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sunshine-theseus · 5 months

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Put Your Head On My Shoulder | Jessie Fleming x Reader

Words: 4k Summary: you and jessie go through many ups and downs but things work out in the end Warnings: angst, fluff, mentions of depression and taking medication for it, covid didn’t happen, pretending the game vs real madrid was at Stamford bridge not in Spain

Jessie Fleming and I met at the 2015 world cup, both freshly 17 and competing in our first big tournament. Despite the fact we didn’t play each other, I found myself stumbling into her on the sidelines of Canada’s game against The Netherlands. Words were exchanged but we didn’t see each other again until the next year.

We knew we were both on athletic scholarships for the Bruins at UCLA and promised to try and meet outside of training to keep in contact without sport. It was surprising however, when my box was knocked out of my hands as I crashed into the young Canadian, both of us trying to enter the same room. She was clearly struggling to see over her own stuff, stumbling over words as her cheeks flush a very familiar red, trying to apologise.

“J, if you say sorry one more time I’m asking for a new roommate. Which I had no idea we were until now.” I crouch to pick up my books and writing equipment that was in my box as Jessie tries to manoeuvre to her decided side of the room.

I give up and rush to help her when she stumbles over her own foot and nearly goes flying.

“Jessie! You’re going to break something before the season even starts Jesus Christ be careful!” my hands gripped her waist tightly to stop her from tilting forward, then I grab the top box so she can actually see. The same red blush covers her cheeks.

“Sorry, my mum just insisted I try to take all my stuff in as little trips as possible, which is proving to be difficult. I’m sorry about your books.” With her stuff firmly on the ground she finally looks as me.

“They put the Australian and the Canadian in the same room knowing we just basically kicked you out of the Olympics?”

“You did not!” the joke was rare coming from her. She was funny and kind but still rather serious and shy, preferring studying statistics and players over team bonding or spending time with people after a game.

I understood that, I felt that, and that’s how we worked. Us against the world. We trusted our team and confided in them, but we’d really only want each other in times of need. Obviously there were people like Sam or Christine, who were like our big sisters for our respective national teams, but Jessie and I were just drawn to each other.

After UCLA came Chelsea. Both of us were about to start our last year of uni when her offer came through, far before mine.

By this point we’d been inseparable for four years, so I worried we’d be split; her making the move to England and me stuck in our dorm. Except it’d be much emptier and lonely, or filled with some stranger’s things.

And it was just like that. Time zones caused issues with keeping in contact. Eventually that became other things. Study, because she still had to finish her course. Team bonding, practice. What would be a call once a day became once a week until it filtered out, and her texts would be answered in seconds while mine sat in wait for whenever she decided she was free.

My offer came in the January transfer window. Emma had been in contact with me for a couple months, clearly trying to convince me, and 6 months ago I wouldn’t have even thought about it. But when I stare at the ‘merry Christmas’ and ‘I got the offer’ messages left unread and think about seeing the girl I thought would never leave me, I take the time offered.

And a week later I find myself sliding into Sam’s spare room groaning into the pillow as she fusses over the Australian snacks I did manage to get through customs.

“What’s got you in a mood chickadee?” I feel the bed dip beside me and her hand rubs my back.

“J.” the older Australian lets out a hum before taking a moment to reply.

“She talks about you all the time. About how much she misses you and everything you got up to at uni. All of which I already know because I hear it every camp.” I can feel the joking eye roll despite not seeing it.

“She talks about me but doesn’t talk to me. That means nothing. And I know she’s busy but so was I. Just because I was captaining a university team instead a stupid professional team doesn’t mean I wasn’t busy or doing something important! And I still kept in contact!” by now I’ve rolled over onto my back and started fiddling with Sam’s tattooed fingers, trying to distract myself from the pit of loneliness and despair that’s been slowly eating my stomach.

I dare not mention to anyone the decline in my mental health or the required psychology sessions Emma was going to provide for me once every few weeks. Everyone knew I was sad and that’s all they needed to know. But once upon a time, Jessie would have known everything, holding my hand tightly the whole way.

“You should sleep, big first day tomorrow. I’ll make you breakfast. Alarm-”

“8:30, I know. Every day, same time. Thank you Sam, really.” She smiles and pats my head before leaving.

To say my first day didn’t go well would be somewhat of an understatement. At exactly 8:30 my alarm went off. At 8:32, the pill bottle rattling at the bottom of my bag was fished out and 1 was being washed down by water. At 8:43, Sam was banging on my door calling for breakfast and I was rushing to make sure the pill bottle was hidden after changing. No one needs to know I’m taking anti-depressants, including Sam.

When we pulled into Cobham, I started to feel sick, and I told Sam just that.

“I’ll catch a train home.”

“It’s just nerves, you’ll be fine.”

“No-”

“You stay until at least lunch time, then we’ll see.” A pointed finger is shoved into my face, but I begin to stroll alongside her anyway.

I do almost book it for the nearest train station as soon as I enter the locker room. Sitting in the cubby next to mine, tying her shoelaces, is Jessie Fleming. During the chaos of the move and my first day, I manage to forget the way our numbers are right beside each other.

“You’ll be okay. You don’t even have to talk to her.” Sam whispers as she makes her way to her own cubby, greeting people on her way through.

So I try. Placing my bag in the nook and beginning to change into my training kit without the Canadian even looking up. It’s when I place down the same styled Tiempo Legend 8s I’ve been wearing since they released, that I can see her head turn from the corner of my eye. I don’t acknowledge it, continuing to slide the boots onto my feet and tie them up. But that doesn’t stop her.

“Oh my god! Hey!” there’s a lightness in her voice that I used to be so familiar with and it makes my heart clench.

I take a moment before deciding replying would be too rude for my liking.

“Hi.” Short and simple, and quite blunt.

“I didn’t know you signed, or that you even got the offe-” forget being nice.

“You would’ve known if you bothered to keep in contact with me.” With that I slide out of my seat beside her and make my way to Sam.

It gets worse when Emma splits us into pairs for dribbling drills, and she slides me toward Jessie.

“Of course.” I sigh but accept my fate as a ball rolls our way.

“What’s wrong?” a phrase that, coming from her mouth, used to have me spilling every small emotion I was feeling.

“Doesn’t matter.”

“Come on Beans, tell me.” The nickname had been created in our first year of university. She learnt I loved green beans and I’m rather tall, so the name fit. But she didn’t feel like the same person who I let make the funny name.

“You don’t get to call me that anymore.”

“What? Because I moved?”

“No! You left for Chelsea and I was happy for you, we had a plan to stay in contact until I followed along to somewhere in England. But you stopped trying. You stopped answering. You left me alone when I needed you the most. I would’ve done anything for you to have the career you deserved but you got it, without me. I just thought I’d still have my best friend when it happened.”

To say that training was tense from then on wasn’t a stretch. Emma never paired us up and any time one of us entered the locker room, everyone else would wait in silence for a burst similar to the one on the pitch. It never came.

It was after my first session with the psychologist that things began to change.

Because the psych was only here for me, Emma was kind to lend her office to us for the 50 minutes while she did other work around the grounds. I assume the girls were grateful to escape the tension for the moment.

“Same time, 2 weeks from now! It’s good you’re making progress!” The rather lovely lady shouts just as I’m closing the door, waving and smiling in thanks.

But as I turn around, I nearly bump into a small figure. A rather familiar one at that. Jessie begins to fall backwards but I grip her waist, holding her in place. It’s a familiar scenario, the feeling of my hands on her waist and her burning red cheeks are something I struggled to ever forget.

“T-thanks” her cheeks burn that same red.

“No worries.” I mumble in reply as I remove my hands, taking a step back.

“Who were you talking to? That didn’t sound like Emma. And what are you making progress on?” the questions don’t come rapidly but I still struggle to process them. Jessie’s smart, she can put two and two together, so I should tell her. But what if she laughs? There was a time where the thought wouldn’t have even crossed my mind, she’s not that type of girl. But things change.

“I- I-” Jessie places a gentle hand on my arm and nods, confirming it’s okay to take my time, but please continue. I sigh.

“She’s a psychologist.”

“A sport psychologist?”

“Well yes and no. I… I’ve been diagnosed with depression, and Emma wants me to have someone professional to talk to.” Her grip tightens but I know it’s in concern.

“When- when did you…”

“A couple months ago. Don’t worry, it wasn’t just because of you, a lot of things happened.”

“But it was partially because of me. I wasn’t there for you when I should’ve been. You’ve always been there for me and I got here and treated you like shit. Discarded you like you were nothing. I’m sorry, I’m so sorry.” tears well up in her whisky brown eyes, but I smile.

“J, if you say sorry one more time, I’m asking for a new roommate for the away match against Man City. Which I did know we are… for once.”

“You can’t just forgive me.”

“I’m not, it’ll take time, but I want my best friend back. Sprout.” Jessie charges forward and wraps her arms around my waist.

“I’d do anything.” Her voice is muffled as her head presses into my chest, but I smile.

~~~~~

Things changed once again a few months after that. The 2020 Olympics had been delayed due to natural disasters, but we still found ourselves milling around the Olympic village together in our very little spare time. I also found myself admiring her for every little thing, every detail. Eventually I had to admit to myself that I’d developed a crush on the girl.

“What’s going on in that busy brain of yours?” Jessie had been by my side every step of the way with my mental health after she found out, and this question wasn’t uncommon, but the answer would be.

“I know this could ruin things, I’m very aware of that, but I have to tell you now otherwise I don’t think I’ll ever have the courage to.” Gaging her reaction was difficult, Jessie was a very stoic person.

“I-, I’ve found myself growing feelings for you. Feelings that surpass best friends, or how I feel when you show up for me. I like you, a lot. And I need you to know that. Standing in the middle of a pathway surrounded by half naked athletes in Olympic Village, I like you.” I look her in the eyes. Those burnt umber eyes, so warm and comforting, that always draw me in.

“I really like you too. Everything about you. I want to care for you and be there when you need me. I want to wake up in your arms and be able to admire every feature as the sun beams down on you like the miracle you are. I would even go as far as saying I desperately want to be your girlfriend.” I barely let Jessie finish what she’s saying before I lean down, a significant way, and kiss her with everything in me.

~~~~~

2 and a half years later and Jessie hasn’t left my side since. Most of our quarrels are just that, silly fights that are solved by the end of the night. We moved in together after 3 months and were rarely been seen apart.

That included tough games.

Real Madrid was our first game of the Champion’s League season, and we knew it was going to be hard. They were physical most importantly, so we had to play to that. We knew that when we were up 2-1 in the 78th minute.

“Jessie Fleming challenges Athenea Del Castillo, barley missing the ball and clipping Athenea on the foot! Oh, and the ref is calling for a penalty. I’m certain first contact was outside the box.” Is what would be heard by anyone watching the match through a screen, but you didn’t need a commentator to know the ref made an unfair call.

The contact was clearly outside the box and yet we’re forced to line up and watch Olga Carmona take the wrongly rewarded shot, me grasping Jessie’s hand in my own as a way to reassure her.

It’s obvious the referees are against us when Niamh makes a shot on goal, the ball sliding in, but it’s claimed offside. Something to do with Sam supposedly messing with the defence, another false claim. There’s nothing we can do when the final whistle blows and we’re tied, all of us dropping to the ground in exhaustion and disappointment.

After shaking hands with the Madrid players and briefly talking with Hayley to catch up and talk about things that happened between our last camp and now, I travel toward Jessie.

My girlfriend stands solemnly with her head in her hands. I managed to pull them away momentarily to see the tears drifting down her cheeks, but she’s pulling her hands away and turning around before I can ask what’s wrong.

“Darl, it’s not you’re fault.” I don’t want to invade her space while she’s upset so I walk around her and simply stand, hoping she’ll reach for me.

“I don’t want to talk about it.”

“Jess-”

“Leave me alone Y/n.” not another word is uttered as she turns toward Fran and Niamh and walks away from me.

I similarly turn to Sam and Erin, with a shocked look, jaw hanging and rejected tears looming on my water line.

“She probably just needs to be alone.” As Erin tries to comfort me, we all turn to look at the subject of the conversation, only to see her being comforted by Fran, Niamh and Ashley, despite her effort to insist she’s fine.

“Maybe I didn’t push hard enough?”

“No you should never push when they clearly need space.” Sam places a reassuring hand on my shoulder

“But why is it only me she needs space from? I’m supposed to be the one she seeks comfort in. That’s what girlfriends do.”

“I don’t know chickadee.”

I expect Jessie to already be back at our apartment by the time Erin drops me off. Our shared car had been taken from the parking lot at the stadium and Jessie had disappeared, so those dots connected themselves. But our designated parking space is empty as I stroll along the bitumen.

There are no familiar white shoes next to the door in the same exact spot she puts them every day, no kit bag hanging on a hook, waiting to be washed tomorrow. No Canadian waiting in our bed, curled up in one of my already oversized shirts or hoodies and shorts, begging me to hold her.

I try not to worry when I call her and she doesn’t pick up. Maybe she went the long way and there was traffic? So I call Niamh to ask her if she knows where Jessie went. She doesn’t have an answer. Then I try Fran, and Zecira, and even Emma.

I ask everyone to try and call her too, Sam offering to take Kristie and search every corner of London, Erin offering the same. It’s midnight by the time I give up trying to contact her, asking Aggie if I could borrow her car tomorrow to look around if she wasn’t back, her living down the road from us. The young forward is insistent on joining me if it comes to it.

When I wake up the next morning and find Jessie curled up against me, in one of my hoodies and shorts, relief washes over me. Her brown curls are messy, her soft pink lips cracked open to allow air into her lungs. The sun trickles in through the curtain and lights up her face, freckles looking like bursts of light against her skin. Her eyes are still puffy from last night and tears have dried upon her cheeks, and I can’t resist the urge to reach up and lightly wipe them away.

As my thumb drags across her tan skin, tracing her face, her eyes flutter open, and I remember how easy it is to get lost in them. So warm and inviting.

“Mornin’ honey.” I press a gentle kiss to her nose, her cheeks, her forehead and her eyelids.

“I’m sorry for last night. I just felt horrible, if only I didn’t make the tackle.”

“I know darl, but that’s what I’m here for. I love you, there’s nothing I wouldn’t do for you yeah? I was bloody worried though.” Jessie nestles her head into the crook of my neck and nods, pressing her own kisses on any skin she could reach.

I wrap my arms around her and pull her up until she’s laying on my chest instead. My cold hands sneak under her hoodie and she jumps from the shock, swatting at my hands beneath the fabric.

“I reckon I make us some tea and brekkie and then we can do whatever you want all day. How’s that sound?” I flip us over so Jessie can go back to sleep for a while, but she clings onto me, pulling me down aggressively by the front of my old Chelsea travel shirt. Her lips press against mine with energy and love and I get caught up in the feeling. A moan slips past someone’s lips, which of us I’m not quite sure, but I slowly pull away, trailing kisses down her neck until I reach her collar bone.

“Let’s save that energy for later yeah?” I swiftly wink as I finally roll off the bed.

I’m making scrambled eggs when I feel Jessie’s arms wrap around my waist. She presses soft kisses across my back as I sway us back and forth to the slow jazz song spewing from the record player.

The next song comes on and I abandon the meal completely, turning off the stove and twisting myself in Jessie’s hold so I can face her. I take one of her hands in mine and rest the other on her waist, her spare landing on my shoulder.

“Put your head on my shoulder; Hold me in your arms, baby” the lyrics continue as we follow along, her head resting against my chest, my chin balanced on top. We dance slowly through the kitchen, the music carrying throughout the house.

As the song finishes, I dip Jessie, leaning over her as her leg kicks out. My gaze flickers between her eyes and her lips and within seconds I’m kissing her again, still in the dip. When I pull her back up, she jumps into my arms and pulls my lips to meet hers for more, the force making me stumble back into the counter behind me.

“I want to slow dance with you around our house when we’re old and can barely kick a ball anymore. Our kids and grandkids playing around while it just feels like the two of us. Because it’s always been the two off us and I never want that to change.” Jessie whispers against my lips. My heart clenches with love as I take her in.

“Will you marry me?” The words escape both our lips almost in complete synchrony. I almost drop her, but my grip on her thighs upholds as I kiss her again, and again, until I can’t kiss her anymore.

“I stole this video from Y/n’s phone not long after Jessie and her broke the news of their engagement. Y/n had texted me that morning saying she wanted ideas for a ‘day in the life of a woman in love’ video she planned on making that very day, and I knew that she would have forgotten all about the phone while she and the love of her life shared a special memory together.” Sam takes a pause to look at Jessie and I, sitting side by side at the front of the room.

“What isn’t shown in the video, is the ring that was sitting in the pocket of Yn’s shorts, waiting to be place on the only hand it was made for. The ring went with her everywhere for at least a month before this cute dance proposal. Every day in training, Y/n would tell me a new plan she had come up with to ask Jessie to marry her, and I always told her ‘you should do it when the moment feels right. Don’t force it.’, as I clearly had experience with this sort of thing… And she told me that was a bunch of absolute bullshit.” Our friends and family laugh while my wife’s face drops in shock, her elbow lightly nudging my side. I let out a snicker and kiss her cheek, wiping off the lipstick residue that is left behind.

“Well it turns out I was right. As always. And I’m honoured to be standing here as a best woman in front of two of my best friends, the most amazing young players out there, two people who were made for each other; sculpted by the stars and the earth, to be in each other’s lives, celebrating that love. You’ve both overcome a lot, personally and as a couple, you deserve this love.” A tear escapes my eye as I stand to hug Sam.

“Now can the two nerds please make their way to the dance floor for their first dance?” I take Jessie’s hand in mine and pull her along.

Her suit coat is left on the back of my chair and her waistcoat is unbuttoned and she looks fucking good. Her hair rests on her shoulders and her slack pants fit perfectly around her thighs. Jessie holds part of my dress train, so we don’t trip as we hold each other in similar fashion to the day that led to this, the same song playing on the large speakers in each corner of the room.

“Put your head on my shoulder Whisper in my ear, baby Words I want to hear, tell me Tell me that you love me too”.

Jessie stands on her tippy toes, my heels not helping our height difference.

“I love you.”

“I love you too.”

#woso x reader #woso #womens soccer #wsl #woso fanfics #canada wnt #jessie fleming #jessie fleming x reader #chelsea fcw #chelsea women

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ilovefoodwithallmylife · 2 years

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Transformers Bayverse Autobots x Human reader (Crush and Confession Headcanons Part 2)

"How would they react to themselves crushing on a human? And how would they confess?"

Characters: Bayverse Bumblebee, Sideswipe, Hound, Hot rod, Crosshairs.

A/N: I made a part 2 since I promised it💞, I'm so sorry that this took so long for me to do, my motivation was aft and I had a lot of schoolwork to do😭🤧.

And an anonymous person said that they would love to see more Bee x Reader content. I don't find their ideal bad, so I went along with it, and to the Anon who says that they want more Bee Content. Hope this won't disappoint I didn't know what continuity you wanted, so I went with Bayverse when Bumblebee didn't get back his voice yet, hope you'll understand, and as I said in my other Bay Autobots x Human Reader post, they might seem OOC because I haven't watched the movies for a long time. GIFs do not belong to me credits go to the original creators. (Some of them were found on Google)

This is the first part of this post if you are interested read:

Warnings: I suppose Potential Movie Spoilers from 1-5, Cursing, Mention of Violence/Fighting but nothing too detailed or Gorey, Death, and, Getting in Trouble, Some parts for others may look short-, Teasing/Flirting, Jealousy, Kissing, Miscommunication or Awkward Situations (On Hot Rod's Part), Injuries, Crack, Fluff, and, Angst.

Bumblebee;

•When the young scout finds himself gaining a crush on you, he's in denial, but at the same time, he feels willing to ask you out.

•But he'll mostly lean on the part where he refuses to acknowledge his feelings for you.

•The reason why is that, being betrayed and hunted down by humans, and having other disturbing events he doesn't want to remember, gave him slight trust issues.

•You might take might advantage of his status, You won't feel the same way, You might not want to hang out with him anymore, You might hurt him or worse, betray him and leave him to have experimented on by humans who hunt them down...

•But at the same time, Bumblebee feels willing to tell you, his crush on you. He wants to ask Optimus for advice but he knows that he's strict and will forbid it.

•And Primus, Bee doesn't want to receive Prime's disappointed look at him, it would feel horrible. He respected Optimus for years and he has done the same thing.

•However, keeping his feelings to himself won't help. You need to know how he feels, besides if Bee hides his crush well, it won't be a good thing to experience if he ever decides to pretend that he doesn't like you.

•Since he doesn't have his voice with him, Bumblebee would use sweet lovesongs to tell you how he feels. Are you surprised by this? Well, not really, you've seen how a bit obvious his intentions are of courting you.

•Eitherways you're happy with him, and you accept his confession. Making the young bot very happy. If he was in his Mass Displacement or Holoform, he'd carry you and do a little spin out of joy.

•While still being careful to not hurt you. Spending time together is just having fun. For example, if a favorite song of both of yours plays, you both dance cheerfully. And if he's using Holoform or Mass Displacement he'd hold you, he'd say how much he loves you and swears to protect you with all his life. <3

Sideswipe;

•To be honest, he's a flirt or a tease, he's a bit of a player just for fun, but with no intentions to hurt someone However, when he gains feelings for someone and their genuine? Sideswipe gets flustered.

•He just gives me those vibes where the cocky character says they'd make their love interest fall for them first, but instead they're the ones who fall for their love interest first-

•Sideswipe still haves his cocky attitude with him, but really when he's with you, it slightly becomes clear how he likes you-

•This mech had so many attempts to ask you out, but it just ends up with him being too shy and flustered to tell you. One time, he got very angry with himself that he tried to demolish the wall-🤦‍♀️

•And you know that it didn't end well for him...Sideswipe dented his pede pretty badly which caused him to have an injury where he couldn't walk properly. He also came up with some scrappy excuse to Ratchet for his actions, but the medic just sighed, already knowing what was going on.

•But, let's just say after some time he finally has the courage to ask you out. While he admits his feelings for you, the bot had a bit of Energon-blush on his faceplates, and he slightly stutters his words.

•Are you shocked? Just like Bumblebee, you're not very surprised. After seeing his attempts to try to tell you his feelings, it looked quite clear of Sideswipe's intentions.

•When you accept his confession, he's more than surprised, he wasn't expecting you to look back, but is very glad that you didn't reject him! Sideswipe would feel embarrassed if you did decline his offer.

•On how you spend time together, is sometimes getting into silly shenanigans. You guys would get into trouble together, something like badly cropped photos of Lennox around the base, and it's almost everywhere-

•Of course, you both are going to be scolded for pranking around the area, you two are in trouble together. But hey, it's better to be with someone you love when you do silly things. <3 (Hopefully Lennox doesn't get too upset from seeing unflattering pictures of him :/)

Hound:

•Um, now this is unexpected to find out...Hound won't be all shy and flustered or be in so much denial of his emotions for you. He'd just be a bit taken back of himself when he finds out about his crush on you.

•He'd still be the same mech around you though, you don't see him being nervous or flustered when he talks to you. But, he does feel a warm feeling in his spark when you laugh at his jokes.

•Hound is not one for adoring or complimenting one's looks, but seeing you smile or being happy makes him feel secure that you're safe from harm and danger. Also, he's always the first one to save you from getting hurt when he fights his enemies.

•One day, Izabella noticed how protective he is over you. So when she gets the chance to talk to him, she asks Hound.

•"Hey Hound!" She calls out to him, the Green mech then looks at the young girl and says "Oh hey kid, anything ya need?" Hound talks "No not really, but I do have a question!" Izabella answers "Then, go ahead I guess." "Alright, so do you have a crush on (Name)?"

•When Izabella asks him that question, his optics slightly widen. He'd look away for a while then he'd grumble in reply, "Well, maybe." Izabella just then happily encourages him to tell his feelings for you, after hearing Hound's statement.

•As time passes, Hound tells you his confession. He admits he's not the best sparkmate out there for you but is willing to be with you. Are you taken back by this? Hell yeah, you are-

•He was able to keep his composure with you, and now he tells you that he wants to ask you out. You're more than stunned- And when you accept his offer, he'd just let out a small chuckle of relief and would just gently carry you on his servo to hold you, with your permission.

•I'd say how you two spend time together is maybe training to defend yourself or teaching you how to use some weapons or how to create them. On the other hand, you'd just talk to each other.

•While he'd just pulling a few jokes randomly- But you're still happy to chat together, being in company together already makes you both grateful. <3

Hot Rod;

•Oh, now he is a flustered mess. As much as he tries to be a suave smooth-talking gentlemech, he miserably fails in doing so.

•When he realizes that he gained romantic feelings for you, his playful personality somehow falters. In summary, he becomes such a dork.

•I know that he makes up good pick-up lines to try and woo you, but they end up seeming awkward and strange, and his words would be fumbled in the end.

•Poor Hot Rod is not getting help from anyone. Cogman has a good day, he will just watch things and how they'll play out, he sees this as prime entertainment for himself. Sir Burton is no better, he also sees this as amusement at what's happening to Hot Rod, he'd even hold back and hide his giggles when he sees him try to impress you, but ends up failing.

•Hot Rod starts to act a little out of character, he seems almost shy to even talk to you. And when you ask a simple "Are you ok?" Or "Is everything alright?"

•Ha, he's a bit flustered about how you're concerned for him, he'll even answer nervously, which is only going to make things more complicated for the both of you.

•Once he gets the opportunity to tell you his feelings, he'll try to be all relaxed and be a gentlemech. But when he confesses, his words end up being stuttered.

•You weren't very stunned to find that out, seeing him act all, nervous and how he tries to get with you, made things clear.

•He feels relieved after you accept his confession, he was all pent-up and stressed with his feelings, so it was hard for him to tell you, but thank Primus it's already done.

•You and Hot Rod would spend time together on fancy dates. When he uses his holoform or Mass Displacement, he'll act like a gentleman. He'd be the type to be the one who'd open the door and treat you like a princess, just for you. Or just have a peaceful picnic date, he'd even get you your favorite flowers as a gift. <3

Crosshairs;

•Oh my goodness, we have another tsundere- He's in great denial. He'd hide his feelings with his normal cocky act especially when he's with you.

•He pretends to not care about you. But Primus he really does. Crosshairs would even be jealous if you're being a bit too close with another mech beside him. Yep, he's this jealous.

•Since he pretends to not care, he'd just scoff and would be "Whatever." but deep inside he feels jealousy. Especially if you're with Bumblebee or Drift.

•Crosshairs would be the type to show off his skills towards you to get your attention on him while being a flirt.

•He's not a fan of humans, and won't be the best guardian for a human if he was assigned to protect one. However, when it comes to you, he's so protective. It even looks like he has special treatment only for you- Which kinda causes Cade to be annoyed since we saw how he acts on TF4-.

•But again, since he's not accepting the fact that he loves you. The other Autobots would have to be the ones to confess their feelings for you. Another way how he'll confess his crush on you himself is when you face a situation where you almost die.

•And at that moment he'd tell you right there how he likes no, loves you. He then promises to be stronger to protect you. Despite his teasing nature, he can be sweet.

•You're very astounded by his confession and how at times he can be, thoughtful. But you feel contented with his confession and you accept. It caused Crosshairs to be shocked but he'd hide it by with flirting you and being a teasing mech. But really, he feels good that you like him as well.

•When you both have free time together, Crosshairs would drive you around while he lets you play your favorite music. Or you two would annoy Drift- It's a thing you've both done since you were friends.

•He doesn't admit but, he loves it when you guys cuddle. Though, he'd be so clingy and would give you lots of kisses. And no he does not give a single scrap if he has to do something, this mech not leaving you. What an afthole, but he's yours. <3

@t-annuki @justabigass-simp @blackgirlfandomwriter

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quixoticall · 3 months

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This Could Get Ugly Track 5: The Beginning of the End

Summary: It's 1983 and The Downsides need another lead singer and you just happen to need a band--it's a perfect match. The only issue? You have to pretend to be in a relationship with your bandmate, Steve Harrington, but you can't help but be drawn to the band's broody guitar player.

pairing: s.h. x fem!reader, e.m. x fem!reader, j.b. x n.w.,

warnings: ANGST, drinking, drug use, smut, oral and fingering f receiving, p in v sex, the Harringtons make an appearance.

a/n: It has been a while my loves! If you've been following me at all, you know I've had a rough month. I really, truly appreciate every single one of you who has reached out and checked in! I appreciate you! This chapter is extra long to make up for lost time and it contains smut. It's my first time writing smut, so hopefully, I did not disappoint.

wc: 11.2K

MASTERLIST🎸

PLAY PREVIOUS TRACK 🎵

APRIL 28th, 1984 PHILADELPHIA , PA—THE UPSIDE DOWN TOUR

If you wanted to be technical about it, the whole thing started with Argyle.

The two of you were backstage, sitting outside the dressing rooms killing time during the opener—some local band that you weren’t previously familiar with.

You had always appreciated Argyle’s ability to be friendly with everyone and float above the tensions, that was the case especially now when things with the others seemed to have fallen apart a little.

You were sitting next to each other on the floor, backs against the wall, as you were running him through some of the songs that had made the preliminary list for the next album and asking for his input while he threw a bouncy ball against the opposite wall. You liked working with Argyle, he was out of the box, creative, and one of the most technically skilled band members. You had been sitting with him for only 30 minutes and he had already made one of your songs infinitely better.

“What’s the move tonight, dude?” he asks you, nonchalantly as you scribbled down some of his suggested changes.

You shrug in response, “I dunno, I might just go home and sleep after this, maybe work on the arrangements for this—” You wave your beat-up notebook in the air, and he scoffs.

“You like never come out with us anymore,” he exclaims, “I miss when we all used to party together, dude. Now you are all dropping like flies and it’s not as fun anymore!”

It was your turn to scoff at him, “Please, I was never the life of the party, Argyle, c’mon.”

“Are you kidding, dude? People would always show up in droves to see you. Plus, you’re like totally fun. Remember when you and Steve did karaoke in Austin and you both got on the bar? That was totally cool.”

You chuckle at the memory and concede, “Yeah, that was pretty fun, but you still have everyone else!”

“Well, you took my dude Eddie too,” he points out without malice.

“What do you mean?”

“He hasn’t come out since St. Louis—keeps saying he’s gonna stay in just in case you want to write with him.”

Of course, this is news to you. You hadn’t taken up Eddie’s offer to write together since he had spurned you in Missouri (and since he starred in a very vivid dream of yours). It wasn’t that you didn’t accept his apology (presented in the form of a ridiculously large flower bouquet) it was that thing would have been far too awkward at this point.

It wasn’t that you had a crush on him necessarily, you were pretty sure that mantle was still taken up by Steve to some extent, it was more that there was an undeniable sexual something between the two of you below the surface that your dreams had made obvious and you didn’t trust yourself to be alone in a room with him without wanting to rip his clothes off.

Obviously, giving in to your desires was a bad idea for a multitude of reasons but chiefly, because:

a. It would wreak havoc on the band.

b. You were certain Eddie wouldn’t reciprocate your advances.

But then… you had heard what Argyle had said.

“Wait, are you saying Eddie has been hanging out after shows just on the off chance that I may call him?” You confirm incredulously.

Argyle nods in response, “Yeah. Did you put a spell on him or something?”

“No,” you respond wryly, “I’m not that type of witch, I’m the bad kind of witch.”

“Well, you definitely did something to the dude, he’s been obsessing over whether or not you hate him and keeps trying to get me to ask.”

This takes you aback completely. Eddie caring so much what you thought of him that he’d be willing to ask Argyle, of all people to discreetly scope that out seems improbable so you continue to probe.

“What do you mean by that?”

“Well, he obviously thinks you’re pretty and he’s just been waiting around for you to call him up, and he cares a lot about what you think of him, which is weird because last time I checked he kinda hated you—no offense.”

“How do you know all this?” You ask, ignoring the offense.

“He told me, duh.”

“Have you told anyone else this?”

“No one else has asked,” Argyle says plaintively.

“Well, how about we keep all of this between the three of us, then?” You propose.

Before the drummer can confirm, the thundering applause signaling that the opening act had wrapped up cut the conversation off.

Neither of you has the chance to continue the discussion before being rushed onto stage by a harried and high-strung stage manager.

Without knowing, Argyle had invertedly changed the course of everything.

***

EDDIE: We were in Philly. It was a great show—probably one of the best of that tour. The audience was feeling us the opener was sick and we were just gelling for what felt like probably the first time. It was like we were all finally on the same wavelength if that makes sense. No more guessing what the next move was or fighting to keep up. It was like we were finally learning to trust each other.

***

The Philly show was electric, all the elements had come together perfectly. You and Steve were particularly reveling in it. You spent most of the night singing into the same microphone, lips inches from one another, your hand grasping the back of his neck, fingers carding through his hair, and eye contact unbreaking. At one point, you were certain by the way he had captured your bottom lip under the meat of his thumb, that he was going to lean in and kiss you on the mouth, a barrier that the two of you had managed to maintain this whole time.

The audience must have had a similar thought by the sounds of their cheers—a sound that seemed to have shaken both you and Steve from whatever spell you had been under because the next thing you know the pressure of his thumb was gone and his eyes were turned away from you and towards the crowd.

The rest of the show was spent similarly—the two of you toeing the line and the audience following your every move. It was easy to get addicted both to the applause and the intimacy.

After the encores were sung and the last bows were taken, though, Steve was back to barely being able to look at you.

The only time his gaze does flit to you, ever-briefly, is when you politely decline Argyle’s invitation to go out after the show.

“Come on dude, you said you would come if I looked at your song,” the drummer gives a half-hearted attempt at bargaining which only makes you giggle.

“I never said that Argyle,” and truly you hadn’t, “I said that I couldn’t go out because I had to make those changes you suggested.”

In response, Argyle begins to boo you, loudly and the others join in eagerly.

You roll your eyes playfully and bid goodbye to Argyle and the rest of the band when you part ways for the night and you notice that other than yourself, Eddie is the only one missing from the boisterous group but you try not to think too much on it.

Your efforts to push all thoughts of Eddie out of your mind seemed to have the opposite effect and it was like the thoughts themselves were digging their heels in and had found your mind to be a welcoming home.

You had made the song changes you had told Argyle you would and even tried to make some progress on your plethora of unfinished songs. As it turned out, you worked slower when you wrote alone.

You knew that as the remaining tour dates dwindled and the band’s return to LA drew closer, you eventually would have to approach Eddie again to write together. It was indisputable that whatever the two of you produced together was almost always better than what you accomplished alone.

How could you possibly approach him when you could barely look at him without dying of mortification? With Steve, at least, you could get some of the sexual energy out on stage, but with Eddie you didn’t have the same luxury and it stayed bottled up.

All of this, along with Argyle’s words from earlier in the evening made focusing nearly impossible and you gave up on writing all together, deciding to call it a night and head to bed. To your chagrin, the better part of the night was spent tossing and turning trying to evict the thoughts and ideas that had begun to formulate in your mind fueled by a lack of sleep, stress and desperation. And suddenly, you had an idea.

Admittedly, it was not a very good idea. It was actually probably a very bad idea. A ruinous idea even. And yet, you found yourself pulling the covers off yourself and stumbling into a pair of slippers, perplexed by your actions. You wondered, as you blearily shuffled down the identical hotel halls why you weren’t trying to talk yourself out of this idea—one that you were certain was going to change everything. Perhaps you were itching for a new thrill. Or maybe you were as selfish as everyone seemed to believe. Maybe it was the poison that had settled in your heart before you were old enough to know better, insisting that there was no other option for you. Or maybe you were giving yourself far too much credit and you were simply horny.

Whatever the reason, it brought you directly to Eddie Munson’s door.

***

EDDIE: I swear I thought I was dreaming when I saw her there, standing outside my door in this tiny pajama top and even tinier short. They had little cherries on them. I remember thinking they were so cute. Her hair was all a mess. I thought that was cute too.

After probably 5 minutes of us standing there in the doorway, I finally got my brain to work enough to invite her in. She seemed nervous at first. Sort of paced around the room, not saying anything for a while and then—I swear to God—she asks, “Do you want to sleep with me?” out of fucking nowhere. If I hadn’t been there myself, I would’ve never believed it. Hell, even telling you now, part of me thinks I made it up.

My brain short-circuited because I couldn’t even respond. I just stared at her with my jaw on the fucking floor, trying to remember what the signs of a stroke were.

***

“Are you serious?” Eddie spits out, voice hoarse with shock at your overly-direct question.

You nod, wordlessly, trying to ignore the panic that has begun to set in.

“Why?” he presses.

You shrug, which he doesn’t find sufficient because he nods along, trying to draw the reasons from you.

“We both like sex,” you explain, clumsily, “and I find you attractive and I think you find me attractive, too—” he nods feverishly at this—“so why not have some fun?”

You try to say this last part enticingly but aren’t sure you pulled it off until you see a flush play itself across his pretty features.

“Why me? Why not Harrington?”

Even though you had anticipated the question, you can’t help but steel yourself as you respond, “Because we like each other enough for it to be fun but not enough for either of us to get attached.”

You watched, with bated breath as the thoughts played out over Eddie’s features and when you see a flash of what could be hurt you entertain for the briefest moment, the idea that maybe someone could get hurt but the thought is pushed away as a lazy grin begins to spread over his face and a newfound cockiness color his features.

Suddenly, he is much closer, and the space between your two bodies draws thin.

“Now?” he asks.

“Yes, now,” you squeak out as he encroaches in on you, fingertips grazing the bare skin on your hips.

You take a step towards him, moving to stand flush against his hip, invitingly and weave a hand through his unruly bed head curls. You want him to know how much you want this—how much you’ve wanted this. It was inevitable really, there had always been a tension between the two of you. Whether it was the hot friction of dislike , the bold spark of creative partnership or the hot embers of sexual tension, the two of you burned for one another just the same.

He leans in for a kiss when your impatience gets the best of you and you rush to meet him halfway.

He tastes like cigarettes and cherries, a taste you revel in as his lips move languidly over yours. Suddenly, he takes your bottom lip between his teeth and lightly tugs, and a moan tumbles out of you.

“We can’t tell anyone,” you mutter into the kiss and it goes unacknowledged.

The cold of his rings meets your nipples through the thin fabric of your strappy pajama top and your body arches in response.

The kiss is broken you are left gasping for air. Eddie wastes no time in attaching his lips to your neck, his tongue tracing over your collarbone hotly.

The straps of your top are shucked of your shoulders and the fabric bunched down towards your middle and a trail of kisses following in its wake.

Your knees hit the edge of the bed, and the hands in your waist guide you down in a fluid motion.

Your eyes flutter as wet kisses are peppered over your breasts.

“Come on princess, let me hear those pretty noises,” Eddie murmurs into your skin, his hot breath covering you in goosebumps.

A heady moan escapes you, almost on command. It would’ve embarrassed you if you still had the decency to care.

A trail of kisses and suddenly Eddie is thumbing at the waistband of your shorts. You nod fervently when his eyes suddenly trail up to find you, but that’s not enough for him.

“Come on, baby,” he teases, “tell me what you want.”

You throw your head back in frustration and want and Eddie takes this lapse in response to run his hand sloppily over your clothed core.

“So wet,” he murmured, “so pretty.”

You let out a desperate laugh at this and his eyes are back on you, expectantly and any resistant you have dissipates.

“Touch me, please,” you sigh, half plea, half demand.

It’s not a hard sell because your shorts and underwear are gone in a flash and cold rings are pulling your thighs wide open.

You reach out towards Eddie’s curls for purchase, gently tugging him closer to your core, hoping he’d get the message.

A moment of clarity cuts through your haze and suddenly you’re pulling him up by his hair, forcing eye contact.

“No one can know,” you insists.

He’s all half-lidded eyes and dazed smile when he’s looking at you.

Leaning in to grab his jaw in your palm, you pull him close. This is important.

“Eddie, no one can know. Promise me,” you repeat again.

He nods in agreement, even though his expression leads you to believe you could’ve asked anything in that moment and he would’ve readily acquiesced.

“No one can know,” he affirms before hitching your body closer with a harsh tug on your thighs and disappearing in between your legs, mouth latching hotly to where you need him the most.

***

EDDIE: We started sleeping together that night. A no strings attached type thing. We had to keep it a secret. She didn’t want to hurt Harrington’s feelings which I understood. He was a good guy and anyone could tell he was head over heels for her.

And she was just… well, I guess she was just afraid. We were kind of the same in that way. Couldn’t hold onto anything without crushing it into dust.

***

MAY 1st, 1984–STATEN ISLAND, NY—THE UPSIDE DOWN TOUR

Eddie’s hands are curled around your thighs, keeping your body balanced on the flimsy tour bus bathroom sink. His silver rings dig into the soft flesh of your thigh in a way that you are certain will leave bruises in their wake.

You have to be quiet, you know that. Even if the rest of the band had taken a quick pit stop between Philly and New York to explore the Staten Island Zoo and the likelihood of them coming back this early was low, it wasn’t non-existent . This left you stifling your own moans into the back of your hand as Eddie rocked into you languidly and delicious.

Your hand moved to steady itself behind you as he lets go of your left thigh and places the pad of his thumb on the soft flesh of your clit, causing you to forget nearly everything.

He seems to anticipate your next move though, because his mouth is quickly on yours, tongue gliding over your bottom lip and effectively keeping you quiet.

The angle of his hips meeting your core and his nimble fingers worked together to bring you closer to your release.

“I can feel it, baby, you’re close aren’t you?”

You nod feverishly, eyes screwed shut, “Yes, so good Eds. I’m gonna cum,” you manage to squeak out.

“C’mon pretty girl, look at me,” Eddie instructs firmly, but you can tell by the strain in his voice that he’s not too far behind, “wanna see you when you cum.”

You force your eyes open and he rewards you by pressing his unoccupied thumb into your bottom lip which you greedily take into your mouth.

Your release washes over you in a wave and you watch moments later as Eddie finds his own.

The two of you are left panting for a few moments as you try to steady yourselves. Once you find your bearings, you lower yourself from the sink and adjust the sundress that was so carelessly shucked to your hips and Eddie busies himself with disposing of the condom discreetly.

Turning to the bathroom mirror, you make an attempt at taming your haphazard hair and fixing your smudged lipstick before making a move for the door.

“Well, that was nice,” you offer before spilling into the tour bus’s common space.

“Wait,” Eddie cries out as he’s still adjusting his belt, “where are you going?”

You shrug nonchalantly in response but don’t turn around, “Back to the girls’ bus.”

“You don’t want to… you don’t want to stick around maybe? We could do some writing?” Eddie sounds out of breath when he asks but you chalk it up to the sex.

“Better not. It might look suspicious,” you explain as you take the stops down from the bus, two at a time.

“Right, wouldn’t want that,” Eddie squeaks out and you smile back at him, grateful for his understanding.

“See you later, Eds.”

Eddie doesn’t say anything back, but when you look back after having boarded your own bus, he’s still standing on the bottom step, eyes still on you.

***

EDDIE: Let’s get the record straight about something though, I didn’t steal her away from anyone. She is her own person first of all, not some thing to be stolen. And second of all, she came to me first. Not the other way around. And! She and Harrington weren’t even really seeing each other. So, other than the lying, it truthfully wasn’t that bad.

But then again, does the truth even matter? Especially now? After everything?

INTERVIEWER: It does to me and to you too, I think, otherwise you wouldn’t be here.

EDDIE: Has anyone ever told you you’re too smart for your own good?

***

MAY 3rd, 1984–NEW YORK CITY, NY—THE UPSIDE DOWN TOUR

It was easy, really, to keep your fling with Eddie a secret from the rest of the band. Most of them were barely paying attention to what you were doing anyway.

Nancy and Jonathan were once again preoccupied with waiting by the phone to hear from Jonathan’s mother, Joyce. Will’s condition had once again worsen and the two were on high alert.

Robin and Steve were busy sightseeing and pointedly only talking to you when necessary. They weren’t hostile, per se, (or at least, Steve wasn’t) but they also made a point to not invite you to their outing. You want to tell them to be wary of the paps since the city is crawling with them in a matter akin to cockroaches but you know better than to try to tell Robin what to do.

Argyle, for his part, is in his own world.

The two of you were essentially in the clear barring rehearsals, shows and any stray public appearance. Still, you couldn’t help but want to take precautions.

***

EDDIE: She would never sleep over. You know, after. She was too worried about what would happen if Steve or anyone else went looking for her.

It shouldn’t have bothered me as much as it did, she—we had made it very clear that this was a purely physical thing but, well, between you and me kid, I always knew it was never gonna be like that. At least not for me. I was in deep for way longer than I had realized.

***

Long, skilled fingers trace patterns along your naked spine. The movements are comforting, calming, you almost find yourself lulled to sleep. Except you know you shouldn’t—that you can’t.

Your eyes flutter open as you fight against the sleep that sets in. This isn’t your bed, you remind yourself, and you feel that in the brush of the sheets against your naked body that definitively do not feel like the sheets of your bed merely a few doors down. It’s a silly thought, truly, these sheets are probably the exact same as the ones on your bed and more so, you haven’t slept in your bed, a bed that is truly, strictly your own in years . Still, this does not feel quite right.

You will your body to stir, working actively against every nerve that is telling you not to move from the warm, comfortable haven you had found and the warm body next to you but you know better. This is a dance you’re familiar with: they ask you to stay but don’t really mean it and if they do it’s only to squeeze another quick fuck in.

“Why don’t you stay?” Eddie grumbles into your shoulder even though both of you already know the answer.

“What if someone comes looking for me, huh?” A question for a question, “it’ll be hard to explain to Hopper why I’m naked in your bed.”

“Bullshit. You’re one of the only ones Hopper doesn’t have to keep tabs on,” Eddie’s only partially playful in saying this.

“I miss my bed,” you rebut, plainly and the guitarist pouts in response.

“This is like the same bed, dude.”

“ ‘Dude’? You’ve been hanging out with Argyle way too much.”

“Whatever,” Eddie dismisses as his hand travels down along your spine to circle around the rise of your hip to the front of your body to pull you closer against his chest and you squeal.

His skilled fingers travel down to the apex of your legs and two of them swipe through your still-wet heat making you jolt. You’re still sensitive from earlier in the night and Eddie is using that to his advantage as he swipes over your clit.

You moan at the contact and your hips canter forward embarrassingly quickly.

“Don’t want to leave now, do you?” Eddie teases as he moves away from your clit to tease your entrance and you mewl in response. Before you know it a pair of lips are attached to your neck and two fingers are slowly, deliciously rocking in and out of your core. A hand moves up to grip Eddie by the hair as you moan.

“Just like that, please keep going.”

You feel Eddie’s length begin to harden against your back as his pace quickens and his thumb circles your clit bringing you closer to your third orgasm of the night.

“No fair,” you pant, as you feel a tightening in your lower stomach. “You can’t keep me around by giving me orgasms.”

He laughs at this, full-blown guffaws. “There’s no rule against it,” he says as his tongue slides over the shell of your ear. His fingers curl inside you and you gasp at the sudden pressure before succumbing to the feeling. Your release washes over you, unexpectedly and you cry out.

A few seconds reprieve give you a moment to come back to earth. You sigh contently feeling Eddie’s harden length against the swell of you ass.

It would be impolite to leave him hanging.

***

EDDIE: Not that I could complain about our arrangement.

***

You had fallen asleep. Accidentally, of course, but erroneously still. You realize this far too late as the harsh red numbers of the hotel room alarm clock blare at you angrily: 11:52 AM.

You scramble out of bed, covers flung in the process and you make a grab for your clothes that litter the floor. The sudden, frantic movement had inadvertently awoken the man sleeping next to you and you could hear the sleep in his voice as he tried to grasp the situation.

“Woah, woah where’s the fire, princess?”

“It’s nearly noon!” you respond, panic clear in your voice. “I accidentally fell asleep and now it’s almost noon!”

Your mind is overcome with worst case scenarios and conclusions that are easily jumped to as you imagine how this late morning can turn into your downfall.

Eddie tries valiantly to calm you down to no avail. You had done the one thing you said you never would: you stayed the night and now you didn’t know what to do with that other than panic and rush out the door half dressed and fully angered with yourself throwing a paltry goodbye to a very disoriented Eddie over your shoulder as you did so.

You try to fix your hair in the elevator along with your harried breath. Most of the band wake up late into the day, you try to remind yourself, especially after a night out.

It was not unusual to be walking the halls of your hotel room at this time, but you still felt overwhelmingly nervous walking back to your room in a way that you felt obviously gave away that you were coming back from a night of raunchy sex.

Your heart dropped to your stomach as the elevator doors slid open to reveal Steve Harrington waiting outside your door. This is what you were afraid of. Certainly one look at you and he’d know exactly what you were doing and probably with who and that would spell the end of the Downsides, you were sure of it.

You didn’t say anything as you exited the elevator and slowly made your way over, hoping to prolong the moment before everything came crumbling down as much as you could.

A few steps in and you had caught Steve’s attention. When he looked at you though, it wasn’t with anger or disappointment but with nerves.

***

STEVE: My parents moved around a lot after I left home. Indianapolis, Chicago, Phoenix in the winter and Bridgeport in the summer, you know, regular rich folks shit.

It’s not like I could ever go back home but when they heard the band was planning on making the stop they wanted me to visit them and they wanted me to bring my girlfriend to meet them. I hadn’t wanted to ask then, things were kind of awkward between the two of us, but they kept insisting. It’s like they didn’t believe I could’ve bagged a girl like her and they were willing to call me on it. So, I had no other choice but to ask.

***

You understood where Steve was coming from, truly, your own parents were rich and demanding. Plus, something about seeing your fake boyfriend waiting at your door after a night sleeping with someone else really made you susceptible to his request.

And really, there wasn’t a universe where you would say no to a request from Steve Harrington, so of course you were going to meet his parents.

***

MAY 6th, 1984–NEW YORK CITY, NY—30 ROCKEFELLER PLAZA

“So I heard you’re meeting the in-laws,” Eddie plops down in the makeup seat next to you

You’re backstage at The Nightly Show with Chris Palmer, getting ready for one of the few media appearances Hopper had managed to schedule during the band’s short stint in the city.

You can tell by the pinching between Eddie’s eyes and the snarl in his tone that he’s not in a good mood. You chock up his demeanor to the same thing that has dampened yours: the upcoming interview.

The lack of media appearances had been a welcomed change during the band’s time on the road and the adjustment back to them have been rocky. You, for one, are on edge at the idea of having to sit down with the smarmy, sexist, Chris Palmer who, on his late night show, had already taken a few swings at you for laughs and the thought of him having the chance to do so to your face, made you sick.

Which was why you barely responded to Eddie’s attempt t goading you and instead, shrug in response, tightly, “I guess.”

His eyes flit over you and his demeanor shift to one approximating concern. “Hey, you doing okay?” He moves closer, but not enough for it to be noticeable to anyone but you.

“Yeah,” you try to smile but it comes out a grimace, “just out of practice I guess.”

“Well, if it’s any consolation, I have an extra copy of Baldwin that I brought on accident if you want a distraction,” the book flashes in your periphery and this time your smile comes out genuine and unprompted.

While you can’t be one hundred percent certain, you’re familiar enough with the guitarist’s ways to know that this was no accident—he brought the book with you in mind.

You make a grab for it but have to keep yourself from leaning in for a hug at the risk of the others’ scrutiny and your makeup artist’s ire. Not knowing how else to communicate your appreciation, you give his shirt a quick—and hopefully discreet—tug. He seems to catch your drift because his fingers graze yours purposefully as you move your hand away.

The brief touch shoots electricity through you.

“Thanks,” you murmur before watching him jaunt away to his spot between Argyle and Jonathan, both of your moods seemingly lifted, if only for a moment.

You’re grateful for the distraction although it barely keeps your attention and instead end up thumbing through the pages anxiously to the chagrin of your makeup artist who is clearly relieved to pass you onto hair once the final touches of lipstick are applied.

You thank her profusely before moving next door where, to the surprise of exactly no one, you’re sat next to Steve. Or at least you think it’s Steve you’re sat next to given how little you can see through the thick mass of hairspray clouding the air.

“They don’t call me ‘The Hair’ for nothing, right?” He says when you catch his eye through the fumes.

His hair stylists laughs a little too hard for your taste and you can’t help but roll your eyes.

“I thought you hated that nickname,” you say, settling into your chair, ready to play your part as the doting girlfriend.

He shrugs nonchalantly, “there are worst things to be called.”

You scoff in response, your previous concerns regarding tonight’s host bubbling up again, “I am sure there are.”

Steve turns to you fully now, offering a charming apology to his stylist that leaves her a giggling puddle, and you can feel his eyes scanning you in assessment.

He suddenly reaches over to the vanity in front of him, “The vending machine in the hall is totally broke, it gave me four candy bars. Do you want one?”

You look over at the bars in his hand which he has fanned evenly and is waving as if they’re a wad of cash and you grab one out of his reach.

“These are my favorite,” you point out as you smooth a hand over the wrapper, remembering all the times you would raid the vending machines at venues or backstage before an interview for them.

“I know,” he says, impishly.

“Harrington, be straight with me, is the machine really broken or did you get me my favorite candy bar just to butter me up?”

He nods, self-satisfied, like a little kid happy to be caught doing something that they’ll know they’ll get away with. Your joint hairstylists coo in adoration at your dotting “boyfriend” and you can’t help but roll your eyes affectionately.

“You seem a bit nervous,” he explains, “and candy usually helps.”

You exhale a laugh at this and admit that he’s right, “candy usually does help,” before nibbling on the bar carefully for the sake of your lipstick.

“So, what’s up?” He asks after a beat, while the hairstylists are preoccupied cleaning their tools, “are you nervous about doing our thing again?”

He says the last part with an overly-dramatic eyebrow waggle and you giggle.

What do you mean?” You ask, avoiding his glance.

He almost rolls his eyes at this but catches himself, knowing better.

“You just seem off, like nervous almost? But not in the usual way you are nervous about interview, but like different. Normally you’re just nervous because you overthink it but now it’s like you’re dreading it.”

You snort at the way he saw right through you.

“It’s stupid but, Chris Palmer has made jokes about me in the past, you know, about my dating history and things like that and I’m not really looking forward to hearing what he has to say tonight,” you explain, bashfully.

“What do you mean? Do you and Chris know each other?”

“No,” you respond, shifting uncomfortably in your seat, “he just is, you know, one of those comedians who pokes fun at celebrities and he loves making fun of women who ‘get around’ or whatever and well, that was my reputation before you… and the band.”

You see realization dawn on Steve’s features, it’s almost like he doesn’t believe anyone could ever be mean to you. Realization quickly turns to anger.

“And you think he’ll make fun of you tonight in the same way? In front of everyone?”

You shrug at this, “maybe, he’s not exactly known for taking it easy on his guests, but I’m used to it, it’s annoying though.”

Steve shakes his head aggressively at your dismissal and bolts up from his char, “No, I’m going to go talk to Hopper or something, have him tell Palmer’s people he needs to cool it or we won’t perform.”

He’s marching down the hall now, purposeful and quick. You make a beeline after him running ahead to cut him off.

“Woah, hey, Steve, you do not need to do that.” The last thing you want is the band being labeled as difficult to work with this early on.

Standing in front of him with your hands flat on his chest, you suddenly become very aware of all the eyes peaking out of the different green rooms to watch the exchange curiously, band mates and crew alike.

Steve grabs one of your hands lightly in his and gives it a tepid squeeze.

“I’m sorry but I am not sitting up there tonight and listening to anyone say anything bad about you. That’s just not going to happen, okay? Please trust me, I won’t do anything crazy, I’ll just talk to Hopper and we’ll figure this out. I have your back, remember?”

You study his face as he says this and are caught up in the earnestness etched into every corner of it.

“Okay,” you finally say, softly and back away from his path, “thanks.”

And you watch him go.

***

STEVE: Hopper hadn’t known about the Palmer thing. He wouldn’t have booked us if he did. When I told him, he was pretty peeved and we immediately went to go talk to the stage manager—some smarmy guy whose name I don’t remember.

Told us essentially, that it was no use, that Palmer wrote his own material fresh before each show.

Well, after that, Hopper and I track down Palmer in his dressing room and, you know, we give him a shake down. Old school style. Like back when Hopper was on the force. … he did most of the shaking down, don’t get me wrong, I was definitely going to get in there, but he seemed to really enjoy it. Plus I had just gotten my hair done.

***

When Steve reappears in the green room half an hour later, Hopper is trailing him smiling giddily.

Coming up to your side, Steve wraps an arm around your shoulders and leans into your hair to murmur, “We took care of it.” The giant grin Hopper is sporting lets you know that they had and you exhale a sigh of relief, curling a hand against his bicep gratefully.

You spring back a few seconds later when you feel Eddie’s heavy gaze from the spot he occupied next to you, eyes boring into all the places your body is touching Steve’s.

You can sense Steve’s confusion at the lost contact but before anything else can be said or done, the stage manager appears to move escort the band to the sound stage saving you from having to navigate the complex social dynamic of interacting with your fake boyfriend who wants to be your real boyfriend and your band rival turned friend-with-benefits. Gratefully, you allow yourself to believe for the first time, that maybe luck would be on your side and tonight wouldn’t be so bad.

***

NANCY: Do I think Chris Palmer had a personal vendetta against her? No, not going into that night, anyway. I think he was just a misogynistic idiot who didn’t know what to do about a talented and beautiful woman who also did whatever she wanted. His mind couldn’t wrap around that.

That was true for a lot of men back then. And now too.

JONATHAN: It felt like Chris had a personal vendetta against her.

***

The first half of the interview went well enough.

The band was welcomed with great fanfare and everyone filed towards the couches in the center of the stage next to the large mahogany desk Chris sat behind. You and Steve were, of course, together at the forefront and you could hear the collective cooing when he helped you down the platform.

The interview started out mild, questions about the tour and being on the road. Thankfully, Steve took the helm for most of them with the band weighing in throughout.

To your surprise, Chris directs his next question to you and Eddie.

“You two are the newest additions to the band, how has the transition been coming from working as a solo artist and from a band of a whole different genre to the Downsides and what made you want to make the change?”

The question was surprisingly insightful which took you a second to process and come up with an answer that wasn’t “Well, Chris, we were forced to join The Downsides at the risk of our careers ending completely.”

Eddie beats you to it, “The royalty checks are better than they are when you’re in a metal band for one—“ it takes the audience a second to realize this is a joke, but when they do the laugh pays off— “but honestly, I like the stability. What they don’t tell you, kids, is that too much rock and roll can be bad for you.” He says this part directly to the camera with a devilish grin.

“What about you?” Chris turns to you once the laughter subside, “do you miss being a free agent?”

You ignore how pointed that feels and smile in response.

“Not at all, the band has been super welcoming and there’s something really rewarding about working together to make something great happen.”

“Don’t miss your old duet partners at all?” The host needles.

“No, not really. At the risk of sounding cheesy Chris, I think I found my forever duet partner,” you punctuate your response with a pointed smile at Steve.

The audience eats your response up but you can tell that Chris is not ready to let it go. Luckily for you, a well-timed commercial break saves you from further questioning.

When the cameras start rolling once more though and the segment is reintroduced, Chris flashes you a wolfish smile.

“So, does this mean you’ve settled down a bit more, now that you’re a one-duet partner type of gal?”

The question makes your throat run dry because you know that there’s another, much tricker question behind it.

“No, not at all. It’s nice to be a part of something,” you respond placidly.

Chris barely lets you finish before launching into, “well the press sure does miss writing about you! Did you know that, in the last year, you were one of the most mentioned stars on Subrosa, popping up a total of 65 times only rivaled by one Evelyn Hugo in 1967.”

You don’t really know what to say or where this is going but the feeling of dread in your stomach grows.

“In fact,” he continues, “why don’t we play a game that we cooked up with the help of your Subrosa mentions?”

Games were something Chris did with his guests pretty frequently and they varied in execution but in nature there was always something a bit embarrassing to them and tonight was no exception. But instead of going after the band as a whole, this game was targeted specifically at you .

It was a guessing game, “Simple enough,” Chris touted as his assistants bring out giant blown up headshots of various male celebrities, guess which of the men you had been involved with according to the media and which ones you hadn’t been. The joke of course was that you had been linked to all the men whose pictures had been provided.

The looks of shock on your bandmates’ faces perfectly countered the one of self-satisfaction painted on Chris’s smarmy face.

You felt Steve stiffen beside you, leg twitching as if he was getting ready to stand up and leave. Or punch Chris. Before he can, you place a stabilizing leg on his thigh and giving a squeeze. You didn’t want this to diverge into a fight and you refuse to let this vile man make a fool of you on live television.

“Well, this won’t do,” you smirk at Chris. “You only have half of my list out here, Chris! You’re missing quite a few other fellas. I thought you wanted to make this difficult.”

“Oh?” The host is clearly not expecting your response but has no choice to lean in since you clearly have the audience’s attention, “and who could we possibly be missing?”

“The crown prince of Monaco, for starters,” you respond, evenly, “and the entire Harlem Globetrotters ‘83 starting lineup—“ the crowd guffaws at your clear exaggeration, “—and most importantly, this guy,” you reach over to grab Steve’s chin and affectionately squeeze his face. At this, laughter turns into applause and from where you are sitting on the shared couch, you see Chris’s jaw tighten.

“Is there anyone who’s hasn’t made the list?” he cries, trying to turn the joke back on you.

“You, for starters,” you respond playfully, and then add before he can say anything, “but who knows? Maybe this band thing doesn’t work out and in a few years time I’ll become washed up and lower my standards and you and I can give it a shot.”

Before Chris can retort, Steve cuts in with an over-exaggerated, faux-jealous, “what about me?” That kicks off a jokey bit of banter between the three of you that takes the show all the way up to comercial.

***

NANCY: There was a second part to the game.

ROBIN: Yeah, that second thing was just mean. It was essentially the same premise as the first guessing game but instead of guessing different men she had been associated with, it was different nicknames she had been given by the media. They were not very nice names either, “Siren of the Strip”, “Heartbreak of Hollywood”, “Pop Music’s Maneater”, you get the gist.

Of course, like with the last “game” the joke was that it had been all is them.

***

The names had been a surprise. You didn’t know how to react and neither did your bandmates although you’re pretty sure you can feel the heat from Eddie’s glare from the other end of the set.

Still, you kept your cool and immediately admitted that all of them seemed familiar and instead turned the conversation into criticisms of each of the names, which was gaining too many laughs for Chris to try to stop it.

“See this one I don’t like at all,” you say, pointing to Malibu Minx that had been professionally printed on a giant poster board in newspaper font.

“Whys that?” The host asked wolfishly.

“Malibu Minx? Are you serious? Anyone with half a brain knows I’m from the Hills, not Malibu. Honestly, it’s a little insulting.”

“Come on, they can’t be that different,” Chris still plays along, even though your comment did not go where he wanted it to.

“Not at all! The Hills is where all the directors and actors live, Malibu is where divorced dads take their kids during their monthly weekend visits. It’s like, here on the east coast… well, I can’t think of an East Coast equivalent. Chris, help me out, where do you take your kids during your monthly visits?”

***

ROBIN: You should’ve seen his face when she said that.

NANCY: His first divorce had just gone public a few weeks prior. Guess it was still a sore spot. Not that he didn’t deserve it, he did, but he wasn’t used to his guests fighting back like that. The rest of the show was… tense and then after the show ended Palmer lost his cool.

STEVE: Honestly, I wanted to punch the guy since he brought out his stupid little games, but I was willing to leave things as they were that night, especially after she had put Palmer in his place, but we get backstage after the show and he starts yelling at her about having “embarrassed” him or something like he hadn’t essentially called her a bunch of names on live tv. Before any of us could even do anything though, Hopper had him pinned against the wall, saying stuff like “I thought we had come to an agreement about the jokes, Palmer.”

He gave him a good shake down, you know how intimidating Hopper can be. Plus Chris looked like he had never been in a fight in his life so he was shaking in his boots immediately. Security had to come to get Hopper off of him and we were all thrown out after that.

ROBIN: Yeah, we were never asked back after that not that we would’ve gone back.It was a shame for him, really, that 1984 episode of The Nightly Show with Chris Palmer was one of the most viewed episodes in the ten years he was on the air.

***

You return to your hotel room in the early hours of the morning, after having gone for celebratory drinks with Hopper and the rest of the band. Everyone had been thoroughly impressed with the way you had held your own against Chris and even previously-icy Robin seemed impressed and warmed by you.

You hadn’t had much of an opportunity to talk to Eddie throughout the night, something about the undecipherable expression he wore most of the night had left you curious and you couldn’t help but wonder if maybe hearing your entire history splayed out like that in front of him and the rest of the world had soured you and he no longer wants anything to do with you.

As you’re getting ready for bed, the ringing coming from the hotel phone jolts you.

“Hello?” You breathe out, harried and confused into the handset.

“Hey, I didn’t wake you did I?” Eddie’s concerned question statics over the line.

“No,” you respond, relief coloring your tone, “What’s going on?”

“Nothing, really, I was just thinking how hot it was when you told that dickbag off and I was wondering if you’d be up to me showing you that.”

“Showing me what, exactly?”

“Showing you how hot I think you are. If you’re up for it, of course?”

25 minutes later, with Eddie’s face buried messily in your pussy you’re near inching closer to release when you hear him muttering into the soft skin of your thigh while two of his skilled fingers begin pumping in an out of your tight heat.

“You know, if I didn’t know better, seeing you all hot and desperate to come on my fingers like this would make me think you are a minx.”

Hearing him call you that so low and growly, left you burning all over and you keen into his hands. Knowing his words had the intended effect, Eddie smirks into your thigh and speeds up his fingers.

“Only for you,” you respond once you can find your voice again.

Eddie give a low moan at this and in an instant he clamors up onto the bed and moves to replace his fingers with his dick.

“Say that again,” he challenges as he swipes his tip through your folds and you cry out.

“I’m a minx for you,” you nod along to what you’re saying, hoping that it makes him more eager to stop teasing and finally push inside you.

He does exactly as you hoped and pushes his hips into you hungrily, setting a punishing pace, “Only for me right?”

You nod along, fucked out and on the verge of coming agian, “Yes, only for you, Eddie.”

You don’t make it back to your hotel room that night either.

***

MAY 11TH, 1984–BRIDGEPORT, CT—THE UPSIDE DOWN TOUR

“Are you sure the’d still want to meet me?” You ask Steve one evening, brushing your hair standing in the doorway of the door that separated your hotel room from his.

“Yeah, of course! Why do you keep asking that? Wait… do you not want to meet them anymore? It’s okay if you don’t,” Steve is already trying to hide his disappointment.

“No,” you rush to correct as you follow the sound of his voice to the bathroom, “it’s not that at all it’s just that, well with all the Minx stuff in the news, I worry that maybe they won’t think I’m worthy of the Harrington brood or whatever.”

You’re of course referring to the drama that had followed the band’s appearance on the Chris Palmer show where Chris had given an interview to Subrosa after you had affectively embarrassed him on his own show calling the band talentless and you worthy of every bad name that the press could call you and more.

In response to the interview—and partially inspired by your encounter with Eddie following the interview— you had gotten the word ‘Minx’ embroidered on the back of your favorite suede jacket which you made sure to wear to all of your subsequent interviews and media appearances for the rest of the band’s time in New York.

“First of all,” Steve begins, rubbing shaving cream over his chin “neither of my parents would ever dream of reading a gossip magazine and even if they did, they hate Chris Palmer, always said he was too ‘blue’ whatever that means. Plus, historically, dinners with my parents haven’t been the most enjoyable affairs, so having you there would really mean a lot to me.”

You smile understandingly at him through the mirror and suddenly the whole domesticity of it all strikes you. In another life, the two of you could’ve simply been a couple discussing meeting one another’s parents in the bathroom of a shitty apartment the two of you shared.

The fantasy is interrupted abruptly by a bright cacophony of knocks at your door.

“That must be Eddie,” you explained, “he’s coming over to write.”

(He really was.)

With all the fucking the two of you had been doing, writing music had fallen to the wayside and as the end of the tour was insight and Murray’s quota of songs still not met, which meant you had to get writing.

You scramble over to your door and let Eddie in. He almost leans in for a kiss but catches himself when he notices the open door leading into Steve’s room where he is very much watching the interaction with prying eyes.

The two nod at each other in greeting. You linger in the middle between either sides the awkwardness tangible in the air. You look at Eddie’s urging eyes and then flash back to Steve whose puppy dog gaze and newly received information about his parents make you do something that is surprising even to yourself.

“Do you want to help us write, Steve?”

The situation is awkward at first, especially with the glares Eddie seems to shoot you and Steve’s shy insistence that he’s no good at writing music but eventually, after two bottles of wine, the tension subsides, at least a little.

Eddie and you had presented Steve with a few songs that were very close to done but just needed a bit more work on the melody hoping that maybe he had suggestions.

He scans over a song that Eddie had primarily written, “Wild Ride”. Steve had an idea for a rhythm that could match the song and before long, he and Eddie were fully invested, both of them bent over their guitars trying out the rhythm and shooting notes at each other. Arrangement was definitely not your strong suit, however, you were more than happy to watch the two guitarists work

Steve was fascinatingly somber when it came to writing. He would play the notes over and over again until he found what came next, treating the whole thing like a puzzle that needed to be solved and running his hands through his hair when he was particularly stuck on something. His eyes would close while he was thinking, his lashes fluttering on his cheeks and then blinking open prettily when he had finally thought of a solution.

Eddie was much less delicate and would play around with notes, sometimes scrapping what he had all together and starting new. He tucked a pen behind his ear and was constantly scribbling and crossing out. When he focused on playing, his tongue would stick out from the corner of his mouth a bit.

They worked well together, never talked over each other, and were always willing to listen to what the other had come up with. As Eddie would write notes down in his notebook, Steve would lean in really close, so they were almost cheek to cheek looking down at the paper together. It almost seemed like they’d forgotten you were there and you were too busy refining some lackluster choruses to notice.

Eventually, they hit a wall in their writing and more drinks were ordered through room service, and soon the three of you are sprawled across your bed, drinking French 75s and watching a late night marathon of “Night Court”.

“Hey Harrington, you excited to see your folks soon?” Eddie asks during a comercial break.

You turn to look and see Steve grimace at the question. You know Eddie means well in asking, but the question ruffles Steve nonetheless.

“Not really. We were never really close on account of them sending me away to boarding school when I was eleven and then when we were together my dad’s favorite pastime was criticizing me and my mom’s was drinking,” Steve says, finally, “seeing them once a year is probably the most I can stand, honestly.”

A beat of silence settles over the group before Eddie finally speaks.

“Sorry to hear that man. If it makes you feel better, my folks weren’t exactly parents of the year either,” Eddie responds.

“That sucks, I’m sorry.”

“Don’t worry about it, my uncle took me in. He’s a great guy. What about you, Princess? Were your parents the perfect image of love and support?”

You scoff. “Barely. I went back to their house right before the tour started, to get some of my things, and they thought I was breaking in and called the cops.”

“Well,” Eddie bristles, “looks like being a terrible parent can happen across all tax brackets, huh?”

“Yeah, we kinda got fucked over, a bit,” you say and the other two murmur in agreement.

The three of you stay silent for a bit, processing what had been shared and how to possibly move past such a heavy topic.

It’s Steve who finally breaks the silence, “Do you guys think Dan and Christine will ever get together?”

“Oh, yeah.” “Definitely.”

***

“This restaurant is obscenely nice,” you shift uncomfortable in your chair, taking in the surrounds and the unfamiliar unease of being somewhere where you felt out of place. Of course, you had grown up in fine dining establishments in California, but East Coast wealth seemed like a different beast entirely.

“Yeah, tell me about it,” Robin huffs next to you, “but what else can you expect from Stan and Carolyn? They’re obsessed with letting everyone know how rich they are.”

She of course, had the advantage of knowing Steve’s parents after over a decade of friendship and it made sense that Steve, wanting as much of a buffer between himself and his parents during this dinner, had invited her along as well. So far, she had only been a little hostile towards you which was a personal victory.

The two of you spot Steve entering the restaurant at the same time along with two middle-aged companions that, based off resemblance alone, you knew were his parents.

Steve’s father had the same starkly defined chin and nose as his son, but none his face didn’t turn up into a natural smile like his son. He stood stately and stern, eyes surveying the room with little interest. His wife, Steve’s mother, was made up of refined, delicate features offset by the bright eyes that were clearly passed on to her son. Her entire outfit was meticulously perfect in a way that almost seemed artificial.

Steve introduces you with fanfare and pride that you don’t consider yourself worthy of but you smile along anyway and graciously shake Mr. Harrington’s hand and exchange dotted cheek kisses with Mrs. Harrington.

You exchange niceties and think to yourself maybe they won’t be so bad.

“Stan, Carolyn, it’s so nice to see you again,” Robin grits out through a tight smile.

Carolyn pats her on the shoulder in response and says,, “Please dear, call us Mr. and Mrs. Harrington. We’re out in public after all.”

***

ROBIN: Yeah, Carolyn and Stan hated me. It was like they could smell the gay on me. Or the poor. From the moment Steve had invited me over to spend spring break with them in the Hamptons they did not like me. They despised the idea of their son’s best friend being some scholarship kid whose parents were public school teachers. However bad they were to me though, they were far worse to Steve, which is why I ever even bothered going to these lunches. I didn’t want him to have to suffer through them alone.

***

“Sorry we’re late,” Mr. Harrington drawls as the three of them take their seats at the table, “our idiotic son forgot to bring cash for the valet.” His statement is punctuated by a mirthless laugh and you can tell by the matching expressions on Steve and Robin’s faces and the way Mrs. Harrington makes a grab for the bottle of wine on the table that this level of disparagement is normal for the Harrington household. You remember the comment Steve had made a few nights ago about his father’s favorite pastime

“Don’t worry,” you respond with a smooth smile, “we’re so used to having drivers back in LA—“ a lie “—I can see why Steve forgot about valet. Although, I’m sure you both know what that’s like.”

Mr. Harrington stalled. Everyone at the table—including you—knew that the Harringtons were nowhere near wealthy enough to afford personal drivers but if there was one thing insecure men, like Stan Harrington would never do is admit that they couldn’t afford something.

You were familiar with these types of ego games from your youth, although you took no pleasure in them.

Your youth was spent tucked into your mothers skirts during luncheons and tea and fashion fittings, listening as the women would eviscerate each other with laser-edge precision. If there was anything your mother had taught you was how to sow the seeds of insecurity in someone and although it did not come naturally, you could make an exception for Stan Harrington.

***

ROBIN: It was easy to forget most of the time that she came from money but damn, the way she handled Stan that night made me think that some politician was missing out on having her as their cutthroat third wife. It was like watching an artist paint or someone do sleight of hand magic. He would say something mean about Steve and she would just turn it right back around on him but she would be smiling and batting her eyes the entire time. Even with that though, it wasn’t an easy lunch to get through.

***

“It’s so nice that Stevie was able to make something of himself through his little music,” Carolyn fawns. She means well, for the most part, but the four glasses of wine she’s downed during the last twenty minutes makes her words come out just a tad but demeaning.

Her husband sneers in response, “You say that now, Carolyn, but soon he’ll be back here asking for a spot in the firm.”

“Hopefully not too soon,” you giggle in response running a hand alongside Steve’s arm, “the studio wants us recording our second album as soon as we get back and then we’ll be touring again and we’ll need him for that.”

“But darling, you can’t possibly expect to do that for the rest of your life,” Mrs. Harrington sighs, “eventually the two of you will want to settle down and have children, live a normal life.”

“Well, yeah Mom, but that’ll be a long time down the road—“

“Making music is our life, we don’t want to ever stop—“

You and Steve halt your explanation once you realize what the other is saying. The two of you exchange blank, confused looks and it’s not until Robin says, “I’m sure that they’ll decide what their next move is when the time comes. We still have plenty of time.” That the two of you jolt back into the conversation.

“Right,” you add, “plus with the royalties deal we just secured on this new album, we will be pretty stable financially.”

The rest of the lunch is spent fielding Mr. Harrington’s questions about financials and Mrs. Harrington’s questions about grandchildren. It’s exhausting but the three of you come out mostly unscathed.

The five of you part ways outside of the restaurant, and not a moment too soon. The wave of relief that washes over the three of you once the Harringtons have been sent on their way in a taxi is palpable.

You and Robin offer to buy Steve a drink for having survived the lunch and Steve offers to buy the two of you a drink as a thank you for playing roles in that. Soon, one drink each turns into multiple rounds of drinks spent recounting all the agonizing points of the lunch.

This leaves the three of you stumbling into your hotel in the early hours of the evening, completely and utterly drunk. You ride the elevator together, a mess of laughter and then bid goodbye to one another in front of Robin’s door. She’s ready to sleep off the drinking and you do not blame her.

This leaves you and Steve to stumble back to your joint rooms together.

“You know, seeing you today having dinner with my parents and my best friend almost made the whole thing feel real,” Steve says lowly, standing in your doorway.

“Steve don’t,” you plea softly.

“I just don’t get it,” he cries in response, “we would be so good together. We are good together: we have so much in common and we just make sense, everyone thinks so except for you. Just… tell me why wouldn’t you give us a shot?”

You’re in your room now, perched on the edge of the bed , teary eyes focused on everything in the room other than the man who stands in front of you.

“Steve that’s not fair. It’s just never going to work, why can’t you accept that?”

“Because I’m in love with you,” Steve blurts out, “and I know I may not be your first choice, but if you give me a chance I will prove that I’m good enough—“

“Steve, stop please don’t say that, you’re plenty good enough for anyone,” you stand now, to face him.

“Just not you,” he says devastated.

“No, listen, it’s not like that. I just, I don’t know if I can be with someone in the way that you want me to, okay? You want someone to eventually settle down with and I’m not that girl. I’m the fucking Minx for God’s sake not someone’s future wife. In another life maybe, we could’ve made each other very happy, who knows? But in this one, I can’t be what you want.”

The two of you stand there in silence for what feels like an eternity. Finally, Steve moves, walking past you to sit in your vanity chair.

“Is there someone else you have feelings for?” He asks, timidly.

“No, no,” you insist. “I told you, I don’t do that.”

He laughs mirthlessly in response, “I think you’re wrong about that. I think you’ll find someone, maybe not now or in a year or in five years, but eventually you will find someone and they will make you want to try and you will love them and I will have to watch you fall in love with them and we will both realize I was just not worth it.”

PLAY NEXT TRACK🎤

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footballffbarbiex · 3 months

Text

player: Rúben Dias words: 2.8k type: angst

Let's fast forward to three hundred awkward blind dates later

If she's got blue eyes, I will surmise that you'll probably date her

You dream of my mouth before it called you a lying traitor

You search in every model's bed for something greater

Everything you were learning about Rúben is completely against your will and though you’re trying to not let it get under your skin and bury deep into your muscles, you still feel any and all nuggets of information grating against your nerves. So it doesn’t surprise you when your best friend opens her mouth and says “he’s been spotted with another model.” but it does feel like salt is being rubbed onto those nerves too.

“Of course he has,” it comes out a little more bitterly than you’d intended and so you swallow some wine instead to stop yourself from saying anything else that you might regret.

“I’m sure I don’t need to tell you what she looks like.” she continues, observing you over the rim of her own glass before she takes a small drink herself.

It’s started to become a running joke for the two of you. You weren’t good enough for Rúben but he was happy to date every woman that remotely resembles you after you. It was a kick in the teeth each time you were faced with another photo of him and his latest beau and a mere mention of someone new feels like a slap.

“Kurt wants to know if you’ll come to dinner on Wednesday.” She changes the subject, knowing that this is a sore spot but it was better that she told you now than being sent it by someone else who believes they’re doing you a favour while not being considerate of your feelings at all.

“No.” You say a little too quickly.

Kurt was one of Rúben’s best friends and if he was hosting a dinner party, then your ex would be there too. You felt suffocated at the best of times merely seeing his name via google or instagram, let alone being made to share the same four walls and a table with the man.

Ex feels too strongly of a word considering you’d barely got past the dating stage. Rúben refused to put a label on the two of you and while you weren’t usually one for wanting them, you did try to ask him where you stood in the situationship. Especially because you were catching feelings, fast and hard and the idea of him not wanting to commit to you pained you more than it scared you. Ultimately, Rúben ended the … situation due to ‘commitment issues’, but had no issues with finding the ability to do so with other people.

“He was invited initially but according to their match fixtures, they have an away Champions League game.” She comments, drumming her fingers on the side of the glass in a beat that you almost recognise.

“I applaud your extensive research before coming to me with Kurt’s invitation.”

“I knew you’d back out almost immediately otherwise -”

“And I did.”

She hums in agreement.

“At least consider it? I’d love to see you there anyway.”

You’ve checked and checked and checked again more times than you wanted to admit that Rúben absolutely was out of the country ready for the game tomorrow. With no updates regarding rotations or suspensions from previous games, you’d found it “safe” to leave the comfort of your home and make your way to Kurt’s.

Having Rúben end the relationship had meant that he’d won the monopoly of the friends that you’d made being in his circle, and one of them that you had joint custody over was Kurt. Caring, funny and incredibly supportive, Kurt was everything in a person that you wish you’d found in a friend years previously. Nights at his were never boring and he was the one person you truly felt you could be around and trust not to bring up him in conversation.

By the time he’d opened the front door, you could smell a light warming scent drifting from one of the hallway candles which was quickly swallowed up as you approached the kitchen. If you were peckish upon arrival, then as dinner was being plated up half an hour later, you were famished. Your bestie was still due to arrive thanks to being stuck in traffic both on the way home from work and also after leaving the house. Other mutual friends who you were familiar enough with to interact with but not enough to really talk to are here too.

Bottles of wine and water are on the table along with small baskets of bread and butter which are snatched up by those sitting around you. Several people are still due to arrive, so the amount of empty spaces isn’t bothering you too much, though you do reserve the one next to you for her.

You’re cutting open a bread roll after smushing the butter into a spreadable consistency when your phone beeps and a i’m 5 mins away x text comes through and not for the first time this evening, you sigh a sigh of relief.

You’re in the middle of the main course and half a glass of wine down as your bestie is telling you the latest drama from her office when voices in the hallway gets your attention and the voice that once made your stomach flip is now the reason for it dropping. Your head snaps to the head of the table at the opposite end to you and your eyes meet Kurt’s as the voice continues to speak with someone else.

What is he doing here? You mouth a little too aggressively as panic begins to swirl in your stomach. Her fingers touch your arm to try and silently calm you but the more you think about it, the more you feed the dread.

He isn’t supposed to be, is mouthed aggressively back. At least he’s met your energy.

“It’s good to see you again,” comes his voice as he finally steps into the room. “Sorry I’m late.” He says as he finally addresses the room.

The empty space opposite and one seat over now feels as though it’s mocking you. Though it’s not dressed for someone to sit in, you feel as though you should have known this was coming.

“I’ll get you a plate.” Kurt is on his feet faster than you’d have liked him to be but you understand he cannot treat Rúben with disrespect purely because of you nor would you want him to. He gives your shoulder a squeeze as he passes and it’s only in that moment where you feel just how tense your muscles are.

You can hear your breathing coming out in shaky exhales but rather than looking around the table to see what other dinner guests are thinking. You don’t want to look up at the man who you’d held out your heart to. Sure, you’ve seen Rúben around, but not in such an intimate capacity like this. You’ve never had to sit opposite him and felt as though you’ve had to exchange pleasantries. You could, of course, ask to switch seats but you don’t want to give him the satisfaction of knowing he was getting to you.

When you lift your cutlery to begin to eat again, you note that your hands are shaking. You’d rather take a drink but now he’s here, you want as much of a clear mind as you can possibly have. He clouds your judgement far more than any alcohol ever could and he’s stayed in your system longer than any drugs ever would.

Plate to mouth. Mouth to plate. Plate to mouth. You continue until you can’t think anymore.You ignore the sound of a chair being moved and pushed back under, a plateful of food being put down and cutlery clinking together. Talk still flows around the table but it sounds as though you’re listening from under water. Even now with impaired sound, it’s clear it’s become very strained since he came in.

Questions are aimed in his direction and though you try to close off your hearing, you can still hear his replies. If he’s as worried as you are about this meeting, he’s not showing it.

“Do you want this?” You ask your friend, gesturing to the glass.

“Don’t you want it? What’s wrong with it?”

“No, I don’t want it. I want something else.”

“I’m going for one,” James, who sits on the other side of you, says quietly. “I can get one for you too?”

“That’d be great.” You give a small nod and try to give a smile, though you realise in this moment it appears pained.

James was a good man, and someone who you could depend on for a light but long chat. He played the small talk game and he played it well. It wasn’t ever anything much but he gave you good reprieve when you needed it.

It’s not until he’s left the table and in turn, the room, that you remember there’s spare glasses and pitches of water with ice. Not wanting to seem rude, you leave him to get your drink, and busy yourself in pouring a cold glass of water. He returns as you’re taking tentative sips.

“Mmm,” you hum to him to acknowledge that you’ve seen him as he takes his place back at your side while you finish your sips and place the water back on the table and turn to get the drink that Jamie offers you and give a little sniff.

“You remembered.” Small movements swirl the liquid around, ensuring that it’s fully mixed but before you can place it on the table next to the water, you hear

“Might have remembered her drink but you’ve given an extra ice cube.” Your hand freezes as you listen.

“Sorry?” Jamie says. He’s not sorry, it’s more of a chance for Rúben to retract his sentence.

“She prefers two ice cubes not three. You’ve watered down her drink.”

The statement seems to hang in the air between the three of you and when you finally look up, Rúben is looking right at you.

“Thanks Jamie,” your smile is still pained but you give it anyway before taking a quick drink, followed by a deeper one seconds later. “I need some air.” you say quietly to no-one and everyone all at the same time.

Kurt doesn’t fight to keep you at the table and instead, you notice the apologetic expression on his face as you all but flee the room and don’t stop until you’re pulling open the door that leads to the garden and step out. You gulp in the air as you close your eyes and try to clear your head.

Everything had been so good up until then. You’d managed to keep your head down and was fully prepared to not only be civil with him but so sickly sweet he’d need an emergency trip to the dentist.

“Fuck him,” you hiss, letting out some of your frustration under your breath. “Fuck. Him.” You repeat and follow it with a long groan.

“I deserve that.” He says it so quickly, you barely have time to register that he’s said it at all, never mind the fact that he’s snuck up on you. Your heart pounds against your chest with such force, you can’t believe that he’s unable to hear it himself.

“You have some nerve coming out here to me.”

“With you.” he corrects.

You almost scoff at him as you turn to look at him properly for the first time since he arrived. “To me.” you stand your ground. “You decided a long time ago that you’d never step out with me.”

“That’s not fair.”

“What was that back there, Rúben? Seriously. “You watered down her drink.” you impersonate him. “You have no right to correct people on my details when you had no intention of sticking around.”

“So I can’t help?”

“I didn’t need your help. It was a drink. One that he’s made many times before and I’ve never felt the need to correct him before.”

“I just thought if he was making you one, he should make it how you like it.”

“You saw it as an unnecessary dick measuring competition.” You stare him down until he finally looks away. He doesn’t deny it and you knew he wouldn’t. Knew he couldn’t.

“I didn’t think you’d be here.” Rúben tries a different tactic.

“That’s the only reason I’m here because I didn’t think you would be.”

“The highs and lows of football.” He clicks his tongue and points to his thigh. “Felt something in my hamstring. Coach didn’t want to risk it.”

“Shouldn’t you be explaining this to your girlfriend and not me?” You hate that it slips out before you can stop it but you register the look on his face anyway.

“She’s not my girlfriend.”

“Maybe not yet anyway,” you mutter it under your breath and try to push past him but he blocks your way.

“What does that mean?”

“You weren’t ready for a relationship with me but you’re dating the closest possible thing you could find to what you really wanted but were too scared to go for.” And there it is. Months and months of conversations you’ve had with yourself as you’ve lay in bed and gone over everything that happened between you when you’ve had one too many drinks. All the rational, and irrational thinking had led to this moment. Finally putting out your theories to the one person who would either debunk or confirm them.

You watch as he swallows hard and looks away, focusing his attention on almost anything but you. “You still can’t admit that you wanted me more than you let on, can you?”

“What difference would it make to hear it after all this time?” There’s almost a sadness in Rúben’s voice as he realises that it’s now or never to finally get to the bottom of it all.

“Because I know I’m right about us.”

“So it’s about winning then for you,” he doesn’t word it as a question, it feels more of an accusation.

“No. It’s about needing to hear for the first time that what we had was real after months and years of you pretending that it wasn’t.”

“I never pretended.” He tries to justify his actions. “I never said that it didn’t feel real. That it was real.”

“I deserve to know that the only reason why we couldn’t have it all was because you were scared.”

His chest rises and falls as he breathes deeply, the muscle in his cheek twitches as he tries to think about what he needs to say.

“I need to know why they were good enough but I wasn’t. Why date women who look like they could be me if you didn’t want me?” Your voice cracks and you hate that your eyes well up, hot tears now pearling at your lash line, threatening to spill over. You could kick yourself for allowing your emotions to get the better of you.

“You were always good enough. Always. You knew that I wasn’t capable of giving you what you needed at the start. But I wanted to. I could see the life we could have had and I got inside my own head that I couldn’t live up to the version of me that you wanted. That you needed and that you deserved.”

“I’d have taken any version of you Rúben.”

“I know. And I didn’t want you to have one that wasn’t worth it at the time.”

“You hurt me.”

Three words that he’d known all this time, that he’d told himself enough times that he thought if he ever heard it from her, he’d be desensitised to it. But right here and now, he’s not. Hearing it slices into him in a way he couldn’t have predicted.

“I know.”

“I wish that I could get over you.” you say as the tear spills in a hot streak down your cheek and drips from your chin. Another follows and another until you’re forced to wipe them away.

“And I’m selfish enough to not want you to.”

“You’re doing a great job in trying to get me to move on though. Tell me. Where is she? At home waiting for you? Or did she have prior arrangements so she couldn’t come with you tonight?”

“She’s probably at home. Her home.” He clarifies. “Turns out the reality of me is different to the fantasy. You’ll know about that better than anyone.”

“The reality was my fantasy. The only time you ever let me down was when you left me.”

“And if I wanted a chance to make it up to you? Would you let me?”

“I don’t know if I can trust myself to let you back in.”

“I deserve that,” he gives as much of a strained smile that you’d given earlier this evening.

“This has emotionally drained me. I can’t do this tonight. I can’t. ”

“Turning up wasn’t my greatest plan, I’ll admit.”

“No. It wasn’t. But Rúben? I’d give you baby steps to try. Just not tonight.”

#Rúben Dias one shot #Rúben Dias imagine #ruben dias x reader #Rúben Dias blulrb #Rúben Dias drabble #football imagine #football one shot #footballer imagine #footballer one shot #football blurb #football fanfiction #football fanfic #football drabble

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am-i-the-asshole-official · 2 months

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Am I the Asshole for the way I played Risk?

👑🎲= Emoji Identification

This is super low-stakes, happened a few years ago, and I don't even talk to anyone in this play group anymore, but I still need to know.

Me (21 at the time F); My Ex-GF: G (24 F); Her brother-A (19 M); Mutual Friend- P (19 M)

So, we were all together, hanging out, playing Risk, and other games. So we start the Risk game. We each started in one of the four corners. At first it seems to be going well. After a few rounds, it seems like G and A are avoiding attacking eachother, despite being right next to each other. Me and P are fighting over borders. The usual. G and A, especially, have been attacking me and P almost exclusively. Well after several more rounds, G and A let slip that they do, in fact, have an alliance. It was kind of obvious at that point, anyway.

Here is where I am honestly confused. So since G and A were in an alliance, me and P started to discuss one as well, since we were currently playing defense and not doing well against G and A's more or less combined armies.

G lost her mind. Started accusing us of cheating and metagaming, and conspiring against her to make her lose (she likes to brag that she never lost a Risk game). I told her, that alliances were apart of the game, of course we are trying to win, and she already said that her and A are in an alliance! So what is the problem? She just kept insisting that our making an alliance was metagaming because we only did it because of what they were doing, which shouldn't impact us at all. But I argued it was a strategy game. You are supposed to react to your opponents strategies. And alliances aren't against the rules. We went back and forth for a few minutes. P eventually placated her and promised we wouldn't make an alliance. I was annoyed but gave in.

The game continued, with G and A not attacking eachother, and focusing on me and P. After a couple of rounds, G got mad again, because P and I weren't attacking eachother. I tried to explain, that with two armies attacking my borders, it doesn't make sense to provoke yet another army, when I need to defend against the first two. She insisted this was metagaming, and we should be attacking eachother. P and A were desperately trying to stop our arguing and I considered just quitting the game, but A convinced me to keep playing.

Apparently A was also fed up, because he decided to backstab G and attacked her. Unfortunately, she already had quite a big army at this point due to some lucky rolls and placements, so he was annihilated. Eventually, P and A were wiped out and me and G were the only armies left (I eventually turned on P and attacked him, mostly just to get G to stop yelling at me). I decided I didn't want to play against just her, so I proposed a draw and just divy the map up. She agreed and the game ended.

I thought that was the end of it, but for months after, she kept complaining about how me, A, and P were conspiring against her. She even brought it up to her therapist, and then later woke me up to yell at me about how the alliance I made with P hurt her and how we were unsportsmanlike and cheating, and she can't trust me. I said she should let it go already, it was just a game, and we didn't even make the alliance she was accusing us of. That she even got to keep her winning streak. And yelling at me and accusing me of cheating and all of that was just uncalled for and hurtful. She brought it up to her therapist again, who said we should both just drop it (even through I never brought it up to begin with, but I digress) and no apologies were issued.

TLDR: Ex-GF threw a hissy fit during a game of Risk because me and another player wanted to make an alliance after she already made one. It apparently caused her immense emotional trauma and hurt. I just wanted to play a game and yelled at her after being accused of cheating in a board game.

What are these acronyms?

#aita #am i the asshole

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run-under-thestars · 6 months

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Aight. I feel like a lot of people are viewing the whole "this is the only one you get" thing the wrong way.

When I watched it (a few times) it became clear that Ashton said that referring to the moment, as in, that was the only kiss Fearne would get At That Point In Time. Because now it was time for the shard, they didn't know if they would live. Also they didn't really have time for anything else. After they kissed her, she says "well now i don't know if I want to put this in (the shard)" probably meaning *I'd much rather make out with you than this stressful thing were about to do*

Also everyone is reading way too much into a stressful 20 minutes of RP in a DnD game. The cast has said COUNTLESS TIMES that they all trust eachother completely in this game, they're adults, and if they have an issue, they'll deal with it off camera. Yeah everyone was upset at the end of the game. Becuase it was stressful to watch?! And even more so be a part of?! But so what? Pretty sure I heard Travis say "I love it". Becuase he absolutely does love chaos and intense moments at the table and big red button choices. A lot of them enjoy that. I enjoy that! It makes things interesting!

Everyone calling Ashton manipulative is reading tok much into it. These characters are complex yes, but the ACTORS portraying them are SMART and know exactly what they are doing. Taliesin is one of my favorite players at the table, and he knocks it out of the park every time. Yeah, he plays some arrogant/cocky characters, usually with a horribly tragic Backstory. Cause that's FUN!

!!!!Also want to point out that he was the ONLY PERSON that even ASKED Fearne what she wanted to do with the shard, and when she said she didn't want it and thought it should go to Ashton, thats when they decided they would take it!!!!

Everybody saying ugly shit about the characters/players needs to stop. Its a fucking game. It's a show. It's a role playing game where a big group of best friends get to play a silly (sometimes stressful but no less fun) game together. Thats why I love it. Get off your moral high horses and touch some fucking grass.

#cr spoilers #critical role spoilers #critical role #ashton greymoore #bells hells #callowmoore #fearne calloway

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fangmich · 4 months

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Also the comment about "People who want romance in rpgs are annoying" made me again realise how people who say that just don't get it.

I think I made a post about this years ago about how it's not just romance, it's part of it but the main thing I think people need in rpgs are better relationships between the people in the game. We need different kind of companionships because how else could you include your character into the world.

I felt like this in Original Sin 2. Sure my character was present but she will never be as cool as the written characters Larian created. She was like part of the world but also not important to anyone. Which is I guess ok to use as a narrative method but it feels more like a joke and a bit empty at the end.

Since I finished Pathfinder WotR I guess I also can include it as a good example why relationships are important for the roleplaying part. Not all of them were good but some actual gave me the freedom to establish my characters personality.

I think in that Awoved interview they said the game will be like Outer Worlds or it will have the same scope. Well I for example can't remember if I even had any kind of companionship with my companions in that game besides Parvati who you can create some kind of bond by relating to her or helping her in a very personal quest. I can't remember a single thing about the other companions besides the banter they had between each other. Why can't we be space buddies?? (I have more memories about being buddies with Alistair from Dragon Age and that game is centuries old!)

The other thing from that interview is this part:

The companions in Avowed will be tied more tightly to the story than in previous games, apparently, and the team wants to make sure they hit their story beats without confusing the issue with relationships. "We wanted to make sure that we were paying that off and we didn't feel ready to do romances as well," Patel says. "Especially because it gets kind of awkward if you're trying to save the world together and then you've broken up but this person is still travelling with you."

First thing it sounds like they are doing the Larian thing where they wrote cool OCs and you are their sidekick who leads them to becoming a god or something. Which is ok but do I really want to play a husk of a character?

The other thing is they did relationships in Deadfire before and I get it's a lot of work but again with the acquisition you would think we could expect more but alas. I think it would be more genuine to say no one wanted to make romances so we didn't.

The other other thing is why is it established that we need to romance companions? We spend most time with them but when they are in the way then some cool side characters who are outside of the main story but have their own thing going on are fine too?! Since when did games start to make only companion relationships/romances🤔

Like I said before I trust Obsidian to write a good story and the game will be fun just wish they wouldn't need to paddle back with the expectations which were created.

I also honestly wish people would stop and think a bit more why rpg players want deeper bonds with characters instead of calling them annoying and being happy they aren't part of the fandom. Less people who enjoy your games the less likely you will get games.

#moo i say #alright I am done

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gardenschedule · 3 months

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A collection of Beatles quotes about the breakup

I know I'm preaching to the choir on tumblr.com because people here examine the breakup with empathy, nuance and critical thought. BUT these quotes are convenient if you ever get caught up in frustrating arguments online with male boomer beatle fans who think John and George hated the band and couldn't wait to escape while Paul was desperate to get back together. Sorted by band member and chronological order.

Quotes from/about Ringo:

1969:

People really have tried to typecast us. They think we are still little moptops, and we are not. I don’t want to play in public again. I don’t miss being a Beatle anymore. You can’t get those days back. It’s no good living in the past.

Ringo Starr, 24 March 1969 while filming The Magic Christian in New York

1970:

Ringo? He was the peacemaker for John, George and himself to Paul and was shaken to find Paul intransigent to the point of saying some pretty blunt things. But none of the Beatles is vindictive, and pettiness is their natural enemy, and when Paul released his album, Ringo sent a telegram congratulation him on “Maybe I’m Amazed” (one of the tracks) and meant it. Ringo has a lot of heart and more soul than most and since he knows he will be a Beatles to the grave, he will cooperate should it all come together again.

The Party's Over for the Beatles - written by Derek Taylor

“The Beatles have not split up. We are waiting for John to get back and then we will have a friendly Beatle chat and see what we are going to do. I keep looking around and thinking, ‘Where are they? What are they doing? When will they come and talk to me?’ This is supposed to be a press conference to promote my new film. The other Beatles aren’t here, so I don’t want to be answering questions for them. I hope to see Elvis in Las Vegas before I return to England. But, I will not be in the States for very long.”

The Beatles Off the Record (Keith Badman)

1971:

The Beatles might yet stay together as a group. Paul is the greatest bass player in the world. He is also determined. He goes on and on to see if he can get his own way. While that may be a virtue, it did mean that musical disagreements inevitably rose from time to time. But such disagreements contributed to really great products. […] I was shocked and dismayed, after Mr. McCartney’s promises about a meeting of all four Beatles in London in January, that a writ should have been issued on December 31. I trust Paul and I know he would not lightly disregard his promise. Something serious, about which I have no knowledge, must have happened between Paul’s meeting with George in New York at the end of December. […] My own view is that all four of us together could even yet work out everything satisfactorily.

Ringo Starr’s affidavit – From “The Beatles Diary Volume 2: After The Break-Up 1970-2001” by Keith Badman

No one doubted that Starkey would go along with the majority.

You Never Give Me Your Money – Peter Doggett

Later/unknown year:

RS: But that’s only Imagine. You know what I’m saying? Paul with his Band on the Run. We all started on a bus and small clubs and things like that, but Paul is that type of person. Paul wanted to do it all over again, and he did. And he went through hell. He went through hell. I mean, now he’s not talking to me and that’s too bad, but he started again from the bottom to do the Paul McCartney show. I don’t wanna do it anymore. I did it once.

All You Need Is Love – Peter Brown & Steven Gaines

Quotes from/about George:

1969:

“Yeah, quite definitely, but I’d like to do it with the Beatles but not on the old scale, that’s the only drag. With the Ono Band and me playing with Delaney and Bonnie there’s no expectations because it’s really quite anonymous, you just go and do whatever you can do. Once the Beatles are advertised and all the crowds come along they expect too much. I’d like to do the Beatles thing, but more like Delaney and Bonnie with us augmented with a few more singers, and a few trumpets, saxes, organs, and all that"

Interview conducted by Roy Carr, NME, 20 December 1969

1970:

George was greatly disappointed that Paul should come off like he was injured by Klein (business manager) whom George believes to have greatly eased the effects of the present and insured the safety of the future. George view is “Did you have to be so nasty. You can go so far but you can never get back, and you can say things which get in the way forever. For me, I would be glad to play with all of us again.”

The Party's Over for the Beatles - written by Derek Taylor

Q: “You think the Beatles will get together again, then?”

George: “Well, I don’t… I couldn’t tell, you know, if they do or not. I’ll certainly try my best to do something with them again, you know. I mean, it’s only a matter of accepting that the situation is a compromise. In a way it’s a compromise, and it’s a sacrifice, you know, because we all have to sacrifice a little in order to gain something really big. And there is a big gain by recording together – I think musically, and financially, and also spiritually. And for the rest of the world, you know, I think that Beatle music is such a big sort of scene – that I think it’s the least we could do is to sacrifice three months of the year at least, you know, just to do an album or two. I think it’s very selfish if the Beatles don’t record together.”

WABC-FM, May 1, 1970

The Harrison quote that went around the world that spring was purely optimistic: 'Everyone is trying to do his own album, and I am too. But after that I'm ready to go back with the others.'

You Never Give Me Your Money – Peter Doggett

1971:

The only serious row was between Paul and me. In 1968 I went to the United States and had a very easy co-operation with many leading musicians. This contrasted with the superior attitude which, for years past, Paul has shown towards me musically. In January 1969, we were making a film in a studio at Twickenham, which was dismal and cold, and we were all getting a bit fed up with our surroundings. In front of the cameras, as we were actually being filmed, Paul started to ‘get at’ me about the way I was playing. I decided I had had enough and told the others I was leaving. This was because I was musically dissatisfied. After a few days, the others asked me to return and since I did not wish to leave them in the lurch in the middle of filming and recording, and since Paul agreed that he would not try to interfere or teach me how to play, I went back. Since the row, Paul has treated me more as a musical equal. I think this whole episode shows how a disagreement could be worked out so that we all benefited. I just could not believe it when, just before Christmas, I received a letter from Paul’s lawyers. I still cannot understand why Paul acted as he did.

George Harrison’s affidavit – From “The Beatles Diary Volume 2: After The Break-Up 1970-2001” by Keith Badman

“In a “Come back Paul, all is forgiven” mood, George Harrison said this week: “I wish we could all be friends again. It’s a drag that things are as they are, because Apple is now becoming much more what we originally wanted it to be. “Personally I’d like to see Paul back at Apple and let him do what he wants to do. After all the new studio is his studio, too, and I’d like to see it all happening for us all.”

October 1971 Record Mirror

When John finally hinted that he would be willing to play with George when he appeared at Madison Square Garden. “Well, maybe I can come and help ya,” he said. “That’d be nice.” George glowered at John. Then George’s anger really burst forth. “Where were you when I needed you!” he snapped. It was the first of a series of explosions, each of them followed by moments of tense silence. “I did everything you said. But you weren’t there,” he repeated. “You always knew how to reach me,” John would reply evenly to each of these outbursts. There was no doubt in my mind, watching those two, that George’s anger with John had been accumulating for years. It was exactly the kind of situation that John usually ran from. But I could see in that moment that he loved George enough to remain calm and still as George drilled away at him. George said that repeatedly in the past he had sung what John wanted him to sing, said what John wanted him to say. Because John wanted it, George had gone along with the decision to go with Allen Klein. In the nearly four years since, John had virtually ignored him, a fact that pained George deeply. George’s voice grew even more harsh as he blasted John for his sudden appearance, as if out of nowhere, to offer an evening’s worth of help. Yet again George said furiously, I did everything you said, but you weren’t there.”

May Pang, Loving John

1973:

"George came into the office and said, 'I wanted you to know before anyone else. We're leaving Allen.' I said, 'Why?' And he said, 'We'll never get together again with Allen managing us.' And that was it. They left. George always had that distant hope."

Allan Stecker, Mojo interview 2023 (on Monday April 2 1973)

"[Allen Klein] made [John, George and Ringo] feel financially and artistically secure,” Steckler reckoned. So why did they decide that Klein had to go? Steckler believed he knew the answer. “George called me and said, ‘We’re not re-signing with Klein,’” he recalled. “I asked him why, and he said, 'The only way The Beatles can get together again is if Allen isn’t there. I’m ready to do it, so is Ringo, and I think we can persuade John to go along with it. But if we’re going to work with Paul, we need to get rid of Klein.’"

Peter Doggett, You Never Give Me Your Money

1978:

Personally, I’m not opposed to the idea, if it’s done through mutual agreement. But the pressure seems to be bigger than any of us, and when they talk of sums like $50 or $60 million, it’s almost a farce. I know Paul’s booked for the next few years, and John may have lost interest in the idea. Ringo and I are closest on it; we both feel it’s not impossible, but it’s highly unlikely, if only because of the legal and business maze that would have to be resolved before the four of us set foot on stage together.

M. George Haddad interview with George Harrison for Men Only magazine (Nov. 1978 issue)

Quotes from/about Paul:

1970:

On the eve of the release of the Beatles new movie and album “Let it Be,” Paul McCartney said, “I quit,” or “I think I quit,” which is roughly the same thing. As a publicity stunt, it’s as good or bad as any stunt they ever appeared to pull. But like every stunt they never did pull, this isn’t one either. McCartney’s declaration of independence was entirely impromptu, spontaneous and personal and so far had the group’s lines of communication become crossed that none of the Beatles really knew when the album would be out, or whether, nor did they greatly care.

...

I guess the way it stacks up now and the way it was around the time when Paul dropped the big on is that he wants right out of it all and they don’t.

The Party's Over for the Beatles - written by Derek Taylor

"John's reply was that I was daft!" He then said he wanted to leave the Beatles and wanted an immediate divorce. None of us really knew what to do about the situation, but we decided to wait until our film 'Let it Be' came out in April. I got bored and made 'McCartney' instead!"

Paul McCartney, in his first magazine interview since the split, tells FLIP's Keith Altham... "THE BEATLES ARE FINISHED!"

When we had to go to the studios, Linda would make the booking and we’d take some sandwiches and a bottle of grape juice and put the baby on the floor and it was all like a a holiday. So as a natural turn of events from looking for something to do, I found that I was enjoying working alone as much as I’d enjoyed the early days of the Beatles. I haven’t really enjoyed the Beatles for the last two years.

Paul, Interview for Evening Standard • Tuesday, April 21-22, 1970

Klein tells George he will get him more money and he tells Ringo the same. He tells them all that there are four first-class Beatles, not two and John doesn’t mind being told this. Paul doesn’t like any of it, none of it. He has a father-in-law who is also from New York and his name is Lee Eastman. Lee Eastman is also a toughie, but his manners are more formal than Klein’s and some people like him. Paul would like Eastman to be the Mr Big Apple needs. John wants Mr Klein to be Mr Big. A year passes. It is 1970. Paul still doesn’t like Klein but John digs him more than ever and George digs him more than that and Ringo doesn’t mind him. Paul? He is so uptight about Klein he only leaves the Beatles, that’s all.

As Time Goes By - Derek Taylor

1971:

Klein: “If Paul McCartney doesn’t get his way, he bitches. He may have a choirboy image in the press and with fans, but I’m here to tell you its bullshit. If anybody broke up the Beatles, it was him.”

Allen Klein, Playboy: A candid conversation with the embattled manager of the Beatles. (November, 1971) (note: obviously we should not trust a word Klein says, but at this point why isn't he repeating John's party line that he wanted a divorce?)

I think John thought I was using this press release for publicity-as I suppose, in a way, it was. So it all looked very weird, and it ruffled a few feathers. The good thing about it was that we all had to finally own up to the fact that we'd broken up three or four months before. We'd been ringing each other quite constantly, sort of saying, 'Let's get it back together.' And I think me, George and Ringo did want to save things. But I think John was, at that point, too heavily into his new life-which you can't blame him.

You Never Give Me Your Money – Peter Doggett

1972:

“We planned a big festival for one afternoon in Central Park, and ‘Imagine’ was the theme. Each retarded person from an institution would be paired with one able-bodied volunteer – twenty-five thousand people in the park. The issue arose whether the retarded should come to the matinee concert at Madison Square Garden. Obviously it would be a huge revenue loss. So Allen Klein and John just bought $50,000 worth of tickets and gave them to the retarded kids and volunteers.” Suddenly John got cold feet, after the concert had been sold out for weeks. “John said he didn’t want to do it,” Rivera recalled. “He said he hadn’t played in public for years, he hadn’t rehearsed with a band, he was just too nervous. …When they had that rush of insecurity, Yoko told me that she and John called Paul and Linda. They said, ‘Let’s bury the hatchet and appear together at the concert.’ Why Paul said ‘No’ I’ll never know.” Rivera and others managed to calm John’s fears and get him to start rehearsing with Elephant’s Memory.

Jon Wiener, Come Together: John Lennon in His Time. (1984)

“A few months ago, John asked us to do a concert with him at Madison Square Garden (note: same concert as the above quote) and it’s a pity now that we didn’t do it. I didn’t want to do it at the time but we will do things, I’m sure. I don’t see any reason why all four Beatles shouldn’t be on stage at some time all playing together and having a good time. I don’t think you’ll ever get the Beatles reforming, because that’s all gone. The Beatles were a special thing in a special era and I really couldn’t see it all coming together again. But I think it’s daft to assume that just because we had a couple of business upsets we won’t ever see each other again, or that if John has a concert some time we won’t go up and play on it.”

Paul McCartney, interview with Ray Connolly in The Evening Standard, December 2, 1972 (source: The Ray Connolly Beatles Archive)

“Don’t ever call me ex-Beatle McCartney again. That was one band I was with. Now I’m not with them. I’ve got another band. We won’t do things the same way any more. We’re not so bothered in trying to please other people all the time even though we obviously don’t try to displease them. All we want, in Wings, is to please ourselves with our music, That’s all.

“If people start fan clubs for us, do that kind of thing from the past, well, fine. But we won’t start one. I just get irritated by people constantly harping on the past, about the days when I was with that other band, the Beatles.

“The other Beatles get together and that is fine, but I’m almost always in another part of the world. The Beatles was my old job. We’re not like friends – we just know each other. But we don’t work together. so there’s no point keeping up old relationships.”

“All I know for sure is that I’ll never be conned again. I’m 30 now and, after what I’ve been through. I should know my way around. I get angry with fans, who interrupt my life, even now. I get fed up with the feeling that I was losing my identity, becoming some kind of legend, not a person. And I’m downright angry with the people who keep trying to get me back with the others again.

1976:

“The truth is very ordinary. The truth is just that since we split up, we’ve not seen much of each other. We visit occasionally, we’re still friends, but we don’t feel like getting up and playing again. You can’t tell that to people. You say that and they say, ‘How about this money, then?’ ‘Or how about this?’ And you end up having to think of reasons why you don’t feel like it. And, of course, any one of them taken on its own isn’t really true, but I was just stuck for an answer, so I said I wouldn’t do it just for the money anyway. And I saw John last time, he says, ‘I agreed with that.’ But there’s a million other points in there. A whole million angles. “I tell you, before this tour, I was tempted to ring everyone up and say, ‘Look, is it true we’re not going to get back together, ‘cause we all pretty much feel like we’re not. And as long as I could get everyone to say, ‘No, we’re definitely not,’ then I could say ‘It’s a definite no-no.’ But I know my feeling, and I think the others’ feeling, in a way, is we don’t want to close the door to anything in the future. We might like it someday.

Paul McCartney, Rolling Stone: Yesterday, Today, and Paul. (June 17th, 1976)

Later/unknown year:

“John phoned me once to try and get the Beatles back together again, after we’d broken up. And I wasn’t for it, because I thought that we’d come too far and I was too deeply hurt by it all. I thought, “Nah, what’ll happen is that we’ll get together for another three days and all hell will break loose again. Maybe we just should leave it alone.”

Paul, November 1995 Club Sandwich interview

“ELLEN: So was there ever a time when both you and John Lennon wanted to reform the Beatles? PAUL: There was a time… let’s put it this way: there was never a time when all four of us wanted to do it. And each time it was always someone different who didn’t fancy it And I’m actually glad of that now. Because the Beatles’ work is a body of work. There’s nothing to be ashamed of there. In the end we decided we should leave well enough alone. The potential disappointment of coming on and not being as good as the Beatles had been… that was a risk we shouldn’t take

Paul McCartney, interview w/ Mark Ellen for Radio Times. (October 20th-26th, 2007)

Quotes from/about John:

1969:

JOHN: The point is, if George leaves, do we want to carry on The Beatles? I do. [inaudible; drowned out by mic feedback] And I’d just get another member of the group and carry on. But if The Beatles split, well, I’ll get another group. [to Paul and Yoko?] I’m a singer not a dancer, baby! Woo-hoo!

January 10th, 1969 (Twickenham Film Studios, London)

Friday, 21 March, John: “Everything we do, we shall be doing together. I don’t mean I shall break up The Beatles, or anything, but we want to share everything.”

The Beatles Off the Record (Keith Badman)

MICHAEL: But funny enough, the other day, when we were talking, he said that he really did not want not to be a Beatle. He said he really looked forward – not, you know. Meaning he didn’t want that screwed up.

[T]he Beatles are always discussing, “Should we go on or shouldn’t we? Why are we together for now?” And what it gets down to is I like playing rock n’ roll and I like making rock n’ roll records. Now, I’ve got either the choice— if I want the whole LP to myself — is to get a few musicians together. Now, I know that— I’ve played with other musicians — just very rarely, but occasionally I’ve played with them — and it needs some work together to get anything going. I don’t like session men, so I try not to use them. I don’t like violinists or anything these days. I try not to use anybody but the Beatles. And if I wanted to make a record I’d chose the Beatles! I can say, “Give me a ‘Be Bop A Lula’”. So therefore, we’ve got that going. And even from a commercial point, when we discuss it, “What’s the biggest selling name? Beatles or John Lennon and The Fabs? Or George Harrison and The Fabs?” Which— Where’s our biggest market? It’s Beatles! Who are our closest friends? Beatles! Who do we have the most arguments with? Beatles. So Beatles is it!

John Lennon and Yoko Ono give a series of interviews at the Apple Corps building at 3 Savile Row, London (Friday, 12 September 1969).

JOHN: See they’re growing up too, you know. And uh, we all want Beatles still cause it’s, it’s a big power and it’s good power, you know. And we’ve no intention of splitting it, you know. Any of us. I can’t be specific about it, you know. But obviously, I’m deeply involved with Yoko, it has some…you know, maybe less reliant on the others but so it goes for the others too, you know. That as we’re all sort of branching out. Which we were occasionally all the time, you know. Like I did How I Won The War, I wrote In His Own Write and Paul wrote the music for Family Way, etc. and George went off to India with sitars and that. So it’s only, you know. We nip off and come back and do some work then nip off again, you know.

John and Yoko gave several interviews on September 12, 1969

[Will] The Beatles split up? It just depends how much we all want to record together. I don’t know if I want to record together again. I go off and on it. I really do.”

John Lennon, interview w/ Alan Smith for NME. (December 13th, 1969)

JOHN: I was really losing interest in just doing the Beatles’ bit – and I think we all were – but Paul did a good job in holding us together for a few years while we were sort of undecided about what to do, you know. And I found out what to do, and it didn’t really have to be with the Beatles. It could have been, if they wanted… But uh, it got that I couldn’t wait for them to make up their minds about peace or whatever. About committing themselves. It’s the same as the songs. So I’ve gone ahead – and I’d have liked them to have come along.

YORKE: Did you ever try to get them into the peace scene?

JOHN: I did a little at first, but I think it was too much like Yoko and me and what we’re doing and trying to get them to come along; and I think they reacted. I hassled them too much, so I’m really leaving them alone. Maybe they’ll come along, wagging their tails behind them, and if not, good luck to them.

John Lennon, interview w/ Ritchie Yorke. (December 23rd, 1969)

“This is why I’ve started with the Plastic Ono and working with Yoko . . . to have more outlet. There isn’t enough outlet for me in the Beatles. The Ono Band is my escape valve. And how important that gets, as compared to the Beatles for me, I’ll have to wait and see.

NEW MUSICAL EXPRESS DECEMBER 13, 1969

1970:

Why do you think he [Paul] has lost interest in Apple?

That’s what I want to ask him! We had a heavy scene last year as far as business was concerned and Paul got a bit fed-up with all the effort of business. I think that’s all it is. I hope so.

John Lennon interviewed by Roy Shipston for Disc and Music Echo (February 28, 1970)

John’s view is: “Okay. If this is it, this is it. We’ve all left the Beatles anyway.” If Paul were to approach him and say, “Let’s do it together again,” he probably would; with no more words, he probably would do it.

The Party's Over for the Beatles - written by Derek Taylor

Now even Lennon was prepared to hint at a positive outcome: 'I've no idea if the Beatles will work together again, or not. I never really have. It was always open. If somebody didn't feel like it, that's it! It could be a rebirth or a death. We'll see what it is. It'll probably be a rebirth.'

You Never Give Me Your Money – Peter Doggett

'Eventually,' McCartney recalled, 'I went and said, "I want to leave. You can all get on with Klein and everything, just let me out." Having not spoken to Lennon for several weeks, he sent him a letter that summer, pleading that the former partners 'let each other out of the trap'. As McCartney testified, Lennon 'replied with a photograph of himself and Yoko, with a balloon coming out of his mouth in which was written, "How and Why?" I replied by letter saying, "How by signing a paper which says we hereby dissolve our partnership. Why because there is no partnership." John replied on a card which said, "Get well soon. Get the other signatures and I will think about it.” Communication was at an end. Yet the press continued to believe, fired by hope more than evidence, that it was only a matter of days before the four men healed their wounds. The stories taunted McCartney, who fired off a letter to the prime offender, Melody Maker: 'Dear Mailbag, In order to put out of its misery the limping dog of a news story which has been dragging itself across your pages for the past year, my answer to the question, "Will the Beatles get together again?"...is no.' He had finally pronounced the verdict that was missing from his self-interview in April: the Beatles were no more.

You Never Give Me Your Money – Peter Doggett (note: John is stalling)

For McCartney, and maybe Harrison and Starkey as well, this signified hope. ‘For about three or four months,' he recalled years later, 'George, Ringo and I rang each other to ask, "Well, is this it, then?" It wasn't that the record company had dumped us. It was just a case of: we might get back together again. Nobody quite knew if it was one of John's little flings, and that maybe he was going to feel the pinch in a week's time and say, “I was only kidding.” I think John did kind of leave the door open. He'd said, “I'm pretty much leaving the group, but...” McCartney testified in 1971, ‘I think all of us (except possibly John) expected we would come together again one day.

You Never Give Me Your Money – Peter Doggett

John: George was on the session for Instant Karma, Ringo’s away and Paul’s – I dunno what he’s doing at the moment, I haven’t a clue.

Interviewer: When did you last see him?

John: Uh, before Toronto. I’ll see him this week actually. If you’re listening, I’m coming round. (Note: as AKOM point out, Toronto was before the divorce meeting. Why is he pretending it never happened?)

Feb 6th 1970 (audio snippet approx 1:14:00)

Interviewer: What about the Beatles all together as a group?

John: As soon as they’re ready, you know, we had half the Beatles on again at the Lyceum Ballroom. Uh it was George and me but we also had Delaney and Bonney and 17 piece band we had on, it was a great experience. Uh it should be like that you know, if we were doing that and all the Beatles wanted to come it would be great, and it would be no great thing about ‘oh the Beatles are coming back on stage’ like they expect, sorta of, Buddha and Mohammad to come on and play. I keep saying that, but that’s the fear the Beatles have, including me as a Beatle, about performing. It’s such a great – so much expected of us, you know, but you see George has been on tour with Bonnie and Delaney playing and I’ve been drifting around playing, it’s just playing isn’t the hang up. It’s going on as the Beatles that’s the problem for us.

1970 (audio snippet approx 1:23:00)

Interviewer: Do you care about making another Beatles album?

John: I think Beatles is a good communication media you know, and I wouldn’t destroy it out of hand or dissolve it out of hand. So that’s what I think about Beatles.

1970 (audio snippet approx 1:41:00)

Interviewer: Why do you think rumours like this start?

John: Because there was a lot of tension around the Allen Klein coming in days and the ATV thing going on, and the Beatles were under a lot of pressure and we had to be together all the time, fighting and arguing and listening to all the different business things. And so we’re taking a break from each other like we always did after a tour end. The business thing is like a heavy tour, in it we may get back in abbey road and a couple of singles and under a great strain you know, doing that business. And so now we’re just taking a break from each other.

1970 (audio snippet approx 1:41:00)

You can’t pin me down because I haven’t got- there’s no- it’s completely open, whether we do it or not. Life is like that, whether I make another Plastic Ono album or Lennon album or anything is open you know, I don’t like to prejudge it. And I have no idea if the Beatles are working together again or not, I never did have, it was always open. If someone didn’t feel like it, that’s it. And maybe if one of us starts it off, the others will all come round and make an album you know.

1970 (audio snippet approx 1:43:00)

In 1964 I produced a book, they were asking me that then, and why should I not write a book? The Beatles wanted me to do it, they wanted me to do these LPs, you know, they have nothing against it – I want George to produce and record any records he wants to. It doesn’t interfere with Beatle time, I use my own time to do other things and so do they. The Beatles will remain, there’s no doubt about that. And we’ve been saying it since She Loves You, we’re together and that’s it.

1970 (audio snippet approx 1:45:00)

I just uh I wanted to do it [announce the breakup] you know, should’ve done it. I think damn, shit, what a fool I was. But there were many pressures at that time, I think Northern Songs and all that was going on, it would’ve upset the whole thing. (Note: again as AKOM point out, the Northern Songs fight ended the day before the divorce meeting. Why would the pressure of Northern Songs impact John's decision not to announce the breakup?)

Lennon Remembers

1971:

INT: I asked Lee Eastman for his view of the split, and what it was that prompted Paul to file suit to dissolve the Beatles' partnership, and he said it was because John asked for a divorce.

JOHN: Because I asked for a divorce? That's a childish reason for going into court, isn't it?

John Lennon interviewed by Peter McCabe and Robert Schonfeld at the St. Regis Hotel, September 5, 1971

Well, there was this Japanese monk, and it happened in the last 20 years. He was in love with this big golden temple, y’know, he really dug it, like—and you know he was so in love with it, he burnt it down so that it would never deteriorate. That’s what I did with the Beatles.

John Lennon, interview w/ Alan Smith for NME: At home with the Lennons. (August 7th, 1971)

MCCABE: Let’s talk a bit about Paul’s aversion to Klein. From what we’ve read it seemed as if this wasn’t there in the beginning, even though Paul wanted the Eastmans to run things. But it came on later as things progressed. And yet despite this, we gather that Klein was still hoping that Paul would return to the group.

JOHN: Oh, he’d love it if Paul would come back. I think he was hoping he would for years and years. He thought that if he did something, to show Paul that he could do it, Paul would come around. But no chance. I mean, I want him to come out of it, too, you know. He will one day. I give him five years, I’ve said that. In five years he’ll wake up.

MCCABE: But Klein is still hoping?

JOHN: He said to me, “Would you do it, if we got your immigration thing fixed? Or if we could get rid of the drug conviction?”

YOKO: And people don’t understand, you know. There’s so many groups that constantly announce they’re going to split, they’re going to split, and they can announce it every year, and it doesn’t mean they’re going to split. But people don’t understand what an extraordinary position the Beatles are in, you know. In every way. They’re in such an extraordinary position that they’re more insecure than other people. And so Klein thinks he’ll give Paul two years Linda-wise, you know. And John said, “No, Paul treasures things like children, things like that. It will be longer.” And of course, John was right.

John Lennon and Yoko Ono, interview w/ Peter McCabe and Robert Schonfeld. (September, 1971)

It was true, that when the group was touring, their work and social relationships were close, but there had been a lot of arguing, mainly about musical and artistic matters. I suppose Paul and George were the main offenders in this respect, but from time to time we all gave displays of temperament and threatened to ‘walk out’. Of necessity, we developed a pattern for sorting out our differences, by doing what any three of us decided. It sometimes took a long time and sometimes there was deadlock and nothing was done, but generally that was the rule we followed and, until recent events, it worked quite well. Even when we stopped touring, we frequently visited each other’s houses in or near London and personally we were on terms as close as we had ever been. If anything, Paul was the most sociable of us. From our earliest days in Liverpool, George and I, on the one hand, and Paul, on the other, had different musical tastes. Paul preferred ‘pop-type’ music and we preferred what is now called ‘underground’. This may have led to arguments, particularly between Paul and George, but the contrast in our tastes, I am sure, did more good than harm, musically speaking, and contributed to our success.

If Paul is trying to break us up because of anything that happened before the Klein–Eastman power struggle, his reasoning does not make sense to me.

John Lennon’s affidavit – From “The Beatles Diary Volume 2: After The Break-Up 1970-2001” by Keith Badman

JOHN: Yeah, Gilbert and Sullivan. I always remember watching the film with Robert Morley and thinking, “We’ll never get to that.” [pause] And we did, which really upset me. But I never really thought we’d be so stupid. But we did.

WIGG: What, like splitting like they did?

JOHN: Like splitting and arguing, you know, and then they come back, and one’s in a wheelchair twenty years later—

YOKO: [laughs] Yes, yes.

JOHN: —and all that. [laughs; bleak] I never thought we’d come to that, because I didn’t think we were that stupid. But we were naive enough to let people come between us. And I think that’s what happened. [pause] But it was happening anyway. I don’t mean Yoko, I mean businessmen, you know. All of them.

October, 1971 (St Regis Hotel, New York)

Q: "Did Klein hope to get Paul back into the group?"

JOHN: (laughs) "He came up with this plan. He said, "Just ring Paul and say, 'We're recording next Friday, are you coming?' So it nearly happened. Then Paul would have forfeited his right to split by joining us again. But Paul would never, never do it, for anything, and now I would never do it."

St Regis Hotel Interview, September 5th, 1971.

John would say things like, ‘It was rubbish. The Beatles were crap.’ Also, ‘I don’t believe in The Beatles, I don’t believe in Jesus, I don’t believe in God.’ Those were quite hurtful barbs to be flinging around, and I was the person they were being flung at, and it hurt. So, I’m having to read all this stuff, and on the one hand I’m thinking, ‘Oh fuck off, you fucking idiot,’ but on the other hand I’m thinking, ‘Why would you say that? Are you annoyed at me or are you jealous or what?’ And thinking back fifty years later, I still wonder how he must have felt. He’d gone through a lot. His dad disappeared, and then he lost his Uncle George, who was a father figure; his mother; Stuart Sutcliffe; Brian Epstein, another father figure; and now his band. But John had all of those emotions wrapped up in a ball of Lennon. That’s who he was. That was the fascination.

I tried. I was sort of answering him here, asking, ‘Does it need to be this hurtful?’ I think this is a good line: ‘Are you afraid, or is it true?’ – meaning, ‘Why is this argument going on? Is it because you’re afraid of something? Are you afraid of the split-up? Are you afraid of my doing something without you? Are you afraid of the consequences of your actions?’ And the little rhyme, ‘Or is it true?’ Are all these hurtful allegations true? This song came out in that kind of mood. It could have been called ‘What the Fuck, Man?’ but I’m not sure we could have gotten away with that then.

Paul McCartney, on “Dear Friend”. In The Lyrics (2021).

Q: “If you got, I don’t know what the right phrase is… ‘back together’ now, what would be the nature of it?” JOHN: “Well, it’s like saying, if you were back in your mother’s womb… I don’t fucking know. What can I answer? It will never happen, so there’s no use contemplating it. Even if I became friends with Paul again, I’d never write with him again. There’s no point. I write with Yoko because she’s in the same room with me.” YOKO: “And we’re living together.” JOHN: “So it’s natural. I was living with Paul then, so I wrote with him. It’s whoever you’re living with. He writes with Linda. He’s living with her. It’s just natural.””

St. Regis Hotel Interview, September 5, 1971

1973:

My last question was inevitable… Any chance of us seeing the four Beatles on a stage or record together again? “There’s always a chance,” grinned John. “As far as I can gather from talking to them all, nobody would mind doing some work together again. There’s no law that says we’re not going to do something together, and no law that says we are. If we did do something I’m sure it wouldn’t be permanent. We’d do it just for that moment. I think we’re closer now than we have been for a long time. I call the split the divorce period and none of us ever thought there’d be a divorce like that. “That’s the way things turned out. We know each other well enough to talk about it.””

John Lennon, interview w/ Chris Charlesworth for Melody Maker. (November 3rd, 1973)

MINTZ: Would you want to initiate that happening?

JOHN: Uh… Well, I couldn’t say. [long pause]

MINTZ: If you could, I mean is it something you would like to see yourself doing?

JOHN: If I could… I don’t know, Elliot, because you know me, I go on instinct. And if the idea hit me tomorrow, you know, I might call them and say, “Come on, let’s do something.” And so I couldn’t really tell you. If it happens, it’ll happen.

MINTZ: So it’s not something that you would totally rule out as never taking place again?

JOHN: No, no. My memories are now all fond and the wounds are healed. And if we do it, we do it, if we record, we record. I don’t know. As long as we make music.

November 1st/10th, 1973 (Malibu, Los Angeles): For Eyewitness News on KABC TV Los Angeles, Elliot Mintz

1974:

“No, no, no,” he answered and he meant it. “I’m going to be an ex-Beatle for the rest of my life so I might as well enjoy it, and I’m just getting around to being able to stand back and see what happened. A couple of years ago I might have given everybody the impression I hate it all, but that was then. I was talking when I was straight out of therapy and I’d been mentally stripped bare and I just wanted to shoot my mouth off to clear it all away. Now it’s different.

“When I slagged off the Beatle thing in the papers, it was like divorce pangs, and me being me it was blast this and fuck that, and it was just like the old days in the Melody Maker, you know, ‘Lennon Blasts Hollies’ on the back page. You know, I’ve always had a bit of a mouth and I’ve got to live up to it. Daily Mirror: ‘Lennon beats up local DJ at Paul’s 21st birthday party’. Then we had that fight Paul and me had through the Melody Maker, but it was a period I had to go through.

John Lennon, interview w/ Ray Coleman for Melody Maker: Lennon – a night in the life. (September 14th, 1974)

John seemed to be in a very strange state of mind about the dissolution. From the hints he had dropped since we had been together, I had learned that John’s departure from the Beatles had essentially been Yoko’s idea. Without Yoko to drive him forward, he felt strangely ambivalent about officially ending the Beatles at that moment. By nature, also, he felt inclined to take a position opposite from that of Paul McCartney. Paul desperately wanted that agreement signed. Whether or not it was the best thing for him to do, John, on principle, was inclined not to want to sign it.

May Pang, Loving John. (1983)

I’ll tell you exactly why I said that. We had a business meeting to break up The Beatles, one of the famous ones that we’d been having — we’re still having them 17 years later, actually. We all flew in to New York specially. George came off his disastrous tour, Ring of flew in and we were at the Plaza for the big final settlement meeting. John was half a mile away at the Dakota and he sent a balloon over with a note that said ‘Listen to this balloon.’ I mean, you’ve got to be pretty cool to handle that kind of stuff.

George blew his cool and rang him up: ’You fucking maniac!! You take your fucking dark glasses off and come and look at us, man!!’ and gave him a whole load of that shit. Around the same time at another meeting we had it all settled, and John asked for an extra million pounds at the last minute. So of course that meeting blew up in disarray. Later, when we got a bit friendlier — and from time to time there would be these little stepping-stones of friendship in the Apple sea — I asked him why he’d actually wanted that million and he said, I just wanted cards to play with. It’s absolutely standard business practice. He wanted a couple of jacks to up your pair of nines. He was one great guy, but part of his greatness was that he wasn’t a saint.

Paul McCartney: An Innocent Man? (October, 1986) (note: John is STILL stalling)

At that moment, John was at his most unpredictable. Suddenly his fears that his money was going to be taken away from him, that he was going to be cheated, that he had to have as much money as possible, had all come into play. This was also John’s way of resisting the reality that the Beatles were officially about to come to end, and that Paul was about to prevail.

Loving John, MAY PANG (1983)

1975:

“At the time I was thinking that I didn’t want to do all that Beatles—but now I feel differently. I’ve lost all that negativity about the past and I’d be happy as Larry to do ‘Help’. I’ve just changed completely in two years. I’d do ‘Hey Jude’ and the whole damn show, and I think George will eventually see that. If he doesn’t, that’s cool. That’s the way he wants to be.”

John Lennon, interview w/ Chris Charlesworth for Melody Maker: Rock on! (March 8th, 1975)

1976:

“I’ve always felt that splitting up was a mistake in many ways” John Lennon has said, and he believes a Beatles revival “would undoubtedly produce some great music.”

Australian Woman’s Weekly, 1976

1980:

“I and the other three former Beatles have plans to stage a reunion concert…” (Part of a statement in the legal disposition brought by Apple Corps against the ‘Beatlemania’ stage musical for trademark infringement. John was referring to an event that was to be filmed for a documentary being put together by Neil Aspinall. It was abandoned/shelved after John’s death, but ultimately became the Anthology project)

John Lennon, 1980

“Just days before his brutal death, John was making plans to go to England for a triumphant Beatles reunion. His greatest dream was to recreate the musical magic of the early years with Paul, George and Ringo … (he) felt that they had traveled different paths for long enough. He felt they had grown up and were mature enough to try writing and recording new songs.”

Yoko Ono, quoted in The Beatles: The Dream Is Over - Off The Record 2 by Keith Badman

#the beatles #john lennon #paul mccartney #george harrison #ringo starr #there are absolutely quotes that contradict these (ie paul not wanting the breakup and the others wanting it) but we see those constantly #mclennon #almost forgot to tag them but lbr it's all about them

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sweetlikehoneystingslikeabee · 6 months

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Hi, I love your writing, could I request fluff hcs for Riddler, Penguin, Scarecrow, and Two Face with an S/O who loves stroking their hair?

"Hair Stroking" Riddler, Penguin, Scarecrow, Two-Face x Reader

Absolutely, love! Let's see what we can cook up for you today. I relate to this on either side, I love having my hair stroked by someone I trust and I like doing it.

TW: None

Riddler

Oh. Oh. The very first time you do it, he's melting. Full on in his seat, sinking into whatever chair he's doing. If he was speaking, it slowly fades out to a comfortable hum. A love-struck smile on his face.

"And to what do I owe the pleasure?" He's almost singing your praises. It's been stated on this blog before, but Edward is affection and touch starved. Something small and intimate like that would be such an emotional reward for him. Kissing whatever parts of you he can reach depending on position, the mellowed out sigh on contact.

He's almost catlike in the way he'll enter a room on a bad day and insist on laying with his head in your lap or even sitting on the floor in front of you (despite his bad knee). Then practically grabbing your hand to put in his hair. Stroke now, please.

Penguin

Insists he doesn't need all that. At first he makes the assumption that you're doing it for him rather than you. Wanting to show him you don't mind touching him, past self esteem issues, etc etc. He'll feel... rather embarrassed finding out that you just like to do that. What narcissism- Who is he, Nygma?

Once he knows it's something you genuinely enjoy, he'll give you plenty of opportunities in private to do that. Perhaps even during meetings as a power-play. You in a slinky outfit, one arm over his shoulder and the other playing with the back of his hair as he talks down to some bit player in the city.

One way he really likes it is if the two of you are in the tub- He'll move over to sit in front of you, careful to not put his full weight on you- eyes closing as you massage in shampoo with the hair stroking. Makes him feel like royalty.

Scarecrow

Tells himself at first he allows you to do it because you obviously like it. Man can be prickly, whether he intends to be or not. The first time he may have even jumped a little at the contact. Not out of fear, no, he insists to himself. A majority of his life this sort of affection has been missing. It's strange to get used to now.

It's when he leans against you while the two of you are on the couch and you just sort of... absentmindedly do it. It's so soft and genuine he can't help but enjoy it. He doesn't notice he's putting his dead weight on you unless you say something. Then he's quickly sitting up as if he's forgotten himself.

It'll take time for him to fully relax into the hair-stroking. He ends up really enjoying it when he's reading and you're either watching something or reading over his shoulder. The two of you laying together. Every once in a while he'll gaze up for a kiss.

Two-Face

Harv will say it's goofy and he doesn't think it's necessary. If you want to, sure, but don't expect him to fawn over like some people. This is before Harvey realizes how much he likes it and gets enjoyment from it. Winding down after a rough day of running things in Gotham and here you both are, a glass of wine in his hand and your hands in his hair. It's pampering that he deserves.

Once Harv has seen this a couple times, he feels irritated. No, he doesn't care, if Harvey likes it and he doesn't that's fine- Yet he pushes himself to the front of speaking while you're doing it to Harvey at some point. He growls low out of the scarred side of his face. Don't say it. Don't say a fucking word about him being jealous. Just... keep doing what you're doing and kiss him already.

Between the two of them, Harvey still enjoys it much more it's true. It's very affectionate and puts him in a fantastic headspace. Fuzzy and warm. Harv wants it when he's feeling more vulnerable and needs a bit of reassurance. There are times when the two of them sit "side by side" within their mind and bask in the love. Watching Columbo reruns or Matlock.

#Riddler #Penguin #Scarecrow #Two-Face #foxwriting

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cherry-pop-elf · 7 months

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🧹 Training 🧹

George Weasley X Wheelchair Reader GN (Warning: Fluff)

“Easy-!” You laughed, as George was zipping you through the hallways of the castle. Was your own fault for trusting a Weasley with the reigns of your chair. A Weasley twin no less. On the bright side, you always got to your destinations faster then if you pushed yourself on your own. Was nice to give your arms a break. Hogwarts wasn’t the friendliest with your chair, so George offering help was nice. You couldn’t help but feel guilty that someone had to push you everywhere, but that Weasley Charm washed it all the way. “I need to practice my speed, if we want to defeat Slytherin next week.” George would laugh off your protest, as he made a sharp turn around the corner. Nearly sent you both flying, but he always managed to keep your chair down on the ground. “GEORGE-!” Even in your panic, there was a thrill. A thrill of just being two friends having fun. “Do me a favor and gain some weight. You are WAY to easy to push around. No resistance at all!” He scoffed, as you two were soon zooming through the courtyard. The target being the wooden bridge. You wondered how your wheels haven’t popped a flat yet. “If you want to ask me out, just say so-!” You tried to meet his energy, as you held on for dear life. Watching as the evening light flickered through the wooden beams of the shelter. The distant sound of the water fluttering between the thumps of your chair on the floor boards. “Nah, I’ve never been one who’s direct~!” He teases, with ease, leaving you warm in the face from his remarks. How he was able to still talk steady, while doing so much running, is yet another mystery for Hogwarts to hold. Was just perfect, until you both forgot about the bump at the end of the bridge. Where the wooden boards meet earth. It was a total wipe out, as you were suddenly on the ground. Staring up at the sky, as your wheelchair toppled over. Nothing Repairo can’t fix. You sat up, and shook your head. You experience more pain in just putting on pants then going flying down a hill. With a look around, you would see George having his share in the crash. Face full of dirt, as his Quidditch uniform was muddied up. “If you need the wheelchair, get your own.” You warned, but did hold some worry. Sure, he plays Quidditch, but empathy is empathy. “You good?” You asked, getting a thumbs up. “Good, now get me back in my chair. Think you broke something-“ Was nice to joke about your issues. So many people would get uncomfortable whenever you talked about being disabled. George was always able to meet your energy. Make you feel normal. Like right now. How he got up, tossed his long hair back, and stuck his tongue out at you. “Your arms work! Just crawl!” He cackled, as you have a dramatic flop. “But I am so helpless, weak, fragile. Oh, I see the light-!” You sobbed, as you reached for the sky. “Alright alright. Can’t have you leave me behind like that. I’ll get lonely.” George would playfully kick your side, before fixing your chair for you. Making sure the wheels were on tight, before easily hoisting you up in his arms. Those Quidditch Players. So strong. “Or do you prefer this ride?” He puzzled, with a eyebrow wiggle. That quickly had you yank his Quidditch hood over his face. “Knock it-“ You warned, but smiled. He would toss his head back, still smiling that Weasley smile, before gently placing you back down. Making sure you were comfortable, and secure, before being far slower with you down the hill. “Think that’s enough training for one day.” George admits, as he did have a few scrapes now. “So about gaining weight-“ He nudged your shoulder. “Hm…..I don’t know-“ You playfully muse. “The lakes right there, just gotta-“ And he slowly started to tip you forward. “HEY HEY-!” You quickly held on, as he laughed at the panic. That’s what you get, for falling with a Weasley. “You are paying though.” You warned. “Wow, really? Disabled AND a leech.” He scoffed, but it was always in jest. It was always normal. You couldn’t have asked for anything else. “Butterbeer does sound good right now-“ You admit, as he rolled you off to Hogsmeade, enjoying the ride.

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splatsvilles-fashionista · 2 years

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Salmon Run tips for beginners

My last post about Salmon Run, the one about Explosher, was kind of a hit, and I had some other advice that I wanted to share with people new to the series. Salmon Run gets pretty intense and stressful as you climb the Grizzco-rporate ladder, so hopefully some of these tips will ease that burden for you all just a bit.

That said, here’s some things I would suggest new players keep in mind! People who have played for a long time will probably not need me to tell them these things, but you never know, sometimes a reminder is nice.

Killing bosses is more important than collecting golden eggs. This might seem contradictory at first, after all, collecting golden eggs is how you win waves. While this is true, you also need to survive the wave, and the thing most likely to lose you the wave is not having too few eggs, but being overwhelmed by bosses. Boss Salmonid control vast amount of space with their size, damage, and paint output, and leaving them unattended for too long, even the more passive ones like Drizzlers and Fish Sticks, can very quickly spiral out of control as more of them spawn and completely take over the stage. This isn’t to say that you should ignore eggs entirely and run towards a boss at every given opportunity, but I’ve seen people basically pretend bosses don’t exist and instead try to ferry six eggs from the shoreline to the basket on their own, and this can cause far more harm than good. Move around stage with purpose and pitch in eggs where you can, but never sit idle. Time is precious and it’s on you to use it well.

Adapt to the weapon you’re assigned. All weapons have their own strengths and weaknesses, and you should act in accordance to them. If you get a Charger, park yourself up on a ledge and support your team from afar. If you get a shooter, move around the front line mowing down regular Salmonid, and so on. Far too often I see people approach all situations the same regardless of what they’re armed with, and it usually ends in disaster. Chargers and Exploshers rushing in to gather eggs who get themselves trapped and dogpiled, short-range shooters that try in vain to shoot down Steelheads or Slammin’ Lids, getting tunnel vision in the progress. I know not everyone can be good at or even like all weapons, but you should always try to use whatever you’re given to the best of your ability.

If possible, drag bosses to the basket. Okay, so when I said you should kill bosses as soon as possible, I was actually lying. There are a lot of boss Salmonid who don’t pose a threat until they’re right on top of you, like Maws, Scrappers and Steel Eels. So why go through all the trouble of dragging all of the eggs you’ll get for splatting one of them to the basket when you can make the boss itself do it for you? This was common knowledge in Splatoon 2, but it’s something I see a lot of people disregard in 3 now that we have egg throwing, but throwing eggs come with a hefty ink cost every time you do it, so it is usually more efficient to pull the boss to the basket first. Trust me when I say that doing this will save you a lot of time and effort, and having eggs around the basket when things go south is often what saves an entire run.

Use the Squid Roll! Squid Rolls are one of the fancy new things in Splatoon 3, and its something a lot of people forget about, but it has a lot of useful applications in Salmon Run. One of the simplest applications is to start doing them as you pick up eggs, immediately shifting your momentum in a different direction and letting you get back to the basket faster. Squid Rolling also gives you a bit of ink armor, letting you tank some extra damage. If you haven’t used Squid Rolls much up to now, experiment with it for a bit, I think you’ll be surprised by the ways in which it might help.

Don’t forget about bodyblocking. Did you know that your body can block bullets from your own team? This is most commonly an issue with Shooters and Splatlings, and can cause some serious headaches if you or your teammates aren’t cognizant of it. It can especially become a problem in Glowfly waves, where the whole team is usually huddling together and guarding a single pathway. Don’t be the one who loses your team the wave because you soaked an entire charge’s worth of shots from your Hydra teammate.

And that’s all I have for now, I think, don’t want this post dragging on for too long. Hopefully this will be useful to someone out there!

#splatoon #splatoon 3 #salmon run

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honeyjars-sims · 4 months

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2.6 Stoking the Flames

Nico: Thanks for offering to stay late and help out, Chantal. We need all the help we can get right now but unfortunately, some of the people on my team aren’t what you’d call team players.

Chantal: No problem! Thanks again for helping calm me down earlier. You were right, I was blowing things out of proportion. The nasty comments have already died down a lot.

Nico: What did I tell you? Trust me, I do know what I’m doing. I wouldn’t lead you astray, would I?

Chantal: Of course not. I guess I just have a lot to learn about how all of this works.

Nico: It’s not intuitive, that’s for sure. You’re quite intelligent; I’m sure in time you’ll become more savvy to the ins and outs of the business world.

Chantal: I’ll definitely try! I’m glad to have the opportunity to work on something besides the reviews and broaden my skill set.

Nico: Well, I appreciate it. I know Ambrose does, too. She has her hands full with trying to stop production on the lubes that have been causing the reactions, as well as finding out what caused the reactions in the first place. As for me, I’m trying to shift the focus off of the lubes and onto some of our tried and true products. I’d like to take a more subtle approach than what the reviews were doing. Do you have any suggestions?

Chantal: Hmm, maybe you could write some articles that highlight some of the ingredients you use and how they’re sourced so you can show people that they’re trustworthy?

Nico: I like that idea. It could show that the lube issue is just an isolated incident. I’ll gather a list of ingredients I’d like to highlight and we can start by researching potential benefits. If all goes well, you can get started with the articles tonight.

Chantal: You want me to write them? Really?

Nico: Sure, it was your idea! Of course, they’ll need to be approved like the reviews were, but I think you can handle it. Well, let’s get started. I’m sure neither of us want to be here all night.

[A couple of hours later]

Nico: Great work so far! I think we might be able to pull this off.

Chantal: Thanks again for giving me the opportunity. I’m really learning a lot here. I’m really glad I took this job.

Nico: I’m glad you took this job, too. [Nico pauses] Damn. I wish I could get you out of my head. I’m going to get myself into trouble.

Chantal: I can’t get you out of my head, either.

Nico: God, you’re gorgeous. You better stop me before I make a mistake here.

Chantal: I don’t want you to stop.

[Nico and Chantal start kissing, and it appears that an unidentified person who's on their way downstairs may have caught a glimpse of the pair in action. Unaware of the prying eyes, Nico and Chantal continue, and end up having s*x a good time on Nico's desk.]

Previous | Beginning of story | Beginning of chapter | Next

#who is it???#and will they keep this to themself?#ts4 #sims 4 #the sims #ts4 story #simblr #ts4 stories #sims story #sims storytelling #simlit #stksafeharbor #sh:chantal #sh:nico #safeharborstory

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shina913 · 1 year

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On Tilt, Part 5.1 | KNJ

On Tilt, Part 5.1

Definition: a poker term for a state of mental or emotional confusion or frustration in which a player adopts a suboptimal strategy, usually resulting in the player becoming overly aggressive.

On Tilt Masterlist

Pairing: Namjoon x Fem!Reader

Rating: M 🔞

Genre: idol!AU; strangers-to-FWB-to-lovers; toxic relationship; angst; fluff; smut

Warnings: unhealthy/toxic relationship dynamic; cussing; miscommunication; mentions of alcohol consumption; trouble setting personal boundaries; lots of pain in the end

Word count: 2.1K words

Summary: You’ve said time and time again that you wouldn’t lose yourself to him. You were in control now. You were going to make better choices. For a minute there, you were able to keep up with it. It wasn’t ‘til Namjoon’s extended break that you found yourself falling into old habits. Will you ever learn to quit Kim Namjoon?

A/N: Thanks for being soooo patient with my super-slow updates. This is a flashback chapter, from time when they first broke up. I have the subsequent chapter about 70% of the way through. I just had the itch to post so--hope you enjoy! Thanks to my loves, @internetjunkdrawer and @itdoesntmatterwhy for reading this through and for the general screaming 🥹💜 Also, special s/o to @yoongukie-ff for letting me whine into your DMs about this and picking your brain! I appreciate you all sooo much for fueling this writer's delusions 🤡

Years ago…

Namjoon sits in a corner of the dressing room, surrounded by the buzzing activity of his teammates. Stylists make last-minute adjustments to the members' wardrobe, tech guys fix an issue on one of the mic packs, and a few more swipes of tinted lip balm are applied. Strands of hair are sprayed into place so they fall at just the right angle.

The group has just kicked off their European tour, and there are 20 minutes left before they must take their places for their opening set. This is when Namjoon usually gives his teammates a pep talk.

For now, he sighs and quietly rubs the inner corners of his eyes with his thumb and forefinger. He knows he'll have to summon all the gods he hasn't believed in for years to give him the strength to motivate his teammates. Deep down, he’s desperate to feed off their energy in order to get through tonight's performance.

An hour ago, while getting mic'd up and prepped for the show, one of the assistants snuck in amongst the flurry of arms that fussed over Namjoon to hand him his phone. His face lit up when he saw your name reflected on the screen. When he unmuted the phone’s microphone, the first thing he said to you was that there's a museum he's excited to check out at one of their tour stops. They have a few days of rest coming up between shows, and he wants to fly you out to where he'll be.

“Yeah, about that.” There was an edge to your voice that made him worry. ”I don’t know if I can go.”

He brushed his thoughts aside, thinking you might still be traumatized from the last time he flew you out and the airline lost your baggage. You didn't get your personal items back until the day before you had to fly back home. He tried to console you, saying, "The label charters our flights now, so you won't have to deal with any commercial flight issues anymore. Trust me, it's going to be better and less stressful."

Whenever Namjoon wanted something, he would do and say anything to get it.

“I know, but–” You tried to jump in but Namjoon continued to convince you.

“Is it a problem with your visa? We still have two weeks, I can ask one of the managers to call our guy at the consulate–”

“Namjoon! There’s no need for that.” You finally interrupt.

“Then what’s the problem?” He asks casually.

“It’s not a problem per se. I just don’t know if I can keep hopping on planes on random days of the year just to spend time with you.”

"Baby," he says softly, disregarding the fact that staff can hear every word he says but are hard-wired to ignore it. "This is my job. You know how it is."

"Believe me, I'm fully aware," you respond wryly.

"Okay so then why are we still having this conversation?" He says with a chuckle.

His cocky tone annoys you. And although you didn't mean to bring it up during this conversation, you decide now was as good a time as any other.

"I've met someone."

At that point, he promptly asks the assistants to give him some privacy. This isn't going to be one of those on-the-go phone calls where he'd be having short chats with you while people combed his hair and reapplied his lip balm.

He murmurs something you could only make out as ‘hold on’ while he walked away from staff.

He retreats to a utility room and closes the door behind him. When he's alone, his first reaction is to let out an awkward chuckle, although he isn't sure why. Maybe he thinks this is a joke and that you're trying to pull a fast one on him. "Wait, what do you mean 'you've met someone'?"

“I mean, I went out on a date…with a guy,” you pause for a beat before continuing, “I think I want to see where things go.”

“You think or you know?”

The edge in his voice makes you let out an exasperated breath. “Joon…”

“How did that even happen? I didn’t know that you were seeing other people.”

“Excuse me?” You try your best to pull back your irritation.

Namjoon catches himself. “I mean, I thought, you know…I didn’t think you were looking,” he mutters awkwardly.

“Well, you and I are both single, right? No commitments–that’s just facts.”

He falls silent, struggling to find the right words. You’ve been friends for years and have been in this 'situationship' for nearly half that time. He could be away for weeks and months, but one thing's for sure – he knew that he could always come home to you. It's always been you and him.

He tries to reason, "Yeah, but...I thought that we-"

"Look, let's be real. When has there ever been a 'we'?"

Namjoon had never thought of it that way. He always assumed that you agreed to this setup.

"It was my fault for letting this go on for as long as I have, thinking that it wouldn't be a big deal. I'm realizing now that it was a mistake."

Your words pierced him like a hot blade. His voice softens, "Hey…you don't really believe that, do you?"

It took you a few moments to answer. For a while, you had been understanding and patient with him. You had no problem rearranging your life to fit his, and while you agreed to no labels, you at least hoped for some consistency. He didn't deliver on that either. It had been one too many last-minute cancellations, and you were done being left alone at planned getaways, family gatherings, and even something as simple as a movie night on your couch.

“You know, I’ve been thinking a lot about the future.” It wasn’t the answer he was hoping for.

He sighed heavily. He knew it was eating at you as the months turned to years, but you didn't press him. What could you do? Besides, it wasn't like he could do anything about it either. He had his career before you came along.

This was a conversation that he usually avoided, not because he didn't want to talk about it, but because there were always so many uncertainties in his life. One of the biggest uncertainties was his career. Sure, he could think about the future--if the future involved making more records and being the top pop group in the world.

"Did you know that you talk about the future a lot? What your teams have planned out; what the record label wants you to do; what concept you have for your next mixtape or mini-album. And it made me realize--what about me? What are my plans? What do I want to do?"

Guilt immediately ate at Namjoon when he realized that the only future he had ever talked about excluded you. It was odd because, at present, you were always there--a constant in his life. So it wasn't that he meant to exclude you; it's just that when it came to you, he never thought that the present and the future were two separate things.

And that was his fatal flaw.

"Things are going well at my new job. I finally got my own apartment, thanks to Lani. Everything is falling into place and it really got me thinking about what I want for the long term."

His shoulders sagged and his knees buckled. He leaned against the closest thing for support: a wood-paneled locker where athletes typically stored their equipment at the stadium.

He sank onto the bottom shelf and crouched, resting his elbows on his knees.

"You know that I can't give you a solid answer. Everything is still really complicated and that hasn't changed."

"I know that things haven't changed for you, but they have for me. The more I think about it, the more I feel that I want something more definite. Something more concrete. Something more...” you sigh, “Just…more," you finish emphatically.

Namjoon squeezed his eyes shut. He was miles away and too far to appease you.

“I don’t know that I can give you that assurance,” he said in defeat.

"I figured as much," your voice wavered. He heard rustling on the other end and guessed that you had pulled the phone away to compose yourself.

“Could we,” he hesitated for a second, “…can I see you when I get back in three weeks? We can sit and talk--”

He heard you clear your throat. “I don’t know if that’s a good idea.”

Just then, the door creaked open. He looked up to find one of the stage managers gesturing at their watch, realizing that he still needed to get his mic pack on and have his in-ear monitor wiring taped.

“Five minutes,” he says in a clipped manner, making the assistant retreat immediately.

He turns his attention back to the phone. “Sorry about that.”

“No, I should apologize. I didn’t mean to hold you up. And to be honest, I was hesitant to even have this conversation over the phone.”

“A little late for that,” Namjoon deadpans.

"Yeah, well," you shrug at the irony of it all. "Anyway, it's getting kind of late here. I know you have to go."

“Look, I...I just...I don’t know…” he stutters. You both fall silent again, with occasional static filling the dead air. He felt weird ending things like this but truthfully, he was caught off-guard and didn’t know what to say.

“Are you still there?”

After a few beats, you respond. "I'm here."

There is a small sigh of relief from him. “Can I call you after the show? Please?” It’s a last-ditch effort on his part, but you decide to give him some leeway anyway.

"If you want, sure. But I know you're usually tired."

“No, no. I'll call you, I promise,” he says firmly.

"Okay. Have...a good show," you say slowly. It is all you can offer as a sign-off.

“T-thanks. Uh...bye.” He stares at the darkened phone screen and nothing but his bewildered reflection looks back at him. Before he tries to make sense of your conversation, a persistent knock rings out. It’s the same assistant, firmly insisting that he needs to be mic'd up this instant.

With a small nod, he brushes his own thoughts aside. He still has a show to do and his team is counting on him. He needs to get his head in the game.

******

Namjoon had never tried so hard to be focused, or at least appear to be. He went about the show as usual, but his body didn't seem to belong to him. He smiled at the audience, nailed all the steps, spat all his lyrics, and got through all of their ending ments, just like the professional he was.

After he and the guys were shuttled back to their hotel, he immediately asked one of the managers to bring a few beers to his room.

Who cared what he wanted for himself? It wasn't like he could sustain a relationship while he was an active idol. Not only would it be too much fodder for tabloids, but it wasn't good for the fanbase.

At the end of the day, the team had to be the top priority. If the fanbase was shaky, then the team's future was in jeopardy.

He had already placed a huge wager on his career, and now was not the time to be emotional. He had to bet smart. His management team would tell him that you were a high-risk, low-reward gamble.

When you woke up the next morning, you saw a notification on your screen. It wasn't a call or text from Namjoon. Instead, it was a link to a replay of his drunken livestream.

You tried to convince yourself that you had made the right decision. Waiting to confront him face-to-face would have been too difficult. The mere sight of him standing in front of you, promising to make it up next time, would have been enough to weaken your resolve. You didn't want to return to an unhealthy situation. So, you took a deep breath and focused on the future, knowing that this was the best thing for both of you.

On the other side of the world, Namjoon finally opens his eyes, having given up pretending to be asleep. He spent the rest of his evening doom-scrolling through his social media feed, trying to come to grips with your last conversation. Amidst the pounding in his head, it finally hits him: you met someone else, and you have the chance at something real with this person. And that person isn't him.

It hurt to let you go like that. But looking back on it, he realized that you were brave enough to admit that you deserved better. He didn’t have the courage to do the same.

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