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quixoticall · 2 months

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This Could Get Ugly Track 5: The Beginning of the End

Summary: It's 1983 and The Downsides need another lead singer and you just happen to need a band--it's a perfect match. The only issue? You have to pretend to be in a relationship with your bandmate, Steve Harrington, but you can't help but be drawn to the band's broody guitar player.

pairing: s.h. x fem!reader, e.m. x fem!reader, j.b. x n.w.,

warnings: ANGST, drinking, drug use, smut, oral and fingering f receiving, p in v sex, the Harringtons make an appearance.

a/n: It has been a while my loves! If you've been following me at all, you know I've had a rough month. I really, truly appreciate every single one of you who has reached out and checked in! I appreciate you! This chapter is extra long to make up for lost time and it contains smut. It's my first time writing smut, so hopefully, I did not disappoint.

wc: 11.2K

MASTERLIST🎸

PLAY PREVIOUS TRACK 🎵

APRIL 28th, 1984 PHILADELPHIA , PA—THE UPSIDE DOWN TOUR

If you wanted to be technical about it, the whole thing started with Argyle.

The two of you were backstage, sitting outside the dressing rooms killing time during the opener—some local band that you weren’t previously familiar with.

You had always appreciated Argyle’s ability to be friendly with everyone and float above the tensions, that was the case especially now when things with the others seemed to have fallen apart a little.

You were sitting next to each other on the floor, backs against the wall, as you were running him through some of the songs that had made the preliminary list for the next album and asking for his input while he threw a bouncy ball against the opposite wall. You liked working with Argyle, he was out of the box, creative, and one of the most technically skilled band members. You had been sitting with him for only 30 minutes and he had already made one of your songs infinitely better.

“What’s the move tonight, dude?” he asks you, nonchalantly as you scribbled down some of his suggested changes.

You shrug in response, “I dunno, I might just go home and sleep after this, maybe work on the arrangements for this—” You wave your beat-up notebook in the air, and he scoffs.

“You like never come out with us anymore,” he exclaims, “I miss when we all used to party together, dude. Now you are all dropping like flies and it’s not as fun anymore!”

It was your turn to scoff at him, “Please, I was never the life of the party, Argyle, c’mon.”

“Are you kidding, dude? People would always show up in droves to see you. Plus, you’re like totally fun. Remember when you and Steve did karaoke in Austin and you both got on the bar? That was totally cool.”

You chuckle at the memory and concede, “Yeah, that was pretty fun, but you still have everyone else!”

“Well, you took my dude Eddie too,” he points out without malice.

“What do you mean?”

“He hasn’t come out since St. Louis—keeps saying he’s gonna stay in just in case you want to write with him.”

Of course, this is news to you. You hadn’t taken up Eddie’s offer to write together since he had spurned you in Missouri (and since he starred in a very vivid dream of yours). It wasn’t that you didn’t accept his apology (presented in the form of a ridiculously large flower bouquet) it was that thing would have been far too awkward at this point.

It wasn’t that you had a crush on him necessarily, you were pretty sure that mantle was still taken up by Steve to some extent, it was more that there was an undeniable sexual something between the two of you below the surface that your dreams had made obvious and you didn’t trust yourself to be alone in a room with him without wanting to rip his clothes off.

Obviously, giving in to your desires was a bad idea for a multitude of reasons but chiefly, because:

a. It would wreak havoc on the band.

b. You were certain Eddie wouldn’t reciprocate your advances.

But then… you had heard what Argyle had said.

“Wait, are you saying Eddie has been hanging out after shows just on the off chance that I may call him?” You confirm incredulously.

Argyle nods in response, “Yeah. Did you put a spell on him or something?”

“No,” you respond wryly, “I’m not that type of witch, I’m the bad kind of witch.”

“Well, you definitely did something to the dude, he’s been obsessing over whether or not you hate him and keeps trying to get me to ask.”

This takes you aback completely. Eddie caring so much what you thought of him that he’d be willing to ask Argyle, of all people to discreetly scope that out seems improbable so you continue to probe.

“What do you mean by that?”

“Well, he obviously thinks you’re pretty and he’s just been waiting around for you to call him up, and he cares a lot about what you think of him, which is weird because last time I checked he kinda hated you—no offense.”

“How do you know all this?” You ask, ignoring the offense.

“He told me, duh.”

“Have you told anyone else this?”

“No one else has asked,” Argyle says plaintively.

“Well, how about we keep all of this between the three of us, then?” You propose.

Before the drummer can confirm, the thundering applause signaling that the opening act had wrapped up cut the conversation off.

Neither of you has the chance to continue the discussion before being rushed onto stage by a harried and high-strung stage manager.

Without knowing, Argyle had invertedly changed the course of everything.

***

EDDIE: We were in Philly. It was a great show—probably one of the best of that tour. The audience was feeling us the opener was sick and we were just gelling for what felt like probably the first time. It was like we were all finally on the same wavelength if that makes sense. No more guessing what the next move was or fighting to keep up. It was like we were finally learning to trust each other.

***

The Philly show was electric, all the elements had come together perfectly. You and Steve were particularly reveling in it. You spent most of the night singing into the same microphone, lips inches from one another, your hand grasping the back of his neck, fingers carding through his hair, and eye contact unbreaking. At one point, you were certain by the way he had captured your bottom lip under the meat of his thumb, that he was going to lean in and kiss you on the mouth, a barrier that the two of you had managed to maintain this whole time.

The audience must have had a similar thought by the sounds of their cheers—a sound that seemed to have shaken both you and Steve from whatever spell you had been under because the next thing you know the pressure of his thumb was gone and his eyes were turned away from you and towards the crowd.

The rest of the show was spent similarly—the two of you toeing the line and the audience following your every move. It was easy to get addicted both to the applause and the intimacy.

After the encores were sung and the last bows were taken, though, Steve was back to barely being able to look at you.

The only time his gaze does flit to you, ever-briefly, is when you politely decline Argyle’s invitation to go out after the show.

“Come on dude, you said you would come if I looked at your song,” the drummer gives a half-hearted attempt at bargaining which only makes you giggle.

“I never said that Argyle,” and truly you hadn’t, “I said that I couldn’t go out because I had to make those changes you suggested.”

In response, Argyle begins to boo you, loudly and the others join in eagerly.

You roll your eyes playfully and bid goodbye to Argyle and the rest of the band when you part ways for the night and you notice that other than yourself, Eddie is the only one missing from the boisterous group but you try not to think too much on it.

Your efforts to push all thoughts of Eddie out of your mind seemed to have the opposite effect and it was like the thoughts themselves were digging their heels in and had found your mind to be a welcoming home.

You had made the song changes you had told Argyle you would and even tried to make some progress on your plethora of unfinished songs. As it turned out, you worked slower when you wrote alone.

You knew that as the remaining tour dates dwindled and the band’s return to LA drew closer, you eventually would have to approach Eddie again to write together. It was indisputable that whatever the two of you produced together was almost always better than what you accomplished alone.

How could you possibly approach him when you could barely look at him without dying of mortification? With Steve, at least, you could get some of the sexual energy out on stage, but with Eddie you didn’t have the same luxury and it stayed bottled up.

All of this, along with Argyle’s words from earlier in the evening made focusing nearly impossible and you gave up on writing all together, deciding to call it a night and head to bed. To your chagrin, the better part of the night was spent tossing and turning trying to evict the thoughts and ideas that had begun to formulate in your mind fueled by a lack of sleep, stress and desperation. And suddenly, you had an idea.

Admittedly, it was not a very good idea. It was actually probably a very bad idea. A ruinous idea even. And yet, you found yourself pulling the covers off yourself and stumbling into a pair of slippers, perplexed by your actions. You wondered, as you blearily shuffled down the identical hotel halls why you weren’t trying to talk yourself out of this idea—one that you were certain was going to change everything. Perhaps you were itching for a new thrill. Or maybe you were as selfish as everyone seemed to believe. Maybe it was the poison that had settled in your heart before you were old enough to know better, insisting that there was no other option for you. Or maybe you were giving yourself far too much credit and you were simply horny.

Whatever the reason, it brought you directly to Eddie Munson’s door.

***

EDDIE: I swear I thought I was dreaming when I saw her there, standing outside my door in this tiny pajama top and even tinier short. They had little cherries on them. I remember thinking they were so cute. Her hair was all a mess. I thought that was cute too.

After probably 5 minutes of us standing there in the doorway, I finally got my brain to work enough to invite her in. She seemed nervous at first. Sort of paced around the room, not saying anything for a while and then—I swear to God—she asks, “Do you want to sleep with me?” out of fucking nowhere. If I hadn’t been there myself, I would’ve never believed it. Hell, even telling you now, part of me thinks I made it up.

My brain short-circuited because I couldn’t even respond. I just stared at her with my jaw on the fucking floor, trying to remember what the signs of a stroke were.

***

“Are you serious?” Eddie spits out, voice hoarse with shock at your overly-direct question.

You nod, wordlessly, trying to ignore the panic that has begun to set in.

“Why?” he presses.

You shrug, which he doesn’t find sufficient because he nods along, trying to draw the reasons from you.

“We both like sex,” you explain, clumsily, “and I find you attractive and I think you find me attractive, too—” he nods feverishly at this—“so why not have some fun?”

You try to say this last part enticingly but aren’t sure you pulled it off until you see a flush play itself across his pretty features.

“Why me? Why not Harrington?”

Even though you had anticipated the question, you can’t help but steel yourself as you respond, “Because we like each other enough for it to be fun but not enough for either of us to get attached.”

You watched, with bated breath as the thoughts played out over Eddie’s features and when you see a flash of what could be hurt you entertain for the briefest moment, the idea that maybe someone could get hurt but the thought is pushed away as a lazy grin begins to spread over his face and a newfound cockiness color his features.

Suddenly, he is much closer, and the space between your two bodies draws thin.

“Now?” he asks.

“Yes, now,” you squeak out as he encroaches in on you, fingertips grazing the bare skin on your hips.

You take a step towards him, moving to stand flush against his hip, invitingly and weave a hand through his unruly bed head curls. You want him to know how much you want this—how much you’ve wanted this. It was inevitable really, there had always been a tension between the two of you. Whether it was the hot friction of dislike , the bold spark of creative partnership or the hot embers of sexual tension, the two of you burned for one another just the same.

He leans in for a kiss when your impatience gets the best of you and you rush to meet him halfway.

He tastes like cigarettes and cherries, a taste you revel in as his lips move languidly over yours. Suddenly, he takes your bottom lip between his teeth and lightly tugs, and a moan tumbles out of you.

“We can’t tell anyone,” you mutter into the kiss and it goes unacknowledged.

The cold of his rings meets your nipples through the thin fabric of your strappy pajama top and your body arches in response.

The kiss is broken you are left gasping for air. Eddie wastes no time in attaching his lips to your neck, his tongue tracing over your collarbone hotly.

The straps of your top are shucked of your shoulders and the fabric bunched down towards your middle and a trail of kisses following in its wake.

Your knees hit the edge of the bed, and the hands in your waist guide you down in a fluid motion.

Your eyes flutter as wet kisses are peppered over your breasts.

“Come on princess, let me hear those pretty noises,” Eddie murmurs into your skin, his hot breath covering you in goosebumps.

A heady moan escapes you, almost on command. It would’ve embarrassed you if you still had the decency to care.

A trail of kisses and suddenly Eddie is thumbing at the waistband of your shorts. You nod fervently when his eyes suddenly trail up to find you, but that’s not enough for him.

“Come on, baby,” he teases, “tell me what you want.”

You throw your head back in frustration and want and Eddie takes this lapse in response to run his hand sloppily over your clothed core.

“So wet,” he murmured, “so pretty.”

You let out a desperate laugh at this and his eyes are back on you, expectantly and any resistant you have dissipates.

“Touch me, please,” you sigh, half plea, half demand.

It’s not a hard sell because your shorts and underwear are gone in a flash and cold rings are pulling your thighs wide open.

You reach out towards Eddie’s curls for purchase, gently tugging him closer to your core, hoping he’d get the message.

A moment of clarity cuts through your haze and suddenly you’re pulling him up by his hair, forcing eye contact.

“No one can know,” you insists.

He’s all half-lidded eyes and dazed smile when he’s looking at you.

Leaning in to grab his jaw in your palm, you pull him close. This is important.

“Eddie, no one can know. Promise me,” you repeat again.

He nods in agreement, even though his expression leads you to believe you could’ve asked anything in that moment and he would’ve readily acquiesced.

“No one can know,” he affirms before hitching your body closer with a harsh tug on your thighs and disappearing in between your legs, mouth latching hotly to where you need him the most.

***

EDDIE: We started sleeping together that night. A no strings attached type thing. We had to keep it a secret. She didn’t want to hurt Harrington’s feelings which I understood. He was a good guy and anyone could tell he was head over heels for her.

And she was just… well, I guess she was just afraid. We were kind of the same in that way. Couldn’t hold onto anything without crushing it into dust.

***

MAY 1st, 1984–STATEN ISLAND, NY—THE UPSIDE DOWN TOUR

Eddie’s hands are curled around your thighs, keeping your body balanced on the flimsy tour bus bathroom sink. His silver rings dig into the soft flesh of your thigh in a way that you are certain will leave bruises in their wake.

You have to be quiet, you know that. Even if the rest of the band had taken a quick pit stop between Philly and New York to explore the Staten Island Zoo and the likelihood of them coming back this early was low, it wasn’t non-existent . This left you stifling your own moans into the back of your hand as Eddie rocked into you languidly and delicious.

Your hand moved to steady itself behind you as he lets go of your left thigh and places the pad of his thumb on the soft flesh of your clit, causing you to forget nearly everything.

He seems to anticipate your next move though, because his mouth is quickly on yours, tongue gliding over your bottom lip and effectively keeping you quiet.

The angle of his hips meeting your core and his nimble fingers worked together to bring you closer to your release.

“I can feel it, baby, you’re close aren’t you?”

You nod feverishly, eyes screwed shut, “Yes, so good Eds. I’m gonna cum,” you manage to squeak out.

“C’mon pretty girl, look at me,” Eddie instructs firmly, but you can tell by the strain in his voice that he’s not too far behind, “wanna see you when you cum.”

You force your eyes open and he rewards you by pressing his unoccupied thumb into your bottom lip which you greedily take into your mouth.

Your release washes over you in a wave and you watch moments later as Eddie finds his own.

The two of you are left panting for a few moments as you try to steady yourselves. Once you find your bearings, you lower yourself from the sink and adjust the sundress that was so carelessly shucked to your hips and Eddie busies himself with disposing of the condom discreetly.

Turning to the bathroom mirror, you make an attempt at taming your haphazard hair and fixing your smudged lipstick before making a move for the door.

“Well, that was nice,” you offer before spilling into the tour bus’s common space.

“Wait,” Eddie cries out as he’s still adjusting his belt, “where are you going?”

You shrug nonchalantly in response but don’t turn around, “Back to the girls’ bus.”

“You don’t want to… you don’t want to stick around maybe? We could do some writing?” Eddie sounds out of breath when he asks but you chalk it up to the sex.

“Better not. It might look suspicious,” you explain as you take the stops down from the bus, two at a time.

“Right, wouldn’t want that,” Eddie squeaks out and you smile back at him, grateful for his understanding.

“See you later, Eds.”

Eddie doesn’t say anything back, but when you look back after having boarded your own bus, he’s still standing on the bottom step, eyes still on you.

***

EDDIE: Let’s get the record straight about something though, I didn’t steal her away from anyone. She is her own person first of all, not some thing to be stolen. And second of all, she came to me first. Not the other way around. And! She and Harrington weren’t even really seeing each other. So, other than the lying, it truthfully wasn’t that bad.

But then again, does the truth even matter? Especially now? After everything?

INTERVIEWER: It does to me and to you too, I think, otherwise you wouldn’t be here.

EDDIE: Has anyone ever told you you’re too smart for your own good?

***

MAY 3rd, 1984–NEW YORK CITY, NY—THE UPSIDE DOWN TOUR

It was easy, really, to keep your fling with Eddie a secret from the rest of the band. Most of them were barely paying attention to what you were doing anyway.

Nancy and Jonathan were once again preoccupied with waiting by the phone to hear from Jonathan’s mother, Joyce. Will’s condition had once again worsen and the two were on high alert.

Robin and Steve were busy sightseeing and pointedly only talking to you when necessary. They weren’t hostile, per se, (or at least, Steve wasn’t) but they also made a point to not invite you to their outing. You want to tell them to be wary of the paps since the city is crawling with them in a matter akin to cockroaches but you know better than to try to tell Robin what to do.

Argyle, for his part, is in his own world.

The two of you were essentially in the clear barring rehearsals, shows and any stray public appearance. Still, you couldn’t help but want to take precautions.

***

EDDIE: She would never sleep over. You know, after. She was too worried about what would happen if Steve or anyone else went looking for her.

It shouldn’t have bothered me as much as it did, she—we had made it very clear that this was a purely physical thing but, well, between you and me kid, I always knew it was never gonna be like that. At least not for me. I was in deep for way longer than I had realized.

***

Long, skilled fingers trace patterns along your naked spine. The movements are comforting, calming, you almost find yourself lulled to sleep. Except you know you shouldn’t—that you can’t.

Your eyes flutter open as you fight against the sleep that sets in. This isn’t your bed, you remind yourself, and you feel that in the brush of the sheets against your naked body that definitively do not feel like the sheets of your bed merely a few doors down. It’s a silly thought, truly, these sheets are probably the exact same as the ones on your bed and more so, you haven’t slept in your bed, a bed that is truly, strictly your own in years . Still, this does not feel quite right.

You will your body to stir, working actively against every nerve that is telling you not to move from the warm, comfortable haven you had found and the warm body next to you but you know better. This is a dance you’re familiar with: they ask you to stay but don’t really mean it and if they do it’s only to squeeze another quick fuck in.

“Why don’t you stay?” Eddie grumbles into your shoulder even though both of you already know the answer.

“What if someone comes looking for me, huh?” A question for a question, “it’ll be hard to explain to Hopper why I’m naked in your bed.”

“Bullshit. You’re one of the only ones Hopper doesn’t have to keep tabs on,” Eddie’s only partially playful in saying this.

“I miss my bed,” you rebut, plainly and the guitarist pouts in response.

“This is like the same bed, dude.”

“ ‘Dude’? You’ve been hanging out with Argyle way too much.”

“Whatever,” Eddie dismisses as his hand travels down along your spine to circle around the rise of your hip to the front of your body to pull you closer against his chest and you squeal.

His skilled fingers travel down to the apex of your legs and two of them swipe through your still-wet heat making you jolt. You’re still sensitive from earlier in the night and Eddie is using that to his advantage as he swipes over your clit.

You moan at the contact and your hips canter forward embarrassingly quickly.

“Don’t want to leave now, do you?” Eddie teases as he moves away from your clit to tease your entrance and you mewl in response. Before you know it a pair of lips are attached to your neck and two fingers are slowly, deliciously rocking in and out of your core. A hand moves up to grip Eddie by the hair as you moan.

“Just like that, please keep going.”

You feel Eddie’s length begin to harden against your back as his pace quickens and his thumb circles your clit bringing you closer to your third orgasm of the night.

“No fair,” you pant, as you feel a tightening in your lower stomach. “You can’t keep me around by giving me orgasms.”

He laughs at this, full-blown guffaws. “There’s no rule against it,” he says as his tongue slides over the shell of your ear. His fingers curl inside you and you gasp at the sudden pressure before succumbing to the feeling. Your release washes over you, unexpectedly and you cry out.

A few seconds reprieve give you a moment to come back to earth. You sigh contently feeling Eddie’s harden length against the swell of you ass.

It would be impolite to leave him hanging.

***

EDDIE: Not that I could complain about our arrangement.

***

You had fallen asleep. Accidentally, of course, but erroneously still. You realize this far too late as the harsh red numbers of the hotel room alarm clock blare at you angrily: 11:52 AM.

You scramble out of bed, covers flung in the process and you make a grab for your clothes that litter the floor. The sudden, frantic movement had inadvertently awoken the man sleeping next to you and you could hear the sleep in his voice as he tried to grasp the situation.

“Woah, woah where’s the fire, princess?”

“It’s nearly noon!” you respond, panic clear in your voice. “I accidentally fell asleep and now it’s almost noon!”

Your mind is overcome with worst case scenarios and conclusions that are easily jumped to as you imagine how this late morning can turn into your downfall.

Eddie tries valiantly to calm you down to no avail. You had done the one thing you said you never would: you stayed the night and now you didn’t know what to do with that other than panic and rush out the door half dressed and fully angered with yourself throwing a paltry goodbye to a very disoriented Eddie over your shoulder as you did so.

You try to fix your hair in the elevator along with your harried breath. Most of the band wake up late into the day, you try to remind yourself, especially after a night out.

It was not unusual to be walking the halls of your hotel room at this time, but you still felt overwhelmingly nervous walking back to your room in a way that you felt obviously gave away that you were coming back from a night of raunchy sex.

Your heart dropped to your stomach as the elevator doors slid open to reveal Steve Harrington waiting outside your door. This is what you were afraid of. Certainly one look at you and he’d know exactly what you were doing and probably with who and that would spell the end of the Downsides, you were sure of it.

You didn’t say anything as you exited the elevator and slowly made your way over, hoping to prolong the moment before everything came crumbling down as much as you could.

A few steps in and you had caught Steve’s attention. When he looked at you though, it wasn’t with anger or disappointment but with nerves.

***

STEVE: My parents moved around a lot after I left home. Indianapolis, Chicago, Phoenix in the winter and Bridgeport in the summer, you know, regular rich folks shit.

It’s not like I could ever go back home but when they heard the band was planning on making the stop they wanted me to visit them and they wanted me to bring my girlfriend to meet them. I hadn’t wanted to ask then, things were kind of awkward between the two of us, but they kept insisting. It’s like they didn’t believe I could’ve bagged a girl like her and they were willing to call me on it. So, I had no other choice but to ask.

***

You understood where Steve was coming from, truly, your own parents were rich and demanding. Plus, something about seeing your fake boyfriend waiting at your door after a night sleeping with someone else really made you susceptible to his request.

And really, there wasn’t a universe where you would say no to a request from Steve Harrington, so of course you were going to meet his parents.

***

MAY 6th, 1984–NEW YORK CITY, NY—30 ROCKEFELLER PLAZA

“So I heard you’re meeting the in-laws,” Eddie plops down in the makeup seat next to you

You’re backstage at The Nightly Show with Chris Palmer, getting ready for one of the few media appearances Hopper had managed to schedule during the band’s short stint in the city.

You can tell by the pinching between Eddie’s eyes and the snarl in his tone that he’s not in a good mood. You chock up his demeanor to the same thing that has dampened yours: the upcoming interview.

The lack of media appearances had been a welcomed change during the band’s time on the road and the adjustment back to them have been rocky. You, for one, are on edge at the idea of having to sit down with the smarmy, sexist, Chris Palmer who, on his late night show, had already taken a few swings at you for laughs and the thought of him having the chance to do so to your face, made you sick.

Which was why you barely responded to Eddie’s attempt t goading you and instead, shrug in response, tightly, “I guess.”

His eyes flit over you and his demeanor shift to one approximating concern. “Hey, you doing okay?” He moves closer, but not enough for it to be noticeable to anyone but you.

“Yeah,” you try to smile but it comes out a grimace, “just out of practice I guess.”

“Well, if it’s any consolation, I have an extra copy of Baldwin that I brought on accident if you want a distraction,” the book flashes in your periphery and this time your smile comes out genuine and unprompted.

While you can’t be one hundred percent certain, you’re familiar enough with the guitarist’s ways to know that this was no accident—he brought the book with you in mind.

You make a grab for it but have to keep yourself from leaning in for a hug at the risk of the others’ scrutiny and your makeup artist’s ire. Not knowing how else to communicate your appreciation, you give his shirt a quick—and hopefully discreet—tug. He seems to catch your drift because his fingers graze yours purposefully as you move your hand away.

The brief touch shoots electricity through you.

“Thanks,” you murmur before watching him jaunt away to his spot between Argyle and Jonathan, both of your moods seemingly lifted, if only for a moment.

You’re grateful for the distraction although it barely keeps your attention and instead end up thumbing through the pages anxiously to the chagrin of your makeup artist who is clearly relieved to pass you onto hair once the final touches of lipstick are applied.

You thank her profusely before moving next door where, to the surprise of exactly no one, you’re sat next to Steve. Or at least you think it’s Steve you’re sat next to given how little you can see through the thick mass of hairspray clouding the air.

“They don’t call me ‘The Hair’ for nothing, right?” He says when you catch his eye through the fumes.

His hair stylists laughs a little too hard for your taste and you can’t help but roll your eyes.

“I thought you hated that nickname,” you say, settling into your chair, ready to play your part as the doting girlfriend.

He shrugs nonchalantly, “there are worst things to be called.”

You scoff in response, your previous concerns regarding tonight’s host bubbling up again, “I am sure there are.”

Steve turns to you fully now, offering a charming apology to his stylist that leaves her a giggling puddle, and you can feel his eyes scanning you in assessment.

He suddenly reaches over to the vanity in front of him, “The vending machine in the hall is totally broke, it gave me four candy bars. Do you want one?”

You look over at the bars in his hand which he has fanned evenly and is waving as if they’re a wad of cash and you grab one out of his reach.

“These are my favorite,” you point out as you smooth a hand over the wrapper, remembering all the times you would raid the vending machines at venues or backstage before an interview for them.

“I know,” he says, impishly.

“Harrington, be straight with me, is the machine really broken or did you get me my favorite candy bar just to butter me up?”

He nods, self-satisfied, like a little kid happy to be caught doing something that they’ll know they’ll get away with. Your joint hairstylists coo in adoration at your dotting “boyfriend” and you can’t help but roll your eyes affectionately.

“You seem a bit nervous,” he explains, “and candy usually helps.”

You exhale a laugh at this and admit that he’s right, “candy usually does help,” before nibbling on the bar carefully for the sake of your lipstick.

“So, what’s up?” He asks after a beat, while the hairstylists are preoccupied cleaning their tools, “are you nervous about doing our thing again?”

He says the last part with an overly-dramatic eyebrow waggle and you giggle.

What do you mean?” You ask, avoiding his glance.

He almost rolls his eyes at this but catches himself, knowing better.

“You just seem off, like nervous almost? But not in the usual way you are nervous about interview, but like different. Normally you’re just nervous because you overthink it but now it’s like you’re dreading it.”

You snort at the way he saw right through you.

“It’s stupid but, Chris Palmer has made jokes about me in the past, you know, about my dating history and things like that and I’m not really looking forward to hearing what he has to say tonight,” you explain, bashfully.

“What do you mean? Do you and Chris know each other?”

“No,” you respond, shifting uncomfortably in your seat, “he just is, you know, one of those comedians who pokes fun at celebrities and he loves making fun of women who ‘get around’ or whatever and well, that was my reputation before you… and the band.”

You see realization dawn on Steve’s features, it’s almost like he doesn’t believe anyone could ever be mean to you. Realization quickly turns to anger.

“And you think he’ll make fun of you tonight in the same way? In front of everyone?”

You shrug at this, “maybe, he’s not exactly known for taking it easy on his guests, but I’m used to it, it’s annoying though.”

Steve shakes his head aggressively at your dismissal and bolts up from his char, “No, I’m going to go talk to Hopper or something, have him tell Palmer’s people he needs to cool it or we won’t perform.”

He’s marching down the hall now, purposeful and quick. You make a beeline after him running ahead to cut him off.

“Woah, hey, Steve, you do not need to do that.” The last thing you want is the band being labeled as difficult to work with this early on.

Standing in front of him with your hands flat on his chest, you suddenly become very aware of all the eyes peaking out of the different green rooms to watch the exchange curiously, band mates and crew alike.

Steve grabs one of your hands lightly in his and gives it a tepid squeeze.

“I’m sorry but I am not sitting up there tonight and listening to anyone say anything bad about you. That’s just not going to happen, okay? Please trust me, I won’t do anything crazy, I’ll just talk to Hopper and we’ll figure this out. I have your back, remember?”

You study his face as he says this and are caught up in the earnestness etched into every corner of it.

“Okay,” you finally say, softly and back away from his path, “thanks.”

And you watch him go.

***

STEVE: Hopper hadn’t known about the Palmer thing. He wouldn’t have booked us if he did. When I told him, he was pretty peeved and we immediately went to go talk to the stage manager—some smarmy guy whose name I don’t remember.

Told us essentially, that it was no use, that Palmer wrote his own material fresh before each show.

Well, after that, Hopper and I track down Palmer in his dressing room and, you know, we give him a shake down. Old school style. Like back when Hopper was on the force. … he did most of the shaking down, don’t get me wrong, I was definitely going to get in there, but he seemed to really enjoy it. Plus I had just gotten my hair done.

***

When Steve reappears in the green room half an hour later, Hopper is trailing him smiling giddily.

Coming up to your side, Steve wraps an arm around your shoulders and leans into your hair to murmur, “We took care of it.” The giant grin Hopper is sporting lets you know that they had and you exhale a sigh of relief, curling a hand against his bicep gratefully.

You spring back a few seconds later when you feel Eddie’s heavy gaze from the spot he occupied next to you, eyes boring into all the places your body is touching Steve’s.

You can sense Steve’s confusion at the lost contact but before anything else can be said or done, the stage manager appears to move escort the band to the sound stage saving you from having to navigate the complex social dynamic of interacting with your fake boyfriend who wants to be your real boyfriend and your band rival turned friend-with-benefits. Gratefully, you allow yourself to believe for the first time, that maybe luck would be on your side and tonight wouldn’t be so bad.

***

NANCY: Do I think Chris Palmer had a personal vendetta against her? No, not going into that night, anyway. I think he was just a misogynistic idiot who didn’t know what to do about a talented and beautiful woman who also did whatever she wanted. His mind couldn’t wrap around that.

That was true for a lot of men back then. And now too.

JONATHAN: It felt like Chris had a personal vendetta against her.

***

The first half of the interview went well enough.

The band was welcomed with great fanfare and everyone filed towards the couches in the center of the stage next to the large mahogany desk Chris sat behind. You and Steve were, of course, together at the forefront and you could hear the collective cooing when he helped you down the platform.

The interview started out mild, questions about the tour and being on the road. Thankfully, Steve took the helm for most of them with the band weighing in throughout.

To your surprise, Chris directs his next question to you and Eddie.

“You two are the newest additions to the band, how has the transition been coming from working as a solo artist and from a band of a whole different genre to the Downsides and what made you want to make the change?”

The question was surprisingly insightful which took you a second to process and come up with an answer that wasn’t “Well, Chris, we were forced to join The Downsides at the risk of our careers ending completely.”

Eddie beats you to it, “The royalty checks are better than they are when you’re in a metal band for one—“ it takes the audience a second to realize this is a joke, but when they do the laugh pays off— “but honestly, I like the stability. What they don’t tell you, kids, is that too much rock and roll can be bad for you.” He says this part directly to the camera with a devilish grin.

“What about you?” Chris turns to you once the laughter subside, “do you miss being a free agent?”

You ignore how pointed that feels and smile in response.

“Not at all, the band has been super welcoming and there’s something really rewarding about working together to make something great happen.”

“Don’t miss your old duet partners at all?” The host needles.

“No, not really. At the risk of sounding cheesy Chris, I think I found my forever duet partner,” you punctuate your response with a pointed smile at Steve.

The audience eats your response up but you can tell that Chris is not ready to let it go. Luckily for you, a well-timed commercial break saves you from further questioning.

When the cameras start rolling once more though and the segment is reintroduced, Chris flashes you a wolfish smile.

“So, does this mean you’ve settled down a bit more, now that you’re a one-duet partner type of gal?”

The question makes your throat run dry because you know that there’s another, much tricker question behind it.

“No, not at all. It’s nice to be a part of something,” you respond placidly.

Chris barely lets you finish before launching into, “well the press sure does miss writing about you! Did you know that, in the last year, you were one of the most mentioned stars on Subrosa, popping up a total of 65 times only rivaled by one Evelyn Hugo in 1967.”

You don’t really know what to say or where this is going but the feeling of dread in your stomach grows.

“In fact,” he continues, “why don’t we play a game that we cooked up with the help of your Subrosa mentions?”

Games were something Chris did with his guests pretty frequently and they varied in execution but in nature there was always something a bit embarrassing to them and tonight was no exception. But instead of going after the band as a whole, this game was targeted specifically at you .

It was a guessing game, “Simple enough,” Chris touted as his assistants bring out giant blown up headshots of various male celebrities, guess which of the men you had been involved with according to the media and which ones you hadn’t been. The joke of course was that you had been linked to all the men whose pictures had been provided.

The looks of shock on your bandmates’ faces perfectly countered the one of self-satisfaction painted on Chris’s smarmy face.

You felt Steve stiffen beside you, leg twitching as if he was getting ready to stand up and leave. Or punch Chris. Before he can, you place a stabilizing leg on his thigh and giving a squeeze. You didn’t want this to diverge into a fight and you refuse to let this vile man make a fool of you on live television.

“Well, this won’t do,” you smirk at Chris. “You only have half of my list out here, Chris! You’re missing quite a few other fellas. I thought you wanted to make this difficult.”

“Oh?” The host is clearly not expecting your response but has no choice to lean in since you clearly have the audience’s attention, “and who could we possibly be missing?”

“The crown prince of Monaco, for starters,” you respond, evenly, “and the entire Harlem Globetrotters ‘83 starting lineup—“ the crowd guffaws at your clear exaggeration, “—and most importantly, this guy,” you reach over to grab Steve’s chin and affectionately squeeze his face. At this, laughter turns into applause and from where you are sitting on the shared couch, you see Chris’s jaw tighten.

“Is there anyone who’s hasn’t made the list?” he cries, trying to turn the joke back on you.

“You, for starters,” you respond playfully, and then add before he can say anything, “but who knows? Maybe this band thing doesn’t work out and in a few years time I’ll become washed up and lower my standards and you and I can give it a shot.”

Before Chris can retort, Steve cuts in with an over-exaggerated, faux-jealous, “what about me?” That kicks off a jokey bit of banter between the three of you that takes the show all the way up to comercial.

***

NANCY: There was a second part to the game.

ROBIN: Yeah, that second thing was just mean. It was essentially the same premise as the first guessing game but instead of guessing different men she had been associated with, it was different nicknames she had been given by the media. They were not very nice names either, “Siren of the Strip”, “Heartbreak of Hollywood”, “Pop Music’s Maneater”, you get the gist.

Of course, like with the last “game” the joke was that it had been all is them.

***

The names had been a surprise. You didn’t know how to react and neither did your bandmates although you’re pretty sure you can feel the heat from Eddie’s glare from the other end of the set.

Still, you kept your cool and immediately admitted that all of them seemed familiar and instead turned the conversation into criticisms of each of the names, which was gaining too many laughs for Chris to try to stop it.

“See this one I don’t like at all,” you say, pointing to Malibu Minx that had been professionally printed on a giant poster board in newspaper font.

“Whys that?” The host asked wolfishly.

“Malibu Minx? Are you serious? Anyone with half a brain knows I’m from the Hills, not Malibu. Honestly, it’s a little insulting.”

“Come on, they can’t be that different,” Chris still plays along, even though your comment did not go where he wanted it to.

“Not at all! The Hills is where all the directors and actors live, Malibu is where divorced dads take their kids during their monthly weekend visits. It’s like, here on the east coast… well, I can’t think of an East Coast equivalent. Chris, help me out, where do you take your kids during your monthly visits?”

***

ROBIN: You should’ve seen his face when she said that.

NANCY: His first divorce had just gone public a few weeks prior. Guess it was still a sore spot. Not that he didn’t deserve it, he did, but he wasn’t used to his guests fighting back like that. The rest of the show was… tense and then after the show ended Palmer lost his cool.

STEVE: Honestly, I wanted to punch the guy since he brought out his stupid little games, but I was willing to leave things as they were that night, especially after she had put Palmer in his place, but we get backstage after the show and he starts yelling at her about having “embarrassed” him or something like he hadn’t essentially called her a bunch of names on live tv. Before any of us could even do anything though, Hopper had him pinned against the wall, saying stuff like “I thought we had come to an agreement about the jokes, Palmer.”

He gave him a good shake down, you know how intimidating Hopper can be. Plus Chris looked like he had never been in a fight in his life so he was shaking in his boots immediately. Security had to come to get Hopper off of him and we were all thrown out after that.

ROBIN: Yeah, we were never asked back after that not that we would’ve gone back.It was a shame for him, really, that 1984 episode of The Nightly Show with Chris Palmer was one of the most viewed episodes in the ten years he was on the air.

***

You return to your hotel room in the early hours of the morning, after having gone for celebratory drinks with Hopper and the rest of the band. Everyone had been thoroughly impressed with the way you had held your own against Chris and even previously-icy Robin seemed impressed and warmed by you.

You hadn’t had much of an opportunity to talk to Eddie throughout the night, something about the undecipherable expression he wore most of the night had left you curious and you couldn’t help but wonder if maybe hearing your entire history splayed out like that in front of him and the rest of the world had soured you and he no longer wants anything to do with you.

As you’re getting ready for bed, the ringing coming from the hotel phone jolts you.

“Hello?” You breathe out, harried and confused into the handset.

“Hey, I didn’t wake you did I?” Eddie’s concerned question statics over the line.

“No,” you respond, relief coloring your tone, “What’s going on?”

“Nothing, really, I was just thinking how hot it was when you told that dickbag off and I was wondering if you’d be up to me showing you that.”

“Showing me what, exactly?”

“Showing you how hot I think you are. If you’re up for it, of course?”

25 minutes later, with Eddie’s face buried messily in your pussy you’re near inching closer to release when you hear him muttering into the soft skin of your thigh while two of his skilled fingers begin pumping in an out of your tight heat.

“You know, if I didn’t know better, seeing you all hot and desperate to come on my fingers like this would make me think you are a minx.”

Hearing him call you that so low and growly, left you burning all over and you keen into his hands. Knowing his words had the intended effect, Eddie smirks into your thigh and speeds up his fingers.

“Only for you,” you respond once you can find your voice again.

Eddie give a low moan at this and in an instant he clamors up onto the bed and moves to replace his fingers with his dick.

“Say that again,” he challenges as he swipes his tip through your folds and you cry out.

“I’m a minx for you,” you nod along to what you’re saying, hoping that it makes him more eager to stop teasing and finally push inside you.

He does exactly as you hoped and pushes his hips into you hungrily, setting a punishing pace, “Only for me right?”

You nod along, fucked out and on the verge of coming agian, “Yes, only for you, Eddie.”

You don’t make it back to your hotel room that night either.

***

MAY 11TH, 1984–BRIDGEPORT, CT—THE UPSIDE DOWN TOUR

“Are you sure the’d still want to meet me?” You ask Steve one evening, brushing your hair standing in the doorway of the door that separated your hotel room from his.

“Yeah, of course! Why do you keep asking that? Wait… do you not want to meet them anymore? It’s okay if you don’t,” Steve is already trying to hide his disappointment.

“No,” you rush to correct as you follow the sound of his voice to the bathroom, “it’s not that at all it’s just that, well with all the Minx stuff in the news, I worry that maybe they won’t think I’m worthy of the Harrington brood or whatever.”

You’re of course referring to the drama that had followed the band’s appearance on the Chris Palmer show where Chris had given an interview to Subrosa after you had affectively embarrassed him on his own show calling the band talentless and you worthy of every bad name that the press could call you and more.

In response to the interview—and partially inspired by your encounter with Eddie following the interview— you had gotten the word ‘Minx’ embroidered on the back of your favorite suede jacket which you made sure to wear to all of your subsequent interviews and media appearances for the rest of the band’s time in New York.

“First of all,” Steve begins, rubbing shaving cream over his chin “neither of my parents would ever dream of reading a gossip magazine and even if they did, they hate Chris Palmer, always said he was too ‘blue’ whatever that means. Plus, historically, dinners with my parents haven’t been the most enjoyable affairs, so having you there would really mean a lot to me.”

You smile understandingly at him through the mirror and suddenly the whole domesticity of it all strikes you. In another life, the two of you could’ve simply been a couple discussing meeting one another’s parents in the bathroom of a shitty apartment the two of you shared.

The fantasy is interrupted abruptly by a bright cacophony of knocks at your door.

“That must be Eddie,” you explained, “he’s coming over to write.”

(He really was.)

With all the fucking the two of you had been doing, writing music had fallen to the wayside and as the end of the tour was insight and Murray’s quota of songs still not met, which meant you had to get writing.

You scramble over to your door and let Eddie in. He almost leans in for a kiss but catches himself when he notices the open door leading into Steve’s room where he is very much watching the interaction with prying eyes.

The two nod at each other in greeting. You linger in the middle between either sides the awkwardness tangible in the air. You look at Eddie’s urging eyes and then flash back to Steve whose puppy dog gaze and newly received information about his parents make you do something that is surprising even to yourself.

“Do you want to help us write, Steve?”

The situation is awkward at first, especially with the glares Eddie seems to shoot you and Steve’s shy insistence that he’s no good at writing music but eventually, after two bottles of wine, the tension subsides, at least a little.

Eddie and you had presented Steve with a few songs that were very close to done but just needed a bit more work on the melody hoping that maybe he had suggestions.

He scans over a song that Eddie had primarily written, “Wild Ride”. Steve had an idea for a rhythm that could match the song and before long, he and Eddie were fully invested, both of them bent over their guitars trying out the rhythm and shooting notes at each other. Arrangement was definitely not your strong suit, however, you were more than happy to watch the two guitarists work

Steve was fascinatingly somber when it came to writing. He would play the notes over and over again until he found what came next, treating the whole thing like a puzzle that needed to be solved and running his hands through his hair when he was particularly stuck on something. His eyes would close while he was thinking, his lashes fluttering on his cheeks and then blinking open prettily when he had finally thought of a solution.

Eddie was much less delicate and would play around with notes, sometimes scrapping what he had all together and starting new. He tucked a pen behind his ear and was constantly scribbling and crossing out. When he focused on playing, his tongue would stick out from the corner of his mouth a bit.

They worked well together, never talked over each other, and were always willing to listen to what the other had come up with. As Eddie would write notes down in his notebook, Steve would lean in really close, so they were almost cheek to cheek looking down at the paper together. It almost seemed like they’d forgotten you were there and you were too busy refining some lackluster choruses to notice.

Eventually, they hit a wall in their writing and more drinks were ordered through room service, and soon the three of you are sprawled across your bed, drinking French 75s and watching a late night marathon of “Night Court”.

“Hey Harrington, you excited to see your folks soon?” Eddie asks during a comercial break.

You turn to look and see Steve grimace at the question. You know Eddie means well in asking, but the question ruffles Steve nonetheless.

“Not really. We were never really close on account of them sending me away to boarding school when I was eleven and then when we were together my dad’s favorite pastime was criticizing me and my mom’s was drinking,” Steve says, finally, “seeing them once a year is probably the most I can stand, honestly.”

A beat of silence settles over the group before Eddie finally speaks.

“Sorry to hear that man. If it makes you feel better, my folks weren’t exactly parents of the year either,” Eddie responds.

“That sucks, I’m sorry.”

“Don’t worry about it, my uncle took me in. He’s a great guy. What about you, Princess? Were your parents the perfect image of love and support?”

You scoff. “Barely. I went back to their house right before the tour started, to get some of my things, and they thought I was breaking in and called the cops.”

“Well,” Eddie bristles, “looks like being a terrible parent can happen across all tax brackets, huh?”

“Yeah, we kinda got fucked over, a bit,” you say and the other two murmur in agreement.

The three of you stay silent for a bit, processing what had been shared and how to possibly move past such a heavy topic.

It’s Steve who finally breaks the silence, “Do you guys think Dan and Christine will ever get together?”

“Oh, yeah.” “Definitely.”

***

“This restaurant is obscenely nice,” you shift uncomfortable in your chair, taking in the surrounds and the unfamiliar unease of being somewhere where you felt out of place. Of course, you had grown up in fine dining establishments in California, but East Coast wealth seemed like a different beast entirely.

“Yeah, tell me about it,” Robin huffs next to you, “but what else can you expect from Stan and Carolyn? They’re obsessed with letting everyone know how rich they are.”

She of course, had the advantage of knowing Steve’s parents after over a decade of friendship and it made sense that Steve, wanting as much of a buffer between himself and his parents during this dinner, had invited her along as well. So far, she had only been a little hostile towards you which was a personal victory.

The two of you spot Steve entering the restaurant at the same time along with two middle-aged companions that, based off resemblance alone, you knew were his parents.

Steve’s father had the same starkly defined chin and nose as his son, but none his face didn’t turn up into a natural smile like his son. He stood stately and stern, eyes surveying the room with little interest. His wife, Steve’s mother, was made up of refined, delicate features offset by the bright eyes that were clearly passed on to her son. Her entire outfit was meticulously perfect in a way that almost seemed artificial.

Steve introduces you with fanfare and pride that you don’t consider yourself worthy of but you smile along anyway and graciously shake Mr. Harrington’s hand and exchange dotted cheek kisses with Mrs. Harrington.

You exchange niceties and think to yourself maybe they won’t be so bad.

“Stan, Carolyn, it’s so nice to see you again,” Robin grits out through a tight smile.

Carolyn pats her on the shoulder in response and says,, “Please dear, call us Mr. and Mrs. Harrington. We’re out in public after all.”

***

ROBIN: Yeah, Carolyn and Stan hated me. It was like they could smell the gay on me. Or the poor. From the moment Steve had invited me over to spend spring break with them in the Hamptons they did not like me. They despised the idea of their son’s best friend being some scholarship kid whose parents were public school teachers. However bad they were to me though, they were far worse to Steve, which is why I ever even bothered going to these lunches. I didn’t want him to have to suffer through them alone.

***

“Sorry we’re late,” Mr. Harrington drawls as the three of them take their seats at the table, “our idiotic son forgot to bring cash for the valet.” His statement is punctuated by a mirthless laugh and you can tell by the matching expressions on Steve and Robin’s faces and the way Mrs. Harrington makes a grab for the bottle of wine on the table that this level of disparagement is normal for the Harrington household. You remember the comment Steve had made a few nights ago about his father’s favorite pastime

“Don’t worry,” you respond with a smooth smile, “we’re so used to having drivers back in LA—“ a lie “—I can see why Steve forgot about valet. Although, I’m sure you both know what that’s like.”

Mr. Harrington stalled. Everyone at the table—including you—knew that the Harringtons were nowhere near wealthy enough to afford personal drivers but if there was one thing insecure men, like Stan Harrington would never do is admit that they couldn’t afford something.

You were familiar with these types of ego games from your youth, although you took no pleasure in them.

Your youth was spent tucked into your mothers skirts during luncheons and tea and fashion fittings, listening as the women would eviscerate each other with laser-edge precision. If there was anything your mother had taught you was how to sow the seeds of insecurity in someone and although it did not come naturally, you could make an exception for Stan Harrington.

***

ROBIN: It was easy to forget most of the time that she came from money but damn, the way she handled Stan that night made me think that some politician was missing out on having her as their cutthroat third wife. It was like watching an artist paint or someone do sleight of hand magic. He would say something mean about Steve and she would just turn it right back around on him but she would be smiling and batting her eyes the entire time. Even with that though, it wasn’t an easy lunch to get through.

***

“It’s so nice that Stevie was able to make something of himself through his little music,” Carolyn fawns. She means well, for the most part, but the four glasses of wine she’s downed during the last twenty minutes makes her words come out just a tad but demeaning.

Her husband sneers in response, “You say that now, Carolyn, but soon he’ll be back here asking for a spot in the firm.”

“Hopefully not too soon,” you giggle in response running a hand alongside Steve’s arm, “the studio wants us recording our second album as soon as we get back and then we’ll be touring again and we’ll need him for that.”

“But darling, you can’t possibly expect to do that for the rest of your life,” Mrs. Harrington sighs, “eventually the two of you will want to settle down and have children, live a normal life.”

“Well, yeah Mom, but that’ll be a long time down the road—“

“Making music is our life, we don’t want to ever stop—“

You and Steve halt your explanation once you realize what the other is saying. The two of you exchange blank, confused looks and it’s not until Robin says, “I’m sure that they’ll decide what their next move is when the time comes. We still have plenty of time.” That the two of you jolt back into the conversation.

“Right,” you add, “plus with the royalties deal we just secured on this new album, we will be pretty stable financially.”

The rest of the lunch is spent fielding Mr. Harrington’s questions about financials and Mrs. Harrington’s questions about grandchildren. It’s exhausting but the three of you come out mostly unscathed.

The five of you part ways outside of the restaurant, and not a moment too soon. The wave of relief that washes over the three of you once the Harringtons have been sent on their way in a taxi is palpable.

You and Robin offer to buy Steve a drink for having survived the lunch and Steve offers to buy the two of you a drink as a thank you for playing roles in that. Soon, one drink each turns into multiple rounds of drinks spent recounting all the agonizing points of the lunch.

This leaves the three of you stumbling into your hotel in the early hours of the evening, completely and utterly drunk. You ride the elevator together, a mess of laughter and then bid goodbye to one another in front of Robin’s door. She’s ready to sleep off the drinking and you do not blame her.

This leaves you and Steve to stumble back to your joint rooms together.

“You know, seeing you today having dinner with my parents and my best friend almost made the whole thing feel real,” Steve says lowly, standing in your doorway.

“Steve don’t,” you plea softly.

“I just don’t get it,” he cries in response, “we would be so good together. We are good together: we have so much in common and we just make sense, everyone thinks so except for you. Just… tell me why wouldn’t you give us a shot?”

You’re in your room now, perched on the edge of the bed , teary eyes focused on everything in the room other than the man who stands in front of you.

“Steve that’s not fair. It’s just never going to work, why can’t you accept that?”

“Because I’m in love with you,” Steve blurts out, “and I know I may not be your first choice, but if you give me a chance I will prove that I’m good enough—“

“Steve, stop please don’t say that, you’re plenty good enough for anyone,” you stand now, to face him.

“Just not you,” he says devastated.

“No, listen, it’s not like that. I just, I don’t know if I can be with someone in the way that you want me to, okay? You want someone to eventually settle down with and I’m not that girl. I’m the fucking Minx for God’s sake not someone’s future wife. In another life maybe, we could’ve made each other very happy, who knows? But in this one, I can’t be what you want.”

The two of you stand there in silence for what feels like an eternity. Finally, Steve moves, walking past you to sit in your vanity chair.

“Is there someone else you have feelings for?” He asks, timidly.

“No, no,” you insist. “I told you, I don’t do that.”

He laughs mirthlessly in response, “I think you’re wrong about that. I think you’ll find someone, maybe not now or in a year or in five years, but eventually you will find someone and they will make you want to try and you will love them and I will have to watch you fall in love with them and we will both realize I was just not worth it.”

PLAY NEXT TRACK🎤

Taglist: @rexorangecouny , @persophonekarter @mystargirl-interlude @brinleighsstuff @thegaysaretired @nothing2-see @harrysvirgogf @Prior-antidote @stardustofyesterday @buckleyverse

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quixoticall · 3 months

Text

it's a feeling that's fine - s.h.

Summary: You accidentally climb the wrong fence on the hottest day of May. It turns out to be the best thing that's ever happened to you.

Pairing: Steve Harrington x fem!reader

Word count: 10.6k

Warnings/tags: no use of y/n, no physical descriptions, etc. reader is in a toxic friendship; she's slightly bullied in that indirect mean girl way, but the toxic friendship ends. reader cuts her finger by accident. drinking and drug mentions. fluff, humor, strangers to friends to lovers, summer vibes, so many princess bride references. steve is super duper sweet!!! post s4 volume 2.

A/N: so if you wondered where i've been for the last two months.... it was in a cave writing this fic. i'm really proud of this one; the reader is a little different than how i usually write, but i hope you'll like her all the same :) if you enjoy this fic, please please let me know through comments/reblogs!

divider by firefly-graphics

Today is hot.

Weatherman Dale had said this morning that today is a record high for May. It’s so hot, in fact, that Debbie Wellerman had called you this morning asking if you wanted to come swim in her pool.

You’d asked if you could dig for worms in her yard. She’d sighed and hung up. You hope that means yes. Joan has been in need of some company. Worms would be good for her.

You go around Debbie’s house and stop at the back gate. The Wellermans are kind of mean and they don’t like it when you take too many cucumber sandwiches. To avoid them, you’ve taken to going through the back gate whenever Debbie invites you over. It works pretty well.

Except today, the gate is locked. Which is weird, because Debbie usually leaves it open. It’s how her boyfriend, Brett, sneaks in during the day, and how Brett’s brother, Chet, sneaks in at night.

You’d asked once why the brothers come over separately. Debbie had gotten mad and kicked you out without giving you any ice cream. You don’t ask about Brett and Chet anymore.

The problem is that you’re wearing flip flops, which are not ideal for climbing fences. Or anything, really. You once climbed a jungle gym in flip flops and skinned both knees.

You slip off your flip flops and fling them over the fence. They land a second later, clapping against the ground. The fence is covered in climbing ivy and tiny red flowers you’ve never seen before. You wonder how Debbie made them grow so fast.

The street is empty, which is nice. Sometimes people in Loch Nora like to yell at people who don’t also live in Loch Nora.

The fence wood is hot but not so hot that you can’t touch it. You stick your feet in the little grooves and start to climb. It’s not too high of a fence, but it’s high enough to warn people who don’t belong here.

That’s never stopped you, though.

Getting over is trickier. You expect Debbie to see you by now, but there’s no sound. She must be inside, or maybe she’s out and forgot she’s invited you. She does that sometimes.

Wood dust clings to your fingers and the soles of your feet. When you’re a foot from the ground, you hop down. Then you turn.

There’s no sign of Debbie. There is, however, a boy.

He’s reclined on an inflatable blue ring floaty in the middle of the pool. He wears sunglasses and red board shorts with little white anchors on them.

He has very pretty hair, both on his head and chest. He also has pretty lips. And arms. All of him is pretty, really. You wish you could see his face properly. He probably has a nice face too. Symmetrical and kind.

The area around the pool is paved just like at Debbie’s—only it’s a lot larger than you remember. There's a patch of dirt next to the gate. You go and crouch at the edge. You don't see any worms. Probably because it's so hot. You'd stay underground too if you were a worm.

You stand and turn to look at the boy again. He looks like he might be asleep.

“Did Debbie invite you?” you ask.

The boy shoots up from the floaty. The shift in weight makes him lose his balance and he topples into the water a moment later. The floaty flips with him.

He resurfaces almost immediately, spitting water and rubbing chlorine from his eyes. You squint.

Yes, you were right. He does have a very nice face.

The water comes up to his waist. He pushes his hair back in handfuls, blinking. Then he fishes his sunglasses out with his foot and sets them on his head.

“Can you swim?” you ask.

He stares at you, blinking.

“What?” he says after a beat.

“Can you swim?” you repeat.

“Uh, yeah? Yes, of course I can swim.”

"It would be bad luck if you couldn’t.”

His brows furrow.

“Because I can't swim,” you clarify.

“I wouldn’t be in the pool if I couldn’t swim,” he says.

“That’s good thinking.”

You sit at the edge of the pool and dip your calves in. He wades closer until he’s about three feet away.

“How did you get here?” he asks.

“I walked.”

“I mean, how did you get in my backyard?”

“Oh. I climbed the fence.”

You peer closer. He looks familiar, but you can’t quite place him.

“Are you Brett and Chet’s triplet?” you ask. “You’re a lot prettier than them. Did their mother feed you extra vitamins?"

His eyes go wide. “Uh… Brett and Chet Kingsley?”

“Uh-huh. Debbie invites both of them over, but never at the same time.”

“Who's—they don’t have a triplet.”

“That’s good. Three’s bad luck.”

“My house number has a three in it,” he says.

“Don’t step on any sidewalk cracks,” you warn.

He tilts his head, tongue poking out like he’s sizing you up. You let him, focusing on his face instead. He has dark, warm eyes the color of black tea. His shoulders are toned with lots of freckles on them. He looks like a boy who’d like Debbie, not you.

“Is Debbie going to be back soon?” you ask. You don’t want to get attached to a boy who’ll just end up wanting Debbie instead. You've made that mistake before.

“Um… if you’re talking about Debbie Wellerman, she lives on the next block over. I’m Steve Harrington.”

“Oh. You’re the guy who fought the monsters.”

He eyes you warily. “Wh—how do you know about the monsters?”

"Who doesn't?"

Steve opens his mouth, then closes it.

“You can’t tell anyone," he finally says.

You shrug and kick at the water gently.

“I have no one to tell. Debbie doesn’t believe in monsters.”

“She doesn’t believe in giving you a key either, huh?”

“She doesn’t usually lock her gate,” you say.

“Well, this isn’t her gate.”

“Yeah. I like your shorts.”

Steve’s cheeks flush pink.

“Are you getting sunstroke?” you ask.

That turns his cheeks pinker.

“No, no." He coughs. "I’m fine.”

“It’s a record high temperature for May,” you say. “That’s what Weatherman Dale said. The highest it's ever been since 1923."

“Yeah, I heard." He nods. "I didn’t wanna run the AC the whole day so, here I am. My friend Robin was supposed to come over, but I guess she bailed.”

“Robin is a nice name. Is she a bird?”

Steve smiles. “No, she’s a girl.”

“Oh. I thought maybe she was a bird you’d made friends with while fighting monsters.”

“Well.” Steve shrugs. “I did sort of make friends with her while fighting monsters.”

“Robins are good omens. They bring luck."

“Huh.”

You swallow. You’re probably talking too much. That’s what Debbie would say. That’s why boys sneak into her yard and not yours.

"So." Steve puts a hand over his forehead to block the sun. "Debbie Wellerman, huh? You don't seem like the type to be her friend."

"Friends can come from the most unusual places," you say. "Like under a tree or at the bottom of the ocean."

"Have you made many friends at the bottom of the ocean?" Steve asks with a smile.

You hesitate. Is he making fun of you? Sometimes, you can't tell. The people in Loch Nora are good at making fun of you without you knowing.

Steve’s hair has already begun to dry, a little crunchy from the chlorine. He doesn’t look like he’s making fun of you.

"Not many. But that's where I found Joan," you say.

"Joan was at the bottom of the ocean?"

"Kind of. I found her in a pond. Then I found her sister, but I lost her at sea and I couldn't swim out to rescue her. It was a sad day. Joan didn't handle it well."

Steve's brows rise. "Wow. I'm sorry."

"It's okay. Joan has been on the incline. I think she's finally ready to get back out there. I wanted to find her company, but I didn't want to disturb your dirt."

“My dirt?”

“Mmhm. I'm trying to make a social club for her."

"Out of dirt?"

"Out of worms."

"Huh."

Steve rests his chin on his arm that's perched on the ledge.

"Your hair is wavy," you observe.

"What? Oh, yeah. I didn't put anything in it."

"Like what? Secrets?"

"No, like, gel. Product."

You nod in realization. "Your hair was so big in school.”

Steve winces. "Yeah. Sorry, I wasn't the best guy back then."

"You were in your chrysalis. You needed time to grow. But then you turned into a butterfly. Or a moth, if you prefer."

"Moths are spooky," says Steve. "They look like they have eyes on their wings."

"Yes. But they're actually friendly. Unless you eat them. Some are poisonous." You lean in, deadly serious. "Don't eat moths."

"Will do."

"No, don't. And warn your Robin too. She might think one looks delicious and meet her doom."

A smile creeps onto Steve's face.

"You're kind of strange," he says. "In the best way possible."

"Thank you."

"Do you want some lemonade?"

"Is it poisoned?"

"What?" Steve startles. "No, of course not."

"No, I suppose not," you say thoughtfully. "You hadn't expected me to climb over your gate, so you wouldn't have had time to poison the lemonade."

Steve stacks one arm atop his other, looking up at you. The ends of his hair have begun to curl. You like it so much.

"What if I pour from the pitcher right in front of you? Will that make you feel better?" he asks.

"You can still put something in my glass," you say. "Or you might have built a tolerance to the poison for this exact moment. Like in The Princess Bride."

"I'm only twenty-one. I would've had to start very young to build a tolerance. Besides, what would be my motivation to poison you?"

You shake your head. "There's no need for motivation. Violent delights. But you've fought monsters, and Lucas Sinclair says you're a good guy. So, yes, I will have some lemonade."

Steve pushes himself out of the pool with ease, dripping water all over the concrete. You stare at the rivulets that hurry down his legs and chest. He has a lot of hair everywhere. You like that too.

He offers his hand and you take it, letting him pull you to your feet. Your shoulder bumps his. Steve's skin is warm. He smells like chlorine and something sweeter. Pineapple, maybe.

"You would do very well as a knight," you say. "If I were a princess, I'd want you to commit yourself to me."

Steve makes a weird noise in his throat.

"Uh, th-thanks," he says.

"You're welcome."

"So you, uh, know Lucas?"

"Yes. He lives on my block. His mom gives me rides sometimes."

You step in through the sliding glass door, which puts you directly in the kitchen. The house is at least twenty degrees cooler. You shiver at the sudden temperature change.

"You don't have a car?" Steve asks.

"No."

"You walked from your house to Loch Nora?"

"I took the bus part of the way. Then I walked."

Steve takes two glasses down from the shelf. Then he opens the refrigerator. You sit at the large kitchen island while he pours.

"Debbie Wellerman has a car," Steve says.

"Uh-huh. A Porsche."

A money car, she'd called it when she got it for her sixteenth birthday. Boys love girls with money cars. Maybe that's why boys don't love you.

Steve hands you a glass. You take a long sip. Your mouth puckers and you scrunch your eyes shut as the acid coats your tongue.

"Shit. Not enough sugar?"

You swallow and open your eyes.

"It's wonderful, Steve," you say earnestly.

"You don't have to lie. I saw your mouth screw up."

"I'm not lying. It's the right amount of sour."

Steve takes his own sip. His lips pucker, and he shakes his head.

"Nope. Definitely needs more sugar."

You cradle your glass in your hands. "Don't take mine. She's perfect."

Steve breathes a laugh, returning the pitcher to the fridge. He sits beside you on the island. He's already developing a slight tan. You wonder if more freckles appear the longer he's in the sun.

"Why doesn't Debbie pick you up?" he asks.

"Why would she pick me up?"

"Because that's what nice friends do. And it's unfair to expect you to come all the way here when the buses don't go through Loch Nora."

"Debbie always expects me to come over," you say. "So I do. She doesn't like my house."

Steve frowns deeply.

"I don't mind the walk," you offer, trying to make him smile again.

It doesn't work. Steve takes another sip. His lips purse, red like cherry candy and shiny with lemonade.

"She should meet you halfway more often," he says, dumping his lemonade into the sink.

You trace shapes into the condensation of your glass.

"I wanted to go rollerblading," you say. "But…"

"But what?" he prompts.

"She didn't. Neither did Brett. They wanted to make out in the pool.”

Steve grimaces. “Sounds like a drag.”

“They make weird noises. Like goats at the zoo.”

Steve snorts. You smile and kick your legs, pleased.

“My friends go rollerblading,” he says. “The kids love to skate at the park. You could come with us one day.”

“You have kids?”

“No, I—” Steve shakes his head, chuckling. “Definitely not. No, they’re only a few years younger than me, but me and the other people our age call them kids. They’re part of our little monster-fighting group. Anyway, uh, y'know. Open invite. If you're ever tired of goat noises."

You stare at him for a minute. He seems nervous, and you can't make out why. Nobody's ever nervous around you.

"Okay," you say. "I'd like to meet your kids."

"Cool. Well, um, I can give you my number. We usually meet up on weekends, but once school ends, any day is game."

Your heart rate picks up. You know this part. Only from a distance, of course. But you know what it means when a boy gives a girl his number.

“You want me to call you?” you ask.

“Yeah. I mean, if you want to. I feel like it’s a little forward for me to ask the girl who climbed my fence for her number. So, um, you can call me. Is that cool?”

Steve looks at you and waits. You chew your lip and nod.

“That’s okay.”

He smiles. “Great! I think I have a pen around here somewhere…”

Steve walks around the table to a stationary caddy on the counter and takes out a blue Sharpie. You stick out your arm, palm up.

"Uh…" He looks at you. "I can find a notepad."

"This helps me memorize things better," you say and wiggle your fingers.

"I don't wanna give you ink poisoning."

"You didn't poison me before. You're not very good at it."

"Isn't that a good thing?"

You shrug. "Depends on your aspirations."

Steve hesitates for another second. Then he takes the top of your forearm and begins to write on the soft underside. He writes slowly, which tickles, but you remain still.

He's so close. You're reminded all over again of his hands and warmth and pineapple scent.

Steve caps the marker. You inspect the writing.

"Good penmanship," you say.

"Think so? Robin says it's chicken scratch. But she can't talk—hers is ten times worse."

"It's neat," you say. "But not serial-killer neat. If I were a graphologist, I would give you the all clear."

"Graphologist?"

"A handwriting expert. I would write in my report, 'not a murderer.'"

"Well, that's a relief," Steve says. "I try to keep the murdering to a minimum."

You hum and finish your lemonade in one gulp.

“Thank you for not poisoning me."

“Yeah, you’re welcome,” Steve replies through a smile.

His smile makes you nervous. A good nervous, though, like you're about to sled down a big hill.

You push yourself off the stool. Steve gets up with you and opens the sliding glass door for you.

“A very stalwart knight,” you say, and walk over to where your flip flops are.

You throw them back over the gate. They land with a clack on the sidewalk.

You find your footholds on the gate and turn to look at Steve.

“It was nice to meet you, Steve Harrington. Don’t fight any monsters by yourself.”

“Whoa, hang on!” He jogs over and lightly touches your arm. It sears your skin like you've been kissed by the sun himself. “I’ll unlock the gate. You don’t need to… climb again.”

Steve pulls the latch next to you. The gate creaks open. You hop off and walk through.

Steve leans against the gate, elbow bent. His bicep bulges. You've never been this close to a shirtless boy. Your stomach flips.

“Are you sure you know where Debbie lives?” he asks.

Your eyes dart from his chest to his face.

“Yes.”

“Really? ‘Cause you didn’t exactly find it the first time.”

“Second time’s the charm,” you say.

“I thought it was the third time.”

“No. Three’s bad luck, remember?”

Steve runs his tongue under his molars, once again staring at you like he’s trying to solve a puzzle. You slip into your sandals while he figures you out.

“Well, um. You can come back if you get lost. Or you need help. Or you wanna look for rocks."

You tilt your head. “You’d look for rocks with me?”

“I don’t know how helpful I’d be—all rocks look the same to me. My friends would probably be better at it than me. But, yeah, I would.”

“Okay. Thank you for your hospitality.”

He grins. “Sure thing.”

You take his hand and shake it. It’s warm and slightly calloused. You wonder if he holds girls’ hands often.

"I hope Robin finds your house," you say. "Goodbye, Steve Harrington."

Then you go.

You do find Debbie’s house on the second try. You hide your Sharpie'd arm behind your back when you enter. Debbie doesn’t ask why you’re late. Brett doesn’t acknowledge you, and you wonder how you mistook Steve for his brother.

“There’s lemonade,” Debbie says as she heads in, Brett at her heels.

You don’t drink any. You know it won’t be the right amount of sour.

Movies are better in the summer. This is a fact you've learned to accept.

There's no dread of the cold after you finish a movie in the summer. The tape ends and you can go outside and still love the real world.

Sorry, we're on a break! the sign on the store window reads in loopy script. You sit on the hot curb in front of Family Video, your yellow shorts bunched around your thighs. Sweat sticks to the back of your neck, and you drag a hand across, then wipe your fingers on your shirt.

From here, you can just see the cement-filled cracks in the asphalt, where the earthquake split the main road two years ago. Because of the cracks, the bus stops three blocks from the plaza, so you'd walked three blocks in the heat.

You hadn't been lying to Steve, though. You really don't mind the walk.

Beads of sweat drip down your forehead. One slips into your eye and burns. You make a fist and press it into your eyelid.

Okay. Maybe you mind a little.

"Hey, neighbor!"

You look up, squinting through the sun. Lucas Sinclair waves at you. You wave back. A girl with two red braids is next to him.

"Hi, Lucas," you say, standing as they approach you on the curb.

"This is my girlfriend, Max," he introduces proudly.

"My congratulations. Getting a girlfriend is no easy feat."

Max studies you for a moment. "I think I should get the credit, considering I said yes."

"Undoubtedly," you say.

"Are you his neighbor?" she asks.

"Yes. Lucas is an outstanding neighbor. You should be very proud of him."

"I believe it," says Max.

"What are you doing?" Lucas asks.

"Lots of things," you say. "Breathing, digesting. But presently, I'm waiting for the video store to reopen. I want to rent The Princess Bride.”

Max snorts. "Good luck with that. Those two take five hour lunch breaks now, ever since Keith moved away. It's barely a business anymore."

"There must be a lot of courses in their lunch," you muse.

"Yeah… uh, we're going to get ice cream. Wanna join?" asks Lucas.

"Okay." You turn to Max. "Will my presence impede your special plans?"

Max squints. "Special plans? Like what?"

"I don't know. Perhaps you've written Lucas a series of sonnets to profess your love."

"A series of what?"

"Poems."

"Love poems are corny," she says.

You wonder if Steve would agree.

"Sometimes corny things are good. When they come from the right person," you say.

Max acquiesces with a hum.

"No love poems today," she says. "You should join us."

So you follow a couple steps behind them to the Baskin-Robbins down the block.

The AC whooshes as you step inside, drying your sweat to your forehead.

“Wow,” Max says with a scoff. “It’s like Starcourt all over again.”

You follow her gaze and spot Steve.

Oh. Steve.

He's in a green Family Video vest. A girl sits across from him, wearing a matching vest. She has cropped hair and a bandaid on one knee.

“Hey, losers!” Max calls. “This isn’t a lunch break.”

The girl flips her off. “The sign says we’re taking a break. It doesn’t specify how long of a break.”

Lucas orders a scoop of strawberry ice cream for himself and a scoop of cookies and cream for Max.

“Yeah, plus, we’ve had a grand total of one customer today,” Steve adds.

“Well, you would’ve had two if you hadn’t been here on your seventeen hour break,” Max shoots back.

He scoffs. “Oh, really? Who?”

“Can I get one scoop of rocky road ice cream with oreo crumble and gummy worms in a cup?” you ask the cashier.

She goes to scoop the ice cream. Max proudly points at you.

“Her,” she says with a smirk. “She wanted to rent The Princess Bride, and now she’s not gonna be a paying customer ‘cause you two are lazy.”

“I would still be a paying customer,” you say.

Max shakes her head at you.

“I’m trying to make a point,” she whispers.

“Oh. You’re doing great."

“Your total is three twenty-four,” the cashier says, sticking a spoon into your cup.

The sound of a chair being dragged across the floor draws your attention. Steve is up, trying to free his leg from under the table. He finally wiggles free and jogs to the counter, wallet in hand.

"Hi,” he says. "I can pay."

“But I have money,” you say, brows knitting.

“No, I know. I—now you can save your money. Do you–do you mind if I pay for you?”

“Will I have to pay you back?” you ask.

“Oh my God,” the cashier mutters under her breath.

You shrink at her tone. You've missed something, evidently. You have no clue what.

Steve glances at her, mouth pinching.

“No,” he says gently, turning back to you. “You don’t have to pay me back. It’s a gesture. As a friend.”

“Oh. Okay.”

Steve gives her the money. You take your ice cream.

“Smooth,” you hear Max say to Steve. He bumps her arm with his elbow.

Steve pulls a chair from another table for you. You all sit down.

"This is, uh…" Steve trails off, turning to you. "I'm sorry, I never got your name."

"You kept calling her Buttercup," the girl says.

Steve whips his head around to hiss at her.

"Robin."

"She's my neighbor," Lucas says.

"We know," Max tells him.

"I don't." Robin raises her hand briefly, shooing Steve away. "I'm Robin Buckley."

"Hi, Robin. Watch out for moths," you say.

She tilts her head and smiles. You look at Steve, who's already looking at you.

"Princess Buttercup?" you ask.

"Well." He rubs the back of his neck. "Y-Yeah, kinda. You mentioned The Princess Bride and, uh, I don’t know your name, so…”

You mull that over.

"If I'm Buttercup, you must be Westley."

Steve's eyes widen. "Uh…"

Robin snickers. Max smirks.

"Interesting shade of red you're turning, Westley," Robin says.

"Shut—"

He kicks her chair leg. She yelps and shoves him in retaliation. Max rolls her eyes.

"Have some class, will you?" she says.

"I'm classy!" Steve insists.

"Not anymore," Lucas says gravely. "Now you're a glorified babysitter."

"Childcare is dutiful work," you say.

Steve grins at you. Your stomach flutters.

“Is that a mud pie?” he asks.

You nod.

“Gummy worms?”

You tilt your head. “How did you know?”

Steve chuckles. “Lucky guess.”

Across the table, the others argue about the classiest ice cream flavors.

“It’s obviously mango sorbet.”

“Sorbet isn’t ice cream!”

“Are they your kids?” you ask.

Steve leans in so you can talk in his ear. His arm is on the back of your chair. If you shift the slightest inch, you’d feel him.

“Minus Robin. Though, sometimes…” He rolls his eyes playfully. “But, um, yeah. Two of them.”

“How many kids do you have?” you ask.

“Let’s see…” Steve counts on his fingers. “Six?”

“Wow. You must be some babysitter.”

“I’m alright.”

You lean in. Steve blinks.

“What’re you doing?” he asks.

“You have an eyelash.”

You swipe the hair off his cheek and hold your finger in front of his mouth.

“You have to make a wish.”

Steve’s eyes slide to you. He gently holds your hand in place. Your heart beats faster.

“‘Kay.” He blows the eyelash away, but doesn't release your hand. “Let’s see if it comes true.”

The numbers stare at you. Taunt you, really.

You practically have them memorized. You’d written them thirty times on a piece of notebook paper. Then you’d shoved that under your bed.

Now you have it taped to your dresser mirror.

You wish you could talk to Joan about it, but she’s bathing in the sink after an unfortunate encounter with a paint can.

The Sharpie is gone from your arm, has been gone for several days now. But if you concentrate, you can see its silhouette on your skin.

You get up and peel the paper off the mirror. Then you go down the hall to your phone.

Carefully, you dial, making sure not to press any wrong buttons.

The phone rings. You rock on your toes.

“Hello?” Steve says.

You freeze.

“Hellooo…?”

“Hi,” you finally say. “It’s Buttercup.”

“Oh!” He sounds so happy. “Hey! Hey, how are you?”

“Good.” You chew on a cuticle. “It’s Saturday.”

“Oh, right! Did you wanna go rollerblading?”

Relief floods you. He remembers.

“Yes. If you’re planning it.”

“I haven’t talked to the kids, but I’m sure they’d be down.” You can hear the smile in his voice. “I can pick you up in twenty?"

“I can walk.”

“C’mon, in the sun? You live on the same street as Lucas anyway, don’t worry about it.”

“Well.” You twirl the telephone cord around your finger so tightly, it threatens to cut off your circulation. “Okay… if it’s no trouble.”

“It’s no trouble,” Steve promises. “I’ll see you in a bit, okay?”

You hang up and run to your room to dig for your skates. They’re stuffed under your bed next to a mini gumball machine. You shove two green gumballs in your mouth and race to the bathroom to check on Joan, nearly slipping on the wood.

“I’m going out, Joan. I think he might… he might like me.” You crunch on the gumball shells and shudder. “What a terrifying thought.”

You pull out the drain stopper and set Joan on a washcloth to dry. Then you go down the hall to put on your sneakers.

Steve arrives five minutes early. You only know that because you spend the whole time watching the road from your curtained window. You shake your hands out, overwhelmed with nerves.

It’s just a boy. He’s only a boy.

The two of you meet halfway. Steve jogs backwards, unusually skillful, and opens the passenger door for you.

“Hey. Does Joan want to come?” Steve asks.

You shake your head. “She’s having a spa day. It’s just me.”

“Well, I’m happy to have you,” he says, sweet and earnest.

You duck inside the car and shake your hands a little, trying to fend off the returning nerves. Just a boy.

“So, that’s El,” Steve says as he gets into the driver’s seat, pointing to a girl with short curls. “And you know Max and Lucas.”

Max nods at you with a smile. Lucas waves.

“Hi, El,” you say. “Cool hair.”

“Thank you,” she says, voice soft. “I like your skates.”

“I found them at a yard sale. You can find anything in a yard.”

"Okay," Steve says. "Everybody buckled?"

“Yes, Mom,” Max mumbles.

Steve catches your gaze and rolls his eyes. You smile.

Briefly, you worry you’ll have to fill the silence and talk about yourself, like people expect you to. But Steve and the kids hold conversation easily. They talk about anything and everything.

They're more energetic than you're used to; Debbie always prefers it to be quiet.

But you don't mind it. You don’t feel lonely like you do when you’re with Debbie.

“Alright, please stay within this area,” Steve says when he parks and everyone gets out. “Within—”

“Shouting distance!” Max yells. “Yeah, we know!”

The park isn't crowded. Most of the paths are clear, so skating will be no problem.

Max gets out two skateboards from the trunk.

“Max is going to teach me how to do an ollie,” El informs you. “Would you like to join us?”

“Maybe later,” you say. “I want to master my yard skates.”

She nods and follows the others to the small skate park on the other side of the trees.

You bring your skates to a bench and sit, lacing them up your feet. Steve is a few feet away, swinging his arms slightly.

“Aren’t you going to join them?” you ask.

“Oh, uh, no. I brought my own skates… I thought maybe we could skate together, if that’s okay?”

“Yes, I would like that,” you say.

Steve beams. “Alright, cool. I’ll go get mine.”

You stand, about to take a step forward—and immediately slip.

Steve reacts instantly, lunging to catch you. One hand grabs your elbow, the other on your stomach. You squeal and cling to his shirt.

“Are you okay?” he asks, helping you stand upright.

“I’m okay,” you say, breath caught in your throat.

You take a step but your foot wobbles. Steve grabs you again. You don’t try to take another step.

“I thought skating would be intuitive,” you say, rolling one skate to test.

“What?”

You look up. Steve’s face is inches from yours. His hair is golden in the sunshine. His eyes lock on your own; his focus sends a jolt of electricity down your spine.

“You know, like how babies are able to swim for the first six months of their lives?”

“Uh…” Steve tilts his head. “No?”

“Oh. Because they were in the womb, they have that ability. ‘Cause they float around in there for nine months, you know? But then they lose it. That’s why we have to learn how to swim.”

“Wow. That’s a cool fact.”

Nobody ever thinks your facts are cool. But Steve does.

“Well, I thought skating would be similar,” you say. “I’ve watched other people skate, so I thought I’d just… do it. I guess I lost that at six months too.”

Steve’s smiling. It’s a gentle smile, though. Not a teasing smile.

“I see,” he says. “I’m sorry for your disappointment.”

“It’s alright. Life is far more than disappointment. No use getting hung up on it.”

“Do you want me to teach you how to skate?” he asks. “I promise I’m good at it. Coach Collins said I could’ve seriously pursued it.”

“So skating for you is like avoiding death for Westley,” you say.

“Actually, I’m pretty good at avoiding death too,” Steve says. “And making grilled cheeses.”

“Triple threat.”

He ducks his head with a laugh, and you feel the warmth of it flow through your own body.

“Sure. Can’t make lemonade for shit, though.”

“I think your lemonade is perfect, Steve Harrington.”

His cheeks are scarlet again. It’s quickly becoming your favorite color.

“I would like it if you taught me,” you say.

“Okay. I’ll get my skates after you get the hang of it. Put your hand on my arm, right here.”

Steve pats his forearm. Carefully, you do as he says.

“I’m nervous,” you confess.

“I got you,” Steve says, cheek brushing your head. “I won’t let you fall, Buttercup.”

Saint Aloysius’ parking lot has the best rocks.

You've never told anybody as much because you imagine the lot would get busy, and you like it empty.

Today, you're searching for a brother for Joan. Ever since that tragic day at Macinaw Island, Joan's been very lonely. It‘s hard being a sisterless sister.

Joan is smooth and round, so you look for an equally smooth and round brother. Commonality is important.

Your knees hurt from squatting, so you sit. The rocks poke your butt.

You hear a car rolling up the hill, engine a soft purr. You stop and turn.

The car is maroon and shiny, with only a couple slight scratches you can't notice unless you look really hard. You don't recognize the license plate, although you have yet to start your record of Hawkins plates.

It putters to a stop in front of Giovanni's Bakery across the street. The car doors open.

"I'm losing my edge, Robs! I made a damn fool of myself. I can't even—"

"Okay, first of all, I feel like we're glossing over the fact that you don't even know this girl. And what she did was technically trespassing."

"Do you know her name?" another voice pipes up.

"No, Dustin, I don't know her name. I don't even know if she lives in Hawkins!"

Their voices disappear as they go inside the bakery. You find Joan a brother, Jack, and Jack finds a wife named Gwen. Gwen isn't smooth and round; she's sharp-edged and will be harder to clean, but she's a muted salmon color and you think she's pretty. You hope Jack will find her pretty too.

As you dig through the pile of rocks, your finger catches on the edge of a broken bottle. It slices your finger. Blood swells immediately.

You put your new rocks in your plastic red pail with your other hand. Then you stand, joints popping as you do so. You stick your ribs out and bend your spine in a stretch.

You cross the street to the bakery, pail in hand. The bell jingles as you enter. You hum the ding-dong under your breath.

"Can I help you?" the man behind the counter asks.

"Hello. Can I have five baci di dama and five of the raspberry sandwich cookies?"

He goes to the display case with a paper bag. You rest your elbows on the counter, pail handles over your arm.

"Anything else?"

"Yes. Do you have a bandaid? I'm bleeding."

The man purses his lips. "No bandaid, sorry."

"That's okay. Just the cookies, then."

"Buttercup?"

You turn. Steve stands before you, wearing his Family Video vest. Robin is beside him, her hair piled into a windblown bun on her head. Another boy, shorter than both, younger, is with them. He waves at you, curls bouncing.

You wave back. Robin squeals.

"Oh my God, what happened to your finger?" she asks, horrified.

"There was a broken bottle in the parking lot."

"Jesus," Steve says. He takes your hand and inspects it. He's so close and warm. All you can do is stare at the freckles on his neck.

“Why were you in the parking lot?” he asks.

“I was looking for rocks. This is the best rock spot in all of Hawkins. Well, after Lover’s Lake. But the pH has been abnormally high there. Probably because of the monsters. So I came here.”

"Hi, I'm Dustin," the boy introduces. “Is your finger okay?”

"Hi, Dustin. I think I’ll survive,” you say. “Dustin means brave warrior in Norse.”

Dustin beams. “Yup. I was named after my grandfather. He served in World War Two.”

"Names are important,” you say. “Joan agonized for days deciding what I should call her. Eventually, I decided for her. A name says a lot about a person. Steve has a warrior and good luck at his side."

"Yep, Steve-o here is pretty blessed to have us. And," he gestures to you, "You are?"

"Hungry," you say, taking your bag of cookies with your free hand.

The bag crinkles as you open it. You hold it out to Steve.

"Do you want one? I promise they’re blood-free.”

"Uh…” He glances at your hand. “Are you sure your finger is okay?”

“She’s a trooper. Survived ink poisoning and everything.” You wave the bag again. “Cookie?”

Steve takes a baci di dama out and pops it into his mouth. He hums as he chews, nodding.

"'S good," he says after he swallows.

"Baci di dama means lady's kisses in Italian," you say.

His cheeks turn pink again.

"You should drink more water," you add. "You turn pink easily."

Robin snorts. Steve holds a hand to his cheek.

"Uh, thanks."

“You’re welcome. Robin, would you like a cookie?"

"No, thanks,” she says. “I'm picking up a tiramisu for my mom's birthday."

"I want a cookie!" Dustin says.

"Dude," Steve hisses.

You hold the bag open to Dustin. He takes a raspberry sandwich cookie.

"So," Dustin says, mouth full. "Are you Steve’s girlfriend or something?”

“Not that I’m aware of,” you say.

“Du-ude!” Steve says too loudly, voice climbing in pitch.

“What? You talk about her all the freakin’ time. I needed to know.”

You look at Steve. He rubs the back of his neck and half-smiles.

“Anyway,” continues Dustin. “How do you know Steve?”

"I climbed over his gate by accident on the hottest day of May,” you say.

"By accident?"

"Yes. All the gates in Loch Nora look the same. Except Steve's gate has climbing ivy and little red flowers. It's much nicer than the other houses. It looks like a person lives there. I mistook it for Debbie's gate."

Robin tilts her head at you. You don't care what Steve says; she's a one hundred percent bonafide bird.

Dustin points to your pail, crumbs all over his chin. "Why do you have rocks?"

"They're for Joan," you say.

"Joan? Is she your friend?"

"She's more like my confidante. She doesn't talk much, so I think it'd be presumptuous of me to call her a friend when I have no idea where we stand."

"Navigating friendships can be hard," Steve offers.

"Yes," you say. "They can be."

"Being straightforward can help a lot," he continues. "It, uh, at least helped me. That way the other person knows what you mean. No room for miscommunication."

You nod. "That's good advice. I'll have to try that with Joan. Sometimes she can be kind of hard-headed."

You roll up your bag of cookies and reposition your pail on your arm so the metal doesn't dig into your skin.

"It was nice to meet you, Dustin," you say. "Goodbye, Steve and Robin."

"Wait!"

Steve holds the door for you and follows you out. He still smells sweet, like pineapple, and also a little woody. He touches the small of your back, sending a bolt of electricity down your spine.

"I have a first aid kit in my car. Let me wrap your cut."

"Oh." You'd forgotten about it. "Okay."

You follow Steve to his car. He pops the trunk and rummages. You spot a bat with nails.

"Very inventive," you say, pointing at the bat.

Steve laughs shyly. "Yeah, uh, the monsters."

"I definitely wouldn't want to fight you if I were a multi-dimensional monster."

He smiles and takes out a small spray bottle of disinfectant.

"This is gonna sting, okay? But we need to make sure nothing gets infected."

"An infection would be unfortunate," you say. "I'm quite attached to this finger."

He sprays and cleans your finger. You wince and Steve squeezes your wrist in apology. Then he pulls out bandaids.

"Any preference? I have rainbow, Star Wars, 'cause they're all a bunch of nerds, cats… oh, I have flowers! ‘Cause you’re, uh, Buttercup, you know?"

"Flowers," you say, because Steve's so excited about it.

He nods and opens the bandaid. You hold out your finger and Steve carefully wraps it. He rubs your knuckle.

"Thank you," you say.

"You're welcome. Be careful, okay?"

"I will."

He closes the trunk, swinging his keys on his finger.

"Sorry if that was awkward, by the way," he says. "Dustin, I mean. He can be… blunt."

"It wasn't awkward."

“It wasn’t?”

“No,” you say. “I’m happy you tell people about me. I tell Joan about you all the time.”

"Oh." He nods. "That—that’s good. So… we’re both… uh—”

"Do you want another lady's kiss?"

"What? Oh—" Steve clears his throat. "N-no, that's okay. Thanks."

You take out a raspberry cookie and bite into it.

"Your hair has product," you observe.

"Yeah. No secrets, though."

"Everybody's hair has secrets."

"Even yours?" he asks.

"Especially mine."

Steve rubs the back of his neck. You open your bag and take out another cookie. He looks like he's trying to find the right words to say. You don't mind waiting.

"Hey, do you like barbecue?" he asks.

"I like it as well as anybody else."

"Well, um, I'm having a barbecue this Saturday. Lucas won a big championship game and so we're celebrating his win."

"That's nice," you say. "Congratulations to Lucas."

"Yeah! So, um, did you maybe want to come too? It'll be at my house. You could bring a friend if you wanted. Like Joan."

"Joan is a vegetarian," you say. "But I'm sure she'd enjoy the company."

Steve smiles. He has such a pretty smile.

"We're ordering pizza too, so Joan can have some of that."

"You're a very thoughtful host.”

Then you have a terrible thought. But you have to ask it because if you don't, you might be breaking some kind of invisible expectation. You do that a lot.

"Does Debbie have to come?" you ask.

Steve blinks. "Uh, no? It's not a requirement."

"Some people ask me to parties because they want Debbie to come."

Steve frowns. "That's rude. I wouldn't do that."

"Okay. What time does the barbecue begin?"

"You can stop by anytime. But we'll probably start eating around six."

You nod. "Joan and I will be there at five thirty."

Steve's answering grin is blinding. He must be really excited to meet Joan. You get it; Joan's the life of any party she attends.

"Great, that's great. I'll see you then."

"Bye, Steve," you say.

"Bye," he answers like he's out of breath.

Even the way he breathes is pretty.

Every month, Miles Stanwick throws a party.

Miles is a celebrity in Hawkins, his father being a state senator, and Miles is, according to a drunk Debbie, “the Gatsby to her Daisy.”

You're pretty sure Debbie hasn't read the book. Or maybe she's a living tragedy. Either is possible.

It had been just you two in her room, without the Other Debbie she pretends to be to impress the people of Loch Nora, when she'd told you what it meant to be in love.

"You just know," she'd said, her breath reeking of tequila.

You'd turned your head. Tequila made your nose itch.

"But you love Brett," you'd said.

"Brett is who I'll marry," she'd corrected. She’d sounded so sad. "Miles is all I've got."

Then she'd thrown up all over her carpet. You'd helped her into bed and made a mental note to find her a friend like Joan to keep her company, for when you weren't around.

You don't like parties. They're loud and smelly and usually filled with people you don't like or don't know. And at a party, people you don't like and people you don't know are one and the same.

You would leave, but Debbie is your ride tonight. So you're stuck here until midnight, maybe even later.

Someone plugs in a karaoke machine and that gets most of the party's attention. The music is horribly loud and is the kind that’s just a lot of synthesizer.

A guy jumps onto the Stanwicks' coffee table and knocks over the potpourri dish. Dried petals and orange peels scatter across the carpet.

Debbie appears in front of you, a red Solo cup in her hand.

"What did I bring you here for?" she asks, mouth curled. "To slump on the couch?"

"No one here wants to talk," you say.

Debbie rolls her eyes. "Parties aren't for talking. They're for drinking and making out. Someone's rolling a blunt in the den. Go suck on that, will you?"

The people in Loch Nora are so good at making you feel two inches tall. You wish you'd brought Joan. She'd know what to do.

You've tried alcohol before. Champagne at a wedding. A sip of rum from the Wellermans' liquor cabinet, back when Debbie wasn't so caught up in being just like everyone else.

Maybe it's your fault, too. Maybe you're too good at standing out.

You go to the kitchen. It's already trashed. You step over a spill on the floor. Then you turn around and lay down some paper towels so no one will slip.

There are various bottles of strong liquor strewn across the counters. You decide to try the punch and fill your cup to the top. You sniff it and your nose wrinkles at the whiff of alcohol.

You so badly want to have fun. You want to know what makes all of this worth it. You want your friendship with Debbie to be worth it.

You down the punch in one go. It makes you cough and you scramble for water at the sink. You wonder if the punch is poisoned.

You wobble out of the kitchen a couple minutes later, head already woozy. A girl stands with a drink, one arm folded.

"Where's Debbie?" you ask. The girl winces and steps away from you.

"She went with Miles and some other people to the lake."

Your eyes widen. "No, they can't. There's monsters."

She looks at you like you might be an insect splattered on her dashboard.

"You're Debbie's weird friend, aren't you?"

Weird doesn't make you feel good, like Steve calling you strange did. Weird makes you feel like when a boy in sixth grade stepped on your heels while going up the stairs because he thought it was funny.

"Debbie would've told me," you say.

The girl shrugs. "Guess she ditched you. She can't score with Miles if you're killing the vibe."

Weird tastes like poison in your mouth.

"Debbie was my ride," you say, but she’s already gone.

Your head aches. You try to think on what to do next. It's nearly midnight. No one is awake, and you have no idea how to call a cab.

You find the Stanwicks' phone in the hall and dial the only number you know, besides your own, and the local pizzeria.

"Hello?"

You lean against the wall, phone in both hands.

"Uh, hello? Who is this?"

"H-hi, Westley." Your voice cracks.

"Hey," Steve says, unbearably gentle. "My favorite rock girl. Jesus, it's… midnight."

"I'm sorry," you say.

"No, no, it's alright. I'm just—is everything okay? Are you okay?"

"Debbie ditched me."

Silence. For a moment, you panic that the line's dropped.

"Steve?"

"Where are you?"

"I'm, um, at Miles Stanwick's. The address is… well, I don't remember, but I'll go outside and look for the house number—"

"I know it," Steve says. "Stay right there. I'm coming to get you. Don't drink any more."

Your lip wobbles. "'Kay."

"It's okay," he soothes. "Drink some water. Don't take anything from anybody."

"I just wanted to be fun," you blurt.

"You are fun, Buttercup. Way more fun than anybody at that house, I guarantee it. I'll be there in ten minutes, okay?"

"Okay. Thank you, Steve," you say, no longer feeling so small.

You hang up and go to the kitchen to get more water from the sink. Then you return to the hallway and sit, back against the wall, knees tucked into your chest.

You doze, lids heavy from the alcohol. The next thing you know are two hands on your arms.

You jolt awake. One hand cradles the back of your head so you don't thump it against the wall.

"Hey, hey." Steve kneels in front of you. He brushes your cheek with a cool knuckle. "It's me, it's Steve. Are you okay?"

His hands are cool against your overheated skin. He smells like lemon shampoo.

"My knight," you say.

"I thought Westley was a pirate."

“He was only pretending."

You let Steve ease you up. His car keys dig into your hip.

"Ow," you say dazedly.

"What? What hurts?"

"Keys."

"Oh." Steve shifts you to his opposite side, hand on your back. "Sorry, honey."

"Honey never spoils," you say. "Did you know that? You could dig up honey from a tomb that's thousands of years old and as long as it was stored in an airtight container, it's good to eat."

"I love that you know that."

"Do you really?"

"I really do," Steve says. "C’mon, let's get you home."

Outside, the moon is a dot of cream in the purple sky. The neighborhood is quiet. Most of the houses are also dark.

"I'm sorry for calling you so late," you say.

"Don't be. I'm glad you called me. These parties can get out of hand."

"Debbie left. She went to Lover's Lake with Miles—"

The panic returns, flooding your body. You squirm and Steve tries to keep you steady.

"Whoa, what's—"

"The monsters! There's monsters down there, Steve. I don't like Miles, but I don't want him to be eaten!"

"No, no, no more monsters," Steve assures you. "They can't come through there anymore."

You still. "Promise?"

"I promise."

He helps you into the passenger seat of his car. Steve leans in and pulls the seat belt over you.

"Comfy?" he asks.

"I like you so much, Steve Harrington."

It's too dark to tell, but you suspect he's got another case of sunstroke.

"I, um, like you too, Buttercup. You're really cool."

"Me?" You wave your hand. "No."

"Really," he insists. "You are. The coolest."

If you were Debbie, if you weren't weird in the wrong way, if you didn't go to parties to talk, and if you fit a million other criteria you never will, Steve would kiss you right now. Or maybe you'd kiss him.

But you don't know how to go about that. You don't think it's your right to do such a thing.

So Steve shuts the door and walks around to the driver's seat. You stare at your flower bandaid.

"Four three's," Steve says as he turns the ignition.

You turn your head. "Hmm?"

"The house number. Four three's. That's gotta be, like, astronomically bad luck, right?"

"Without a doubt."

Except you're here with Steve Harrington, and he calls you honey and thinks you're cool. And that doesn't seem like bad luck at all.

"I'm going to a barbecue," you call out.

There's no reply. You close the door behind you.

Joan sits in your pocket. You've tied a purple ribbon around her head, right above her googly eyes. You don't know what the dress code is for a barbecue, but you hope she's not underdressed.

You haven’t spoken to Steve since Miles’ party. You’re not sure what you should say, and you can’t bear the thought of calling him to hear silence.

Even if he doesn’t like you the way you like him, you hope he’ll still be friends with you. Steve and his kids have grown on you. You don’t know if you can go back to who you were before the hottest day of May.

“Material Girl” plays from inside Steve's backyard. You mouth the words as you fling your flip flops over the gate.

"What the fuck?" someone says from the other side.

You climb the gate and shimmy down. It's a good thing you're wearing shorts under your dress.

A boy, lanky and tall but probably Lucas's age, holds one of your flip flops. He stares at you and shakes the shoe.

"Is this yours?"

"Both of them are," you say. "Does Steve like Madonna?"

He grimaces. "Unfortunately."

"Cool."

You spot Steve sitting on one of the deck chairs with Robin and a boy your age with big, curly hair and a Led Zeppelin shirt with cropped sleeves.

"Venus" plays next and you wobble in time with the music as you walk over to Steve.

"Her weapons were her crystal eyes," you whisper. The pavement is warm under your toes.

"Making every man mad."

Steve turns just as you reach him. He stands so fast he shakes the chair.

"Hey!" he says. He sounds out of breath again. "Hey, you came."

"You invited me," you say.

"Yeah, yes." Steve nods. "I did. I'm glad you're here."

"You play good music."

"Ha!" Steve whips his head to look at the curly haired boy. "Suck it, Munson."

"She's obviously biased."

"Munson," you say. "Eddie Munson?"

Eddie freezes under your gaze. Robin and Steve glance at you.

"Yeah, uh, that's me." Eddie smiles weakly. "Look, you might've heard some stuff abou—"

"You helped fight the monsters," you interrupt. "You're very brave."

Eddie's eyes widen. "I—"

"Most people just like to ignore monsters. It takes a really good person to fight them." You turn to Steve. "Do you have orange Fanta?"

"Yeah, sure. I'll get you a can. Feel free to sit… where are your shoes?"

You point behind you. "Your bodyguard had to screen them after I climbed your gate. You have very tight security."

"After you climbed my… wait, Mike? God, I’m sorry about him. I'll get your shoes back."

"It's okay. Flip flops are dangerous weapons. It's only a matter of time before the airport bans them."

Steve tilts his head, eyes warm. "Right. I'll be back. That's Eddie and Robin… you know them."

"I know their names, and that's about all you can know about anybody."

Eddie giggles. You look at him. He doesn't seem to be laughing at you, so you sit where Steve was sitting, across from Eddie's chair. You point at his shirt.

"I like Kashmir."

"Thank God! Somebody with decent tastes."

"I'll listen to anything," you say. "It's important to be a good listener."

Eddie grins. "Words of the wise."

"Where's Joan?" Robin asks.

"Right here." You take Joan out of your pocket and set her down on the edge of the pool chair.

"Sick," Eddie says.

You nod. "The ribbon was my pick."

"I like it," Robin says.

"Thank you."

Steve returns with an orange Fanta for you and a root beer for Robin.

Robin points to Joan. "Steve, this is the famous Joan we've heard so much about."

"That's a rock," says Steve.

"Yep."

"Oh." He nods in understanding. "Joan is your pet rock?"

"Confidante," you correct. "’Pet’ is demeaning."

"Got it. And was Joan's sister also your confidante?"

"No. Joan's sister didn't like me much. She thought I was a bad influence on Joan. But we shouldn't talk about it now. Joan gets very sad when I bring it up."

You open your can. The carbonation hisses. It's itchy and sweet on your tongue.

"I like your hair," you say. "It's fluffy. Like it was on the hottest day of May."

Steve pushes a couple strands behind his ear.

"Thanks. The gel is too much on hot days like these. Weighs me down."

"At least you won't float away." You look at Eddie. "Is your hair full of secrets too?"

Eddie ruffles his hair. "Not as many as Steve's, but I've got a couple in here. 'S what gives my curls volume."

"Hm. Just as I suspected," you say.

"Ste-eve!" Dustin whines from across the yard. "You promised burgers!"

Steve rolls his eyes. "You'd think he's never been fed in his life."

Eddie pats his shoulder. "You've got this, Harrington."

"Oh, no. You wanna eat, you've gotta earn your keep. Come on."

Eddie groans, flinging himself off the chair. "Save me, Buckley!"

"Already did that," she says, pulling her sunglasses onto her eyes. "Never again."

"You should tie up your hair so it doesn't catch fire," you suggest.

"Well, at least somebody cares about me," Eddie declares, pulling his hair into a ponytail.

Steve turns to you and smiles softly.

"Are you hungry? You can have the first pick of the burgers."

"Won't Dustin be annoyed?"

Steve shrugs. "Kid could use some manners. Besides, pretty girls always get the first pick. It's the law."

You follow Steve and Eddie to the grill, pretty girl echoing in your brain the whole time.

Eddie's hair doesn't catch on fire and Steve makes you a perfect burger. The sun sparkles on the pool surface. The kids come out to eat and, predictably, Dustin complains about not getting the first burger.

"Not fair. Just 'cause she's your girlfriend," he mumbles as he goes off to search for the mustard.

You check to see if Steve had heard the comment. He doesn't seem to have; you can't decide if you're relieved or not.

The chairs are all taken by the time you finish fixing up your burger. Steve stands immediately as you approach.

“Here, take my seat,” he says.

“We can share,” you offer.

Steve lets you take the back of the chair, settling at the foot. “You Make My Dreams Come True” plays on the speakers.

“Whoever made this mixtape is a genius,” you announce.

“You like it?” says Steve. “I actually made this one. Robin and Eddie think my taste sucks, but—”

“It’s spectacular.”

He hums, ducking his head shyly. “Well, speaking of spectacular: I made more lemonade, if you want to test it before I unleash it upon the masses.”

“I’ll happily drink your lemonade,” you say. “It’ll build my iocane tolerance.”

Steve grins. “I rented The Princess Bride, by the way. I know you meant to get it a few weeks ago. We can watch it tonight, if you want.”

“You remembered I wanted to watch it,” you say.

He nods. “Well, uh, yeah. Do you still want to? If you don’t, I can—”

“I do,” you say. “Thank you.”

“Yeah, of course.” Steve stands, hand outstretched so you’ll give him your empty plate. “I’m going inside. Anybody want anything?”

“Doritos!” Robin shouts.

“Napkins, please,” El says.

“Cherry Coke!” Mike calls.

“Beer!” Eddie whoops.

“Doritos, napkins, got it. The cooler is right there, Wheeler, and are you kidding, Eddie? No drinking by the pool. Have we not learned our lesson from the last four years?”

“Bold of you to assume I’ve learned anything, Steven.”

“Can you bring us popsicles?” Max asks. “Lemon and grape.”

“Ooh, popsicles sound good,” says Robin. “Bring me one too. Fruit punch.”

Steve sighs, lifting his arms.

“Two hands, guys. Only got two.”

“I can help,” you offer.

“Now that’s a great idea,” Robin says. “The two of you in the kitchen, alone. Really brilliant, don’t you think, Steve?”

Steve glares at her. Then he turns to you, expression softening.

“That’d be great, thank you.”

You follow him into the kitchen. It looks exactly like the last time you were here, except for the food. Steve opens the freezer and digs through the box of popsicles. Then he takes the pitcher of lemonade out of the fridge and sets it on the counter.

“Can you get the Doritos?” he asks. “They’re up there.”

You open a shelf over the stove. The chips are at the very top. You try jumping; all that does is bang your ribs into the counter.

"Whoa, whoa.”

Steve’s hand rests on your back. Your stomach swoops.

"Easy, Buttercup. I’ll get it, sorry ‘bout that."

You frown. "The Doritos have eluded me."

"They’re a tricky bunch," he says, reaching and successfully grabbing the chips.

"I knew you’d best me and succeed."

"Best you?"

"Yes," you say. "Like in a duel."

Steve tilts his head, a tiny crinkle forming in the center of his brows.

"Are we going to duel? Like Inigo and Westley?"

"Not if I can help it," you say. "I'm terrible with a sword."

"I would never try to sword fight you."

"I appreciate that."

His hand slips from your back. You watch it fall to his side.

“Feel free to help yourself to whatever you want,” Steve says as he takes a glass out of the cupboard. “You can also take food home.”

You exhale through your nose and wiggle your fingers a little, trying to stave off the nerves. You wish Joan was in your pocket right now, but you left her on the deck chair.

“Buttercup?”

You look up. Steve has a glass of lemonade in one hand. The top button of his polo shirt is undone. Was it always undone? You can’t remember.

Anyway, he’s beautiful. And you’re so damn strange.

“Yes, Westley?”

Steve smiles. You don’t think anyone has ever smiled at you as much as Steve does.

“Everything okay?” he asks.

He puts the glass in front of you. You glance at it, then back at him.

“Everything’s fine.”

“Are you sure? I won’t force you to drink my crappy lemonade if you don’t want to, y’know.”

“You called me strange,” you blurt. “When we first met.”

Steve’s eyes widen.

“I didn’t mean it in a bad way,” he says softly. “But I won’t call you that anymore if you don’t like it.”

“No, I–I know you didn’t mean it in a bad way. But…”

He nods, encouraging you to continue.

“I’m not like Debbie,” you say.

“I know.”

“I’ll probably never be like Debbie.”

“I much prefer you as yourself,” he says.

“Oh.”

You sip your lemonade. Your lips pucker but you smile all the same.

“Damn,” Steve says with a chuckle. “I really can’t nail that lemonade, huh?”

“It’s wonderful,” you whisper.

He takes a step forward. You set the glass on the counter.

“Can I kiss you?” he asks.

“I would very much like that.”

Steve’s lips are slightly chapped. You taste like lemonade and he tastes like Coke and God, you like it so much.

You loop your arms around his neck like you’ve wanted to do for weeks. He returns in kind, both hands slipping to your waist.

It’s not just a boy kissing you. It’s Steve.

The sliding glass door whooshes open and you jerk your head back in surprise. Max and Dustin trod in.

Dustin shrieks.

“Seriously? This is what was taking you so long?”

“If you were gonna do that, we would’ve gotten the popsicles ourselves,” Max says with a huff, grabbing the popsicles and chips from the counter.

“Told ya they were making out!” comes Eddie’s voice from outside. “I warned you, kiddies!”

They clear out, with one last stink eye from Dustin. Steve shakes his head, nose pressed to your cheek.

“Again, very sorry about them.”

“They wanted to check in on their favorite babysitter,” you say.

Steve lifts his head and rolls his eyes. “I need a padlock or something.”

You hum and lean over to unwrap a popsicle.

“Oh,” you say. “Three left.”

“Three popsicles?”

“Mmhm.”

“Well, that explains it. Astronomical bad luck, right?”

“Actually,” you say, leaning in for another kiss. “I think my theory was wrong.”

#fic recs #comfort fic

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