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direquail · 5 months

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My specific read on John is not that he's a nice guy, either. It's that, like any good character (specifically a tragic character, which, TM has said that he is modeled on a mythical tragic hero, so) he has a flaw that dooms him. And what that means is, when he has the choice to change what he's doing, that flaw either prevents him from taking the option he's aware of, or prevents him from being aware that there is another option altogether.

And so as a writer, what I look for are moments where either:

something good about a character becomes an excess that harms themselves or others

we receive information that shows a persistent blind spot a character has

we look for times when a character gives their view of the world/a situation and it Does Not Match Up with reality, or is hinted that it doesn't

we look for evidence of something simmering under the surface that clashes with their outward, agreeable presentation

What fills that role for John?

Yep.

When this first pops up, it's pretty easily dismissed as yet another layer on the falsehood he's propped up. Admittedly, he's been doing it for ten thousand years, so it's probably got a few layers to it.

However:

This one, to me, gives us a hint about what John is blind to: That his friends see his vindictiveness and his failings and that they could still love him. This is where it crosses into tragedy, for me; where his own inability to forgive blinds him to the capacity that other people have for generosity--and so, to a world where "justice" means more than "vengeance for the dead".

And this illuminates the whole chain of events that leads him to that climactic scene in Harrow the Ninth, telling Mercy that she never would have forgiven him anyways:

John is, at heart, deeply angry--like most characters in the series, and like a lot of people who grew up in poverty, especially if they managed to escape it. He also has some deep sense of justice, and deep sense of judgment.

So we have this cycle of related emotions and ideas: Justice, judgment, outrage. And a human measure of selfishness, amorality, double standards, etc.

In one situation, this allows him to throw himself completely into the cryo project, something that (if it hadn't been sabotaged politically) could have made a difference to humanity. He brings in people who work to make it even better, who demonstrably want to make the outcome as just and humane as possible. It's also implied that this is part of why he received those powers; "I chose you to change."

(And, I'll be honest, one of the other things that I see that chafes me is the implication that there was nothing about John to recommend him to the Earth. I'm actually of the opinion that there was; she chose him, and I don't think she just rolled a d100 or drew a card off a tarot deck and called him up. John is also still a human, flawed person.)

Then, the situation changes. It's no longer an issue of dedicating expertise to solve a problem; this is a political issue, and specifically of rich people using their resources to shift outcomes towards the one they think will benefit them the most, that will secure their survival, explicitly at the expense of everyone else.

And their strategy is, profoundly: short-sighted and unnecessary (pooling resources would help create a better outcome for everyone, including the rich, by reducing global trauma and preserving more of the systems that already structure their world); bigoted and uninformed (many rich people think that the world has to be a certain way, generally that the world is violent, competitive, dog-eat-dog, etc., and someone has to be "on top", and there will always have to be a loser, or lots of losers); and utterly cruel, unjust, and pointless.

And John--John, who grew up poor, who grew up aware of the despair around him and the injustice of his position and more than likely made use of that anger to achieve what he had up to this point--John is so angry.

Because they're all the same. They're all the same. It's the same song, over and over again, no matter how stupid and pointless and unnecessary. He is certain, beyond a shadow of a doubt, that it doesn't have to be this way. He passes judgment.

But John is losing to them, because he doesn't have the resources they do. He can hate them and fight them all he wants, and it doesn't matter, because he's nowhere near in the same league as they are politically.

And then, after the cryo project is cancelled, he gains his powers.

The thing about anger and judgment is that the deeper it runs, often, the more invested the person who holds that anger in themselves is in not seeing what they hate in themselves. E.g: John has conceptualized the people he's resisting as fundamentally unjust, cruel, amoral, and bigoted. There's a very good chance--to different degrees, depending on the person--that becoming aware of similar traits in himself might wake up those feelings he has towards those other people--aimed at himself (that is, cognitive dissonance). He can't see the things he's passed judgment on in himself and function. He's not like them; he's trying to fix things, to bring about justice.

Of course, there's justice as in "living in a just society", and justice as in "justice for the dead". But that's a later realization, because right now, everyone is still alive.

So John hides those parts of himself; from himself, from other people. So thoroughly he can exclude it from his consciousness and pretend it doesn't exist. He thinks no one sees the real depth of his own rage, his own cutthroat pursuit of a solution. And then, when he can't pretend it doesn't exist, he can still pretend to be the man he thinks they need him to be. He can "fool" them. He can say--he's trying. He screwed up. He doesn't know what he's doing.

And then, Casseiopeia says, No, actually, we know you, and we know you're horribly vindictive. And we're on your side--we're on the same side--our fight is your fight--and we love you. But your drive for revenge is seriously limiting your ability to imagine and create a living, just world, and that's what we're fighting for. Remember? That's what we set out to create.

And John's brain can't quite handle this; he can't imagine that they could actually see him and still be on his side. Because he couldn't see that and still be on his side. He can't forgive; he can't imagine forgiveness.

He can't see the things he's passed judgment on in himself and function.

And, by this stage, in some ways, it's already too late to change course. But this is one of several "come to Jesus" (no pun intended) moments where John could become aware of alternatives, or could change his behavior--and doesn't.

And I think this is where we get that self-awareness from, the thing that makes him creepy and tragic but also infuriating: He is aware, but apparently that's not enough to stop him from being his worst self--so is he just pretending to be moral? Capable of making different choices but choosing not to? And the weird statements he makes later:

This is, imo, not a power-hungry dictator who genuinely doesn't care about the cost of his throne, or a gleefully predatory abuser. This is a dude who's committed to a course of action and doesn't feel great about it. This is a guy who has violated his own sense of justice and has to live with it.

This is a guy who set out to save the world, killed it, and now the only thing that's left to him is to avenge it.

And like, from a mythology standpoint, that is exactly what the Erinyes are, like the Furies and Alecto. They are not the justice of Apollo or Athena. They are screaming for blood. They are hunting their quarry to the ends of the universe. They are chthonic.

Again: This isn't what Cassieopeia or Christabel said to him. This is what John has said to himself. This came from him. This is a reflection of what he believes.

And it encapsulates, exactly, why he erased their memories. Why he took away their agency.

The difference between him and many, many people is he had the power of a god and no one to check him when he was struggling with his own worst impulses. And then, he created a world where no one could, not just because then he could do what he wanted and pretend to be kind and loving and moral, but so that he would never have to lose the love of the people he needed.

Because, unfortunately, he still needed them.

It just took ten thousand years for the lie to unravel.

#the locked tomb #john gaius #tlt meta #i'm not a john gaius apologist. i just think about cognitive dissonance a lot #and frankly tumblr and twitter are the home of cognitive dissonance

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sebastian-ciel-mutual-bullying · 4 months

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I'm in love with Sebastian and Ciel's dynamic.

I can't find another dynamic/relationship like theirs. It's so unique

They care about each other, they hate each other, they need each other, they're best friends, they're master and servant, they're predator and prey, owner and pet, human and demon.

They're passive-aggressive towards each other. They reuse each other's jokes. They BULLY each other (thats where my name comes from lol)

They're teaching and learning from each other. They imitate one another (both unintentionally and intentionally). Sebastian is raising Ciel. Ciel is changing who the demon named Sebastian is. They're protective. They're possessive.

And Sebastian himself is such a unique character. I can't find another character like him. He's suave, deliberate, patient, and capable. He can do anything when he sets his mind to it. He's a dominant presence but chooses to be submissive. He is mysterious but not secretive. Seb is incredibly smart and witty, and sharp minded. Despite being a cold and calculated person on the outside, he can't help but show every emotion on his face.

Seb can't help but emote and express himself even when he's alone. He smiles genuinely when he's with a cat. He talks to himself aloud when he's aggravated by a task or trying to think of a solution. He even laughs to himself.

Seb can be whiny, silly, and petty. I'd say that he values having fun in his role more than anything (aside from his meal). The man makes up little catchphrases and jokes for himself. He likes to get creative with things that don't need to be all that excessive, just to show that he can. I imagine making an overelaborate chocolate statue for a charity event was fun to him (despite the stress of fixing the servant's mistakes).

He lets himself get "hurt feelings" over small things (if you could call it that).

Sebastian gets upset when someone calls him old. He's confused when Soma says that he's "not kind." He frets over Ciel's outfits and gets personally offended by Nina Hopkins. His cooking MUST be the best, or his feelings will get hurt. An apathetic response breaks his demon heart (not actually).

Sebastian has to be the center of everything, and if he isn't, he will make it about himself. All of his energy goes into making sure that he- and the things he does- are beyond perfect. He's super extra. Is he having fun? Probably.

And when it comes to Ciel, Sebastian shows something that's strikingly similar to care, pride, attachment, affection, and admiration.

(He may even actually feel those things )

There's so much more to appreciate about him. Yana is such an amazing writer

#i just love him so much #if i could write a character even a quarter as good as sebastian my life will be complete #Ciel and Sebastian's relationship is a masterpiece #black butler #kuroshitsuji #kuroshit #sebastian michaelis #sebastian black butler #sebastian kuroshitsuji

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bluespiritshonour · 6 months

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Oh my God!

I just caught up with World's Finest: Teen Titans and I absolutely have to write this out:

First of all, I love this cover:

The thing that caught my eye: “you're grounded.”

Not the dramatic “you're fired” as if the motherfucker didn't raise that damn kid in his own damn house for YEARS.

(I know. I know. Bar on the ground, but what would you?)

Also, the anger palpable on Bruce's face and Dick's absolute disregard for it. I'm laughing here y'all. This is what teenagers act like. This is what fights between parents and children look like.

Also. Dick Grayson, I've been missing. You're back from war!

I love how curt he is. The “Get lost” hits in all the right places. We love a strongly-principled character that stands for what he believes in. With all the lukewarm Dick Grayson writing floating around I felt like walking into a coffee shop while it's snowing outside.

More of this writing, please.

I'd been waiting for this moment all through this series.

This conversation.

I compare things all the time. It might not be the right thing in every field but I think it serves well when it comes to comic books. We all have personal “canon criteria”—for example, mine are “Darwyn Cooke wrote this Bruce so I'm taking it as valid characterisation ” or “Every version of Bruce played by Kevin Conroy is valid”. (Minus Bruce Timm bullshit!)

Which was what cinched my hatred for Bruce after reading a Robin short story that Cooke wrote and alluded to Robin: Year One in it. I mean, I might not fuck with Dixon, but am I going to call even Cooke's Bruce OOC? No. It means Bruce is a jerk. Full stop.

Waid is one of the writers I respect (excluding Kingdom Come. I hate it and I can't put my finger on the why. But I just do: I hate it. I hate it for Clark. I hate it for Diana. And I'm a professional Bruce-hater so let's not even go there. I hate it for Dick too.)

And Dick and Bruce's relationship has a lot of baggage from the fact that a) Bruce is himself traumatised and fails to meet Dick's emotional needs b) he wasn't ready to be a father when he adopted Dick c) Dick simply suffers from being the eldest—the test child.

And very rarely have I seen writers manage to walk on the thin line of complicated-but-dedicated-and-strong.

Young Justice cartoon did it. Dick and Bruce's relationship is going strong. But they fight and have different values. And Dick can see all that is wrong with Bruce's approach to vigilantism in particular and life in general.

Grimm (Legends of the Dark Knight #149-154) did it right. Where Bruce hurt Dick deeply and made him feel unwanted all the while overthinking about Dick's well-being. Way to go, buddy! You can see the repercussions it has for Dick while simultaneously stare at this man who's tying himself into knots trying to think how best to parent.

I think that's what most Bruce and Dick comics miss: the excessive worrying. They don't show the worry, make them fight for drama, never address it apart from throwing out a “it's because Bruce's worried” (bitch, where?) and have Dick running back to Gotham at the first chance. It sounds an awful lot like “your parents hurt you 'cause they love you” bullshit.

I think World's Finest manages it well because foremost, Bruce says, in words, that he's worried about Dick's well-being. He's taciturn, he's putting constant pressure on Dick all in the hopes of making him quit Titans. All this makes him a jerk. But I don't hate him for it.

It's between Dick's “you don't trust me” and Bruce's “no, I don't trust them.”

Most teenagers clash with their parents. It's normal. That's what Waid has shown here and I love it. It feels very—normal?

Especially when the Bats aren't normal! Bruce sure as fuck ain't a normal parent. But there was something very bitter-sweet coming-of-age in this conversation.

Bruce does all those things that are bad for Dick and his growing independence. You're not supposed to handle teenagers like that.

He's worried and taking desperate measures. “If I punish him, then maybe he'll obey me and quit Titans and then he'll he safe”—lots of parents who don't know how to deal with teenagers do it.

But the sequence of it: Bruce is worried → Bruce wants Dick to quit Titans → for Dick it means proving himself to be better, to not get hurt (as if he can control that beyond a certain point) → Bruce being alarmed at Dick's insistence to stay with the Titans and taking desperate measures like benching him.

At least it makes sense.

Compare it to Dixon's Nightwing origin story, which honestly, personally I think was lazy writing. Drama for drama's sake. “You’re fired because you're spending too much time with the Titans.” The same writer also had Bruce say that he did it because he wanted Dick to strike out on his own. Blah, blah, blah.

And no matter whatever happens he'd never ever say it to Dick's face that he's worried about him because—well, reasons.

Robin: Year One logic:

I'm worried about Dick's health so I fire him. He runs off and can get hurt? He joins a school for assasins? None of my business. He can get hurt on his own, I don't care as long as it is not on my conscience. Peace.

—Bruce “professional narcissist” Wayne.

So, yes. When faced with this book(WF: TT), I'd call Dixon's writing lazy.

I'm also comparing this to several other instances when Bruce verbally says (never to Dick, mind you) that he loves that Dick's a better person and better vigilante than him. But in the same book he'd yell at Dick for exactly the same thing. (I consider that lazy writing, since BTAS made sure to show a shot of Bruce smiling whenever Dick was happy/not like him).

I like this thing here where he says it to Dick's face. He's still grounding him for “discipline's sake” or whatever—very, very IC for Bruce.

But he also lets Dick know that he appreciates his values, that are different—better—than Bruce's own.

I can stomach that.

Honestly Bruce's writing in this book felt like BtAS writing (pre-Bruce Timm fuckery). That's a compliment.

P.S. Waid's a good story-teller overall. His Superman: Birthright was one of the first Superman comics I read and I fell in love with Clark right away.

Peace ✌️😂

#dick grayson #bruce wayne #batman #world's finest #teen titans #robin #titans #wf: tt #world's finest: teen titans #dc #comics

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marzipanandminutiae · 20 days

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Friend Marzi, why do we have an inclination to believe that all historical clothing was very heavy? Fabrics varied in lightness and for the very heat of summer for example an all-silk or all-muslin ensemble could be made very light and breathable if necessary, even foregoing implements like boning, etc. Like, there are ways to not be dragging your skirts around.

Working people and people with active hobbies were already wearing fewer layers anyway, so we shouldn't expect them to be encumbered. Why do we anyway?

Friend Tumblr User Chasingtheskyline! Hello!

(This answer will focus primarily on conventionally feminine clothing, since that's my area of expertise. Just to disclaim.)

I think it's because of the layering, really. And the idea that, as you touched on, Only Rich People Wore All That (not so much- the basic makeup of chemise/combinations, maybe drawers post-1820s, corset/stays, at least one petticoat, skirt, bodice for women was pretty consistent across most of the social ladder during the 18th and 19th centuries at least) so of COURSE it's heavy and impractical. And as we all know, rich people didn't have lives or do things! They just lounged around being rich and not moving! </s>

We're used to one layer of our mostly-polyester clothing being extremely warming in summer because. It's polyester. Breathability is not something people think about much nowadays, since we're so used to just exposing as much skin as possible to cool down. Ergo, the idea that it's layers of lightweight fabric doesn't really occur to people, I think.

Another element, I think, may be that some of these people have carried reproduction historical garments but never worn them. Or weighed them in a heap on a scale- yes, really -and never taken into account the weight distribution when they're on a body. I've owned garments that were a bear to carry, but perfectly comfortable to wear.

Also, you know. We've long had a vested interest in making our own garments seem like The Best Most Advanced Garments. You can find articles from as early as the 1920s decrying Victorian "trailing skirts and trailing hair" as unhygienic and uncomfortable Never mind that the ADULTS saying this would have known full well that shorter skirts were commonplace for situations where Excessive Dirt would be present and grown women wore their hair up. (Also, you know. Unless you're licking your hem, your skirts cannot get you sick.)

Either you're getting only the experiences of women who hated what they wore before- which would somehow be the same fashion writers who once declared that the gowns of 1915 were the best, or 1910, or 1905 -or they had a vested interest in selling something to the public: in this case, the hottest, newest clothes (and hairstyles that required more regular trips to the hairdresser than long hair pinned up). Of course you get those writers calling earlier clothing heavy- they're trying to get people to buy rayon flapper dresses!

Now, does that mean that nobody in history found their clothing heavy? Of course not. One of Amelia Bloomer's key complaints about the fashions of the 1840s and early 50s was the many layers of petticoats women often wore to create the fashionable skirt shape- and while I'm often loath to take dress reformers as sole arbiters of women's opinion, the invention of the cage crinoline/hoop skirt was widely hailed as a marvel for enabling big skirts with much less weight.

But you're so right that this perception is extremely exaggerated nowadays. I do my best to fight it- had this conversation with a colleague today, as I was wearing a long-sleeved blouse of cotton voile and a long cotton skirt to work in 80-degree (F) weather -but. Well. It DOES get frustrating at times.

#long post #chasingtheskyline #ask #history #fashion history #clothing history

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alltoowelltom · 2 years

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could i have either peter parker x fem!reader or tom holland x fem!reader where the reader is drunk and peter/tom come to pick her up but she's like, "I have a boyfriend" cause she doesn't reconize him. literally your writing is amazing tho 💖

tysm for the request!

peter parker x fem!reader

warnings: drunk reader, excessive alcohol consumption, all characters in this story are in college

・°☆.。.:*・°☆.。.:*・°☆

Peter had just relaxed into the sofa to flick on a reality show while he waited for you to return from a well-deserved night out with your friends when you called.

"Pete?" he heard your giggly and wavering voice on the other end.

"Hey darling," he chuckled. "Having fun?"

"Yeah," you mumbled quietly, Peter having to strain to hear you over the loud bass of the club you were in. "But do you think you can come and pick me up?" you ask.

Peter frowns.

"I thought you were going to Uber home?"

You shake your head, forgetting that he can't see you over the phone.

"I was going to, but I really miss you." you whine, thanking your friend with an enthusiastic eyebrow raise as she hands you another drink.

Peter blushes slightly.

"Sure thing, hun," he says, already standing up to hunt for his shoes and a jacket. "You just wait there, okay?"

・°☆.。.:*・°☆.。.:*・°☆

Peter ducks out of the way of a drunk couple, pushing his way through the dancing crowd as he searches for you. This is definitely not his type of place, preferring a quiet night in with his girl by his side and a few friends around. You were more than happy to indulge Peter, but you had been working so hard lately and your friends insisted you needed a break to let loose.

He spots you leaning against a wall, eyes half shut as you sway to the beat with a glass in your hand.

"Hey darling," he says.

You glance at him, and he's a little confused as you glare at him, turning away a little.

"Where did your friends go?" he asks, placing a concerned hand lightly on your back.

"They're just in the bathroom," you say coldly. "They'll be right back."

When Peter nods and goes to take your drink from you, you stand up taller and look him up and down.

"What the hell do you think you're doing?" you ask. "I have a boyfriend."

Peter's eyes crinkle as he begins to understand the situation.

"Oh yeah?" he asks. "Tell me about him."

"He's perfect." you say and Peter's heart soars. "Well, almost perfect." you correct yourself and his face falters a bit. "He's constantly forgetting things, or breaking things, or falling asleep literally anywhere. But I love that about him. I love him," you sigh dreamily, before frowning. "I miss him."

"How about I take you to him?" Peter suggests and you nod excitedly while allowing him to guide you to the door.

Feeling the fresh and cool night air hit your flushed skin you breathe deep, stopping to look at Peter.

"I swung here, but I don't know if you being drunk would be breaking drinking-and-swinging laws," he wonders. "There's not really anyone I can ask about that."

Your brow furrows at his words. Swinging? Drinking and swinging? Before realization crosses your features.

"Petey!" you cheer, wrapping your arms around his neck. He stumbles for a second before holding you upright and wrapping an arm around your waist. "Why didn't you tell me you were here?"

Peter rolls his eyes.

"I tried."

You look around, hanging onto Peter's shoulders as you swivel.

"Where's your car?" you ask.

Peter frowns, eyebrows lifting and mouth pouting slightly.

"I don't have a car, baby." he reminds you gently. "I'm walking you home."

"Oh," you say, before smiling brightly. "Lead the way!"

Peter holds you close, tucking one half of his jacket around your shoulders and pulling you into his side.

"This is gonna be a long walk," he mutters to himself.

・°☆.。.:*・°☆.。.:*・°☆

please consider relogging if you enjoyed, it makes a writer's day <3

#peter parker x reader #peter parker fluff #peter parker x y/n #peter parker x you #peter parker fic #peter parker blurb #tom holland x reader #spiderman nwh

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zvtara-was-never-canon · 4 months

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This is like.... The peak of the toxic zutara everyone talks about like it's too cliche to be real.

• Username : oedipus kataang

• a ZK complaining about kataang having rape fics like- need i say more?

• Saying shippers only care about her if she births aang's babies

Like nichya, this was literally handcrafted for you to roast lmao.

Okay, SO MUCH incorrect stuff.

For starters, not only is Kataang not a mom/son ship, Katara doesn't see herself as his mother, and he doesn't think of her as his mom (and no, him acknowledging she has motherly traits/is the "mom friend" is not the same as thinking of her as a genuine parental figure in his life) so it makes no sense to pretend there's an Oedipus Complex going on.

That claim also ignores that the Oedipus Complex isn't just about excessive attachment (not necessarely attraction) towards the mom, but also a TON of rage towards the father, which leads to, worsens or causes them to compete for the mom. Aang's father figure is Gyatso, who never met Katara and would NEVER make her a "co-parent" since the main thing we're told about him is that he thinks kids should be allowed to act like kids.

(Sidenote: Poor Oedipus, man. He fled his home to AVOID killing his dad and marrying his mom - that he didn't know had adopted him. And in doing that set the prophecy in motion because HE DIDN'T KNOW the guy he killed was his dad and the woman he fell for was his mom. Oedipus did not have an Oedipus Complex so it's a REALLY stupid name and that legit angers my autistic brain to insane degrees).

For the "Kataang has rape fics" COME ON, Zutara only exists because of non-con smut, and two of the most popular tropes in Zutara fics are Katara being forced into an arragend marriage with Zuko so the Fire Nation has claim to the Southern Water Tribe or flat out being his slave. This isn't even just the pot calling the kettle black, this the pot calling a fluffy white cloud black.

(Sidenote 2: those tropes are fine by the way, as long as the writer isn't under the delusion that it'd be okay in real life, or has the balls to criticize other people for also being kinky)

And again, THE IRONY of zutarians insisting Kataang fans only care about her giving Aang airbender babies, when Zutarians are infamous for disregarding EVERYTHING about Katara's character that doesn't connect to Zuko (see them trying to make bloodbending her whole personality just because she used in the Southern Raiders, trying to claim her feeling empathy for that Fire Nation village means she wants to LIVE in the Fire Nation, refusing to accept she doesn't want to be queen especially not of the nation that destroyed hers, etc).

Also I NEVER saw a Kataang fan hate on Katara for rejecting Aang. I'm not saying it never happened (god knows this fandom has all kinds of hateful people in it) but to pretend it's some wide-spread problem is ridiculous and dishonest.

#anti zutara #pro kataang

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youchangedmedestiel · 3 months

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As promised I said I'll give you fic recs to celebrate the fact that I have more than 100 followers now. Again, thanks a lot! This makes me happy! :)

So now, here's my gift to you:

Every fucking fic by xylodemon

The writing is always perfect! I'm not kidding, this is my favorite writer so far! I've never been disappointed by their fics. NEVER! I haven't finish to read all of them but I certainly attend to.

Fics written by deancaskiss

If you like reading about Cas and Dean "just" kissing, then you should try reading those, if you haven't done it yet. I haven't read all of them yet, I read only around 10 fics for now, but same I'll attend to read more.

Then, more specifically:

Blackberries Wild by SaltyWords (agent4hire22) Angst, Love Confessions, First Kiss, Canon divergent after 13x12, Emotional Hurt/Comfort, brief mention of suicidal ideation - around 2500 words

This is so well written, the descriptions are everything, especially the ones for the kisses. It could totally happened like that. It's very true to their character if you ask me.

a kiss for every season (literally) by sobsicles and it is also available as a podfic here read by Scintillating Gatria (LadyLoralye) Canon typical level of violence, Canon Compliant, Brief Dean Winchester/Benny Lafitte - Freeform, Angst with a Happy Ending, Kisses, Smut - around 22000 words

The title says it all, a kiss between Cas and Dean happens every season and since there's never enough kisses between these two, that fic is therefore perfect.

People Who Are Good Like Pie by sobsicles Blowjob, NSFW, Castiel is a Little Shit, Dean is In Over His Head, Flustered Dean, Confused Dean, Creatively ties eating pie into sex, Sounds disgusting but it's really not I promise, it's hilarious, fluff and porn - around 1800 words

And it is indeed hilarious imo as well as very hot. It's short and easy to read, really different from the above. But it's human!cas and I'm weak for him in a sense that there is so much potential with him in a fic and that I love him.

You and I Know the Way by aishitara Alternate Universe - Canon Divergence, Post-Series, Canon Compliant through 15x18, Fluff, a smidgen of angst, PWP, Porn with Feelings, Castiel Loves Dean Winchester, Mentions of Blood, Mild Hurt/Comfort - around 4300 words

There is human!cas in there too, so yeah I'm sold. Plus some amazing, beautiful, stunning art from winchester-reload is included in the fic so it's even more perfect. This is smut yes, but, BUT you can really see all the love there is between them and that fucks me up. That's the type of porn that makes me cry. I never thought I could say that about porn one day. But maybe it's because it isn't, this is just LOVE!

Humans Do It Better by Hatteress Episode: s06e10 Caged Heat (Supernatural), Excessive Drinking, Light Angst, First Kiss, Second more heated kiss, Kinda Funny.

I invented the tags here because it isn't on AO3. I need to mention this fic because it was like one of the first fics I read. It was more than a year ago and I still remember it. Maybe because I wished it had a next FUCKING chapter. I want to read more about it. I want to see what happened when they meet again later. I want to see what's going on in Dean's mind the next morning when he realized what he did, thinking about how he corrupted a fucking angel. Feeling guilty about it because it's Dean. I - I, maybe I'll fucking write this second chapter one day. But I don't know if it's a thing, you know, writing a sequel to someone else's fic.

Anyway, I hope you'll like reading those if it's not already done. I for sure have more fics to recommend but I have to save some for the 200 followers I guess lmao. One can dream.

BUT if you need specific fics, like from an episode in particular for example, you can still ask me because I sort them by episode tag too.

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theragethatisdesire · 11 months

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much ado about nothing chapter 5 - plug!eren x reader - 18+!!!

DISCLAIMER: this post contains MATURE CONTENT that is intended only for those over 18. minors and ageless blogs, please do not read below the cut.

i have successfully kicked my writer's block to the curb and am ready to pick back up on plug!eren!!!! woohoo!! this is the part of the story where it gets really plot heavy and there's a lot of moving parts, so it's been a fun exercise to write and brainstorm. if anything is confusing or u have any theories/questions PLEASE hit my inbox i'm so down bad for plug eren i could talk about him for days.

get ready to meet a new character who is......not the best lol. this is also the first chapter written in eren's pov :o things are about to get interesting!

still haven't caught up? series masterlist HERE <3

specific cws: mentions of smut but nothing outright, alcohol use, swearing, u know the drill

“If music be the food of love, play on. / Give me excess of it, that, surfeiting, / The appetite may sicken and so die.” - Twelfth Night by William Shakespeare (Act I, Scene 1)

Eren is, admittedly, a romantic person, especially given his occupation. Not romantic in the cheesy, buying-flowers and kissing-in-the-rain sense, but he appreciates the little details of life. He loves autumn, when the leaves catch on fire with the changing of the season. He loves the little crook of a woman’s neck, that slope where it goes from tendon to shoulder to collarbone. He can appreciate a good bourbon; after years of raiding his dad’s stash, he developed a palate for it early on. Eren’s romantic nature leads him to believe in signs. When the universe tells him something, he listens.

The text still sat in his inbox unopened, marinating in its own bizarre, heartbreaking nature.

> heyyyy lover boy! i’m back from austria! missed u, let’s catch up ;)

Eren knows that Breeze knows him, knows him well enough to understand that his three-week radio silence isn’t a no, it’s a maybe. He hates himself for not immediately texting her back and telling her to fuck off, but after his conversation with you, he thinks it might be the universe telling him it’s safe this time, that he won’t end up a shell of himself. Maybe.

You had been firm in your assertion that you and Eren were better off as friends, and as much as he wanted to fight it, Eren respects women. As much as he can when he’s prone to wrenching their jaws open and spitting in their mouths while he’s balls deep inside them, at least. He’s disappointed, but he respects it, and if he’s honest, he likes you.

He likes your sharp humor, likes the way you tend to keep your hair up off of your neck, likes the way your eyes light up when someone gives you an excuse to talk about your studies. He hasn’t been “just friends” with a woman in a long time, but it’s refreshing, an excuse to go grab a coffee and shoot the shit like a normal person instead of lurking in the corner of a frat party handing out pills like a perverse ice cream truck.

The last three weeks of “friends” have been the best Eren’s had in a long time. You’re easy, that’s what he likes about you. He can drop the cold mask he wears so often, giggle over a stupid meme, listen intently as you prattle on about some long-dead 18th-century author that was “so ahead of her time!”, smirk when you chastise him for doodling little hearts and flowers all over your coursework.

Sure, he still steals a glance down your shirt when he can, and he’d never admit it, but he thinks about you late at night. He thinks about you when he’s in the shower, when he’s got himself in his hand, panting and swearing under his breath, but he manages to feel enough guilt over it to still consider you a friend. You’re caring and considerate and easy, wholesome fun, unlike someone that’s made a sudden reappearance into his life.

After that first night, just when he was starting to entertain the thought of promoting you from one night stand to official fuck buddy, the closest thing to commitment Eren allows himself to maintain these days, Breeze swept back into his life, and you hit the brakes on him. While it may not have been the sign he wanted to receive, Eren’s a romantic, and he listens to the universe, especially when it goes so far out of its way to tell him something.

He’s decided to let Breeze stew for a little while longer. Campus will be clearing out for Thanksgiving break soon, along with most of his business, and he’s going to wait until his hands are empty of work and you before answering her. Plus, she had flitted off to Europe after college like their entire relationship had been nothing more than a passing phase; Eren’s owed at least a little bit of pettiness, right?

> paradise ath 1130! see uthere ;)

Eren snorts at your text. Being as uptight as you are about grammar (you’re constantly hounding him about his texting style, and he’s been making them even more incorrect just to hear you berate him), he knows you’re not just texting quickly, you’re drunk.

“Yo, ‘min!” Eren calls into the kitchen, an excited flutter already rising in his chest beneath his hoodie.

“Yeah?” Armin’s head pops around the doorframe, a dab of ketchup on the corner of his mouth.

“Wanna go to Paradise later?”

“The club?” Armin’s nose wrinkles. Connie’s head appears right beside Armin, a wide grin splitting his face.

“Oh, hell yeah,” Connie answers for both of them before Armin has the chance to shoot the idea down, “who’s going?”

“Like you don’t know the answer to that,” Armin scoffs, ducking back into the kitchen with a roll of his eyes.

“I never took her for a ‘club’ type of girl,” Connie adds air-quotes to emphasize his confusion.

Eren mulls that over for a moment; he doesn’t really take you for a club type of girl either, but from the sound of it, Historia and Sasha have already done the job of getting you good and drunk and talking you into a night on the town. Eren’s always wanted to see what you’re like when you’re well and truly fucked up; every time you indulge him with a story from college, he ends up laughing so hard he’s clutching his stomach and gasping for breath.

Supposedly, when you go all out, you drop the mom-friend act and become a little less tame; is this Eren’s opportunity to get an eyeful for himself? He’s not waiting around to find out.

Eren shrugs. “Come help me make these runs and we’ll go. Armin, you’re driving.”

The drop-offs are uneventful, and as soon as Eren steps foot inside the club, his nose scrunches with distaste. Ironically, he’s never been into the partying scene, much preferring a quiet beer at Scout’s or a blunt on the couch to a club. The music’s horribly loud, bass thudding through the fabric of his hoodie and beating against his chest, and as he looks for you, he can barely see through the mass of bodies and the fog machines. You’re here? It’s difficult for Eren to imagine you, in your favorite flannel and those cute little Vans he likes, tucked against the bar throwing back your signature craft beer. As Connie urges him and Armin in the direction of the bar, calling for green tea shots, Eren nearly regrets his decision, until fingernails dig into his shoulder, spinning him on his heels.

“Hey, you.”

Eren blinks stupidly as you grin up at him through thick, black lashes. He’s never even dared to imagine you like you are now, piercing eyes gazing up at him through a heavy dusting of makeup and the shortest, tightest dress Eren’s ever seen hugging every inch of your curves. You look sinful in a way he’s never seen you before, not even when he was holding you tight to him and wrenching out orgasm after orgasm from your body. He gulps.

“Holy shit– hey,” he lets you pull him in for an overexcited hug, bites down on the inside of his cheek to distract himself from the bulge already swelling in his pants.

“I missed you!” You pinch his cheeks, much to Eren’s dismay.

“Just saw you yesterday– quit pinchin’ me. What are you even doing here? Didn’t think this was your scene.” Eren has to actively keep his eyes trained on your face; there’s a little bead of sweat traveling down the expanse of skin between your breasts that’s making his mouth water. Friends, he scoffs in his mind. Are you trying to kill him?

“Well, it’s not, but Sasha says I need to be more fun, and Stor says I need to find a boyfriend.” You gesture around like it’s obvious. Eren cocks an eyebrow, ignoring the inappropriate envy that twists in his stomach at the mention of the word ‘boyfriend’.

Boyfriends never like the guy friends, it’s practically a law of nature. If you’re dating around, it’s only a matter of time before some square in a button-down steals you away from your coffee dates and movie nights with Eren, but he can’t get too caught up in that now, not when you’re looking up at him all dizzy and sexy and bursting at the seams.

“Don’t know if this is the place for that.”

“That’s what I said!” Oh, you’re drunk drunk, all of your movements overexaggerated and shaky. It makes him want to laugh seeing you like this; his little book nerd, trashed and mere inches away from having her ass out at a club. Well, either laugh or drag you into the bathroom to bend you over the sink. He can’t be sure.

“Hey mama!” Connie shouts over at you, handing you a shot. Eren has half a mind to snatch it out of his hand after catching the slurring in your voice, but he’s too late; you throw it back without so much as a shudder, grinning all wide and wet and pretty when you swallow.

“I didn’t think you’d actually show up,” you tell him, pulling him down by his collar so you can speak into his ear. Eren has to bite back a groan at the feel of your hot lips against his ear. Friends, he reminds himself urgently, pushing you back from him but keeping his hands firm on your hips, relishing in the way your flesh gives under his grip.

“You know the rules. You call, I come.”

“That’s what she said,” you snicker, pinching his cheek again.

“Cut that out!”

“Make me.” Oh fuck, Eren’s going to die. He’s going to die if you keep looking at him like that, bottom lip tucked between your teeth and fuck-me eyes on him.

“You’re not being very friendly,” he manages to choke out, trying his hardest to give you a suspicious look through the dizzying wave of images that flash through his brain. You with your mouth full of him. You spread out on his bed, back arched and fingers twisted in his hair. The little “o” your mouth made when you rode him for the first time. Eren wants to smack himself, jump in a cold shower, something. Get a grip, dude.

“Maybe not,” you shrug, eyes darting over to the bar. “Hurry up and grab a drink, I wanna dance.”

“Not much of a dancer,” Eren admits, taking the beer that Connie hands him.

“Don’t worry, I’ll do all the work.”

Eren isn’t sure if he likes or loves the sound of that, powerless against that stupid little dress you’ve got on as you drag him behind you to the mass of bodies he had so disdainfully eyed on his way in. He’s greeted by a loud round of shrieking, one more pinch to the cheek by Historia and a slap on the ass from Sasha. You make a show of teasing him for how pink his face gets, but luckily, your friends are instantly distracted by Armin and Connie’s arrival right behind him. You pull him back down, glossy lips pressed right against his ear.

“I really like this song.” You’re barely audible over the pounding music, but even if Eren hadn’t heard what you said, he’d get the gist from the way you grind against his thigh, slow and sensual. Maybe you are actually trying to kill him.

“Yeah?” He’s breathless, irreparably and embarrassingly caught in the little web you’ve woven.

“Yeah.” You’re moving harder against him now, throwing your arms around his neck and grinding your hips into his. Eren’s only thought is to let his hands fly back to your hips, let you use him like a stripper pole to show off.

He can feel eyes on him, not the eyes of friends, but of other men around him, wondering who the lucky asshole is that’s getting the royal treatment from a girl as hot as you. If he were to be truthful, it’s getting him off, how every eye is on you and, by proxy, him, holding you like a lifeline as you let the beat rock through your body.

So this, this is the party girl you claim to have living deep inside you. This seductive, electric creature moving tantalizing against his body, this is the source of the stories Historia tells him that make you blush? How you could ever be embarrassed of this is beyond him; you’re like a little devil, sent straight from hell just to torture him, and Eren’s mouth is watering.

Song after song goes by, and you don’t let up, don’t let him catch his breath for a moment, moving from facing him to pressing your ass into his crotch and then back again, arms above your head or wrapped around his neck. Eren wishes he was mentally sound enough at the moment to feel ashamed that you can absolutely feel how hard he is through his pants right now, but he’s drunk on you, letting you press into him so insistently he has to tug your dress down for you, letting you drive him so crazy that he’s grateful for the loud music now. He’d die if Connie or Armin could hear the way he’s grunting and groaning low under his breath, powerless underneath you.

Suddenly, as if you haven’t just been riling him up for the last half hour, you back away enough to face him, shaking your empty cup and him and mouthing something that Eren’s still too dizzy to make out.

“Huh?”

“Get me another drink!” you shout over the bass, laughing at him.

Eren nods stupidly, darting away from you before he can grab your jaw, pull your lips to his like he so desperately wants to. Finally out of the throng of bodies, he can feel his head clearing, some semblance of sanity crashing over him. What the fuck has gotten into him? It was just one night, and you’ve kept him at arm’s length ever since, only seeing each other under the guise of coffee, or a beer, or Eren insisting you need to continue your education in the wonders of horror films. You’re drunk, that’s the only explanation; drunk and teasing him like you aren’t going to wake up and throw him right back into the friendzone. He rests both elbows on the bar, shaking his head like he’ll be able to knock some sense into himself if he rattles his brain around a little.

Eren orders your vodka soda and a beer and a shot for himself, something to clear his head and keep his blood pressure manageable. Hopefully, at least.

When he turns around, drinks in hand, that plan flies out the door. There you are, center of the dance floor, hands above your head and hips moving like you’re intentionally trying to make him lose his fucking mind. He tilts his head in interest when a man approaches you, grazes his hands over your hips like he means to start grinding against you. Eren can feel his own hands tightening around the bottle and the plastic cup in his hand, but he holds himself back; he’s got no claim on you, and if you’re willing to entertain the man (who, if you ask Eren, is way below your standards), who is Eren to stop you?

You surprise him in the best way: when the man touches you lightly, you whip around, brows furrowed and a little glitter in your eyes so mean that even Eren nearly flinches. He can’t read your lips in the low light, but he snorts to himself anyway as the man puts his hands up and backs away from you, eyes wide. As if nothing had happened, you spin back on your heel, facing a cackling Sasha with a shrug.

Eren feels a wide, proud smile blooming on his face. As much as he feels an unwarranted protectiveness towards you, he likes watching you get your teeth out and stand up for yourself. Before he can make his way back over to tease you, a voice from his left makes his blood run cold.

“Rennie?!”

Two thin arms are tossed around his neck before Eren can even respond, the familiar scent of vanilla and coconut enveloping him.

“Breeze?” Eren chokes out, too shocked to keep his composure. She pulls away from him and grins, a little diamond glittering from her right canine tooth.

“You didn’t text me back, you tease,” she swats at his chest, snags the vodka soda he’d bought for you right out of his hand, taking a sip. Eren takes the opportunity to swallow hard around the lump in his throat, one last tentative glance towards you before he turns his gaze back to Breeze.

She’s cut her hair, something short and choppy that swings around her ears, and fuck, she’s still just as pretty as he remembers, little freckles on her button nose visible in the darkness of the club.

“Didn’t think you wanted to see me,” Eren shrugs, forcing his face to remain schooled into one of cold apathy. She had left him, like he was nothing to her. He hates her, he realizes, god, he hates her so much it burns in his veins. Breeze cocks her head, frowning.

“Why would you think that?”

“You fucking left me, Breeze, don’t be stupid,” Eren makes a move to steal the drink back from her, but she holds it close enough to her chest that he’d have to practically grope her to take it, and his fingers recoil at the realization.

“Are you double-fisting, or did you buy this for someone special?” She teases, brushing right over Eren’s bristly demeanor. When he doesn’t answer, she raises her eyebrows. “It’s for someone. Well, point her out! Is she cute?”

Breeze turns on her heel, standing on her tiptoes to glance through the crowd. Before he can stop himself, Eren’s grabbing her upper arm, spinning her back to face him with anger blazing in his eyes. When he meets her gaze, her baby blues are alight with mischief, and he knows that no matter which direction he moves, he’s losing whatever little game she has him trapped in. That was the thing about Breeze; Eren was always losing her games.

“Fuck, just…just stop it, Breeze. What are you even doing here?”

“I’m back in town, didn’t you see my text?” Breeze shrugs innocently, sipping your drink.

“Okay, well, welcome back,” Eren deadpans, leaving her question hanging in the air between them. He turns back to the bar to order another cocktail for you, having given up hope of getting the first one back from Breeze, but she’s relentless, has always been that way. She slides up to the bar beside him, smiling demurely up at him.

“I missed you, you know.”

“Wouldn’t have guessed,” Eren scoffs, rolling his eyes. Breeze flinches, but Eren knows her better than that. It’s all an act, it always is.

“I never realized how much I hurt you,” her fingers grazing over his cheek nearly burn with how cold they are in contrast to the heavy, thick air around them, “‘m sorry, Rennie.”

“It’s fine.” Eren hates the way he twitches and nearly leans into her touch when she swipes her fingers over him. How many times has he thought about this, seeing her again after all these years? Everything he’s planned out, everything he’s ever wanted to say is lodged in his throat, a jumble of letters and words so squished out of order that they no longer hold meaning. He doesn’t love her, not anymore, but his body reacts before his brain can stop it, a conditioned response.

“Can we talk about it soon? Maybe over coffee?” Blue eyes blinking up at him earnestly.

“There’s nothing to talk about, Breeze,” Eren rolls his eyes, swallowing thick around the knot in his throat.

“There is,” she insists, “I brought this amazing espresso blend back with me from Florence, and–”

“If I say yes, will you leave me alone for tonight?” Eren can feel the exasperation in his tone, can feel the weight of his mistake weighing on his shoulders. It’s fine, he tells himself, he’ll make up some excuse and get out of it. A long conversation with Breeze about their breakup is the last thing he needs.

“Maybe,” Breeze tucks her lip in between her teeth, a little smile playing at the corner of her mouth, “unless you change your mind.”

“We can talk or whatever another time, but I’m going back to my friends, okay? Go find yours.”

“You’re my friend,” Breeze purrs, one hand stroking over Eren’s bicep, “and I haven’ seen you int–”

“Don’t push it,” Eren nearly growls, scowling down at her. He knows half of the hatred buzzing through his veins is reserved for himself, but he’ll unpack that at home with a blunt, not in the middle of the club with you waiting for him on the dance floor and Breeze staring up at him hungrily.

“Always wound so tight,” Breeze hums, reaching a hand up to squish his cheeks, “but fine. I’ll see you soon.”

She miraculously leaves him there with nothing but a wink, taking your vodka soda with her; Eren’s shoulders slump in relief. Knowing Breeze, it was a wonder she hadn’t tackled him right there. When he turns around for the second time, two drinks in hand, you’re already staring at him. Shit.

You don’t look mad– and why would you be? You’re friends, Eren reminds himself. There’s no reason for you to know who Breeze is; he’s never told you about her, and he never planned on doing so. Eren knows Historia, though, well enough to believe that she told you everything from the godforsaken moment he walked into your apartment that day.

He doesn’t like that look you’ve got, though; again, not mad, but he can see the gears turning behind your eyes. Eren has to practically force himself to walk towards you. Your head’s cocked in confusion, something watery and hesitant glimmering in your eyes through the low lighting. If he didn’t know better, he’d say you almost look hurt, but that wouldn’t be fair, would it? You didn’t want him, you had made that abundantly clear.

“Sorry it took me a while. Long line.” Eren hands you your drink, nearly wincing at how naturally the clearly false statement rolls off his tongue.

“Mhm,” you nod, downing nearly half of your drink in one long slurp. Your movements aren’t fluid and dynamic anymore; you’re stiff as a board, bouncing back and forth on the balls of your feet along to the beat of the song. “I…I actually have to pee, do you mind holding this?”

“Now?” Eren blinks, confused. “I just got your drink.”

You offer him a tight smile. “I wanted to wait ‘til you were back, so you could watch my drink. And so you didn’t think I ran off on you or something.”

“Oh, yeah, go ahead.”

He watches you slink away into the crowd, watches the dozens of eyes follow you, surely wondering what happened to the little firecracker in the middle of the dance floor. Eren knows you get like this sometimes, suddenly pensive and nostalgic, knows that per your own admission, you like to handle it yourself. He hadn’t done this to you, had he?

A firm pinch to his cheek distracts him, pulls him down a foot below his normal standing height. Could everyone just stop pinching his fucking face? “Shit, ow!”

“Was that Breeze?” Historia yells directly into his ear. Eren, six-foot-something of hell on wheels, blushes furiously.

“Dude, was that fucking Breeze, or am I too fucked up?” Connie echoes Historia’s sentiment from over her shoulder, eyes comically wide. Armin’s peering around him, eyes flitting back and forth between Eren, Connie, and Historia as he tries to understand what’s happened.

“Who cares?” Eren snaps at Connie. Historia’s grip on his face loosens, releases entirely. If Eren didn’t like the look that you had given him, he hates the look Historia’s shooting at him right now. All daggers and disappointment. She turns on her heel without another word, making a beeline for the bathroom and dragging Sasha along behind her. Eren doesn’t miss Armin’s eyes either; stripping him to the bone without saying a word.

“Quit looking at me like that,” Eren scoffs, waves a hand in Armin’s direction.

“When did Breeze get back into town?” Armin shouts over the music.

“A few weeks ago,” Eren admits, avoiding Armin’s eyes and looking for a spot at the bar where he can escape the heavy gazes of his friends, run away to drown this conversation in a shot of whiskey.

“Did you–”

“I don’t know, man, you know how she is. She just showed up.” Eren knows he’s being unnecessarily gruff, but in his defense, the last hour or so has been a whirlwind of memory and emotion and lust that he doesn’t have the capacity to deal with.

Armin nods simply, takes a sip of his beer. Eren’s known Armin since they were kids, and he knows Armin can read him like a book. If he had a little less pride, Eren would pull Armin to the side and ask if he can make any sense of what’s going through Eren’s head right now because Eren sure as hell can’t. There’s you, with your skimpy dress and your flirty eyes, grinding on him like you’re going to take him home and fuck him stupid again, like you hadn’t demanded an honest-to-god friendship that Eren happens to very much enjoy. On the other hand, there’s Breeze, flighty and just as much of a ghost as she is a real person, popping back into his life and batting her blue eyes at him like she’d never left.

You’re his friend, and Breeze is his terrible ex. There shouldn’t be a choice here– there isn’t, it’s just the way things are, but Eren feels stuck at a crossroads for some reason.

He finally gets fed up with the music and the bumping of bodies around him and storms off to the bar again, biting back the urge to snap at Connie and Armin who he knows are hot on his heels. Eren’s just looked up from the shot of whiskey burning its way down his throat, acknowledging the dizziness that’s come with his drinks for the night, when he spots you.

You don’t look angry, that’s a small mercy you unwittingly grant him, but you’re cowering. Historia, even being shorter than you, is practically pinning you to the wall outside of the bathroom, shouting at you with her finger in your face. Sasha doesn’t look all too pleased either, arms crossed and a deep scowl written into her features. Eren gets a glimpse of your phone in Historia’s other hand that she’s waving around erratically, and wonders what the hell happens in women’s bathrooms. He’s not exactly sure what prompts it, but he checks his own phone. Nothing.

“Are they fighting?” Connie asks, nose scrunched as he peeks around Eren’s arm.

“Looks like it,” Armin nods, wincing as you try to make a grab for your phone from Historia, resulting in Sasha saving you at the last second from face-planting as Historia holds it out of your reach.

“Should we, like, do something?”

“Absolutely not,” Armin and Eren echo each other, looking at Connie as if he’d just suggested they all walk into oncoming traffic.

Eren watches as Historia grabs you by the wrist and drags you out of the bar, your feeble protests doing nothing to stop her insistent steps. Sasha follows both of you, gently pushing you along by the small of your back and shooting a regretful glance at Connie, mouthing a sorry as you all make your exit. It’s hardly been five minutes before Eren’s phone buzzes.

> had to leave. do you mind paying our tab if i venmo you? it’s under reiss.

Eren bites the inside of his cheek again, not worrying in the slightest about covering the tab, but more so the reason for your abrupt exit.

> yeah i got u everything ok?

> thanks a ton! see u next time.

It’s purposefully avoidant, especially coming from Historia, who never misses a chance to make fun of you good-naturedly. If you had been sick in the bathroom or far too drunk to stay, she would have come out and said it. Eren throws his card down, going to pay the hefty tab you and your friends racked up, but not daring to pay his own. After all of the shit that’s just gone down, he owes himself at least one more drink.

Once he’s signed, he pulls out his phone again, thumb hovering over your text thread, then Breeze’s, then yours again. Mindful of Armin’s prying eye over his shoulder, Eren sighs heftily and shuts his phone off, leaning in to order another shot. The following morning’s approaching quickly, whether he wants it to or not, and he’ll save his fucked-up emotions for the daylight.

#enjoyyyyy #sorry about no smut again but like #we have to get through some PLOT okay #also don't drink and text/call is the lesson from this chapter #trust me it'll make sense #eren x reader #eren jaeger x reader #eren jaeger series #aot x reader #eren jaeger fanfic #much ado about nothing #much ado universe

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burningvelvet · 7 months

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i thought nothing could be worse than the burning of byron’s memoirs but i stand corrected after reading jane austen’s poor wikipedia page

because at least we still have thousands of byron’s letters and journals which are mostly uncensored and which reveal his personality in all of it’s aspects, flaws and all, and everyone in his circle documented every detail of his life because he was a huge celebrity. his letters are considered some of the most brutally transparent ever written. i'm just using him as an example; him and austen shared the same publisher, lived during the same time, both very studied.

but with jane austen? we don’t get that honesty or that truly full picture. her relatives are the main sources of information, and all her surviving letters were carefully selected by them to portray her according to a specific agenda which would favor them, and so the true extent of her personality can never be as fully ascertained.

but at the same time... i don't think that's necessarily a bad thing. she doesn't seem to have wanted attention for herself but to have likely preferred privacy, and her books have gotten more acclaim that she ever could have comprehended -- her books are the way we access her, her life, her thoughts and her voice. i think that about all writers, though i do love biographical criticism and biography.

some writers we know nothing about and some writers we know everything about -- at least they all live on in their writing, yes. but on the one hand, i'm grateful all writers live on in their work (as a fan of history and literature) and on the other hand, my unquenchable curiousity does get annoyed with the lack of available information. i would really love to read an extensive series of austen diaries. there is something sort of voyeuristic about this, i know, but there is also a love of preserving the niche parts of history, the parts that others overlook, the undervalued parts (letters, diaries, receipts, notes, scraps, drafts, juvenilia, etc.)

marcus aurelius wanted his diaries burned but perverse curiousity, likely driven by excessive admiration, led to their preservation, and thus we have his meditations which is now one of the most valued pieces of literature ever. so i think letters and diaries, and any piece of writing, does have immense value, even when it borders on a violation of privacy or has the potential to ruin a reputation.

i think this all simply ties in to the fact that i don't believe in book-burning in any form. embarrassing love letters from 1812 ARE important, depressing diary entries from 1818 ARE important. i could go on and on and on but the point is that i think all words and all history are imporant. in my classes we've discussed how archival technology is at the forefront of all human knowledge: what do we keep, what do we preserve, what do we spend more time on salvaging?

it just kills me that so much has been burned and destroyed, regardless of all the intense ethical discussions which could derive from all this, which could go on for a million years. my point is that it is tragic that so much of austen's work was destroyed, and it is tragic that byron's memoirs were destroyed even though we have so much of his work any way. any loss of writing is a loss to posterity.

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dum1s-writings · 1 year

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Well, hello! It's nice to see an active total drama writer in here! I love this show so much and the fandom is like dead 💀

So, I had this idea...

It could be headcanons or a fic/one-shot, whatever you feel like the most!

But, what about the reaction to the TDWT crew to Chris bringing his niece with him?? Like, the reader is just a sweet 19 y/o teenager who looks for their safety and actually cares about them??? (Total contrary to his uncle lmao).

It doesn't have to be with one character specifically, most like how they would react overall to the reader wanting to protect them from Chris (AND PLEASE MAKE THE READER PROTECT CODY FROM SIERRA I BEG U)

Anyways, have a nice day!!! <3

~~~The Nice McLean~~~

I fucking love Total Drama!! I firmly believe Leshawna should've won the first season. I'll try to add my least favorite characters from World Tour to avoid being biased.

Warnings: Chris McLean, Sierra's stalker behavior, attempted manipulation from Alejandro, Duncan being kind of an ass, does Cody being a crybaby count? I'm making it count.

Pronouns: They/Them

~~~~~~~~~~~~~~~~~~~~~~~~~

"Alright contestants I have another surprise for you." Chris looked at the tired teens. From behind Chef came another teen. They smiled and waved to the other teens.

"Another contestant?" A few questioned simultaneously.

"Oh hell no. Their mother would kill me." Chris slung his arm around them and tugged them close. "This here is -Y/N- McLean, my nibling."

"Heya," their smile got bigger "I hope we can get along."

Everyone was too shocked to speak for a moment. Sierra was trying so hard not to flip her shit. Chris McLean's nibling was actually in front of her.

"So you're related to Chris?" Harold finally asked.

"Yeah. My mom is his sister." -Y/N- answered truthfully.

"Think of -Y/N- as a co-host. Another Chris of sorts." The older man smirked. "They'll keep an eye on you famous wannabes while I can't."

First of all we'll get the obvious out of the way, the cast fucking love you, after getting to know you. Obviously at first learning you're related to the devil host, Chris McLean, they immediately thought this season would be twice as torturous. But give them a couple of days or weeks and most of them would willingly jump from the plane for you. The others may take some time.

I'll start with the ones that take no time in becoming your fans:

Cody: for him the moment he saw you give a genuine smile was when he trusted you. Having dealt with Chris's shit for so long made him aware of a real and fake smile. Also when you demand Sierra leave him alone? Oh yeah he likes you even more now. Expect a lot of clinging, as much as he can, crying for one reason or another mostly Sierra and excessive praise for the small things.

Lindsay: my sweetheart, so pretty so.....not traditionally smart. She saw you looking super nice in your outfit and that was it. Anyone with fashion choices as good as yours are definitely trustworthy. Please become shopping buddies after the show is over.

Owen: this big lug. He really tries to see the good in everyone. More often than not he's wrong. But he's genuinely happy he's right about you.

Sierra: she knew about you before anyone else. Obviously she's going to trust you from the get go. You're related to THE Chris McLean. That trust may or may not waver...TBD. Either way watch yourself around her. Keep a close eye on your belongings.

The neutral ones who need a bit more time are:

Noah: he just doesn't trust easily. Take no offense to it. I think only Owen was lucky enough, being an actual giant ball of sunshine and stupidity. Perhaps if you sneak him some Noah-Safe food he'll trust you faster.

Gwen: poor girl has been scorned by the world so often. It's left her with a few trust issues. Maybe stick up for her and watch some good horror movies together. Reassurance is the key, she was painted as a bad guy from the beginning. Let her know she's more than that and it's okay to admit she did wrong. Help her move past that.

Leshawna: this bad bitch (lovingly) knows her worth. She wants to make sure others know it as well. Don't talk down to her and hype up her plans and ideas and she'll consider you worth her time and respect. Also keep Alejandro away from her. Please. My queen deserves better.

DJ: he's a softie and a Mama's boy. He does want to trust you. But after his failed restaurant with his Mama it might take some time. People in power never helped him or his Mama. In fact he wonders if they were sabotaged. Help him find ways to "reverse his curse" and he'll definitely trust you, also maybe offer his Mama a job as a chef, especially if it's a higher position in a private kitchen.

The ones who just straight up dislike you and take a long time to like you are:

Alejandro: his family caused him so much trauma. He doesn't trust ANYONE. He may act like it, nodding to your advice and being nice. But alas tis all a front. He's really just waiting for the perfect moment to betray you. When that time comes and goes and you're still nice to him? Yeah....you may have started chipping away at his walls.

Heather: the queen bee. The head of every group project. Highschool taught her to look out for herself. So did the first two seasons of Total Drama. She'll bitch at you and talk shit about you "behind" your back. Just brush it off and continue being nice and you'll win her over, eventually.

Courtney: the Type A Psychotic Crazies and debate team caused Courtney to believe only Courtney can help Courtney. She'll refuse to trust you and judges those who do. In fact it's not until she's kicked off will she finally trust you. Maybe meet up after the show and talk to her, she'll apologize to you and own up to her wrongdoings.

Duncan: the runaway delinquent. The hardass he is doesn't trust you, purely because of your last name. Chris ruined his life, more than he himself could have. Being stalked no matter where he went for 2 years put him on edge. Abolish Chris's stupid "must always sing" rule and his opinion on you might change.

~~~~~~~~~~~~~~~~~~~~~~~~~

Hopefully this works. I didn't know what to do for most of it. I was winging it big time.

#dum's writings #dum's requests #total drama x reader #total drama world tour #x gender neutral reader #x gn!reader

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olderthannetfic · 7 months

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ONTF, you're older than I am, you're highly media literate, maybe you'll know: what was the appeal of the Joss Whedon style of writing to begin with? Everyone whateverishly wording their phrasey bits in that very Whedon-y way never did anything for me, positive or negative, and the constant need to have comedy during serious moments or interrupt a serious moment with either snark or a remark that nods towards tropes diffuses the tension to the point where I can't get invested. None of his characters ever felt capable of having sincere moments like most characters in other things I watch, and the few moments of that they did have would get undermined by one of the aforementioned flaws.

I do think the "omg worst writer EVER!" crowd is a bit much, because I've seen things so bad that Whedon looks like Shakespeare by comparison. But my half-sister, who is 25 years older than me and thus in her late 40's, swears Joss' style is revolutionary and deep. And frankly I've been wrong about a lot of media I used to hate and I'm open to the idea I'm missing something. It's super likely given my limited media exposure, though I am admittedly trying to work on that and branch out into more genres of media and more formats so I don't become that 'guy who has only seen Boss Baby thinks every movie has Boss Baby vibes' meme.

So. What am I missing? What's the context I'm missing and the key here that will allow me to appreciate the appeal of and enduring fandom for Whedon's work? I am admittedly a fandom baby but I am willing to learn.

I mean... I despised him from the get go, other than the Buffy movie, which I still quote that death scene from regularly, so I'm probably not the best person to describe what's appealing about his style.

But one-liners during action are a common taste even if I'm fonder of the sorts of homoerotic 80s trash Ruthless Reviews used to cover.

Ironic distance is also popular and easier to swallow than earnestness for a lot of people.

However, I do think Buffy's original audience was connecting with it emotionally. Look at the part where Buffy's all upset after the most clownishly 1980s take on loss of virginity and heavyhanded metaphors for guys being jerks that just made every writer involved seem excessively middle-aged and out of touch Giles asks if she has any idea what could have happened to Angel. For people who weren't going to high school in 90s California, that bilge was apparently very moving. Certainly, there are parts of Buffy where the quips die down for some actual emotional moments.

People like style. Something that commits to being aggressively stylized will often stand out from the bland clones that surround it. Look at Wes Anderson (another creator I don't particularly like). Whedon's godawful faux-witty dialogue did sound different from other things on TV at the time. He also lets women say some of the one-liners, which is sorely missing from most media.

But mostly, he was formative for a lot of people, and I had to live through many, many years of them earnestly entreating me to give his shitty writing another chance because this time I would somehow connect with this sex-negative parasite and his casting aesthetic that I didn't find hot or interesting.

(I like dumb and campy things. I just like them to star a bunch of body builders from New Zealand, not waifs.)

People always hold up the things they imprinted on as more revolutionary and deep than they seem in retrospect. In Whedon's case, his already obnoxious style suffers from having been copied so much since, but even if he weren't famous or popular, if you were talking to that one person whose adolescence was defined by their love of him, they'd say all this same nonsense your sister does.

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jesncin · 1 month

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please do tell about why woman of tomorrow sucks i love reading your takes they’re always so well written

Sure! And thank you for throwing me this bone because WOOF

(btw it's totally fine for people to like Woman of Tomorrow, and I can even see why! This is just my experience with it that I wish was talked about more)

Quick context: Woman of Tomorrow is about a space farmgirl named Ruthye who seeks revenge on Krem, a guy who killed her dad. Supergirl guides her on this journey so they can learn lessons about grief and revenge.

The biggest flaw of the comic is the narrative prose. Ruthye's dialogue is a rambly, over-indulgent, stylized mix of an attempt at medieval Shakespearian speak, but then in the last few issues the writer remembers she's a farmgirl so he decides she should suddenly say "ain't" more often and speak in double negatives to sound a bit more Southern. I can enjoy wordy comics! But Ruthye's dialogue and narration is blatantly excessive purple prose. So many scenes would hit harder with a less-is-more approach while still being stylized and characteristic. Sometimes the narrations pairs nicely with the art to create layered irony, but most of the time it feels like it's disregarding the comics medium altogether.

The other thing about Ruthye's narration is that it holds the story back. I get that the narration is Ruthye writing from the future, but the way it's done gives us a very passive relationship with the events of the story. We don't get to be with the characters in the action heavy moments because we're reading caption boxes of Future Ruthye rambling about poetry recounting The Battle of Capes. I'm not experiencing grief or dread with the characters, I'm being told about it. All of Ruthye's narrative rants boil down to "Supergirl is really badass, sad and kind. I promise this is deep." and "here's how my farm girl experience is relevant to this". Ruthye also speaks in glowing admiration, idealization and worship of Supergirl; it makes it really hard to get to know Kara in a humanizing way. I'm sure the purple prose hits differently for others, but I personally think the story would have more room to breathe without it.

You know how people like saying "Superman is boring because everything is too easy for him, he's too powerful" yeah that's Woman of Tomorrow. The conflict Kara faces are not challenges to her character, they're inconveniences. The resolutions to each story don't feel clever or earned. Kara just knows where to find the murdered purple aliens, Kara just happens to have a silver age-reference magical horse that can outrun the suffering-ball Krem throws at her, Kara just toughs out 10 hours in the green sun. Why be a smart storyteller when you can just give your heroine the upper hand every single time? There could've been a great bonding moment where Ruthye uses her famer-smarts to build shade for Kara, she could've crafted a salve to protect Kara's skin. But I guess having her guard Kara from dinosaurs is ok. Kara helps of course, even though she's dying because she's so cool, badass, sad, kind, etc.

Kara's internal conflict is that she was hoping that taking Ruthye on this journey would teach the farmgirl a lesson about revenge, but has Kara herself learned to move on? She's still thinking about Krypton after all. The problem with how this is presented is that it's not a flaw that we get to see evolve with the story. We see Kara act mopey, get an origin story flashback and then Kara tells us this- in hopes it'll recontextualize everything you've read before. By the time we make it to the end, the characters act like they've learned so much and I'm just standing here wishing I got to see all this growth they're talking about.

At the heart of it, I feel like Woman of Tomorrow represents the side of Super-fandom that wants to see the Kryptonians deified by the narrative. They hate seeing Kara do silly girly rom-com teenager things, she needs to be SERIOUS and EDGY and SAD and ALONE but like a god would be and not how a young woman would be that way. How else will boys take her seriously? Don't forget to remind the reader that she's STRONGER than her boy scout wholesome cousin! There's potential in a short revenge story about young girls finding hope in seeing a role-model woman survive loss, but not like this.

"You don't think I could've solved all those problems? C'mon I'm Supergirl." I sure love seeing female characters be badass girl-god legends who don't get to be humanized by being unflatteringly flawed people. Anyway the better Supergirl grief+revenge story is "Supergirl: Being Super". I don't think it's perfect because it misses the crucial difference between Kal and Kara among other things- but as a story about a teenage heroine learning how grief shapes her and those around her, it's way better.

Woman of Tomorrow's art is stellar though lmao would get a copy just as an artbook to reference.

#askjesncin #woman of tomorrow #jesncin dc meta #media criticism #there's a whole Ruthye rant where she talks about how superfam stories aren't pointless because they'll meet opponents stronger than them #and then the story proceeds to show supergirl defeating genocide pirates no biggie with help from horse #all she had to do was fight harder

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yellowhollyhock · 29 days

Text

so. Roman writes a script for an episode that he knows is good. He's very excited. He feels like he finally did something right.

Shows it to Logan. Gets it back all marked up.

accidentally got long

It starts a big fight. Easy for us to imagine how this goes because they have this or adjacent fights all the time.

Janus is on Roman's side which would make Roman more angry. Virgil is on Logan's side which hurts especially (idk if there's new content but last I know Roman and Virgil were pretty much the only consistently getting along, maybe Janus and Remus idk). Remus is there for a good time (see Roman's ideas are not good you should use mine). Patton manages to hurt everyone's feelings by taking Roman's side but sounding unsure about it (poor little guy is trying so hard to take care of everyone).

Roman has some good points: why is Logan criticizing his work when it's going to be reviewed by the writing team anyway? Isn't the most important thing at this stage for Thomas to be excited about his own ideas?

Virgil probably gets a little defensive here, like okay wow I'm sorry that Thomas can't always feel great and excited about his creations all the time. Did you even think about how much worse it would be if it was the writing team making all these corrections instead of Thomas doing it within his own head?

And then something clicks for Logan. All these corrections? What do you mean?

And now Virgil's defending Roman as best he can and still be honest with himself. You did kinda rip into it, Teach. I know you're holding is to a high standard but geez, look at all this red ink

Logan: Huh. It sounds as if the two of you think that because I marked it excessively, I disapproved of the script.

Thomas, glancing between them: Well yeah that's usually what red ink means (?)

Logan: No--I mean, yes, but this isn't high school. We're working at a higher level here.

Roman: And now you're calling me a high schooler?

Logan *adjusts glasses*: I specifically said this isn't high school. It is true that, especially for beginning writers, revision marks are usually an indication of

m i s t a k e s

Logan: Wow. As I was saying, Roman is not a beginning writer. I marked the text so excessively because I was engaging with the text. Seeing as it is, in fact, a draft, and will be submitted to peers for review, it is important that Thomas i prepared to discuss the material.

And they're all huh wha? but he wrote it tho?

Logan: Yes, but it's my job to take it from a daydream to a plan. If you read my notes, you would find--

Patton: Red ink!

Logan, thrown off: Yes, that's--we've established that I've made marks--

Virgil, recognizing an Epiphany from the Heart when he sees one: What are you getting at, Patton?

Patton: I mean, this isn't high school anymore!

Logan: Okay, you're just reiterating what I've said.

Patton: Sorry, what I mean is--when Thomas was in school, revision wasn't really treated as part of the creative process--it was a judgment from an authority figure, like a teacher! Or a parent

Logan, now interested: What are you getting at, Patton?

Patton: Thomas has a negative emotional reaction to the color red in that context.

Roman: But that's ridiculous!

Janus: Red has more positive connotations than negative. That's basic color theory :3

Virgil: Don't.

Remus: BLOODY BODY DRAGGED ACROSS THE FLOOR OF THE CHILDREN'S HOSPITAL

Patton is horrified

Logan, annoyed: Patton, you were saying?

Patton: Oh! Glitter pens!

Thomas: Glitter pens?

Roman: Glitter pens?! Now is not the moment for a consolation prize!

Logan: Oh, that's actually quite brilliant, Patton.

Virgil: What??

Logan: As I was saying, way back at (time stamp) before I was I N T E R R U P T E D, if you were to look at the notes I've made, you would find things circled that were phrased particularly well that I believe should go untouched to the final draft.

Roman: ... we would?

Logan: You would also find extensive notes on how the things you've implied in this script fit into the larger lore, which you have done particularly well this time.

Roman: Oh, I, uh--

Logan: I've noted places where we could have an opportunity to research a topic you've touched on and elaborate further, if the run time permits. If not we could possibly link relevant articles.

Roman: ... Oh.

Logan: Of course, minor grammar mistakes or small inconsistencies are also marked, but you do make a valid point there were not many of them this time.

Patton: So if we started color coding the different things Logan does when he revises, we could get Thomas to start thinking about the revision process differently!

Roman: Logan, I'm so sorry, I've been approaching this all wrong. I felt like you weren't even looking at my contributions or giving them a fair chance, and the truth is that's exactly what I was doing to you.

Logan: I appreciate you acknowledging that, Roman.

anyways the whole reason I put this on tumblr and not ao3 is because it has been sitting about here for uh. years now. So yeah they color code things and it helps Logan feel like he has a place in the creative process and also helps Roman not to take feedback so personally

#writing #fic ideas #sanders sides #revision process #sometimes the simplest solutions are the best #what if i just made them all talk things out calmly and listen to each other #i think they're allowed to be emotionally intelligent with all the time they devote to introspection #now when thomas has to interact with other people. maybe that's a dofferent story

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thefeathercollective · 8 months

Text

we're 99.9% sure that portuguese poet Fernando Pessoa was plural.

okay uh disclaimer. we're not a psychology or literature expert by any means. we rarely even read poetry. we only heard of this guy in high school literature class and the thought stuck with us and then we found plausible evidence lmao. also, as a plural system ourselves, we're clearly biased.

and a considerable amount of this post will be sourced from wikipedia. and this is the first time we've made a post like this. please don't come after us I'm just writing this for fun lmao

huge ramble ahead!

who even was that man

Fernando António Nogueira Pessoa (Portuguese: [fɨɾˈnɐ̃du pɨˈsoɐ]; 13 June 1888 – 30 November 1935) was a Portuguese poet, writer, literary critic, translator, publisher, and philosopher, described as one of the most significant literary figures of the 20th century and one of the greatest poets in the Portuguese language. He also wrote in and translated from English and French.

yeah that's who the man was. but what really sparked our interest in him during class and made us wonder if he was plural were his...

✨heteronyms✨

y'know pseudonyms? when someone writes under a different name than their own for whatever reason? these are similar, but the catch is that the different names have different personalities, supposed appearances, philosophies, all that shit.

the term was coined by Pessoa himself, and his heteronyms were written as if they were real people. they had detailed careers, histories, etc. he had at least 70, although I vaguely remember some other source estimating it at around 100.

"but eva, these could just be OCs or something!",

he had 3 main ones though, being Alberto Caeiro (known for interpreting the world as-is, without greater meaning or anything, like some sorta anti-poet), Álvaro de Campos (a naval engineer who even had multiple phases in his philosophy) and Ricardo Reis (who wrote with a lot of structure and rationality, and was very pessimistic).

I predict someone typing. to that, I begin my endless copy-paste + ramble about all the things that make us think the heteronyms were headmates.

I'll throw in a section of a letter Pessoa wrote to some other poet (bolding the parts I find relevant because I don't love walls of text lmao)

How do I write in the name of these three? Caeiro, through sheer and unexpected inspiration, without knowing or even suspecting that I'm going to write in his name. Ricardo Reis, after an abstract meditation, which suddenly takes concrete shape in an ode. Campos, when I feel a sudden impulse to write and don't know what. (My semi-heteronym Bernardo Soares, who in many ways resembles Álvaro de Campos, always appears when I'm sleepy or drowsy, so that my qualities of inhibition and rational thought are suspended; his prose is an endless reverie. He's a semi-heteronym because his personality, although not my own, doesn't differ from my own but is a mere mutilation of it. He's me without my rationalism and emotions. His prose is the same as mine, except for certain formal restraint that reason imposes on my own writing, and his Portuguese is exactly the same – whereas Caeiro writes bad Portuguese, Campos writes it reasonably well but with mistakes such as "me myself" instead of "I myself", etc.., and Reis writes better than I, but with a purism I find excessive…)

so not only does he describe writing Caeiro completely unexpectedly, he also gives the same sort of opinion about his heteronyms' writings that we've seen (and experienced) plural folks give about their headmates' typing or drawing styles.

hell, "writes better than I but with a purism I find excessive" is exactly my opinion of lynn when he does our assignments lmao

the semi-heteronym surfacing when Pessoa is sleepy could be some sorta dissociative state that lets a headmate come through, be it straight-up fronting or passive influence... but I'm probably forcing it too much here.

uhhh here's something on the heteronym thing from some guy called richard zenish. I bolded some parts again

For each of his 'voices', Pessoa conceived a highly distinctive poetic idiom and technique, a complex biography, a context of literary influence and polemics and, most arrestingly of all, subtle interrelations and reciprocities of awareness. [...] Pessoa was often unsure who was writing when he wrote, and it's curious that the very first item among the more than 25,000 pieces that make up his archives in the National Library of Lisbon bears the heading A. de C. (?) or B. de D. (or something else).

"okay.... they could still be characters though"

the heteronyms were aware of and sometimes interacted between themselves. wikipedia's list of Pessoa's heteronyms even has the man himself as a heteronym and pupil of Alberto Caeiro, although I don't feel like going after the source for that bit.

dear hypothetical person I'm quoting here, you're entitled to your opinion. but how about we take, say... a more DID/OSDD-y approach to things? because there's things that hint that Fernando Pessoa's plurality could be traumagenic and/or disordered too.

When Pessoa was five, his father, Joaquim de Seabra Pessôa, died of tuberculosis and less than seven months later his younger brother Jorge, aged one, also died (2 January 1889).

(written by himself about himself:) Nothing had ever obliged him to do anything. He had spent his childhood alone. He never joined any group. He never pursued a course of study. He never belonged to a crowd. The circumstances of his life were marked by that strange but rather common phenomenon – perhaps, in fact, it's true for all lives – of being tailored to the image and likeness of his instincts, which tended towards inertia and withdrawal.

(written by a schoolfellow:) For one of his age, he thought much and deeply and in a letter to me once complained of "spiritual and material encumbrances of most especial adverseness". He took no part in athletic sports of any kind and I think his spare time was spent on reading. We generally considered that he worked far too much and that he would ruin his health by so doing.

so childhood trauma, check...? at the very least this stuff doesn't sound very good for a child's mental health.

Pessoa's earliest heteronym, at the age of six, was Chevalier de Pas. Other childhood heteronyms included Dr. Pancrácio and David Merrick, followed by Charles Robert Anon, a young Englishman who became Pessoa's alter ego.

"I can remember what I believe was my first heteronym, or rather, my first nonexistent acquaintance — a certain Chevalier de Pas — through whom I wrote letters to myself when I was six years old, and whose not entirely hazy figure still has a claim on the part of my affections that borders on nostalgia. I have a less vivid memory of another figure . . . who was a kind of rival to the Chevalier de Pas. Such things occur to all children ? Undoubtedly — or perhaps. But I lived them so intensely that I live them still; their memory is so strong that I have to remind myself that they weren’t real."

oh I just found some spiritual stuff too

the appearance of the first heteronym was after his family members died so that's one thing... and like, that's not just one childhood heteronym but at least four. and well, to me they sound a bit too vivid for your average imaginary friend.

Pessoa's interest in spiritualism was truly awakened in the second half of 1915, while translating theosophist books. This was further deepened in the end of March 1916, when he suddenly started having experiences where he believed he became a medium, having experimented with automatic writing. [...] Besides automatic writing, Pessoa stated also that he had "astral" or "etherial visions" and was able to see "magnetic auras" similar to radiographic images. [...] Mediumship exerted a strong influence in Pessoa's writings, who felt "sometimes suddenly being owned by something else" or having a "very curious sensation" in the right arm, which was "lifted into the air" without his will. Looking in the mirror, Pessoa saw several times what appeared to be the heteronyms: his "face fading out" and being replaced by the one of "a bearded man", or another one, four men in total.

........

man, this wikipedia article is extensive and full of stuff that supports our silly little theory, huh.

yeah, so he attributed it to spiritual reasons which is fair and valid, but... "owned by something else" all of a sudden? the thing with the right arm sounding a lot like partial possession in tulpamancy? seeing his heteronyms' faces in the mirror?

yeahhhh.

(I'm guessing the magnetic aura thing could be some sorta derealization, contributing to the he-was-a-dissociative-system hypothesis, but that's yet another stretch on my part.)

(plus, spiritual plurality is a thing.)

oh! this thing he wrote sounds a lot like it too.

"This tendency to create around me another world . . . began in me as a young adult, when a witty remark that was completely out of keeping with who I am or think I am would sometimes and for some unknown reason occur to me, and I would immediately, spontaneously say it as if it came from some friend of mine whose name I would invent, along with biographical details, and whose figure — physiognomy, stature, dress and gestures — I would immediately see before me."

let's just do a quick google..

am I biased? yes, very much so. but y'know. you can see I have my reasons.

to see if any people with more qualifications than we have think the same about Fernando Pessoa possibly being plural lmao.

...oh, yes. contrary to what we thought a couple years ago when we had that class about the guy, other people have indeed thought the same. and written about it.

keywords "fernando pessoa mpd" give us:

this paper from 2012 (in portuguese) that... well, I *think* it claims he had mpd but it's very convoluted and abstract about it

this little... forum post? from 2009 that quotes a dead link :v

this one seems kinda cool. it regards Pessoa's positive approach to his heteronym-having as a creative condion called Pessoa Syndrome, and later mentions some Multiple Personality Order (not disorder). don't love some of its wording about mental disorders and madness... it's good to see someone consider healthy multiplicity as a thing that exists, though. it also claims Pessoa became someone with multiple personalities through his heteronymic writing, which is yet another possible origin I hadn't considered before for some fucking reason.

this one cites a dissociative process

this one straight up calls it "subject plurality"!

conclusion ig. I'm pretending to be organized here.

other keywords (like "fernando pessoa dissociative") provide some more results :0 but I've been writing this post for far too long now and would rather not read through more odd wording lmao

it really surprises me that wikipedia doesn't mention the possibility at all from what I've read and ctrl+F'ed. I thought we were being a conspiracy theorist about it but then I found even more stuff to back us up, including other people's analyses. so that's nice.

and I think this kind of thing, of plurals of the past, should be talked about more in the community. it's really interesting to say the least.

...

how does one even end a post like this one.

uhh thanks for reading!!

#eva.headmate #pluralgang #plurality #plural community #plural system

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