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#but that’s also not something i can control???
toruslvt · 3 days
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ur writings are so amazing im inlove w them!! can i request a brother’s bestfriend geto x fem reader? also if it’s okay with u, could u write a lil smut🫣🫣
° ᡣ𐭩 . ° . BROTHER’S BEST FRIEND
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⋆ mdni. slightly pervy suguru + shy reader, cunilingus, fingering, pussy job, Suguru has a lip piercing, i coulndt help it. you're Satoru's sister or stepsister because mhm I needed a name...
 ⋆ thank you sooo much for the compliment, love 💕 also sorry this took so long :(
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it really isn’t fair.
Satoru really shouldn’t be so cruel and deny the sweet taste of you to his best friend, although of course, Suguru has never made a comment or move to show his real intentions, opting instead to silently stare as you make your ways though your kitchen in those cute shorts of yours.
“don’t look at her, you pervert” Satoru huffs, leaving a slight slap on the back of Suguru’s head, to which the dark haired man replies with an amused chuckle, playing with his bottom lip, feigning ignorance.
“tsk, i wasn’t looking at your sister”
it’s a lie of course, quietly thanking his fashion taste for choosing a pair of baggy pants to cover the growing bulge between his legs, most likely wetting the fabric of his boxers with sticky, translucent precum.
two sets of controllers were held by both men’s hands, often yelling profanities to a tv screen until the sun hid and the moon shone bright, what a pity, really, it looks like Suguru will have to stay the night.
“here’s some blankets” at least this time Satoru is kind enough to toss a heavy blanket onto his best friend’s lap followed by a yawn, much different from the previous times where he left the black haired to his own. and it’s not until Satoru’s side of the couch remains uncomfortably still, that he realizes the blue eyed is —in fact, fast asleep, snoring with his head hanging from the couch backrest.
it’s funny, really, that until Suguru finds himself staring at the ceiling, uncomfortably laying on the other man’s bed, no one was using it either way; but who the fuck falls asleep at 11 pm, on a saturday night.
quiet steps make their way outside the room, greeted by the dark hallway in his way to the bathroom, although, —and almost heavenly, Suguru catches a glimpse of your bedroom at the other side of the hall, door ajar and letting out a little bit of what it seemed like lamp lighting onto the carpeted floor outside.
it’s almost inviting.
his feet instantly turn from his way towards the bathroom, drawn to you like a moth to the flame, “hey” Suguru barely whispers, knocking on the wood before pushing it open enough for his body to pass, “can’t sleep?”
a soft rustle of your bedsheets is what greets him, followed by a surprised look on your eyes and the soft thud of earphones falling next to your body, solely covered by a shirt and those shorts that drive Suguru insane, “it’s a bit too early to sleep” you reply back, a soft chuckle following.
the sound is like a melody to his ears, followed by his own and a gentle hum, “your brother is knocked out” as if invited, the black haired takes a few small steps until he sits at the edge of the plush mattress, palms itching at the attempt of not giving in and wrapping his fingers around your pretty ankle.
with a half lidded gaze he turns towards your phone, held by one of your hands as you curled on your side to look at him with those bright, gorgeous eyes of yours, the screen is flicking, an incoming notification, “texting your boyfriend?”
“don’t have a boyfriend” you retort with a slight chuckle.
and Suguru’s eyes widened for what seems like a millisecond, “i don’t believe you” he teases, shaking his head while subtly, and barely noticeably slides closer to you, the loose black sweatshirt he wore suddenly getting hotter, “a pretty girl like you... without a boyfriend?” his tongue clicks, “something’s wrong with those boys”
the subtle shift of your feet against the mattress doesn’t go unnoticed by Suguru, who tentatively press a thumb on the border between your skin and the socks you wore, “it’s not that...” you murmur, and he notices how you’re embarrassed, he’ve known you for quite some time to realize those kind of small details, “just haven’t found the one”
Suguru hums, licking his bottom lip and mindlessly tracing the cold metal of his piercing for a bit longer, his head turns to look at you, “boys your age are so immature” his voice is low, and honestly what a thing to say considering he’s merely four years older than you, “barely getting into adulthood, don’t know how to treat girls like you” a smile spreads through his face as his thumb rubs on your ankle and your throat bobs slightly as you swallow. are you as turned on as he is?, “i bet they can’t satisfy you either, can they?”
upon hearing his words your eyes widen, face burning and yet don’t tear your leg from his lingering touch, intoxicated by the look on his eyes and slowl, purring words, “Suguru... what—”
“it’s just a question, doll” he chuckles, brushing it off with a shrug, a few hair strands falling on his eyes at the tilt of his head, “no need to answer that, i’m certain no one has made you feel as good as you deserve” it’s a test, to check on your reaction to his not so subtle advances.
but you show no sign of discomfort, instead, your gaze turns towards the dresser and mirror on your side, nervously chewing on your bottom lip in a motion you often do while embarrassed, why are you so fucking cute?
just a step closer, “i can, though...” his voice drops even more, sliding his thumb and fingers across your calf and towards the bend of your knee, “make you feel good”
“Suguru...” you breathe, shifting your gaze towards his.
“no one has to know, just you and me”
“Suguru,” you try again, catching his attention that was locked on your almost bare thighs, with a gulp you whisper, ”lock the door”
and that's all he needs, heart skipping a beat and cock twitching in his boxers at the same time he reaches for the door, locking it before climbing over your body this time, hungrily roaming his darkened eyes through your body, “so fucking pretty” he huffs, sliding his fingers under your neck and using a thumb to part your lips, pressing under your bottom lip to finally, finally claim the lips he has been dreaming off, locked on his or wrapped around his cock.
you whine and he’s melting, a soft grunt escaping Suguru’s lips as his tongue slides across yours, fucking your mouth and sucking your tongue lewdly enough to leave you gasping.
you come to realize Suguru is not talkative in bed either, opting to use his hands to roam across your body, and lips to bring out more sounds from your mouth, “do you trust me?”
and you nod, so cutely he needs to bite down slightly on your puffy bottom lip, hair a mess solely from kissing, he wonders how stunning you’ll look while getting fucked.
“good girl” is a purr, followed by Suguru’s lips detaching from yours and finding your neck, gently nibbling and kissing the skin, all the way down to the valley of your clothed chest and belly where your shirt rise; his kisses continue across the band of your shorts before he’s pulling them down slightly, whistling low at the sight of your now drenched panties.
teasingly he nuzzles on your clothed clit, making you whimper and squeeze his head with your thighs, which only makes Suguru chuckle and cock jerk more precum into his underwear.
“i’ll eat your pussy, alright? tell me if it’s too much” what a gentleman he is.
then his eyes are on you, noticing the rise and fall of your chest and glossy gaze, first rubbing your slit through your panties, groaning low at the feeling of your wetness seeping through the fabric, showing the outline of your drenched folds, “Sugu...” you mewl with toes gently curling on the sheets.
a bit more of friction and he could have cum in the spot at how sweetly you say his name.
“i’m here, honey, i’ll make your pretty pussy feel so good” he promises, and like a man truth to his words, his finger slides under the crotch of your panties and slides them aside, another deep rumble comes out at the sight of your pulsing cunt, drooling slick enticingly.
Suguru waits no time at licking your folds, sliding his tongue across the tender and hot skin before swirling your clit, each stroke and slurp a bit harder than the previous, indulging into your taste while at the same time keeping you on the edge due to his slow and measured movements.
you whimper his name again, tentatively sliding your fingers across his soft and long hair, normally held in a bun but now it’s framing his face so beautifully you’re left breathless. your words and the gentle tug on his hair is what he needs to use both thumbs to spread your folds, using one hand to keep your panties aside before plunging the wet muscle inside your sobbing walls, gently massaging your insides with growing intensity.
Suguru can’t help and groan against your pussy lips, lust driven and slightly humping his hips down against the mattress at the same time he fucks you with his tongue, lapping and slurping the delicious nectar coming from between your legs.
soon a finger joins his tongue, and merely minutes later two are pumping inside and out of you, although Suguru was hesitant to depart from your sensitive cunt, he found the movement of his fingers and lips wrapped around your clit was much better to make you scream, and how much he wished you were at his place instead, because he would have never allowed you to cover your mouth with your hands, muffling your sounds for your family not to hear.
“S-suguru, i’m close!” you barely get to squeal through your fingers, a futile attempt to curl over his body and detach his lips from your cunt, one that quickly get replaced by the arch of your back against the mattress at Suguru’s lips sucking harder and fingers curling just precisely to caress the spot that made your thighs twitch.
barely pulling back he groans, “come, beautiful” then his lips are on you again, keeping his pace to bring you to the edge until you’re drenching his lower face.
you cum so hard your vision goes black, breathlessly moaning a bit louder than allowed, hopefully your brother was still asleep, yet through the orgamic daze you manage to catch a glimpse of Suguru’s smirk and messy hair, wiping your slick on his lower abdomen before releasing his cock from underneath his clothes, hard and flushed, dribbling breads of precum.
fucking you it’s too risky, and the idea of leaving you to fetch a condom from Satoru’s room is not even a possibility, especially with the way you look like you’re about to pass out, but it’s fine, Suguru is patient.
he kneels between your legs, gently cooing at your questioning whine, and sliding your panties barely aside, then guiding his tip to your slit, snuggled between your dripping folds as he starts to thrust, cockhead smacking wetly against your clit and up to the front of your panties where a creamy patch grows, “fuck” he huffs, gripping on your thigh to spread you open and increase his thrusts, fucking himself with your pussy lips, “sorry, princess, I can’t hold it” he attempts to joke, but his gaze is focused on your cunt, while yours is on his ethereal Suguru looks, flushed and biting on his bottom lip to muffle his moans.
it doesn’t take him much to cum with a shudder, embarrassingly quick but that’s just the effect you have on him, completely staining your underwear with cum that drips down your slit and Suguru is about to groan, fighting back the urge to coat his tip with the sticky mixture and guide it inside your needy pussy, but alas, he’ll bring protection next time.
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theyluvkarolina · 3 days
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Pook I know this might be extremely detailed, but can I request one where its max and reader but reader and max used to date and now max is with a new girl? But reader is still in love with him? Social media type layout? Sorry if that's like heavily detailed, btw love your Lando x reader (specifically the one with the pizza date thing.)
𝐈’𝐋𝐋 𝐋𝐄𝐓 𝐘𝐎𝐔 𝐁𝐑𝐄𝐀𝐊 𝐌𝐘 𝐇𝐄𝐀𝐑𝐓 𝐀𝐆𝐀𝐈𝐍
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· . ୨୧⭒๋࣭ ⭑ ` ` one day, i will stop falling in love with you. ` ` ⊹ ‧₊˚
𝐒𝐔𝐌𝐌𝐀𝐑𝐘 ୨୧ Max and Y/N were the best couple on the paddock. Until, things came crashing down after Max says “I want to focus on my career” only to find himself with a new girl. And it hurts so much.
𝐒𝐎𝐍𝐆 ୨୧ Let You Break My Heart Again - Laufey
𝐏𝐀𝐈𝐑𝐈𝐍𝐆 ୨୧ Ex!Max Verstappen x Fem!Reader
𝐖𝐀𝐑𝐍𝐈𝐍𝐆𝐒 ୨୧ angsty? (I hope it is 😭), potential cheating, unrequited love, max is being a asshole (i promise i still love him @maxtermind)
𝐀/𝐍 ୨୧ ahhh tysm for the love! I appreciate it sm! i’m so sorry your request took so long, things have been hectic 😭 also, photos of kelly will be blurred because i won’t be using her as the new gf. I don’t like using current photos of drivers gfs and painting them as the villians in fanfics. i hope you guys understand! I just made up some random girl name for the new gf (Annelise Beringer) lol. enjoy!!
part 2??? 🤭🤭
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y/n.l/n
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liked by lilymunihe, alexandrasaintmleux, fransica.cgomes and others
y/n.l/n girls night :)
tagged ; lilymunihe, alexandrasaintmleux, fransica.cgomes, & rebeccadonaldson
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alexandrasaintmleux 🩷 👭
→ y/n.l/n ✔︎ the love of my life 🥹 → charles_leclerc ✔︎ that is my girlfriend??? → y/n.l/n ✔︎ not anymore. my gf, my dog, and my house now leclerc. → charles_leclerc ✔︎ SINCE WHEN DID YOU TAKE CUSTODY OF MY DOG?? AND WE ARE LETTING YOU SAY HERE FOR FREE??
username1 if there’s a girls night, you know you fucked up.
username2 i hope y/n is okay :(
→ username3 i mean, leaving someone after 8 years hurts, i doubt she would recover from this for a while.
username4 stop the girls hanging out to cheer her up 🙁🙁
rebeccadonaldson ✔︎ we have to do this more often ❤️
→ y/n.l/n ✔︎ as long as it’s not under my circumstances i’m all for it 😩 → username5 Y/N 😭😭 → username6 what in the world did max do to her 💀 → lilymunihe ✔︎ GIRL. → fransica.cgomes ✔︎ i think another girls night is in order. → y/n.l/n ✔︎ @ pierregasly control you’re girl before she drags me to every store possible to cheer me up. → pierregasly ✔︎ sorry. kika wears the pants in this relationship. → charles_leclerc ✔︎ don’t worry mate, we can tell.
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y/n.l/n ✔︎
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liked by landonorris, rebeccadonaldson, italyexplores and others
y/n.l/n buongiorno italia! spent the trip with my favorite girls 🩷
tagged ; lilymunihe, alexandrasaintmleux, fransica.cgomes, & rebeccadonaldson
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username7 i’m so happy the girls are there to support y/n after what max did :(
→ username8 especially after the rumors now circulating… poor girl → username9 rumors??? what rumors??!? → username10 based off the rumors, Max’s dad wasn’t happy with him dating Y/N. Something about her being too “normal”. And instead wants Max to be with a dutch-german actress named Annelise Beringer. the whole “we want to focus on our careers” is a cover up story. This all being before Max’s home race in Zandvoort. → username11 that’s actually so sad if true… y/n deserves better. do you know if max ever put up a fight for their relationship??? → username10 that I don’t know… but I hope he did…
username NABOKOV??? you have TASTE.
username oh to have enough money to go on a trip to italy and be on a boat
username idk who i want to be they are all so stunning 😩😩
lilymunihe ✔︎ men suck guys
Liked by y/n.l/n!
→ alexalbon ✔︎ uhmmm i’m right here?? → lilymunihe ✔︎ uhmm… i said what i said?? → alexalbon ✔︎ defend me here @ pierregasly → fransica.cgomes ✔︎ pierre literally stood me up in a restaurant? → pierregasly ✔︎ kika, first of all i did not stand you up, second of all, I left to go to the bathroom for 5 minutes? → fransica.cgomes ✔︎ he hates me guys 😭😭😭 → username11 I CAN’T WITH THESE COMMENTS
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maxverstappen1 ✔︎
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liked by redbullracing, schecoperez, f1 and others
maxverstappen1 another race, another podium! 🏆 (Might get Jimmy and Sassy a new sibling 😆 )
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username12 who tf is that second hand Max Emillian Verstappen.
→ username13 get that woman OUT. justice for y/n. → username14 i really hope those rumors aren’t true… → username15 why are you all so invested in his personal life… he doesn’t need to disclose everything. → username16 yeah but someone decided to maybe move on from their ex gf of 8 years in 3-4 MONTHS???
redbullracing ✔︎ once again! 👏
→ username17 how to make red bull stop winning 🧑‍💻 → redbullracing ✔︎ not possible! 😉 → scuderiaferrari ✔︎ crash into them → redbullracing ✔︎ … i think i’m going to stay far away from you guys next race.
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maxverstappen1 ✔︎
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maxverstappen1 my favorite supporter from the bottom of my heart!
tagged ; annelise.beringer
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charlesleclerc ✔︎ oh how wonderful 🙂
→ username18 bro does NOT approve → username19 THE SARCASM…
alexandrasaintmleux how..lovely!
→ rebeccadonaldson ✔︎ …cute! → fransica.cgomes ✔︎ wow!! 🤯 → lilymunihe✔︎ awww!! (i’m puking) → username20 the bf effect 💀
annelise.beringer ✔︎ mijn liefje 💋
→ maxverstappen1 ✔︎ ❤️
username21 y/n is right there.
Liked by y/n.l/n! Unliked by y/n.l/n! → username22 UHMMMM??? y/n what are you doing here???
username23 anyone else feel like this is all a PR stunt??
→ username24 I THOUGHT I WAS THE ONLY ONE??? → username25 no bc max could never move that fast from a relationship… especially one as long as 8 years…
username26 not the hard launch 😬
landonorris ✔︎ who?
→ username27 LANDO.
username28 how about… no!!
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(ENG TRANSLATION: I’m going to chop off his dick.)
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𝐀/𝐍 2 ୨୧ tee hee!
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cryptotheism · 2 days
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How did magicians back in the day make seals? Was there a science behind it or was it intuitive?
That's a really good question! The answer is extremely complicated!
When most people these days think of seals they think of goetic seals. But the terminology of "seals" actually comes from the idea of sealing a letter. Specifically, it refers to one of the many apocryphal versions of the story of Solomon and Ashmedai, in which king Solomon uses a signet ring with a special magical symbol on it to command demons.
Now, this is one of those biblical stories that people went absolutely nuts for. Jews, Christians, Muslims, damn near every abrahamic faith has their own take on the story, because let's be honest here it's cool as fuck.
But! The original story from the Tanakh doesn't refer to the seal at all, and focuses much more on controlling the sheyd with manacles inscribed with a secret name of God. The inherent magical power of names of God is a common trope in Jewish literature, but later versions of the tale also include greco-egyptian ideas about the inherent magical properties of language, forms, and mathematics.
So when we look at a contemporary English version of a goetic seal, we are looking at something with literally thousands of years of compiled knowledge behind it. I wouldn't necessarily call it science, or intuition, I would describe it as systematic, and narrative. Closer to how campfire stories are improved over generations as people tell and retell them.
Look at this seal of Belial:
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The idea of the seal itself? That goes back to Babylonian Jewish ideas about written text having power to control supernatural entities. (Google Babylonian curse bowls if you haven't already.)
See how the letters are spaced? That's important. That goes back to neopythagorean ideas about regular polygons being fundamental building blocks of the universe.
The little crosses? Those are probably cruciforms! That's how you can tell Christians were involved at some point.
See how some of the lines of the seal end in little loops? That goes back to ptolmaic Egyptian ideas about magic. If the crosses are cruciforms, these are probably ankh-forms! You see shapes like that all over magical texts from the 2nd-6th century Mediterranean!
These symbols are the result of dozens of cultures and people and languages collectively yes-anding each other for literally thousands of years. They are DENSE with meaning.
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genderqueerdykes · 12 hours
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if you are a trans boy, especially a teenage trans boy, i wanted to say that as a trans man in their 30's, you have my deepest respects and condolences for what you may be going through right now.
it has become socially acceptable and basically online custom to bully teenage trans boys & mascs, call them cringy, or excuse misgendering them for whatever reason. people put trans boys on this pedestal of "must perform masculinity and manhood to cartoonish degrees" even though they're still children.
people make trans boys fight for their manhood before they can even be boys. i am sorry people can be so judgmental and harsh on you. you are not wrong for wanting to be a boy. you are experiencing something wonderful. it's okay if you still want to be a boy even if people have treated you poorly, or tried to make you feel bad for being a boy. there is nothing wrong with being a boy.
it's okay if you never socially transition. it's okay if you're afraid to come out because it's not safe. it's okay if you never change your outward appearance. it's okay if you try very hard to pass but struggle to. it's okay if you wear "women's" clothing and shoes, bras, makeup, etc., it's okay if you're gay and love other men. it's okay if you're scared of hrt. it's okay if you don't want surgery. it's okay if you mainly occupy girl's spaces still. people will find every reason to pick these things apart and ridicule trans boys for, but they are all perfectly fine experiences that do not make you any less of a boy. you are the one who is in control of your transition, presentation, and state of being- you should be able to prioritize your safety over the comfort of random strangers who have no impact over how you live your life.
i've been put through this too, but later in life as i came out when i was an adult. people still try to make me feel bad for identifying as a trans man, for whatever reason they have in their head to justify hatred of a trans person. i've had enough. there will never be an excuse for how people try to excuse the infantilization and abuse that trans men and trans boys face.
take care of yourselves, no matter what age you are, if you are a trans boy, man, or masc you deserve to know that other trans men care about you, especially when people are scrambling to find ways to punch down on you. there are people who suck, but there are also a lot of people who care about you. keep your chin up. you know who you are
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gingersxng · 3 days
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Inappropriate Touching
Pairing: f!reader x Seonghwa x Yunho x Mingi x San
Genre: smut 18+
Summary: walking down the hallways on your new exciting job you came across a group of young handsome actors.. but it soon turns out acting and reality isn’t that far away from each other.
Notes: sub!reader, rough doms! Yunho, Mingi, San, Seonghwa, reader is a virgin, the boys are big perverts!!! ,they have no self control, much inappropriate touching!!!(which is not ok irl), adult movies, pet names (sweetheart, doll, darling, love, kitten, honey), groping, kissing, some cursing, fingering, oral (f receiving), licking, spitting, cum cum cum, cum eating, threesome, foursome, mentions of masturbation, dirty comments, unprotected sex (always be safe),rough sex, public sex, big dick yungi, marking (hickeys, bite marks), breeding, double penetration, slight bulge kink, recording. forgot something? maby
Words: 3.7k
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it was your first day at your new job at the movie studio. it’s been a life long dream of yours to get to work with big movie stars and now you were finally standing outside the big doors. as you looked up at the sign of the big building you took a deep breath before finally heading inside to get started.
you felt like a child in a candy store watching all the pictures on the walls of famous actors and actresses. you were soon greeted by a young woman maby a few years older than you, she was looking so professional with a black jumpsuit, black glasses and red long hair in a big bun.
“hi are you the new assistant?” she asked softly. “yes i am, I’m y/n” you said as you shaked her hand. “I’m Joanne, I’m gonna show you around a bit to make it a little easier for you” a smile formed on your face. she showed you all different sets from both new and old movies, you had also met many movie stars and staff while you walked around the big halls. you were coming to your final part of your little “tour” when Joanne stopped dragging you to the side.
“we have to be quiet cause they’re in the middle of rehearsals”. she whispered, didn’t sound as she cared to much. you didn’t really understand what kind of movie they were making but there were four men dressed roughly in suits, black ties and some of them had smeared lipstick on their mouths. a woman later appeared around the men and you finally got an answer on your early movie question. you felt yourself blush as you observed what they did to that woman, eyes wide. “c’mon let’s go, I’ll show you your room” she grabbed your arm and dragged you with her. it was kinda quiet down the hallways to your room and so were you. Joanne finally broke the ice. “I probably should give you a small warning but you have to keep this to yourself, okay?” she said with a half worried look on her face. “alright I promise” you suddenly got anxious.
you stopped outside the door to your room. “don’t be too sweet towards those guys back there, they can get a little too friendly if you know what I mean” she whispered so no one but you could hear her. your eyes widened not believing what she was saying, they were just acting.. wasn’t they? “I don’t wanna scare you or anything but it’s better to warn you if you would bump into one of them”. you found yourself speechless and your thoughts went all over the place, first day at your new job and now you should watch out for creeps?
“they didn’t look old tho” you suddenly said. “no, as I saw on your CV they’re two and three years older than you” your eyes widened once again. she was about to say something but were interrupted by footsteps coming your way and by the sound of the voices it was them, well two of them. your heart pumped hard in your chest watching as they came closer.
“looking good today Jo” one of them blurted out giving Joanne a wink. the taller guy got very close to her while a smirk appeared on his face “your ass looks great in this suit too” he said as he gave her ass a squeeze. you literally couldn’t believe what you were witnessing and she just let them do this to her. they were soon turning their attention to you, fuck.
“what do we have here huh?” the tall one said looking you up and down. he was so tall but actually very good looking, you started to blush and that’s just what they wanted you to.. “it’s our new assistant y/n and it’s her first day so keep your hands to yourself Yunho!” Joanne snapped. he guided his hand through his hair and let out a deep chuckle, omg! “nice to meet you y/n” both of them greeted you. you gave them a small smile and crossed your arms so your cleavage got more visible and that was a big mistake. their eyes acted like magnets, getting dragged to your breasts. you knew she’d given you a warning but there was something about them giving you all this attention that made you excited.
“damn looks like a juicy one” the other guy laughed as he eyed his tall friend. Yunho let out a quiet laugh as he looked you straight into your eyes, his smile dropping fast. he took a step closer to you and got interrupted by your friend. “alright, she’s not interested in you two” she said trying to get them to leave. actually you were beginning to get a little bit interested in them but maby it was best to keep that to yourself. Yunho gave your ass a light slap as he passed you with a smirking grin on his face. the other man reached out his hand brushing it against your stomach and up to your breasts, he stuck his tongue out and gave you a wink. “Seonghwa!! you pervert!” Jo slapped him on the shoulder.
they had finally got out of sight and you could finally let out a deep breath trying to take in everything that happened in the last 10 minutes. “I’m so sorry y/n but this is something you should get used to if you’re gonna work here” she told you looking really pissed off by the boy’s behaviour against you. you couldn’t help but smile a little, “it’s alright”. she finally left you alone and you got into your room to get some rest. it didn’t take many minutes before you were interrupted by a knock on your door, you got up and peeped out trough the little window to see another tall guy standing outside. you opened and were greeted with a smile from the big guy. “hey sweetheart, I’m Mingi” his voice were deep and vibrated right through you. you didn’t get a chance to introduce yourself before he grabbed your arms and pushed you further into your room. his actions took you by surprise and you let out a scream. Mingi hurried to put his hand on your mouth to drown your screams, when you finally got quiet he pulled his hand away letting out a chuckle when he saw the scared expression on your face.
“what are you doing!!” you almost cried out looking up at the big boy. he pushed you down onto your desk and grabbed your chin. “my friends told me about the new sexy assistant and I thought I should see if it was true.. and fuck you are gorgeous” he said squeezing your cheeks. you could feel how your thighs began to push together and how your cheeks started to heat up. Mingi brought his head to your neck starting to place sloppy kisses along it up to your ear, his hands working their way to your ass. you really hoped no one would walk in on you making out with one of the “creeps”, even if this was very wrong you didn’t do anything to stop it.
Mingi slipped his hands inside your pants grabbing a handful of your naked ass. small moans left your mouth, your hands went straight to his hair and he let out a deep groan. “you like this huh?” Mingi whispered as he pulled your jeans off you. “yes” you whispered back. he pushed you down onto your back and separated your legs exposing your clothed core to him, your panties were off you in a flash and your hole were stuffed with two of his fingers. Mingi put his mouth on your clit rolling his tongue over the sensitive nub, your back arched at the new pleasure. “you taste so good” he growled against your clit. he added a third finger and fastened his pace on your clit making a moaning mess out of you.
“here you are!!” Seonghwa bursted into your room, his eyes darkened as soon as he saw the position you were in. you couldn’t help but feel a little embarrassed having your bare pussy on display in front of the new man. “I see you’ve met the pussy eater” Seonghwa pushed Mingis head down harder on your pussy receiving moans from both of you. Mingi pulled away his slime covered face from your core. “says the guy who puts his hands down women’s tops” Mingi glared at the older man. “I can’t help it” Seonghwa threw a bitter look at him, he walked over to you and slid his hands inside your top and bra grabbing your firm breasts. he looked down at your pleasure filled face, he got closer to your face and attacked your lips kissing you upside down. it was messy and hot and you could feel how you got closer to your release. Seonghwa broke the kiss and squeezed your boobs hard making you squeak. “open your mouth kitten” you did as he said and watched as he gathered some saliva that he spit down into your mouth, you swallowed it and once again he was back kissing you.
Mingi was biting your clit sending electric waves up to your brain. he felt how your pussy clenched around his fingers and he curved them to hit the spongy spot inside you making you see white. your breath hitched in your throat and you moaned into Seonghwas mouth when you came onto Mingis fingers. both of them laughed at you when they saw how fucked out you looked. Mingi licked up all the cum from your hole. “sorry but we have to go back to the set kitten, believe me I’d rather fuck you than that bitch” Seonghwa grunted pushing his face in between your breasts licking a stripe along your cleavage. Mingi stole your panties sneaking them into his pocket and gave your pussy a quick kiss before they left.
- next day -
you had some free time so you were strolling through the building sneaking in to watch some movies in the making. a hand brushed against your ass and you quickly turned around to see yet another new face. the man scanned your body taking you all in, he leaned forward and brushed his thumb over your bottom lip. “enjoying yourself kitten?” you gulped and straightened yourself up feeling how your legs began to weaken. “y-yes I do” you fumbled not knowing were to look. an amusing look painted his face when he saw the affect he had on you. he took your hand and brought you with him to their movie set, the grip he had on your hand were firm to keep you from running away if you wanted to.
they were in the middle of a break so they had some time for you. the three other men sat down in a big round sofa that was down in a dark corner, the handsome muscular man pulled you with him. their eyes lit up as soon as you got in their sight, you blushed hard and began to bite the nail on your thumb, it really made you look innocent.
“look who I found standing all alone in the halls” the man pushed you forward so you stood in front of the other three. you could see how they were undressing you with their eyes and by the tents in their pants, they really liked what they saw. Yunho grabbed your wrist and pulled you down on his lap, you shivered at the feeling of his erection poking at your ass. he tugged at your skirt and caressed your soft thighs watching as goosebumps appeared. he put his mouth to your ear and whispered “I haven’t stopped thinking about you since yesterday, maby I could get a pic of that sweet ass if yours huh?”. his words went straight to your pussy, feeling how you got wetter by the second. “why would you want that?” you said innocently looking him in the eyes knowing exactly why he wanted it. Yunho raised an eyebrow and dug his fingers into the flesh of your ass “so I have something to watch as I’m playing with my dick” the guy chuckled. the other guys laughed at his comment. you were stuck between these four men and your mind started to run wild the more they showed how much they wanted to use you.
“do you have a boyfriend doll?” Mingi slipped out. you shook your head and the look on his face turned devilish, you pushed your thighs together more. “are you a virgin?” Yunho asked pulling your skirt up slowly waiting for an answer. you stayed quiet for a few seconds looking around at the men. “yeah, I am” your voice dropped and you felt so embarrassed. something in them snapped and suddenly they seemed hornier than ever. Seonghwa stuck his hand down your top to… dang he got interrupted. you got company by a known friend, it was Jo. she was looking for you and couldn’t believe she would find you here of all places. “what are you doing here y/n?” she was surprised to see you sitting in Yunhos lap with Seonghwas hand down your top. “I’m working..” was the first thing you could think of. Seonghwa fought the urge to pull out your breasts from your top, he usually didn’t have much self control but for your sake he made an exception. “you guys are sick” she said before she finally left.
Seonghwa couldn’t hold it in anymore and pulled out your boobs from your bra, his mouth watered at the sight of your hardened red nipples, he brushed his thumb over them and you let out a small whimper. Yunho lifted you up and handed you over to San, the big man squeezed you against his chest. “don’t move doll, my grip will only get tighter” he bucked his hips up against your ass, his clothed hardness poking you right between your cheeks. Yunho unbuckled his belt and pulled down his pants enough for his massive cock to spring free standing up against his stomach. the sight was making your arousal drip down your inner thighs and you crossed your legs standing in Sans embrace. Yunho patted his thigh signaling San to release you. “come sit love” he held a hand out to you. you walked over to the tall man, he turned you around back facing him while pulling up your skirt. the lack of underwear made him groan “no panties huh? what a good girl, all ready for us to abuse” his deep voice almost breaking you.
San slid his fingers through your folds, your arousal was smeared out on your inner thighs and he could slip in two fingers with ease, after feeling how tight you were he pulled them out again turning to the tall guy. “she’s so tight you’re gonna split her in half with your monster cock” Sans words brought a worried look to your face. Yunho slapped your ass “we don’t use condoms btw, hope that’s alright with you love?” you nodded and with that he sunk you down on his big cock, the wetness made it almost too easy for him to bottom out. it was a long moan that left your lips as you felt your pussy being stretched to the max. as Yunho were bouncing you up and down his dick San was attacking your lips and Seonghwa had got dibs on your breasts marking them as his own. it felt like you were in some kind of erotic dream, they dragged out moans and whimpers out of you leaving you a fucking mess.
Mingi had pulled out his cock too, he spat in his hand and pumped his length a few times. he got up from the sofa and pushed the other two out of the way, he pushed your back against Yunhos chest and positioned himself onto you bringing his cock to your already stuffed hole. “it won’t fit idiot” San mocked the man. “I’ll make it fit” Mingi pushed the tip into your pussy making you scream, tears falling down your cheeks. Yunho pulled out a bit for Mingi to fit better, he then dried your tears with his thumb. Yunho and Mingi occupied each side of your neck while they pumped their massive dicks into your gushy hole. “fuck I swear it feels a thousand times better when she’s a virgin” Mingi groaned into your ear. a familiar feeling appeared in your stomach and it got worse with each of their thrusts. Mingi pushed your knees up to your chest getting better and deeper access, the bulge on your stomach drove him crazy. “I’m gonna cum” Yunho warned. “are you gonna let us breed you honey? let us knock you up” he growled as his thrusts got faster. being all over the place you couldn’t get a single word out but you nodded and moaned in response, your mouth hung open.
“knock her up already we’re getting impatient here” Seonghwa whined as he palmed his cock through his pants. a couple more thrusts and both men released their big loads deep inside you, their hair had gotten more messy and they had beads of sweat dripping down their foreheads. the cum were seeping out between their cocks, they pulled out and laid you down onto your back. Yunho pushed the cum back inside your abused pussy, a proud smirk forming on his face. “in a few months we want to see this pretty belly of yours grow darling” Mingi teased you, he took a handful of your little belly fat and squeezed it.
San was quick to swap places with Yunho, impatiently he pulled out his leaking cock and towered over your half naked form. he slid the tip in slowly until he was fully seated pushing both Mingis and Yunhos cum further inside you, his pace quickened fast and his hold onto your sides grew harder. “fuuck, this little pussy of yours is driving me insane” San growled, his feline eyes pierced holes through you. his mouth assaulted your sore nipples while he slammed his hips against yours with all the strength he had. you began to cry and your whole body started to hurt. Seonghwa kissed you harshly and wiped your tears away, he moved down to your neck sucking on the flesh leaving purple marks. “don’t cry honey we’ll take care of you” he purred.
you could feel Sans cock twitch, he buried his dick deep inside you letting his release paint your walls white, he stayed like that for a while not wanting any cum to go to waste. the thought of knocking you up made his brain malfunction. San pushed down his hand on your lower stomach to feel how deep he was, with a groan he finally pulled out.
Seonghwa helped you up and sunk you down on his dick. you swung your arms around his neck and buried your face in it, he helped moving your hips up and down his length since your body started to give out. each time his cock brushed against your cervix you were one step closer to your awaited orgasm. “mmh it feels so good” you whispered softly in his pierced ear. Seonghwa took his time with you and wasn’t as rough as the others, not yet anyway. he stilled his movements, you looked him in the eyes with a questioning look wondering why he stopped. a smirk appeared on his face and he turned his gaze to someone else. a pair of strong arms lifted you up on your wobbly legs and Seonghwa followed. “ready to get double stuffed again kitten?” you heard Sans voice behind you, his breath tingled against your ear and it almost made you cum on the spot. you were now sandwiched between the two men, uplifted in their arms. they both placed their tips to your entrance, it was no problem to slide in their hard cocks from all the cum and your insane amount of arousal, plus you got stretched out good a couple minutes ago by two monster cocks. they synced their thrusts as they slammed up into your sensitive core, your high pitched moans was music to their ears. the knot was building up in your stomach and you were so close now, Sans hand toyed with your swollen clit whilst Seonghwa had his fun with your nipples making your eyes turn white.
Seonghwa kissed your collarbone and cooed “cum for us now love”. San bucked up his hips and groped your ass hard, he left a bite mark on your shoulder making you cry out quietly. a few seconds later your orgasm hit you and your whole body turned to jelly, not long after you felt a hot big wave of cum entering you. deep groans left their filthy mouths as they emptied themselves deep inside you. “good girl” San said huskily as he pulled out.
after they’d both pulled out Mingi gave you your panties back that he stole from you yesterday on his little visit. you gave him a tired smile and put them on you. “I should probably go and get some rest” you said as you put your boobs inside your top again. “need some company?” Mingi asked with a nasty smirk on his face. Yunho slapped the big man on his arm “as tempting as it sounds I actually think we should let her rest for a while, she’ll need it” he smiled at you. they gave you small kisses on your face before you headed back to your room.
“she’s a keeper” Mingi said watching as your ass bounced with every step you took. Yunho groaned and placed himself on the sofa again, he took out his phone and let out a light chuckle. “did you get it all?” San asked. “oh yeah I did”
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sirfrogsworth · 2 days
Text
Let's talk about vintage lenses.
Here is your cool samurai show with modern lenses.
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Here is your cool samurai show with vintage lenses.
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Hollywood is no stranger to fads.
We are currently in the middle of a "make everything too dark" fad. But that fad is starting to overlap with "let's use really old lenses on ridiculously high resolution cameras."
This is Zack Snyder with a Red Monstro 8K camera.
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He is using a "rehoused" vintage 50mm f/0.95 Canon "Dream Lens" which was first manufactured in 1961.
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This old lens is put inside a fancy new body that can fit onto modern cameras.
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Which means Zack is getting nowhere near 8K worth of detail. These lenses are not even close to being sharp. Which is fine. I think the obsession with detail can get a bit silly and sometimes things can be "too sharp."
But it is a funny juxtaposition.
The dream lens is a cool lens. It has character. It has certain aberrations and defects that can actually be beneficial to making a cool photograph. It's a bit like vinyl records for photography.
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[ Peter Thoeny ]
It has vignetting and distortion and a very strange swirly background blur.
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[ Gabriel Binder ]
Optical engineers have been spending the last 60 years trying to eliminate these defects. And I sometimes wonder if they are confused by this fad.
"I WORKED 70 HOURS PER WEEK TO GET PERFECT CORNER SHARPNESS!"
And whether you prefer to work with a perfect optic or a vintage one... it is a valid aesthetic decision either way. I think vintage glass can really suit candid natural light photography. You can almost get abstract with these lenses.
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[ Peter Theony ]
Personally I like to start with as close to perfect as possible and then add the character in later. That way I can dial in the effect and tweak how much of it I want. But even with modern image editing tools, some of these aberrations are difficult to recreate authentically.
That said, it can be very easy for the "character" of these lenses to become distracting. And just like when someone first finds the lens flares in Photoshop, it can be easy for people to overdo things.
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Zack Snyder decided to be his own cameraman and used only vintage glass in his recent movies and it has led to some complaints about the imagery.
I mean, Zack Snyder overdoing something? I can't even imagine it.
Non camera people felt Army of the Dead was blurry and a bit weird but they couldn't quite explain why it felt that way.
The dream lens has a very wide aperture and it lets in a lot of light. But it also has a very very shallow depth of field. Which means it is very difficult to nail focus.
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[ Peter Thoeny ]
Her near eye is in focus and her far eye is soft. You literally can't get an entire face in focus.
There is no reason you have to use the dream lens at f/0.95 at all times. But just like those irresistible lens flares, Zack couldn't help himself.
Here is a blueprint that you can't really see.
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Extreme close ups of faces without autofocus at f/0.95 is nearly impossible to pull critical focus on.
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Looks like Zack nailed the area just above the eyebrow here.
Let's try to find the point of focus in this one.
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Ummmm... she is just... blurry. Missed focus completely.
But Zack isn't the only one going vintage. I've been seeing this a lot recently.
Shogun is a beautiful show. And for the most part, I really enjoyed the cinematography. But they went the vintage lens route and it kept going from gorgeous to "I can't not see it" distracting. And perhaps because I am familiar with these lens defects I am more prone to noticing. But I do think it hurt the imagery in a few spots.
Vingetting is a darkening of the corners of the frame.
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Light rays in the corners are much harder to control. A lot of modern lenses still have this problem, but they create software corrections to eliminate the issue. Some cameras do it automatically as you are recording the image.
Vintage lenses were built before lens corrections where a thing—before software was a thing. So you either have to live with them, try to remove them with VFX, or crop into your image and lose some resolution.
It's possible this is the aesthetic they wanted. They felt the vignetting added something to the image. But I just found my eyes darting to the corners and not focusing on the composition.
And then you have distortion.
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In this case, barrel distortion.
This is mostly prominent in wide angle lenses. In order to get that wider field of view the lens has to accept light from some very steep angles. And that can be quite difficult to correct. So you kind have to sacrifice any straight lines.
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And sometimes this was a positive contribution to the image.
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I thought the curved lines matched the way they were sitting here.
But most of the time I just felt like I was looking at feudal Japan through a fish's eye.
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It's a bit more tolerable as a still, but when all of these verticals are bowing in motion, I start to feel like I am developing tunnel vision.
I love that this is a tool that is available. Rehousing lenses is a really neat process and I'm glad this old glass is getting new life.
This documentary shows how lens rehousing is done and is quite fascinating if you are in to that sort of thing.
youtube
But I think we are in a "too much of a good thing" phase when it comes to these lenses. I think a balance between old and new can be found.
And I also think maybe Zack should see what f/2.8 looks like. He might like having more than an eyebrow in focus.
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judge-tenderly · 2 days
Text
riz and adaine are the brain: obviously. but also because they have both at some point been ruled by their neuroses, they live in their heads, have been told their entire lives that the thing they are good for is their intelligence. it is what they can give to other people.
fabian and fig are the body: in completely different ways. fabian thought he knew his body when he was just fighting with it but it failed him. he had to learn to trust it again - to trust his instincts as well as what he’d been told his entire life. his instincts told him to dance, and he weaved that in with his fighting skills for both more complete control over his body and trust in it when he isn’t in control. this leads us into fig - instincts. she’s never completely felt fused to her own body the way most people do. it’s hers to with what she wants, including making it other people completely. those other people are still her though. she never sits with one thing, but moves fluidly wherever her instincts tell her to whether it makes sense or not. one of the coolest things a body can do is called the flexor / withdrawal reflex. when you touch a hot stove and pull back your hand before you’ve even registered the pain. the only time (that i know of) that your sensory receptors tell your muscles to move instead of relaying information to the brain and letting it decide. you literally have no choice whether or not you pull your hand back. your body decides for you. this is fig’s entire life. people often think the strongest, healthiest bodies are the biggest, sturdiest ones. yet often it’s the annoying bitches that do the most yoga, strength in flexibility. something fig (and now also) fabian have in spades.
kristen is the soul: seemingly inconsistent and ever changing, the only way kristen changes is cosmetically. she struggles so hard to find a god that makes sense for her because she’s not just finding her god. she’s finding a god for all the bad kids. because at the core of her, she is trying to do what is right, what is kind, what is best for everyone else. she wants to help people, save people. even if she doesn’t go about it the right way (ie immediately trying to convert everyone to helio on her first day) she is just trying to help. no matter what god she has, or who she’s faced with - that’s never changed. the soul is forever, and despite all aesthetics, so is kristen.
gorgug is the heart. because of course he is. “it’s gorgug keep going.” bum bum “it’s gorgug. keep. going.” he keeps them there, all together, all in sync when their differences threaten to overrule their similarities. he pulls them back in with the gravity axe he made for love of his parents and the culture that raised him. with the courage he had to stand up and declare he would in fact do the impossible. bum bum.
“it’s gorgug keep going.”
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The Princess and The Pogue | J. M.
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Pairing: JJ Maybank x reader
Summary: Your daughter comes home from school telling you about a local OBX fairytale. It turns out it’s about you and your husband.
Listen to But Daddy I Love Him for full experience
Requested by @idontevenknowbsblog
A/N: This turned out way longer and more angsty than I had anticipated but I’m a sucker for the angst. I just can’t help it. I’m sorry this took me a million years to finish!
As I am an adult, all characters I write for are written as adults. Any minor characters will be aged up to the general range of their actor’s age.
Warnings: allusions to domestic abuse, controlling parents, forced engagement, so much fucking angst, only kinda proofread
Word Count: 3.5k
~
Your daughter’s tiny feet press against the back of your seat as you head home after picking her up from school.
“Mia, stop kicking,” You laugh, “Mommy’s trying to drive.”
“Sorry, Mommy.” Your daughter giggles. “I’m just so happy today!”
“I’m so glad you're happy, Baby.” You smile at the five year old in the rearview mirror. “What did you do at school today?”
“We got to draw all our shapes today and we sang the alphabet song a bunch of times!”
“Ooh sounds like a fun day.”
She claps excitedly. “Oh and Kylie’s older sister told us a fairytale at recess!”
“A fairytale? Very cool. What was it about?”
“Did you know a princess used to live here? A long time ago. She ran away with a pogue because her evil king father wouldn’t let them be together.”
Your eyes widen at her words, a small smile forming on your face as she tells the story that takes you back to what seems like a lifetime ago.
-
“Mom, I’m headed out,” you yelled through the foyer.
“Ok, hun.” Your mom poked her head over the stairwell. “Just don’t stay out too late. We have that business lunch with the Cameron’s tomorrow and it’s very important that you be there.”
“I’ll be back in a few hours,” you promise, “besides I’m just going to hang out with Sarah.”
“We just love that you and Ward Cameron’s daughter are friends. It looks so good for your father’s business for the families to be close. Especially with you set to inherit the company someday.”
With Ward Cameron being the biggest real estate developer in the Outer Banks and your dad owning the biggest construction company, the two men worked closely on most of their deals. They were also the closest thing to friends that either of the men had. The two richest men in the island made for a powerful team.
“Glad I can help you keep up appearances,” you muttered under your breath.
“What was that, hun?”
“Always happy to help the family.” You gave your mother a forced smile and made your escape, slipping outside and into Sarah’s waiting car.
“Ready to go see your man?” She grins at you and you return the gesture.
“God, yes.“
-
You hadn’t expected to fall in love with JJ Maybank. Considering the very different lives the two of you led it was surprising the two of you ever even crossed paths, but that was one of the perks of being Sarah’s friend. When she fell in love with John B and got involved with the pogues she dragged you along with her.
It wasn’t like you had anything against the pogues. In fact, you had admired them from afar your whole life. Their freedom and adventures were something you envied, forever stuck in your kook bubble. You didn’t have a choice but to follow the plan your parents had created for you.
JJ, on the other hand, hated kooks with a passion. He had a hard enough time with Sarah joining the group and when she brought you in, arguably the even bigger kook princess with the even bigger kook king of a father, he vowed to himself he would never accept you. After all, you represented everything he hated, the life he always dreamed of but would never attain.
He would sneer and call you “princess”, his voice dripping with disdain, doing everything in his power to piss you off, but you didn’t mind. You loved his passion and the way he would do anything to protect the people he cared about. You ignored his insults, treating him just as well as you would anyone else.
Before he knew it, your soft words and beaming smile had softened JJ. He began to actually look forward to your presence in the group, feeling sad when you couldn’t get away from your parents to spend time with them. Then, one day the two of you were the only ones to show up to a pogue hang out. You ended up spending hours just talking and getting to know each other. The rest was history and you had been together from that day forward.
Unfortunately, you knew that your parents would never let you spend time around a pogue, let alone be in a relationship with one. So, like Sarah and John B, you and JJ had to keep your relationship hidden. Thanks to the help of the pogues, the two of you had been successfully seeing each other behind your parents’ backs for over a year.
-
“I’ll be back to pick you up at 8:00,” Sarah reminds you. She pulls up to the little cove where you and JJ liked to meet. “We only have a couple of hours tonight because of that lunch tomorrow. Don’t want our families to get suspicious.”
You nod. “Got it. I’ll see you then.” You slip out of her car. “Tell John B I said hi.”
“Will do.”
She pulls away as you make your way around the rocks hiding the entrance to your spot.
“Hi, princess.” Your boyfriend grins at you in the orange light of the sunset, pulling you into a hug.
“JJ,” You breathe him in, soaking up the comfort he gives you. “I missed you.”
“I missed you too, baby. Four days without you is four days too much.” JJ leads you over to the blanket on the sand, sitting back so you can settle between his legs.
“I know. I’m sorry, I just couldn’t get away much this week. My parents are going crazy about this lunch tomorrow.”
“Aren’t they always crazy?” JJ jokes, poking your side. You squirm a little bit, trying to escape his prodding.
“I mean, yeah. They’re just extra crazy this week.” You settle further into his chest, JJ giving up his attack in exchange for wrapping his arms securely around you. He nuzzles his head into the side of your neck. “But, it’s okay because at least we have right now.”
“How long do we have until Sarah comes back to pick you up?”
You let out a sigh. “Two hours.”
“That’s it? Damn.”
“I’m sorry, J.” You look back apologetically, but he just shakes his head.
“Hey, don’t apologize. We just have to make the most of the time we have, like usual. It won’t be like this forever.”
“Right.” You give him a small smile, turning back to face the sunset before he can see the doubt in your eyes. You hoped JJ was right, but you had no idea how things would ever change.
As expected, your time together flew by too quickly and before you knew it Sarah was back to take you home.
JJ was reluctant to let you out of his embrace. “We’re still on for tomorrow night, right? After you finish up with all your kook business?”
“Of course, baby. I wouldn’t miss it.” You give him one last goodbye kiss, distracting him long enough to slip out from his arms. He pouts, but lets you go, knowing if it was your choice you would never leave.
-
You stare numbly at the wall, unable to will yourself to move from your position balled up on the bed. You aren’t sure how long you've been laying there looking at nothing. You didn’t feel anything, having cried out all your tears hours ago. A buzzing sounds from the other side of the room, your phone going off once again, but you don’t pick it up. It’s probably Sarah calling again to see if you’re okay after what happened at lunch. You’re not.
Having sat in silence for so long, you jump when you hear a rattling at your window. It takes you a minute to clamber over to the window with the lights out in your room. You hadn’t realized how dark it had become outside.
You peek out warily, trying to determine the source of the noise. “Shit.” You mumble under your breath as you realize JJ is perched in the tree closest to your room.
You unlatch the door so he can climb inside, turning away from him quickly. You’re thankful for the darkness in that moment as you scramble to make yourself look presentable, flattening your hair and wiping at your face. You pull down the sleeves of the massive sweatshirt you’re wearing, one you stole from JJ months ago, making sure you are completely covered.
“JJ, what are you doing here,” you whisper, “What if someone sees you?”
“I was worried about you. You were supposed to meet me hours ago, remember?” He sounds frustrated.
“Shit. I’m sorry. I totally forgot.” You run your hand down your face stressed. “I didn’t mean to stand you up.”
“You forgot? Y/N, I’ve been calling and texting for hours.” JJ moves closer, but you step back. “I thought something bad had happened.”
He takes another step back. Again you back away, trying to keep him from seeing your face. Brows furrowed, JJ moves towards you again. This time you can’t move away fast enough, bumping your dresser as you try to get away.
“Woah, wait.” JJ takes your face in gentle hands. “Have you been crying?”
“It’s nothing. I’m fine.” You try to pull away, but he doesn’t let you off that easily.
“Baby, what’s going on? Is it something I did?” The worry in his eyes brings a fresh wave of tears to your eyes. You shake your head, willing them not to fall.
“No, no. You haven’t done anything wrong.”
“Something with Sarah?” You shake your head again.
“Your parents?” That stills you. “It is your parents. What is it? Did something happen at lunch?”
You don’t answer.
“Talk to me, baby. I can’t make it better if I don’t know what’s wrong.” JJ’s voice is so sincere and his touch so soft. He really thinks he’ll be able to fix whatever the problem is.
You gather your strength and gently pull away from him, not wanting to see the look in his eyes when you tell him.
“My father and Ward Cameron have decided that it is in the best interest of their respective businesses for our families to be officially joined.”
“What on earth does that mean?”
You feel like you're going to be sick, but you force the words out anyway. “I am set to be married to Rafe Cameron.” You keep your eyes on the floor, waiting for JJ’s response. He stays silent.
“I had no idea they had this planned until my parent’s announced it at lunch.”
“What do you mean you’re marrying Rafe Cameron?” He tries to keep his voice calm. But you can hear the venom behind his words anyway. “You can’t just marry Rafe.”
“I don’t have a choice, JJ. They practically signed my ownership papers over to Rafe right there.”
JJ is pacing your room now, hands constantly running through his hair. “He can’t just do that. You’re an adult, Y/N. Tell him no.”
“I can’t tell him no JJ.” He stops in front of you, the look on his face half shock half anger.
“What are you talking about? You can’t just tell me that your father is marrying you off to Rafe and not even try to fight him on it.” You turn from his intense gaze, unable to handle it any longer.
‘Y/N-” JJ reaches for your arm to turn you around and you flinch back hissing in pain. Your sleeve rides up, revealing a number of dark bruises.
“I tried talking him out of it, JJ. He made it clear saying no wasn’t an option.”
JJ seethes, body tense with anger. “He hurt you.” It’s not a question which is just as well because you have no response.
“I’m gonna kill him.” He growls.
You lay your palms flat against his chest. “No, you’re not. We can’t make this situation any worse than it already is.”
“He can’t just get away with this!” JJ’s voice rises with his anger and you shush him quickly, looking back at your door.
“Please, Y/N.” His voice cracks on your name. “Things can’t just end like this.”
The pain in his words breaks your heart. You let the tears fall freely, unable to hold back the emotion any longer.
“I’m so sorry, JJ.” He cradles your face in his hands like he did at the beginning of the night. “There’s nothing either of us can do to change this.” JJ brushes his thumbs against your cheeks, brushing at the tears. “You should go.”
“No, Y/N.” He has tears running down his face too. “I can’t leave you like this.”
“Please, JJ. You have to go before something wakes him up. I don’t know what he’ll do if he finds you here.”
JJ’s eyes flit down to your wrists, taking in the bruises once more before he nods slowly. He won’t be the reason your father hurts you again. You lips press against his slowly, both of you pouring all the love you have for each other into the kiss.
“I love you,” you whisper against his lips.
“I love you, too. Always.”
With those last words, he slips back out your window, closing it quietly behind him. You watch as he climbs back down the tree and crosses the property. As he finally fades out of blue, you sink down to your floor, your knees unable to hold the weight of your body as it’s wracked with sobs.
-
You don’t leave your room for days. All you can do is lay in your bed and cry, mourning the loss of the man you love and the life you had planned.
If it was up to you, you would never leave that room. Unfortunately, your parents have other plans. They parade you and Rafe all over town, making sure everyone on the island knows the two of you are “madly in love” and engaged to be married in the spring. The whole pageantry of it makes you sick.
The cherry on top of the whole ordeal is the engagement party that you parents planned for the weekend. They rented out the whole club and invited every kook on the island. You’re pretty sure it’s your own personal hell.
Sarah pins one last curl to your head. “Done. You look beautiful.”
You give her a small smile that didn’t reach your eyes. “Thanks, Sarah.” You were dressed in a white sundress that your mother had bought for the party and Sarah had done your hair and makeup to perfection. The whole look was stunning, but you just feel like a trophy being shown off.
Sarah gives you a sympathetic look. “You ready for this?”
“No. But I have to be.”
It takes everything in you to keep a smile pasted on your face as Rafe takes your hand and leads you out to the throng of people. Everyone smiles and hugs you, offering their congratulations. You do your best to seem gracious and excited, but all you feel is emptiness and the faces move before you in a blur.
You make it two hours into the party before you can’t take it any longer. The panic that has been creeping up your throat all night takes hold and you have to break away. You excuse yourself from Rafe, claiming a need to run to the bathroom. He gives you a harsh look and makes you promise to hurry back, but ultimately lets you go.
You hurry away from prying eyes, not letting yourself break until you get inside. Chest heaving, you gulp down air like you’ve just run a marathon. One of your hands is pressed against your chest, the other braced against the walls to hold you up as you stumble towards the bathroom.
Before you can make it more than a few feet an arm catches you around the waist, pulling you into an alcove you had never noticed. You stumble back, trying to pull yourself together, not wanting whoever grabbed you to see your harried state.
“Hey, hey. It’s just me.”
Familiar hands rub up and down your arms, grounding you. You look up to see the blue eyes that you love so much.
“JJ,” you whisper, breaths still coming fast and hard.
“It’s okay, baby. Just breathe.”
JJ holds you close as you will your body to calm, feeling safe for the first time all night.
“What are you doing here?”
“I had to see you, talk to you.”
You sigh, looking at him with sad eyes. “As happy as I am that you’re here, you have to go. If anyone sees you. My father, or Rafe-”
“What if you didn’t have to worry about them anymore?”
“JJ, we’ve been over this. I can’t break this engageme-”
“What if we just left? You and me. Right now.” His eyes bore into yours, willing you to see the possibility.
You can’t act like you haven’t had the same thought yourself, but you just didn’t see how it would be possible. “How would that work, JJ? My father controls my whole life. My money, my future, everything.”
“You don’t need anything he has to give you, Y/N.” His voice is pleading.
“JJ…”
“We can figure it out. You have a degree, I have experience. We’ll get jobs. We’ll make it work.” He reaches a hand into his pocket. “I know I can’t give you a life like this-”
“I don’t want a life like this.”
“-but I will do everything in my power to give you a good life, to make you happy.” He holds up a simple, beautiful band of silver. “Will you marry me?”
You stare up at him with wide eyes. “Are you serious?”
“I’ve never been more serious about anything in my life. Say you’ll marry me. We can leave right now. I have a plan to get us off the island. Your parents won’t know until it’s too late. Just say yes, please.”
“Yes, yes.” You nod vigorously. “I’ll marry you.”
You rip off the gaudy ring currently on your hand and JJ replaces it with the silver band. He kisses you so deeply you think you see stars.
“I love you, JJ Maybank,” you whisper when you part.
“I love you too, Y/N Y/L/N, so much.”
You could stay in that moment forever, but you both know you don’t have time to waste. JJ begins to pull you to a side exit, but you stop him. There’s one last thing you have to do before you leave.
You find a piece of paper, scribbling out a few quick words and titling to your father.
Have fun explaining to the Cameron’s that your daughter ran off with a pogue
Y/N Y/L/N
You set the folded paper on the center table, placing Rafe’s ring next to it.
“Ready to get off this island?”
You grab JJ’s hand. “God, yes.”
-
JJ was right, the two of you figured it out. You both found jobs on the mainland and created a happy life for yourselves. You and JJ got married a few months after you ran off and Mia came along a few years later.
You had kept in touch with the pogues of course and they let you know when your father and Ward Cameron’s businesses had come crashing down, forcing the two men off the island. They had no power anymore, so eight years later you decided to move back to your home. People had gossiped at first, but they moved on to the next big thing when they realized that neither you nor JJ cared what they had to say. You wanted to be in the place where you grew up and fell in love, and you wanted Mia to be surrounded by the friends that you called your family.
Mia was just about bouncing in her seat by the time you got home. You hurried to get her out of her carseat so she could rush inside and see her dad. Friday’s were always her favorite because JJ got off work early and was already home by the time you brought her back from school.
She pulled you along by the hand as she continued on about her fairytale. “The evil king disappeared and they lived happily ever after.”
JJ scooped Mia up as the two of you entered the house, making the little girl squeal in delight.
“Daddy!”
“Who lived happily ever after, Mia-mine?” She giggled as he burrowed his face in her little belly.
“The princess and the pogue!”
JJ’s eyes met yours over Mia, giving you an intrigued look.
“Kylie’s older sister told her a fairytale at lunch about a couple that used to live on the island.” You tell him with a knowing grin.
“A fairytale? That’s awesome, baby.” JJ lowers Mia back down to her feet. “Hey, why don’t you go wash up and Mommy and I will make you a snack.”
“Okay, Daddy!” The little girl runs off happily.
You make your way to the kitchen, JJ coming up behind you and snaking his arms around your waist. “So the princess and the pogue, huh?” He smirks as you turn to face him.
“Who knew we’d become an OBX fairytale?” You reply.
“It makes sense. It doesn’t get much more ‘happily ever after’ than this. Right, princess?”
You give him a gentle kiss. “Right, pogue.”
~
Writing Masterlist
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sub!daryl headcanons
summary. what it would be like to have a subby daryl at your hands 🥵😭
warnings. smut obviously, hair pulling, aftercare, oral (both male and female receiving), face sitting, unprotected sex, ass slapping, saliva swapping, praising, teasing, finger and nipple sucking, pet names (and a little degradation), fluff
MINORS DNI (18+), I DO NOT CONTROL YOUR CONSUMPTION ON THIS BLOG 👻
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divider credits. @cafekitsune
he will literally do whatever you say, he is just pussy whipped and a lil’ obedient when it comes to you. all he wants is for you to praise him and make him feel better, and loved. being the submissive one in the relationship makes him feel so taken care of, and it’s something he’s never had before, and he is so appreciative that you’re willing to be his care and pleasure giver
pulling his hair always has him whining desperately, especially if you’re sat on his cock or stroking it when doing so. it just sparks some kind of feral control over him, and he’ll gasp and groan and beg for more, and it’s an easy way to grasp his attention if he’s distracted by his own thoughts or current ongoings
you’d tease his swollen cock, making the archer buckle beneath you as you hovered above him, as you’d line up his cock with your pussy. to make him even more desperate and more of a whimpering mess, you’d slip just the head in your entrance, pulling it out and sliding it through your folds, repeating the action. he’d be babbling for more, hardly being able to make out words as he’s near tears
he will eat you out for hours, until his jaw is aching and cramping, it is his favourite meal, no matter what mood he’s in. whether he’s feeling submissive or just lost, he sees it as his home. he buries his face in between your legs, desperate to please you, and he’d look up to make sure that he’s doing a good job and pleasing you
when you grab his hips, he feels so small (even if there is a size difference), he’d love it. it makes him feel safe and looked after, and he knows he can rely on you, to not only subside his hunger to feel pleasure, but in general. and he is addictive to seeing whether or not he has bruises on his hips, he loves to press his fingers down on them and feel the ache above his hipbone and remember all of the things that had lead to that. you also pin him down by his hips if he acts up whilst you’re having sex or being gracious enough to give him a blow job; it’s a reminder that you’re in control, and he loves that, especially considering how often he has to take charge out on runs with some of the idiots that have joined your community
it’s dirty, he knows it, but he loves it when you brush your fingers or one of your thumbs against his lips, sliding them in past them and ordering him to suck them. sometimes you’ll push them in farther, forcing him to gag on your fingers and he loves how breathless it makes him, and he can physically feel the tears prick at his eyes
if he’s a good boy, which he tries his best to be, you’ll comb your fingers through he’s hair, whether at the time he’s giving you oral or is laying on your chest after an exhausting session together. he loves to use your tits as a pillow, no big or small they are, and if he’s dazed or just feeling needy, he’ll begin suckling on your nipples, not only because he wants to but he knows that you’ll play with his locks
there are a fair few positions the two of you have tried, but you always end up going back to the same two that make you feel closer. cowgirl is the most often, where he can see your tits bouncing in his face and he can bury it in them, sucking on your tits and drooling from the pleasure, muffling his moans in your womanly globes. reverse cowgirl makes him feel so light headed, where he can see you using his fat cock, and you dig your fingernails into his legs causing him to whimper. if you’re in the missionary position, he’ll chortle in bliss, pounding in you as fast or slow as you want him to
kind of a repeat, but he loves loves loves to be praised, it makes his chest feel full of pride, and his stomach swarm with butterflies. phrases like ‘good boy’ make him feel appreciated and encourages him to keep up his good work. ‘dirty redneck’ is a term you save for when he’s practically salivating and unable to keep his hands from touching you. it makes him even harder than before, and it turns him on when you slap his hands away
bruising kisses that take his breath away are a must, he tries to kiss you more when his eyes closed, and although he should have realised that you’d have pulled away as you often do, he opens his eyes with annoyance, it’s as though sometimes you encourage his brat attitude . and so you bite his lip, nipping at it as though you’re threatening to draw blood
you cherish him all, and if he’s feeling particularly insecure, you’ll show adoration for his entire body, including his scars. you’ll lay him down on the bed, his cock pressing achingly hard into the sheets as you flutter kisses across the permanent lines in his back. whether they’re old or new scars, you’ll show love to them all the same, telling him how beautiful he is and how you are so lucky to ‘have a good boy like him’
it’s a reward, and he knows it. although he can’t help himself from acting like a starved man if you sit on his face, he’ll devour your pussy, wanting to taste you for as long as you allow him to, eyes flittering between your perfectly rested mound and your face, which is either unfocused and thrown back in pleasure as you use him, or glaring with integrity down at him, which would make his cock twitch with anticipation
if he’s feeling a little risky he will begin grabbing your hair, although he knows that he has been taught better by you. he’d earn a slap on the hand, or you’d curl your fingers tightly around his wrist with a vice grip, and he would freeze. and so in response you’d tease his cock and grasp the base of it tightly, causing his breaths to become stuttered
at times when he’s cock is filling you up amidst your instructions, your reach down and fondle his balls, playing with them to cause him to thrust in surprise inside of you. again, it was just another reason for you to scold him, and you’d grasp his ass cheek, slapping it, and although he tells you he despises it his lies slip through as he moans in pleasure
he was is thirsty submissive, and he’ll open his mouth before you’ve even asked him to, awaiting for you to spit in his mouth. and you would, and he’d hold your saliva inside of his mouth until you commanded him to swallow. he’d be on his knees with an open mouth, just patiently waiting because he knows you can’t say no to that particular desire of his
when you’re feeling horny, you’ll take him as you please. you’ll shove him against walls, on the bed, or any surface that will do. you’ll pin him wherever, just so you can feel in control of something. he knows to oblige without refusal then, even if it makes things difficult, such as when you caress his jean clad cock whilst you’re seated behind him on his bike, and he has to pour all of his focus into not veering
caressing his cheek after he’s cum is almost like a ritual, his cheeks are flushed from the heated blood that has become pigmented on his face, as he huffs to catch his breath. he’ll go all dosey, as he leans into your touch, although he always holds off from cumming until you tell him to
he’s a moaner, shattered versions of your name will escape his lips. hell even mumble it when you’re in the shower, the spray of water falling on you both, even if you aren’t having sex in there. you’ll douse him in body wash if you were lucky enough to find some on a run, rubbing his chest and back and removing the sweat that has smothered his body. and you’ll gently clean his cock, causing him to heave out high pitched whimpers from the overstimulation but he loves it
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kamaluhkhan · 2 days
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COMPLICATED
LUST — part iv of we'll write sins like tragedies
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pairing: luke castellan x nemesis! reader (afab) word count: 8.9k summary: the lives of demigods are never simple. why would your relationship with luke be any different? or: four moments of tension + one moment of release. featuring a trip to montauk with percy, grover, and annabeth warnings: a decent amount of reader backstory (mention of dad having cancer); multiple POVs (percy, grover, annabeth, luke, reader - obv nothing suggestive/smutty until luke and reader POV); luke + reader get into arguments and are v stressed so their relationship is a bit strained; reader has tattoos; reader is on birth control; rough smut (protected + unprotected p in v, oral f+m receiving, biting, scratching, slight choking, slight breeding kink, etc...); also slight dark + possessive luke! (18 + MDNI); major angst — we all know how this story ends ;( author's note: this was meant to be a blurb but...here we are! this is basically another chapter of my spill ur guts series lol. i've been gone for much longer than i planned to, but hope u enjoy possibly the angstiest, smuttiest thing i've written so far ♡
♪ "complicated" by avril lavigne
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i. 
in the span of a few minutes, percy went from pure joy — being greeted with cheers from all the campers was great, sure, but truthfully the hug from annabeth alone sent him to elysium — to feeling like his heart dropped all the way to tartarus.
which is definitely not a place percy ever wants to visit again. he was happy to be back at camp with his friends, knowing that his quest was completed, his mom was safe in new york, and a war between the gods was prevented.
it should be over….but there’s something in the back of percy’s mind that’s telling him it isn’t. seeing a certain someone in the crowd earlier didn’t do anything to ease that feeling.
"can someone explain to me why clarisse is still here?" 
you raise an eyebrow at luke, and he shrugs in response.  it seems neither of you had decided who should break the news, and neither of you seem particularly excited to do so, even after dragging percy, along with annabeth and grover, into the empty hermes cabin for some privacy.
after another beat of silence, you take the lead.
“look, kid, i know you and clarisse got off to a rocky start —”
“she tried to drown me, and then basically kill me during capture the flag,” percy points out. he hears an ocean roaring at the memory, but that could have also been from his duel with clarisse’s dad, the god of war, more recently.
a duel that percy had won, for the record. luke trained him well.
“and i’m not defending that,” you clarify. “i’m just saying that we’ve known clarisse for much longer. she’s not perfect, maybe a bit aggressive sometimes — trust me, she and i have had some major disagreements, too — but i can’t see her doing something like this.”
“why would anyone at camp want to steal the bolt? to join kronos’ army against the gods?” annabeth wonders. to herself or to the group, percy isn’t sure, but he has a feeling that the wheels in her mind are turning.
“revenge, maybe?” grover suggests. 
almost instinctively, grover glances at you, and so does annabeth. percy wants to kick himself for doing the same. 
with you being the daughter of nemesis, he imagines that it's not the first time you’d been blamed for something just because of who you are. it’s a feeling percy knows all too well. and, for better or for worse, like percy, it seems like you’re not one to accept these things without a fight.
you straighten your shoulders, ready to snap back, but before you can, luke declares:
“it’s not her.”
he then knocks the toe of his shoe against your combat boot. you smile and return the gesture. the tension eases out of the room.
for a second, percy wonders if he’ll ever have someone like that: someone to defend like it’s second nature, to share that sort of secret language with, to smile at him like nothing else in the world matters. 
according to annabeth, the two of you weren’t technically dating — but percy is pretty sure that aphrodite is swooning over you. 
“see, grove? if camp half-blood’s golden boy can vouch for me, then i’m in the clear.” your tone is playful enough — no hard feelings — but the tips of grover’s ears still turn red. “i didn’t steal the bolt. sure, the gods and titans can tear each other apart for all i care — " 
annabeth stiffens at your bold statement, and grover starts to nervously chew on an empty diet coke can he had stashed in his pocket. luke watches you with the hint of a smile on his face, and percy —
well, percy can’t help but admire you even more. 
"— but it's everything else that i have an issue with.”
“everything else?”
you look at percy like the answer is obvious. 
“when have the gods ever fought their battles without us as collateral damage? doesn’t seem worth it to me, to betray my friends.” 
that itch in the back of percy’s brain gets harder to ignore.
“the oracle warned me, betrayed by a friend.” 
“prophecies don't always come true,” annabeth reminds him. “at least not in the way we expect them to.” 
“annie is right,” luke adds, nodding at his sister. “mine didn't. the oracle said i would die a hero.” 
you turn to luke then, your eyebrows furrowed. 
“what? you never told me that.” 
“it doesn’t matter,” luke insists. “my point is that i came back from my joke of a quest, alive and a definitely not a hero —”
“fuck what the oracle said.” you roll your eyes. “dead or alive, you are a hero, tiger.”
you move to place a hand on luke’s arm. to percy’s surprise, though, luke brushes you off.
“i’m not a hero. at least not the one my dad expects me to be.”
again, percy is taken aback by how luke snapped, at you of all people. you huff, and percy can tell that you’re a bit agitated now, too. 
“okay, but that doesn’t mean —”
“my point is.” luke turns to percy, effectively blocking your presence for the time being. “you completed your quest, fought a god, and stalled kronos’ plan. you’ve been through it — all three of you have — but now you’re back. let’s just enjoy the rest of our summer, yeah? whatever happened out there, whatever the oracle said, it’s in the past.”
percy wants to believe luke, he really does. one glance in your direction, and it seems like you do, too.
deep down, though, percy isn’t entirely convinced. there’s that dread in the pit of his stomach, that voice in the back of his head. something in him, warning that this isn’t quite over. the worst has yet to come.
he wonders if — or maybe just hopes — you feel the same.
ii.
if you of all people can’t get luke’s attention, grover is pretty sure that the world is ending.
“luke,” you try again, foregoing your usual nickname for him. your arms are crossed and you tap your foot against the floor. it makes grover slightly anxious, feeling your frustration threaten to boil over.
“i’m busy,” he grunts, and flips over another page, scribbling something on the other side. 
“grover wanted to talk to us about something.”
“i-it’s fine, we don’t have to —”
“no, it’s a good idea, grove,” you insist. you smile at grover then. he remembers that, despite the deadly glares you can deliver, like the one you were just giving luke, you have a gentle core. you just guard it behind sharp edges. 
“tell him that i’ll talk to him later.”
“or, you could tell him yourself,” you huff. grover waves awkwardly, even though luke doesn’t realize what’s happening. “he’s right next to me.”
luke looks up briefly, and then back down at the pages in front of him just as quick. he looks tired, exhausted even. 
“sorry, man. didn’t see you there. i gotta finish these reports.”
“no worries. i tend to be quiet on my hooves.”
in the moment of silence that follows, and with luke still not giving you the attention you’re asking for, you walk over to the desk where luke is working. what you see seems to make you even more annoyed than before.
“these reports are for september. why in the name of nemesis are you filling them out now?”
“i just want to be prepared.”
“prepared for what?”
luke hesitates. “just….the future.”
“oh!” you laugh, sharp and sarcastic. “i didn’t realize that the future required you to neglect your friends.”
“i’m trying to help my friends,” luke huffs. he taps his pen impatiently against the desk. “if you didn’t keep interrupting me —”
“oh my fucking gods — ”
grover watches the two of you argue. it had been easier to step in whenever something bubbled up between annabeth and percy, because they were just kids. but you and luke — you were adults. 
when grover met luke for the first time, he was already taking on way too much responsibility for a kid — keeping thalia and annabeth alive, protecting them from monsters, taking care of them. in a lot of ways, those responsibilities didn’t go away: as a senior counselor and resident older brother, a hero for the older campers to admire and the younger kids to aspire to be. camp half-blood’s golden boy, as you liked to call him. 
and, like you, luke is good at hiding. for him, its heavy burdens behind easy-going smiles. 
lately, though, those smiles seem to be strained, his shoulders slowly bending under the weight of it all. the other day, grover asked you if everything was okay with luke. you had looked back at him sadly, shrugged, and said you didn’t know.
that’s when grover decided that everyone just needs a break — an escape. he had been sensing that things weren’t quite right with the others, too. percy seems a little on edge, and so does annabeth.
then, of course, there was you and luke. finding out that the two of you had actually started dating was huge news for someone like grover who had painstakingly watched the two of you dance around your feelings for years. so, it was more than a little weird that you’d barely been speaking this past week. the rare occasion you did was tense at best, and explosive at worst. 
like now, when you pick up one of the reports luke was working on, and threaten to burn it. luke dares you to do so, even suggests, albeit sarcastically, that you use it as your next offering to the gods. 
“oh, a handwritten document from luke castellan himself? they would love that,” you snort. “admit it: you’re doing all of mr. d’s work just to suck up to some gods who don’t even give a shit about any of this. you’re practically olympus’ lapdog.”
luke, blushing a furious shade of red, gets up and yanks the paper from your hand.
“at least my parent is important enough to actually have a seat on olympus and an actual cabin for his kids to stay in.”
you look like you could just about throw luke into a fire, and vice versa. grover had never seen the two of you like this, but it made sense: each of you knowing just where, and how, to hurt the other.
and, he thinks it’s about time to step in before the damage is irreversible. so, grover starts slowly clapping. the clapping gets faster, and he manages to get through the first few lines of the consensus song before you stop him.
“alright, alright,” you sigh. you push past luke, steal his chair, and put your feet up on the desk. luke scowls at you, but you put your hands up in surrender and jut your chin out towards grover. “just listen to what grover has to say and then we’ll let you get back to your precious reports.”
grover tells luke his idea. luke actually agrees, and grover can’t help but feel a little bit of a victory. 
he’s a protector, after all. it’s his job to make sure you’re all alive and happy and thriving. and not burnt to a crisp over some petty argument.
iii. 
annabeth had missed home when she was away on their quest, but being back and seeing everyone being taught to worship the gods without question, to believe that the only things that matter are power and glory….well, after everything that happened, after percy, annabeth can’t just go back to doing the same. at least not entirely. 
all this to say, she was totally on board with grover’s idea: the five of you, renting a cabin in montauk to get away from camp for a bit.
unfortunately, the trip starts off less than ideally. you and luke bicker the entire way here — and not the playful jabs you usually throw at each other. 
annabeth remembers the first time she saw you together. it was during breakfast, their first morning at camp half-blood. annabeth had spent the night trying not to cry over thalia, and already missing luke even though he was only a few cabins away. she was still a kid, surrounded by strangers, told that she was safe now, but didn’t quite believe it yet. one look to luke at the hermes table, and annabeth could tell he felt the same way, too — not quite settled in this new place that was supposed to be home, and with these people who were supposed to be family.
she watched as the hermes table went to burn offerings to the gods. when they sat down again, luke looked even more unsettled than before.
but then, you leaned in and whispered something in luke’s ear, and he actually laughed, just a bit, which was a nice change of pace. luke was always the one making annabeth and thalia laugh when they were running from monsters, always the one trying to keep everything together with a smile or a joke.
as she devoured her breakfast, annabeth couldn’t help but keep glancing at the two of you. she heard warnings from her half-siblings, about your mother being the goddess of revenge, and you living up to that name. 
luke either didn't know, or didn't care about whatever reputation you had. sitting there, next to you, annabeth didn’t think she’d ever seen luke so, genuinely happy, so at ease.
all these years later, neither you nor luke seemed particularly happy. you’re obviously avoiding each other, and annabeth doesn’t understand why.
you and luke are a new puzzle that she can’t wait to solve. 
annabeth had finished constructing the most elaborate sandcastle in history, just for percy to accidentally splash it when he was trying to surf a wave; so she decides that playtime is over. it’s time to figure out what exactly is going on between you and luke.
luke is in the cabin doing gods know what. you're on the deck painting your nails, so annabeth decides to start gathering information from you, first. 
“hey." you finish painting your pinky a dark purple, and set the bottle down next to you. "having fun?”
annabeth nods once and sits next to you. she asks if you could paint her nails, and you pull out a bottle of silver polish you said you thought she might like. 
as you work, careful with each stroke of polish, annabeth surveys the tattoos on your skin. you’re wearing a bikini top, so there are some that she’s seeing for the first time. there's one of a knife on your sternum, and annabeth distinctly remembers seeing a similar one peeking from underneath the collar of luke’s shirt. she wonders when you got it, if you had to travel to a tattoo parlour in the city, how many other adventures you'd gone on without having to consult the oracle beforehand. 
maybe that’s a good place to start. 
“have you ever thought about leaving camp? like, long term?" 
"sometimes," you admit. "it would be nice to have some normal early-twenties experiences."
"would you go to school?"
you smile as you keep painting annabeth’s nails. “maybe. i might have seen legally blonde too many times, but i think about law school sometimes.” 
“what about luke?”
your smile fades at the question. “i...i don’t know." your once precise nail-painting falters, and you mumble a curse when a drop of silver lands on annabeth's skin. you swipe it away before continuing. "luke's one of those people i can't really see away from camp half-blood for too long; pretty sure it would burn down without him. there's a reason he feels responsible for everyone there...in a way i respect, obviously, but, it's not the same for me. nobody needs me."
"luke needs you."
you sigh, and annabeth wonders if you even realize how you shake your head slightly. she thinks you're about to disagree with her, but instead you ask: 
“what's this about, annie? are you thinking about your dad’s offer?”
and annabeth’s completely thrown off her line of inquiry. 
“how did you —”
“perce told me that you’ve been talking about staying with him for the year,” you explain. you gesture at annabeth to give you her other hand, and she complies. the silver polish on the hand you just finished glitters in the sun. 
“well, nothing’s confirmed.”
you look up at annabeth, one eyebrow raised. “it's okay, you know — if you just wanna….be a kid for a bit.”
annabeth is silent, prompting you to ask another question.
"what's holding you back?"
“well….at first, i thought it would be a definite no,” annabeth admits. “obviously, it didn’t work out last time. i don’t know if i want to risk it again — if i can trust him, you know? how do i know he actually cares —  that he’ll be there for me when i need him?”
“you don’t.” you pause for a second. “but i’m gonna tell you a story that i think might help.”
you're done painting her nails, so you put everything away. you sit cross-legged next to annabeth, looking out at the ocean.
“my dad never wanted me to go to camp. he wanted to raise me in the city, just like he’d grown up. he’d take me to rock concerts all the time. i was so young, he’d make me wear earmuffs and carry me on his shoulders so that i could still see the band.” you smile softly at the memory. “and then….my dad got sick, he couldn’t take care of me, and monsters started to show up, so he brought me to camp for safe keeping." 
"you've told me all this," annabeth remarks. 
you start fiddling with your camp necklace. annabeth isn't used to seeing you so unsure, so nervous; it throws her off even more. 
"what i haven't told you is that even when my dad got better, he….he didn’t give me a choice of where to stay.”
"oh," is all annabeth can say. 
“yeah, oh," you scoff, but there’s not really any malice behind it. you seem…sad. defeated, almost. your fingers move to play with the hem of your shorts, which causes the fresh nail polish to smudge. you don’t seem too concerned about that at the moment, though. "i told everyone that i chose to stay. the truth is that i stayed because my dad didn't want me anymore. he said that the universe gave him a second chance, so he wanted to live his life without having to worry about monster attacks or taking care of his teenage daughter."
annabeth wonders if luke knows the truth about this; though, considering how difficult it seems for you to admit, she doubts it. 
before, annabeth had a theory that you decided to stay at camp because of luke.
luke was away when you got the news that your dad was in remission. annabeth remembers how happy you were, how excited you were to be back in the city and living with your dad again. you started packing right away.
when luke came back from his failed quest, you had just gone into the city the day before, having promised to visit in the summer and stay in touch. someone – chris maybe, or beckendorf — must have called you, told you what happened, because you came back to camp right away, your bag still fully packed. you never left again. 
"that sucks."
“yeah.” you let out a hollow, breathy laugh. “and, i was angry at first. of course i was. but now, i don’t know. i think that maybe my dad does care about me. like, he still sends me mixtapes with old punk rock songs he thinks i’d like. he actually calls me on my birthday, and we have a 3 minute conversation about nothing important." 
"right…" annabeth furrows her brows. this conversation had definitely not gone as planned. "no offense, but what's —"
"i'm getting to the point," you tell her, bumping your shoulder against hers.  "i realized that sometimes people can only love us in a way that works for them — and it sucks. it really, really sucks. but then sometimes…. sometimes people do actually try. and, i don’t know, it seems like maybe your dad is willing to try.”
“so you think i should take him up on his offer.”
the sun starts to set. you get up, brush sand off your legs. 
“i think it's time for a swim. i also think that you’re smart enough to know what’s best for you, and who deserves a second chance. just know that whatever you decide — we’ll be there for you.”
you leave without another word, but with the return of your usual confident smile, off to the shore to take advantage of the last bits of daylight. 
"she's right, annabeth." luke appears a few seconds later, takes the spot next to annabeth you had just occupied.
annabeth hums.
"how much of that did you hear?" 
luke doesn't answer. he just stares at your form, disappearing in the distance and diving under the waves.
iv.
you clear your throat and luke turns around to see you freshly showered. you’re wearing a pair of shorts and one of the oversized band tees the two of you constantly exchange. you've lost track of whose is whose at this point.
luke resists the urge to shamelessly check out your legs, and turns his back towards you once again. that bikini top you were wearing earlier was bad enough. thankfully, the heat from the stove was enough to cover up his blushing cheeks at the sight of your exposed skin. 
“i thought we were ordering pizza,” you say, moving to peer over his shoulder, chin hovering just above. luke had the sense that you were avoiding physical contact, and as much as it drives him crazy, he knows that he’s the one who’d dug his own grave. pushing you away and whatnot. 
“didn’t know that you knew how to cook.”
“not much,” luke shrugs. he keeps stirring the vegetables — broccoli and carrots and baby corn. he’ll add the red peppers once the broccoli turns green so that they don’t become too soft. he’s pretty sure that’s how he remembers it going.
“i could have helped you.” you reach over and hand him the peppers right on time. you shift to lean your back against the counter next to the stove, arms crossed over your chest and eyes following luke. 
luke throws in the chicken he cooked earlier, and then the sauce he had also mixed. he waits a few seconds, lets the sound of everything sizzling fill the space between you. 
“it’s an easy recipe.” luke turns off the stove to punctuate his point. 
and it had to be. something quick he’d make with his mom after she had one of her episodes, before waking up and realizing that she had a son to feed. the sounds, the colors, the smells — it all, overwhelmingly, reminds him of a childhood he once had. one that was never as simple as the food he just made.
none of the bitterness in his throat is caused by his mom, of course. just his father who calls himself a god, and left them both alone to fend for themselves. 
you start getting out plates from the cupboards as you ask: “where are the kids?”
luke checks the pot on the stove to see if the rice is cooked. “told them to go rent something from the video store.” 
“they went alone?”
“they’ve literally been to hell and back,” he replies and sits down at the table. “i think they can handle a blockbuster.”
“i don’t care if they get attacked by monsters,” you state, setting down the last plate in front of him. “i know they can handle themselves. they just better choose a good movie.” 
luke doesn’t mean to snort, but he can’t help but remember all the arguments you’d gotten in with chris over your tastes in movies. 
 “don’t laugh, castellan. i’ve saved movie night on more than one occasion and i’ve never gotten so much as a thank you.” you roll your eyes, but luke notices the ghost of a smile.
it fades just as quickly as it appeared, and luke already misses the small moment of levity that’s passed. 
“what’s been going on with you, tiger?”
you hold his gaze, and luke knows that you’re hoping for a real answer, for the truth he can’t give you. 
“nothing,” he answers instinctively. 
“don’t give me that,” you sigh and turn away from him, returning to your position against the counter. 
“i said it’s nothing,” luke insists, a bit more assertively. “why can’t you just believe me?”
“because you’ve been distant, moody.” your tone is sharper now, too. “you’ve been avoiding me. you’ve barely been eating. the side of your bunk has been empty, which means you haven’t been sleeping, either. gods, i can’t even remember the last time you kissed me —”
“you’re really mad at me because we haven’t fucked?” 
it’s a low blow, and he delivers it as if he hadn’t missed seeing you underneath him. or on top, or beside. luke isn’t picky. 
“you’re impossible!” you groan, and cover your face with your hands. you take a deep breath  before returning to glare at luke. “do….do you not want to be together, anymore? because if that’s what’s happening, i’ll survive. we can go back to being friends.” you clench your jaw to make up for the tremble behind your question. always a tough face, even in the face of potential heartbreak.
of course, luke knows you’ll be fine without him. he’s the one who might have difficulty surviving when you part ways.
“that’s not —” luke sighs and runs a hand through his hair, avoiding your gaze. “that’s not it.”
“then what is it?”
“noth—”
“i will send you to elysium if you tell me it’s nothing one more time, because i know it’s not!” you’re shouting now. “i might not know what it is, but i know you well enough to tell that something is bothering you. so i’m asking you, one more time, what is going on?”
the thing is, luke can’t tell you — about what he’s done, about who he’s aligned himself with. he can’t lie to you, either, at least not to save his life.
so, he’s basically stuck in whatever the greek mythology version of limbo is. 
for now, he’s saved by percy, annabeth, and grover, who walk in with a stack of DVDs and armfuls of movie snacks. 
dinner is fine, especially with the kids providing a good enough buffer. luke even catches you smiling and laughing along with them a few times. you approve of their choice in movies, starting with mulan. it’s one of luke’s favorites, too, but he can’t help but let his attention wander. 
the two of you have known each other for a long time. luke has felt your anger. he’s felt your frustration. you’ve been on opposing sides of explosive arguments, of brutal sparring matches. 
but, despite everything, luke’s never been hated by you. it’s unavoidable, given what he’s done and the path he’s on; it's just not something he's particularly eager to feel.
working for kronos….luke won't pretend he regrets it. something had to be done, to take back the poisonous world the gods created. 
he did it for you, even if you won't understand.
he'd do anything for you.
so, for now, he’s willing to endure the daggers you stare at him from the other side of the couch. 
v. 
in another life, you might have taken advantage of the queen bed and private room. both hard to come by at camp half-blood, if you’re not willing to risk zeus’ wrath for the latter.
gods, it feels like forever since you and luke snuck into cabin one because couldn’t keep your hands off each other, curses and lighting strikes be damned. 
you almost wish lightning would strike — at least then the bed would be warm. 
“i can feel you being mad at me,” luke whispers. 
“sorry, thought you’d already be gone by now,” you respond, sarcasm dripping through your words. “off to see whoever else you’d rather sleep with.”
“so, you are mad because we haven’t fucked in a while.”
a stupid slip of the tongue. you can practically hear the smirk in his voice, and your entire body feels on fire for giving him any leverage on you. that was definitely not the warmth you were hoping for. 
“whatever,” you mumble, shuffling closer to the edge of the bed, your back still towards luke. 
for the record, you’re mad because of whatever distance luke was forcing between you, or whatever wall he was putting up, for a reason you don’t understand. you’d always known luke well, but lately you haven’t been able to read him. 
and, sure. maybe you are…. frustrated. the two of you hadn’t been intimate in a while, yes, and your fingers are nothing compared to luke’s, but more than that: you just miss actually feeling him close to you. in any sense. 
you’re not sure how much time passes, and there’s nothing but silence. then, you hear his voice again, gentler than before, no cocky attitude laced through. 
“you never told me about your dad.”
ugh. of course, luke had overheard your conversation with annabeth earlier. damn those sly hermes’ genes.
you stay silent to give off the illusion that you’d fallen asleep, but luke doesn't fall for it. 
“we’ve shared a bunk for years, karma. i can tell when you’re not sleeping.” 
you pause for a few more seconds, but you know that luke is persistent.
“it didn’t matter,” is all you offer before he asks again.
“it did,” luke insists. “why didn’t you tell me?”
“it’s not like we tell each other everything,” you scoff. “like, why didn’t you tell me about that prophecy? and why won’t you tell me whatever’s going on with you now?”
“that’s….that’s different.” 
“not really. i bet that it’s all for the same reason.”
“which is?”
 you debate telling luke the truth. 
it was no surprise that you had a certain reputation around camp: cunning, hot-tempered, brash. you were fine being the angry girl whose mother wasn’t enough of a god to warrant a cabin, but enough of a threat to be wary of. you didn’t want to be the one who was also dropped by her father, unwanted and too much of a burden. so, you swallowed the reality of the situation; pretended that nothing broke your heart, and that nothing ever would.
“i didn’t want you to look at me differently,” you admit. 
another pause, this time from the other side of the bed. 
“if it makes you feel better, i was glad that you stayed.”
you can’t help it; you let out a sardonic laugh.
“that’s not much of a comfort, since you haven’t seemed very thrilled with me lately.”
“that’s not….” luke falters. “i just mean that i don't know who i’d be if you left.”
in spite of the situation, the ongoing tension between you, you find yourself smiling. 
“always so dramatic,” you tease.
deep down, you know you’re not much better.
luke was part of the reason you might have stayed at camp, anyways. he was the reason why you didn’t fight harder to get back to your old life, and you always did like a good fight.
it was scary though, that one person had so much power over you and didn’t even know it. you tried to convince yourself that you stayed because luke had needed you, after his quest and everything. but, once you’d known how it felt to have luke in your life, you didn’t want to go back to a time you didn’t. 
truthfully, it still scares you.
“i don’t like fighting with you,” you admit softly, swallowing a lump in your throat. “especially when i don’t even know why we’re fighting in the first place.”
you wonder if you’d just thought that instead of saying it out loud because luke doesn’t respond, until you hear the sheets behind you shuffle, and feel luke position himself behind you.
"i'm sorry that we're fighting. it's my fault."
he settles a tentative hand on your exposed hip, where your shirt had ridden up. luke starts to trace circles onto your skin with his thumb, the way he sometimes does when he's nervous or having a bad dream.
"i’ve just been so….in my head. i don't want you to worry about what's going on with me, okay?
"luke —"
"i have to sort it out on my own.”
"you don’t, though,” you insist. “if you just tell me what’s going on, instead of pushing me away.”
another pause. you can feel him breathing down your neck, and in turn you inhale the spicy citrus of his body wash. it’s all so excruciatingly familiar as you wait for him to say something, anything. 
eventually, luke sighs, deeply, and confesses:
"it's just….we've known each other for so long, but this — us? so much of it is new. i don't want to fuck it up." 
"well, congratulations," you quip. "you're one step closer to getting there."
you meant it as a joke, something to lighten the mood, but you feel luke stiffen at your words, his grip on your hip becoming almost painfully tight as if he's worried you'll slip away.
"i'm kidding, tiger." you weave your fingers through his to loosen his hold on you, and reassure him even more that you're not going anywhere, any time soon. "for better or for worse: you’re mine, and i'm yours. no matter how much either of us might fuck it up."
luke shuffles closer, and you melt into him even more. 
"do you really mean that?"
his voice is soft, surprisingly timid. you crane your neck back to look at him; luke stares at you, his gaze heavy enough to take your breath away. 
“of course.” 
you're so close, and you hadn't been in so long. luke's leg is somehow lodged in between your thighs, and you bite back a whimper as he brushes against you. you feel him behind you, already half-hard, and you rub your ass against him slightly, causing a groan to vibrate through his body. 
neither of you have to do much to crash your lips together.
you can sense how luke’s been unraveling, from the kiss alone. his lips are chapped, rough against yours and already bleeding from the pressure; his stubble scrapes against your cheek, and you’re dizzy with anticipation, imagining how it will leave a stinging sensation on other areas of your skin when luke has his way with you later. 
for now, you focus on your mouth on his: teeth clacking together, your tongue laving over the cut on luke’s bottom lip and tasting copper. luke brings a hand up to your jaw, pushing you into his mouth even more. 
it’s like the first time you kissed. all consuming. messy. urgent — like you've already run out of time. 
eventually, you have to pull yourself away from his grasp, your neck straining at the uncomfortable angle. luke takes the opportunity to suck bruises onto your neck while he presses his thigh harder against your cunt. he slips his other hand further underneath your shirt, cupping your breast and pinching your nipple between his fingers.  instinctively, you start rutting against him. 
“f-fuck,” you groan, relishing in the muscles of his naked thigh underneath you, defined and strong. 
luke chuckles, and you feel his breath warm against your skin. 
“you missed me that much, hm?” he taunts, encouraging you to go faster, harder. “you’re gonna cum before i even have a chance to undress you. doesn’t seem fair to me.”
“who —” your breath catches when luke’s hand settles around your throat, pulling you impossibly closer to him. you feel the outline of his abs against your lower back, and his length, hard and waiting. it’s difficult to finish your thought, but you try your best. “who says i only have to cum once?”
“that sounds like a challenge,” luke decides. “what’s our record — three? think we can beat that tonight?”
you laugh, already out of breath. “i think we can do it.”
“good girl.”
your thighs clench at the nickname, and it's one down, a few more to go. 
you maneuver luke so that he lays flat on the bed, your legs on either side of his hips. your hands fumble with the edge of his shirt, and he lets you remove it without any more hassle.
it's a little ironic, really, how much you and luke hate the gods — because looking at him underneath you, you're sure that something divine must have created him, and you have to thank them for it. sharp jaw, deep scar, flushed cheeks; curls slightly askew, and skin glistening with a thin sheen of sweat; that cocky smile — you'd worship luke castellan over any of the olympians. 
secretly, of course, you pretty much already do.
"like what you see?" luke smirks up at you, hands firmly on your ass.
you roll your eyes to save face. "come on, tiger, like you're not seconds away from tearing through your boxers." 
luke clicks his tongue, locks his calf around yours to switch your positions. you grunt as your back hits the mattress, but you very much appreciate the force and weight of luke above you. he practically rips off your shirt, then starts to nip and suck down your body. he kisses the fabric still covering your cunt, and you can feel his chuckle vibrate through your body when he encounters the wetness there. 
"i'm not the one who already ruined their underwear," luke teases as he finishes undressing you. he pauses at the sight of you, bottom half completely exposed. you're about to tell him to hurry the fuck up, but then luke spits onto your already soaked cunt and says: 
“i need to clean you up, baby.” he gives you another cheeky grin, teeth glowing like the cheshire cat, before diving in.
luke is skilled at everything he does, so of course he's quick to unravel you once more, this time with a persistent combination of tongue and teeth, lapping at your cunt like it's his last meal. 
as soon as you're done riding out your high, you yank luke by the leather cord around his neck to collide your lips with his again. 
you reach down to return the favor, snake your hand underneath the fabric of his underwear, and you're deeply satisfied to find him already sticky with his release.
“you already finished,” you tease, stroking his v-line. "and ruined your underwear without me even touching you." 
in the dim light of the moon, you can barely make out luke blushing. he hides his face in the junction between your neck and shoulder. 
“guess we’re both desperate, huh.” luke’s teeth graze your skin, his curls tickling your neck. “i need to be inside you, now, so how about you get on your hands and knees for me? i’ll get the condom.”
sometimes, luke tries to be gentle — but not this time. 
this time, he fucks you, hard and fast and deep. 
you love it, even if you might not be able to walk properly tomorrow.
with so much power behind each thrust, and the overwhelming pleasure, your arms threaten to give out, but luke catches you before you fall. he wraps a hand around your neck, bringing you flush against his chest as he continues to plunge his length into you. 
"listen to me," luke growls. he snakes a hand down to rub harsh circles on your clit. "the one thing the gods did right is make this perfect, tight little pussy of yours. you were fucking made for me, weren't you?" 
all you can do is whimper, closing your eyes at his filthy, sinful words. 
you aren't used to luke being so possessive, and certainly not in these past few weeks. it's making your head spin in the best way. you can feel your orgasm build in the pit of your abdomen.
"were you made for me?" luke asks again. he squeezes your neck slightly, and you gasp at the pressure. "answer me, or i'll stop." 
you don’t think it’s likely he’ll stop; you’re sure he’s just as lost in the sound of your cunt squelching and the feeling of you sucking him in. but, he does slow down, only a little bit, and it's enough for you to start whining.
"y-yes, luke."
"are you mine?"
you don't answer fast enough. luke stills his hips completely and you almost burst into tears.
you moan, trying to move against him in vain. luke keeps a firm grip on you, making it hard to cause any sort of friction between your bodies.
"i'm yours," you promise.
luke plants a firm kiss behind your ear. “that’s my girl,” he whispers darkly.
satisfied, luke resumes his pace. he moves the hand around your neck to your chin, angling you accordingly so he can crash his lips onto yours. 
it doesn't take long to feel the tension in your abdomen snap, wetness gushing out of you. exhausted, you collapse onto the mattress. luke slips out of you.
the next few seconds consist of you trying to bring yourself back down to reality after such a high. 
luke turns you around just to face him as he hovers over you. he lodges his hand behind your ear and taps your cheek to get your attention. your eyes flutter open.
“did you just —” 
the dampness between your legs, and on the sheets underneath you, is enough evidence: you just squirted.
"i….” you gulp, feeling yourself flush. “i’ve never done that before."
luke stares at your glistening cunt. you wonder if you should be embarrassed, but then he locks eyes with you. you've never seen them so dark, pupils almost fully blown, just a sliver of brown showing through.
"you’re so fucking hot."
your heart flutters. 
“you’re not too bad yourself, tiger, or i wouldn’t be in this mess.” you wink at him, still trying to catch your breath. your eyes wander lower. you note luke in the current state he’s in; you realize that the scales are nowhere near balanced. “that’s three for me, and only one for you. let me taste you.” 
he doesn't need to be told twice. you get on your knees once more, this time facing him as he kneels in front of you. luke rips off the condom, something to deal with later, and you take him in your mouth, cheeks hollowed and tears brimming your eyes feeling him fuck your throat. when he finishes, you swallow him whole, savoring every drop. he pulls you up for a kiss; you can still taste yourself on him, and it mixes with his new release, a combination that is more than a little intoxicating. 
“fuck,” luke mumbles as he pulls away. he swipes his thumb over the corner of your mouth where some of his cum dribbled out. “i know that was intense, but would you be up for another round? "
"yeah," you reply without a second thought, reaching up to thread your fingers through his curls to ground yourself. 
maybe you should thank artemis for the full moon tonight, giving you just the right amount of silver light to illuminate the sculpted curves and edges of luke's body. his skin is also littered with bruises and bites of your design, chaotic and beautiful. luke looks like a mess, just as you're sure you do. 
you want more. you need more.
"we gotta go for four, remember? but...maybe we, uh…"
"....slow it down this time?" luke finishes your thought. 
you nod, grateful that you and luke are on the same page. he scrambles off the bed to get another condom.
"shit. i don't have another one.”
"check my bag, too," you tell him. luke complies, but comes up short once more.  
you’re sitting up against the headboard now, and luke returns to kneel in front of you. 
"i can use my fingers,” luke offers. “or eat you out again —"
“or we could just do without a condom this time?” you suggest. luke raises an eyebrow at you, so you think through the possibilities out loud. "we both got tested before our first time together and haven’t been with anyone since.” you find yourself pausing for confirmation on that, and luke nods once. “i’m on birth control. obviously there’s still a risk that something happens, but maybe just this one time? you can just pull out whenever you’re ready….if you're okay with that."
luke waits, almost like he thinks you might change your mind, before finally answering:
“yeah, i’m okay with it if you are. i’ve always wanted to fuck you raw. i just didn’t think you’d be into it — and didn’t want you to feel pressured.”
you have to kiss him then. because how is it that the boy who just gave you three jaw clenching, toe curling, heart pounding orgasms be so sweet and considerate?
before you know it, you’re flat on your back, sheets slightly scratchy with stray sand. you don't care much because luke hovers above you; he presses his forehead to yours, curls falling in front of his face. 
"just so you know," luke starts, just as you feel him enter you once more. "i must have been made for you, too. i'm just as much yours as you are mine."
you smirk, bite your lip to keep from moaning so that you can keep up the arrogance, just a bit longer. 
"always so dramatic," you mock, as if your cunt isn’t squeezing around him at his sweet nothings. 
luke grins at you sheepishly, his cheeks flushed. 
"guess that means the gods did two things right," you joke, exhaling when you feel luke brush against that gummy spot deep within you. "maybe we've taken them for granted. maybe we should - " he hits that spot again, and your breath hitches. you dig your nails into his shoulders as he rocks back and forth. “maybe we should thank them.”
luke clicks his tongue, grips your hip firmly. "not a chance, sweetheart. the gods’ll get what they deserve."
you don’t care enough to ask luke what he means. you care more about him going faster. you’re about to tell him to do so, and to throw your legs over his shoulders, but he does it himself before you get the chance. you feel him slipping deeper within you, the force and passion behind each movement, his body molding to every curve and crevice of yours. 
made for each other.
you’re so sensitive that your orgasm approaches quickly. as he helps you ride it out, his thrusts get sloppier, and you know he’s almost reached his peak, too. 
“fuck,” he grunts. “i’m close.” luke starts to pull out, but then you lock your ankles behind his neck. 
“don’t,” you command. 
“a-are you sure?” he looks at you, wide-eyed.
“i just want to feel you this once.”
he nods and brings you in for one more bruising kiss. he finishes inside you, warm and wet. 
luke leaves once he catches his breath, and comes back with a damp towel to clean you up. he knows your body, recognizes how sensitive you are, and presses kisses on the inside of your thighs, where the same lips had made bruises before. 
even completely fucked out, your mind starts to unpack everything that’s wrong in your life. like how luke has always been a little too good at pretending, with everyone else at least, and something serious must be going on if he's trying to fool you, too.  
this luke with you now, the one who gently wipes his cum from between your legs after fucking you so relentlessly, is your luke. it feels like your luke is slipping right through your fingers, and you’re wracking your brain trying to figure out how this can stop before losing him completely.
wait….did luke say something about getting revenge on the gods? your mind is still a bit cloudy, but you could’ve sworn —
 “are you okay?” 
his question puts pause on your spiraling. he’s done cleaning you up, throws the towel on the floor and settles back on the bed, next to you. you’re close enough for the softest whisper, your limbs intertwined beneath tangled sheets.
you watch luke carefully as he waits for an answer and surveys your body, tracing his fingers over the marks he'd left underneath your jaw, across your shoulders, over your collarbones and down your stomach. 
"i didn't hurt you, did i?"
“i’m okay,” you assure him. luke’s hand stops to gently rest on your cheek. your other worries are pushed to the side for the time being: for now, it's just you and luke. “do you think we could pick up a plan b pill tomorrow though, just in case? i love you, but i’m not ready to have your babies.”
luke widens his eyes like a minotaur in headlights. he drops his hand.
 “you’ve never said that before.”
“that i want to have your babies?” you jest, slightly amused at how panicked luke seems.
luke blushes and clears his throat. “well, that too. i meant the whole ‘i love you’ thing, though.” 
your amusement evaporates. you swear your heart stops beating momentarily.
“oh, shit.…” 
you’re not quite sure what to say; you’ve felt this way for a while, truthfully. 
of course you love luke. you can't remember exactly when you realized it, but you just….know.
because if what you felt for luke wasn’t love, then you were foolish to have secretly bought into what silena beauregard had been on about for years, and aphrodite herself might just be out of a job. 
“i know we’re kind of in a weird place, but, yeah, i mean it. you don’t have to say it back —”
luke leans forward to kiss you. gentler this time, but just as firm. “i love you."
"you do?" your heart resumes its beating. 
"of course i do. i have ever since my first morning at camp.”
“yeah right,” you chuckle in disbelief, feeling your cheeks heat up. “it’s not a competition, you know, over who loved who first.”
“karma, i’m serious,” he insists. “someone taught me to burn offerings, and with everything that happened with thalia, i obviously wasn't in the worshiping mood, but then you leaned over and whispered —"
"they like the smell of begging." 
luke grins at you, and you reach up to brush your thumb against the dimple in his cheek. 
"exactly. somehow, that was what i needed to hear. it was nice to know that i wasn't the only one who didn’t want to just accept things the way they were….” he loses his train of thought. luke grabs your hand in his. “i wish i had told you earlier. after all this, i don’t want to lose you.”
“you won’t —”
“whatever happens,” luke continues, somewhat ominously. “i love you, y/n.”
you hadn't heard luke use your real name in a while. you fall asleep, heart full with the memory of him weaving it together with those three magic words. 
the next morning, you wake up — you actually sleep in, for the first time in years — and decide that if you could stay here forever, you would. 
the morning sun stings your eyes through the sheer curtains. the sticky heat of summer sits heavy in the room, and stray grains of sand tickle your skin underneath the sheets. waves wash gently on the shore outside, and an ocean breeze mixes with the smell of burnt cinnamon. you can hear annabeth, grover, and percy crashing dishes and bickering and causing chaos in the kitchen as, you imagine, they scramble to surprise you with breakfast. 
luke is next to you, on his stomach. his curls are a mess, covering most of his face. 
evidence from last night: scratches from your nails prominent on his back, his neck decorated with purple bruises in the shape of your lips. you shift slightly and feel a dull ache between your legs, so you'd call it even.
outside, something clatters on the floor, and you hear percy swear.
luke's eyes flutter open, ever so slightly, and he starts to move. "we should get up before they burn down the place." 
you press your hand to luke's shoulder blade, barely, but in his half-asleep state, it's enough to keep him in bed. luke moves to his side, facing you. you bring your hand up to brush curls away from luke's eyes, even if they're still closed.
"they've literally been to hell and back," you recall his sarcastic words from last night. "i think they can handle pancakes." 
the corners of luke's mouth curl upwards. 
"you're such a smart ass," he mumbles.
you lean forward, plant a kiss underneath luke's chin. his stubble scratches against your lips. 
"don't pretend you don't love it, tiger."
luke breathes steadily. you think he might've fallen asleep once more until he presses his lips to your forehead, pulls you towards him, and quips:
"i love you."
your heart quickens as you echo his words. something churns in your stomach, too.
because this peace isn't something that feels permanent.
you're the children of gods, and there's always a catch. some inevitable plot twist where lovers end up separated, where heroes end up dead or cursed. 
it's nauseating — dangerous, even — that you want a happy ending, a desire buried in you deeply like a knife to the gut. it's cruel that the fates keep twisting, taunting you with what can never be.
no monsters; no gods or titans; no prophecies.
just this.
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all-purpose-dish-soap · 20 hours
Note
Could we get Gaz reacting to reader spreading rumours on base that they're dating for no good reason other than to undermine his authority and piss him off? (Inspired by your reader flirting with Gaz on the job piece) 🙏
tasty tasty tasty.
ok so there is a reason other than undermining his authority. but a pissed-off Gaz is a pissed-off Gaz, right?
26 / 1.4k / comes after flirting with Gaz on the job
...
You're on your way to a briefing, eyes cast down on the paperwork in your hands. You did not do your homework, as usual, so you're skimming what you can in the four minutes it takes you to walk to the meeting room.
Which is why you almost don't see Gaz standing in front of you, arm braced on the wall, blocking your way. To someone else, he'd read as neutral. You know his face too well to misread the stern glower tightening his features.
"Excuse me," you say, trying to sidestep him.
Gaz doesn't move. He also clearly knows he can't be moved. Not by you.
"Late for a meeting?" he asks lightly.
"No, sir, but I will be in just a few minutes. So if you don't mind--"
"Not at all," he says in a voice that implies the opposite. "Since you're about to be late anyway, how about you and me have a little chat, yeah?"
"I couldn't possibly take up more of your valuable time," you say, slipping into the flirtatious tone you so often direct at him. You try to slide past him, but nothing escapes Gaz. "Though I'm flattered you'd--"
He grabs your arm. Not roughly—he never touches you roughly, probably because you’d just egg him on—but firmly enough not to be ignored. "With me, Private."
You're too flustered to resist as he pulls you through the halls and into a different office. Captain Price's office, you notice.
“Have a seat.” He gestures to the chair in front of desk, then sits himself on Price’s chair. The corner of his mouth curls up. That’s unnerving.
You don't sit. "Sir, I appreciate your urgency, but I really must get to my briefing. Shepherd will wonder where I am."
Gaz's stare is steady as a hawk's. You'd love the chance to gaze into his eyes under any other circumstances. But now?
"Then Shepard can take it up with me," he says. "He wouldn't be surprised to hear we're spending time together, after all. Or hasn't he heard?"
You sweat. Oh, shit. "I, um, don't know why he wouldn't be surprised."
His eyes harden. “No? I hear we've been spending quite a lot of time together lately. Funny how I was the last to know about it."
Inwardly, you cringe. "I can explain."
“Yeah?” he challenges you. He crosses his arms, leaning back. "You can explain where the hell you get off spreading grubby little rumors about how you and I are fooling around?"
"I said I can." You fidget with the stapled corners of the packets of paper in your arm, folding and creasing them as your mind runs at ninety miles an hour. "So what did you hear, exactly?"
"What I heard was that we're seeing each other in the least professional way imaginable," Gaz says, voice clipped. He keeps his expression and tone controlled only with visible effort. "That I’m having a cozy little fling with a private. Someone who is technically my subordinate. That could cost me a lot of time and patience if my superiors decided to write me up."
"But Captain Price would never believe that about you, though. Right? I mean, the rumor mill is always churning out something. Last month it was Sergeant MacTavish and the girl from IT."
His expression gets frostier. "You started the rumor about us. I know it was you."
You fight the urge to glance back at the door behind you. You try to weave an excuse together, but it gets stuck in your throat.
Gaz leans forward now. His glare is so sharp it could slice glass. He seems to grow in size as he stares you down. He’s so intense, so intimidating, so… right there. Way too close. You start to get distracted, swimming in his dark eyes, before his voice yanks you back to reality.
"I know because some prick claiming to be your ex-boyfriend confronted me about it. Said you put the idea in his head that I'm keeping you warm at night. Took a swing at me, too." He narrows his eyes. "I don't like being put in a position to defend your honor just to protect my reputation, Private."
You stumble through a litany of excuses--you had to get your ex off your back; you meant a different Sergeant Garrick; okay, maybe that's not true, but you only just told a tiny little fib. Is it really your fault the rumor spiraled out of control?
It doesn't work. In fact, as you babble on, Gaz only takes your flailing as proof of how guilty you are.
You're prepared for him to tear you a new asshole (though not in the way you'd want), but to your surprise, he doesn't. Instead:
"You’re going to make this right."
You blink. "I am?"
"Damn right you are. I did your dirty work for you, and I'm sure as hell not chasing down your ex and apologizing after the rubbish he spewed."
"Then... you want me to tell him I lied?"
Gaz scoffs. "It wouldn't work if you did."
"Then what am I supposed to do? Ignore it?"
"Quiet down. I wasn't finished. There's no use trying to quell the rumors at this point; it'll only fuel them. So here's what we're gonna do."
You're not quite sure how this is going to solve the problem. It seemed rational when he explained it. Then again, anything coming out of Gaz’s mouth sounds reasonable to you.
You're sitting across from him at a low-key dinner joint. Not the kind of upscale place you're used to being taken to on dates. Then again, this place wasn't your choice. And technically you're treating him to dinner. He’s the one who’s quote-unquote "breaking up" with you.
When you'd questioned his logic, pointing out that it'd be way easier to just not and say you did, he gave you a half-amused, half-condescending look that made your stomach too fluttery.
"If you're gonna use my name and risk my reputation to be my fake girlfriend, I'm gonna get something out of it," he'd said. So now you've gotta wine and dine him at his favorite restaurant, and then you're gonna have to sit there and be broken up with. As if he hasn't shamed you enough.
That sucks. This sucks. You never even got a real date with him. And with your luck, your ex is gonna find out.
You do try to flirt your way back into his good graces during this fake-relationship-real-date. He just scoffs. Doesn't just no-sell you--he actively bites back and he's pretty damn mean about it.
You're not just a liar, he tells you--you're dense. If you'd asked him out like a normal person instead of flirting with him and then starting stupid rumors, he'd have considered it. When you tell him you had asked him out and he’d turned you down, he scoffs and tells you he'd have split the bill instead of making you pay, at least.
That's as far as he intends for it to go. But then, while you're waiting on the check, he gets a text from an unknown number.
It's a video. Of you.
You doing some very lewd things to what looks like your ex-boyfriend. Blowing him in the bathroom of some club or a restaurant much dingier than this one. If that's where he's been taking you on dates, Gaz can understand why you broke up with him.
Enjoy my sloppy seconds, chud, says the accompanying smug text.
Gaz is also starting to understand why you lied to get your ex off your back.
"What is it?" you ask, seeing the look on Gaz's face as he stares down at his phone.
"Nothing," he says, putting his phone away as the waiter sets down the check. Gaz pushes his chair out and rises, trying his best not to show any emotion, but his words are a little too sharp. "Let's go.”
"Now?" you ask, surprised. "I thought you were going to--I thought we would get our story straight about the, um, the breakup."
"We can figure it out on the way."
"To where?”
"Your place."
...
[part 1] / part 2
more Gaz / masterlist tag
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Note
May I ask why you dislike Malleus so much?
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[My TWST character tier list is here.]
[For context on why I dislike Malleus: here and here!]
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Many of the reasons previously cited above are still applicable presently (though some points may be outdated since those posts were written before book 7). In this post, I will mostly be focusing on why my thoughts on Malleus have not changed despite the new added content of book 7.
I ramble on for a bit, so I put my thoughts below the cut! Ah—but before you read, please be aware that these are my opinions and not meant to be disparaging to any Malleus likers out there.
Me disliking him should not take away any of your joy!! Go out there and love him for me ^^
A lot of the things happening in book 7 were a long time coming, so really I felt as though Malleus finally “losing it” was affirming of all the red flags from before. Since day 1, his loneliness, aloofness, and awkwardness around his peers were key traits of his. What book 7 does is it magnifies the darkest aspects of his character.
We’ve seen several examples when Malleus has fits of rage and his power flares out of control or he at least threatens it. In Glorious Masquerade, he becomes enraged at the realization that the invitation he received was a false one. In A Firelit Sky, he insinuates that he would be upset if people questioned his presence for the trip. He crushes Lilia’s phone in his own Dorm Uniform vignettes, destroying a friend’s belonging because he was upset about not being invited to an occasion. In book 7, we see a flashback of Malleus freezing the whole castle as a child because his grandmother, overtaken by her duties, could no longer dine with him as promised. Malleus’s temper has been a persistent issue since childhood.
We’ve also seen him act callously toward his classmates and misuse magic to force his will upon them. Remember him stopping time during Endless Halloween Night? How he wanted some ghosts to enjoy themselves instead of missing out on being with everyone for the holiday? Now he’s stopping time in book 7 and keeping everyone in their happy dreams forever. Remember how (in his Dorm Uniform vignettes) Malleus thought it would be easier to make the other dorm leaders come to him instead of him coming to them for their meeting? So then he disregards their autonomy and casts magic that’s normally cast on objects on living beings (something which the other dorm leaders take offense to, as it is dehumanizing). He fails to consider their perspective when he returns to Diasomnia (he basically goes, “well, I wouldn’t have been mad if they cast that spell on me!”). Malleus learns nothing from the experience despite Lilia trying to tell him over and over to be more considerate of others and how different they are from him. Now we have Malleus relating his peers to a virtual pet that he never ever wants to leave him.
Malleus can be stubborn and arrogant. He has a very single-minded way of thinking and often does not consider others’ feelings before he makes the decision for them. Malleus can be insecure. He doesn’t even fully realize he is lonely until Yuu suggests it in book 7, but he’s capable of acting on his bouts of intense emotion. He has always had these flaws, and now they are being brought out in full; we’re being forced to confront OB Malleus and all the complicated, twisting feelings of abandonment that come with him.
Let’s make one thing very clear: I don’t take issue with the overblot boys in general; they are meant to be morally grey characters that act in dubious ways. It would be insincere for me to claim “I dislike Malleus because he did bad things!” News flash, many TWST characters have done bad things or at least questionable things that would give you pause. What separates Malleus from the others and makes him egregious enough to earn significant ire from me is the particular actions he takes (which triggers a personal disdain of mine).
Malleus consistently exerts a scary amount of control over others. This is not a new idea; Riddle and Vil are also notorious for being oppressive or controlling, and I’ll be the first to admit that. (You’ll note that those two are low on my tier list too.) The thing is, Riddle and Vil were very overt and open about their demands for obedience. Malleus can be too, but it’s so insidious how he acts within the dreams. He ignores people’s autonomy, gaslights others, and, again, acts like he knows what’s best for them 💀 Other characters have done these things too, but never to the same scale or by exerting this much power. Malleus then resorts to violence when his lies don’t work, even though he’s fully aware of the power disparity between him and his peers. It feels particularly scummy to me because of how Malleus frames his selfish actions and feelings (his wish for Lilia to not leave) as selfless (for the benefit of his peers) and something everyone else would want in order to justify it to himself 💦 I know he is in (or bordering on) overblot so he wasn’t thinking rationally at that point, plus the fact that many examples I listed come from events or vignettes which may not be canon to the main story timeline. Still, there is a concerning pattern of behavior with Malleus misusing his powers or not being considerate of others and failing to grow from those mistakes. You can only go “oopsie” so many times before you harm someone by accident. I expect people to learn their lesson by then and adopt some proper restraint. He keeps claiming his intentions are good as if that’s supposed to dismiss any harm that results from his actions??? No, his actions still harmed people and he has to deal with the consequences of them, not have them hand-waved away or excused. The behavior I’m witnessing is reminiscent of like… having a toxic friend that is constantly told “hey, what you’re doing/saying makes me feel uncomfortable; do you think you could dial it back?” and the friend tells you they’ll try but then never actually changes their behavior or defends their behavior with “I didn’t mean to, so therefore I did not actually harm anyone”.
You can give me a backstory, but a backstory only goes so far as explaining why he is the way he is; it does not excuse him at all. You can say “He’s a fairy! He’s sheltered!” until the cows come home, but when he relies on magic to quickly fix the problems he caused instead of stopping to genuinely reflect on why people are mad at him, it’s hard for me to sympathize. Because of his immense power and status, the only person that can reasonably hold Malleus accountable is himself, and he has not demonstrated to me that he can do that.
Book 7 is essentially the payoff for allllll the tropes and traits I never liked to begin with coming into fruition. That’s why Malleus has stayed where he is in my TWST character ranking. I did not expect the writing, no matter how good or tear-jerking, to change that. Until Malleus shows that he’s fully apologetic, recognizes the error of his ways, and consciously tries to connect with others and understand their perspectives, he’s staying squarely where he is.
Am I saying a character with flaws is a bad thing? No, absolutely not! Flaws are what make a character interesting, I’m not faulting Malleus or any other characters for having them. Am I saying that he is poorly written? No, I think Malleus is actually quite a complex character and he’s been really fascinating to follow. I love the emotional complexity of book 7–and it was so clever how the devs related his virtual pet to wishing for happily ever afters for people in his real life. This magnitude of danger is also just about what I expect of book 7 and the themes of togetherness that TWST was angling for from the start. But the fact remains unchanged that I perceive his attitude as irritating at best and reprehensible at worst.
My distaste for Malleus is based entirely on my own views and life experiences. The specific flaws Malleus has and how he acts because of them don’t sit well with me and the kinds of things I enjoy in fiction. It’s not anything deeper than that!
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catboybiologist · 2 days
Text
Tangent on the optimism post I made earlier about societal doomerism.
Most of the waste in the Pacific Garbage Patch is industrial fishing and factory waste.
Industry, overseas shipping, unsustainable agriculture, and energy production, that could all easily be replaced by sustainable alternatives, all dramatically overshadow anything you produce with your personal "carbon footprint", which I'm sure you all know is a BS concept.
Nations and political forces that you have no voice in control your healthcare, or maybe whether your identity is legal.
War rages overseas. Or maybe over your own head. It's heartbreaking and terrifying and the progress we've made to stop it seems tiny in comparison.
All of this is true.
But have you ever done a creek cleanup, and seen that specific creek slowly come back to life?
Have you ever organized one tiny event for your local queer community?
Have you ever voted in a local election and seen one local regulation help establish queer safe havens, or medical aide, or help the homeless?
Have you seen an institution that you're part of quietly stop supporting one of these systems because of actions you played some tiny part in?
Because I have. All of that, and more. Tiny scraps of things getting better on a local scale. They do work.
Will they save the world? No.
Will they make things a bit brighter for the people around you? Yes.
And is it unfair that the world continues to get worse overall anyways? Yes. But there are tiny things you can make better bit by bit.
I'm not absolving capitalism or corporations or governments of blame here. In fact, like my last post, I'm enraged by them even more from this mentality. Because when you have something on a local scale that you can improve, and find joy in, and bring that joy to other people, then you have something that fires you up to fight against the larger systems that threaten it.
Never forget who the real enemies are. Never allow them to guilt you or make things "your fault" for existing. But you also can't let it destroy the ways you can improve your community. Giving up is what they want you to do.
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cenorii · 3 days
Text
Wesker: personality
This is my psychological analysis of the character, which includes important details of the story, an analysis of the decisions they made and the concept of the phenomenon of «Guiding Fear». Contains spoilers!
Even if you know lore 100%, you will be able to learn something new from my thoughts
I did this to practice analyzing personalities and reliably prescribe my own characters.
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[These are all my personal reflections that I have been accumulating and analyzing for six months. You can see the same analysis with Chris here. In Wesker's case, I dispel the myths that he is evil-evil and crazy, it's not that trivial here... Thanks to everyone who reads this, I really appreciate it and it's nice to know that my thoughts are of interest to someone!]
The most difficult subject of all. An attempt to embrace the immensity. He is infantile and the desire to prove this quality forced me to write such a huge article.
Wesker embodies the fear of losing himself, the anxiety of being someone he is not. He knows nothing about himself from the beginning, neither his Spencer-prescribed destiny nor his real name. As he tries to resist and exercise his individuality, he is eventually confronted with the truth that his every move has been pre-planned, never answering the questions: where are his own decisions? Where is he himself? What is really his?
I chose this fear for Wesker for a reason. The fear of losing himself can cause a person to purposely distance himself from others and not allow anyone to get close to him. He strives to shield himself from everyone, and we can observe this in his desire to be alone. Outwardly, such a person may appear indifferent and cold, even indifferent, so as not to give away to others (and to himself) his true feelings and needs. Wesker believes that it is right not to show anyone that something matters to him, otherwise he will develop weaknesses. After all, what people hold dear can be manipulated. And he doesn't want anyone to have control over him. He hates being controlled, so his surroundings know the bare minimum of information about him.
Who's Spencer? One of the founders of Umbrella, to put it succinctly. A man who is obsessed with identical mansions and mysteries and immortality and creating «perfect humanity». Rich and powerful.
But let's get to Wesker's story. A lot of things happened to him in his 48 years of life.
First of all, I want to point out that at an early age he was taken from a family that Spencer believed had a unique combination of intelligence and genes. But he wasn't the only one who was treated this way as part of «project W» (the experiment to create the perfect human). There were hundreds of children who were later given the surname Wesker. Until their adulthood, they received the best education, living in a boarding school (presumably), and were selected to be the best.
The children, being a blank slate, absorbed Spencer's teaching, being brought up according to his ideals. Their lives were pre-scripted, every step of the way. Those who were unremarkable were weeded out. Competition, anxiety. The lack of a normal childhood could breed a fear of losing oneself in every Wesker, for life was controlled. Personal boundaries and choices were absent, Spencer's worldview was pounded into everyone's head. Children were also distorted with notions of right and wrong, forced to be emotionally detached from a non-ideal world. This upbringing has produced people who have no empathy for others, empty machines with no personality of their own, ready to perform perfectly in any job in which they find themselves successful. They see the world through Spencer's eyes, but not their own.
In the end the best were 13 people, where number 12 was Alex Wesker and number 13 was Albert, the one in question. Someone who really always wanted to see the world with his own eyes, wanted to transcend.
The 13 candidates, following Spencer's plan, had to mature before moving on to the final stage of project W - injecting themselves with a special prototype virus. The power that this virus can bestow is so great that an immature individual, according to Spencer, has no right to possess it. In theory, this virus should improve a person, make him perfect, but in fact it turned out to be very selective and killed 11 candidates out of 13. Only Alex and Albert survived. Alex didn't gain any strength, because at the time of the injection she was sick, and the virus cannot improve a weak organism. But her half-brother was lucky, and the virus endowed him with all possible positive properties, changing his body and turning him into an almost immortal creature, looking completely like a human. That is, outwardly, except for the color of his eyes, nothing had changed in him. At the time of the injection, they were both 38.
I don't believe in theory that he lost his «humanity» due to mutation. On the contrary, he was never «human» in the classical sense of the word. He, like the others, was raised not to show empathy for others and was indoctrinated to believe that he was superior. Wesker had not changed, but because of his newfound freedom, he was no longer constrained by the limits Spencer's upbringing had placed on him.
When Wesker was 18, he was sent to the «Umbrella Executive Training School» with his future friend William Birkin, who was 16. They were research associates. As one could guess, the stress didn't end with his childhood, it coexisted with it. Following the text from his report, Wesker continued to feel like a mere toy in the hands of Umbrella, and further in the hands of Spencer, he literally raved in every paragraph about the old man. And to get out of this state was impossible from his words.
He and Birkin were led to Lisa Trevor, a subject who had been physically and psychologically abused in this School for many years. The horrible picture that opened before them, gave Wesker confidence that he could be in her place if he did his job badly. But he had no idea that he'd always been there, that every stage of his life was Spencer's experiment, just not as ugly.
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Wesker wrote in his report: «We had two choices: succeed in our research... or lie here and rot like her. Thus we had only one option. This woman tied to a pipe touched something in our minds»
These thoughts are literally a revelation of his subconscious fear that has haunted him since childhood. A manifestation of humanity.
When Wesker entered this School, he felt freedom and saw the horrors of science for the first time. Perhaps a turning point in his life, for in order not to lose that little freedom, and his life, he had to do as he was told. Had to adjust and ignore the rationalism screaming inside. Working there greatly affected Birkin and Wesker, but Wesker had to transfer elsewhere to get more information about Spencer and also because of the realization that he had reached his research limit. When Birkin started studying the G-virus, Wesker realized that it was beyond his knowledge. Although he was good at science, he didn't want to do it all the time, he wasn't looking to improve his skills and knowledge, reaching for something else, as if trying everywhere, trying to find his place.
Close to the age of 38, Wesker gets a job in a special police unit as Captain of the S.T.A.R.S. Squad and a double agent. But he was already then pursuing a personal goal and found himself a triple agent. His goal was not simply to test bioweapons on members of his squad, as the assignment stated, but to escape with the results to another organization. The only way to break free from the influence of Umbrella, which is why he gave up his best people so easily.
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It's unclear why he planted supplies on Chris in a difficult moment and helped him in every way he could if the trial was supposed to go «natural». Perhaps he wanted Chris to 100% make it to the final trial, but Chris was doing fine without it. Maintained the image of the captain? Game rules? Anything is possible. I'll use the code word «WX» to note this behavior, because I'll come back to this topic a few more times. «WX» stands for Wesker's penchant for actions that do not conform to his basic behavior, including helping others that does not bring him any personal benefit or benefit. In other words, good without any reason.
At the mansion, Chris and Jill get rid of the bioweapons in their path and make their way to the lab, where they catch Wesker off guard. There are 12 endings in the game, but only the one where Wesker is stabbed in the stomach by the Tyrant is canonical, as that is the ending depicted in Umbrella Chronicles, where the story is told on his behalf.
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He survives by regenerating from a pre-injected prototype virus, but it's unclear if his death was part of the plan. His first report states that Wesker planned his temporary death from the Tyrant, but in subsequent retellings of this moment, I began to question how relevant this report was. His reaction and facial emotion shown in the re1 remake described surprise. But he couldn't be faking it at that moment, because he already had his back turned to Jill and Chris. Considering the way Wesker in Umbrella Chronicles describes his death, it seems like he really didn't expect this. Something didn't go according to plan. He didn't plan for this kind of trauma to activate the virus within him.
The point about the prototype virus is also worth mentioning. Birkin, on Spencer's orders, misled Wesker by telling him that this substance was developed specifically for him. That is, Wesker did not know the truth and details about having a huge probability of simply dying from the injection. Judging by the information in the notes, if Wesker had not injected it into himself, the virus would have entered his body in some other way, it was inevitable. The remaining 12 Weskers were injected with the virus, some by force, some at the request of a friend, and some under the guise of vaccination.
Let's take it a little further. Wesker was declared dead and moved on to another organization. Now his plan was to get rid of the sinking ship that is Umbrella. But why was he so intent on destroying it? It could have been a personal vendetta, after all, it was Umbrella that had manipulated his life and taken away his freedom. It was also a way to prove to his new organization that he was worth something.
By executing his plan, he inadvertently helped Chris and Jill, who were seeking the same thing. I'd call it «WX», but since he was pursuing a personal goal for his own benefit, it's 50\50.
Then in re4 he gives Ada the task finds the amber with the parasite Plaga. Considering that Wesker moves quietly around the island in the remake, it's odd that he didn't get that amber himself. With the power and speed from the virus, he took it all on the shoulders of one Ada, who was also infected during the mission, which only wasted his time. Didn't want to get his hands dirty? Maybe. But if he had gotten them dirty, the mission would have been completed faster, and isn't that a tactical advantage?
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In the remake, he manifests «WX» (DLC Separate Ways) when he shows up at just the right moment for Ada and saves her from the ganados. After likely killing them with a gun, he takes a passed out Ada to Mendez's bedside, where he gives her a temporary recovery shot (or draws her blood?) But you know what's even weirder? He purposely chose a comfortable place for Ada, rather than laying her down on the ground somewhere. He was also there with her the entire time she was lying unconscious. I'd put an exclamation point on that weirdness, because... why? First of all, why did he save her when he could have continued the mission in her place? Recall Code Veronica, there Wesker arrived on the island with his HCF squad, but then we find his soldiers infected. He showed no concern for them and actually continued the mission on his own. Second, why did he keep sitting there? To scold and pathos leave?
He envisioned the option of Ada's possible betrayal and later stole Krauser's body, from which he had already extracted the Plaga sample, but he saved her anyway. Why? All of Ada's subsequent tasks on the island he could also have accomplished on his own and much faster. It's not like he was very busy if he allowed himself to sit with a sleeping Ada. The next meeting with Ada takes place on the elevation. Wesker brings her a case, pointing a gun at her. What is this gesture for? I don't think he sees her as a threat. Maybe it's a way to lend weight to his words, but doesn't he consider his authority absolute? He's a much bigger threat than the gun in his hand, so it's an odd action that makes him seem insecure.
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After Ada's betrayal, one of Wesker's allies informs him that her helicopter can be attacked, but he refuses, calling it her "little act of defiance". Thus, he gives someone the Plaga sample she stole, and also spares Ada herself. It's «WX», though he could have gotten rid of two problems at once - the traitor and the competition.
We are now transported to the future, in the DLC for Re5 – «Lost in Nightmares». Here's where the fun begins.
DLC reveals to us that something has been bothering Wesker all his life, and that something is a subconscious manipulation that has been psychologically programmed into every Wesker. The so-called «Spencer's presence». It was a defense mechanism that constantly caused a sense of anxiety and a desire to seek out Spencer, to obey him. But this defense stopped working as soon as the old man met his prodigal son and told him everything. Wesker learned from him the whole truth about himself and about «project W», that his whole life had been manufactured. Then the defenses in his head were destroyed and he quietly killed Spencer, appropriating his dream for himself. He failed to deal with the realization of the truth, taking his dream of becoming God and creating a perfect humanity. An infantile fantasy of an unjust world that needed to be changed to fit his ideals.
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In that moment, he faced his fear head-on. There she was - the cause of his fears, the person who had gotten into the depths of his mind, into his innermost being. Spencer. And now this old man was lying bloody on the floor. Perhaps Wesker should have been relieved and finally started living the life he wanted, not this old man. But he had taken Spencer's dream for himself, thus, once again acting against his will. In doing so, he didn't walk away from the problem, but exacerbated it without even realizing it. Wesker must have guessed that he had some problems, but his inflated ego that prevented him from thinking about it, screaming that he couldn't have any flaws. The problem became a hole that he tries to fill with things like this.
Whereas other characters conquer their fears by facing them, Wesker drowned in them, unwilling to change anything. His entire personality was built on the horror of losing himself, and when he found out that he basically had no self all his life, he lost his mind. He decided, since this world was unfair to him, then he needed to completely rewrite it and turn it into his own utopia, in which he would be whoever he wanted, untouchable, whom no one would point out and control.
However, thanks to the re4r (DLC Separate Ways), we now know that similar thoughts haunted Wesker even before he met Spencer. His desire to change people and start a new era he expresses after the credits. With this, the writers patched a few plot holes that appeared after re5. Now Wesker sounds like he didn't assign Spencer's goals to himself, but even before meeting him, he decided on a vision based on his upbringing.
Unfortunately, there is a long known scripting problem re5, because Wesker was not planned as a character who will survive the events of this game, so his motivation sounds stereotypical and stupid, because his plan and should not have been realized. Must be in the remake they will fix this flaw, because the beginning has already been made. His moment of frustration after killing Spencer is interrupted by Chris and Jill coming up. Consumed by rage, Wesker is seriously trying to kill Chris this time, or he was playing with him again, knowing that he would not oppose him. After saving her partner from death, Jill pushes Wesker out the window, falling down onto the rocks with him. After falling off a cliff, Wesker obviously survives, but also saves Jill. Why not just leave her to die? Why treat her and then plan to make her a test subject? Aren't there other healthy people out there? Stupid and empty revenge is not in his character. This is just another manifestation of «WX» and his obsessive desire to cling to the past.
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I don't have much to say about re5, because Wesker died there, or we were made to think so. The only thing I will mention is his unhealthy attitude towards Chris. He displays it at every chance he gets. The notes about Wesker in Umbrella Chronicles state «As a spy he held the concurrent post of S.T.A.R.S. Captain and has been impressed by Chris' combat abilities since then», and during the events of Umbrella Chronicles, Wesker said the phrase «Chris, it appears our fates are forever intertwined». In the re1 remake and Code Veronica, he openly stated that Chris was «his best man» in a sort of unobtrusive admiration. It's no longer possible to perceive Redfield as separate from Wesker.
Each time he points a gun at him, Wesker never takes a shot on target. In the battle on the airplane, he points the gun at Chris without even putting his finger on the trigger. Such a good opportunity to kill him, to get rid of the enemy for good, and he just stands there holding a gun he's not even going to use. Just take the shot and it's over, but no, he's standing there babbling on as if it's actually that much more important to him. It's like Wesker was looking for an opportunity to vent to the very person from his past. It's reminiscent of the moment he pointed the gun at Ada. It's like he was trying to add weight to his words, to show the importance of what he was doing.
In Code Veronica, he decided to play with Chris instead of killing him. So many opportunities were missed, as if he couldn't physically hurt «his best man». Chris is Wesker's only drop of common sense. If he was sure of what he was doing, and also sure of himself, he wouldn't have left Chris any chance of survival. He would have killed Redfield at the first opportunity, but he stands there every time and doubts what he's doing. Chris is a kind of controlling element to him that constantly makes him hesitate.
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And this strange hatred for Chris also raises questions. Maybe he hates him because he was jealous of what he owned? Something that cannot be obtained with money. Support, understanding, the love of a sister and close people, trust. Wesker compulsively convinced himself that he was not made for such things, for even having a sister, they did not possess affection. From the beginning he had no friends and his only companion was Birkin, though their relationship could hardly be called a normal friendship. He had no family or loved ones, and the only support he received came from «patrons» who were actually agents of Spencer and Umbrella. Seeing the Redfields supporting each other in difficult moments, being heroic, Wesker truly realized that he would never do the same. He has no people he holds dear, nor does he have those who hold him dear. There are no irreplaceable people in his worldview, but this connection between Redfields is probably beyond his comprehension. It's a simple human problem, which is why he's so fixated on himself, because if he loses the only thing he has, he'll have nothing left. He's miserable and drowning in his own despair.
While interacting with Chris on the volcano, Wesker first reveals his idealistic, infantile nature, naively dreaming of a better world without war and disease. Losing control of his powers and realizing that he will not defeat Chris in such a state, he decides to overdose himself with Ouroboros, which in the end does not make him stronger at all, but only slows him down, making him drown not only in weakness, but also in his own uncontrollable anger and frustration. Events are moving too quickly and so it can be assumed that his words here are not addressed to Chris, but to himself. After all, in the last battle he claimed to be «saving the world» and now he wonders «is it worth saving?» He dies without knowing the answer.
«However, there is no point in power if it consumes itself» his phrase, well suited to the situation at hand.
Btw, in the original idea, the moment before he died, his eye color would become natural, showing despair and horror. An interesting idea that was discarded.
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I would also like to parse his phrases: «Only those with superior DNA will be chosen by Uroboros. Only those fit for survival will be allowed to carry their genes into a new age!» Also, «I don't need anyone else. I have Uroboros!»
Wesker is more aware of how the world works than anyone else. Corruption, betrayal, human vice and filth. He had to participate in it to achieve his goal, had to go through a lot of disgusting people for the sake of getting benefits, himself to sink to their level. Seeing this, he has become disillusioned with people, so he wishes they would disappear, giving way to someone more «worthy» of life. He also renounces everyone, entrusting his fate to his creation, desperate to gain understanding.
His life was cut short at the age of 48 (2009) in a volcano, but that's according to official reports. In theory Wesker and his possible clone are alive now, which we could learn from Umbrella Corps. But I'm not going to tell you about it here.
I failed to mention that at 32, Wesker had a relationship with a woman named Muller. Strangely, she was still alive afterward and had a good opinion of him. Although it would seem that with such a personality it should be the other way around.
She ended up pregnant, and now, as of 2021 in the re8 storyline, their son is 29 years old. I can understand why she might not have informed Wesker about the son, because first of all he might not have approved and made her get rid of him, and secondly she might have lost the ability to contact him, since he was working in secret. But the fact that she kept the baby speaks volumes. That the man she broke up with is genuinely pleasant to her. I mean, if he'd been the way he was at the time of his death, it's unlikely she would have kept the baby. Often victims of violence/abuse get rid of their children, no one wants a child from a tyrant. That's the side of this character that we don't know anything about.
It's hard to imagine how a person who has a fear of losing himself and who distances himself from others has managed to find a short-term relationship at all.
What about his personality? There's a double bottom here.
It's ambiguous. At first you see a stereotypical villain and then a psycho who wants to «save the world» by destroying it, a standard hackneyed scheme, nothing interesting.
But if you look closely, we see a simple man on the verge of despair. With his past behind him, he cannot give up everything and live the way he likes, because he is superfluous in this world. Because of his own fears, he has developed a belief that he has to strive for something in order not to lose himself. All Weskers have been raised to believe that they have a great destiny, which builds an unhealthy and extremely vulnerable self-esteem.
With his fear of losing his identity, Wesker isolates himself from others, creating psychological walls that even he is afraid to penetrate. This may be the reason he broke up with Ms. Muller. She risked getting into places where even his foot had not set foot, so it became necessary to distance himself from her in order to avoid unpredictable consequences.
His dream, adopted from Spencer, actually echoes his deeply buried problem. «Infect people with a virus that will only improve and not kill a select few like him» That is, Wesker dreamed of making people like himself. Isn't it loneliness and desperation that makes people do such things? It didn't seem that he was hungry for «power» specifically, because he already had it in the traditional sense. All the more, based on his words, he did not wish for evil with this gesture, he wished to «save» humanity, knowing that millions would die. For the sake of finding a company «worthy of him», he was willing to risk killing everyone and being alone. Desperate and lost, he began to make bad decisions.
You know, it's been unusually hard for me to see beyond the obvious. I feel like I did the wrong thing by taking it upon myself to judge him without knowing almost anything about him. I originally had a biased and negative opinion of the character. But now I've gone neutral.
What do I see in front of me now? A character disconnected from his own lore. We read about one thing and see something else entirely. And also an unhappy man. Wesker is famous for his reports. They were always interesting to read because of their informative and judicious tone, so it was much more interesting to watch him when he acted in accordance with his reasoning.
Judging from the story, he is able to evoke compassion and empathy in the viewer, but does he evoke it in action? In action, he evokes nothing. He is not even annoying, although a well-written character should evoke an emotional response, but he evokes it only with his story.
Creating something unambiguously negative is not a bad thing. But such a thing should be presented wisely, and it should have a certain kind of backstory, which will only deepen our belief that this object is evil.
But in Wesker's case, things went wrong from the start. Having created a story that resonates in you with an atmosphere of hopelessness, lack of choice, and fear of losing yourself, we see a character that doesn't match that. It's the events of the personal story that create the character, but if the character feels pulled from it, something went wrong in the writing.
If you are creating a character who is supposed to be compassion, the story should help with that, make you feel his problem. The same is true if you're writing someone who is negative and should be disgusting. Murder isn't enough to make a character a villain, the story is the main key. And our victim's story isn't about becoming evil at all, it's about fighting fear, where fear wins in the end, which doesn't fit with the concept of evil evil at all. That's why the player/reader/viewer can't always decide who he is: antagonist? Anti-villain? Who the hell is he?
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[The beginning of an optional fragment]
By the way, there aren't enough facts in this analysis, so now we're going to break down the prototype virus that was injected into 13 Weskers. If you're not interested in that, skip to the next section. I haven't previously mentioned the Progenitor, from which many viruses in this universe originated, so the prototype is an unstable strain of the Progenitor, weakened dozens of times so as not to be too toxic. This virus either gives a person immense strength or kills them altogether. Alex stayed somewhere in the middle, because nothing happened to her, but her brother changed a lot.
Wesker has special genes, as well as immunity, that made the prototype fused with him. But activation, according to Birkin's report, requires a stressful situation. That means the hormones released as a result of stress dramatically amplify the influence of the virus, helping the body to initiate the fusion. It's all about hormones, we'll come back to that.
When Wesker received an injury incompatible with life from Tyrant, the hormones produced at that moment triggered the V-ACT process. He went into anabiosis, transforming all the cellular tissue in his body as well as repairing the damage he had sustained.
But having gained strength through a complete reorganization of his body, he was not yet aware of the instability of the virus inside. He didn't know that the prototype doesn't «fix» in his body. Therefore, the strength provided by the virus is not eternal, weakening with time.
So Wesker has to take PG67A/W regularly to re-secure the virus inside and stay strong. An insufficient dose of PG67A/W can cause malaise, and a large dose becomes poison. Which is what happened in re5 when Chris and Sheva injected him with the substance an extra two times. He experienced pain, and then presumably his powers escalated to the point where he no longer had control over them and they lost usefulness.
His son, Jake, also inherited genes and special immunity, which is why most viruses are harmless to him, but also do not give any advantages.
The fact that the forces of an overdose are not lost, proves the moment when Wesker easily damages the rocket with his bare hand.
Now back to the subject of hormones. Not only do they provoke viral activation, but they are a completely controlling element. Wesker, when provoking his emotions, can change the density of his own body, which also causes bioluminescence in his eyes. I noticed this when rewatching the re5 cutscenes. Always when he is about to strike, his eyes start to glow. Glow is emotion, and emotion is hormones.
This is why Excella can free pierce his skin with a needle and inject the drug, because at this point Wesker is calm and his body density is close to that of a human. In battle, his body is like a stone, it hurts Chris to hit him and this can be seen in his animations.
[The end of an optional fragment]
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The injections are another painful element that robs Wesker of his sense of self-worth and freedom. Therefore, coupled with the fear of losing himself, he has an inferiority complex. This complex manifests itself outwardly in a superiority complex - in arrogance, an inflated ego, which we see in his behavior. This is the answer to the question of many people, why he behaves this way. Not considering himself a full member of society, not considering himself suitable for ordinary life, Wesker begins to believe that he is above «all that» and calls himself God, in other words self-deception.
An inflated ego is the result of psychological defense, a sign of hidden fears (loss of self). It also indicates the presence of insecurity, which he tries to hide by creating a strong image for the outside world. However, like many people with large egos, Wesker has a fragile self-esteem, which is why he hates so much the rude Chris who initially discerned his weak side. His self-esteem is closely tied to his ego, so with the image he has created, Wesker protects a side of himself that he never shows to others. He hides it even from himself, as I mentioned earlier.
I thought Jake's AI words would be perfect here:
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This is the only fragment where I decided to have fun with AI, but it gave me something that really makes sense.
I would like to summarize, because the analysis turned out to be long, and something towards the end may have already slipped the reader's mind. So... What do we know?
Because of his nonstandard childhood and obsessive upbringing, Wesker has an unhealthy and extremely vulnerable self-esteem. By deceiving himself, he began to consider himself superior to everything ordinary, and to believe that he is simply not made for this cruel and unfair world with wars and diseases, so he dreams of creating «his own world», where there will be «equal» people, so that he will no longer feel superfluous.
Also, because of his childhood, he is withdrawn to the point where he hides his true feelings and needs even from himself. He feels safe as long as no one knows what he cares about. If you don't know what a person cares about, you can't manipulate him. And if he doesn't care about anything, he is invulnerable. He is afraid to be himself and express it. He himself doesn't know what «he» is really like. Judging by his phrases in the game, Wesker would like acceptance, but would never admit it openly.
It is also an echo of an effect he has been under the influence of all his life - the «fear of losing himself». This fear has become a convenient pattern of behavior in his life: pretending not to care about anything and believing it. People with this fear need to appear indifferent, not letting anyone know that anything matters to them.
But what is «fear of losing yourself»? It is the phobia that someone more powerful can manipulate you and take away your sense of security, of reliability, whereupon you no longer consider yourself strong and confident. Wesker felt for years that he was under Spencer's strong influence, his puppet, which cemented the «fear of losing himself» even deeper. Every step in his life was not his personal choice but Spencer's, Wesker was only made to think that he was acting on his own free will.
Loneliness and lack of empathy were also his eternal companions. Never having friends, never having family and support, and never having anyone that Wesker could cherish. And no one who would have treasured him. That's why he's so fixated on himself, because if he loses the only thing he has, he'll have nothing left at all. That's why he prioritizes pragmatism over emotion, easily betraying anyone and replacing one with another. But he also tends to cling to the past, sometimes betraying his pragmatism.
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Due to a misunderstanding, I would like to supplement my text. This analysis is only my personal interpretation and my personal view of the character and his story. I do not claim that it is 100% canon, because canon is so vague and disjointed that it is impossible to fully assemble it objectively. Everyone is entitled to have an interpretation different from mine. Best wishes to all!
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dragengyrr · 1 day
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Dealbreaker
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I found a fic "The Last Bus Stop in Hell, Now Boarding" by @prince-liest and… well, some scenes just stuck around in my head (read: tormented my artistic brain) long enough to get me down to sketching them out. Then a few hours, a few brushes and a few different colouring experiments later, it was no longer barely a sketch, at the expense of actual lunch... Oh well.
For those who haven’t read it (spoiler free), Angel and Alastor got their bodies swapped involuntarily, and the horrendous expression on Angel’s face belongs respectfully to Alastor.
Now, bear with me, because I’ve been overthinking this scene the whole time I was drawing it – Angel made a promise to Alastor, but one that is much more of a gesture of reassurance and what-happened-will-always-remain-in-this-room kind than anything resembling actual deal. And then, mere moments later, Angel realises that helping Al AND keeping the promise is impossible, so he dismisses the fact that he even said anything, and just jumps right onto the helping part, because he knows that that’s best thing to do for a friend. But Alastor doesn’t share that view – maybe it’s a mix of trauma, shame and the loss of control over almost anything, but he doesn’t think clearly at this point – normally, he’d sooner or later agree with Angel. But not there, not then – he’d rather expect the impossible to happen, and rage when it doesn’t.
And there’s the interesting choice of words – he could’ve called Angel anything at this point, we know how rich Alastor’s vocabulary is – but the word he chose was dealbreaker. Maybe, just maybe, from a perspective of hellish overlord, a sinner that twists and turns in an attempt to get rid of their contract is nothing less than pathetic, but what if the deal was only verbal, no signing, no contract, just "trust"… There are probably no other beings in Hell that, ironically, have less trust in somebody’s WORDS than the overlords, knowing what extremes the sinners are willing to go to just to squeeze their way out of a sticky situation. Also, one can only become a dealbreaker exactly in that scenario, when nothing was set in stone.
For Alastor, dealbreaker is a knife in the back. The worst kind of liar. The very being that reminds him so painfully that trust doesn’t exist without force applied to it by a binding contract, which, if you think about it, is a paradox. Dealbreakers are the reason he distances himself from everyone.
And here’s the sugar on the cream (pun intended): Angel is only trying to HELP. What a beautiful tragedy.
To end this little overthinking session: it’s been a long while since I’ve read anything that would make me genuinely terrified, and it’s even more amazing that it began as something quite hilarious. Do mind though that the topic is HEAVY, to say the least.
I can’t say I’ve read a lot of Hazbin fics, but so far Princeliest writes Alastor probably the closest to his original character, which I love. Please, keep up the good work!
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cecilysass · 1 day
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The Penultimate Partner Episode: Analyzing the Second-to-Last Episodes of Seasons 3-7
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So I was thinking about the show’s tendency to do an episode that is explicitly about the Partnership—about the deep abiding bonds between Mulder and Scully—right before the season finale.
This doesn’t seem to happen in season 1 and 2 (the penultimate episodes are Roland and Our Town, respectively, which don’t seem to play the same role). And something different is happening in season 8 and 9, so I don't think they fit as well.
But during the show’s peak popularity, seasons 3-7, the second-to-last episode seems to be setting up baseline emotional stakes for whatever plotline is about to hit. These episodes are giving us the state of the partnership, reminding us how devoted they are to one another. They also tend to have to do with one or both partners having a distorted perception on reality that requires the other partner's intervention in some way. I’m calling them the Penultimate Partner episodes.
So can we look at the themes of each of these Partnership episodes and see development over time? I think yes. It’s gonna be long. I rewatched them all, so buckle up.
Season 3: Wetwired - partnership as trust Season 4: Demons - partnership as loyalty Season 5: Folie a Deux - partnership as shared madness Season 6: Field Trip - partnership as touchstones Season 7: Je Souhaite - partnership as happiness
Season 3: Wetwired  (right before Talitha Cumi)
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This episode, like several in the Penultimate Partner episode category, involves a X-file that distorts perception. Because Scully can’t trust her own senses due to the mind control, she also can’t trust Mulder, calling into question the key tenet of their partnership. (And by season three, they have definitely established trust as the bedrock.)
Her gradual mistrust of Mulder in this episode is tense and painful; you can see on her face how much she argues with herself about it even as her mind is tricking her. Others who fall victim to this mind control phenomenon wind up murdering their romantic partner, but in the end of the episode, when they’re discussing what happened in the hospital, they both seem pretty unsurprised that Scully’s paranoia focused on Mulder. They both know, late season three, how crucial trust is between them. They understand that it’s Scully’s worst fear that Mulder would betray her. It’s not even news to them.
What Mulder’s worst fear might be is also hinted at, although it’s unsaid. He’s furious that her life is put at risk by the mysterious informant. When Mulder believes Scully may be dead and he’s going to identify her body, his reaction is chilling. He seems to completely shut down emotionally, not even showing any reaction to the Gunmen. Tellingly, when he is offered a choice between getting answers and going to ID Scully’s body, he doesn’t hesitate—he chooses Scully. (Sometimes people claim Mulder doesn’t show this kind of commitment to her until much later, even until Home Again in season 10, so it’s interesting to see it so unequivocal here.)   
I want to say that Scully’s anxiety about trusting Mulder in this episode is foreshadowing aspects of the cancer arc in the next season, but I don’t think that’s really what’s happening. This episode seems more like an entirely season 3 cap to the Anasazi / Blessing Way / Paperclip storyline, especially the murder of Melissa. Scully’s paranoia calls back Mulder’s in Anasazi, and Scully explicitly blames Mulder for her sister’s murder when she’s drawn a gun on him. Even just the fact that we're there with Maggie, who has a picture of Melissa displayed prominently, tells me that loss is supposed to be on both partners' minds. (Actually, the interaction between Mulder, Scully and Maggie is pretty amazing in this scene; they’re an emotionally complex trio who seem to be communicating on some other level. I love how when Mulder and Maggie are talking to freaked-out Scully they almost sound strangely unreal, almost like they really are speaking falsely. It allows us to imagine the scene as it looks from Scully’s point-of-view, as a massive betrayal.)
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Wetwired is, technically, a mytharc episode, as this whole mind control thing seems to tie back into X and the Syndicate. Personally I think the episode’s ending, emphasizing the mytharc-related plot and X’s involvement and whatever tf was happening there, was a little misguided. For my tastes they would have done better to play up the more personal, character-based themes a little more. But I also think this episode was the first real Penultimate Partner episode, and it was setting some patterns that were going to be expanded on.
Season 4: Demons (before Gethsemane)
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From the cold open, we can already tell this is already a more personal episode than Wetwired. Mulder is the one having perception problems now; he wakes from a disturbing dream, covered in blood, muddled memory. This is also technically a mytharc episode, but much more concerned with direct impact on character than Wetwired was. 
Scully instantly rushes to Mulder’s aid—walks right into his shower, for heaven’s sake—and absolutely never wavers in loyalty to him, even when he looks real, real guilty and a "rational" person would be suspicious. She is in fierce, must-protect-Mulder mode throughout this entire episode, from the moment she shows up palpating his head with her hands to her back-off behavior with the cops to her badass cold “I know what you do” comment to Dr. Goldstein. She also helps Mulder see through his distorted perception, telling him "this is not the way to the truth" as he holds a gun on her.
In this Penultimate Partner episode, we see something more than simple trust going on, although there’s trust, too. Maybe the word is loyalty or devotion. We see Mulder coming apart and Scully completely and utterly devoted to him. It’s actually very clear foreshadowing for the following week’s episode, Gethsemane. Mulder isn’t stable, and he needs Scully to keep him from “los[ing] his course,” as she says in Demons’ end narration. Gethsemane will follow up on the Mulder losing-his-course idea, and also will explore the idea that Scully’s bottomless support of Mulder isn’t always good for her. (This idea is voiced especially by Bill.) 
There are some ways in which this episode is a neat little bookend to Wetwired. In Wetwired, Scully flees to her mother’s house, desperate and paranoid; in Demons, Mulder, similarly unhinged, seeks out his mother at her house. In Wetwired, Scully sees things that aren’t there, and in Demons, it’s definitely implied that Mulder may be seeing things in his past that weren’t actually there. In Wetwired, Scully pulls a gun on Mulder, and in Demons, Mulder pulls one on Scully. 
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I adore this episode, even though it’s definitely vulnerable to the critique that Mulder acts like a self-obsessed loon and Scully a hopeless enabler lol. Especially because it comes before the Gethsemane / Redux three parter, I wish the episode would have explicitly connected his behavior to the cancer arc, as I feel like that would have made his wild choices seem more understandable. If he felt like he needed to find answers faster because he knew Scully’s time was running out and he saw it all tied together with her fate, then we would get why he was acting so rashly. It would also tie more nicely into Gethsemane, which misleads the audience into thinking Mulder has killed himself, in part, because he believes she’s been given cancer to make him believe. But again, I love this episode. Scully showing up and putting that blanket around Mulder when he’s shaking. Her hugging him at the end when he’s desolate on the floor. This shows a partnership that’s been through Paper Hearts and Memento Mori—that’s moved beyond trust alone.
Season 5: Folie a Deux (before The End)
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This is another episode about perception—about one partner seeing things the other can’t. Unlike in Wetwired or Demons, however, in this episode the altered perception actually represents the real truth, something everyone else fails to understand. The episode plays around with the tropes of earlier episodes like Wetwired, at first encouraging us to think that it's a delusion that Pincus is a monster, but then convincing us, through Mulder’s eyes, that the delusion is actually reality.  
As other people have observed, this episode ends up being a nice little metaphor for the whole show: Mulder knowing what no one else does, being ostracized and considered insane, asking Scully to find evidence to corroborate him and ultimately convincing her to believe him and see what he sees. Their partnership is, quite precisely, a madness shared by two. 
It’s a monster of the week, not a mytharc, so there’s no distraction of elaborate mytharc plot, just characters and monster. And this is a Vince Gilligan operation, so our focus is definitely on character. From the first scene with Mulder and Scully, we sense that we’re going to be talking about the partnership. Skinner gives them an assignment in Chicago that Mulder doesn’t think is worth it, and he complains in a particularly self-centered way to Scully, which she observes (“You’re saying I a lot.”) The episode is going to be very explicit that while Mulder might be monster boy, they are in this unhinged partnership situation together. Another important moment comes later, when Scully is calling the perp crazy for thinking he saw a monster, and Mulder says, “Well, I saw it, too.” Scully’s careful about-face after that, her delicate avoidance of implying she thinks Mulder is actually crazy, is part of the dance they’re doing at this late season five stage of their partnership. She doesn’t quite believe him, but she doesn’t knee-jerk not believe him either. 
And the foreshadowing of what’s to come in this one, whoo boy. Most obviously, we must acknowledge that 1013 knew exactly what they were doing when Mulder tells Scully “you’re my one in five billion.” A mere seven days from now, a mysterious beautiful ex who believes his theories is going to show up to immediately cast doubt on that claim. And this episode is also toying with the question of whether Scully actually does always back Mulder up when it’s important, when she has to accept she saw something illogical. At the end, does she tell Skinner she actually saw a giant bug in Mulder’s hospital room? We don’t know, but I think it’s implied she doesn’t. That’s all presaging what will happen in The Beginning coming off of Fight the Future. It’s Scully’s little way of resisting the madness, but it also hurts Mulder and damages the partnership, which will be a problem in season six. 
Season 6: Field Trip (before Biogenesis)
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Full disclosure: this is my favorite episode. So I’m going to make some big claims about it. This is the ultimate Penultimate Partner episode—the one that best knits together what it wants to say about their partnership and what it wants to establish for the finale. It's a monster-of-the-week episode (another Vince Gilligan ep, with John Shiban) but refers to the mytharc often. It’s also one of the best episodes about their partnership, period. 
This is yet another episode about distorted perception. This time, however, under the influence of a giant mushroom, both partners are unable to perceive clearly, to determine what is real and what is a lie. And when they’re confused, they critically turn to one another to help them see what the truth is.
Coming off of season six, the partnership is rocky. Mulder is frustrated that after so many theories of his have borne out, he still can’t get the benefit of the doubt from Scully, something he explicitly says in the dialogue here. Scully has felt like she’s not been trusted or heard, like Mulder has turned to others (Diana Fowley, for example) rather than his partner.
This is an episode about how they absolutely need one another to be able to make sense of the world—that individually each of their points-of-view are not enough. In Mulder’s hallucination, Scully accepts his claims about alien life forms too completely, not applying enough skepticism, not pushing back against him. In Scully’s hallucination, a world without Mulder, everyone is unacceptably unquestioning of the status quo, refusing to dig deeper, lacking Mulder’s critical acumen and drive. Neither partner likes the feeling of being unopposed, and it makes both of them suspicious about the hallucination’s reality. They may think they want their own view to prevail, but they need one another to be a whole person.
The theme of what’s real and what’s not – and needing one another to discern the truth–is exactly what is picked up and developed further in the Biogenesis-Sixth Extinction-Amor Fati arc that follows this. Scully’s skepticism has to stretch to incorporate more of Mulder’s worldview to make sense of what she sees in the Ivory Coast, and of course, Mulder calls on Scully’s worldview to see through his misleading dream world in Amor Fati. In fact, you could argue Field Trip is really about the idea that Mulder and Scully are one another’s touchstones—the people they need to know what’s right and real. 
Incidentally, this episode also plays around with some of season 6’s other subtextual throughlines: Mulder and Scully’s anxieties about possibly entering a non-platonic relationship, their unease about what a normal, domestic life might even be for them. For the entire episode they’re directly compared and juxtaposed with the Schiffs, a young married couple who died on Brown Mountain. The Schiffs are a tall man and a redheaded woman. They even die hallucinating lying together on a hotel bed after she asked him to “hold her” (although I do seriously doubt 1013 was intentionally foreshadowing a full year ahead). The last shot is of Mulder reaching out to take Scully’s hand across the ambulance, suggesting a kind of partnership beyond just, you know, partnership. Which takes us to the next season.  
Season 7: Je Souhaite (before Requiem)
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Truthfully, I don’t think this episode fits quite as well in the Penultimate Partner category. It doesn’t share some of the same traits as these other episodes—it’s not quite as notably about perception, for instance—and it’s not fundamentally about the partnership in the same way. But it does end up commenting on their partnership (even their relationship, really) as part of its theme, so I think we can include it—especially because its position right before Requiem ends up being important. 
Je Souhaite (btw, written and directed by Vince Gilligan) has a bit of an unsettled feeling to it because it was kind of treading water, waiting to see what happened with DD and the series. Nothing too monumental could happen with the partnership or the plot because it wasn’t clear to anyone what would happen next with the show: whether it would end or continue, whether DD would be involved or not.
So we have a story about Mulder and Scully making peace with not having a significant impact on the world—e.g. not bringing about world peace, not introducing invisible bodies to science. Instead, they are content to delightfully share a beer and comment that they have made one another “pretty happy” (as Scully says about Mulder). Through the jinni character, they seem to take the lesson that they can enjoy being with one another, accept the simple happiness that their relationship brings them. Rather than wish for success that comes too easily, they take joy in the little things with one another.
Comparing this episode to the Penultimate Partner episodes that come before, we can really see how Mulder and Scully’s dynamic has evolved by season seven. We have a Scully who is much more open to supernatural phenomena, for example, and whose skepticism seems more like a reflex or a defense mechanism now. Scully’s move towards belief is partially reflected in the plot of the episode: the X-file here really isn’t even science fiction. It is just straight up fantasy or magical realism. Aside from Scully's brief mention of a disease to explain what happened to the mouthless man in the cold open, no plausible scientific explanation for the jinni's long life or wishes is really even floated.
Scully is delighted by the discovery of the invisible body, and Mulder is visibly delighted by her delight. He’s also frustrated by her retreat into doubt when the body disappears, of course. But even the reversal into her old skepticism is half-hearted, as she soon after she's engaging in discussion with Mulder about what his final wish was. This is consistent with the overall blurring of the old hardline believer-skeptic dynamic we see in season 7. It’s also peeking ahead to Scully’s coming role as resident basement believer in season 8. 
The last scene, with the beers and Caddyshack, is meant to be a callback to djinni Jenn’s comment that she wishes she could “live my life moment by moment... enjoying it for what it is instead of... instead of worrying about what it isn't.” Mulder, we see, is taking a cue from her. (And good for him, as we almost never see these characters do this. Except on rare baseball-related occasions.)
However, this episode’s position right before Requiem—and right before the events of season 8—ends up giving this scene a real bittersweet bite. We know, after Requiem, that they were probably a romantic couple at this time. We know, after Requiem, that this time is going to be their last happy time together for a long while. Later in season 8, we learn that one lingering wish of Scully’s in season 7 is that she wanted to conceive a child with Mulder. And of course we know, after Requiem, that she gets her wish—but with a vicious catch, with a terrible side effect, much like what happens with the jinni’s wishes. 
So that’s my academic thesis on that. I know others have pointed out the existence of this type of episode before. What did I miss? Do you think I am wrong to leave out seasons 1, 2, 8, and 9? Why do we think these episodes focus so much on distorted perception? Interested to hear others’ thoughts (if they make it through this lol).
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