• Dress.
Designer/Maker: H. Leitner
Date: ca. 1886
Medium: Machine-woven wool fabric with velvet and lace decoration, steel buckle, machine and hand stitching.
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Girl's Dress
c.1885
United States
The MET (Accession Number: 2009.300.2489a, b
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Veiled Woman
Jean-Baptiste Santerre
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solid perfume necklace in the shape of a mussel from estée lauder, 1974
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FWIW, "mauve" was one of the coal-tar dyes developed in the mid-19th century that made eye-wateringly bright clothing fashionable for a few decades.
It was an eye-popping magenta purple
HOWEVER, like most aniline dyes, it faded badly, to a washed-out blue-grey ...
...which was the color ignorant youngsters in the 1920s associated with “mauve”.
(This dress is labeled "mauve" as it is the color the above becomes after fading).
They colored their vision of the past with washed-out pastels that were NOTHING like the eye-popping electric shades the mid-Victorians loved. This 1926 fashion history book by Paul di Giafferi paints a hugely distorted, I would say dishonest picture of the past.
Ever since then this faded bluish lavender and not the original electric eye-watering hot pink-purple is the color associated with the word “mauve”.
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I was about to be irritated at a shitty "kids' education" website on 1770s clothing but then I learned that there's a staymaker buried at King's Chapel and now I'm just delighted to know the gravesite of a clothing worker from that era and I want to take him flowers
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@lingerie_addict has a really cool thread on ancient fashion over on twitter.
Those source links are here
cambridge.org
Youtube
ucl.ac.uk
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~ Evening Dress and Jacket.
Date: ca. 1965
Designer/Maker: Zara Holt; MAGG (Melbourne)
Medium: Silk, cotton, plastic, synthetic fibres.
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Dress
Gilbert Adrian (Los Angeles, California)
c.1947
LACMA (Accession Number: 56.14.3a-b)
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Dress
c. 1930
Velvet trimmed with silk and lace
Label ‘Norman Hartnell 10, Bruton Street. W.’
Acquired from Helena Bonham Carter
The John Bright Collection
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Wet Veil, c. 1937
Photography: Erwin Blumenfeld
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