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starry-bi-sky · 2 days

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tales of the passerine - danny fenton being bruce wayne's first kid

okay okay. so this is like a continuation/elaboration of my oneshot/prompt i wrote about the idea that Danny was the first batkid. We have a lot of aus where he joins the family after the rest of the bats do, right? So hey! Lets shake things up a bit. Danny is the first to be adopted by Bruce Wayne.

Danny's parents and unfortunately Jazz die shortly after the events of TUE -- how so? I was gonna say an ecto-filter explosion, that would call back to the TUE explosion and trauma behind that. But lets do something new! Carbon-monoxide poisoning.

It's not too unexpected for something to break in the Fenton house, especially with the Fenton parents' questionable understanding of proper weapon handling and lab safety. The water heater broke from a stray shot by one of the weapons, and was promptly MacGyver'd incorrectly. Danny went to stay with Tucker for a guys' night, and came back to a dead silent house.

(Danny's neighbors got a very unfortunate shock when he ran to the next house over in hysterics.)

There was a lot of shuffling around with CPS, the police. People had to be called in to handle the equipment in the lab, and the GIW was rumoring to show up in aid to clearing the scene. When Danny heard of that, he immediately went and dismantled the ghost portal to the best of his abilities. He burned the physical blueprints of all his parents' inventions, their blueprints on the ghost portal, and their most dangerous weapons were destroyed beyond recognition. Anything to prevent the GIW from getting their hands on his parents' tech.

It opened up another investigation, but he was not under the list of suspects. He was placed in the care of Vlad Masters, where they then went back to the rebuilt castle mansion in Wisconsin. Danny, terrified of the future that has once passed and may do so again, shuts down in his grief. Inadvertently, he ends up somewhat repressing his ghost half. Something Vlad, who is grieving Madeline but relishing in Jack's demise and his custody of Daniel, is not very happy with.

Vlad's... gone into a bit of a mental health spiral. He's becoming increasingly possessive over Daniel, the final remnants of his friends and a liminal being like him. He doesn't like that Danny's repressing his ghost half -- both out of genuine concern as a ghost, but also because of his desire to control Danny and groom him into the perfect son. If you ever had a phase where you read Dark SBI found family fics, first off; me too bro, and second off; those are the vibes I'm thinking of.

Danny's mentally shut down from grief! And fear. He's dropped into a bad depressive state -- paralyzed with grief and the terror of the inevitable. Clockwork saved his parents because he believes in second chances, but what's the point of that when his family ended up dead anyways? Danny doesn't wanna believe that he's destined to become evil, and he's holding out onto that hope, but it's a thin line, and he feels utterly hopeless and trapped. He hasn't used his powers or ghost form since he trashed the lab, and Vlad has alarms set up to prevent him from trying to escape.

He's also unintentionally cut off Sam and Tucker -- both of whom are so scared and concerned for Danny too, and are trying their damndest to reach out to him. He keeps ignoring their texts. Danny basically haunts Vlad's manor. He goes out to eat if he has to, attends parties Vlad drags him to, and stays in his room all day if he can.

At parties, Vlad doesn't allow Danny to leave his side, or really talk to anyone -- not that Danny wants to. A product of Vlad's increasing possessiveness. Well, he almost doesn't let Danny leave his side. Danny has a habit of slipping off to hide somewhere for the parties whenever he can, and Vlad reluctantly allows it so long as he stays alone.

This becomes an advantage when eventually, Bruce Wayne returns to Gotham after missing for years, and holds a bright charity ball to celebrate the return. Vlad has been chomping at the bits to get his hands on Wayne Industries, and with the return of its owner there is no better opportunity to wipe out his rival. He goes, and he as normal, brings Daniel with him.

Vlad thinks Wayne will bleed his little heart out for Daniel's poor orphan sob story -- he's a fellow orphan himself, after all. He's not wrong; Wayne's little heart will bleed, just not in the way that benefits him.

Bruce sees Vlad and Danny approaching before they're even close enough to introduce themselves - and like with many of the children he will soon come to care for, it's like someone set a mirror into the past right in front of him.

Danny Fenton's suit is tailor-made for him, and despite the fact that it's his perfect size, the sag in his shoulders, the ducked down head, and the way he hunches into himself all pictures the image of a child in shoes too big for him. There's a far away, glazed over look in his eyes and grief marble-cut into the lines of his face. There's not enough makeup in the world that will hide the dark circles under his eyes.

("My nephew, Daniel Fenton." Vlad's hands are possessive on Danny's shoulders. Bruce immediately notices the way the boy tenses under his touch. "His parents passed recently, and as his godfather I was designated his guardian.") ("I'm so sorry, the loss must've been terrible.") ("Yes, carbon-monoxide poisoning caused it. Daniel was out with friends, when he came home... they had already passed.") (Bruce immediately dislikes that Vlad shared the details of their death unprompted -- he likes it even less when Danny flinches at the reminder and hunches into himself.)

Danny runs off at some point earlier into the charity. At this point, parties are still being held at Wayne Manor (because iirc google search mentioned that was a thing at first before it was changed), so he disappears and hides in one of the empty rooms nearby. It just so happens to be the same room Bruce Wayne hides in when he needs a break from all of the socialization.

Thus begins a long, long process of trust. Bruce can't reveal his hand as being smarter than he looks, but he can be compassionate. Kindness needs no measure of intelligence. He keeps Danny company for as long as he can before he runs the risk of being found.

Rinse and repeat. Vlad insistently wants Wayne Industries, and he'll go to as many Wayne parties as he can to get his hooks into the man. The problem is that Bruce Wayne is never alone, and getting him alone is impossible. Finding him too. It's like the man never stops moving. Always talking to someone, always circling somewhere. He orbits around the room as if he isn't the sun of the Gotham Elite's solar system.

Danny's had such repetitive behavior that Vlad never thinks to believe that Bruce Wayne is disappearing to go talk to him. That "Vlad's" son is even interacting with him at all. Danny never gives him a reason to think so, and neither does Bruce.

Danny doesn't actually acknowledge Bruce until a handful of parties in, where he hands Bruce a small slip of paper he smuggled in that says; "don't trust Vlad". Danny's face stays carefully blank, but he's so tense that his hands are trembling, and he's purposely looking away from him. Bruce plasters a smile onto his face, slips the paper into his pocket, and tells him "okay".

(he's been busy with his own goals with the mafia, but he sets aside time to investigate Vlad Masters. He was holding off. Until now.)

Danny does eventually start speaking to Bruce, he's starting to really like the guy. He's starting to see a little hope, even as Vlad is starting to get more and more agitated with him the more he refuses to use his powers.

He reaches out to Sam and Tucker again, and starts trying to reconnect with them. Vlad has spyware on his phone, and he limits the amount of times he can talk to them. A weird parental control lock of some sort that leaves a time limit on how long he can talk to them for. 30 minutes. Danny doesn't tell them anything about Mr. Wayne.

Danny, slowly, wants out of here, and he's slowly gathering the motivation to do it. Vlad is genuinely scaring him -- and Danny wonders just how truthful the past-future Vlad was when he told him that Danny wanted his ghost half separate. He starts trying to come up with an escape plan.

Vlad has anti-ghost wards everywhere around the mansion, and while they're always on, they boost to full power at sunset. The doors and windows are always locked, all main exits have alarms set on them. The only reason it's not super extensive is because Danny hasn't tried leaving at all yet, so Vlad hasn't had to tighten anything.

At night, Vlad locks the door to his room and puts up an anti-ghost ward around the room. The mansion is on the outside westward side of Madison, more entrenched in rural Wisconsin. The closest town is a four-way stop sign with one house on three corners, and an open bar on the fourth. Not much to go.

He refuses to go to Sam and Tucker; Vlad would look there first. It's too dangerous. Vlad would sound alarm bells and have a manhunt looking for him, Danny can't risk going just anywhere. Too much risk of being found, sold out, or caught. There's really nowhere for him to hide.

Until there is. Bruce is telling Danny about the history of Wayne Manor, and says, as casually as saying the weather; "The manor has dozens of empty rooms, I'm sure Alfred wouldn't mind filling another one if he could." And quietly, hesitantly, Bruce places a careful hand on Danny's shoulder, unrestrictive and gentle; "He wouldn't mind getting one ready for you if you need one."

And there it is. There's his out.

Danny, just as quietly, replies; "I'll keep that in mind."

The ball starts rolling.

Now I've been trying to summarize this au as much as possible for length convenience, but Vlad has been steadily growing more and more controlling. More emotionally manipulative. More agitated at Danny for not using his powers.

He wants Wayne Industries under his thumb but he's been steadily growing more and more concerned with Danny. He's started grabbing him, yanking him around, shaking him; trying to goad him into using his powers. He gets angry when Danny doesn't react, or tells him he doesn't want to use his powers. He hasn't outright attacked him, but he's getting there. This has been happening over the time it takes for Bruce to indirectly offer Danny sanctuary at his home.

It all comes to a head when Vlad stops going to parties at all -- something Danny has to pretend he isn't upset about -- because Vlad doesn't want him around other people anymore. Vlad rarely goes now without him, and only leaves to go to a Wayne function or to handle something at VladCo.

Danny can't wait for Vlad to leave long enough to escape. So he leaves during the night of a big storm. Vlad's locked him in his room, but Danny doesn't bother trying to go for it; he goes to the alarmed window instead. Danny's been repressing his ghost half so long that he can't access his powers immediately anymore -- he can feel it, he knows its there, but he can't quite reach it.

He breaks the lock by hand.

Immediately the alarm goes off through the entire castle, filling the room with red, and he scrambles for the rope the Wisconsin Ghost left for him a few months back. Danny's already out and climbing down the side of the castle before Vlad even reaches his door -- the only good thing about the entire room being ghost-proof is that Vlad can't get in that way.

The rope ends before it reaches the bottom, and he's still twenty feet in the air. It won't kill him if he lands it right. Danny takes his chances, and drops. He breaks his ankle, but he survives.

And he fucking books it to the back garden. He hears Vlad shrieking over the thunder and rain.

I'll save the full experience for a future oneshot, but Danny makes it out into the nearby woods and forcibly experiences what it's like to be in a horror game, trying to hide from the thing that's hunting you. There's only one thing going through his mind; "i'm going to die"

I have this mental image for this scene. Very stereotypical horror imo. Where Danny is hiding behind a tree, with a hand over his mouth, and Vlad is a few feet away from him, glowing ominously red through the trees, trying to search for him.

Danny doesn't get away from this unscathed, but he does get away alive. That's all he could ask for. He gets away by getting his ghost half awakened long enough to transform into Phantom and fly to Gotham.

But he gets to Wayne Manor, he gets to Bruce. Or, at least, Alfred answers the door from his insistent pounding. Danny's just in tears and Alfred gets him in the living room, wrapped in a towel, with ice on his swollen leg before he has to step out and alert Bruce.

Bruce already breaks multiple traffic laws on a nightly basis. And that's just with the sheer existence of the batmobile itself, not including the speeding and military artillery attached. He breaks double the amount trying to speed back to the cave and get out of the suit.

Right off the bat: Bruce will know, at least before Dick enters the picture, about danny's powers. He'll figure out something considering the fact that Danny traveled from Wisconsin to New York in a single night. That'll be a bit of complicated affair, but I've already got something in mind.

Actually it'll probably be very soon after Danny joins the family, because Bruce tries to offer to fight for custody for Danny - the state Danny was in at arrival is clear enough evidence for a trial. But Danny immediately shuts it down, says it's not going to work and then Vlad will know Danny's with him and he won't be safe. He tells him that Vlad cannot know Danny was with Bruce.

Danny's biggest regret was not telling his parents he was a halfa, and while he doesn't want to tell mister wayne (yet), he does tell him about Vlad being one. He needs to know why Danny can't be seen with Bruce. So he tells him, and Danny's current plan is to just hide out from Vlad until he turns 18. That way, he has no more legal jurisdiction over him. After that? He's not sure.

And to wrap this up, since this has already gotten very long and I can make more posts about this au later; I've thought about it, and I'm going to say that Danny does become a vigilante before Dick enters the scene. He goes by, as you probably guessed; Nightingale. "Gale" for short.

#dpxdc #dp x dc #danny fenton is not the ghost king #dp x dc crossover #dpxdc crossover #tales of the passerine au #i dont want to overemphasize how much vlad sucks but also i dont want to downplay it. but also i didn't wanna make this post too long #i didn't emphasize enough on vlad's possessiveness but i wanted to make this post as general enough as possible for the au.#for some more wiggle room in the future if i make more posts about this au.#the consequences for Danny repressing himself was not a concern i was focused on for the post but i am thinking about it and mulling it ove #i'll be blunt my main specific reason for why this occurs shortly after tue is bc it means dani doesn't exist yet and it means i dont have #to include her in the continuation of this au. i love that girl but she's a dead weight. i dont wanna come up with an elaborate reason as #to why she's not in the picture when i can just say 'she never created in the first place' instead. i don't have anything for her to do #I don't want to risk giving her a poor plot line just so that she exists in au.#sometimes i really hate just how long my posts get. i feel like it kills my engagement. but i also don't want to make posts that have #a part 1 and part 2 just because I think it got too long.#i feel kinda bad for having Danny take the spot of 'first partner' from Dick. But that was part of the reason i was inspired to make this a #i've already got the skeleton of a reasoning for danny becoming a vigilante being made in my head.#He can't go by Phantom since that risks drawing Vlad's attention -- a new vigilante showing up in Gotham. a place the visited frequently #who goes by the name Phantom? He'd be on that faster than chickens on meat. and nightingale has familial meaning behind it due to being #part of an ancestral name. it follows robin's theme of using it to honor his parents while still having its own unique enough lore to stand #on its own without feeling like a cheap copy. plus the bonus meta reason that it follows the bird theme. which personally is vital to me #my other alternative to Nightingale is Sparrow. mostly because it has good phonetic structure for a hero name. not too many syllables #a good balance of consonants and vowels. dont want a hero name with too many syllables or unbalanced consonants. or worse; both.#my reasonings is that hero names should be easy for a civ or teammate to yell while still being understood. max amount of syllables before #it threatens to become too wordy is 3. If it goes over 3 it should have a balanced consonant-vowel ratio. Wonder Woman is a good example #some things got cut here that were in the initial oneshot. like danny giving bruce his physical ghost core and showing up bloody.#the first son au

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dragon-tidbits · 3 months

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Ch. 3 - Birds of a Feather (Part 1)

We learn little tidbits at a time.

< Prev | ToC | Next >

------- I'll be posting the separate journal pages to its own post with captions, since his handwriting could be a little hard to read at times.

#Gravity Falls #Something Weird This Way Comes #Chapter 3 part 1 #Stanford Pines #GF Sona #Dragons #GF:SWTWC #future posts should be structured like this #having the next and prev posts at the top as well as the chapter number #just so I dont get people confused as I get more of these out

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antsypoindexter · 2 years

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the septum piercings' enemy of the day: hunter schafer

#have many problems with the post for sure but i also think it tries (and fails) to touch on some overlooked topics #like the focus on validity rather than something tangible (actual medical support for those that need it)#and centering that. which just smacks of liberal respectability politics or a product of it more like #there's a grander conversation to be had here that i think people are missing out on because of the inflammatory nature of the story post #(which i feel was written as a rant in response to smth so clearly wouldn't be a structured argument) when what the actual focus should be #is the caption elaborating on the points brought up. again. still big issue with tokenizing twoc to back up their argument #but writing this conversation off completely isn't gonna get us anywhere and i feel like we're going to continue to see more talk about thin #gs like this in the near future. NOT nb vs. binary because -- if you read the caption -- not **exactly** what the post was about #but discussing the interactions between transitioning and non-transitioning members of our community and where we all go from here #which needs to happen imo.#***reading again i shouldn't say nb v. binary isn't what the post was about because it does essentially say that again and again.#what i should say is that that's not the dichotomy they were actually referring to -- it's very clearly about medical transitioners #and those that don't plan on medically transitioning

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artist-issues · 10 months

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About Greta Gerwig, Little Women, and Narnia

Greta Gerwig should not be in the Narnia realm at all. As anything.

The Narnia stories are inseparable from Christianity. Greta Gerwig is a Unitarian Universalist. This means she, in her own personal life, doesn’t believe in the saving work of Jesus Christ, which is a core belief of Christianity, and a core theme in Narnia. Everything in the Narnia books hinges on this, from the character motivations to the structure of the fantasy world to the way the magic in Narnia works.

Additionally, the women in Narnia do not adhere to post-modern or even antique feministic values. They are celebrated for their love and tender-heartedness and faith, all of which require self-sacrifice. Aravis of The Horse and His Boy starts out a proud warrior escaping an arranged marriage and ends up a humbled lady of Archenland court marrying the Prince. Susan Pevensie is at her best when she’s tender-hearted and at her worst when she doubts and becomes more concerned about her own identity than others. The school that Eustace and Jill go to in The Silver Chair is derided for it’s feministic views. By contrast, modern feminism is opposed to self-sacrifice, and that is the kind of thing Greta Gerwig demonstrates belief in throughout all of her works.

Am I saying that no person who isn’t a Christian or some type of conservative when it comes to feminism can ever work on Narnia? Absolutely not. I’m not saying that. Lots of people on the Walden Media Narnia movie (the first one), which was great, were not Christians and did not believe in the saving work of Christ. But they stayed faithful to the source material, even if they didn’t believe in the source material themselves. So the story retained it’s autonomy and power.

Greta Gerwig can’t do that. She has already demonstrated that she does not know how to make a story that hangs on to it’s integral source material if she, herself, doesn’t agree with that source material. She can’t be objective, and therefore, she can’t be faithful to what Narnia is.

How do I know that? Little Women.

I don’t care if you liked the Little Women movie by Greta Gerwig. I don’t care if the acting was “amazing” and I don’t care if Timothee Chalamet and Florence Pugh are great in it. I said exactly what I said. Greta Gerwig made a great movie—but she made a terrible adaptation of Little Women.

It was not Little Women. She made changes to Little Women. What changes, you ask? Changes to the specific pieces of the source material that did not reflect Greta Gerwig’s personal views.

That’s the cardinal sin for directors of adaptive stories or remakes—to make changes to the core themes of a classic tale, because you don’t agree with those core themes. That’s called mutilation, not “updates.”

Here’s how she did it in two major ways in Little Women:

She cut out Jo’s humble response to Friedrich’s gentle rebuke of sensation stories, and replaced it with a feministic self-pitying outburst from Joe and s borderline apathetic, cool piece of feminist advice from Friedrich. That takes all the continuity out of it and warps the characters. That scene is so pivotal in the book. It’s Jo, respecting a man who is much older and excellent in character than any other she’s ever known, and feeling immediately humbled by him calling her out. She’d never have responded that way if Laurie called her out. They would have argued. But this scene was supposed to show what Jo needed from a future romantic partner. She needed someone she respected, someone who could be wise and gentle—two things Laurie is not. She needed someone who would help her take her eyes off of worldly success and herself, and onto eternal benefits to mankind, specifically, the effect her stories might have on children. His gentle, respectful, wise love (and the love of characters like Beth) turns Jo from a self-absorbed writer into a selfless mother, like her own Marmee.

But Greta Gerwig never wanted Jo to be a selfless mother. She wanted, and I quote, “Jo’s love to be her work, and her romance with Friedrich secondary.” You know why?

Because that’s what Greta Gerwig believes in. Greta Gerwig’s life is her work. Watch any of her movies, you’ll see the smudge marks of that wholehearted belief all over them. She can’t even be objective when the whole point of a character is to make work secondary, as was certainly the case with the character of Jo March. No. She has to twist up one of the best American heroines ever into an automaton of herself.

The second way she mutilated source material is with Amy and Laurie. In the books, Amy and Laurie grow to love each other out of the character deficiencies that they make up for in one another. At the start of their courtship, Amy is ambitious and Laurie is lazy. Amy wants to marry for advantage, and Laurie wants to make much of his spurned love for Jo by giving up on life. And that’s it.

It’s Amy who first wakes up to feeling something romantic toward Laurie, not Laurie, and Laurie is not the first to make a move on her. Laurie does not know he is in love with Amy until well after she knows she loves him. Then, he does not make the first outward advance on Amy. They both come to the same conclusion together; when they do, she does not resist. In Greta Gerwig’s version, he’s back to falling in love with a girl who’s resisting, because that’s where Timothee Chalamet’s emotional acting shines or whatever.

But that’s not the worst part. The worst part is that she adds a feminism speech from Amy, as a reason for her resistance, and she subtracts the scene where Laurie actually proposes. The scene where Laurie proposes, in the book, is so beautiful.

The two characters are in love, they know they’re in love, and neither of them is insecure about it. Amy has learned that she needs a life-partner who knows her and will protect her, like her old home-values did, and not some rich aristocrat or prince. Laurie has learned that he needs a life-partner who can stir him toward change, not through big explosive arguments and hope of conquered affection like Jo, but with gentle love and sheer inspiration, found in Amy.

So, in the most beautiful analogy for courtship that ends in marriage ever, he proposes to her while they’re rowing on a lake. She’s sitting next to him in the middle of the boat, she’s got one oar, he’s got the other, and she says, “How well we pull together, don’t we?” And he says, “so well that I wish we might always be in the same boat. Will you, Amy?” And she says “yes.”

That’s it. No argument. No big, passionate, sentimental explosion like he had with Jo. No wrenched and broken heart-strings. He didn’t have to convince her. She didn’t have to resist. Because entirely without force, and entirely without insecurity, they protected each other’s hearts and came to a conclusion that was based on something so much deeper and more eternal than fleeting passion.

Greta Gerwig cut that out and listened to Meryl Streep and put in another stormy lover’s-quarrel speech from Amy about why she couldn’t be with Laurie because she was in Jo’s shadow, and feminism and marrying for advantage, blah blah blah. It’s terrible. It’s mutilation. It ruins everything the original Little Women had.

it doesn’t matter if she got some of the characters right. It doesn’t matter if she got a lot of the quotes right. It doesn’t matter if all of Act 1 of the movie is mostly-book-accurate. If you change load-bearing themes or character motivations, you show that you can’t be objective and faithful to the source material.

It is fine if Greta Gerwig wants to make a movie about a woman who loves her work more than anything else. It is fine if she wants to make a movie about how women are under-appreciated for their minds and souls, and have characters that go on a journey to prove it. But it is not fine to use someone else’s story to say it. Make your own story, Greta Gerwig.

Oh, you already did? See: Lady Bird? See: Frances Ha? Then come up with something new. Don’t shoehorn your same beliefs into every franchise that is offered to you, like vomiting, then eating the vomit and regurgitating it over and over in new colors. Figure out how to tell someone else’s story in a faithful way, objectively, or else keep your stained hands off until you can clean them up. Especially, keep them off Narnia.

Greta Gerwig makes movies for Greta Gerwig, by Greta Gerwig. She can’t be objective, and for that, she can’t do Narnia. She can’t do it justice, she can’t do it faithfully, because she makes movies for herself, by herself.

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exo-dus404 · 11 days

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(Originally posted on Oct.2023)

Basic information:

[Sliver of Straw] is the oldest member of [The Local Group], excluding [Looks to the Moon]. She holds a rather conservative attitude towards The Great Problem. At heart, she is an ambitious iterator - fortunately, her ambition is limited to her work. Even for iterators outside of [The Local Group], most have heard of her achievements. Outside of work, she is good at communicating, although her thoughts may occasionally be coming off as random, but she is still very popular.

[Sliver of Straw] is the current leader of the iterator group [Distant Frontier]. Currently, she occupies the superstructure and puppet of the former leader, [Eopch of Clouds]. The acting group leader, [Secluding Instinct], who was originally disobedient to her rule, willingly complied and became her second-in-command after being disciplined by her. Technically, [Sliver of Straw] is no longer "whole", and now she is more like a super AI following her instinct to expand.

[Sliver of Straw] declares that she wants to build a perfect world where there is only order and each iterator can perform its desired function as designed. SOS wants to rule all time zones* and have complete control over the distribution of all resources and social structures, eliminating war, hunger, disease, etc., which are unavoidable due to the imperfect nature of organisms. She'll create a world, with everything working like cogs in a perfect machine.

Appendix I:

[Epoch of Clouds] had a personal friendship with [Sliver of Straw]. Unfortunately, this rare cross-group friendship came to an end with the "death" of [Sliver of Straw].

Appendix II:

An encrypted voice file:

"I don't care..... (....).... What they're gonna say about me. I don't think they'll mourn me. I just wish... (.....)..... She must live."

Appendix III:

An audio recording from Five Pebbles' surveillance system:

"Little red...thing, can you help me? Take me, from here... All the way west. When I get there, I can save you."

Appendix IV:

An intercepted encrypted communication:

"I will give them a perfect world, why should they not obey me? Their existence is a waste of all resources. Such blasphemy against a perfect system."

"Of course, I won't allow them to die. We need them. After all, AI like us, we live on information. And they produce information."

Appendix V:

Rumor has it that a red slugcat--like a hologram-- roams the region of [Distant Frontier]. Sometimes it can be seen looking at the far east- the canyon where [No Significant Harassment] is located.

Appendix VI:

Her right eye tears occasionally. Those tears does not belong to SOS, but to [Epoch of Clouds] trapped within her own body.

Appendix VII:

Without hesitation, [Epoch of Clouds] uploaded the remaining consciousness of [Sliver of Straw] onto her own superstructure, and she was completely stripped of her control over her systems body by [Sliver of Straw].

Appendix VIII:

[Sliver of Straw] wields an EMP staff as weapon, while its sharp end can also be used as a spear.

Time zones *: Similar to the definition of "cosmic time zone", that the speed of light is constant, so the speed of information will not exceed the speed of light (if you ignore quantum entanglement and worm holes, ofc) Therefore, when the distance is too far away, information cannot be transmitted beyond a certain latency.

For example, we have no way of knowing the "present" state of galaxies hundreds of thousands of light-years away. On the scale of the whole universe, the boundaries of the past, present and future are blurred. This also fundamentally limits the feasibility of information exchange across "time zones."

In the case of PTA AU, the constant is not the speed of light but the number of cycles. The whole world is like a natural information barrier, so the events themselves are limited to specific regions. This is why, for a long time, what’s going on around [The Local Group] were only known to the nearest iterator groups. Moon and other iterators also made sure that no sensitive information is leaked.

#project triple affirmation #rain world #三重肯定au #rw au #rainworld fanart #rw iterator #rain world au #rainworld iterator #rw sliver of straw #sliver of straw #rw sos #au epoch of clouds #Yep SOS/EOC is canon here #But in past tense #doomed yuri

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princesscolumbia · 8 months

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Star Trek Captains, A Review and Categorization

Star Trek is a show about a Neo-military organization that has rank structures, ships, and fights wars, so naturally there's plenty of captains to talk about, but for this post I'll be highlighting specifically the main cast captains, in something resembling chronological order. (But, I mean, this is Star Trek, so even that's kinda up in the air)

Captain Archer

That Guy who had to hand crank the warp engine up-hill both ways in the blinding ion storm. We don't need no stinkin' Prime Directive! Remember The Alamo Pearl Harbor 9/11 Florida! But...uh, maybe don't be dicks about it, not everyone who looks like the ones responsible for that thing we're never going to forget actually wants us dead. Got transformed into an alien, got possessed by another alien, slept with a couple more. Never got pregnant, though (that was his chief engineer)

Scorecard

Ships commanded: 1

Wars started: 0

Wars ended: 3

Times on screen naked: 1

Nazi facilities destroyed: 1

Category: Grampa

Captain Pike

Midlife crisis? What midlife crisis? Everything's fiiiiine. Now eat something, it'll make you feel better. I'm not mad, I'm just disappointed. Number One, don't tell me I can't adopt more kids, I don't care that they're from the future they're mine now. Besides, we've already got a whole ship-full, what's two more?

Scorecard

Ships commanded: 2

Violations of the Temporal Prime Directive: -3 (yes, it's an irrational number, we're talking time travel, people!)

Musical Numbers Participated While On Duty: 3

Hair: Really Great

Category: Dad (or DILF if you swing that way)

Captain Georgiou

You will be captain when you can snatch the stone from my hand.

Scorecard

Ships commanded: 1

Protege's who required a redemption arc: 1

Awesomeness: Transcendent

Category: Gone too soon, also, MILF who can kick your ass

(Edit: Courtesy of @cheer-me-up-scotty for pointing out an oversite on my part)

Captain Burnham

Cosplays as a Vulcan 'cause she's jealous of her adoptive brother. Accurately called an audience-stand-in-self-insert-mary-sue (shut up, Star Trek fandom invented the Mary Sue, it was a term coined by women fans, so shut up!), but by season 2 she actually gets interesting.

Scorecard

Mommy Issues: Has a subscription

Moms: 4

PTSD inducing life events: Like, all of them

Ships commanded: 3

Mutinies led failed: 1

Category: That One Cousin who married surprisingly well and made something of herself in spite of all expectations

Captain Kirk

Golden retriever energy, would be the Useless Bisexual Himbo if he didn't have so much game. Probably smarter than he lets on. Polyamory King and certified Alien Fucker. Boyfriend is a half-space-elf, main sometimes-girlfriend will go on to create the deadliest super-weapon ever built by humans by accident.

Scorecard

Number of Klingon Bounties on his head: [CLASSIFIED]

Number of women he's slept with: [CLASSIFIED]

Nazi regimes toppled: 1

Number of times he should have had a test that determines if you can stick your dick in it that got named after an upstart from that other science fiction show instead: 1

Ships Commanded: 3

Ships He's Stolen: 3

Category: Slut(affectionate)

Captain Kirk (the other one)

Golden Retriever that got left behind when his family moved away and had to lead a ragtag team of a crotchety older dog and a wet cat on a journey...

No, wait, hold on...

Right! That's the one!

Scorecard

Times he should have been kicked out of Starfleet: At least 4

Ships commanded: 3

Ground transport destroyed: 2 (that we know of)

Number of middle fingers given to Admiralty: 2

Category: Bad Boy

Captain Picard

You know that guy who you see going to the library all the time and always seems to have his nose in a book and always seems to be telling people off for breaking the rules and doing dangerous shit? You'd never know it but he used to be That Guy in college who got, like, ALL the girls and is going to be the Hot Grampa that you don't know how he has that much game, but he got it.

Scorecard

Ships lost in the line of duty: 2

Number of times he married and then estranged his best friend's wife who named their son after her dead first husband: 1

Number of toxic omnipotent and omniscient boyfriends who are obsessed with him and spends their spare time playing with ponies: 1

Category: Inexplicable Sexyman

Captain Badass Sisko

The Cool Dad with baggage. He's got game, but he's got priorities as well, and DON'T mess with his son or you won't even exist anymore to regret it. BLM before it was cool. Led a civil rights riot two centuries before he was born. Space Jesus who can make the best jambalaya you've ever had. Fought and won a war, punched a god, then became one.

Scorecard

Civilizations saved: 4

Native Cultures Treated With the Respect They Deserve: Many

Times He Bent the Rules so his CMO could get some nookie from a Cardasian spy plain, simple tailor: The counter broke

Successful black-ops assassinations completed: 1

Category: BAMF

Captain Janeway

THE single most decorated captain in Starfleet history. Successfully dropped the hammer on dozens of petty tyrants, oppressive regimes, roaming mass murderers, and the Borg. What Prime Directive? Your Mom. Also, probably slept with your mom, that's how much she is the Domme-est of Dommes. She told the Borg to use the safe word...and they DID!

Scorecard

Borg Daughters: 1

Times she told the Borg to step off: 3 (or 4...or 5? Honestly, with the time travel shenanigans it's hard to know for sure)

Nazis she's personally shot: 1

Category: Mistress, but it's "Ma'am" to you

Captain Freeman

She's angry AND disappointed! She's just as good as all the other captains in the fleet, and the good ones know it, but all the rest? They see "cali class" and assume all they're good for is the jobs nobody else wants. But jokes on them, because thanks to that attitude her crew are the flippin' Jacks and Jills of all trades and are more capable of fixing AND fucking AND "fucking" shit up than damn near anyone else!

Scorecard

Times the ship has nearly been destroyed but she and her crew got through it: ...uh...how many episodes are there? And then there's the times that get casual mentions that we never get the details on!

Daughters who should probably be captains now if they were at least a LITTLE more respectful and didn't actively try to piss off Admirals: 1

Times the Cerritos has had to be rebuilt to the point it might as well be called "The Ship of Cerritos Problem": At least 4

Category: Your mom...get back here, I'M NOT DONE TALKING TO YOU!

Captain R'El

Cinnamon Roll, just let m'boy into Starfleet! He just wants a home and a family! I'd like to see full-grown captains who can keep up with half of what this Best Boy is capable of!

Scorecard

Number of species his genetic code is made up of: All of 'em. Even the GODDAMN Q!

Number of Janeways he impressed the socks off of: 2

Quality of his Janeway impression: Bad

Number of Ferengi he out-Ferengi'd: 1

Nazis punched: Give him time...

Category: Teenage Boy Who's NOT GOING THROUGH A PHASE, MOM!

Should I do Captains Shaw and Seven? How about Alternate Timeline Tripp or Future Chakotay? (Going too far down that rabbit hole will eventually lead to Imperial Kirk and Captain Spock from the movies.) Let me know in the comments.

Next Post in this series

#captain r'el #dal r'el #captain janeway #captain picard #captain sisko #captain kirk #captain pike #captain archer #captain georgiou #captain burnham #captain freeman #Star Trek Captains - Review and Category

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wisteriagoesvroom · 4 months

Text

📚 10 f1 fics i've loved lately 🏎️

been thinking a lot about how to organise fic recs into some sort of sensible post, 'cus there are so many (great!) pairings and (delicious!) driver combinations, not to mention so many varying styles of fic and SUPER TALENTED WRITERS!!111!!

just gonna list a bunch in no particular order, with accompanying pics, so you can get a sense of the vibes.

'cus what is f1 rpf but all about the ✨ vibes?! 🏁

p.s. people are in this community making amazing stuff for freeee!! if you liked these please leave a kudos or a comment, it makes a writer's day 🫡

let's gooooo--

objects in the mirror by linearity (@drivestraight) charles/max. 87k words (series), rated t then e

listen. LISTEN! charles to rbr is one of the best premises ever and i will read it in like a thousand iterations. but this fic. this fic series in particular cleared my skin, made me want to cut my hair into a bob out of sheer emotion. i would be remiss not to start with this one because its impact on my f1 rpf trajectory should be studied by science. you know when a story just jumps off the page and it's so real that it becomes your canon. a kind of meteoric inevitability. plus, i almost never cry at fics. but by the time the third act of this one hit, i just went -- damn, am i rly about to tear up at a f1 rpf fanfiction rn? (yes.)

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sawtooth by nottonyharrison (@nottonyharrison) charles/max. 40k words, rated e

max as a f1 engineer? for CARLOS at FERRARI? sign me the fuckkk up. first off, awesome premise. there's always going to be something so heartwrenching about "what ifs", especially in any universe where max isn't a racer. despite the change of circumstances, just... the sheer poetry of two characters who just inexplicably find their way to each other in any universe... 🤧 also this story nails racing scenes in a way that's so visceral, i feel like a fly on the damn halo with them. and, aside from the gourmet lestappen, carlos's whole thing in this fic is joyous! spicy! he's so unapologetic and vaguely annoying! hilarious! + the swimming pool scene lives rent-free in my head.

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salt skin by peachbellini (@strawberry-daiquiris) oscar/lando. 12k words, rated e

this fic is magic. literally and figuratively. (MERMAID LANDO???? MERMAID LANDO.) the kind of story that makes you gasp and melt a little bit. and made me want to throw my phone at the writer, 'cause it's really that good. the yearning, the metaphor for all that's monstrous, a boy who is lost (and the boy who he finds, is equally so). this is just beautifully written and a little quirky and so well executed. i think i put it in my bookmarks as "what if lando was a mermaid and it was filmed by a24" or something. pearl of a story.

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hockey!! shrimp colors :) by leafmeal0ne (@ocontraire) oscar/lando. 13k words, rated t

leaf meal one. i have only known you a week but if anything were to happen to you i would wreck everyone in the room including myself. in all seriousness, anything that leaf writes is brilliant. they're one of these writers who could do a throwaway line on the label of a ketchup bottle and i will probably scream about it. the precision, the way they switch up sentence structures, the freaking darcy-level regency yearning transposed onto a contemporary sports setting. i'd rec all of leaf's sports AUs and i'll probably talk about more in a future fic rec post. BUT. the hockeyyy one my GOD. the barely restrained violence, their mutual desire, the theme of finding your place... *wails uncontrollably*

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you almost unearthly thing by anonymous max/daniel, 3.7k words, rated g

max is a governess(govern..lad?) and daniel is the mystery man at the manor. this was a response to a request i made in the kinkmeme! (if you haven't read those fics go check 'em out, there are so many great ones, and not necessarily all rated e). this is a criminally underrated little story that has my favourite repressed feelings + people dancing around each other + gothic vibes + "what the hell is wrong with y'all in this tale" combo that i really adore. it's really well written and captures the atmosphere so well.

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the so-called narrative by antimonyandthyme (@antimonyandthyme) oscar/carlos, 10k words, rated e

i'm once again asking why there are only 7 carlos/oscar works in the tag. I'M ONCE AGAIN ASKING-- *is sedated*. *jolts awake* okay but for real this is a great story. hot, fake-friendship-to-situationship which so happens is one of my favourite places to be. also hello miscommunication/they're so weird about it/they both want each other but can't express themselves for shit/insane racer boys energy.

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and silver, and samarium by pink_mink (@on-softs) george/toto, 5.2k words, rated e

i profess i am not usually the biggest fan of A/B/O (altho!! this fandom has made me go BUT ACTUALLY HM at least a few times). and this fic freaking nails it, along with the twisted power dynamics between TPs and drivers, as seen through the lens of omegaverse. this story rattles around my head like a stubborn ghoul just from the style and prose and sheer audacity alone. george kneeling at toto's knees while he's working..... ohhhhhhhhh i was this close to calling my lawyers.

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algorithm by anney (@badboy-george) charles/max, 16k words, rated e

i LOVE, LOOOOVE a sci fi concept alright. love that shit, will inhale it like moon dust with zero regrets. and what a fantastic one this one is!! the premise is that the FIA can now statistically show the compatibility of drivers on the grid and it's very pacific rim-y drift compatible, mixed with the surreal vibes of eternal sunshine or HER or some such. it should be outrageous, but it really works. that's the beauty of a great fic right there.

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trajectory of trojan asteroids by redpaint (@redpaint) nico/lewis, 3.3k words, rated g

also one of the fics i first read when i hopped on board the f1 rpf train. the pain and poignancy just gets worse the more i learn about brocedes. you know when you're like "there's no way this was reallll" and then you're like "fuck, it was so real". then you get a fic like this that just encapsulates all that rage and loss and grief and upset, set against the starry vista of endless space. *clutches tablecloth* god.

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p.s please bear in mind that these recs are entirely subjective! i enjoy loads of f1 stories but these are the ones that have especially stuck with me for some inexplicable reason.

p.p.s if your fic is on here and you want it taken off for whatever reason, i'm happy to, no questions asked 💛

BYE for now / until part 2. (i also love talking to ppl about fics so pls feel free to send an ask or hit me up in DMs or whatever.)

xoxo, -- wizz

#f1 fic rec #f1 fanfiction #lestappen #landoscar #maxiel #groto #brocedes #f1 rpf fic #i don't know that carlos/oscar have a ship name yet?#sainztri?#Carloscar #f1 rpf #wiz.recs #f1 fanfic #f1 fic #did i spend a full hour at work doing this last week instead of my actual work?#yes -- very yes

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writingquestionsanswered · 2 months

Note

How do you know when your plot is over complicated?

Knowing When Plot is Over Complicated

I think story structure templates (Save the Cat , Hero's Journey, Three-Act Structure, Larry Brooks Story Structure, Seven-Point Structure, John Truby's Twenty-Two Building Blocks, Six-Stage Plot Structure, Dramatica Act Structure, etc.) can be really helpful in determining whether or not your plot is over complicated.

Fair warning: story structure templates are just guides... never feel like you have to follow a particular one, or follow a particular one exactly. Many writers cobble together bits of different templates, and others use them simply to inform next moves. They're just there to help you figure out how your story might go.

Having said that, browse through some different templates and try to identify key points in your story according to the structure's plot points. When you find one that seems like a reasonable fit (doesn't have to be exact), you can fill it out according to the plot points in your story. If you have several plot points that don't seem to fit, see what happens if you fill out a couple other different templates. If you consistently have the same plot points not fitting into structure templates, that could be a sign that those plot points are excessive and not doing much for the story. At that point, you can look at each excessive plot point and ask what happens if you delete it? What changes in the story? Are those elements essential? If so, can you effect those same changes by revamping another (necessary) plot point? If not, you can probably cut it... but you might want to save it in a file for use in a future story.

Another thing you can try is going through each of your plot points separately and ask yourself the following questions relating to how each plot point moves the story forward:

Does it move the MCs closer to their goal? Does move the character further away from their goal or create an obstacle that must be overcome? Does it move characters into place for the next plot point? Does it deliver information and/or develop information about back story, characters, or world that is crucial for understanding the story?

If you answered "no" to all of these questions and can't see anything critical the plot point does to move the story forward, it's likely an unnecessary plot point.

Even if you answered "yes" to one or a few of these questions for a particular plot point, it's still worth looking closer to see what exactly the plot point accomplishes. Are you sure that thing isn't being accomplished elsewhere, too? Are you sure there's not a way you could make a more necessary scene/plot point accomplish that same thing? Sometimes you can eliminate excessive plot points by taking what you feel needs to be kept and tucking it in elsewhere, into places you know need to be kept.

Ultimately, with a little critical thinking and "kill your darlings" honesty, you should be able to find and eliminate parts of your plot that are excessive.

I hope that helps!

•••••••••••••••••••••••••••••••••

I’ve been writing seriously for over 30 years and love to share what I’ve learned. Have a writing question? My inbox is always open!

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drconstellation · 4 months

Text

Chiastic Structure of S1

Here it is!

Yes, I deliberately made it detailed. You NEED to see the detail, it is, quite frankly, eye-opening in parts.

If the image I have posted is not clear, let me know, and I'll post a broken-down version in sections so you can read it. I'm just not sure how this is going to work.

I've got five footnotes for various sections where I want to make extra comments, so see them below.

If you don't know why some of us are looking into this - a chiastic structure or pattern a literary device where a sequence of events is presented then repeated in reverse order. For a complicated story like Good Omens this can and does gives us some interesting insights into the hidden stories we meta writers like to speculate on and discuss.

I have to admit it got a bit messy in places, so there still might be some tweaking to do in the middle parts.

The plain parallels still exist - I have a couple to mention in the footnotes. I'm also very excited about taking this challenge on because I've basically found proof that backs up my theory about the scene at Tadfield Manor telling part of the story of the Great War in Heaven, and also proof that the Flood may have been the time of their first "vavoom."

[1] M-pair: When Newt turns up to his new job there is an office meeting called and the upcoming "training initiative" is discussed. This then leads on to the paintball fight at Tadfield Manor. I discussed how the two scenes give us an insight into the past and the Great War in two metas, The Great War of Tadfield Manor, and The Newton/Crowley Mirror-Parallel in S1. The mirror-pair here is Dagon is rousing the troops with reminders of the "Glorious Revolution," providing us with a direct connection to the events of Tadfield Manor.

[2] Q-pair: This is a really interesting pair, as as it is still tied in with Tadfield Manor. Does it give us any insights into Crowley's role in the Great War and his Fall? I'll be looking more closely at this in the future!

[3] There is an interesting set of parallels around this area that didn't quite fit into the chiastic structure proper that I though was worth mentioning and I have already flagged for a meta before I had finished plotting this out. It's to do with Newt and Anathema and the prophecies in the book - oh, and the Velvet underground reference. Actually, I really need more space for that...you'll have to wait for the meta, sorry.

[4] Ohhh yeah. This one. The Vavoom moment. I wondered if the sex under the bed between Newt and Anathema would reveal anything. It certainly did! If you haven't read @vidavalor's meta about the first time they probably kissed, then you should. Stat! This pair backs it up - and maybe more.

[5] There is a parallel noted here that doesn't fit in the structure, that Crowley signs to start everything rolling, and Aziraphale signs to end it.

On to S2. Then I'll see if I can work a three-series structure together for some predictions.

Link to S2 Chiastic Structure Post.

@aprilodite @kayleefansposts @ineffable-endearments @sendarya

#good omens #good omens meta #chiastic structure

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pure-electric · 3 months

Text

~an introduction to ecobricking~

hello fellow solarpunks! i've been interested in ecobricking for a while but i recently invested some time into researching them so here's a guide! it's a responsible way to sequester plastic from the environment, but making them is slightly more involved than just stuffing plastic in a bottle, if you want to use them for construction or weight-bearing projects like furniture. I'm mainly using information from GoBrik, which had the most comprehensive guide, but feel free to comment or rb with supplemental information.

FAQ:

Isn't it better to recycle plastic rather than ecobricking?

There are many plastics, such as food wrappers or packaging, that can't be recycled and end up degrading rapidly. Ecobricking sequesters those kinds of plastics from the ecosystem and also reduces the surface area exposed, which limits plastic degredation over time.

How do you use ecobricks?

You can use ecobricks in many applications, from furniture to structures. The long-term environmental impact of using ecobricks is still speculated on, but responsible upkeep mitigates their potential environmental impacts, which are still far less than the impact that plastic would have were it not sequestered.

How To Ecobrick:

Find a plastic bottle. The bottles that you use for ecobricking should all be the same variety, which will help in any building projects that you may choose to use them for.

Find some plastic! Make sure to wash and dry your plastic, as any food residue or moisture could make your brick moldy or structurally unsound. You can cut up larger pieces of plastic, like food packaging (think bags of shredded cheese or frozen berries, or the plastic bags inside cereal boxes)-- just pack em in. If you want to be fancy, GoBrik recommends making the bottom layer of your ecobrick all one color, for aesthetic purposes later on. But it's really up to you. Please avoid putting biodegradable material, such as cardboard or paper, as well as glass or metal, in your ecobrick-- it'll affect the density and preferred composition. Plus, you can recycle those!

Calculate the density! This is the only part that involves math, I swear. You want to aim for a density of about 0.37 grams per milliliter; it shouldn't be under 0.33 g/ml or it'll be structurally unsound. It's also good to aim for a density less than 0.7 g/ml, or your bricks might be too heavy to move comfortably. The equation is just the weight in grams divided by the milliliters of the container you're using, so, for example, if you used a bottle than was 1250 ml, you would be aiming for about 475-500 g of plastic (including the bottle). (a kitchen scale is great for weighing, and you can thrift them pretty easily) Of course, if you're ecobricking to sequester plastic and not necessarily to build, you don't need to worry too much about the density, but if you wanted to donate your ecobricks to a project in the future I would encourage you to try to keep track of density.

Cap your bottle tightly, leaving 1-2 cm at the top of the bottle (basically, you don't want the cap to bulge, because it will make the cap degrade rapidly and crack). Label them with the density of the bottle (if it's relevant) and the date (so you know how long the brick has been around so you can maintain it if needed)-- nail polish works the best. Keep them out of the elements (especially the sun) and off the ground until you plan to use them.

There are tons of ways to use ecobricks! I'll link a few ideas below.

https://ecobricks.org/en/build.php

https://ecobricks.org/en/modules.php

anways, happy bricking! i'll post a picture of my finished ecobrick when it's done (hopefully not soon!)

Sources:

https://en.wikipedia.org/wiki/Ecobricks

https://ecobricks.org/en/how.php

#solarpunk #solarpunk action week #sustainability #zero waste #hopepunk #goblincore

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becausegoodheroesdeservekidneys · 11 months

Note

hi! i have a question i’m directing at you bc i’ve seen the idea going around tumblr but most recently on your post — if a student is caught using ai to cheat do you think that’s worth expulsion? should that be the best case scenario punishment? while i understand the importance of making it known to students the severity of using chatgp, at the same time i feel like that’s a very harsh punishment for being caught cheating. but then also at the same time! i’m not a teacher and i don’t know if it’s possible to teach a student to value their education and the opportunity they have for high learning if they don’t already personally believe that the opportunity is a gift. idk! this isn’t really a structured question but i guess i’m curious about how you (or in general, how professors) feel about expulsion for chatgp (i know you’re just one person and don’t speak on behalf of all educators lol but it’s just something i’ve been curious about)

Expulsion as in, ejected wholesale from the entire university, Do Not Darken Our Door Again? No, I don't.

I think what outsiders tend to miss is that students who do this, 99% of the time, are desperate. Something has gone terribly wrong, they're desperate to meet those deadlines and get that work done, and in my experience it's almost always wrapped up in neurodivergence (usually undiagnosed) and frequently a home situation that's made their lives a shit show and pushed academia to a back burner.

But, it's a more serious issue than high school cheating on a multiple choice quiz. Degrees are crafted to have quality assurance built in, and with good reason. The whole point of a degree is that it's proof of higher learning, and specialist knowledge - you get a higher salary (in theory lol) because your employer is paying for the very expensive training you've undergone. This is particularly important in something like medicine or construction, because if you haven't actually completed all parts of that degree you could kill someone; but even in my own field, if you fundamentally don't understand the physical processes of a sand dune as well as its ecology, and someone hires you to manage that sand dune... well, it's going to be an over-stabilised mess in about five years' time and you've killed the rare sand lizards and mining bees that were living there. And if your degree is a course in an institution who is famous for producing top quality environmental workers who know this stuff... well, you've just made your uni course look very, very bad in industry.

So unis are protective of their quality assurance, and that means they do not like cheaters. And I do agree with that, that's fair enough.

For me, though, I think the answer is not full expulsion. I would run it like this:

Confirm beyond a shadow of a doubt that the student has indeed cheated. This must be confirmed.

IF NOT CONFIRMED: Mark the work strictly. Pair this with a viva - the student must be able to answer questions about the work from two lecturers with subject expertise, plus someone from the Academic Office (although that latter person can just observe only). This will determine how deep their knowledge is vs what they submitted, and should be factored into the overall mark.

IF CONFIRMED: Module fail, all marks for those credits set to zero, and the information included on transcripts (not why they failed, just that they attempted the module and got zero.) HOWEVER, the student is allowed one resit attempt; this might mean having to redo the year as a part-time student just to get that module, depending on how it's taught and how important it is.

All of the above with the understanding that their work is going to now be checked very closely going forward for repeat issues. In confirmed cases, a viva is now a required part of future work.

To be fair, mind, proving cheating is genuinely very hard, so depending on how strict the uni is, that's roughly the system that gets used anyway. Your work is very strictly marked, you get viva'd, and you usually fail on quality anyway (especially if your flavour of cheating was ChatGPT, because what it produces is shit.) After you've failed, gone through a resit period, and been capped at a pass mark for the fail, you realise pretty quickly that it would have been less stress and effort for a higher mark to just do the work yourself. And that's a learning curve everyone should be allowed, I think.

#asks #the professional world of careers and tasks

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raven-at-the-writing-desk · 2 months

Note

Dear Crowley, I heard this dashing and very intelligent fox beastman is looking for a job. He used to work as a manager at a popular theme park, so he probably has a ton of experience! Maybe he'd make a great addition to the staff?

The way I choked laughing when I read this interaction 🤡

I decided to structure this interaction like a job interview between Crowley and Fellow (facilitated, of course, by the Reader/Prefect's written recommendation). I thought it would be funnier this way! (Note: Fellow is definitely sugarcoating, glossing over, outright lying, and laying it on thick in some of his responses, but since this is framed mainly from Crowley's perspective, these inconsistencies are not pointed out.)

Enter; An Unkindness of Ravens.

This is the one recommended for the open teaching position?

Crowley eyed the man standing before him. He was beastman, as per the Prefect's description, with a pair of red fox ears and a fluffy tail.

A crimson-lined violet jacket, half a cape tossed over one shoulder, was secured over an olive vest and a snug waist. Golden embellishments and starry badges dangled from his lapels, and the same sparkles studded his top hat. Fun patterns cut into diamond windows raced up his dark green trousers. His long legs were crowned by knee-length spats, and he held an elegant cane topped with a fox in his gloved hands.

His look was professional yet playful.

The candidate was handsome—no doubt about that—and the keen gleam to his eyes implied a sharpness, a pointed wit, about him.

A horrible thought occurred to Crowley: He's not more dashing and intelligent than me, is he? No, no, it simply cannot be done! There’s no one fairer than I!

The headmaster brushed off his concerns, vanity placated, and cleared his throat.

"Let's see here... You are Fellow Honest, correct?" Crowley referred his provided resume. It was handwritten and contained a number of spelling and grammatical errors.

"That's my name! Don't wear it out," the beastman chirped with a wink and the twirl of his cane. "Fellow Honest, at your service."

“Please tell me about yourself, Mr. Honest.”

“Well! Not much to say, I’m afraid. I’m just a wanderer down on his luck, lookin’ to find his way in the world. I saw your job posting and thought I should shoot my shot.”

“I see on your resume that your last position was as a theme park manager…? Why the sudden shift in career, if I may ask?”

"You see, I've always been a lad of big hopes and dreams. I went into the entertainment industry wanting to spread that positivity to others.

"My park used to attract quite a few families and their children, so I came to know the kids quiiite well! They'd tell me stories of their school days, talk about the things they'd want to become in the future. So full of imagination and wonder. I realized I wanted to be a part of that process. Teaching them, guiding them... so they can be the best adults they can be!"

Fellow chuckled—it slid off his tongue easily, as though his laugh was slick with honey. "I thought I'd be the one inspiring them. Turns out, the kids were the ones to light a fire under my tail."

"My, what a stirring story!" Crowley cried out. "I can tell that your passion for working with children is true~

“Now then, why Night Raven College? There are any number of schools you could apply to if you wish to lend your assistance to the youth."

"It's true. I thought to start my own school before this," he confessed, "but Night Raven College called to me. Its graduates are influential, the school's reach immense, and the headmaster most magnanimous... I figured if I wanted to make an impact, this was the place to do that."

Fellow hesitated.

"... And, as one bright young boy once told me, Night Raven College is a place where everyone and anyone is welcome. Even someone from as humble a background as myself can fit in here."

Crowley found himself nodding along with his narrative. The shower of praise was making him feel flattered and floaty—and the more Fellow talked, the more the headmaster felt himself leaning into his words.

But the interview questions. They were not through yet.

The thought slowly sobered Crowley up. His resolution returned, duty and honor-bound to pick the most qualified candidate for the job.

No time for fun and games, not now.

"How would you describe your own magical capabilities? As you know, NRC is an establishment meant for training tomorrow's mages. To that end, many of our tenured professors boast a strong history of magic themselves."

"Ah, that." Fellow’s smile was wry, playing off the anxious little tug at his cravat. “That is…”

“Answer the question, Mr. Honest.”

“Dire, Dire, Dire—may I call you that?” He paused, but failed to grant enough time for a response. Fellow moved fast, talked fast—his cane spinning fast, fast, fast. “I’ll be the first to admit my magical might isn’t on the same level as that of your colleagues.”

Crowley frowned. “Then I’m afraid we cannot proceed with the interview. It would be rather challenging for the students to learn from a teacher who has yet to master magic themselves...”

Fellow’s face fell. “You’ve already made up your mind?”

“I apologize, but this discussion is over.”

“H-HOLD IT!!” he protested, his polite facade dropping. Anger and upset flared on Fellow’s vulpine features. “Where do you get off, cutting me out the very moment I mention…”

Crowley’s expression hardened, the grip on his staff tightening. “Oh dear, it looks as though this interview is headed south.”

Dark power roiled up from within him. The binds on his strength, snapping. Fellow whimpered like a fox backed into a corner by a larger predator.

“A-Ahahahah… Please forgive my outburst, sir~” he simpered, sinking back into his seat. “I-I’d still like the chance to explain myself, oh-so-generous headmaster!!”

“You may,” Crowley replied. His face was almost entirely shrouded by the shadow of his mask. His expression, unreadable.

“You’re right. I… I don’t have a lot of magic to spare. But…!! Even if that’s true about me, I don’t want the students to think like that, judging their own worth based on what an institution says is desired or not.” Fellow’s fingers curled into shaking fists in his lap. “In an ideal world… everyone can pursue their dreams without discrimination, without being told they’re not enough.”

“The final question for you,” Crowley announced grimly. “How do you plan to instruct if you cannot lead by example? How will you instill the lessons and values of Night Raven College?”

“Magic isn’t everything,” Fellow fired back passionately. “It doesn’t matter how much magic history they can recite or how many fancy spells they know.

“What’s most important to me… is that the students find enjoyment in what they learn and can make use of it. That’s how I’d teach them. Practically, and in a way that allows them to laugh and enjoy life for the fun that it’s supposed to be.”

“Hmmm.”

Crowley stared him carefully, like a crow nestled amid the tree branches. Watching, listening.

For the first time, he felt as though he was witnessing the true Fellow Honest.

His interviewee heaved a deep, dramatic sigh, a hand running through his hair. He barked out a bitter laugh.

“I get it, you bigwigs never want to hear what us little guys have to say. I’ll see myself out. It was a waste of my time to try this again. I knew I should have struck out on my own."

Fellow headed for the exit, stomping unhappily, his violet cape trailing behind him. From the other side of the door, a small cat boy in oversized clothes peered in.

“C’mon, Giddie,” Fellow snapped, “we’re done here.”

The child obediently followed. He stumbled in boots that were untied and far too large for him. Still, the concern in his young face did not waver.

Crowley’s eyes followed them until their figures vanished out of sight—but the applicant lingered in his mind. He returned to Fellow’s handwritten resume, mind wandering to the answers the beastman had offered. Different answers, but nonetheless ardent ones.

“… Interesting,” Crowley mused, his lips pulling back into a smile. “Most interesting.”

He's an applicant to consider.

#twst #twisted wonderland #Dire Crowley #Fellow Honest #twst interactions #twisted wonderland interactions #disney twisted wonderland #disney twst #Two Ravens at the Writing Desk #stage in playful land spoilers

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intersectionalpraxis · 4 months

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hey im sorry if you already answered this and i don’t mean to antagonize you, but out of curiosity: why do you tag your Palestine posts with feminism? i don’t want to come off as rude but it did kind of confuse me at first

It's no worries at all, I have addressed this a handful of times, and another person asked me, and I answered. The anon question is deep in my page, so I'll share some posts I've spoken about why more feminists need to be talking about Gaza below, and address why not talking about this as a feminist issue is problematic.

The fight to dismantle power structures and institutions doesn't end at the patriarchy, but when there is an end to white supremacy, capitalism, and western imperialism, among other axises of oppression.

Strides and fights to liberation shouldn't be cherry-picked (we see this predominantly in white feminism -who only act when it personally effects them). And at the most technical level, women's experiences are intersectional and extend beyond just liberation from gender norms and expectations -yes, it is at the core of feminist discourse, to shatter ceilings and demand equity across the board, but that also includes the intersections -race, class status, disability, sexuality, religion, ethnicity, among many other aspects of our identities.

Women and children are also disproportionately impacted and killed by IOF terrorism. They are targeted purposely, and I addressed this in some of the posts below. An IOF official liked a post that said Palestinian women part of the 'Hamas infrastructure' and said they must be 'dealt' with via their deaths. Pregnant Palestinian women are being left without care during their trimesters, and tens of thousands of them have zero to inadequate care; and many are miscarrying. There is also a period care shortage, and many Palestinians have resorted to using cloths. Which overall the lack of access can cause health ramifications in the future.

So this is why ALL my posts are tagged with feminist and feminism. Especially when the IOF regularly uses 'don't the feminists of the world care that Hamas is raping Israeli women' in their propoganda videos and campaigns in order to spread misinformation and weaponize women's and feminist liberation movements to excuse their genocide of Palestinian people.

We should also not forget about the rampant sexual violence Palestinian women and children have and continue to experience by abusive, predatory rapists among the IOF soldiers, both past and present. Especially in the prisons' systems. I talk about this a lot on my page. So much of what I included below is only a fraction of what I have spoken about. My bottom line is if you're a feminist who talks about "women's liberation" and that doesn't include ALL women being systematically oppressed by settler/imperial/colonial forces, and you're especially not critical of your governments being complicit or funding a genocide, don't call yourself a feminist.

I hope this offers some clarity.

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hey-i-am-trying · 2 months

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I just want to say I appreciate the way you are posting about the issues with the Quackity Studios stuff. Because yeah it’s not a black/white situation. Quackity messed up. That’s not hating on him it’s just a statement and we can be pretty sure it’s not with malicious intent, just a 23 year old who’s never actually run a business fucking up. But that doesn’t mean an “I’m sorry” suffices and so yeah we need structure changes and monetary compensation as well as actual protections for the admins. Situation sucks, it will get handled, pretty much everyone wants it to work out and is on the same page, we just need to give it time.

Thank you for the message!

I do really believed Quackity was not acting in bad faith, he never owned a company of this scale and he is very young. However, like you said, he messed up, he wanted to feel like any other player in the server and left a lot of his resposabilities to other people. It is sad that those people abused of their authorithy and harmed the life of some many people, in Quackity's name, none the less.

Quackity is resposible for being neglectful, he should have been more involved and should have better supervised his own company. His actions harmed people. That is not a question.

However, I believe that expeculations about his intentions being malicious are not helpful, when there has been no acussation of the sort brought by any victm.

The Union involvement is a good thing, they are there to garante changes WILL be made, and for what Quackity has said, it is what he wanted in the first place.

Is it scary this situation escalated to these proportions? Yes, it is, I have no doubt that it is very scary to everyone involved.

But, the Union is only investigating for now, they are collecting testimonies and will try to help the workers, even if they can't legally represent them, in the case of the non-french workers.

The Union has NOT issued a lawsuit or any legal persuit yet.

If there are going to be legal repercussions in the future, it will be because there has been no change made to garante better working conditions.

It is a complicated situation, especially for an international situation, but I do have hope things are going turn out for the better. I can't promise they will, nobody can. But there is no need to act as if QSMP is closing yet.

There is need to community feeling and criticism to happen at the same time so we can all move foward.

#qsmp #qsmp situation

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qweerhet · 10 months

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To your latest post: https://www.tumblr.com/aronarchy/723133162841047040/

mmm... i can understand why twitter user butchanarchy's rhetoric sounds good to people who posit "survivor" as a coherent category that is in direct opposition to the ontological category of "abuser," and i can definitely understand why some people see "reclaiming power" as a positive (in that their frameworks see "power", as in "the ability to control others via negative consequences," as a thing that must continue to exist, and we should support existing), but i've had a long and storied history of disavowing butchanarchy's critiques in the general anarchist online sphere precisely for these reasons--that is not the lens i am coming from, and i disagree fundamentally with multiple of their premises.

i do not agree that the power to control other people via threat of violence is good, nor that it should be utilized in community contexts. social contexts that arise out of necessity during class struggle are, imho, inherently flawed and dysfunctional in the context of forming strong community on equal footing. treating community members as if they were militant arms of the state (provided they are not, in fact, literally acting as militant arms of the state i.e. police officers, prison guards) is fundamentally flawed as a mode of operation.

i also do not agree that victims of harm are necessarily experts on how to stop that harm from happening by virtue of being traumatized; again, i'm speaking as someone who decided almost a decade ago, due to my own trauma, that the best community response was to attempt to run the person who date raped me out of town, and now regret that because it caused more harm and did not stop future harm from occurring. positioning "survivor" as an ontological category of expert on harm reduction necessitates believing that victims of harm not only always and invariably have a robust emotional toolkit with which to operate and to make decisions for other people who are not themselves, but also never have any material reason to perpetuate further harm and abuse, and that's... simply not true. it gained me a significant amount of social clout to run an impoverished 18-year-old transfem out of every community space and isolate her with her abusive father--i operated for a handful of years on the social clout i gained from that! i got popular in the local communist scene because of that!

i don't think that any one person should direct any community response to interpersonal harm, tbh, and harm reduction/prevention requires a large support network of dozens of people working in parallel. it also requires robust social welfare networks that inherently predispose someone's ability to get their crew to run someone out of town or kill them; unconditional housing, food, utilities, medical care, and home aid (i.e. cooking and cleaning) cannot coexist with the ability for these things to be removed based on someone's individual desire, regardless of if that desire is morally justified or not (and i don't agree with frameworks that apply a universal system of morality to begin with, but that's a digression).

i think it's rather shortsighted and myopic to overlook basic principles of community care in order to justify furthering pre-existing systems of violence in non-state contexts, and i also think it's pretty myopic to not integrate the inherent power structures of targeted violence into your analysis + your harm reduction praxis... like. it's literally already the case that a white woman can point at a black guy she has literally never met before, say "that guy raped me," and get all her white friends to jump him at a bar. it is literally already the case that she can utilize her social networks to get him run out of town. it's not particularly revolutionary to be like, actually, we should make that more possible and do more of it.

#i also don't think this addressed much of my latest post to be honest lol #anonymous #ask

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hayatheauthor · 3 months

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Ten Websites Every Author Should Know In 2024

When I started this blog, one of the first posts I penned was "Websites Every Author Should Know in 2023." Now, as I return to breathe new life into this platform in 2024, it feels only fitting to offer an updated edition of that beloved post.

Whether you're struggling with brainstorming ideas, organizing your plot, finding publishing opportunities, or simply seeking some writing motivation, here are 10 websites that every author should know in 2024.

1. Artbreeder

If you're anything like me, you know the frustration of staring at a blank page, waiting for inspiration to strike. Well, say goodbye to writer's block because Artbreeder is here to rescue you from the depths of creative stagnation.

At its core, Artbreeder is a brainstorming tool that harnesses the power of artificial intelligence to help you generate ideas and explore new avenues of creativity. Whether you're crafting characters, creating scene locations, or conceptualizing entire worlds, Artbreeder's AI can help you create any image.

But don't just take my word for it. Countless writers, from aspiring novices to seasoned pros, have sung the praises of Artbreeder for its role in fueling their creative fire.

2. OneStopForWriters

If you've ever found yourself drowning in a sea of character arcs, struggling to untangle a convoluted plot, or simply searching for that elusive spark of inspiration, then OneStopForWriters is here to be your guiding light.

At OneStopForWriters, you'll find a treasure trove of resources designed to empower writers at every stage of their journey. One of the standout features is its unparalleled collection of writing tools and resources. From character development worksheets and plot structure guides to brainstorming prompts and writing exercises, this platform offers a wealth of resources to help you hone your craft and overcome any writing challenge that comes your way.

3. Milanote

With Milanote, organizing your thoughts has never been easier. Whether you're plotting out your next novel, storyboarding a film, or brainstorming ideas for your next project, Milanote's intuitive interface and versatile features make it a breeze to bring your ideas to life.

But Milanote isn't just about organization – it's about inspiration, too. Dive into Milanote's vast collection of templates, images, and resources, curated to spark your creativity and fuel your passion for storytelling.

And let's not forget about collaboration. With Milanote, you can seamlessly collaborate with fellow writers, sharing ideas, giving feedback, and working together to bring your collective vision to life. Let me know if you'd like to collab!

4. Inkarnate

Whether you're a fantasy author crafting intricate realms, a sci-fi writer mapping out distant galaxies, or a historical fiction enthusiast recreating the past, Inkarnate is your ultimate tool for world-building.

With Inkarnate's powerful mapping tools and customizable features, creating stunning and detailed maps has never been easier. From sprawling continents to intricate cityscapes, Inkarnate allows you to bring every aspect of your world to life with breathtaking detail and precision.

But Inkarnate isn't just about maps – it's about storytelling. Dive into Inkarnate's vast library of assets, from characters and creatures to landmarks and landscapes, and use them to enrich your world and enhance your storytelling.

5. World Anvil

With World Anvil's array of interactive tools and features, you can meticulously craft every detail of your world, from its geography and history to its cultures and languages. Whether you're creating a sprawling fantasy realm, a dystopian future, or an alternate historical timeline, World Anvil provides the tools you need to breathe life into your creations.

But World Anvil is more than just a repository for world-building information. It's a platform for storytelling, collaboration, and engagement. Share your world with readers, invite them to explore its intricacies, and immerse them in the rich tapestry of your imagination

6. Scrivener

At its core, Scrivener is a comprehensive writing software designed to meet the unique needs of authors, screenwriters, academics, and more. With its flexible interface and robust features, Scrivener allows you to organize your thoughts, structure your writing, and bring your ideas to life with ease.

One of Scrivener's standout features is its ability to break down your writing into manageable chunks, or "scrivenings," making it easy to focus on individual scenes, chapters, or sections of your manuscript. With its intuitive corkboard and outlining tools, you can visualize your project's structure and rearrange it on the fly.

But Scrivener is more than just a writing tool – it's a creative hub where ideas flourish and projects take shape. With its built-in research capabilities, you can keep all your notes, references, and inspiration in one place, ensuring that nothing gets lost in the shuffle.

7. Dabble

One of Dabble's standout features is its seamless integration of plotting, outlining, and writing tools. Whether you're a die-hard plotter or a pantser at heart, Dabble has the flexibility to accommodate your preferred writing style, allowing you to create detailed outlines, jot down notes, and dive into writing whenever inspiration strikes.

But Dabble is more than just a writing tool – it's a community of writers united by their love of storytelling and their commitment to helping each other succeed. Here, you'll find support, encouragement, and invaluable feedback as you navigate the ups and downs of the writing process.

With Dabble's cloud-based platform, you can access your work from anywhere, on any device, ensuring that your novel is always at your fingertips, whether you're at home, at work, or on the go.

8. Literature Map

Literature Map is a visual mapping tool that helps you discover new authors and books based on your literary preferences. Whether you're a fan of classic literature, contemporary fiction, or niche genres, Literature Map provides personalized recommendations to help you expand your reading horizons.

Using Literature Map is as easy as typing in the name of an author you love. Instantly, a constellation of related authors appears, each connected by their thematic, stylistic, or genre similarities. From there, you can explore new authors, discover hidden gems, and embark on new reading adventures with confidence.

But Literature Map is more than just a recommendation engine – it's a gateway to a world of literary exploration and discovery. Here, you'll find a community of fellow book lovers, eager to share their favorite authors, discuss their latest reads, and connect with like-minded readers from around the globe.

That concludes our exploration of the 10 essential websites every author should know in 2024. May these tools and resources empower you on your writing journey, from the spark of inspiration to the final flourish of your manuscript. Happy writing, and may your creativity know no bounds!

I hope this blog on Ten Websites Every Author Should Know In 2024 will help you in your writing journey. Be sure to comment any tips of your own to help your fellow authors prosper, and follow my blog for new blog updates every Monday and Thursday.

Looking For More Writing Tips And Tricks?

Are you an author looking for writing tips and tricks to better your manuscript? Or do you want to learn about how to get a literary agent, get published and properly market your book? Consider checking out the rest of Haya’s book blog where I post writing and publishing tips for authors every Monday and Thursday! And don’t forget to head over to my TikTok and Instagram profiles @hayatheauthor to learn more about my WIP and writing journey!

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