legal process to make Ravenstar Games official. We have been looking for information and professional advice these past months to make sure we do the whole process right, as it's a huge (and scary) leap for all of us. As you may or not remember, we started this as a passion project to be able to work the job of our dreams. Everything we have is either made by ourselves or paid with our personal savings, as only one of us has a steady job. It's terrifying to think we are going to do this, to invest what little we have in something we are passionate about but that could sadly not bear any fruit. Of course, we are staying positive and will work as hard as we have been working to make it happen, but doubts and fears arise every now and then! 💜

Also, our masterpost has been updated! Now it matches our itch.io page. There's more info I'd like to tweak here and there, but the important stuff (the premise, duh) has successfully been updated!

We have also started to think about the Kickstarter, as we are getting very very close to the demo release and we want to take as much advantage as possible of the momentum the release may give us. I don't dare to give a date yet, but we are very, very close ; v ;!!!

What a wonderful month! I'll never get tired of saying that. Everything is going great for us and the success of the casting call has given us the little confidence boost we were lacking. Well, at least when it comes to me—blame it on the OCD! As the director and the one who manages all social medias, I'm always worried of my performance, but the team has been there for me whenever I have doubted my abilities. I can only hope April proves to be as fantastic as March has!

Thank you as always for reading, for supporting us, for being there. It means the world to us. Take care, stay hydrated and healthy, and let's see each other next month! 💜

#visual novel #lost in limbo #otome #indiedev #devlog #otome game

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my-rose-tinted-glasses · 2 months

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My memory is terrible so I wanted to do a breakdown of my stuff every once in a while. Might be monthly, might be whenever I feel like it.

QL - Currently Watching

🇹🇭1000 Years Old [10/12] - This is dragging and I am incredibly bored.

🇹🇭23.5 [4/12] - This show is incredibly cute and I'm smiling through the whole thing. Aylin is my favourite and I'm hoping against hope for the teachers to become a couple. Make it happen gmmtv!

🇹🇭Deep Night [6/8] - The long shots are killing me but the story is moving fast. There's a surprising amount of good communication and the throuple is almost inevitable a this point.

🇰🇷Jazz for Two [6/8] - This is the first bl show where I read the source material before the show and I wish I hadn't. The changes that were made just don't make sense to me, because I don't see how it serves the story. But putting that aside, the story feels rushed and the pacing is weird. The second couple doesn't read believable with this time frame. Anyway I might edit this post when I watch the last 2 episodes. [EDIT] Completed. Final thoughts here. 🇯🇵Love is Better The Second Time Around [4/6] - Why must you do this again Japan? 6 episodes for this one? I'm not happy about this. This show is so good. I love how the mains communicate, not to mention they are beautiful to watch.

🇯🇵My Strawberry Film[7/8] - I have no idea what this show is about nor it seems does it. Do I care at this point? Nope, not really. Let it be over.

🇹🇭To Be Continued [6/8] - This is getting into The Promise territory and I'm not amused. Another one that is dragging and I like the second couple but they barely have any screen time. I'll finish it because there are only two episodes left but I'll be sprinting to the finish line.

🇹🇼Unknown [7/12] - It hurts so good. The songs were killing me this episode. I really liked the separation, I think it was necessary for them. Yuan seems more mature and it will be interesting to see how it changes the relationship.

QL - Finished

🇹🇭Cherry Magic Th – What a wonderful surprise this was. Tay and New are beautiful together and their chemistry was on point. I really liked how the source material was used here.

🇯🇵Cherry Magic Anime – It was quite faithful to the manga with only a couple of deviations and of course it didn't cover everything but I really enjoyed watching yet another version of these characters.

🇹🇭Dead Friend Forever – It was quite a ride. I specially enjoyed the communal watching of this one and all the theories as more people tuned in. Didn't love the ending but it was better than I thought. Still not over White though. 🇯🇵Although I Love You, and You? - Started great, the middle was meh, and by the end I wasn't invested enough in the couple so even though it ended happy, it didn't make up for the rest of it. 🇯🇵Perfect Propose - Great all the way through. I loved this characters a lot and still think it's amazing how well the time was used here. 🇯🇵Ossan's Love Returns - It's Japan at it's finest. Love, food, chaos, found family and cherry blossoms. What more can I ask for? 🇯🇵She Loves to Cook, and She Loves to Eat - My heart grew.🖤

🇹🇼Anti Reset - This is one of the most frustrating shows I've watched in a while. This started off strange and most of the show doesn't seem to know what it wanted to say about the AI part of it. It drove crazy on a weekly basis. But I thought their chemistry was really good and they are just an adorable couple. These 4 VBL series [Stay By My Side, You Are Mine, Vip Only] were a mixed bag for me. I think Stay By My Side is my favourite overall.

🇨🇳The Spirealm - First of all, Ruan Lan Zhu is absolutely gorgeous and his outfits are always perfection. The visuals are really good. This was definitely not a cheap production. The sets for all the doors are incredible. Talking only about the game, I gotta say the second door was my favourite. The bromance toes the line, but I'm not surprised this was taken down. I think if they'd kiss it would be less obvious than some of their scenes. I'm not going to spoil the ending but if you're thinking about watching here's your warning. A bit after the halfway point it gets incredibly sad and the ending is just heart-breaking.

Dropped 🇹🇭A Secretly Love [3/10] 🇹🇭Kiseki Chapter 2 [2/6] Also haven't started Two Worlds because I'm waiting to know if I should bother. I'm experiencing a bit of Thai bl fatigue so we'll see.

Rose Watches OJBL

Takumi-kun 1: And The Spring Breeze Whispers (2007) - The editing is choppy as hell and it gets hard to understand the characters motivations. And the acting is not good. Yeah, not a fan of this one. Udagawachou de Matteteyo (2015) - This one is weird. I recently watched Life as a Girl so I admit that the comparison doesn't help this one at all. The idea is interesting but the execution is poor. There's a couple of scenes that are a bit hard to watch. In this particular story I think if we had a bit more insight to the characters motivations it would've helped me connect and feel more invested. In the end, for my particular goal it was fine I guess.

Other - Watched

🩷Tengu's Kitchen (2023) | Fudanshi Bartender no Tashinami (2022) Formula 17 (2004) | Mars: Zero no Kakumei (2024) | 🩷Joshi-teki Seikatsu (2018)

1 Year of Rose-Tinted Glasses

It's been a year of Rose this month. And it's been kinda great. It took me a while to get over my shyness here and I still feel intimidated but it's gotten better. The people in this space have been really kind to me and I appreciate it so much. Thank you so much for the space.

That's it for right now. As usual my ask box is open for gif requests and any other questions. Happy Easter to all who celebrate.

Have a good week💜

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