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#but i think it will all make more sense once we hear the album
wouldvebeensweet · 1 year
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Thoughts on Olivia's album, GUTS?
i actually really love the album title and how polarizing it is (because a lot of people hate the word, but i think that's gonna be the point of why she chose it). i think the actual album cover though is underwhelming and they could've done more
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mcflymemes · 2 months
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THE TORTURED POETS DEPARTMENT - THE ANTHOLOGY BY TAYLOR SWIFT PROMPT LIST *  assorted lyrics from the album, some lines slightly adapted for meme purposes but feel free to adjust as necessary
even if it's handcuffed, i'm leaving here with you.
trust me. i can handle a dangerous man.
i love you. it's ruining my life.
does it feel all right to not know me?
i am who i am 'cause you trained me.
quick. tell me something awful.
i loved you the way that you were.
we were just kids, babe.
i can fix him.
you and i go from one kiss to getting married.
you said i'm the love of your life.
way up there, i actually love it.
i just don't understand how you don't miss me.
do you hate me?
did you think i had it in me?
what if i told you i'm back?
i still miss the smoke.
i'm not trying to exaggerate, but i think i might die if it happened.
you look like stevie nicks.
it's hell on earth to be heavenly.
i still can't believe it.
this happens once every few lifetimes.
didn't you hear? they called it all off.
it's happening again.
my friends say it isn't right to be scared.
i might just die.
fuck you if i can't have us.
tell me about the first time you saw me.
are you gonna marry, kiss, or kill me?
no one's ever had me... not like you.
stay away from her.
there wouldn't be this if there hadn't been you.
i don't think you've changed much.
that's where i was when i lost it all.
life was always easier on you than it was on me.
i hoped you'd return.
do you believe me now?
what if your eyes looked up and met mine one more time?
what are the chances you'd be downtown?
is it something i did?
oh, we must stop meeting like this.
they say what doesn't kill you makes you aware.
i'm not a donor, but i'd give you my heart if you needed it.
looking backwards might be the only way to move forwards.
the story isn't mine anymore.
what a charming saturday!
none of it is changing.
wild winds are death to the candle.
one bad seed kills the garden.
i'm bitter, but i swear i'm fine.
this place made me feel worthless.
i didn't want to come down.
everything had been above board.
blood's thick, but nothing like a payroll.
you can mark my words that i said it first.
the professor said to write what you know.
all of this to say, i hope you're okay.
your words are still just ringing in my head.
i built a legacy which you can't undo.
who do i have to speak to to change the prophecy?
the effects were temporary.
no, i'm not coming to my senses.
babe, you gotta fake it 'til you make it.
you know you're good when you can even do it with a broken heart.
i guess a lesser woman would've lost hope.
thought of calling you, but you won't pick up.
you're a professional.
long may you reign.
you're an animal. you are bloodthirsty.
now i seem to be scared to go outside.
i don't believe in good luck.
i hate it here.
if i'd been there, i'd hate it.
only the gentle survived.
i'm lonely, but i'm good.
you have no room in your dreams for regrets.
i thought it was just goodbye for now.
are you still a mind reader?
let it once be me.
i haven't decided yet.
i still dream of him.
i'm so afraid i sealed my fate.
it was always the same searing pain.
i can't forgive the way you made me feel.
it wasn't a fair fight or a clean kill.
she used to say she wished that you were dead.
tell me all your secrets.
they tried to warn you about me.
you're in terrible danger.
i'm the life you chose.
yes, i'm haunted, but i'm feeling just fine.
no one asks any questions here.
tell me i'm despicable. say it's unforgivable.
i'm running back home to you.
you should see your faces.
you knew the price going in.
was any of it true?
who the fuck was that guy?
i don't ever want you back.
did you sleep with a gun underneath our bed?
you don't get to tell me you feel bad.
you wouldn't last an hour in the asylum where they raised me.
am i allowed to cry?
there's no such thing as bad thoughts. only your actions talk.
they're going to crucify me anyway.
i know i'm just repeating myself.
that's the closest i've come to my heart exploding.
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omegalomania · 1 year
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the full apple music interview with zane lowe is out! we got snippets of it when love from the other side dropped, but they finally rolled out the full thing. here are some highlights that stood out to me :)
patrick describes pete's lyrics as what gets him out of bed in the morning. if pete doesn't send him lyrics, he doesn't write a song.
andy and pete used to draw fake snake tattoos on each other using magic markers as kids omg?
so evidently patrick was the one who got covid during hella mega tour. and he hated it and he was miserable and that's when he called neal avron about the new record lmao
patrick says that joe was hesitant at first and he was the one who said that for this record he wanted to make something that they could all savor and spend time on and patrick was immediately on board with that
pete says patrick's job is to interpret him because pete calls his mentality a "little bit off" but patrick is capable of understanding him and translating it
patrick describes his and pete's creative relationship as "twin speak." it's not linear and it's like living in his brain a little bit. he calls it the "weirdest thing i've ever seen" when pete can just Tell that some words that patrick adjusted weren't ones he wrote despite not remembering writing them. patrick says he's gotten better at connective tissue and knowing how pete would say things
pete: back in the day patrick was like, "what's the difference between cry and weep i will KILL YOU. THEY'RE THE SAME THING. I'M GONNA KILL YOU RIGHT NOW."
zane says patrick's vocals are next level for this album. pete agrees that he kills it on this album and said he never would've expected that voice coming from him when they first met. zane says patrick could sing a recipe and it would be good. he then passes patrick a recipe and patrick. sings it???
patrick: i'm not gonna belt it. (starts belting) NINE INCH PIE PLATE ROLLING PIN
patrick says that pete doesn't mean to have rhythm to his words but there's a rhythm to them all the same and patrick can find this syncopation in his words and thinks it's amazing
more talking about patrick and pete's Magical Mystical Transcendent Soul Bond. patrick says "if we were one guy, we'd be an INCREDIBLE DUDE"
patrick and pete say that interviews with all four of them are hard because it's chaos and everyone's talking at once but it all makes perfect sense to them and no one else. zane says that sounds like fun flkjdfd [i agree please do this more it's a joy]
pete says joe really stepped up and wrote a lot for this record!
patrick: "joe is kind of a conundrum because he's this really talented...he's a brilliant writer, a brilliant player, but pete and i became the "team" and it wasn't really a plan, but that's just kind of how it happened. [brief tangent about the hiatus] we come back from the thing and joe is this fully-formed writer with a very distinct - he has one of the most distinctive writing voices. when i hear his parts, when i hear his ideas, i could pick them out of a crowd. like i know the way joe writes, and it's VERY joe." part of the process with post-hiatus was integrating him into the writing process more.
discussing the hiatus and fame and pete says his life kind of "blew up" and took it pretty hard. apparently during production for folie paparazzi actually broke down the gate to neal avron's house
patrick goes on a big tangent about how bad things got during the height of pete's fame. "part of my role is to tell his story. i'm a composer. that's what i like to do. i work on movies, i work on shows, and i work on pete. pete has a story that needs music, and if he's removed from himself, if he's not even able to access himself because he's behind all of this stuff, i don't have a story! so not only did i not have my buddy, which was heartbreaking in its own way, but then i also don't have a purpose as an artist."
patrick says that andy is always ready to play but when you get him happy to play, it's another level
"and trohman, there were these moments where he...he got so excited."
patrick describes writing what a time to be alive as wanting to write the saddest, most desperate song you could hear at a wedding. pete bursts into laughter and calls it "so twisted"
talking about other endeavors outside the band - patrick talks about composing and said joe's been super busy with his book and writing for tv and because there are so many deadlines for stuff like that, it's what hammered home to him that fall out boy needs to not be that. "there's something special about this that can't be...this has to be passionate and art."
discussing how scared patrick was of his own voice while the band took off. patrick was really scared of the song saturday at first because there are some really exposed vocal moments. he describes saturday as a song where everyone in the band lets each other go for it.
zane calls fall out boy the "emo blueprint" and says they were unapologetic in being emotional. patrick immediately says, "that was pete. i don't think we could've done that without him." he and joe were basically kids and patrick was too anxious to talk on stage.
zane says, "i remember interviewing you in the early days and i felt like every time i asked you a question i was bullying you." pete IMMEDIATELY loses his shit.
"in another life where i didn't have a pete...cause saturday, i did write most of that by myself...so there's a world where that song exists without the band. there's no world where i sing it in front of people without pete."
pete says every night before they put out a new song he calls patrick up and gets really scared and wants to back out and patrick talks him down every time
they talk about how scary it was when arm's race released and performing it at the amas. patrick starts laughing rly hard as they get into how there were giant crickets on stage and the crowd was just stone-faced and utterly nonresponsive and their stage manager was utterly panicked
towards the end patrick really loosens up and starts swearing more dlkfjdfd
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daisyswift3 · 1 month
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A Summary of the 🎃 Messages--The Overarching Story
So I just realized sth abt the 🎃 messages while listening to ttpd—they’re in chronological order!! I am going to try to give a summary of these messages and explain why I believe this. This album has made 99% of her songs, mvs, metaphors, and symbols make perfect sense. There were always some things like getaway car, cruel summer, and the palm trees in rep era that I could never quite figure out but now it's all crystal clear. It's like ttpd is the last piece of the puzzle needed to make everything fall right into place and to see the whole messy complicated story. One thing I want you to take note of as you read this summary is how incredibly consistent Taylor is w her use of metaphors and symbols. This makes solving the puzzle that is her music more like solving a cypher that you can know you solved correctly bc all the symbols will fit together perfectly just like a secret code. Once you understand what one symbol represents you now know what it means every time you see it. Every word or phrase she uses is intentional and there's not a single easter egg that's out of place. You'll notice in ttpd there are several words and phrases that are repeated bc she wants us to know that certain songs are related. 🎃 anon said there would be many connections and foretellings in the messages that we could find if we held them to the light in the coming unfoldings, and boy they were not wrong. So w/out further ado let's get into it (just a warning though this will be pretty lengthy so grab your favorite drink, some snacks, and get comfy).
1st message: The first one starts right before rep era when her rep started going down and she started feuding w her record label. These are the obstacles she didn’t see coming that made her slam on the (getaway bike) brakes (which were cut so she had to use her foot to slow down) and not come out. The "heel damaged" could be a reference to Achilles' heel since this was a weak spot she didn't see or it could be a reference to Jesus' heel being bruised in the 1st ever biblical prophecy (see this post for more on that). This was her first big pivot and change of plans. Many ppl have theorized that TS6 was originally going to be a different album--perhaps lover/daylight--but kimye and BMR got in the way of that. This would explain why she wears an outfit w palm trees on it while cutting the wings off her TS6 jet. She spray paints "reputation" on it which seems to indicate it was a haphazard last minute change of plans (x). Plus the endgame mv has palm trees and shows Miami, Florida (which I think is related to Florida!!! but I'll have to get to that another time) connecting it to "Island breeze and lights down low, no one has to know...In the middle of the night in my dreams I know I'm gonna be with you so I take my time." Miami is the paradise where her endgame happens. This all seems to indicate she was ready for "daylight" or "paradise" during rep era but had to pivot.
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The Prophecy: “Hand on the throttle, thought I caught lightning in a bottle, Oh but it’s gone again"
2nd message: This is abt the lover rollout that started in spring of 2019 -> "The time draws near, springtime sunshine causing small drips and fractures." The ice castle likely represents the lover house (her music empire, past eras, and closet) since she burns it down w a match just like she does in the eras tour visuals and midnights -> "You strike a match and blow the smoke toward the structure that shelters and protects you. Suddenly, you hear a crack, a crunch, a whoosh. There is a sudden give beneath you, and you tumble through the broken, melting hole in your palace." The ivy reference (spring breaks loose, the time is near) just solidifies my theory that ivy is a song abt an eventual kaylor reunion that will happen before she burns all the files and deserts all her past lives (eras).
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Lover era was her second big pivot. I believe she knew there was a very good chance Scott B would sell her masters all the way back in rep era hence why she says "I'm always waiting for you just to cut to the bone, devils roll the dice" (see this post for more on that). "However, in this suddenness you find yourself still somehow underprepared, kicking yourself for the time you squandered by wallowing in the seeming endlessness of your predicament" -> Her being unprepared to come out along w the mastersheist is what caused her to miss her 2nd opportunity to come out. She was so caught off guard that it made her indecisive. And so she played it safe and stayed in the closet -> "Our coming of age has come and gone, suddenly this summer it's clear I never had the courage of my convictions as long as danger is near." Remember how I said Taylor is very consistent w her use of metaphors? Well I made a post a while back explaining how folkmore represents the seasons bc summer = daylight and winter = closeting and folkmore was Taylor trying to come to terms w her 2nd failed coming out hence the grey and beige ("I'm just a paperweight in shades of greige"); so that means the ice castle = winter = closeting and springtime sunshine = almost daylight = almost being out of the closet (and spring was also the time when the lover rollout started so it has a more literal 2nd meaning to it as well).
The Albatross: "So I crossed my thoughtless heart spread my wings like a parachute, I'm the albatross, I swept in at the rescue." [I think there's a good chance this song is abt Scoots so it makes sense the parachute metaphor, which relates to her masters and failed coming out, would be used in this song]
The Bolter: "By all accounts, she almost drowned when she was 6 in frigid water...It feels like the time she fell through the ice then came out alive." ['Long story short I survived']
3rd message: This is abt the mastersheist (diamond heist) during the summer of 2019. It parallels the I Can See You mv exactly (see this post). In hindsight it now makes perfect sense why 1989 tv didn't have any mvs--bc the Fortnight mv is a direct continuation of the ICSY mv! Before the Fortnight mv, the ICSY mv was the most recent one. She didn't want anything between those 2 mvs so that it was obvious they were directly related. Her losing her masters and her 2nd opportunity at daylight is what drove her to insanity and caused her to end up in the asylum -> "I find the artifacts, cried over a hat...I trace the evidence" // "And so I enter into evidence my tarnished coat of arms, etc" | "Is it okay? Is it you? Or have they come to take me away?"
"Mere feet away from the light of freedom...Your getaway bike begins to leave without you, sparks flying as the tires try and fail to slow down for you. You have frozen in this moment of indecision" // "It was the great escape, the prison break, the light of freedom on my face...he was runnin' after us, I was screamin', 'Go, go, go!'" -> There are 2 getaway car mentions in this message which emphasizes its importance. This is likely for a few reasons: 1) To explain what the song getaway car was actually abt--her feud w BMR, not the beards 2) To show that message 1 and 3 are related; the getaway bike is mentioned in both since both are abt her masters 3) To show that the lover era pivot was actually just history repeating itself; this is what Cassandra and the Prophecy are abt.
Cassandra (notice the piano melody from mad woman): “So they set my life in flames, I regret to say do you believe me now? ['If I'm on fire, you'll be made of ashes too']…They knew, they knew, they knew the whole time that I was onto somethin', [She knew there was a good chance her masters would be sold as shown in cruel summer] The family, the pure greed, the Christian chorus line" ['Now he sits on his thrown in his palace of bones praying to his greed']
Fortnight: "I was supposed to be sent away But they forgot to come and get me I was a functioning alcoholic 'Til nobody noticed my new aesthetic [Her fans didn't notice the shift from rainbows and pastels to black mourning clothes during the lover era] All of this to say I hope you're okay But you're the reason [The you in the song is Taylor; she's the reason she decided to stay in the closet] And no one here's to blame But what about your quiet treason?" [Taylor's indecisiveness is what led her to not come out the 2nd time]
loml (This is from Karlie's pov): "Mr. Steal Your Girl, then make her cry...You shit-talked me under the table talking rings [Paper Rings] and talking cradles, [Lover mv] I wish I could un-recall how we almost had it all, [They were so close to daylight]...It was legendary, It was momentary ['I touch you (daylight/sunshine) for only a fortnight']...Our field of dreams engulfed in fire" ['So they set my life in flames']
Florida!!!: "Little did you know your home's really only a town you're just a guest in, ['I touch you (daylight/sunshine) for only a fortnight'; 'And so a touch that was my birthright became foreign'] So you work your life away just to pay for a timeshare down in Destin" [Taylor did all this masterminding and planning just to end up still stuck in the closet and bearding and only being able to see her lover in stolen private moments]
Fresh Out the Slammer: "Another [cruel] summer, taking cover, rolling thunder, he don't understand me"
The Bolter: "But it always ends up with a town car speeding" [getaway car]
Peter: "Forgive me Peter, my lost fearless leader, in closets like cedar preserved from when we were just kids, Is it something I did?" [Peter is herself; 'I'd be a fearless leader' and the fearless album; 'closets' is obvious]
How Did It End?: "We were blind to unforeseen circumstances, We learned the right steps to different dances, and fell victim to interlopers' glances, Lost the game of chance, what are the chances?...It's happening again" [This is the 2nd time she's lost the opportunity to come out]
I Can Do It With a Broken Heart: "I'm so obsessed with him but he avoids me like the plague" [They're in love w each other but can't be together in public; 'Break my soul in 2 looking for you but you're right here']
Down Bad: "For a moment [a fortnight] I knew cosmic love, now I'm down bad crying at the gym...'Fuck it if I can't have him I might just die it would make no difference'" ['You (Taylor) told Lucy you'd kill yourself if I (Karlie) ever leave']
5th message: Out of all the messages this is the one I'm the most uncertain abt. But I think it is possibly about JA leaving before his contract was up. "You are in a kitchen. Not your kitchen, of course. Your kitchen is soft and cozy and sacred. THIS kitchen is hard and cold and purely functional" -> This is not the sacred kitchen from Cornelia Street that she shares w her lover, this is a PR stunting kitchen that's a false imitation of the real domestic bliss she has. A few yrs ago kaylors were talking abt how Karlie has a kitchen that she only uses for PR/social media purposes so pumpkin anon could've been trying to remind us of that. These 3 messages from flag 🏴󠁧󠁢󠁥󠁮󠁧󠁿 anon make me think the breakup happened sooner than planned.
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The July 29 message wasn’t meant to be posted until Oct 8 since it was hinting at the Toe breakup happening 5 months later in mid March, 2023.
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The Nov 23 message mentions a “shift of footing” which we all agreed meant Toe 🦶 was over. The Dec 5 message w “the need to flex is sometimes necessary” directly following the Toe breakup message is what really makes me think it wasn’t planned. They had to pivot/flex but “other milestones are resolute” meaning the endgame is still the same—K and T will still reunite and both will be out of the closet at a certain time. Plus there’s the “…” at the end of the Nov 23 message which also indicates the Dec 5 one is a direct continuation of that message.
To add more credibility to this theory, RFI and SIG also have ellipses. RFI always seemed like it was supposed to be a direct continuation of SIG bc SIG sets up the “chess game” w her and her lover doing magic and pulling the wool over everyone's eyes, and RFI is when this chess game officially begins, "baby let the games begin."
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Some other kaylors said they thought “the need to flex” meant that she wanted to give anti hero more time on the charts so she was flexing or showing off. But I think it makes more sense for it to be related to London Boy himself and not having him as a beard since that’s the whole purpose of having the 🏴󠁧󠁢󠁥󠁮󠁧󠁿 flag. I could be wrong though.
So Long, London: “Pulled him in tighter each time he was drifting away…Holding tight to your quiet resentment…Every breath feels like rarest air when you’re not sure if he wants to be there” [This may mean that JA kept trying to break free from the contract and Taylor kept trying to convince him to stay but it didn’t work]. "My spine split from carrying us up the hill, Wet through my clothes, weary bones caught the chill" ['They are bowing out, leaving you with double the workload, now half burnt and smoking. Their duties weren’t finished, and yet there is nothing you can do to make them stay. Shaken by this loss, chaos descends upon the team. Most roll up their sleeves to work harder']. "And my friends said it isn't right to be scared, every day of a love affair" [There were several blind items talking abt how JA was hooking up w men in a very unsubtle way; this could be what the 'cheating husband' mentions in ttpd are abt]. “Two graves, one gun” [Makes me think of a smoking gun which could be what the 'smell of smoke' in the message was alluding to. Maybe JA threatened to reveal her secrets if she didn't let him go and he had the smoking gun evidence to do so which was the recipe card. 'This time is different. Because you know this person actually has the means to share the secret menu, and that they have enough proof to make the waiting guests believe them.' -> I mean if anyone could convince the general public it would be the man who was supposed to be her boyfriend for 6 yrs]. “And you say I abandoned the ship but I was going down w it, my white knuckle dying grip” ['But you have never been one to lay your armor down. When you fail, you fail gloriously. When you go, you go kicking and screaming']. "I didn't opt in to be your odd man out" [She didn't want to be his beard just like he didn't want to be hers; and odd man out is a game that's played w 3 ppl where the odd man is the loser who's eliminated bc he didn't have a match]. "I founded the club she's heard great things about" [The Tortured Man Club -> The Tortured Poets Department that she's chairman of]
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7th message: This message is all abt the domestic bliss she has away from the public eye. She has worked so hard to make sure her secrets are safe by building a tall impenetrable fence. However, she chooses to intentionally blow a dandelion full of secrets--perhaps ttpd is the dandelion w all the songs being the florets or secrets. There is one floret in particular that she’s worried abt—my guess is it’s Robin since it’s so damning if you know what to look for. Plus the song Robin parallels this message perfectly and evokes the same imagery. And to add even more credibility to this theory, the lyric vid for Robin has dandelion florets in the background. See these posts: (x)(x)(x)(x)(x)(x). "You are walking through your yard. It's one of your favorite places, all sprawling garden rows" -> Betty's garden; "your wife waters flowers," etc. "There are daisies - so many daisies - in every shade of your rainbow"--I don't think I even need to explain this. "Your lover and your fresh baked buns are safe. (The buns, of course, are in the oven turning golden as you speak. It's an old family recipe, jotted lovingly on a recipe card.)" -> The recipe card is perhaps a picture or some other sort of smoking gun evidence of Taylor's family and it connects the 5th and 7th messages together. And the meaning of "buns in the oven" is pretty obvious. "Golden" refers to Karlie.
Robin: "Higher and higher, wilder and lighter" [This may be a double entendre--not only is she encouraging this child to bounce higher on his trampoline or swing higher, she is also encouraging the dandelion floret (the song Robin) to fly higher and go out into the world after she blows on it]
The Albatross: "Wild winds are death to the candle...One bad seed kills the garden" [This may be connected to the dandelion metaphor and I believe there are many layers to these lyrics; wild winds can carry the dandelion seeds into other ppl's yards; if Taylor's secret gets out this can destroy the domestic bliss she has i.e. kill her metaphorical garden or candle; 'love's a fragile little flame it can burn out']
I Hate It Here: "I hate it here so I will go to secret gardens in my mind people need a key to get to, the only one is mine" [There is only one way to get into this garden since a tall impenetrable fence surrounds it; there are other layers in these lyrics as well like the escapism aspect of it]
But Daddy I Love Him: "I'm having his baby, no I'm not but you should see your faces" [Bc it's Karlie that had the babies]
8th message: This entire message parallels the Bolter. I believe this is abt Taylor finally choosing her lover over her reputation and choosing to intentionally destroy it in order to meet her lover down at the bottom like 🌋 anon mentioned. This may be the purpose of the whole Ratty debacle—to tarnish her image (by jumping into shark infested waters) so that when kaylor are together in public again her fans won’t be able to hate on KK w/out being hypocrites bc Taylor has already done all the things she knows they’ll accuse KK of, like being connected to someone who’s quite problematic. I believe this takes place from May 2023-now since this is when MH and her started “dating.” The use of all lowercase in the 🌋 messages may be a reference to the reputation album title to indicate that this is going to be a repeat of rep era but this time the damage to her rep will be intentional. I find it very interesting that the Feb 20th 🌋 message is the only one that has a word capitalized and the word that's capitalized is "Gold." This is in contrast to "fools gold" which is not capitalized or colored.
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The self-loathing is palpable in Taylor's music (x) and it is displayed heavily in this message as well. I think it's possible the "enemy" is actually just Taylor herself or her public persona to be more exact. She is her own worst enemy; the Anti Hero mv illustrates this. She's the one that spreads the dandelions in message 7 which is what the enemy does in this message; she's the bear, and in the Bolter she (real Taylor) tames the bear (Taylor the brand). I believe TSMWEL could possibly be abt herself as well. I mean TSMWEL literally has "TS" in the track title. The clean version of the Bolter has the line "Then she'll call him a bore" which parallels TSMWEL, "You said normal girls were boring." It's as if real Taylor is doing an UNO reverse on Taylor the brand by treating her public persona the same way she treated real Taylor for years. This is very reminiscent of the Archer, "I've been the archer I've been the prey." I think TSMWEL, while it is abt herself, is simultaneously abt Scott B. And the reason for this relates back to what I said abt the 2nd and 3rd 🎃 messages--she blames both Scott AND herself for her failed coming out. The mastersheist threw her for a loop, yes, but she could've still come out anyway were it not for her indecisiveness. And I haven't have time to fully analyze MBOBHFT yet but I think it's similar where it can either be read from Karlie's perspective to Taylor after the 2019 failed coming out or from Taylor's perspective to Scott B/the industry.
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The Bolter: "But as she was leaving, it felt like breathing, ['When I was drowning that's when I could finally breathe'] All her fuckin' lives flashed before her eyes...He [the 'enemy'] was a cad, wanted her bad just like any good trophy hunter and she liked the way it tastes taming a bear, making him care watching him jump then pulling him under" [This connects to the 10th message: 'You limp over uneven ground, smiling at the pain of the shark bite with each excruciating step - replaying the satisfying splash as you finally chose her over the world. As you grabbed the enemy and dove into the infested waters']
loml: "The coward claimed he was a lion" ['You’re a selfish asshole. So much of your fear is your own. You wince at your cowardice like it is a gaping wound. You so often find yourself unable to meet your own eyes. You scramble into shadows like a black cat. Scared, even, of being scared...You are a coward, but you are not a fool']
I Hate It Here: "I was a debutant in another life but now I seem to be scared to go outside" [In another life she already came out but in this one she's too scared to even leave her house let alone come out]
The Tortured Poets Department (This is from Karlie's pov): "You're in self-sabotage mode throwing spikes down on the road"
9th message: This message is abt her finishing her 11th album, the last chapter of her 11 part story, and then sending it out into the world like a message in a bottle (the Manuscript). So I'm assuming this would take place on April 19, 2024, the release date of ttpd. "You are sitting on a beach, cold and windswept. The sea is dark and angry before you." -> This may be the same beach and sea from the folkmore era. "The sun sets in muted colors." -> Describing the sunset colors as muted is quite interesting since sunsets typically have very vivid colors; this makes me think it's related to the eras tour visuals during the transition from august to illicit affairs (which I explained the meaning of in this post), and the folkmore color palette was mainly muted colors. "You finish scrawling on the parchment. Your pen dries up as you reach the end of a story in 11 parts." // "Feeling like the very last drops of an ink pen," "my veins of pitch black ink." She is sick of having to dilute her truth through metaphors and allegories which is why she is a tortured poet -> "Take me to the lakes where all the poets went to die." Plus there's the "parchment" which she mentioned many times during her eras tour speeches which relates it to the folkmore era (x)(x)(x). "And now it is just a matter of time. The dripping of candle wax. The ticking of a clock." -> (x).
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I recommend reading this post which explains how the Manuscript, ATW short film, message in a bottle, the story of us, and 4th, 9th, and 10th 🎃 messages are related. Many ppl pointed out that the Manuscript lyric vid looks like a movie script, and she's been referencing films and books a lot recently which makes me think there's a good chance she's going to release a film and book abt her coming out story. The 9th message and the lyrics in the Manuscript make it clear that Taylor's discography as a whole IS the manuscript i.e. it's the author's (Taylor's) draft of her story that is getting ready to be published. In academia, a manuscript is a draft of your research that you send in to be peer reviewed and if it's accepted it then becomes a published academic article.
The Manuscript: "And the years passed like scenes of a show, the professor said to write what you know, [She's equating her life to a story w the different eras being different scenes or chapters] The only thing that's left is the manuscript, one last souvenir from my trip to your shores, [message in a bottle; 'It may wash up on a sunny beach in Florida, or a rocky shore in the northwest'] Now and then I reread the manuscript but the story isn't mine anymore" ['Once you blow a dandelion, you never get it back. It isn’t yours anymore']
The Bolter: "But she's got the best stories"
10th message: This is a direct continuation of the 8th message and takes place right before she comes out of the closet (the wooden door in the woods). So this would take place after her rep has already been destroyed which I don’t think we’ve gotten to yet. My guess is that things will start ramping up in the next few months. She may start being papped w all her previous beards looking happy w them or sth similar which is all she’d need to do to show that the relationships were all fake and she’s been lying this whole time. This may be the “chaos” that 🫚 anon was referring to (see this post). This lines up with the blood moon glitch vinyl, representing chaos and disruption, being the 2nd quarter of the yr according to the midnights clock (4-6 or April-June, 2024). Plus many ppl think BDILH is abt MH--and Taylor meant for this to happen bc this album is full of red herrings--and in that song she says "He (MH) was chaos" so this might be a hint that the bearding shenanigans are gonna ramp up. Of course things are already plenty chaotic now w everyone thinking ttpd is abt 3 different men, one of which is pretty problematic, so perhaps this is all ginger was referring to. Taylor calling herself "the Bolter" has 2 meanings: 1) She is a coward who often runs away from danger 2) The 2nd more positive interpretation is that she knows "when it's time to go." I think it's very telling that ITTG is the last track on the deluxe edition of evermore and comes right after RWYLM, a song abt being stuck in the closet after the 2019 failed coming out. She's saying that she's not going to stay there forever(more).
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The Bolter: "But none of it is changing that the chariot is waiting, ['The story of 2 princesses. No place for a prince'; the Cinderella metaphor (x)] Hearts are hers for the breaking, There's escape in escaping...Ended with the slam of a [closet] door but she's got the best stories, You can be sure that as she was leaving it felt like freedom" [The 6/21/2020 ♠️ riddle spells out 'They Are Free']
11th message: This message takes place after midnight at 3am on Nov 1 after she’s gone through the wooden door. In this post I explain how 3am connects to the witching hr or devil's hr. The fact that this takes place right after Halloween is quite significant since it is a day dedicated to remembering the dead, and death and ghosts are a big theme in ttpd. This symbolizes how after Taylor kills her old self (by dragging her into shark infested waters), she will resurrect as a new version of herself and leave the past behind her. And in doing these things, she will finally be able to go back to her figurative home, her cabin, that she was exiled from. -> "I think I've seen this film before so I'm leaving out the side door," "And I was catching my breath, floors of a cabin creaking under my step...I had a feeling so peculiar this pain wouldn't be for evermore." "The flame🕯️ finally🕯️flickers🌬️OUT" -> The match that started the "goddamn blaze in the dark" is no longer needed now that the lover house (her closet) has burned down, so the flame flickers out. This metaphor shows up in Peter as well, "But the woman who sits by the window has turned out the light," where the light dying represents the woman losing hope that a coming out will happen. Notice in this message from present anon that "Goodbye" has a capital letter G which I believe links it to "Gold" in the volcano message that was mentioned earlier. This may indicate that Karlie is the woman/neighbor holding the light and waiting for Taylor's return home. The Dec 26th 🌋 message is likely from Karlie's pov in this case.
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Fresh Out the Slammer: "Now pretty baby I'm runnin back home to you, Fresh out the slammer I know who my first call will be to...But it's gonna be alright I did my time...Get the matches, toss the ashes off the ledge, [the burning of the lover house] As I said in my letters [the anon messages this corner of the internet has been receiving? Could also just represent her songs] now that I know better I will never lose my baby again...Swirled you into all of my poems ['My mind turns your life into folklore (literally and figuratively)']...To the house where you still wait up and that porch light [jack-o-lantern] gleams" [see this post abt the porch]
The Alchemy (This is from Karlie's pov): "What if I told you I'm back?...I haven't come around in so long, but I'm coming back so strong, ['But I come back stronger than a 90's trend'] Cause the sign on your heart said it's still reserved for me"
imgonnagetyouback: "Push the reset button we're becoming something new...Even if it's handcuffed I'm leaving here with you, Bygones will be bygone eras fading into gray, We broke all the pieces but still want to play the game...I'm gonna get you back"
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gatheringbones · 8 months
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[“Later in the day, while Heather and I were making the bed and talking about the chores we needed to get through the next morning, she used a male pronoun in regard to me. “Well that’s gonna be weird, huh?” I said. “Not saying ‘he’ for me anymore.” “What do you mean?” she asked. “I mean I want to transition. I want to become a woman… fully.” She paused and fell silent. I think the revelation that I was a transsexual truly hit her in this moment. She slowly started to comprehend that this didn’t mean I’d simply be cross-dressing around the house. It started to hit me, too. I wanted to transition genders, and there was a lot more to that than just hormones and surgery. Neither of us fully understood what it meant yet, or where to start.
The next day Andrew and James met me at the studio to talk about plans around the album and the future of the band. Jordan came, too, as he was again filling in as our manager. Until then, I’d been telling them that I was writing a concept album about a transsexual prostitute—the metaphor behind the feeling of having whored myself out to a record label was thinly transparent since James, Andrew, and I were all processing our own post-traumatic stress disorder from the past couple years of music industry hell. Previously, I’d been able to sneak a few subtle metaphors about my dysphoria in here and there. But an album focused entirely on it? I didn’t know how to explain that, and the new songs were not sticking with the guys.
James could make out a few lyrics to the title track through his in-ear monitors: “You want them to see you like they see every other girl / But they just see a faggot.” “Hey, man,” he said between takes. “Are you saying ‘faggot’ on this song? It sounds like you’re saying it a lot. Are people gonna be cool with that?”
I realized that the reason the words weren’t connecting with them was that they didn’t have the context. So I came out with it. I didn’t mean to, I just wanted them to understand. I couldn’t hold back the momentum of the day before. Once the truth was spoken, it could be contained no longer.
“It’s about me, and how I’m a transsexual. This is something I’ve been dealing with for a long time,” I told them. Once I started explaining it, I couldn’t stop. It was like an out-of-body experience where I saw myself, but was powerless to hold back the flood of words. “I want to start living as a woman, and to be referred to as Laura. This is something I’ve thought about a lot and isn’t going away, so I might as well embrace it.”
No one knew what to say once I finally stopped rambling. The three of them just sat there in the studio control room, looking down at their feet or at whatever lit-up piece of audio equipment their eyes could find, focusing anywhere but on me. We’d had some heavy conversations over the years—emotional moments where we’d told each other off or outright quit the band—but nothing compared to this. Andrew’s usually warm smile was locked in since I started talking, and it looked like it was going to melt off his face. His skin flushed red, trying not to flinch. There was nothing any of them could say. I broke the silence by asking them to come smoke a joint with me. We got high standing in a circle in the open back doorway. “OK, well,” I said. “I guess that’s all we’ll do today. How about we try again tomorrow?”
We shared the most comically awkward group hug, a horrible mess of pats on the back and overly extended stiff arms. They left, and I locked the door behind them. Oh fuck, I thought. I called Heather and told her that I had just come out to them. It felt unreal to speak these secrets aloud, hearing myself verbalize thoughts that had only ever existed in my head.
The guys had an hour and a half back to Gainesville to think about all that had just been unloaded on them. James has since told me that as he sat there stoned on that long drive home, a lot of memories over the past 15 years suddenly started to make sense for him. My lyrics, my behavior on tour; one by one, he had tiny flashes of realization about me in this new light.”]
laura jane grace, from tranny: confessions of punk rock’s most infamous anarchist sellout, 2016
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cassidymb121 · 25 days
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OMG It’s You (Part 6)
YouTube! Fem reader x Stray Kids
Summary: Y/N’s YouTube channel is taking off after her reactions to Stray Kids MV God’s Menu. Now she’s making videos nonstop along with working a full time job. What would happen if she got offered a job of a lifetime and met the boys of her succession?
⚠️Warnings⚠️: rambling, rambling, and more rambling
🏷️: @laylasbunbunny @weirdowithaphone @silverstarburst @jusanontstuff @anxiousskylar @drewsandsebastianswife @amararosesblog @niaalove (Taglist open)
Chapter 1 Chapter 2 Chapter 2.5 Chapter 3 Chapter 4 Chapter 5 Chapter 6.5 Chapter 7 Chapter 8 Chapter 9
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Y/N’s POV
I felt a sense of being overwhelmed as I attempted to set up the PO Box address. Gasping for breath, I went to my desk to power up all the necessary devices. I sank into my chair while waiting for my computers to boot up. I had just started reading an email when I received a call from the post office. After logging into my laptop, I returned to the email to continue reading.
Dear Y/N,
We closely follow your channel and greatly appreciate your insightful reviews on K-pop albums. On behalf of everyone here at JYP Entertainment, we are pleased to offer you exclusive access to Stray Kids' newest mini album, Oddinary. We kindly request that you refrain from releasing the video until the official release date. We would also request early access to the video to arrange for Stray Kids to watch it together before the release. We sincerely appreciate your continuous support for Stray Kids. Thank you.
Sincerely,
Park Jin-young
I almost wanted to roll my eyes when he asked me not to release the video until everyone could access the mini-album. Like, I would even think about doing that anyway. I click on the attachment below where the mini album sits, waiting to be listened to. I look back at all the stuff I brought from the post office and drop my shoulders. ‘Do I want to record this video first, or wait and make a video about all the stuff I got from the fans?’ That thought alone was already making my head hurt. “On one hand, if I go ahead and listen to the mini album, all I’ll have to do is edit it. However, I’ll have all these packages and letters littering my room.
On the other hand, if I do the stuff from the fans, I might be unable to record the mini album video before it releases.” I say aloud to myself. I knew that no longer sitting here would prevent me from doing anything.
After making up my mind, I decided to make a short video showing all the stuff I got from the post office and then review the mini album. So that way, I can edit it and have it ready. In the meantime, I can start opening up the mail I’ve gotten from the fans. Satisfied with the plan I’ve conjured in my head, I get started on executing my plan.
Before I go any further, I type up a professional email to JYP thanking him for the access and promise not to release the video until everyone else has access.
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After creating a brief video showcasing the items I received and promising to film myself opening the packages, I uploaded it to my channel. Next, I retrieved the attachment for the mini album. I reached for my headphones from the rack on my desk and plugged them into my laptop. After conducting thorough sound checks to ensure the viewers and I could hear the music clearly, I proceeded to freshen up and grab something to eat once everything was set up to my liking.
Returning to my seat, I feel refreshed after showering and having a satisfying meal. I lean back and settle in, cleaning my teeth thoroughly with brushing and flossing. I need to present myself well to my audience, and I want to avoid any distractions, like food stuck between my teeth, that could detract from the experience. The thought of it gives me chills.
Grabbing my favorite pair of over-ear headphones, I carefully place them over my ears, ensuring they fit snugly. I double-check the microphone to ensure it's picking up my voice clearly, adjusting the distance as needed. Taking a moment to compose myself, I settle into my chair and take a deep breath to calm my nerves. With everything in place, I press the button to turn on my camera and count to five before flashing a warm smile and beginning my address to everyone watching.
“Hello Lovelies! So, I have some fascinating news for all of you. I received an email from a certain company and have been given early access to this artist's mini-album. That’s right! JYP has given me early access to Stray Kids newest Mini Album!” I start excitingly clapping to myself and smiling as wide as I can. “Now, while I may be getting to listen to this early, this video will not hit my channel until the actual release date comes. I will also upload this video once everyone has access to it. As most of you know, I listen to the whole album and then talk about it—what I like about it, what stands out most, etc. Still, in the end, I will give this album an honest review and rate it from 1 to 10. So, let’s get started.”
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Third Person POV
The boys were called into one of the offices, and you could say they did not feel this would be a good meeting. Even when they get to the room, they see their boss already there with a laptop. Chan, getting ready to take the heat from their boss for the group, gets stopped by JYP. “I didn't call you here because you did anything. I called you here for quite the opposite.” The boys were about to ask him what they were called in for, but their boss beat them. “I have something that I want you boys to watch. I think you will enjoy this. Leave the laptop when you’re done and press play when ready.” He tells them, leaving them with the laptop. Once he leaves the room and the boys can no longer hear his footsteps, they rush to the computer. They hesitate before pressing play, but what they see leaves them speechless.
It’s a video of Y/N, and they see that their boss gave her early access to their comeback album. Before they get too far into the video, they get chairs to be comfortable while watching her listen to their music. Changbin brings up the idea of connecting the laptop to the projector so it's not crowded around a small screen. They all agreed and fixed everything; all they had to do was press play on the laptop. Once everything is set, Chan clicks on the play button. All attention turns to the screen showing their favorite YouTuber.
“So, Stray Kids newest comeback album is called Oddinary and I will edit in a picture of what the cover looks like.” Before talking about it, she adds a picture of what their cover looks like. “Just from looking at it, I would say it looks pretty dope, like a screen-like mannequin head with screws showing out of it. Their color scheme is green, black, silver, and maybe purple. The titles on the album are, in order, Venom. Maniac. Charmer.Freeze. Lonely St. Waiting For Us with Bang Chan, Lee Know, Seungmin, and I.N. Muddy Water with Changbin, Hyunjin, Han, and Felix. I like all these song titles. Waiting For Us will be a tearjerker, so I must have my tissues on standby.”The boys start laughing and nudging each other. She bites her bottom lip while moving her cursor to the first song. “I’m going to listen to the songs in order, and I might save Waiting For Us last since I want to make sure Muddy Water gets a fair chance. Plus, I would cry in the end. Okay, without further ado, let’s get started.” The boys watch and gauge her reaction to each song. She tells them that she will talk about each song after listening to them all. When she reaches the end, she stops playing the last song. “Wow. I’m trying to save all my thoughts until after I listen to Waiting For Us. Why am I so nervous about listening to this? I know it will be a good song, but this one might knock it out of the park.” She shakes her head. “Alright, let’s do this. I’ve got my tissues on hand.” The boys laugh with her. The music starts to play, and her reaction changes right away.
Chan sees her go ahead and grab a tissue. Lee Know sees that her eyes start to look shiny. Changbin says that she’s gripping the tissue in her hand tightly. Hyunjin notices that she’s trying to keep her face neutral but fails to smile. Han watches as a stray tear falls down her face, even though she’s happy. Felix’s eyes follow her hand as she wipes her face with the tissue. Seungmin looks as she replays the song again. I.N. watches as she closes her eyes, listening deeply to the words, and tears stream down her face. At the very end, she removes her headphones, looks off to the side, and then laughs.
“I told you I was going to cry. I knew it was inevitable.” The boys smile at the girl on the screen, waiting for her review. “I will give this mini album a 100 out of 10. It has some great aspects to it. I love how each song fits and feels with the album title. There was a reason why I left Waiting For Us last: because I knew I would fall in love with it and did not want to listen to the other tracks. As it turns out, I was right.” She and the boys laugh.
“One thing about listening to a song for the first time is that not all click with you immediately. Everyone is different. Sometimes, it may take a few listens before you think, ‘I dig this song.’ Others will like it right away. I would say that I loved each song, but a couple of songs that didn’t click right away were Venom and Muddy Water. Now, does that mean I don’t like those songs? No, I enjoy them. That’s like the IN LIFE album. At first, The Tortoise and the Hare didn’t click with me. I loved the lyrics and the music, but a couple of parts in the song threw me off. Now that song can be put on repeat, I wouldn’t get tired of hearing it repeatedly. The moral of all the nonsense I’m saying is that sometimes songs don’t click right away but end up promising.”
The boys, watching her intently, wait for her final words. “I made two edits of this video since I knew I wanted to send one to the guys.” The boys freeze up as she looks straight into the camera before continuing. “Stray Kids. If you’re watching this right now, I want you to know how proud I am of all of you. You’ve come this far, and you’re still doing an amazing job. You keep showing Stays daily that you still have tricks up your sleeves.” She smiles at them. “Keep up the good work, but take care of yourselves. That means taking breaks, ensuring you eat, and getting the necessary sleep.” She points at the camera, “That means you too, Christopher.” She raises her eyebrows. “Don’t make me fly over there and force you to sleep.” The boys start to tease their leader with her mocking words. He waves their hands away, trying to listen to what she has to say. “Well, that’s it for the video! I hope you enjoyed it as much as I did until we meet again. Bye!” She smiles, waving at the camera.
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(A/N: I decided to add this in because why not 🤷🏻‍♀️ The reader gets first access to Stray Kids mini album and Stray Kids get early access of the reader reacting to their newest comeback. I’ll be doing a second part to this chapter specifically to the reader videoing herself opening the packages from her fans (Including the boys 🤪)
(With a special surprise 😏)
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Eddie Munson's royal fuck-up
Written for the @steddieholidaydrabbles, day 11
Prompt: Royalty AU
Rated: G
CW: none
Tags: Rockstar Eddie Munson; Royal Steve Harrington; Meet cute; Flirting; Secret Identity; Sort of angsty/open ending
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"So, tommorow…" Chrissy says from behind the folder they've been provided. It looks so posh with its dark green binding, the royal sigil embossed on it in gold print. Eddie hates it. It probably thinks it's so much better than the other folders. "When you're introduced to Prince Steven, you're to address him as Your Royal Highness. After that, you call him Sir." 
"What, really? Dude, at least buy me dinner before we start with the kinky shit." 
Chrissy shoves his feet off the desk, which almost makes him topple off his chair. 
"Can you take this seriously? A royal visit is an important matter. We can certainly use the publicity-" 
Eddie's hand crashes down on the desk. "I'm a fucking rockstar, Chris. That ain't enough publicity? This place is my baby, mine. What does that royal asshole know about what it's like to have a rough childhood? He thinks he can come here, give a little speech, smile for the cameras, and suddenly it's all about him?" 
"What, now you care?" 
He whirls on her, but the look she gives him makes him freeze. Chrissy sighs. 
"Eds, you are so busy with the new album and the tour, you haven't even met the new volunteers. I said I'd manage the place, and that's fine. But you must trust me. Just do it for me. Please?" 
*
The skate park has new graffiti, and he hasn't even seen it yet. Eddie exhales his cigarette smoke and watches how it curls up to the sign spelling Hellfire Youth Center.
Maybe Chrissy is right. Maybe he should be here more. Maybe he's been so caught up in the whole fame and fortune thing, he's losing sight of what's important, like- 
"Watch out!" 
Like guys on skateboards barrelling towards him. 
Eddie throws up his hands. The guy tries to swerve, completely tips his precarious balance, and goes flying off the board and right into him. They land on the asphalt with an undignified oomph. 
"Shit, sorry," babbles the guy and tries to disentangle his limbs from Eddie’s. "Couldn't brake-" 
"S alright," Eddie hears himself say, even though his ass hurts like a bitch from the impact and he can already feel the bruises forming. "You can fall into my arms any time." 
Skateboard guy blinks up at him and - fuuuck, he's cute! In a scrungly, beanie-stuffed-over-chestnut-locks, black-rimmed-nerd-glasses kind of way. 
For a second, nobody says anything. 
"For fuck’s sake," someone swears, and then little Max Mayfield is running towards them, ginger braids jumping with the movement. "I told you to be careful." 
"Sorry," cutie with the glasses says again. Eddie has never seen him around. He must be one of the new volunteers Chrissy mentioned. "Guess I'll need to practice some mo- ow, shit!" 
His hands fly up to cradle his knee. There's a hole and a rapidly spreading bloodstain in the fabric of his jeans. 
"Oh fuck," Eddie says, and whips his bandana from his back pocket to press it to the wound. "Red, why don't you hop inside and get the first aid kit? I'll stay here with …" 
He trails off expectantly. Cutie's eyes go wide. 
"I, erm … Dustin." 
"I'll stay here with Dustin." 
*
Dustin, it turns out, isn't just cute, but also fun to talk to. He doesn’t gush about what a huge fan he is or ask for an autograph once. Eddie never thought he'd appreciate that one day, but it gets really old really quick. 
Instead, they jump from one topic to the next, sitting on one of the benches and watching Max go on her board. Dustin has a quick, sharp wit and isn't afraid to counter Eddie’s jabs with his own, delightfully bitchy sense of humor. Damn, to think he almost missed this one. He really needs to be around more.
"I love this place, y’know? You created something great for these kids." 
Eddie jerks to attention. The sun has started to dip, casting Dustin’s smile and the hair poking from his beanie in a soft golden light. 
"Thanks man," Eddie murmurs, and feels the bitterness boil back up. "Some people seem to think it needs better publicity, though." 
Dustin shuffles awkwardly, winces when the movement pulls on the Care Bears bandaids Max has plastered all over his knee. 
"You mean the royal visit?"
Eddie huffs. 
"Yeah, man. I mean, what are they expecting me to do, bow and grovel while his Royal Doucheness prances all over the place with his perfect hair and fancy suit and thank him for it? It's not like he cares about these kids, it's all just a gig to him."
Dustin draws his bottom lip between his teeth.
"You can't know that. Maybe he does care. Maybe he's-" 
Eddie barks a laugh. "Oh, give me a break. All the royals are good at is looking important and spending our tax money. I can fucking do without-" 
"Steve? We gotta leave, c'mon." 
They both whip around. A fancy black limousine with tinted windows has pulled up in the parking lot behind them. A gruff looking man is holding the back door open and looking at them expectantly. 
Dustin sighs and stands. 
"Coming, Hop." 
"Wait, wait, what?" Eddie babbles as he walks towards the car, shoulders in a sad little hunch. "What's going on? Who's that guy? Why's he calling you-" 
And then it clicks. 
"Oh fuck," Eddie says. 
Dustin … no, Steve … no, Steven - Crown Prince Steven fucking Harrington - gives him a tight smile while the man ushers him into the backseat. 
"Thank you for your time, Mr Munson, I'll see you tomorrow. I'll try not to be too much of a douchebag, I promise." 
The door clicks shut. 
The car glides away. 
Eddie buries his face in his palms. 
"Jesus fucking Christ. He's the fucking Prince."
Beside him, wheels grate on asphalt as Max brakes.
"Wow," she deadpans. "You're in some deep shit." 
Eddie groans. 
Tomorrow is gonna be a long-ass fucking day. 
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Part 2
All my holiday drabbles
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freedomfireflies · 1 year
Text
iFall for Harry pt. 7
Summary: The seventh part to iFall for Harry
Letting the stranger in your phone go is a lot harder than you anticipated.
Surely a drunken phone call will help with that.
Word Count: 2k
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What do you call an apology written in dots and dashes? 
Remorse Code.
I’m gonna assume you’re laughing. 
Like hysterical, uncontrollable laughter.
And while you attempt to keep from rolling on the floor…I want to say I’m sorry.
Again.
Because I am. I’m sorry I didn’t tell you.
I know that was selfish. And sneaky. And I wasn’t trying to be. Not on purpose.
I just…I didn’t see any reason to change or ruin what we had.
And then we met. And I saw you. And everything and nothing made sense all at once.
And I thought I could explain.
I wanted to explain.
But I wasn’t sure how.
I guess I thought if we kept talking…the right answer would find me.
But it didn’t.
And then you left.
And I don’t know what to do.
I really don’t know what to do, Cheese Girl.
I miss you.
And I hope you talk to me soon.
You read every text as it comes in. You read, and you reread, and you try not to worsen the anxious pit deep in your stomach.
You didn’t expect this to be so hard. 
You don’t want this to be so fucking hard.
You met him. You met the stranger in your phone and for the most part, it was civil. 
You weren’t catfished. Hooray.
Not to mention, you met Harry Styles. Something that not everybody can say.
But you know better than to let it go any further than it already has. Because it can’t go any further. Your best option is to cut your losses and move on.
Leave this stranger behind.
Because that’s all he is. That’s all he’ll ever be.
A stranger.
You make peace with this thought and go about your life. You go to work, you go to yoga, you go to a bar with friends. You meet new people, and you try new recipes, and you start a new book.
You start a new chapter. Without him.
You try not to think about him. And for the most part, you don’t. He doesn’t reach out again and you assume he probably won’t ever. 
And you’re okay with that.
And then…you’ll hear his name. A friend will mention an outfit he wore at a recent concert or about rumors he’s working on his next album.
And that anxious coil in your stomach will return.
A part of you is still waiting for the other shoe to drop. To find out that this was all some sort of sick prank. For the moment cameras will be shoved into your face to capture your reaction to the news that you’ve been part of a James Corden skit. Or that he’ll be singing about the pathetic girl that had the nerve to believe him when he can do so much better.
But the thing you’re most afraid of…is the way you miss talking to him. The way you’ll pull up his name on your phone and type out a message…only to delete it before you get the nerve to send it.
The way you wish…you could go back to that diner and do it again.
It haunts you, this thought. This regret. More than it should. It eats away at all the work you’ve put in to leaving him behind. It follows you all day. Into the shower, into work, into the grocery store.
And it leads you directly to a bottle of wine.
You’re halfway through your third glass when you get the idea. When all common sense takes a flying leap out the window. And before your better judgment can kick in…you’ve opened up his contact information.
The ringing is loud. Maybe too loud and you grimace as you pull the phone away from your ear. You might be a little too drunk for this.
And then…the ringing stops.
And it all goes quiet.
Until—
“Hello?”
His voice is exactly like you remember. British. And deep. And just a bit raspy.
Perhaps if it were any other moment, you’d be tempted to feel nervous or flushed, but right now…you simply straighten up.
“Hello,” you repeat in a no-nonsense tone of voice. “It’s me. Cheese Girl.”
You think you hear him laugh. “Yeah, I know,” he says before pausing. “…hi.”
“Hi,” you echo before frowning and clearing your throat. “I just wanted to call and say…fuck you.”
A beat before he sighs. “Yeah.”
“Yeah.” You begin to pace around your apartment, hoping that the movement will help the words flow a bit faster. “Yeah, because you…you are a complete and total asshole. Did you know that?”
“…I did.”
“Good.” You nod. “And do you know why you’re a complete and total asshole?”
Another brief pause. “Because I lied to you.”
“Eh. Wrong.” You come to a stop. “Because you made me like you.”
Silence.
You carry on. “You made me like you…and then you took it away,” you tell him. “You made me like a complete and total stranger that I’d never met. That I knew nothing about. Just from some puns and your sexy-ass voice. You made me like you. Like…really like you. And then you just…you took it away.”
More silence before he finally murmurs, “Are you drunk?”
Your frown deepens. “No…yes. Maybe—look, that’s not the point. Everything I said is still true.”
He sighs. And it’s heavy. “I…shit, look I…I didn’t take it away. Okay, in fact the last thing I wanted was to end this, but you were the one who said we couldn’t continue.”
“Because we can’t,” you remind him. “Hello. You’re you. You’re so famous, you can’t even walk through the street without people flocking to you.”
“So?”
“So…there’s no room for me.”
“How do you know?”
“Because I know.”
“How?”
“How?”
“Yeah. How do you know?”
“Because I just do,” you huff. “There’s only room for models, and famous people, and tours, and all the fucking money you’re probably making. But there’s no room for me.”
“I’d make room.”
The confident remark makes your head spin, and you blink down at the floor.
The call goes quiet for a good minute or two. You wonder if he’s still there, but something tells you…he is.
“You can’t…say stuff like that,” you finally whisper.
“Why?”
“Because it’s not fair. And it’s not true. You can’t possibly make a promise like that.”
“Says who?”
“Says…everyone.” You slump down onto the armrest of your sofa and stare at your lap. “And even if you could…you shouldn’t. You don’t even know me.”
“I want to.”
“You don’t,” you correct. “You don’t want to know me. I’m not…I’m just me. I’m not exactly worth getting to know.”
You hear him scoff. “Well…that’s the biggest load of bullshit I’ve ever heard.”
Your eyes narrow. “It’s true. I can’t give you what they can.”
“They who?”
“You know. The other people in your life.”
“What people?”
“The…people. The models and the mommy’s you’re so obsessed with.”
He snorts again. “Okay, well, that doesn’t even close to cover my type.”
“Oh, no? Tell that to literally every ex you’ve ever had.”
“Those weren’t all of my ex’s.”
“Please. Like you managed to date somebody that the press didn’t know about.”
“I have. Many times, actually.”
“Name one.”
“Well, that kind of defeats the whole purpose of dating them privately, don’t you think?”
“Maybe. But I’m not the press. And I’m not gonna tell.”
“Yeah? How do I know that?”
“Have I leaked anything yet?”
The call goes quiet again.
“No,” he admits after a minute. “And honestly...I was kind of disappointed when you didn’t.”
Your brows furrow. “What? Why?”
“Because it meant that you didn’t want anything from me,” he says softly. “It would have made sense if you’d just used this situation to…make some money or gain some publicity. It probably would have even been easier on me if that’s how it ended.”
You feel your heart sink.
“But…your silence meant that you didn’t care about that,” he continues. “It meant that I’d really hurt you. That this had been…real. That you’d rather cut me off altogether then make some sort of name for yourself.”
You swallow the odd lump in your throat as you slide down onto the couch cushions. “I never wanted to make money off of you.”
“I know,” he murmurs, somewhat sadly. “It just…would have been easier if you had.”
Your eyes flutter shut, and you will yourself to remain calm. “Harry?”
“…yeah?”
You suck in a quiet breath.
“I miss you.”
You hear him sigh before there’s a bit of static.
He doesn’t answer right away, and you wish more than anything that you knew what he was thinking.
“I miss you, too,” he finally says, and you don’t think you’ve ever heard him sound so dejected. “I really fucking miss you, and I’m so sorry that I ruined us.”
“You didn’t,” you whisper, in a voice so small, you’ll be surprised if he hears you. “You were always who you said you were. I know that. But…you and I don’t exist in the same universe. And I don’t think we ever can.”
“Why?” His question is both hopeful and forlorn. “Why not? I have tons of friendships and relationships the world never sees. This wouldn’t have to be any different—we wouldn’t have to be any different. We could still be us.”
Suddenly, your throat burns from the tears you know are coming. “Harry…”
“What? No, stop. We just…come on. We’ve…we’ve met one time. Okay, this is only the start. We still have so much to learn—”
“Harry—”
“No. No, stop…stop doing that. Stop deciding we can’t have a friendship. You haven’t even tried—”
“I can’t try. I can’t…I can’t do this again—”
“Do what? We haven’t even done anything—”
“I can’t lose you again.”
You hate how quiet he gets.
“It was really fucking hard to leave you,” you admit, and there’s a slight rasp to your voice as you fight back tears. “It was so hard to realize that everything I wanted for us was just…gone. That you were gone. That this…weirdly wonderful period of my life was just…over.”
He doesn’t speak yet and you know it’s because he’s waiting for you to finish.
“And if I…if I let myself do this again…and I lose you again…I don’t know what I’ll do.” 
“Then you won’t lose me,” he says, but your head shakes.
“You can’t promise that.”
A beat.
“I know,” he sighs before the sigh turns into a groan. “Fuck. I know, I…”
You wait, heart pounding.
You don’t know what you want him to say. You don’t know what he can say.
Maybe you just…wanted to hear his voice.
“Is this why you called me, then?” he asks. “Just to tell me you can’t talk to me?”
Yes. No. 
I don’t know.
“I called because…letting you go isn’t easy for me,” you say. “Even though it should be. Even though I still don’t know you. Because…I feel like I do. I feel like I know you and I feel like when you’re gone…there’s something…missing. And it hurts. And I hate it.”
“I know,” he whispers. “I feel it, too.”
You both fall silent.
The sound of his soft breaths is comforting.
It’s a sound you imagine you’ll remember the rest of your life.
“Let’s make a deal,” you say, stomach already churning at the thought. “We’re good at those.”
He offers a gentle chuckle. “Okay.”
“We stay on the phone for as long as we want tonight,” you explain. “But once we hang up…it’s over. For good. No more texts. No more late-night drunken calls. No regrets. We delete, we block…and we move on.”
He thinks about this. “Is that really what you want?”
“No.” Your eyes squeeze shut. “But it’s the only way I’ll be able to let you go.”
You hate that you can feel his disappointment.
“Okay,” he finally agrees. “Okay. Then I’m right here. Until you’re ready.”
You clutch the phone to your ear as a single tear rolls down your cheek.
So begins the end.
“Okay.”
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Dedicated to @nof0odallowed for the original ask! 💞
Next Part:
~ iFall for Harry pt. 8
Previous Part:
~ iFall for Harry pt. 6
~ Full iFall for Harry Masterlist
~ Other Harry Blurbs
~ Full Masterlist
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avatar-anna · 1 year
Text
Love on Tour: The Documentary, Part 2
we all know harry is working on a documentary, so this is my take on how young dad!harry would approach it!
and now a little key:
bold and italics: camera directions, or what you would be seeing as a viewer of the documentary in person
just italics: interviewer questions, or people who are speaking off camera
Young dad!Harry x Young mom!Reader universe
Part 1 Part 3
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In the interview room with Harry.
“There are some pretty heavy songs on Fine Line.”
Harry scratches his chin and looks away from the camera. “Yeah.”
“You’ve said in the past that you write from personal experience. Where did songs like ‘Cherry’ and ‘Falling’ come from?
“Uh...Not the uh…not the best time of my life.”
Cut to Y/n’s interview.
“Harry is…the most hard working person I’ve ever met. He wants to do everything he does with a hundred and ten percent. Almost to a fault, and there—there were moments where I felt like he was choosing his career over his family. You know, once One Direction went on hiatus, I thought things were gonna be different. I thought we would have more time together as a family, but we started falling into the same cycles. Write, promote, tour.”
Cut to Harry.
“Were you choosing your career over family?”
“I know how Y/n felt back then, and we’ve talked about it at length since then,” Harry says. “I think…I think at the time I only knew one way of having a music career and providing for my family, and it worked, so I almost felt like I had to keep that momentum. After the first tour ended, I came home and we spent time together, but…All I’ll say was it was tense.”
Cut to Y/n.
“I often think the pandemic was a blessing in disguise.”
“Really? Why?”
Y/n looks down at her lap before answering. “Because I was done.”
Cut to clips of Harry in Japan and in recording studios with his team.
Harry’s voiceover: “I’d never felt truly alone until we separated. To some it may seem odd because I was touring so much anyway, but I spoke to my family every day. I don’t think a day had ever gone by that I didn’t speak to Y/n. I wanted to give Y/n space, and I felt so lost, so I just kind of…stayed away. It was so hard. All I kept thinking was, ‘I did this. This is my fault.’ I eventually started writing down how I felt, but…yeah. Not something I look back on with pride.”
Back to Harry’s interview.
“Why talk about any of this at all?”
Harry’s eyes are red and watery, as if he had just been crying. “It was part of this whole journey. It wouldn’t be authentic of me to only share the good parts. Fine Line is introspective. It’s an album about high highs and low lows, so it only makes sense to kind of…express what I was going through to make me feel a certain way while writing.”
Cut to Y/n’s interview.
“What was it like to hear Fine Line for the first time?”
“Jeff told me H jetted off to Japan to write songs for the next album, and I didn’t see him until after it was nearly ready to be released. I wanted him to fight for us, but he just left. It solidified for me how much we needed to take a little time apart and figure out what we wanted. I was…resentful going into it. It felt like his music was tearing us apart, and he went to write more. But…”
Y/n wipes a tear from her eye.
“He…He was hurting as much as I was, and I was partially to blame.”
When asked to elaborate about the children during that time, both Harry and Y/n refused to comment.
Cut to an interview with Jeffrey Azoff, Harry’s long time friend and manager.
“I have a lot of respect for the both of them,” Jeff says. “What the two of them went through together, what Y/n endured all those years. Being a parent is hard enough, add everything else they put up with on top of that?”
Jeff shakes his head.
“But Harry went on a huge tour under your management.”
“An error on my part. And his,” he says. “I think we were so excited to start his career, and as a manager who has a client who loves live performances, it felt like a no brainer. I could tell that H was going to be someone explosive in the music industry, and I let that kind of cloud my vision.”
Jeff also reveals that he has since apologized to Y/n and that they are on good terms.
“So how did you go about promotion for Fine Line?”
“It was tricky, you know, because to the outside world, why wouldn’t H be doing all the talk shows and interviews and things like that? To everyone who didn’t know what was going on, he had all the time in the world and no obligations, but that obviously wasn’t the case.”
“Were there ever conversations to reveal his family to the public?”
Cut to Y/n and Harry in an interview room together.
“We talked about our options moving forward,” Harry says. “But we decided the best way to protect the kids’ privacy was if no one knew I had a wife and kids.”
“Definitely not easy,” Y/n says, but not impossible.”
Clips of Harry on various talk shows (Late Late Show, Ellen DeGeneres, Graham Norton) and at the Jingle Bell Ball, and One Night Only at the Forum appear. Some are of him performing, others are of him rehearsing, and one in a green room with Y/n, Simone, and Collette sitting on a couch.
Harry’s voiceover: “We decided on a couple talk show appearances in places where I could drive home afterwards, and longer breaks between tour destinations,” he says. “I was prepared to hold off on the album release so that I could spend more time at home, but Y/n wouldn’t let me.”
Back to Y/n.
“Keeping him from doing what he loves was never the goal,” Y/n says. “I just wanted there to be a balance. The kids were getting older and had more things going on, and I didn’t want their earliest memories of their dad to be that he was gone all the time. H wouldn’t be the same person if he didn’t have his music, but he also wouldn’t be the same without us. I never wanted him to give up his life for us, but things needed to be different.”
“Global lockdown was certainly different.”
She nods. “I think H saw it as an opportunity to…make up for lost time. It was difficult for obvious reasons. Online learning, keeping the kids entertained all day, staying inside, the toilet paper thing, but we’d never been the kind of family that spent so much time under the same roof before. It was strange, but also really nice.”
Back to Harry.
“You know, obviously I was bummed that I put out this album that I was really proud of and couldn’t perform it the way I wanted to, and there were already so many fans who bought tickets. I felt like I was letting them down too. But at the same time, it forced me and Y/n to share common space after so much time apart. I wasn’t about to take that for granted.”
This was all Harry and Y/n were willing to talk about concerning their separation. They did not say how long they were apart or when they officially mended things.
*.*.*.*.*.*.*.*.*.*.*.*.*.*.*.*.*.*.*.*.*.*.*.*.*.*.*.*.*.*.*.*.*.*.*.
In another interview room are four children.
“Can you state your name for the interview, please?”
“Simone Styles.”
“Nicoletta Anne Styles.”
“Maeve!”
When the fourth child doesn’t answer, Maeve does it for him.
“And that’s JuJu.”
“No it’s not!”
“Then say your name!”
“My name is Julian.”
“Do you know what your dad does for a living?”
“He travels a lot,” Maeve says. “Sometimes we get to go with him!”
“Daddy sings onstage,” Julian says.
“And on the radio!”
“He’s a musician,” Simone says.
“Do you have a favorite song that your dad sings?”
They all begin to talk over each other.
“I like Adore You!”
“As It Was!”
“Only because you were in it.”
“Baby Shark!”
“I like his One Direction songs,” Collette says.
“So you know who One Direction is?”
“Yeah,” Simone says while the rest nod.
“Simone, do you remember anything about your dad being in One Direction?”
“Not really. But Mom likes to tell stories about all the cool places we got to go together.”
“What is the coolest thing about your dad?”
“Did he tell you to ask us that?” Maeve asks.
The whole crew laughs.
“No, he didn’t.”
“I like when he plays with my toy cars. Sometimes we make a really big racetrack with, like, loops and stuff,” Julian says.
“I like when he plays tea party with me!”
“I like it when Dad picks me up from school early so we can go shopping together,” Simone says.
Back to Harry and Y/n’s shared interview.
“You do what?”
“It was only a couple of times!” Harry says in his defense.
Y/n gives Harry a stern look before she says, “Okay.”
“Okay?”
“Mmhm.”
Harry looks at the camera. “She does this to scare me. Pretends like everything’s fine and then grills me later.”
Back to the interview with Simone, Collette, Maeve, and Julian.
“What was it like being in lockdown together?”
“It was really fun!” Maeve says.
“We played lots of games and did campouts in the backyard and stuff,” Simone added.
“I learned how to ride a bike!”
Collette tilts her head to the side. “Well, it was mostly fun. When Mom and Maeve got sick it was not so fun.”
“I think Daddy was in over his head,” Julian says.
Cut to Harry and Y/n’s interview.
“I was not ‘in over my head.’ We were fine. Better than fine, even.”
Y/n looks at the camera, clearly amused. “He called me crying several times.”
“How did you and Maeve quarantine while you were sick?”
“We took our bedroom,” Y/n says, gesturing between her and Harry. “And they would bring us meals and everything. I was a little worried because GiGi was only a couple months old, but we made it work.”
“Why were you crying so much, Harry?”
“It wasn’t so much. But…I think we’re all used to having Y/n around, and sometimes Simone and Collette would argue, and Julian missed having Maeve around, and you know, was looking after a newborn during all of it. Y/n is truly the glue that holds this family together.”
“He got really good at braiding my hair!”
Everyone laughs at the little voice off camera, which turns away from Harry and Y/n to where Collette is sitting in a director’s chair. Then the camera swivels back to Harry and Y/n.
“She’s right. I am a master at the French braid.
Cut to a home video of Simone and Collette with Harry filming.
“Welcome to our home!” Simone says. She spreads her arms wide as she presents the front room of the house to the camera.
Both Simone and Collette proceed to give a tour of the whole house. They show a kitchen, a home theater, what they call “Daddy’s office,” which appears to be a converted recording studio, and the twins’ bedroom.
“This is my room. I share it with Simone,” Collette says.
Simone shows off the bedroom, which has white walls with pastel accents. Lots of stuffed animals on two beds with princess canopies and a small sofa. There are two rugs on the floor, a white one with a textured pink and purple smiley face and another white one with an orange pattern. A teddy bear bean bag chair sits by one of the beds. There’s a bay window with a small mattress and curtains with hand-stitched cherries on them. “A project completed by yours truly,” Harry says about the bay window bed. “I’ve become quite the handyman during lockdown. And an interior decorator.”
“Dad!” they both cry.
“Sorry, sorry. I’ll keep quiet from now on.”
The “tour” ends in Harry and Y/n’s room, where Y/n lays on the bed. Her belly is big, clearly several months pregnant. She smiles as Simone and Collette approach.
“What’s going on here?” she asks.
“We’re giving a house tour!” Collette says as she jumps on the bed. “This is our last stop.”
“We’re gonna send it to Nana and Auntie Gemma and…”
Simone rattles off all the names they plan to send their video to.
“Wow! And I see you have your own cameraman,” Y/n says.
“He’s good, but we have some notes,” Collette says, and Simone agrees.
“That’s it. No more cameraman. I’m the tickle monster,” Harry says.
Simone and Collette scream and run away, and the video ends shortly after that.
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mysticovo · 4 months
Note
hey so could I possibly get a scenario where Splinter is on about none of his sons will ever give him his grandchildren one day. He has zero hope. And s/o of Donnie is just like “Donnie has 5 robots that call him dad so you’re already a grandpa. Donnie maybe your dad’s feeling left out?”. What happens after this?
Omigosh yeaaaa!
~~~~~~~~~~
Splinter was bored out of his mind…..looking through the family album as his old Lou Jistsu movies played in the background. As he started at the pictures of his 4 sons as young children, reminiscing…he couldn’t help but sigh. All he wanted was to experience it again….having the small tots running around the lair. But…differently.
Of course his sons had to deny him of that feeling. He kept flipping through the pages. Eyes grazing over each one. ”Oh my sons…” He sighed out once more, not realizing he was thinking out loud.
“Splints? You alright?”, a calming voice called back. It shook him out of his thoughts as he looked up, seeing you with your hand on the back of his chair.
“____, yes…just thinking.”
“About…? It’s like that time your favorite show was over run by that…horrid puppet show.”, you paused and looked at him with a soft expression, “Don’t make me get Dr. Delicate Touch or Dr. Feelings.”
He sighed once more before asking real bluntly….“When am I going to get grandchildren?”
“Oh…oh!”
That was certainty not what you were expecting…but it had to come out some point. Apparently even Leo’s been thinking about it since he was what, 14? You’ve had to hear that conversation in some of Donnie’s old recordings from when they were kidnapped.
“I-um-well..”, you tried to find the right words but nothing sounded correct or be able to be verbalized. To say you were red was an understatement.
“I….I need to go and babysit Shelldon..”
And with that, you quickly left without another word. This was a conversation you desperately did not want to have…especially right now. As you walked through the halls of the lair, thoughts plagued your head. I mean…was that even possible?
Oh…it sort of was…
~~~~~~~~
“Dee!”
Your voice had rang through the lab, the sound of machinery was the only other noise. Once he heard it, he immediately looked up. Shelldon was currently curled up on his lap asleep as he worked on another turtle robot, this one a baby.
“____..”, his voice had a small breathiness to it as his eyes filled with love. You were basically a small family by now with all the robots calling you two their parents.
You sat on a stool and rolled over to him, stopping an inch away from him. Your hand made it’s way to Shelldon’s head and gently stroked it.
“Just had an awkward conversation with your dad.”
“When is it never?”, a small smirk laid on his beak as he continued to tinker with the small robot.
“Oh har har…but..I think your dad’s feeling…it’s hard to explain.”
Looking down at your lap and hands, Donnie slipped a hand into yours. He squeezed it softly and left a kiss on your hair.
“Scoff, describe it. Maybe my non dum-dum brain can make sense of yours.”, he really didn’t mean it in a bad way…more of a playful, teasing way. Sometimes it was certainly hard to decipher.
“He asked about grandchildren. I think…I think he might just feel left out of this whole entire thing..”
“He told you what?! I mean…he really shouldn’t have even done that! The pressure it would…just…nyeh!” He slammed his screw driver down onto the work desk and turned to you. “I am so sorry..”
“It’s not your fault…I asked why he was upset.”
“Still…”, He sighed, he gave you a look before giving you a pat on the head with his battle shell’s robotic arm, “Pops is just…look, I’ll talk to him. I’ve been able to scold him before and I’m not afraid to do it before.”
He then decided to go on a ramble of the tv shows and docs he was gonna rig to Splinter’s glorious tv/projector. As he ranted and rambled, your thoughts ran. “Donnie…what if he’s feeling sort of…I don’t know…left out? I mean we have Shelldon who he barely interacts with and he’s basically our son. Then this one..”, As you gestured to the two turtle robots, Donnie looked back at you with loving eyes.
“I guess I didn’t…calculate that factor.”
He grabbed your hand and squeezed it. He sighed softly again before getting up, placing a small blanket Mikey made onto the unfinished robot.
“I’ll try to talk to him…”
“Without that tone.”
“Yes, yes…without that tone.”, Donnie softly laughed and rolled his eyes. With that, he walked out of his lab and lingered for a few moments.
“Hey _____..”
“Yea Dee?”
“Maybe it wasn’t such a bad idea..” With a soft smirk, he finally left. Leaving you with a shocked face and your mouth opening and closing like a fish.
~~~~~~~~~~~~~~~~
Hey! Hope you all liked it, sorry it took so long! Ive just had a few things going on and stuff but I’m still working on and accepting requests! Like always, I’ll see you later my Mystic Deers! (^∇^)
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It’s A Long Way To The Top 🎸 | Pete Maverick Mitchell / Top Gun Maverick Imagine
Takes place after the events of TGM
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Top Gun Maverick Masterlist
Characters & Pairings: Captain Pete ‘Maverick’ Mitchell x 80s Rockstar!reader (romantic), Bradley Bradshaw x reader (mother/son-type relationship), Dagger Squad (platonic) Hondo (platonic)
Content warnings: Fluff, slight profanity, flirtatious banter, light suggestive content, mentions of past drug use. | Female!reader (she/her) | wc: 13.5k
Social Media matching HC
Premise: The Dagger Squad didn’t know much about their former instructor turned friend, Captain Pete ‘Maverick’ Mitchell. Only Rooster had insight on all there was when it came to the famous pilot, and his love life certainly fell into that. When the squad shows up unannounced to Maverick’s San Diego home for his birthday weekend, they are greeted with the shock of the lifetime when it’s revealed Maverick’s lady once ruled the radio of the decade they were born in. And what better way for them to properly meet one of the greatest rockstars to ever exist than by attending the bands reunion concert that night.
Note: So TC was born in 1962 and that what it also says for Maverick (although with his rank I doubt it lines up but Imma just go with it), so for this imagine you were born in 1964 and were the front woman of a famous 80s rock band who Mav meets after the events of Top Gun. I love rock music and have been listening to it nonstop the past week and this inspired me. At first I was gonna do this with Rooster or Phoenix with a modern day rockstar, but then I thought Mav was better suited for what I had planned.
Also in my research I found that the Staples Center (which is going to mentioned a lot) opened in 1999 and is now called Crypto.com Arena, but for this just imagine it opened in the 80s and is still called the Staples Center. Personally I will always refer to it as that even though it got a new name. Last thing, my favorite band is AC/DC and i use two of their songs as ‘your’ songs verbally said. The album/era names are ones I thought of off the bat, and feel free to imagine your friends as your bandmates, I just gave them names to make it easier when writing. And the photo on the collage is to show the outfit reference—I don’t write with any indication of race/ethnicity/etc unless it’s for an OC. Hope you enjoy and let me know what you think!
————————————
“Are you guys sure about not warning Rooster we’re coming?” Bob voiced from the passenger side of Nat’s car. In the backseat were Mickey and Payback while Hondo drove the car behind them containing Hangman and Coyote.
“Bradshaw will spoil the surprise,” Fanboy reminds him, “And the whole point of this is to surprise Mav. We haven’t seen him in months and this is the first time we’re all together again.”
“I know,” Bob sighs, leaning back into his seat before glancing at Nat, “How did you even get his address, Nat?”
She doesn’t stray her eyes from the road as she responds, “I may have convinced Admiral Simpson to give it to me, saying we all wanted to send Mav a birthday gift but didn’t have his permanent residence. I know he’s often in the Mojave desert during his vacation, but Cyclone gave me his San Diego home address.”
“Hondo didn’t even have Mav’s address?” Mickey says more to himself, surprised the man did not. He was Mav’s closest friend and had been with him since the Darkstar project.
“Hondo only had his Mojave camp—which isn’t really an address when you think about it. It’s quite literally on an old airstrip that’s not even used by the Navy anymore,” Nat tells him, “Mav lived there during their assignment so it makes sense why he only had that one.”
“So what I’m hearing is you deceived Admiral Simpson so we can show up on Mav’s doorstep like ‘surprise! We’re here!’ And Cyclone just gave it to you with no questions asked?” Payback raises a brow, catching her eyes in the rear view mirror.
“Not entirely,” she defends, “I mean we are sending him a birthday gift…..it’s just we are the birthday gift.” At the laughs from the men Nat rolls her eyes, “Y’all are in this too, so I don’t know why you’re laughing. We’re almost there. GPS says ten minutes.”
The Pacific Ocean was to their right, the sun high in the sky as the time reached one o’clock. They noticed as they traveled down the road that the houses were becoming more distant and eye-catching. “Damn,” Fanboy whistled under his breath at one point.
When they got to the turn to enter the neighborhood, they were greeted with a closed gate and security. Nat mentally cursed, not anticipating Mav lived in a gated community.
Now the jig was up and they were gonna have to call Rooster.
While Nat spoke with one of the security guards Bob was already dialing Bradley, who answered with a confused, “Hey, Bob. What’s up?”
“Rooster, hey, I’m sorry to bother you but the squad and I were planning to surprise Maverick for his birthday tonight and well….we’re kinda at the entrance to his neighborhood. We didn’t think it would be gated and needed confirmation from the resident to get in.”
“Ah damn,” Bradley said with a laugh and Bob could hear him fiddling with his keys. “I wish y’all would’ve told me, but then again I know I probably would’ve ruined it.” It was the truth, Rooster could not keep a secret if his life depended on it. Last year he unintentionally spoiled Nat’s surprise party when she got promoted. Soon it became a running joke amongst the group. “Just hang tight, I’ll be right there.”
“Wait, are you at Mav’s house?” All eyes in the car turned to Bob, the WSO catching the sound of Rooster’s Bronco starting up.
“Yeah, I’m on the list and can get y’all in. Hang on, imma tell him I’m running out to get beers.” There was a pause on the receiver before a car door shuts and Rooster says, “I’ll be there in two minutes.” Bob stayed on the line before hanging up when they caught sight of the bright blue vehicle approaching from the other side of the gate. Rooster pulled off to the side, exited the car and approached the security hut where another officer met him in the middle. The team watched as they exchanged words before the guard Nat spoke with was called over.
When he returned seconds later he said, “we’re gonna open the gate and if you could please pull off to where my buddy directs you and step out. We have to check the cars.”
“Sure thing,” Nat says with a wave as he goes to relay the same to Hondo. Passing the gate, she parks the car where the guard instructs and all four step out from the vehicle. Hondo pulls up seconds later with Hangman and Coyote coming over to stand with the group as Rooster approaches.
“Well this sure is some special treatment,” Hangman jokes when an officer comes up with a metal detector to begin scanning the squad while the two search their cars. He notices one of the officers writing down the car information, including the license plate number. “Never seen this before when I’ve been to a gated neighborhood.”
“It’s just precaution since it’s your first time” Rooster says, dabbing up the guys when they are finished being scanned. “It’s good to see you guys.”
“It’s good to see you too, Bradshaw,” Nat gives him a hug and appears apologetic. “Sorry we didn’t let you know in advance.”
“Ah it’s all good. Like I told Bob I probably would’ve ruined it.�� They all laugh, some muttering sounds of agreement. It was all in good heart though, Bradley wasn’t offended. He was just happy to see his friends again and celebrate Mav’s 60th with them.
The only thing….they were in for their own surprise when they got to the house.
“Does the governor of California live here or something?” Javy jokes, but judging by the way Rooster reacts he’s certain there is some truth to it.
“All clear!” The main guard shouts, nodding to Rooster. “Y’all are free to go, just make sure to call in if you leave the area and return later on.”
“Will do,” Rooster salutes, shaking his hand afterwards. “Thanks again, Frank.” Telling his friends to follow behind him, they all got into their respective vehicles and headed down the road leading to the neighborhood.
“Sheeeesh,” Mickey says in awe at some of the houses they passed. They looked to be a million bucks. Literally. They were distanced quite a bit like something you see in Calabasas and had long entrances. “Mav should be on MTV’s cribs. How the hell does a naval Captain get something like this?”
“Probably by saving for that perfect retirement home,” Nat comments, eyes lingering on one house that caught her eyes.
“Nah,” Payback shakes his head, “I’ve seen Admirals with places not even to this extent. No offense to Mav, but I don’t see how an O-6 could afford a place like this.” About a minute passed before they were turning into a long driveway, all four jaws dropping at the sight of the home.
Yeah they needed to know Pete’s secret.
It was a gorgeous two-story mediterranean style home with an iron gate surrounding the perimeter. The exterior was beautiful, with flowers and various plants on the grounds. A front enclosed patio was the first thing they could see connecting to a foyer where the front door was located. Only one word could describe the home: marvelous.
The driveway was crescent shaped and could fit at least four cars with a side entrance leading to the garage. Rooster pulled up to the furthest spot allowing Nat and Hondo to pull up behind him. “Holy shit,” Fanboy says in awe, hopping out of the car and shutting the door behind him.
Shutting his own door, Hangman whistles, “If this is what retirement looks like, I can’t wait.”
“C’mon,” Rooster chuckles, nodding his head to the entrance. “Mav’s in the garage working on his bike.” The squad all rushes to get the gifts, beer, and food they had brought for the pilot, following behind Rooster while trying to not make it look like they were gawking at the home. They hadn’t even seen the inside yet but could already tell it was going to be as incredible as the outside.
Putting a finger to his lips, the group remains quiet at Rooster’s command as they ease their way into the garage. It was very similar to the one at his camp hangar in the desert. Pictures hung on a wall with several plaques. Motorcycles lined up and sitting in the corner was a gorgeous 1966 Dodge Charger. Coyote had to put a hand to his mouth to keep from making a sound when he saw it.
“That you, Bradley?” Mav said with his back to the group, unaware his practically surrogate son was not alone. He was dressed in a greased up white tee with some old light washed jeans and boots. Playing on the radio was the 80s on 8 channel from SiriusXM.
“Yeah it’s me,” Rooster places a case of beers the squad brought on the counter near the fridge. “I brought some strays too while I was at it.”
“Strays? What—?” Mav laughs, moving to turn around which resulted in his mouth dropping and wrench clinking to the floor.
“Surprise!” Everyone shouted, grinning widely at their former instructor who was completely speechless. “Happy Birthday, Mav!”
“Wha-oh my gosh!” The pilot's feet moved before he could stop them, embracing Phoenix first since she was closest before doing the same to the others. As he pulls away from Hondo, patting his back Mav goes, “What’re you doing here?”
“Surprising you for your birthday, old man,” Hangman lightly punches his shoulder. “You’re turning the big six-zero, there was no way we were missing it.”
“Aww thanks guys,” the man blushes, grinning when they bombard him with gifts. “It’s so good to see you all—I-I wish I would’ve known you were coming.”
“Then it wouldn’t have been a surprise, Cap,” Fanboy points to him with a knowing look.
“True,” Mav laughs, directing the crew to put the bags and all on the counter in the garage where the sink was located. “Thank you all so much, you really didn’t have to do all this.”
“It’s been a long time since we’ve seen ya, Mav,” Phoenix tells him, accepting the beer Rooster offers her that was already in the fridge. He passes them out to the crew, except Bob and Mav who kindly decline. Phoenix waves a hand, “Quite the place you got. Rooster had to come save us at the gate.”
Mav raises a brow at Rooster, “You didn’t know about this?”
“Nope,” he pops the ‘p’, “I’m sure you can guess why.” It takes Mav a moment, but then he chuckles, thinking back to the many times Bradley did ruin a surprise. Nat’s promotion party, Hondo’s birthday dinner, and the tickets the group got Mickey to attend SDCC’s Star Wars reunion panel.
“We hope we didn’t catch you at a bad time,” Bob says. “Dropping in unannounced. We weren’t sure if you had anything planned this weekend, but we all took a few days off—got rooms in TLF back at Fightertown, so we would love to take you out for dinner or something this weekend.”
Mav glances at Rooster, who gives a knowing look to the pilot while sipping his beer. The two share a silent exchange of words before he scratches the back of his neck….a few catch the reflective metal of a gold on his left ring finger. Phoenix and Bob’s eyes widen, looking around to see if anyone else spotted what they did.
“Um, well we did have plans tonight—but I can make a call and figure something out. Tomorrow for sure I’m free all day so whatever you guys want to do I’m game.”
“What kind of plans?” Coyote asks before Payback and Hondo nudges him for being nosy. “Owwww.”
Hesitant to reply, Mav gives Rooster another look before nodding his head to the door, “why don’t you guys come inside. Make yourself comfortable while I make a quick call.”
“Are you not going to—,” Mav is quick to cut Bradley off with a wink. Confused, the entire squad look at each other with the same expression before following behind Mav while Rooster is the last to enter and shut the garage door.
Pete doesn’t have to turn around to know they were all gawking at the interior of the home. The first rooms closest to the garage were the laundry room, open kitchen and dining room. Sounds of approaching steps alerted the group and several audibly reacted to the adult Dalmatian, white husky, and golden retriever puppy racing after them.
“Oh my gosh,” Javy kneeled down to pet the Goldie pawing at his legs. “Your dogs are adorable.” The husky was licking at Jake’s face while Phoenix and Bob were occupied with the Dalmatian before each dog inspected each of the guests. “What are their names?”
“That’s Ice,” he pointed to the husky first then the Dalmatian, “Bella.” Lastly he pointed at the puppy, who was kissing up on Mickey, “and Goose.” They spend a good three minutes right there in the kitchen allowing the dogs to receive attention from the squad before Mav directs them to the living room.
And that’s when they pass the cabinet.
A cabinet that was just one of many.
“Uh, Mav,” Payback stops, causing those behind him to do the same, gaze locked on the floor to ceiling glass cabinet—if you could call it that, it was more like a shrine.
Dedicated to one of the world's most renowned rock bands.
“Yeah?” Mav already knew what they were looking at. And that was only scratching the surface compared to the others in the house.
“Say, uh—,” Payback tilts his head, pointing to the cabinet, “Are you like, obsessed with ‘Y/n & the Romantics’,” several eyes trailed along the various shelves lined with actual Grammy awards for ‘Best Rock Performance by a Duo/Group’, ‘Best Rock Album’, ‘Best Rock Song’, ‘Record of the Year,’ & ‘Album of the Year,’ going back as 1980 to 2021 as the most recent. Other awards included almost a dozen in MTV Moonmen, Billboard Music Awards, American Music Awards, and an Oscar for ‘Best Original Song’. Framed photographs of the band hung on the walls and perched on the shelves. Some included them with famed music legends like Cher, Prince, Micheal Jackson, Cyndi Lauper, Lionel Richie, Def Leppard, and Duran Duran….those of which the squad could make out the signature on the photograph itself. An eye catcher was the USA for Africa signed photograph of every artist, including the Romantics, featured in Michael Jackson’s “We Are The World.”
One shelf pretty much was reserved for all the times they were the musical guests on SNL. Four times to be exact. Another shelf, that had their eyes boggling, was dedicated to their 1999 Super Bowl Halftime performance with a football signed by the band and head coaches of the teams that played that year.
Fanboy nearly shit his pants when he saw the guitars mounted on the wall. Not only were they signed by absolute icons, including Elvis fucking Preseley, but one of which was the iconic checkered neon pink Fender Stratocaster frontwoman Y/n L/n played in the 80s.
Y/n L/n. Dubbed the ‘daughter of Rock ‘n’ Roll’ with a voice that had people say she was what an angel would sound like if they rebelled from God to become a rockstar. Together with some of her best friends from high school, formed the group ‘Y/n & the Romantics,’ signing with a small label in Atlanta, Georgia in 1978 at aged 14 after being discovered on the corner of a street playing covers of Elvis, The Beatles, and Billie Holiday. What had the producer write up a contract right there was when he heard Y/n’s rendition of ‘Crybaby,’ by Janis Joplin. It was as though Janis had been reincarnated. Her voice was unlike anything he’d ever heard.
They released their first single on New Year’s Day of 1979. That first single that had RCA Records knocking on their door and shot them into becoming one of the best selling rock bands of all time. When MTV launched on August 1, 1981, their music video for their Grammy Award winning single was the third to be played after ‘Video Killed The Radio Star,’ by the Buggles, and ‘You Better Run’ by Pat Benatar. Y/n & the Romantics became teen sensations, dominating the 1980s and 90s before going on hiatus in the early 2000s. Y/n was not only known for her recognizable, unique voice but also her split dye hair, leather outfits, stage presence, and signature pink guitar she named, ‘Dirty Shirley.’
And it was in Maverick’s house.
“Holy shit,” Phoenix breathed out, patting Payback to look to the left. That’s when he noticed the wedding picture hung on the wall not too far from where they were standing. The bride, kissing Maverick in the photo, was the same woman holding a Grammy with her bandmates.
Eyes bulging out, Payback whistled and asked what they were all thinking, “Or…. you got something to tell us?”
August 15, 1989. Los Angeles, California. Club Electic Idol
“Tell me, Pete—or do you prefer Maverick?” The blue light shining above her in the bar had the glitter on her face reflect. She was dazzling. Unlike any woman he’d ever met. And Pete met a lot in his career, though they never captivated him like she was now. He wanted to dance with her forever
Arms around his neck, their bodies pressed together as they swayed to the beat of ‘When Doves Cry,’ by Prince. The leather adorning her body was smooth against his fingertips. Completely ignorant of the flashing of cameras from the side and envious gazes of both men and women around them. Never did the pilot think when he, Ice, and Slider agreed on coming to that bar after the concert that he would end up with the frontwoman in his arms. They were just looking for a place to grab a quick drink, maybe dance with a girl or two, and chill before heading back to their hotel.
Guess Y/n & the Romantics were looking to do the same. Fate seemed to bring them together.
“Either is fine, sweetheart.” She smirked at the nickname, finding it amusing. God, even her smirk was sexy. Everything about her was.
“You do that little show of yours each time you see a pretty lady? Or am I just special?”
Damn she caught him.
Truth be told it scared the shit out of him to even think about doing it. Had it not been for the light buzz from drinking a couple beers and encouragement from Ice saying, “You’re the only bloke in this bar who could probably get her into bed if you tried, Mitchell. I saw her eyeing you when you went to pick a song on the jukebox.”
At first he refused. It was Y/n fucking L/n of all people. And there were plenty of people, men and women, who were taking a shot at swooning the rockstar. Left and right they were offering her drinks and asking her to dance. Mav would only go up to her if Ice and Slider sang with him. There was no way in hell he would embarrass just himself. Especially if it didn’t turn out the way he wanted.
The fact it actually did work had the pilot thank his guardian angel, who no doubt had to have been Goose.
“I’ve only done it a few times. The first crashed and burned. Second time actually got me a date,” his lips curled up, “Now I’m hoping the third time’s a charm.”
“I see,” she hummed, never taking her eyes off him. The silence that indicated she was deep in thought. “What are you hoping to get out of it?”
“Honestly, maybe a kiss when the night comes to an end if you’d allow me the honor. But if not I would want you to never forget me. Just like I won’t ever forget you.”
“After a performance like that, Lieutenant, I’ll remember you till the end of time. And about that kiss….” She brings her mouth closer to his, but still enough distance to keep them apart. Pete felt his heart skip at the proximity, the perfume she wore filling his nostrils. “Keep impressing me and it just might come true.”
Present Day
“Wait-wait-wait,” Phoenix laughed with the guys as Maverick finished telling the story of when he went with Slider and Iceman to see Y/n & the Romantics perform at the Staples center in 1989. They were all seated in the living room—which had more framed photos of not just Y/n and her band but also of her and Maverick over the years and Rooster as a child.
Jake took photos of that on his phone to hold for blackmail. Now it made sense why Rooster was always singing their songs on the piano when they would go out.
After giving a quick tour of the first floor of the home, they all settled in the living room with his dogs as Mav sent a text to his lady to call him after soundcheck. Beers were brought out and some snacks, the crew still processing the news as they took it all in. Eventually after a quick explanation, Pete answered the many questions they had, including just how the hell he managed to pull one of the greatest rockstars to ever exist.
Whose band literally had a star on the Hollywood Walk of Fame and were being inducted into the Rock ‘n’ Roll Hall of Fame in just a few months.
“So from what I’m gathering,” Nat points to her forehead, as though she were deep in thought, “If my brain is right on track here….you were, to put it lightly…a groupie?”
“Now hold on—.” Mav tried to say but was cut off by the obnoxious laughter that was Javy, Mickey, and Jake while Bob and Hondo just shook their heads, although they were grinning wide at the insinuation. Rooster was smirking like, ‘told you so.’ Mav sighed, but he was smiling as the laughter died down. “I was not a groupie. Okay—yeah I had the hope I would meet her after the show, but I didn’t go out of my way to make that happen. They just happened to come to the same bar that night—I swear!”
“That literally sounds like what a groupie is, Mav,” Hondo pats his back. “You just got lucky it went in your favor.”
Blushing, Mav coughed lightly as he laughed with the group before adding, “I’d like to point out that nothing … you know, happened, alright? We simply had some drinks, danced…I may have tried serenading her with my rendition of ‘You’ve Lost That Loving Feeling,’” the laughter got louder, making his blush deepen, “and then we exchanged addresses to send each other letters—because that’s what you did back in the day or call on the landline. It was history from there.”
“Don’t forget, Mav,” Rooster points at him. “You guys made out and then you exchanged addresses before leaving.” Mav has to cover his face to hide his blush when the group hollar and cheer.
“So how long y’all been together?” Rueben asks, finishing off his beer.
“Since 1990. But we didn’t get married until 2002 after the band went on hiatus.”
“How come?” Phoenix tilted her head curiously.
Though Phoenix and most of the guys were not die hard fans of Y/n & the Romantics, they were familiar with their music of course. As one of the most influential rock bands of all time everyone had heard of them in some way, shape, or form. Their parents often played their records, or they’d hear them on the radio and in movies. The squad were all born in the 1980s & early 90s so by the time they got into their teenage years the band had already stopped releasing music. It wasn’t until late 2020 they announced a reunion with the release of their latest album and were currently on tour across North America. During the hiatus however, Y/n still wrote songs for other artists and even released a few solo records. Some of the Grammy’s in the case belonged to only her and not just with the band.
Personal lives of the band members were not something they knew too well. The only people in the group who had knowledge of some details were Mickey, who was a big fan growing up, and Hondo. Bob was also a fan, having played the drums as a teenager and cited them to be a big influence. On google information showed that the group consisted of Y/n, the lead vocalist who also played guitar, Maya the bass player, Evan the lead guitarist, Danny the drummer, and Ronnie on keys. All of them provided backup vocals on tracks.
Maya and Evan ended up falling in love, confirming long time rumors they were together in 1987 and had three kids over the course of the 90s. Danny married a famous actress in 2000 with whom he had a son. Lastly Ronnie was once married to the lead singer of another rock group before divorcing and finding love with a movie producer from when she landed a role in a tv drama, the two adopted a son and daughter in the early 2000s.
Y/n’s information did actually include the fact she and Maverick met in 1989 when they played at the Staples center, that he was a Captain in the Navy being the only man to shoot down five enemy planes in the last 40 years, and were together for over a decade before finally getting married. They did not have kids and the text read how they liked to keep their personal lives private.
Rooster of course knew everything. The first time he met Y/n was in 1991 when he was 7 years old and looked at her like a second mother growing up. She taught him piano and guitar, let him attend shows when the group were on tour in Virginia, and was always a phone call away even after he and Maverick were at odds. Since she didn’t have kids, Bradley was the closest to what it was like having a son. There was no way she was going to let them drift apart after vowing to Carole she would take care of him. They spoke almost weekly with Rooster updating Y/n on his career and asking when she was getting the band back together, knowing she missed going on the road and performing.
“Soon,” she would tell him with a laugh, “I’m working on some songs in the meantime. We all agreed once the kids are older that we’ll come back.” That was in 2012. Now it was 2022 and finally Y/n & the Romantics were on stage performing for a sold out crowd full of people from all ages. They were all in their late 50s but still knew how to rock n’ roll like the good ole days. Y/n never lost her stage presence, the audience thrived on it. Over the years she took care of her voice so she would sound exactly like she did in the 80s. It was her staple after all.
Answering Nat’s question, Mav gave a light shrug, “It just sorta happened that way honestly. We were happy with how things were—marriage was not for us until then. I should say legally married actually, because here in California the relationship was viewed as common law marriage since we had been together for so many years,” Mav explained before taking a sip of water, “Around the time they disbanded the others had young or were starting to have children so they decided to take a break until the kids were grown up.”
“I think that was the first time I saw my mother cry,” Bob chuckled, fixing his glasses as all eyes turned to him. “My mom was—is a huge fan. Anytime we went on road trips she’d play one of their albums. I think she even saw them live when she was in college—said it was one of the best nights of her life. She had a crush on Danny if I’m not mistaken.” Mav smiles, not surprised it was Danny. In the 80s the man was quite the heartthrob.
“How come you never told us?” Mickey cut in. It was a question all were curious to know. Hondo knew Mav was married, but not to whom. He and Penny had history and were friendly at the Hard Deck so they assumed they were together or possibly going to. Finding out he’s been in a long time relationship with Y/n L/n was the shock of their life.
“We like our privacy. It’s why we waited to get married also, because of how big they were in the 80s and 90s. I got followed by paparazzi in the beginning—which was causing problems with my job. We actually pretended to break up in the late 90s to get them off my back,” Mav shrugs again, “I also don’t like the idea of bragging that my wife is Y/n L/n. I love and respect her so much. Yeah I was a fan of her music, but what made me fall in love with her was getting to know her for who she was. Not Y/n the rockstar, but Y/n the girl who replays her favorite songs if someone talks during it. Who can quote every single line from ‘Dirty Dancing’. Who will scold me for leaving seven half filled water bottles on my nightstand.” Laughs rang out at that. “We personally enjoy letting people discover it on their own, rather than telling them upfront.”
“I still can’t wrap it around my head,” Jake waves a hand to emphasize his point. “That you pulled pretty much the woman all our dads, maybe even moms, had a crush on. Your game is on another level. Like please tell me your secrets, pops.” Phoenix playfully slaps Hangman on the shoulder.
Before he could answer the pilot, Maverick’s phone rings causing him to jolt from the couch. “Give me a moment guys,” excusing himself he goes around the corner into the hallway before answering, “Hey, honey.”
“Hey, is everything good? Your message sounded urgent.”
Mav heard sounds in the background, possibly the crew setting up the stage for the night’s show. “Everything is great….uhh-say is tonight’s show sold out?”
“Yessss,” he could hear the confusion laced in her tone. “At least that was what I was told by Hank. Why? Did Bradley want to bring a friend? I’m sure I can get a pass.” Mav let out a sigh, scratching his chin.
“If it’s too much to ask then don’t worry about it, I know you gotta get back to soundcheck and have a few hours until the concert starts. But my former students from a few years ago surprised me today to celebrate my birthday. They’re here at the house—Bradley didn’t even know they were coming, honey.”
Y/n laughed, “I wouldn’t have bet money on him to know,” they laughed together, Y/n following with, “But that’s so sweet of them! I know how much you’ve missed them since you retired last year. How long are they in town?”
“Just for the weekend. They all got rooms on base and were hoping to take me out either tonight or possibly tomorrow. I told them I had plans tonight….”
“But you didn’t tell them what plans, huh?” Mav could picture the smirk on her face. “Do they know?”
“About us? I just finished telling them why I never mentioned anything. They seem to understand and were apologetic for dropping in unannounced. But…..I have not told them that the last stop in your tour is tonight at the Staples Center and Bradley and I were going to be leaving in a few hours.”
“Who all is it?”
“My buddy Hondo from when I did the Darkstar project—I think I’ve told you about him, the two foxtrot teams I did the uranium mission with and two of my reserves. So seven total.”
“I see,” Y/n humed, finding her husband’s situation amusing. He let out a groan, apologizing but she just laughed and said, “Well since it is your birthday and I’ve been wanting to meet your little dagger ducklings forever now,” he smiled at the nickname Y/n had given the pilots. They really were his ducklings. “Let me talk with Hank and the venue manager. Show doesn’t start till seven so there’s plenty of time. Just hang tight and I’ll call you back, okay? I know you're probably losing your mind because you don’t want to miss tonight’s show knowing it’s the last of the tour, but you also want to spend time with them while they're in town. Imma make sure you get both, pretty boy…..and maybe a little something more when the night comes to a close.”
Fuck that got Mav blushing, knowing exactly what she was implying. “Y/n…”
“Love you, Pete. Wait for my call.” Telling her the same, Mav hangs up the phone and reenters the living room. Rooster immediately meets his eye, lifting a thumbs up to which Mav returns with a gesture to signify he was working on it. For the next thirty minutes the squad makes small talk until his phone rings again. “Hey.”
“Would it be okay if you put me on speaker?”
A smile forms on his lips, “Sure thing,” he looks at the group to catch their attention, “Someone wants to say hi,” they all, minus Rooster who’s smirking, watch with confused expressions as Mav hits the speaker button and places the phone on the table. “What have you got for us, honey?” The second the pet name leaves his lips, Mav sees Fanboy drop his now empty cup of water, Phoenix slap a hand over her mouth, Javy pushing Jake and vice versa muttering ‘holy shit.’ Everyone else pretty much does something similar when Y/n’s voice echoes through the receiver, “Hello hello, aviators.”
“Oh my God.”
“Yo this ain’t happening right now.”
“Guys, guys, shut up—holy shit.”
Y/n laughed at the reactions. “It’s so nice to finally—even if it’s over the phone at the moment—meet you guys! Pete talks about you all everyday.”
“I-I wish we could say the same about you, ma’am,” Payback nervously laughs. “We didn’t even know the man was hitched until an hour ago. Also we apologize for the fanboying-fangirling, it’s an honor to speak to such a legend. You’re an icon.”
“Oh you’re too kind,” she awes, “thank you so much. I hope you guys can forgive him for not saying anything—he meant well.”
“We understand,” Phoenix says on their behalf. “We’d also like to say sorry for showing up to your house uninvited—your home is beautiful by the way. We-we just wanted to surprise Captain Mitchell since it’s been so long since we were all together and he’s done so much for us.”
“I think that’s so amazing you guys did that! I wish I could’ve been home to greet you guys and see the look on his face. Did he cry by any chance?”
“Honey please…” Mav pleaded, causing everyone to laugh.
“I’m sorry, babe. Anyways, Pete tells me you guys are in town for the weekend and well……tonight the Romantics and I are playing our last show in L.A at seven. Bradley and Pete were set to leave San Diego around four to make it on time and if y’all are up for the short drive…..I have seven passes reserved with your names on them.”
The reaction of the dagger squad could only be described with a singular word: chaos.
First it was more of denial, but then they saw Maverick and Rooster’s face and realized Y/n was in fact serious. She was inviting them to her concert. The final show in her band’s reunion tour. The soon to be Rock n Roll Hall of Famers.
Yeah, they about lost their minds.
“I gotta call my mom—she’s gonna flip!”
“How the hell am I supposed to continue living life after this?”
“This is your birthday Mav!” Phoenix pointed at him while Bob had his hands in his face, expression unreadable. “You’re not supposed to be giving us anything, it's the other way around!”
“Nat, I would love nothing more than to spend my birthday with you guys at the concert tonight.” That just about made her tear up.
“Yo so this is legit?” Coyote held up a hand, trying to calm his excitement. “We’re actually going?”
“Hell yeah!” Jake said, Rooster and Payback agreeing with a high-five. “What the birthday boy wants, the birthday boy gets.”
“Y/n, thank you so much,” Hondo said on their behalf. “I’m sorry if you can’t hear over these clowns in the background, but I’ll speak for everyone when I say that we are so grateful for you to invite us to experience your show together and celebrate Mav’s birthday. I don’t think we’ll stop thanking you so be warned.”
After a few more minutes of mainly the squad bombarding the rockstar with words of gratitude and thanks, Y/n informs Pete of where to go when they get to the venue and she’ll meet them backstage to give them the passes. When they say their goodbyes and hang up, Coyote goes, “Okay so I don’t know about y’all…but I cannot walk into a rock concert dressed like this,” he gestures to his gray Navy t-shirt and torn jeans, “How much time we got, Cap?” The question has Pete check his watch.
“If we wanna get there before the doors open, I’d say we should leave in about two hours. It’s gonna take at least two hours to get to L.A, and we gotta consider traffic.” Mav thinks for a moment before saying, “I may have something that can help. Follow me.”
In one of the many closets used as a storage place, Pete removed a box from the self and opened it to reveal a bunch of vintage t-shirts of Y/n & the Romantics.
“Oh my gosh this is so cool,” Fanboy awed. Some of the shirts were literally from the 80s and 90s but looked to be in new condition, meaning they must have been extras Y/n kept for safekeeping. Nowadays it was hard for someone to get their hands on anything with the classic logo of Y/n & the Romantics unless it was from Etsy or a private seller. Stores like Hot Topic, Spencers, and those dedicated to the 80s or retro-like were the only places to buy the new style of merchandise. But these in the box, they were classic.
“Look through and see if you can find anything. There’s several sizes and styles—most of these were from their ‘Heartbreaker’ era but you may find some from ‘Love is the Eighth Deadly Sin,’ or ‘Rock ‘n’ Rolling to Heaven.’ We have some leather jackets I’d be happy to lend you guys—and Nat, Y/n wanted me to tell you that you’re more than welcome to borrow anything you’d like.” Her eyes go wide.
“Oh I couldn’t possibly—.”
Rooster claps his hands excitedly, cutting Nat off much to her annoyance, “Time to turn you guys into rockstars. Fuck yeah! This is gonna be the best night ever!”
So that’s how the famed naval aviators ended up in their vehicles on a two hour journey to Los Angeles. It was far from what they expected when they set out to surprise Pete Mitchell, but in Maverick fashion things take a different turn when one least expects it. The couple’s dog sitter was called to tend to their animals since it was likely they would not be coming home till the next day. Just after 3:30pm the squad, now dressed like they were straight from the 80s by cutting holes in their jeans and wearing leather jackets and chains Maverick provided, gathered in the cars and hit the road. Maverick and Rooster ended up driving, with Hondo, Coyote, Hangman and Payback in Mav’s SUV and Fanboy, Bob, and Phoenix with Rooster in the Bronco.
Upon instance from Y/n after chatting briefly with her on the phone to make sure it was okay, Nat relented on wearing the red leather Prada two piece set the rockstar wore at the 1994 MTV video awards. It fit like a glove on the pilot, jaw dropping when she looked at herself in the mirror, “Damn.” While in the car she applied some black eye pencil and smudged it out to give her that 80s grunge appearance, to which she made Fanboy and Bob do the same, “Bradshaw, I expect you to rock this too.” At a red light he applied it like a pro, like he’d done it many times before not even needing to fix it.
The entire way both vehicles played Y/n & the Romantics decades worth of music. It surprised a lot of the crew when they recognized some songs from movies and tv shows they had no idea were by them. “This was in Stranger Things!” Coyote shouted over the sound, head banging his head along to the beat. Another song had Bob go, “Wasn’t this in the Guardians of The Galaxy?”
By the time they got to L.A the city life was at its prime. Traffic was insane as usual but thankfully they made it to the Staples Center just before six o’clock. The sign outside the venue glowed bright with ‘Y/n & The Romantics—Rockin’ Down Memory Lane Reunion Tour. TONIGHT ONLY—SOLD OUT.’ Pete pulled in front of Rooster to speak to the guard when they got to the back gate. After speaking through a radio for confirmation they allowed the two cars to enter and directed them on where to go.
When they get in the building it’s buzzing all around them. Crew members of both the band and the venue run past and speak into radios. They could barely make out the words combined with the faint rumble of the crowd inside. Before a security guard could ask why they were there, Y/n’s managers, Hank and Tasha Robinson noticed them and rushed over. “Pete! Great to see ya!” The pilot exchanged hugs with the couple. They then greet Bradley, who they’ve known since he was a child, and the squad, “You guys must be the pilots! It’s nice to meet you all—are you excited for the show?”
“Absolutely.” “Can’t wait!” “We’re so excited.” “Thank you for allowing us to come on such short notice.”
“You all look great!” Tasha grinned, gasping when she saw Nat’s outfit, “Oh my goodness. Hank, look! You recognize this?” Blushing immensely, Nat didn’t know how to react besides laughing nervously as they complimented her. “You look fabulous, darling.”
“Thank you. It’s an honor to wear it—I-I hope I did it justice.”
At that moment Y/n came around the corner, a slight skip in her step until she was lifted into Pete’s arms causing her to break into giggles. They hadn’t seen each other in almost two weeks while she was touring the west coast cities. It filled the squad with warmth seeing their mentor/friend so happy. Nerves filled them, they were about to meet one the greatest voices of rock music.
Mav spun Y/n around before setting her back down, the two sharing a sweet kiss. “Missed you, baby.”
“I missed you too,” he says against her lips, kissing them once more before guiding her to the group. Bradley is the first to hug Y/n, who squeals in delight since it had been months since they last saw each other.
“Hey sugar, look at you! It seems like every time I see you, you got a new look going on,” she fluffs his hair which was now lighter in tone after he got some highlights. “You look good, Roo. Is this a new shirt?” she gestures to the Hawaiian shirt beneath the leather jacket Bradley was wearing.
“Had to pull it out for the special occasion,” he gives her a sweet kiss to the cheek while handing her the bouquet of flowers he and Mav got. Thanking him, Y/n grins at the sight of the group standing behind him.
“And you fellas must be the famous dagger squad I’ve heard all about!” They were literally speechless as they stared back at the singer. She literally was what one would envision when they thought of a rockstar. Smudged eyeliner with sparkly eyeshadow framed her eyes, dark red lipstick and her outfit was black leather that showed a bit of skin due to some cutouts, but was still modest. Where the skin showed they could make out intricate tattoos and both her arms had half sleeves of ink. She had on a harness with silver chains, thigh high boots with studs along the sides.
She was THE rockstar.
Though in her late 50s, Y/n was still breathtakingly beautiful. Yeah there was some grayness to her otherwise shiny, healthy hair, and some age lines around her eyes and mouth that poked through the makeup, but Y/n could literally pass for mid to late 40s. Same with Pete who just turned 60 and looked amazing for his age. Standing next to each other, they were one hot ass couple.
“It’s so wonderful to finally meet you guys—in person now! Ah I’ve been buzzing with excitement since we got off the phone earlier,” she clapped her hands, moving to Fanboy who was internally losing it like his namesake.
“I-I hi, w-wow. I’m Mickey Garcia—or talk about irony, you may call me Fanboy. It’s an honor to meet you, Mrs. L/n—Mitchell uh-I’m sorry. I’m a big fan.”
Y/n giggled, shaking his outstretched hand before bringing him into a friendly hug. “Oh honey, I don’t even know what to call myself sometimes. But, please call me Y/n. You guys are family now.” She goes down the line to meet each pilot, shaking their hand and hugging while saying their name back to instill it in her memory. Of course she knew their names and faces from photos, but meeting them in person was completely different and Y/n wanted to make sure she would remember who was who. When she gets to Natasha’s she can’t help but shriek, “Yay you wore it! You look amazing-oh my gosh!”
“Thank you so much,” Nat blushes again, this time because the owner of said outfit she wore was gushing over her. “Thank you for letting me wear it—I will do my best to not let anything happen to it.” Y/n assures her to not worry about it and the two have the band photographer take a couple photos of them. The guys video the whole thing causing Phoenix to flip them off at times which has the married couple laugh. Soon the band comes out, causing Fanboy, Bob, and Coyote to almost lose it and before they know it everyone is conversing like it was an ordinary Friday night. Hondo, Mav, Y/n, Phoenix and Payback are off to the side with Maya, Evan, and their kids while the others are chatting with other members and their families who came to the show.
“It’s unreal to think this year marks forty-four years,” Evan said, sitting on one of the chairs with his hand on Maya’s lower back who stood beside him.
“Yeah,” she agreed with a smile, “just a group of kids we were then. With a dream only the effects of good ole weed could give us the confidence to have our asses out at that park and hope someone would hear us.”
Y/n drops her head laughing, aware of the somewhat surprised looks of the aviators and Hondo. “Wait-really?” Y/n was known for her exhilarating stage presence. She was like Elvis, Janis Joplin, and Micheal Jackson, always captivating the crowd and keeping them hype. When watching the performances it was like Y/n was in her own little world and thrived on the energy.
“It was the 70s,” she shrugged, still smiling which made her eyes crinkle. “Believe it or not we all used to have stage fright—especially in the beginning when we first started performing. We were….gosh fourteen when we signed, fifteen when we performed on Johnny Carson. Good Lord I was shaking in my boots in the dressing room,” she gave a mock shake of the shoulders, reliving the memory, “The only way I could get up there and sing was if I had smoked. Took the edge off.” Maya and Evan nodded in agreement, Y/n leaning into Maverick’s arms as he stood behind her chair. “I think it was after we toured in ‘85 for ‘Love Is The Eighth Deadly Sin,’ that I could perform without anything. Though I still did it at times,” her smile fell into more of a sad expression, adding, “and unfortunately being in the industry at that time, and being so young, we were exposed to other things.”
She didn't have to explain to the aviators, for it was public knowledge when they read up on the band during their drive that Y/n, Ronnie and Danny had admitted to experimenting in the 80s with cocaine. It was common in that era, with many artists and actors in Hollywood able to get their hands on it easily. For Y/n, it was the frontman of another rock group she’d been romantically linked to who introduced her to the drug. Thankfully nothing ever happened that caused a big scandal or had the members needing professional help. They had their family, the support of their crew and each other so they never let anyone fall too deep to where they couldn’t get back up.
“But we survived,” Maya emphasizes, beaming at her husband, “and it sure has been one hell of a ride since. I can’t wait for November—I think I’m more excited for the induction ceremony than I was for the Super Bowl.” Evan goes on to playfully reject the claim, insisting his wife was way more excited about getting that call over 20 years ago than the news just last month about the Hall of Fame.
Y/n just shakes her head with fondness, leaning more into Maverick, who kisses the top of her head.
“Brings back memories, huh? Here at the Staples Center again after so many years.”
“Yeah,” he says softly, his friends chatting with the guitarist and bassist. “I just wish Ice and Slider were here. Then it would really be a blast from the past.”
“I saw Slider when we played in Florida. He brought the whole family—it was amazing.”
“Yeah he called me afterwards. Said you guys put on the best show of the year,” his lips curled up, leaning more towards her ear, “he also told me you threw in a song in the set I was going to get a kick out of.”
Y/n mirrored his smile, eyes full of mischief, “Oh you will, but I ain’t saying nothing, hot stuff. You’ll have to wait for when it comes up.”
“Can’t wait,” he chuckles, kissing her cheek lovingly.
Roughly ten minutes later the stage manager was rushing over, “We’re down to t-minus twenty till showtime people—we gotta start clearing!” Immediately the band are hurrying to say their goodbyes. Y/n practically runs to find the person needed to take the group to their seats. When she does, they hand out the passes to each person, “Julius is going to take you all up to the room. It’s gonna be one of the VIP boxes, the closest to the stage I believe, and it should have sodas, water, alcohol, and food. But if you need anything then just run it by him.”
They all spit out words of gratitude, blown away by the special treatment they were receiving. Y/n takes her time to hug each one of the pilots, who wish her good luck and thank her again for everything. Rooster lets his hug linger a bit longer, as does Maverick who brings the woman into a passionate kiss. “Thank you for doing this, baby. I owe you.”
“It’s your birthday, Pete. You know I would do anything to make you happy,” she lowers her voice into his ear, kissing the area just below, “Sorry it couldn’t be like the good ole days when I would sneak you into my dressing for some fun.” His hands squeeze her hips, sighing at the memories as she giggled.
“There’s still the after party,” he warns her, tone thick with something she knew all too well.
“I’m well aware, hot stuff.”
They share another kiss. And another. And another before Y/n pushes him away at the teasing shouts of everyone around them, Pete bidding good luck to her and the band before he sets off with the group. Rooster nudges him, smirking at the retired pilot, “well that kiss sure would motivate anyone about to go on stage.”
“Don’t start, Bradley.”
By the time they reached the room, they could literally feel the rumble of the crowd when the lights in the arena shut off. “Holy shit,” Mickey said, the first to open the balcony door of the room where they would view the show. Inside were couches, chairs, tvs, and refreshments. Coyote had his phone out, videoing the scene for his instagram story as they all grabbed beers and water before taking spots on the balcony.
The sight was surreal. The stage was to their left and extended out, splitting the floor in half. Approximately 20,000 people could fit in the Staples Center, and from the looks of it 20,000 people were in attendance. It was a sold out show after all. People from all age groups were there. Hell Bob swore he saw some young kids on the shoulders of their parents. The most were obviously the older crowd who likely grew up in the 80s, but there were definitely college kids and Millennials.
It got louder and louder when the two minute countdown appeared on the Jumbotron, along with a video montage of the band. Some clips showed them when they were first starting out up to them preparing for the reunion tour. As it drew closer to zero, the video showed a pre-taped montage of each member taking their place on stage. Maya wrapping the strap of her bass around her shoulder, Evan with his guitar. Ronnie taking place in front of the keyboard and Danny sitting at his drums. Lastly Y/n strutted up to the microphone, the clock hitting zero the moment her hand raises in the air and the arena goes black.
Not even a second passes before Evan’s opening guitar riff sends the crowd roaring. It was the opening to, ‘Thunderstruck,’ a song that literally was in almost every modern day action movie known to man. It was hilarious to see the guys and Phoenix lose their shit, recognizing the iconic song. There was a black curtain keeping the actual stage hidden from everyone's view, but chills came onto everyone’s arms when Y/n’s voice filled their ears
“I was caught in the middle of a railroad track.” The crowd echoed the ‘Thunder,’ with the band. “I looked ‘round and I knew there was no turning back.”
“THUNDER!” The squad shouted, fist pumping and beginning to dance. Already they knew it was going to be the best night of their lives.
When the curtain gave way as Y/n hit the chorus of the song, the audience literally exploded, increasing in volume when she shouted into the mic, “Los Angeles let me hear you!!!!” The camera’s were glued to her as she strutted down the middle of the stage where it split the floor. Her voice carried with each lyric, living up to the hype and sounding as though it was still 1985.
Nat—scratch that all of the guys, especially Maverick, were in awe. Jaws dropped, except Rooster who was living his best life having experienced a Y/n & the Romantics show as a teenager. Now as an adult man the aviator was overjoyed seeing his second mom performing on stage again with her best friends.
“Cap, your wife is the coolest person on earth!” Hangman shouted against the loud music. Maverick simply beamed, eyes never leaving his wife, “I know.”
When the song came to an end, Y/n sighed lovingly, “Ahhh it’s good to be back. We’ve missed you all dearly. Did you miss us?” She paused, screams igniting before adding, “That’s what I’m talking about, baby. It’s been twenty years since we last performed here at the Staples Center in Los Angeles, and we’d like to thank you all immensely for welcoming us back. We’ve worked hard the past two years putting this show together for you, the fans. For all of you regardless if you’re just discovering us, or have been rockin since 1979.”
The energy was off the charts the entire concert. Y/n was feeding off of it on stage, and in turn her presence was feeding the crowd. In between sets she interacted with her friends/bandmates, often coming close to those on the floor to ask how they were.
“You having fun tonight?” Everyone nodded frantically, a woman close to the stage shouting, “So much fun! We love you!”
“We love you too, doll. Don’t worry the night is just getting started.” After the first couple songs Y/n informs the crowd, “I hope you all don’t mind, but as you know this is the ‘Rockin’ Down Memory Lane’ tour,” cheers erupted from every angle, “so as a treat for you fine folks this evening, we won’t just be rockin down our own memory lane. We wanna give some shoutouts to some of the greats rock music has ever seen, and some of the friends we made being a part of this world thanks to all of you. And what better way to start than by kicking it off with the song that got us discovered in the first place.”
The audience was going crazy, die hard fans knowing damn well what song the rockstar was referring to. “Whoooo!!!” Coyote felt the chills when Y/n belted out the opening of ‘Cry Baby’ by Janis Joplin. “Damn girl, sing it!” One of the hardest songs to sing, Y/n had so much emotion it nearly brought a tear to some of their eyes. Rooster brought his finger to his mouth to whistle when the song finished.
The band would do three more of their songs or a medley before covering another artist/group. “Y’all may have heard the rumor…..of the special club we’re being invited to join this fall,” Y/n smirked, hand on her hip next to Maya. Cheering indicated the crowd were aware of the news. “We’re not the only ones. Some friends of ours were also invited. You may have heard of them….Duran Duran?” She pauses to let them scream, the woman chuckling before bringing the mic back to her lips. “They just played recently at the Garden and gave a special rendition of our ‘Highway To Hell,’….so we thought to return the favor,” pausing again, Y/n nods to her band where they begin their cover of ‘Hungry Like The Wolf,’ sending the audience into a frenzy.
“I fucking love this song!!” Nat screams excitedly, passing her beer to Rooster so she could freely dance without worrying about spilling it. The outfit she wore likely cost more than her college tuition. She’d be damned if she let anything happen to it.
“Darken the city, night is a wire,” The smile never left Y/n’s face, “Steam in the subway, earth is afire.” Chills happened along her arms when the entire stadium echoed, “do-do-do-do-do-do-do-do-do.”
She couldn’t wait to see how the guys of Duran Duran, who she and the Romantics were lucky to call friends, react to them singing their song. On Twitter she hinted at wanting to do another collaboration after seeing the video of the band perform their ‘Highway To Hell’. In 1988 the two groups released a single together, topping the Billboard charts for nearly 30 weeks. Plus both were being inducted in November to the Rock ‘N’ Roll Hall of Fame. Surely it would the collab of the century if they did.
Halfway through the show they took an intermission. During that time everyone had a bathroom break, ate some of the food provided and grabbed more drinks. Thankfully Mav did inform them Y/n’s managers got them hotel rooms not too far from the venue so they didn’t have to worry about driving back to San Diego late. When the band returned on stage for the second half of the show it appeared they had changed outfits. Y/n now sported black leather shorts that ended midthigh with fishnets tucked into her leather knee-high boots and a cropped Def Leppard shirt. The sides were cut out showing off her lace bodysuit beneath it. They went straight into songs from their ‘Love & Thunder’ era that took place in the early 90s.
Not too long after she was flagged down by the stage manager, Rick, who was in front of the floor barricade. “What do we have here?” She hummed curiously, taking the two evelopes from him. Rick shouted that it was from the couple directly behind him, who were waving frantically at the singer. The envelop on top said ‘read first.’ Confirming she could read it aloud, Y/n brought the audience to a low tone so everyone could hear.
“Dear Y/n, Maya, Evan, Ronnie, and Danny,” she read off into the mic, glancing to her friends who appeared just as curious as her. “Our names are Damien and Alana Michaels, we’re both 31 years old and met six years ago because of our shared love for your music,” Y/n awed, beaming at the couple then laughed when the letter followed, “We met at a record store and practically fought over the last copy of your limited edition vinyl of ‘Rock n Rollin to Heaven’. We were over the moon when you announced the reunion tour and feel we’ve come full circle tonight seeing as that we fell in love because your music has been an influencial part of our lives. Alana is five months pregnant with our first child,” cheering erupted, causing Y/n to speak louder into the microphone with a giant grin, “Would you do us the honor in revealing the gender of our baby?”
Y/n let the crowd scream for a moment before calming them down again, settling her gaze on the couple, “This envelope right here,” she holds up the unopened document, “has the gender of your baby?”
“Yes!” Alana shouts in glee while Damien nods, mirroring his wife’s expression.
“Give me one moment, honey—don’t go anywhere.” The stadium watches the rockstar rush to her friends, calling them over away from the mics to have a quick chat. Opening the envelope, the camera catches their reaction for the screen and they all talk for a moment before taking back their respective places.Y/n runs over to the couple again, a little out of breath, “Alright! Alana, Damien, congratulations are in store. You are bringing a new life into the world, and the Romantics and I think the best way for you to welcome them is by singing this song when they arrive,” she then looks to the crows, “To anyone who knows the words, feel free to sing along. On three guys,” she points to her friends and counts off, “One…two…three!”
“Isn’t she lovely?” Alana visibly broke into tears while Damien jumps up and down in joy. The band where harmonizing with the frontwoman, the stadium so loud it was hard to hear at times, but thankfully the speakers were at full amp to hear them sing. The couple embraced each other, consumed with happiness at the news. “Isn’t she wonderful?”
“Isn’t she precious?” Staples Center practically echoed with 20,000 people singing Stevie Wonder’s song. Y/n grinned, loving ever second of the coordinated tune. “Less than one minute old.”
“I never thought,” Y/n belted out, “through love we’d be.”
“Making one as lovely as she.”
“But isn’t she lovely, made from love,” Drawing out the ‘love’ Y/n finished the verse by shouting against the screams, “IT’S A GIRL!” Handing back the envelope with the gender to Rick, Y/n asked if she could keep the letter to which the couple agreed. Pocketing it in her shorts, Y/n says, “Congratulations Alana and Damien! Thank you for allowing us to be a part of this exiting moment. On behalf of the Romantics and everyone in attendance, we wish you the absolute best on bringing your daughter into the world and may she be blessed with joy all her life….and maybe unleash her inner rockstar from time to time,” laughter erupted, “give it up for Alana, Damien, and Baby girl Michaels!!”
Fifteen more minutes pass of the band performing their songs before taking a five minute break to set up for their next cover.
“Alright,” Y/n takes a breath, walking down the end of the extended stage. “This next trip down memory lane, has me want to ask you all a question. Ready to hear it?” When they respond with an echo, ‘yes!!’ Y/n allows the smirk to appear, “Do you guys have that one song…that you would call, your stripper song?” A laugh escapes her by the increase in volume from the sold out arena. She could just picture what looks her husband received from his former students. “You know that one song that has you thinking, ‘Gosh give me a pole and I will work it better than anyone has before,’ that kind of song?” Y/n stops halfway through the long stretch of platform, glancing around to the various sections of people.
“I would like to sing for you my stripper song—o-oh okaaaay that’s a nice reaction,” she chuckled, winking at a few spectators on the floor who were like, ‘Hell yeah!’ Pointing a finger out to a random direction, she says with a knowing look, “Now if this happens to be your stripper song too, don’t you get naked���this ain’t that kind of show,” laughter fills her ears, “Plus there's children here tonight, so technically this is a family show. So I would like to apologize now to the parents, but then again, this is a fucking rock show,” the cheers escalated, agreeing with the woman on what she was about to say, “So if you didn’t want them to see us in our element, you should’ve left them at home. But please, for the love of God, keep your clothes on if this song happens to get you in the same mood it gets me. Ready guys!”
“We're ready, babe!” Maya shouts with Evan, Danny and Ronnie giving a thumbs up.
“Step inside!” Y/n yells into the mic.
“Walk this way!” They shout into their own.
“You and me babe!”
“Hey! Hey!”
unworldly, was the way best to describe the Staples Center when the opening chords of Def Leppard’s ‘Pour Some Sugar On Me,’ sounded through the speakers. No wonder she wore the band’s shirt, hinting they were going to cover one of their songs at some point. Fans went crazy when Y/n did some of her iconic moves like crawling on the floor, flipping her hair back and forth and even usuing the mic stand as though it was a pole. She was in her element, the stage was truly where she shined.
Some of the guys were hollaring, patting Maverick on the back with knowing looks. The older man was blushing mad when they realized something was on his mind with the way he was staring at his wife. It didn’t help Y/n was biting her lip, running her hands along her body during the ‘Sugar me sweet,’ line. The camera was glued to her the entire performance.
“I know that look!” Hangman pointed out the Captain’s expression.
“Yeah, Mav, if you plan to sneak off to the dressing room after the show, don’t worry we won’t say anything.”
The band went straight into ‘Hollywood Nights,’ by Bob Seger as way to pay homage to the fact they were performing in Los Angeles, Hollywood not too far away. Jake was a big fan of the song and Rooster videoed the pilot dancing his heart out, spinning Nat around at times as they belted the lyrics.
Coming down to the final 30 minutes of the show, Y/n called the crowds attention, “This next song….is dedicated to someone very special in the audience. He’s turning 60 tomorrow and I’m celebrating twenty years of marriage with him in October.” Her smile became wider at the cheers, walking to the side of the stage closest to where Pete and the gang were.
“That’s you, my man!” Rooster playfully shakes Mav, the squad cheering when the camera pans to him. Giving a little wave, Pete blows a kiss to Y/n, who pretends to catch it.
“Captain Pete ‘Maverick’ Mitchell everyone,” she pauses lightly, “With him tonight is someone who is practically our son—Lord knows I treat him like one,” Rooster does a little dance, the camera zooming out from Mav to capture the aviator next to him. “And some of his former students, the Navy’s finest fighter pilots, who I like to call his, ‘Dagger ducklings.’” The squad awed at the nickname, Fanboy and Coyote hugging up on the man.
“Does this mean you’re our papa duck, Mav?”
“Imma let y’all in on a little secret,” Y/n leans into the mic with a whisper, “That whole thing about us breaking up in the 90s? Yeah, it didn’t happen.” Laughing, Y/n stands back straight, “Right now I’m feeling a little sentimental. Pete and I actually met at a bar about two blocks away after we played here in 1989. It was there he….to put it lightly, swooned me like nobody had ever done before.” Dropping his head onto the railing, Pete’s shoulders shook as he laughed, the memory of that night replaying in his mind. “Maya knows what I’m talking about.”
“Sure do,” the bassist replied. “I think he put on better show than we did.”
“Oh God,” Maverick put a hand to his mouth to cover his grin. So many emotions were flooding him. Mostly warmth, but a tad of embarrassment.
If only Ice and Goose were here to see this.
“He sure did. And tonight I wanna take him and I down memory lane. So ladies and gentlemen, this is for anyone who’s lost that lovin’ feeling.”
Words couldn’t describe what Pete felt listening to Y/n sing, ‘You’ve Lost That Lovin’ Feeling.’ Maya and Ronnie provided the back up vocals, harmonizing with Y/n during the chorus. The entire time she sang Y/n was swaying and keeping her body faced to the section Pete was at. The two connected eyes at times, lost in each other’s gaze causing the two to feel the love radiate one another.
She sounded so beautiful. Of course it was well known Y/n was very versatile with her music and voice. She could take it high and low, mellowing out for a slow tune. There was a lot of soul in her and the band, which is not surprising since they starting in Atlanta. They grew up on blues, jazz, and classic rock. Inspired by the greats like Billie Holiday, B.B King, Janis Joplin, Elvis, Little Richard, and the Mama’s & Papas.
Pete cheered the loudest in their group when the song came to end, whistling along with Rooster. Y/n blew him a kiss, “Never lose that lovin’ feeling with me, honey.”
Not too long after it came time for the final number. “Imma need ‘Dirty Diana’ for this one,” Y/n announced, moving to the middle of the stage where the mic stand was. A crew member appeared from the side, handing over a neon green Fender Stratocaster. She pulled the strap over her shoulder, “Los Angeles, as we come to tonight’s closing I want you to know you all have, without a doubt, been the best crowd ever. L.A, you know how to bring the energy and we can’t thank you enough for what a blast it’s been playing for you all. What a way to end our tour—can’t believe it’s already over, but fear not…we’re not going anywhere anytime soon.”
Evan, Maya, Ronnie, and Danny all say a few words, then they all thank their managers, crew, friends, and family for allowing them to put on a great show. Lastly they thank the fans in an tearfelt speach, finishing it off telling everyone to have a safe journey back home and to keep rockin n rolling. Y/n closes it out with, “Los Angeles sing this last one with us. It’s been a long way to the top,” the screams got louder, “but worth every damn second.”
Staples Center erupted, Y/n letting her hands work magic on the guitar as she played the opening riff of ‘It’s A Long Way To The To (If You Wanna Rock ‘N’ Roll) .’ Then Evan came in his riffs followed by Danny’s drums. Maya and Y/n banged their head together, leaning toward one as they feed off each other’s energy.
“Oh shit!” Payback whistled, shaking his shoulder along to the beat. This was a song he used to dance to in college with his buddies. It brought back memories for the pilot, nostalgia filling him just like it was to many in the crowd.
“Ridin’ down the highway. Goin’ to a show. Stop in all the byways. Playin’ rock ‘n’ roll.”
“Gettin’ robber, gettin’ stoned, gettin’ beat up. Broken-boned. Gettin’ had, gettin’ took. I’ll tell you, folks, it’s harder than it looks.”
Pretty much everyone shouted the lyrics in the chorus, one of the most recognizable ones in music history.
“It’s a long way to the top if you wanna rock ‘n’ roll!”
“It’s a long way to the top if you wanna rock ‘n’ roll!”
It went crazy during Y/n’s solo that had all the pilot’s, minus Mav & Rooster, jaws drop. The entire show she hadn’t played the guitar much save for maybe two songs, but it was not to the absolute greatness she was displaying now. Evan guitar solos were off the chain, as were Danny’s drums. Then they had Ronnie tearing it up on the keys with Maya crowning herself the queen of the bass. The voice of the band, Y/n showed she was as talented with the instrument as she was putting lyrics to paper and belting them out for her heart’s desire.
They truly were one of the greatest rock bands to exist.
Even after the song ended they were going hard on the instruments, finishing the show with a literally bang. Lights were flashing, every single person on their feet, Danny and Evan hitting one last solo and instilling the moment as one for the history books.
“Thank you, Los Angeles!! We’ll see you next time! Good night and keep on rockin’!!”
11:58 pm, two blocks away at Melvin’s Planet Enterprise Bar
“Feels like deja vu,” Y/n laughed, dancing with Pete to the tune of ‘When Doves Cry’ in the familiar bar. Though it had a new name and owner, it still gave the same effect as it did in 1989. This time, however, there were posters of Y/n & the Romantics, one of which was signed and framed just above the jukebox playing classic hits and even some of theirs.
Y/n had changed out of her clothes again, wearing black jeans and tank top with a blue leather jacket that had studs and chains attached to the sides. Her makeup had been touched up, hair pulled in a ponytail. It was almost comical how the scene was just like that night in ‘89 with blue strobe lights shining down on them, making her look illuminated.
The dagger squad were in their own little world, dancing and drinking with each other and the band’s crew members. Jake was getting along quite well with someone from Y/n’s glam team, Nat chatting with a member of the security. Then there was Coyote dancing with the oldest daughter of Maya and Evan. They had rented out the place after the show, everyone hauling ass to celebrate the end of the tour. All grown up, the children of the Romantics could enjoy the night as well, not having to worry about being underage now that the youngest of the bunch had turned 21 the previous month.
When they arrived the party was in full blast, Rooster pulling Y/n to the dance floor to share a dance. Then they duetted ‘Great Balls of Fire,’ with him on the piano. Everyone sang at the top of their lungs. Pete held Y/n, head banging with her at the ‘Mine! Mine! Mine!’ bit and sneaking kisses during, ‘kiss me, baby!’
When her feet started to hurt from standing, Y/n sat in Pete’s lap and nursed a cocktail while they chatted with Hondo and Ronnie’s wife. Over in a corner Bob was on the phone with his family after his sister saw Phoenix’s instagram story, “You saw Y/n & the Romantics tonight!?! How the hell did you manage to get tickets—they were sold out!”
“Uhh….you remember my instructor from that mission awhile back? Turns out he’s marrried to Y/n L/n.”
“WHAT!?! Pete Mitchell was your instructor!?” Bob swore his mother about went into cardiac arrest, screaming when Y/n appeared on screeen after he politely asked if she would mind saying hello to his mother. The rockstar of course said yes, she loved interacting and meeting supporters. They were the reason she got to live her dream. Bob nearly cried seeing his mother in tears, overcome with emotion at the fact she was meeting her favorite singer of all time. After the call ended Y/n gave the WSO a tour program she had all the members sign, “give this to your momma for me. Tell her I hope to see her on the next tour.”
The dagger squad were literally becoming Y/n’s adoptive children by the second. Mickey couldn’t believe he got her to do a tiktok with him, then she had a shot of tequila with Reuben. As Nat danced the woman hyped her up with Maya and she had a semi dance off with Javy. Throughout the night stories were told about meeting Princess Diana in 1995, playing in New York on New Year’s Eve of 1999, the Super Bowl, and their iconic performance at the first MTV video music awards in 1984. They were like children gathered by the Christmas tree listening to her read a book. All they could think was how cool she was and the fact the band had truly changed the world of music over their spand of 40 years.
Prince’s iconic ‘When Doves Cry’ started to play just before midnight and it was like slow motion for the rockstar, moving to her husband who was already staring at her with the same expression. Now they really were back in 1989.
“It does,” Mav beamed at his wife, the song hitting it’s second verse. “Only thing missing are the cameras flashing, Ice and Slider sending me a thumbs up, and jealous looks from patrons.” His words make her giggle, throwing her head back slightly.
“Ice is definitely giving you a thumbs up with Goose,” her voice turns soft, stroking the side of his neck, “Bradley’s got his phone out. No doubt videoing us as I speak. He knows how significant this song is.”
“Remind me to have him send me it,” he tells her, dipping her suddenly causing her to squeal. Lips press to her cheek when he pulls her back up.
“Wanna know something though, hot stuff?”
“What?”
The light hitting her eyes shows off the mischief matching her smirk, “This time ‘round, you won’t just be getting a kiss goodnight. You actually get to take me home.” Thank god the lighting hid the color of his face, otherwise she would get a good look at how red it was.
It didn’t stop her from seeing the smile however, Mav shaking his head playfully. He didn’t have to reply for her to know what he was thinking. Just his laugh was enough.
As the clock stuck midnight, Y/n brought him into a sweet kiss, “Happy Birthday, Pete. I love you so much.”
“I love you too, baby. Thank you.”
The rest of the night was filled with celebration, not just for the epic end of the tour and impending induction as Rock ‘N’ Roll hall of famers, but also the life of the Navy’s most famous pilot. Until it came time to leave, not a single minute was wasted in having the best night of their lives.
All of which happened because two souls decided to go to the same bar after a concert. One a spectator, the other the performer. Both who made names of themselves in their own right, embedding their legacy forever for generations to come. It took a hell of a time to do it, but as one knows….it’s a long way to the top you wanna rock ‘n’ roll.
……………………
TGM tag list: @avaleineandafryingpan, @caitsymichelle13, @poppyalice2001, @cutelittlepotatofry
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Trust is Earned
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Part 2 of Face to Face - I’m dedicating this story to @alicenter​ because her comment on the first part made me think of this story. 
Summary: You weren’t used these types of comfort as you lay in a soft bed with to many pillows and blankets. Instead of sleeping, you walk around their house and see the memories they’ve built. But Melina accuses you of snooping and her distrust of you. 
Warning: jealousy, fighting, bullet wound, distrust, family drama, mention of killing, mention of past abuse 
Word count: 5.2 k 
You stared up at the ceiling fan, watching it spin around and around. It was therapeutic in a way but you wished it would help you fall asleep. No matter how hard you tried, sleep wasn’t coming to you and you knew it. The bed was too soft, the room was too cold, and your mind wouldn’t shut up. With a heavy sigh, you swung your feet to the ground and walked out of the room. You weren’t sure what your plan was. But your feet walked you around their home. You saw pictures from Christmas, birthday parties, and trips to the capital. A tight feeling began to form in the middle of your chest. You picked up the old photo album from Ohio and flipped through the fake memories. It was a day you remembered so clearly, you shot Christmas, Easter, and summer vacation in one day. But Christmas was your favorite. All the brightly wrapped boxes that you knew were empty but you wanted to open every single one of them. Just for one moment, it would be real. “What are you doing?” You spun around to see Melina standing behind you. It was weird seeing her in a robe with slippers on but you didn’t miss the pistol in her hand. 
“I was -” 
“Snooping,” she grabbed the album from your hand. “Finding out all our secrets to report back to the Red Room.” Your eyes grew wide at the accusation. “So it’s true.” You snapped out of it. 
“What are you talking about?” You questioned. “I’m helping SHIELD take down the Red Room,” she pointed the gun at you. You raised your hands, showing her you had no weapon on you. Now you were trained to be a weapon, similar to the train she’s gone through, but you were wearing Natasha’s extra sleeping clothes and you were extremely sleep deprived. Your brain was struggling to make sense of what was going on. “You don’t trust me.” You whispered. 
“I want to,” she said. There was a slight shake of her hand. “I want to trust you so bad but I can’t,” your heart skipped and your stomach dropped. “But I know what they are capable of and I can’t risk the safety of my girls.” My girls. My girls. My girls. It was a mantra that echoed inside your head. All of a sudden, the room became too small and you could hear your heart pounding in your ears. My girls. My girls. You weren’t part of that. To Melina, you were disposable. You weren’t sure what hurt more her saying that or you believe her. 
“What the hell is going on?” Natasha asked, appearing out of nowhere with Yelena behind her. It seemed like they were a packaged duo, one wasn’t far without the other. You weren’t a part of that. My girls. My girls.   
“So,” your voice stopped the arguing between Melina and Natasha. “What’s the play, Melina? Are you going to kill me and I’ll become another red mark on your ledger or are you going to bring me back to Dreykov and let him do it?”
“No,” Natasha said, standing between you and Melina. “She’s not going anywhere. She is staying here where she’s safe and we can be a family again.”
“Natalia, we can’t trust her,” Melina said. “She’s been with them for years. This could be a trap to get the three of us back.” Three not four but three. Once again she didn’t add you, creating a division between you and them. My girls. My girls. Natasha, Yelena, and Melina. You weren’t a part of it. 
“She was with them because she gave herself up to save us or did you forget about that night?” You didn’t want to be the driving wedge between them. You’ve been alone for years, what’s one more night? 
“Maybe Melina’s right,” Natasha whipped around to stare at you. “I could be a target and staying here endangers your family. I wasn’t thinking and I was being selfish. I’ll get my stuff and head out, find a hotel, or stay with the team.” You pushed past Natasha and headed to the room that gave you. Not your room. A room. My girls. Three not four. You started throwing your stuff into the duffle bag, not worrying about how it looked. You turned to leave, almost running into Natasha. 
“You don’t have to go,” she said. “I’ll convince Melina. I’ll..”
“It’s okay,” you said, cutting her off. “I don’t want to get in the way between you and her. I’ll be okay.” 
“I called Maria. She’s expecting you. I’ll text you the address.” 
“Thank you,” you shifted your weight from side to side. “I should get going. I didn’t mean to wake you and Yelena.” You had to get out. So you did, leaving her in the room that was supposed to be yours.
*
Maria opened the door before you could even knock. “Saw you on the camera,” she said as you raised your eyebrow in question. “You look like you could use a drink.” You laughed, bitterly as she stepped out of the way. You entered the house. Phil was at the dining room table, papers covering it and you saw Clint in the kitchen making a pot of coffee. 
“Do you guys sleep?” You questioned as Maria closed the door. 
“Not when we have more questions than answers,” Phil said, waxing at you as his greeting. You sat down at the small kitchen island, dropping your bag to the floor. 
“So we have vodka, tequila, or beer,” Clint said, pouring coffee into a mug. 
“Is it good vodka or American vodka?” You asked with a tilt of your head. Clint glared at you. 
“I’ve known Nat for a long time,” he said, pulling the vodka bottle out of the fridge. “Do you know I’d offer you American vodka?” It pulled a small smile to your lips. 
“I’m glad she had you,” Maria sat down next to you as Clint poured you a shot. “All of you,” you clarified, staring into the clear liquid. “You were there when I wasn’t. Cheers.” The liquid burned as it went down. “So, what can I do to help?” 
*
You were sitting on the couch going over all the information SHIELD had on the Red Room. It wasn't much but mixed with what Melina had the answer to the 101 questions had to be in here somewhere. You were twirling a pen in your hand as you read over Peggy Carter’s notes. Phil and Clint called it a night but Maria stayed up and she was doing a bad job of being subtle. “You're staring again.” You said, closing the file you were reading. You switched to beer after your third shoot. 
“Just putting a face to fall the stories I’ve heard about,” you raised an eyebrow at her. 
“They told you about me?” You questioned. The agent nodded her head. That was hard to believe. 
“You don’t believe me?” You smirked. “It was mostly Natasha. She told me about Ohio and that night at the airstrip. The few times I was at their house I’ve caught Melina staring at your door. I mistook it as a guest room and almost got shot.”
“Why are you telling me this?” You asked, turning to face her. 
“Do you regret that night?” She asked instead. You leaned back, resting your back on the arm of the couch and your legs crossed in front of you. “Do you regret giving yourself to him?”
“No,” you whispered. “And I’d do it again. In any lifetime, I’d do anything to protect my sisters,” you took a sip of the beer. “I’d sell my soul a thousand times to the devil to keep them safe. I think that’s why it hurts so much that Melina doesn’t trust me,” you rubbed your hand across your face. “But once he’s gone for good, they’ll be safe and be a family again.” You turned to get back to work, ignoring the frown on Maria’s face. 
“They’re your family too,” you closed your eyes, taking in a slow shaky breath and letting it out. 
“Maybe,” you shrugged. “Once upon a time, they were. They’ve made a life here and I don’t know if I fit into it. I’m disposable.” 
*
“Can you please talk to me?” Melina asked, pouring two cups of coffee for her and Natasha and orange juice for Yelena. Natasha was cutting up a pepper to throw in an omelet that asked for. She was cutting the vegetable a little too aggressively but it was the best way to give her anger an outlet. 
“There is nothing to say,” Natasha mumbled, putting the peppers into the pan. 
“You have to see it from my perspective,” the older Black Widow said. “My priority is to keep you girls safe.”
“Who is watching out for her?” Natasha hissed. She cleaned the knife before putting it away in the correct place. “We should have gone back for her.” She had so much guilt eating up inside her from that night. The gunshots that hit the plane kept her up at night. 
“How?” Melina questioned, starting on Yelena’s lunch. “Please tell me how we could have saved her,” she sighed, pinching the bridge of her nose. “Your sister knew the consequences when she locked us out of that plane.”
“Now we have a chance to be a family again,” she placed the omelet on the plate. “But you don’t trust her. What's it going to take?” Before Melina could answer, Yelena entered the kitchen. She sat down in front of the omelet and orange juice. 
“Do you think I’ll still be able to play tomorrow?” Yelena asked, cutting into the food. “Will it be safe?” Natasha grabbed the mug that Melina poured for her. 
“I don’t know,” she answered honestly. “After I drop you off at school, I’ll regroup with the team. There will be an agent stationed outside the house and at your school.”
“What about you?” Yelena frowned.
“I’ll be fine,” she reassured her sister with a smile. “I’ll be with Maria or Clint at all times.” She nodded, pushing her food around her plate. Something else was bothering her, it wasn’t hard for Natasha to notice the change in her sister’s behavior. “What else is wrong?”
“What about Y/n?” She questioned. Now that was a great question. From what Maria told her, you refused a protection detail and were sounding self-destructive. 
“She’ll be with me,” she said, ignoring the look on Melina’s face. “Once this is over, we’ll all be safe.” 
*
You were standing in the kitchen, buttering a bagel. “Are you okay?” Clint asked. You didn’t look at the SHIELD agent.
“Yes,” you said. “Why wouldn’t I be?” He leaned against the counter with his arms crossed. 
“Because it looks like you are going to murder someone with that butter,” you smirked, rolling your eyes. “I think you could.” Oh 100% but it would be a messy way to kill someone and not a cool way to die. The front door opened and Natasha walked in. Her green eyes immediately found you. They screamed ‘Are you okay?’ and ‘Please talk to me.’ You smiled, nodding your head. You hoped it conveyed everything you were feeling. “Ready to meet the boss man?” Clint asked, following you to the couch. 
“Yeah,” you said, standing behind the couch while Clint sat down to join the others. 
“Just don’t say anything stupid,” Natasha teased. You gasped in mock offense. 
“I would never,” you smiled as Maria accepted the video call. The screen changed to a man with an eye patch wearing a trench coat. An odd outfit you thought. 
“So,” he said. “This is the infamous Black Widow,” you took a bite of your bagel. “I’m guessing you know who I am.” You nodded. 
“Nick Fury, the director of SHIELD. 
“Also the reason you aren’t in custody or buried 6 feet under.” A smirk formed on your lips. 
“Are you expecting a thank you, sir?” You questioned. You heard Natasha let out a small groan. He folded his hands and leaned back in his chair. 
“What I’m expecting is for you to help take down the Red Room and follow every order my agents give,” he said. “Or I will pick one of the numerous countries that you're wanted in and drop you off.” Fair enough. You shrugged. 
“Sounds like a fair exchange,” you said. “And after the Red Room is gone and Dreyokv is dead, what is going to happen to me?” Natasha offered you a spot at SHIELD but she wasn’t the boss. The man in front of you was. Similarly, another man held your fate. 
“Well, that’s up to you,” he said. You raised an eyebrow, not expecting to have a choice in the matter. “Depending on the outcome of the mission, I’ll be offering you a position at SHIELD.”
“If I were to turn down your generous offer?” There was an intense stare-off between you and the Director. But to your surprise, the man smiled. Or it was something close to a smile. 
“I like you, Widow,” he said. “I think we’ll get along well.”   
*
It was lunchtime. Yelena was sitting outside with a few of her friends. She was stressed, on edge, that much you could tell. She was glancing over her shoulder, barely eating her food or engaging in the conversation around her. You made out the SHIELD agent assigned to your sister. Taking a sip of your coffee, you made note of the surrounding area. The school was across the street from a neighborhood, an odd place to put a school you thought. A wooded area surrounded the small sports complex and there was a parking lot in front. You opened your laptop and pulled up a satellite image of the school. It was clear and you looked back at Yelena. She was talking to a girl, and whatever she said made the girl’s cheek blush. You smiled, shaking your head with a laugh. This is why you locked them out of the plane so they could have a normal life - go to football games, flirt with people, and smile. You were being honest with Maria, no matter what you’d keep them safe. So when the same two girls walked past the car for the 3rd time something wasn’t right. You were a trained spy, able to sneak into government buildings and take down countries. Your gut instinct kept you alive. Carefully, you opened the glove compartment and pulled out a pistol, your widow bites, and a hat. You put the hat on and attached the gun to your hip, covering it with your sweatshirt. As you listened to your phone ring, you got out of the car. “Where did you go?” Natasha asked. 
“Yelena’s school. Send back up,” you didn’t flinch as the gunshot rang out, hitting the SHIELD agent. “I’ll get her safe,” you told her. You began to run as the school erupted into chaos, pushing past students and school officials. “Hurry.” You put your phone in your pocket. Yelena stood up from the table, looking around in a panic. A scream left her lips as the girl next to her was shot. You got to her, pulled her to the ground, and flipped the picnic table on its side. It wasn’t the best cover but it was the only option. “Hey, hey,” she had blood splattered on her face and her green eyes were wide and frantic. “Eyes on me, okay?” With the sleeve of your shirt, you tried to clean up some of the blood on her face. She nodded. “I’m going to get you out of here and SHIELD is on their way.” Another shot and Yelena squeaked.
You grabbed a small makeup mirror and opened it, using it to see behind the picnic table. There was a sniper on top of the school and a small group of Widows swarming the parking lot. You pulled out your pistol. “On my mark, you are going to run towards the school.” You looked at the blueprints of the building, the cafeteria was through the closest door, and down the hall was the gym. That was your best option. 
“I’m scared,” she whispered. You nodded. 
“I know but you’ll be okay. Reader?” She nodded. “Go!” You popped up and aimed for the sniper. You weren’t aiming to kill just to disarm. Out of the corner of your eye, you saw Yelena run towards the school. With the sniper taking cover, the Widows on the ground ran over to you. You fired some shots at them before following Yelena. They shot back. 
Yelena was standing in the cafeteria waiting for you. “Where are we going?” She asked as you grabbed her arm and dragged her along. 
“Gym,” you told her. “We can circle back to the front to get back to the car.” Glass shattering echoed the quiet hallway. You turned around and saw 2 Widows in the hallway. “Fucking hell,” you mumbled, running towards the gym. Like the hallway the gym was empty. “Hide behind the bleachers,” you said. “Don’t come out until I say so.” She ran behind the bleachers without hesitation. You had just enough time to reload your magazine as the two Widows walked in. 
“Gde ona (Where is she?)” One of them asked. You didn’t recognize them so they must be a lower level than you. 
“I have no idea who you are talking about,” you were accepting the hit to your stomach but the air was still knocked out of your lungs. You stayed on your feet as they circled you, mimicking a lion and its prey. But you knew the real roles here, they weren’t going to kill you or Yelena.   
“We don’t want to hurt you, sister,” your heart skipped. They were your sisters brought together by blood and violence. 
“Funny,” you said. “I was thinking the same thing.” You shot one of them with your widow bites and she went down easily. You dogged the attack, dropping to the ground and sticking out your leg. She fell but she grabbed onto your leg and threw you to the ground. You hit your head hard against the wooden gym floor. You both stood up slowly, facing each other. “I’m sorry,” you charged her, tackling her to the ground. She fought against you, hitting you but you were stronger. It was one quick punch and she was out cold. You fell back, your heart pounding in your rib cage as you stared at the unconscious Widow. “You can come out Yelena,” you said, standing up. The blonde walked out from behind the bleachers. 
“Are you okay?” She asked. You nodded. 
“Yeah,” you said, placing your hand on her back. “Let’s get out of here.” You ran out of the gym but there was a nagging feeling in the back of your head. They were too easy to take down. The girls were around Yelena’s age so they weren’t experienced. Why did he send them? “My car is over there,” you said, opening the door and pointing towards the direction of the car. The front of the school was still in chaos. “Let’s go,” you put the hood of Yelena’s jacket up to try to cover her face. 
“I’m sorry,” she whispered. The apology took you by surprise. It was something you weren’t expecting, especially from her. “I’m sorry you had to hurt them to protect me.” 
“I’ll do anything to protect you and Natasha, okay?” She nodded but you could still feel the guilt radiating off of her. You saw the Widow across the street and you pushed Yelena to the ground as the gun went off. The pain wasn’t bad as the bullet hit your stomach. Without thinking you raised your pistol and shot the Widow. It was a quick and easy kill but it somehow hurt more than the bullet. 
“Oh my god, oh my god,” you hissed as Yelena pushed her hands on the gunshot wound. 
“I’m okay, not my first time getting shot,” you joked. “I need you to drive. Can you do that?” Her face was drained of color but she nodded. “Good,” you handed her the keys and got into the car. 
“Where are we going?” Yelena asked, her hands stained red and shaking. 
“The safe house,” you said. “Drive.” She did as sirens began to echo towards the school.   
  *
You squeezed your eyes shut as Phil dug to get the bullet out of your stomach. The door to the safe house opened, you had half the mind to grab your gun but you heard Melina’s voice asking if Yelena was alright. Natasha and Maria walked over to you. You were only wearing a sports bra and jeans, sitting in the dining room. “She's gonna pull through, doc?” Natasha teased but you didn’t miss the concern in her eyes. 
“No exit wound,” Phil said, not looking up. “I have to get the bullet out before she heals.” 
“Super soldier serum,” you hissed. “We are giving it before graduation. Fuck, have you ever done this before?” You asked him. 
“Move out of the way before you do more damage,” Melina said, putting on gloves and taking the scalpel out of Phil’s hand. The agent moved out of the way, stealing a glance at Natasha. 
“Phil, go check in with Clint and see if he’s found anything,” he nodded, taking off his gloves. “Go talk to Yelena and get her statement,” Natasha hesitated but you nodded. She went to join the blonde on the couch. “I’ll be back to get your statement when you're all patched up.  
“Aye, aye, captain,” you gave her a salute. It was just you and Melina. You were surprised how gently her touch was when she tried to get the bullet out of your stomach. “I thought you didn't trust me,” you said. “Surprised you are allowing yourself in such a vulnerable position.” She got the bullet out and placed it on the paper towel. She cleaned the wound before stitching it up. 
“If you wanted me dead you would have killed me the moment I opened that door,” you chuckled. She wasn’t wrong. “Thank you for saving her.” She placed a bandage over the stitches.  
“No need to thank me,” you whispered. She took a step back and looked at you. Even with the serum rushing through your veins, it didn’t hide your scars. Each scar had a story, a name behind who gave it to you. These scars that littered your body were from other Widows during training, from Dreykov, and a few from your hand. You hated how small you felt under her eyes. 
“Where did you get this one?” She asked, touching a scar on your shoulder. 
“I got hit that night flying the plane,” you stood up, winching as you felt the stitches move. The serum would have healed soon. You helped her clean up the medical supplies. “Still managed to fly to Cuba much to Alexei’s disappointment.” You walked into the kitchen, throwing away the trash. Natasha and Yelena were on the couch and you found a new shirt resting on the back. You put it on. “Only thing that kept me going was your and their voice.” You continued. You rested your hand on Yelena’s shoulder, she looked up at you. “Are you okay, malen'koye solnyshko (little sun)?” She nodded. 
“I am. Thanks to you,” you kissed the top of her head before heading back into the kitchen. Natasha and Yelena followed you. You were surprised by how hungry you were. 
“The entire flight I thought Alexei was going to shoot me. I’ve never seen him so angry,” you continued unsure why you were telling them. The words kept following you. “Want a sandwich?” You asked them. Melina and Natasha shook their heads but Yelena let out a quiet, “Yes, please.” “When we landed in Cuba, I stood in front of Dreyokv, Alexei behind him, and guards circling us with their guns drawn. I stood there, unarmed, with a bullet hole in my shoulder.” You cut Yelena’s sandwich in half and placed it in front of her. You began to make your own. “Dreyokv asked where you guys were and I said I didn’t know. Alexei said he’d deal with me,” you felt a chill down your spine. “But Dreykov stopped him and said he knew how to handle me.” You turned your back to them so you wouldn’t have to see their expression. 
“What did he do to you?” Melina asked. You closed the fridge, no longer feeling hungry. 
“What didn’t he do to me is the better question,” you walked back over to them, eyes glued on your sandwich. You didn’t want to go into too much detail. Yelena was still so young and you didn’t want to taint her view of the world. “I was his malen'kiy pauk (little spider). He wanted to break me but I wouldn’t break.” You took a bite, it tasted bad but you knew you needed the energy. You glanced up at Melina. Her expression was hard to read, it was a strange mix of anger, sadness, and guilt. You shrugged. “But once he’s gone, everything will go back to normal.” You finished the sandwich and put your dish in the sink. “I’ll be in the room Maria gave me if you need anything.” You quickly left, closing the door behind you. Resting your head against the wooden door, you let out a shaky breath and closed your eyes. You could feel his hands on you as you knelt in front of him or one of his advisors. The blood that covered your hands was because of that man. But you weren’t the only one trapped and hurting because one man believed he was God. 
*
“We found this,” Clint said, placing a piece of paper on the table. 
“What does it say?” Fury asked. He was videoing in for this meeting. 
“Come home, malen'kiy pauk (little spider),” Natasha said. Your sisters and Melina looked at you. You leaned back in the chair, hand on your chin. He wanted you back. Time and time again, he told you you were his most prized possession. 
“Okay,” you finally said. “If he wants me then he can have me. We can use it as a trap.” 
“There is no way it will be that easy,” Clint said. It won’t be. But you were done with this cat-and-mouse game you were playing. 
“It won’t be,” you said, standing up. “He could have sent Widows much stronger than he did but he didn’t. Everything that man does has a purpose.”
“What was his reasoning?” Maria asked. You put your hands on your hips. 
“To prove a point,” you whispered. “It said that no matter where we go or what we do he has the power to find us,” you faced Fury. “Dreyokv’s daughter is our way to him and we know she’s in Budapest. I’ll end it there.”
“No,” Melina said. Your head whipped to look at the older Black Widow. “You aren’t doing this alone.” 
“She’s right,” Natasha added. “We’ll help you take him down.” 
“Alright,” you looked back at Fury. “Pack your bags. You leave tomorrow.” 
*
A plan was made and you were folding your clothes into your duffle bag. You found the photo strip and you picked it up, sitting on the bed. You remembered that day so clearly. Melina and Alexei brought you and your sisters to the mall to get school supplies. You pleaded for a few quarters to do the photo booth. In the end, it was Yelena’s puppy dog eyes that caught them breaking. “I’m sorry,” you looked up to see Melina. The apology sounded so strange coming from her. “I’m sorry I didn’t come back for you and wasn’t strong enough to save all three of you back then,” you stared at her, mouth open slightly as she walked in and sat down. “I cycled through the Red Room so many times before you were even born. For the longest time, those walls were all I knew and I was never given a choice. Until a 14-year-old girl gave me one,” you smiled, whipping away a tear that fell. “Natasha and Yelena were all I had for the longest time and I’d do anything to protect them.” You nodded. 
“I get it,” you whispered. “I’m disposable.” Melina’s eyes grew wide.
“No, dorogoy (sweetheart), you are not,” she cupped your cheeks in her hands, pushing the tears away that fell. “You are…” she paused. “Everything. You are the reason I am here, the reason Yelena gets to graduate high school, and the reason Natasha won’t admit her feelings for Maria,” you laughed at Melina’s jab at your sister. “So, thank you. Even though it’s been a long time, you are still part of this family. Okay?” 
“Okay,” you whispered, nodding your head. You whipped away your tears. “What happened to me wasn’t your fault.” She frowned, looking down at her hands. 
“Why does a mouse born in a cage run on that little wheel?” You didn’t know the answer or if she wanted you to respond. 
“But you aren’t a mouse, mama. You were just born in a cage but that’s not your fault.” Melina scoffed, pushing a piece of hair behind your ear. 
“Tell me, how did you keep your heart?” It was your turn to think over what she said. You smiled. 
“Pain only makes us stronger,” you quoted her. It was a common phrase thrown around in Ohio. But the strongest memory of it was the night you left. Yelena was chasing you and Natasha and she fell and hurt her knee. “Didn’t you tell us that? What you taught us kept me alive.” 
*
You were up when you heard a soft knock on your door. Standing up, you opened the door and saw your two sisters. “Is everything okay?” Natasha looked nervous, shifting her weight. Yelena rolled her eyes. 
“Can we sleep in here tonight?” Yelena asked. “With the shooting and everything that is going on, we're scared and worried.” You smiled, stepping out of the way so they could come in. After closing the door, you joined them. Yelena was in the middle, you, and Natasha on either side of her. It was how you would lay back in Ohio. “We’re gonna be okay, right?” You stole a glance at Natasha. 
“Of course, we will be,” you said, running your fingers through her blonde hair. It was a dangerous promise. 
“Because we’re together,” Natasha looked at you with a smile. 
“Yeah,” you whispered. “Sometimes in our lives, we will have pain and sorrow but if we are wise we know that there’s a tomorrow.” Yelena smiled. 
“Lean on me. When you're not strong.”
“I’ll be your friend. I’ll help you carry on.” Natasha added. Like when Melina told you that pain only made you stronger, it was common for you to say a phrase or two when your sisters were struggling with nightmares or in school. You were surprised they remembered it. 
“Exactly,” you said. “Now, we need to get some sleep. We have a busy few days ahead of us.”    
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ladykailitha · 1 year
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Star Child Part 8
Out of the frying pan, but did they land in the fire? Steve certainly thinks so.
Part 1 Part 2 Part 3 Part 4 Part 5 Part 6 Part 7
***
Eddie and the rest of Corroded Coffin had barely gotten to the parking lot when suddenly all their phones were blowing up. Steve had tried contacting Eddie first, but when that failed, he had tried all of them. Whatever it was the matter, it certainly had freaked Steve out enough to try and get a hold them by any means necessary.
Jeff was the one that managed to answer his phone before Steve hit voicemail and called one of the others.
“Hey, man,” he said. “What’s wrong?”
“Is everyone okay?” Steve asked, his voice trembling.
“I’m going to put you on speaker so you can hear all of us at once, okay?” Jeff said soothingly.
“Yeah...” Steve muttered. “Yeah.”
Jeff put it on speaker and one by one the others chimed in.
“Gareth here,” he said, “You’re kinda freaking us out, man.”
“Are you guys still at the club?” Steve gasped.
“No, dude,” Brian said. “That place is creepy as fuck.”
“You got out okay?” Steve asked, his voice cracking from emotion.
“Stevie baby,” Eddie cooed. “I’m okay. But um...you’re not going to like this.”
“Your Uber driver is pissed you left him hanging?” Steve breathed through the speaker of Jeff’s phone.
All four members looked at each other in shock.
Eddie gulped. “What’s going on, sweetheart?”
“Are you still in the parking lot?” Steve asked.
“Our Uber just pulled up,” Brian said and wandered to the car, but Jeff stopped him.
“Call the driver,” Gareth said. “Make sure it’s the right guy.”
Brian stopped dead in his tracks and looked back at the club. The music could still be dimly heard out here on the pavement. The lights pulsed in a twisted way. He pulled out his phone and dialed the number the app gave him.
And instantly the man in the sedan picked up his phone.
They all sighed in relief.
Brian walked up to the driver’s side window and the man rolled down the window.
“Hey, man,” Brian said, waving his phone. “We’re tourists and wanted to make sure we had the right car. You’re Vince, right?”
“Hey, no troubles,” Vince said. “I’m one of the few drivers willing to pick up from this club, so I get it.”
Dread pooled in Eddie’s stomach. “Steve baby,” he said to Jeff’s phone, “Can I call you back on my phone? It’ll be quick I promise.”
Steve let out a shuddering breath. “Yeah okay.”
Jeff hung up and they piled into the car, Brian taking the front seat. Eddie called Steve up and immediately Steve answered.
“Hey,” Eddie whispered. “What’s got you around the twist, Stevie?”
“I’ll tell you once you’re at the hotel,” Steve said. “But um...I don’t want to hang up.”
“And I won’t,” Eddie murmured. “So talk to me, tell me about how recording is going.”
“We’re stalled out for the moment,” Steve murmured. “The label is pissed that I did four of the five albums in three years and am about to churn out the last one.”
Eddie winced. “You able to do anything about that?”
“Robin and I have a meeting with a kick ass contract lawyer tomorrow,” Steve said with the first hint of smile Eddie’s heard all night. “Plus, Robin is super smart and made it air tight.”
“That’s good, sweetheart,” Eddie said. “You still writing songs for this album?”
“Hell no,” Steve said. “I haven’t wrote anything new for these guys ever. I have notebooks filled with old songs and I pick the ten or so worst songs imaginable and record those.”
Eddie blinked, his jaw dropping. “Are you telling me those absolutely horrific songs that you have been putting out is a deliberate fuck you to your record label?”
Steve laughed, bright and beautiful and Eddie’s heart clenched at the sound. God, if this kept up, Eddie would have to admit to being in love with this boy.
“Yep,” Steve said, popping the P.
Eddie laughed too. “Oh my god, that makes so much more sense, because you are so fucking talented...”
“And those songs are shit?” Steve teased.
“You have no idea, Stevie,” Eddie said grinning.
The car came to a stop and they were at their hotel.
“We’re at the hotel,” Eddie said as they all piled out.
Steve let out another shuddering breath. “‘Kay, now stay in the lobby or go to the restaurant.”
Jeff and Eddie share glance as they do as Steve asked.
They all huddle around the phone at a table in the hotel restaurant. They order drinks and an appetizer.
“What’s going on, Steve?” Brian asked.
“Okay,” Steve said, “I want to apologize for the cloak and dagger routine, but you guys were in the club of the biggest crime lord in the Austin area.”
The Corroded Coffin boys went offline.
After a moment Gareth squeaked, “Come again?”
“I’m going to send you a link to the documentary I did the voice over for a couple years back on the guy,” Steve said. “But the tl’dr of the whole thing is that he is absolutely the most dangerous man you’ll ever meet.”
“Fuck,” Eddie hissed. “I pissed him off.”
Steve let out a noise that was somewhere in the vicinity of a whimper and a scream. “Why?”
“He wanted me to stay in town tomorrow,” Eddie explained, “and let the band take the bus to the next venue and then I would take his private jet to Santa Fe to be in time for the sound check.”
“Oh,” Steve breathed as though he had been sucker punched. “Oh god. I’m so glad you turned him down, but Jesus H Christ, Eds.”
Eddie nodded even though Steve couldn’t see him. “What would have happened, Stevie?” There was silence. “Don’t. Don’t go there. Don’t make me find out from a fucking documentary. Just...tell me.”
“Depends on what he wanted from you, I guess,” he whispered.
Eddie closed his eyes and could fill in the rest. Yeah, he wouldn’t have made it out of Austin. He would have been drugged and ‘he’ would send a message to the band that he was staying in Austin with Henry Creel. And then probably dropped off a complete mess, addicted to all kinds of drugs and drunk off his ass in the middle of nowhere when Henry was done with him.
“Shit, Steve-o,” Jeff murmured. “What would this dude want with Eddie?”
“My guess?” Steve said solemnly. “A pet rockstar. Who better then Eddie Munson of Corroded Coffin? He probably would have let Eddie release a couple of solo albums just to prove how much control he had over him, but yeah. It’s fucking terrifying.”
“What should we do?” Gareth asked.
Steve took in a deep breath. “Take a flight to Santa Fe. Have the bus follow behind. Make sure your instruments are on separate bus.”
Jeff let out a whine. “You have to understand how insane that sounds.”
“I know,” Steve murmured. “But I really, really don’t want to read the headline tomorrow night that your tour bus rolled over and you’re dead or in the hospital on life support.”
“Babe,” Eddie said desperate. “I’ll do it for your sake. But shit this sounds batshit crazy.”
“Just–just watch the documentary, okay,” Steve said softly. “And then tell me I’m being paranoid.”
Brian buried his head in his hands and dragged his fingers over his face. “No, I’m with Steve on this one. That place gave of these vibes that screamed death and pain. And if this guy is even an ounce of evil he says he is, then we do as Steve-o says.”
The band looked around the table and then nodded.
*
Later that night when they were huddled in Eddie’s hotel room on the bed as the credits rolled on the documentary Steve sent them, the room as so silent a pin dropping would have sounded like a bomb going off.
“Okay,” Gareth said, his voice trembling. “Does anyone else think Steve undersold how creepy this guy is?”
Brian let out a shaky breath. “Maybe not quite undersold, but yeah, I don’t think there is anyone that would have believed it if not for the documentary.”
“Now I understand why he was blowing up our phones,” Jeff murmured.
But Eddie stayed silent. He tapped out a message on his phone.
-I’m sorry I scared you. But after seeing the doc, I don’t think I could have avoided meeting him if I wanted to.
A brief moment passed before Eddie got a response.
-I’m starting to get that, yeah. I’m so glad you got out of there, you have no idea.
Eddie sighed and laid down on the bed. The rest of the band cuddled around him.  
-Looks like Corroded Coffin is avoiding Austin for a while.
Steve message was almost instantaneous.
-I’m sorry sunshine. I’m sorry he picked you.
Eddie shook and Gareth pulled him closer.  
-I’m glad you reached out. How did you find out about it anyway?
-Gareth’s ig auto updates his location so fans know where you guys are if you guys are down to party
Eddie kissed Gareth hard on the top of his head. “You absolute menace! I love you!”
Gareth looked up at him confused. “What did I do?”
“Steve found out where we were because your god damn Instagram!” Eddie kissed his head again.
Gareth’s eyes went wide. “Seriously? Mine or CCofficial?”
Eddie asked.
-CCofficial, but it’s the worst kept secret that it’s Gareth that runs it.
“He says official,” he told the band.
Jeff sat up and pulled out his phone. He began searching through the millions of followers on their official Instagram. “Holy shit, guys. He’s been following us for as long as we’ve had ig account.”
Brian shrugged. “We all know he’s a fan. So what if he’s been our fan since the beginning?”
The rest of them thought about that for a minute and then shrugged.
-Good to know
-Me and the boys are all in my hotel room and going to sleep now
Steve sent back a message
-Sweet dreams, and let me know when you’re on your way out of town
-Will do, babydoll
Eddie set his phone on the nightstand and snuggled up with his band. It had been a couple of years since they had to do this, but they all knew they would sleep better together than apart.
One by one the boys dropped off until it was just Eddie watching over the men that had become his family. The Munsons had always run thin aground on the genetic department, but Eddie had found his family as surely as god made them.
***
Part 9  Part 10  Part 11  Part 12  Part 13  Part 14 Part 15  Part 16
Tag List:
@bejeweledbaby @eboyawstenn @moonshadows-13 @ohlook-afrog @goodolefashionedloverboi @linkydinky06 @livelaughlexa @spectrum-spectre @cutepumpkin4 @whatthemeepever @gleek4twd @anything-thats-rock-and-roll @novelnovella @celtrose-ish @artiststarme @plasticcrotches  @failedstarsandgoldenclouds @anaibis @nelotegreitic @steddieassheg0es @abstractnaturaldisaster @scheodingers-muppet @tiny-enthusiast @yes-im-your-mom @thegingerrapunzel @milf-harrington @avacrebs @gregre369 @raisedbylibrarians @reverseteehee @lillys-weird-world @deadlydodos @runyousillydetective @justrandomfandomstm @piebook67 @clumsywriter @donttouchmycarrots @fiore-della-valle @idkareallyreallygoodname  @idontgetpaidenoughforthisshit @ravenpainter @ellietheasexylibrarian @maya-custodios-dionach @child-of-cthulhu
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not-handsome-enough · 1 month
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DICK KNUBBLER MAYE STILL BE ALIVE
Kinda
Alright before I do anything take this with a grain of salt, cause it’s probably a continuity error / can be easily explained away BUT if you all would like to hold onto some hope please just hear me out. And also it offers a question for yall.
Alright! So!
On twitter someone had asked Brendon and Gene about Murmaider III and its placement on Dethalbum IV ( which btw shoutout to Gene’s wife that was brilliant ) and Brendon had mentioned that what sets 3 apart from the other two was that it was more dreamlike, and that it was made AFTER Army of the Doomstar. Now since Brendon and Gene weren’t the ones to make the order on the Album we can’t set a timeline for the songs ( though they are set in Brutal to Dreamlike order once again shoutout to Genes wife you goddess ) we can at least say that some songs were made post Army. In fact we could also make some assumptions about what songs were made DURING army. So I’ll separate that list here.
NOTE : YALL DONT NEED TO READ THIS PART THIS IS JUST ME RUNNING WITH “ some songs were made post AOTD which ones could they be teehee “ JUST KNOW MURMAIDER AND SOS WERE AFTER KUBBLER DIED OK SORRy I’m not deleting that whole thing I like it
Songs with “ * “ are canon, the rest are personal interpretation.
DURING ARMY OF THE DOOMSTAR:
* Aortic Desecration ( the first song of salvation but obviously not )
* SOS ( song of salvation )
Gardener of Vengeance ( Nathan directly references this during the scene where he confides in the band and Knubbler that he doesn’t write songs about hope and he’s just doing what he knows. I believe he wrote and recorded this but felt it wasn’t good enough to be the song of salvation and moved on. HOWEVER the language he used could place this as post AOTD because it sounds more like a thrown out there example kinda like how he figured out SOS in the cave )
Poisoned By Food ( Again I think this is a scrapped song of salvation since besides the actual poisoning of food a lot of the imagery feels like the what the metalocalypse was described like )
BLOODBATH ( guess what another scrapped song of salvation. This one feels like a ‘you don’t scare me I’m going to confidently stop you because if I go down you go down with me’ song. Also it could be Nathan trying to reach out to Magnus since he was one of the people on his list. Also quick note I’m going song by song so I don’t know if I’ll notice if any other songs would reflect the list I just got out of work so I’m not gonna catch it all rn )
Horse of Fire ( this is tricky because lyrics like star still blazing allude to this being written before aortic desecration but also Nathan didn’t have the talk with the whale until the deadline came up in which he had to go with aortic desecration <he wouldn’t have had time to write about the fist or the hand.> But the lyrics don’t have the <we should reach out to the fans> revelation that SOS has. Maybe this was a draft for SOS but I think once Nathan figured out what SOS was meant to be it just came to him naturally. I’m not sure. HOWEVER since the doomstar is referred to as a star that is still blazing and not a portal that’s been destroyed it’s safe to say this is not post AOTD. Either way this is an important song to keep in mind if you look at this speculating )
POST ARMY OF THE DOOMSTAR:
* Murmaider III ( stated by Brendon Small in the interview. He said he feels that the boys would have written this after AOTD and based off of interviews he’s had in the past about his songwriting process it’s hard to not take this as canon so. )
DEADFACE ( I think this is post because while the song plays during the movie only Skwisgaar knew about the possession so the lyrics wouldn’t quite make sense yet. It’s a tricky placement but I can see Skwisgaar playing around with it since he does play the notes during the movie )
Mutilation on a Saturday Night ( this feels so much like a we survived so now we’re gonna party song I can’t see Nathan Skwisgaar or Pickles make an argument for this being a Song of Salvation. Also all the fucked up shit they talk about references what happened during the metalocalypse but it’s spoken in past tense like a ‘hey we fucked shit up but we fixed it so now we’re just gonna keep fucking around haha’)
I am The Beast ( simply cause I don’t see this as something Nathan would write during AOTD but the ‘ I am a beast this is my domain and when I speak you scream my name ‘ could work as a salvation line but it feels too much like a Mutilation Saturday Night ‘I can write whatever I want cause I lived and I’m not gonna hold back’ vibe )
Satellite Bleeding ( this feels like the first song they would have written and recorded after the doomstar died. Kinda like watching the sky clear up after a storm. )
Now despite me rambling on about this I would like to draw attention to what’s canon. Specifically SOS and Murmaider III. These songs came out after Knubbler died. Yet Dethalbum IV credits Knubbler for production.
Drawing your attention to how crediting in the Dethalbum works, each album has a little section for Dethklok to get musical credits and thank whoever and whatever. There’s also production credit and location credit. On ALL of the Dethalbums Knubbler is credited as producer. Cause he’s the producer makes sense yeayeyaeyah. But whenever there’s a change in location or production, there’s additional credits.
ANOTHER NOTE: I DONT HAVE THE KLOK OPERA CD I HAVE NO IDEA WHAT THE CREDITING SYSTEM LOOKS LIKE ON THERE but if someone happens to be selling that cd outside of eBay please let me know
Let’s look at them.
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Dethalbum I ^
Shit ton of credits right, and on the other page which I didn’t take a picture of and can’t because I’m not home at the moment there’s credit to Snakes N Barrels for “Kill You” with each member listed. Take note that songs that are considered exceptions are credited differently and locations not at Mordhaus are credited.
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I lied I have the other page. For those without the dethalbum cds the actual credits are usually on another page and “Kill You” got mixed in with it
Anyways
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Dethalbum II
Hey Knubbies gets to thank someone this time! Anyways once again Knubbler is credited for production, but also Dethklok. Keep this in mind. Also the fact that different location credited for Murmaider II but it’s recorded at Mordhaus
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Dethalbum III
Knubbler credit AND Abigail credit along with Dethklok AND once again location credit is Mordhaus and another fuckass place. Only thing that’s not really credited is Magnus with The Hammer but idk if he was like Toki and William where they play the songs but don’t really write or if he actually wrote The Hammer. I’m not a HammerHead, I’ve seen people interpret him as both, but at the end of the day idrk.
So what about Dethalbum IV
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Knubbler is credited. At Deus Keep. Only Knubbler. Only at Deus Keep. “But he’s not credited as a Producer” True! If the album was released in universe it would probably be a producer credit. Especially since Brendon and Ulrich have Producer credit on the page prior. Maybe it’s because Knubbler didn’t make it to the final production stage. Or maybe he’s staying hidden undercover..
Remember earlier. He canonically was not around for two of these songs on this album. He could not have recorded OR mixed SOS or Murmaider III. Even if you don’t fully think that Murmaider III was made Post AOTD, SOS was done post Knubbler death. Hell, the song was dedicated to him by William! But there’s no separate credit for SOS.
If we went on the same basis as previous albums SOS would have been credited to that part of Norway where they traveled to that I forgot the name of and I’m not gonna look up but you get the point. Or even Dethklok would have been credited as production. I could also say something about how Murmaider III wasn’t recorded in the Mariana Trench and how the whale isn’t calling to Nathan anymore but that’s for another day. Right now though, it’s just Knubbler. Just Knubbler and Deus Keep.
Which leads to 3 possibilities.
Knubbler Lives: Knubbler survived ( the flashing things on the ground were teleporters ) and Deus Keep is rebuilt. To celebrate their survival they make Dethalbum IV but don’t release it
Knubbler Died: The band recorded the last few songs on the album at the remains of Deus Keep. Knubblers presets aren’t changed so credit remains to him. Once again not releasing it.
It’s not an album: Dethalbum IV doesn’t exist in universe. That’s why there’s no producer credit. That’s why Nathan doesn’t thank the klokateers ( he thanks the army of the doomstar which is just him thanking fans ). Dethklok recording it post AOTD is more to do with how Brendon records dethalbums than in universe writing.
I like to think that this is just an unreleased album in universe since the record label is more than likely destroyed, but it has the possibility of releasing one day if society is rebuilt to what it once was. But it really depends on if you think the album is canon to the universe. Cause there’s no Mordhaus credit on Dethalbum IV and there’s no way for SOS to have been recorded at Deus Keep and blablabla
something fun to think about tho yk?
TLDR: two songs on dethalbum IV were made after Knubbler death yet the credit doesn’t change for him in the dethalbum so there’s a chance that he recorded and mixed those songs cause he is alive and well horray
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louisupdates · 2 months
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[Translated from Portuguese]
LINK TO VIDEO INTERVIEW
Former member of the British boy band One Direction, Louis Tomlinson will perform, in May, three shows in Brazil. It will be the third time that the musician will perform in the country, an experience that, according to him, is always chaotic - and "in the best possible sense". This is what the singer said to g1, in an interview held at Allianz Parque, where he will play in São Paulo, on May 11.
The shows are from the "Faith in the Future" tour, in which Louis returns to his latest album, released in 2022. The setlist also involves songs from the album "Walls" and, of course, One Direction hits.
Fever among children and adolescents in the 2010s, the pop group was formed from the TV show "The X Factor" and lasted six years, breaking up in 2016. Since then, the musicians have followed a solo career. A fact that, in Louis' eyes, is inevitably competitive.
"Your only reference is to compare yourself with the other members," said the Englishman. "You start to think, 'If they're getting this, why am I not getting it?'"
On Spotify, the number of monthly listeners among artists differs a lot. The most popular star of the divorced boy band, Harry Styles has about 58.2 million. Next are Zayn Malik (27.3 million), Niall Horan (17.3 million), Liam Payne (5.7 million) and Louis (2.9 million).
But if success meters like this were once a burden for the musician, today they are no longer, according to him, who also made a point of reiterating that he has always been proud of his friends.
In the interview, the musician also commented on subjects such as the conspiracy theories that describe him as a partner of Styles, the changes of concept between his albums, a Brazilian remix of his "Kill My Mind" - from the funkeiro FP of Trem Bala -, and his interest in fashion
g1 - What is the main difference between the Louis Tomlinson of the X Factor, 2010 and the Louis Tomlinson of today?
Louis Tomlinson - There is a lot of naivete in the boy who appeared in the X Factor. I really didn't know what I was getting into. I didn't know how that would put me sitting here. I definitely had no idea what I was acquiring.
I think I feel much more fulfilled. More confident. It took me a while to have enough courage to say: 'I'm creative, I'm a singer, I'm a composer
Now, I'm just internalizing all these feelings. When you grow up in a place like Doncaster, where I grew up, it takes a while to believe in all these things. Because you only watched it from afar, on TV or on the radio. So, when you become one of these people, there is a whole process until you believe and understand everything.
g1 - And what is the greatest similarity?
Louis Tomlinson - Probably my appearance (laughs). Well, I hope my fans don't correct me here. I like to think that I've always had a very lovely relationship with them. I think that's the only constant thing.
g1 - Do you know any Brazilian singer or band?
Louis Tomlinson - We were talking today about Anitta. And hm... Fresh? Fre? Fresno? I'm learning. I hope [the confusion with the band's name] didn't sound disrespectful, it wasn't my intention.
Do you have any recommendations for me? I got some tips today. What do you have for me?
g1 - There is a Brazilian musician called FP do Trem Bala. He made a remix of 'Kill My Mind'...
Louis Tomlinson - That's cool! So far, you were the one who made the best recommendation. Definitely.
g1 - Can I show you?
Louis Tomlinson - Of course!
youtube
g1 - What's up? Did you like it? Is there anything you would like to say to the FP of the Bullet Train?
Louis Tomlinson - Yes, it's a vibe. Fun. Very fun. Thank you for making a remix of the song.
g1 - This is your third time in Brazil. What comes to your mind when you hear things like 'doing a show in Brazil', 'Brazilian tour', or simply 'Brazilian fans'?
Louis Tomlinson - Chaos. And in the best possible sense. I totally love it.
Live experiences are defined by the most chaotic moments. And coming here and always feeling this energy is as if from the first drum beat, the fans were already there. It's a really triumphant feeling.
g1 - In musical terms, how was the experience of creating 'Faith in the Future' compared to 'Walls'?
Louis Tomlinson - I felt much more fulfilled, confident. I had more understanding of what I wanted to do and how to do it.
[On the first album], there was the factor that I left One Direction. It was as if my head was a mess and there was so much to think about... It didn't have a clear direction. I had to go through the experimentation phase to, in fact, understand who I am as an artist. That took time.
Throughout my creation of 'Walls', this was happening, but I was in a clearer, more concise place going to 'Faith in the Future'. And I think that made [the second] album better.
g1 - Recently, you created 28 Clothing, a fashion brand. What is your relationship with this sector?
Louis Tomlinson - I've always had a very funny relationship with fashion. Without a doubt, I'm interested in clothes, I've always been. Since I was young. But there is a level of haute couture that goes far beyond my understanding.
You know, I like to dress well. The brand is something I've always wanted to do. It is also intertwined with one of my [greatest] passions, football.
Football and fashion have been connected since the game was a game. People's fashion in the stands and everything else...
I think it's a very interesting thing and, for sure, a culture in which I was already inserted when I was younger. So, the brand helps me tell my story.
g1 - You once mentioned that you felt a little uncomfortable and more competitive at the beginning of your solo career. You said you were a little upset because you kept comparing your level of success with that of the other members of One Direction. Do you still feel that way?
Louis Tomlinson - No, I don't feel like it. Really. But I think that anyone - and obviously, there won't be many people who can identify with it - but anyone who has gone through a similar situation...
Being in a band and leaving on your own will always make your only reference be to compare yourself with other members. That's literally all you have.
I think it's a matter of maturity, actually. It took me a long time to look at it for what it was. Because that's where petulance begins. You start to think: 'If they're getting this, why can't I do it?'. And that becomes a little toxic.
Unfortunately, this is the nature of the music industry. It is naturally competitive. We are all competing for spots.
But now I see it in a very different way. And as I said, this requires maturity. I also needed to succeed on my own to be able to get through this. To overcome this.
Now, this comes back as I feel a confidence in saying these things.
Oh, and just to reiterate, because it's important: while I felt competitive, or more competitive than I am today, it wasn't like I wasn't immensely proud of everything the boys were doing.
It was more about reflecting on my own situation. Just about thinking: 'Oh, I wish I had a little of that'.
Now, I feel in a very, very, different place. And it's a nicer thing to feel, because being very competitive isn’t always the nicest feeling.
g1 - I imagine you hear questions like this all the time, right? Does it bother you?
Louis Tomlinson - Yes, it's okay. As I mentioned before, I understand the obvious public interest in One Direction. That's obvious. And you know, I appreciate that these things are interesting. I suppose [that they are].
g1 - Louis, many fans believe in the conspiracy theory that you’re dating Harry Styles, even though you describe this story as ridiculous. Why is this conspiracy so famous?
Louis Tomlinson - What I realized a few years ago is that there is nothing I can say, there is nothing I can do to stop those who believe in this conspiracy. They are so connected with what they believe they will not see the truth for what it actually is. I'm sure many people look and find all these little conspiracies that happen in life interesting.
I would be lying if I said it doesn't annoy me a little, but it's the nature of the work.
There are times when it gets very personal. I have my son, Freddie. He's the most important person in my life. And occasionally, [these theories] end up addressing things that are kind of unfair.
That's what we have now. There's nothing I can do about it. Nothing I can say to stop people from inventing what they want to invent. So, so be it.
g1 - Finally, what is your favorite song at the moment and why?
Louis Tomlinson - My favorite album is Paolo Nutini's last. It's great, amazing. He's an amazing singer, maybe he's my favorite singer. It's indeed an inspiring album.
And favorite music... I can't remember the name, but it's from The Libertines, a band I've liked since I was young.
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mylittlevsoldier · 1 month
Text
Byler, El and the folklore love triangle.
Taylor Swift’s 7th studio album, “folklore” (along with the sister album “evermore”) has written between the lines a love triangle between one teenage boy, James and two teenage girls, Betty and Augustine.
Taylor herself has said, “Betty and James end up together but he {James} put her {Betty} through it.” 
However, the way byler and El tie into this is slightly different. 
The way the folklore love triangle works is like this, James and Betty were together and had some sort of falling out. Then, James went away for a summer and cheated on Betty with Augustine. But, after that summer, James basically ends up ghosting Augustine because he realizes that he really messed up with Betty and needs to make things right. So, he shows up to a party she was having and the kiss and makeup and start dating again and “end up together.”
Now that you know what the folklore love triangle is, I can tell you how Byler and El fits into all of this. 
How I think this works is Mike is James, Will is Betty and El is Augustine. And here is why.
James is obviously Mike because he is the one stuck between the two “girls”. The “girls” in this situation being Will and El. he can’t choose whether to be unhappy in his relationship or pursue the person he wants but hurt the girl he is with and put a target on his back. 
Will being Betty just makes the most sense. Will has been there from the very start. Even though Mike and Will obviously never canonically dated, they’ve been best friends since kindergarten. Also, Mike and Will have had SEVERAL falling outs and the one that always crawls back to Will is Mike, begging him forgiveness. 
 Now time to talk about El. Please don't get me wrong, I LOVE El. Please do not think that I am one of those bylers that hate El.I don’t. However, El is Augustine. She has simply not been there as long as Will has been. She is basically just a distraction for Mike in a romantic sense. Hear me out, Mike is using El as a shield to hide behind. So he can hide from his internalized homophobia. I am NOT saying that he thinks of El as an object. But it’s more on head, he’s thinking that he can’t possibly java feelings for Will because he has a girlfriend. And if he has a girlfriend, he can't be picked on. He can’t be a target. 
TIME FOR LYRIC ANALYSIS!!! 
Cardigan 
Cardigan is the song that tells Betty’s side of the story from her perspective. Which in this form is Will's side of the story from Will’s perspective. 
“I knew you.” 
Like I’ve said many many times Will has been there from the very beginning. Like, he was the first friend Mike ever had. 
“A friend to all is a friend to none. Chase two girls, lose the one.” 
I’m sure one of the many reasons Mike doesn’t want to break up with El and confess his feelings to Will is because he could and probably will lose both of them. Because if he breaks up with El, that’s already enough grounds for losing her not to mention the whole part about being in love with her brother. Mike could also loose Will because he could reject Mike for the sake of saving El’s feelings.
“And when I felt like I was an old cardigan under someone's bed, you put me on an said I was your favorite.” 
Mike has always been the first one to notice when anything with Will is off, the first one to find him when he’s wandered off while in an episode. He has been “the only one who cares about Will” from the start. 
“I knew you. Leaving like a father, running like water.” 
We all know that Mike runs from all of his problems and won’t stop running until he falls off the face of the Earth. But Will doesn't know why he’s running from him. 
“But I knew you’d linger like a tattooed kiss. I knew you’d haunt all of my what if’s.” 
Will knows better than anyone that the feeling of Mike lingers. It stays and it won’t go anyway and it’s bittersweet. 
“I knew you;d miss me once the thrill expired and you'd be standing in front of my front porch light.” 
Whether Will liked it or not he knew that Mike would be coming back sooner rather than later. And he wanted that way. He didn’t want to push Mike away. It would be impossible to push away the person that he has called his best friend all his life and the boy that has been with his sister for years. 
August
“‘Cause you were never mine.”
I don’t think that El is stupid, she has to know or have somewhat of a feeling.  But also, I feel like she knows that Mike would be better off with Will. And, honestly, I think she’ll be better with someone else who actually listens to what she needs. 
“I remember thinking I had you.” 
I think that in retrospect, it’s funny to El all of the things she tolerated from Mike. And I think when Mike and El break up she will realize that they simply weren't right for each other in a romantic sense. Platonic with a capital P. 
“So much for summer love and saying us” 
I genuinely think that when El and Mike broke up in season 3, they should’ve stayed broken up. They would have still been friends and still talked to each other. But if they would have broken up it would have been the best for both of them. It would have saved both of their feelings. 
Betty
“Betty, one time I was riding on my skateboard when  I passed your house. It's like I couldn't breathe.” 
I know for damn sure that Mike Wheeler could not go near that house after Will moved out. I feel like it would make him sick to his stomach when he looked at it. 
“The worst thing that I ever did was what I did to you.”
I know that Mike regrets the shit he did in Season 3. The fights, the blatant ignoring of Will to focus on El and his relationship that’s falling apart in front his eyes.
“Slept next to her but, I dreamt of you all summer long.” 
I think that Mike really started to realize that he likes Will around the end of season 2 and season 3. Which is also around the same time he starts getting more defensive towards Will. That's when it all starts going downhill. Because he is starting to realize this feeling and with El breaking up with him, he is losing things to hide behind. 
“The only thing I wanna do is make it up to you.” 
We all know that if season 2 Mike saw seasons 3 or 4 Mike, he would beat his ass. But I still think that there is a little part of Mike that still really cares about Will like season 2 Mike did.
This is a rework of something i did a really long time ago so if it seems familiar and you've been around my blog a while that's why!
people who wanted to be tagged:
@hollarious2
@artsyna
@wallywise
@lebylershipper
@ash-the-wise
@tender-emotional-music
@willbyerswatch
@hearteyes-wheeler
@paloma-ascends-into-hellfire
also! if you want to be on the normal tag list (aka you get tagged everytime i post an essay / longer post abput byler you will get tagged), please comment and let me know!
also watch out for something related to byler and folklore soon (wink wink)
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