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meimi-haneoka · 3 months

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Cardcaptor Sakura Clear Card Special Chapter: Comments and Analysis

WELCOME BACK, CCS FAAAAAAAAAAAANSSS!!!!!

Oh my god 3 months went already by from that December 1st and chapter 80, didn't they?? Feels like yesterday 🙈But we're finally here, finally ready for the release of the definitive, last SPECIAL CHAPTER of Cardcaptor Sakura Clear Card!!!! After this, no more CCS for at least a while!!

Why do you see me so euphoric?? WELL, THERE IS MORE THAN ONE VERY GOOD REASON 😂 But let's not jump the gun and let's introduce this post properly: this time around, I won't be posting pictures to "illustrate" the analysis/commentary, because this special chapter was treated differently from the other ones. It didn't get, in fact, a free release on CLAMP's Youtube channel, in any language, and wasn't even uploaded for digital purchase on Comic Days like all the rest of the chapters. The only way to obtain it was via the April issue of Nakayoshi, either with the physical or digital version. Since it is clear to me their intention to keep this gem of a special chapter away from the internet jungle, and since lately I used only the screenshots from Youtube to illustrate my analysis, this time around I won't be posting anything (aside from the color page, which was released by the official account themselves).

AND! I won't be mixing analysis and summary, because I have already conveniently prepared some screenshots with a detailed summary of the chapter for the people who were curious to know, but didn't get to see the chapter yet or did see it but couldn't read Japanese. I have already posted these screenshots on my Twitter account, and I'll put them here too under the cut (please don't repost them around or in other social media), so you can immediately get a broad view on the content of the chapter (I don't have to point out translation mistakes, haha 😅), and then, afterwards, I'll write my commentary. And there is SO MUCH to say!!

But before starting, we can't break the tradition right at the LAST ROUND of our chapter commentaries, right?? So off we go, with the GIF OF THE MONTH!!

Yes, I think this is the GIF that can represent this chapter the most. 😂

The Color Page

This special chapter is composed of 33 pages, and of course I can't avoid starting my commentary precisely from the color page!!

I admit it, I hoped for a color spread with the four main characters of Clear Card (hence, including Kaito and Akiho too), but since the other two appeared with their own color page just in chapter 79, we'll gladly take this single color page with SyaoSaku too!! ❤️ The JP text reads "We've been together till now, and we will always be! Featuring a long-awaited special chapter!!" Syaosaku look absolutely adorable....and so, so happy!! Looking at us, from a wreath made of cherry blossoms, of course dressed in their image colors pink and green, in a "pair look"...I think their shiny smiles conquered the hearts of the entire fandom (saw many comments about it) and it is certainly a perfect introduction to a chapter that is, indeed, completely made of this happy, leisurely, warm atmosphere. I feel like it tastes even better, after all the anxiety they made us go through, right? I'm pretty sure that was CLAMP's goal all along, giving us this little reward after all the hard situations they've put their characters through. This color page looks like Sakura and Syaoran are saying "goodbye" to us, holding their hands in a lover's hold, but seeing them so cute and happy definitely soothes the sad feeling 🥲 Until we meet again...hopefully!

Letters From Around The World

But it's when the chapter starts that we get our first surprise: the time skip is of one entire year!!! We left our little heroes at the end of the first year of Tomoeda Middle school, ready to go in spring break and then start the second year...here, Sakura says she's in her spring break of the next year, ready to become a 9th grader!!! I almost couldn't believe they actually went that far, I knew from CLAMP's podcast that there was a timeskip, but I expected just some months! Although....I have to say the characters don't look that different, Mokona said she made them a tiny bit older and she kept true to that, because it's barely visible! 🤭 But if you compare them with how they looked at the middle of the story, of course the difference is visible.

I was so happy to see that the chapter started right away with a letter from Akiho: a letter or a videocall was definitely among the type of content I wanted to see in this chapter, because of course I still was quite preoccupied about the difficult journey Akiho and Kaito embarked on, so I wanted to see how they were faring. The amount of letters Sakura accumulated over the span of this year tells me that they moved around quite a lot, and she had always something to share with her "long-distance sister" 🤭 Kero praising Akiho's skills and even feeling some sort of "reverence" for her insane talent to find all the crazy and rare books was so funny and nice!! 😂Sakura is adorable, feeling all proud about the talent of her "sister" 🤭 Loved that they actually mentioned the place where Akiho and Kaito are currently at!! (cause they didn't reveal where they'd go first, in chapter 80, and I guess we'll never know). I appreciated SO SO much that they let us see that Akiho didn't drop, but actually continued to practice her sewing skills like she was doing before everything went down the drain with the Alice in Clockland play: moreover, finding out later that this skill is also helping her greatly with the true ambition of her life made me incredibly satisfied. How cute of her to send outfits for Kero and Suppy, even from far away??

I was quite surprised to find out that Akiho sends all the rare books to Eriol, and then laughed my as* off at Kero saying he's selling them off (the way Kero phrases it in JP makes it look a QUITE shady activity 😂). This shows there's a continued collaboration between the "group" in England and YunaAki, and it's very nice. They're not only "taking" support from Eriol, Akiho also does return the favor, providing Eriol with the books he needs.

And then....got really emotional to know that Kaito wrote a letter to Sakura, back when they left one year ago 🥲 I DID feel like some kind of acknowledgement or apology from Kaito to Sakura was missing from chapter 80 (but honestly, with everything they had to explain, where they could fit that?) and so this little mention completely fixed that sense of "he made a mess and barely managed to apologize to Akiho before leaving". Kaito isn't an ass*ole so of course he would've done something like that, and a letter seems perfect for an introvert boy of few words like him. I imagine the letter wasn't really long either. The little moon on the sealing wax...❤️The fact that Sakura is storing that single letter together with Akiho's letters in a specific box makes me almost cry. She cares for those two so, so much! 😭 Sakura wishes to receive more letters from Kaito and I really hope he will open up to her along the way, because he could benefit ENORMOUSLY from her advices and perspective! Also THANK YOU CLAMP for giving us a little "still" of those two next to eachother from the moment when they were leaving Tomoeda, with the suitcases and all 🥲that last faraway shot of all four of them together in chapter 80 was so great, but I wanted to see them like this too!

The SyaoSaku Date

Aaaaaand then we get to the long awaited, craved, coveted SYAOSAKU DATE!!! 🤣 I can't count how many people I've seen wishing for this....to be honest I was going to be ok with any kind of sweet moment between the two, but gotta admit that a carefree afternoon watching a stage play and then taking refreshment at a café gives this sense of normal, complete fun that was missing a bit for them. They are dressed in a very fancy way (loved that Sakura isn't wearing her usual long one-pieces but something different, with puff shorts! A sign of her growing up?) and even though they're not exactly wearing a "pair look" (too corny, maybe?), they are well matching eachother's outfits. And of course we find out that Tomoyo made Sakura's cute outfit and even the decorations on Syaoran's collar! The fact she was the one asking Syaoran to wear them at the date is kinda funny, like some sort of guidance into looking like a couple, thanks to the matching decorations! Tomoyo really takes care of everything....yes....everything. 🥲 The mention of Sakura's wedding dress of course made me go "OH MY GOD" and made me realize that if Tomoyo is already mentioning that.......we aren't *that* far away from that day (I always imagined SyaoSaku marrying early, since they're soulmates and got together so young!! 😆). Truly an emotional, sweet moment that was reinforced by Tomoyo's tender expression in the flashback. Her resolution to devote herself to learn to design even normal everyday outfits, or date outfits, everything that could accompany her dear Sakura everyday, reminded me that Tomoyo found her very own way to be with Sakura, and she's perfectly content with that. Tomoyo's happiness is seeing Sakura happy, and she will do anything to achieve that. ✨

Syaoran and Kaito's Friendship

And then my blushy blushy Sakura changes topic and suddenly throws me on the floor in a fit of laughter, because seeing Syaoran's confused look while he was trying to make sense of the pictures Kaito sent him on his phone WAS HONESTLY PRICELESS. 😆 My god, how long have I wished to see them like this? Moving their timid steps into a friendship (since their girlfriends are like sisters and Sakura literally saved Kaito's derriere), being their awkward dorky selves...they surprisingly get along so well and Syaoran doesn't seem to hold resentment towards him, which is GREAT for me!! He's learning from Sakura to just let go of hard feelings, when you've found out the person who acted in an oppositive way was just in a very desperate situation and had actually no ill intentions. And that makes me incredibly happy. Kaito needs all the support he can get, to make the right decisions in his life, and I can totally see him finding a particular connection with Syaoran, due to how they're both moon boys, who would give their life for the person they love. I think precisely for this, precisely because Syaoran can understand to a degree Kaito's situation and behavior, he wouldn't feel judged and would feel more free to establish a connection with him. I was k*lled with laughter and endearment when I saw that Syaoran felt confused, but still tried to understand Kaito's peculiar way of communicating with him 😂 And guess what? I think he doesn't realize it, but he's totally starting to get it! 😂The way our wolfie boy snaps that picture IMMEDIATELY as the cat passes by, and how he only framed the ear, really shows how in the end he's speaking "the same language" as Kaito 😂 Seeing Sakura so excitedly think to herself that the two became such good friends made me scream "SAME SAKURA-CHAN, SAME!!!" 😂 All in all, seeing these two having such a relaxed, comfortable date talking about their friends and stuff that happened lately made me completely feel that one year that elapsed, and now they act totally like a couple that's been dating for quite some time. 😊 Ooooh thank you sensei, really. Thank you so much for this scene. 🙏

The Moon Is Really Beautiful, Right?

BUT! The real reason why CLAMP will always have my heart and my gratitude is hidden in the next scene. 😂

Oh my god, the screams I've belted out when I saw them. And when I've read THAT. But let's go in order, let's go in order and not jump the gun! We're in Germany, Akiho and Kaito now seem to be living in an apartment in a nice building! They're still talking in keigo, and still calling eachother "Akiho-san" and "Kaito-san". 😊

Kaito SMILES genuinely at the picture Syaoran sent him!! And answers, to an observant Akiho, that he's having fun!! 😭HIM! The one who couldn't understand what was fun in interacting with others!!! He looks honestly so radiant and happy, a sign that his mental recovery is going strong. And that he's slowly expanding his "trusted people" network. 🥲🙏Also, he looks younger than ever!!! 😂

It made me INCREDIBLY HAPPY to see that Akiho didn't drop the "hobby" she had started in chapter 26 (ages ago!!), remember this scene?

I remember how much I loved to know she had started learning how to do this, because together with my friends, at the time, we all thought this could easily become her aspiration in life......and guess what?? CLAMP confirmed she wants to take on a job revolving around books and book repairing!! This is all canon!! T___T oh my happy tears.... There's a sense of pride in seeing that this journey for Akiho isn't only revolving around finding the cure for Kaito's shortened lifespan (which hurt his body terribly) and restarting his "stopped time", or finding Momo and the Alice in Clockland book, but she's also got the mental resolution to do something for herself, for what she wants to do in life, something that is completely disconnected from Kaito. Again, I cannot reiterate enough how this girl doesn't have an unhealthy codependent relationship with Kaito, and she's completely capable of thinking about her own future, aspirations and wishes. She wants him with her, and she could never live happily without him, but the love of her life isn't the only thing that exists for her. It is incredibly satisfying to see her working hard for her own future, where she'll be able to contribute (especially financially) to their livelihood. I can see Kaito helping her and assisting her with that. The other day I was dreaming away with my friends about Kaito and Akiho managing a "book cafè" together somewhere, how impossibly sweet that would be?

Seeing this volitive, ambitious, strong-willed Akiho once again filled my heart immensely. And I wasn't the only one, apparently.....

Oh god, you have no idea of the SHRIEKS I belted out when I saw Kaito saying "the moon is really beautiful, right?" in full daylight. Like. It is absolutely unmistakable at this point what kind of love he feels for her, and while I always knew, I'm sure the character took his own sweet time and personal introspection to reach that conclusion. If you remember, I've always said it and reiterated it at the end of chapter 80: Kaito won't understand things overnight, it will take a long time. And one year, at that age, is enough of a long time to come to terms with one's feelings and understanding what exactly they mean. They lived all that time together as two "equals", no more butler/boss bullsh*t, so they had even more opportunities to see eachother's true colors. And Kaito couldn't help but fall even more in love with Akiho, to the point that seeing her working so excitedly for her future made him gently overflow with that feeling....and said that sweet quote of Natsume Soseki that we all know, by now, what it means. I think the mere fact that what made his heart explode was seeing her so independent and strong, is a good sign that Kaito's love for her is the healthy and supportive kind, too. He doesn't love her and feels attracted to her soul because she's a weaker, younger, malleable being that he can dominate (as a toxic relationship would portray), but at the contrary, because she's free and strong and wonderful on her own. The more he sees her shining, the more that feeling grows. Throughout this scene, he looks at her and talks to her in such an intensely sweet way, you can totally see he's smitten with her.

The most popular reply to someone who confesses with "the moon is beautiful" is the equivalent of "I could die for you/I can die happy now", in Japanese. And Kaito had been unconsciously replying that way, with his actions, the whole damn time during the serialization of Clear Card. But since he took it way too literally, things were really heading to tragedy. Nobody wanted him to die for real, and yet, subconsciously, that was the only way he had found to give outlet to an enormous amount of feels that he couldn't express (because it wasn't appropriate, and nobody would ever love him, and he only caused her pain, and he had to let go of Akiho anyway at the end of it).

So considering all of THAT, this "I love you very much" he said now (he added とても, "very", like Akiho did ❤️) in this way, makes me think even more "yes, you finally understood what was the best way to convey it!" and therefore, it represents another character development for our moon boy. 🥲

There's debate over whether he had already understood what Akiho had meant, in chapter 48. I stand firmly by my convinction that, even if he was informed of the Japanese folklore tale around it, he quickly dismissed it as "no, she's meaning it literally for the moon", since he couldn't really believe that anyone would ever take interest in him, and was sure he would've always been alone. Otherwise, if he really understood and believed that Akiho was in love with him, I don't think he could've ever said that "I thought you didn't need me to be happy". It doesn't make sense. But everything that happened at the fake moon, and all her angry tears, and all her resolution to find a way to cure him, made him finally see that she really meant it in that way. ❤️So his own acceptance and introspection could finally start, and....it brought to this. ❤️ If you want to know more about the popular phrase "the moon is beautiful, right?", I invite you to check my first Clear Card Trivia post, focused on the literary and musical references portrayed throughout this story!

And LOL, I couldn't help but noticing several things in how this scene played out: first, he immediately "runs away" blabbering about the breakfast being ready, a very similar way to how he "ran away" in chapter 52 when Akiho could see right through him and was trying to express her support and feelings to him. This is definitely an indication (taking into consideration also how he acted when he was little) that the reason why Kaito walked away back then, slamming the door, had a sprinkle of embarrassment embedded in it, too. Yeah. I mean, look at the face he's making here, just before he notices, puzzled, that his hand is shaking:

He's smiling so tenderly, among the pain he's feeling because of his poor health. He even laughs! He's happy he heard that! But he just couldn't stay hearing any longer, back then. Now, in this scene of the special chapter, he literally throws "the bomb" and runs away without hearing her answer or reaction 😂😂😂this is definitely embarrassment, and I'd like to think there's even a hint of teasing streak that I've always seen between the lines in his personality. It came out particularly with Syaoran and Momo, but Akiho isn't excluded from this dynamic! 😂

And excuse me, but Akiho's reaction literally made me roll on the floor laughing!! 😂The poor girl is probably so used to live abroad, and Japanese folklore isn't probably coming up immediately in her mind anymore, despite it's a phrase SHE used HERSELF back then! 😂Or maybe it's because she didn't really expect it from him, and so she took a moment to connect the dots. Either way, it was extremely funny! And I can't absolutely avoid pointing out how our girl isn't blushing like mad anymore, but just slightly.... I mean. It must have been quite clear to her too, by now, that her feelings were in some kind "reciprocated", be it for what Sakura said back at the fake moon, his decision to go back to her, and his decision to reveal his true name, hence giving her his most vulnerable part of himself... This isn't a shock for her, and she probably waited patiently, patiently, for him to finally say something like this. So maybe, more than embarrassed, she's surprised that the day finally came! 🥲 Goodness. This really puts all my worries to rest, Akiho will truly be happy. And it makes total sense that CLAMP made him say this now, and not at the end of chapter 80. As I said, more time was needed. This entire scene leaves me with a sweet, soft, comfortable feeling, and it's totally how I've always imagined their relationship to be. Also....no more of that "he loves her as a daughter/sister" crap, not canon-wise at least. 😊

One last thing I have to point out about this scene, which curiously reconnects everything together, is that recently CLAMP have announced the themes to which their upcoming exhibition will revolve around: among them, there's LOVE (of course!), and among the decorations surrounding the featured character on the key visual (Sakura, for now, but there's at least another one coming!) there are a couple of birds too. Birds are, in this sense, a symbol of love in CLAMP's language. I couldn't really help but noticing all the birds flying outside the window next to Akiho, the moment Kaito says that "the moon is really beautiful, right?". Basically, CLAMP were trying to scream it all over the place, however they could. 😂

"Momo-san?!"

It was so nice to see Yukito and Kero-chan gossiping about Touya right in his face, with the complete intention to tease him 😂in that sense, Yukito really seems like a sweet and harmless character, but don't be fooled! His teasing power is over 9000!! 😂Touya's killing glare made me crack up! He's so done for, now that both Kero and Yukito can tease him in the open! 😂😂😂

But please, please, let me scream about MOMO!!! Oh my god I would've never accepted a special chapter that didn't feature her!! Aaaaahhh I'm so glad to see that she's fine 🥲 The conversation between her and Sakura made clear to me that she isn't that free to move how I imagined her to be. Certainly, she decides where to go and who the book stays with (and when to leave), but the impartiality imposed on her role doesn't allow her to act freely like she wants, unless she pays a price. And she decided to pay a price, not to see Akiho and Kaito, but to go and thank Sakura herself first. Because, as her "those kids" suggests, she of course still feels some kind of maternal instinct towards them, and as any mother would do, she wants to thank Sakura from the bottom of her heart for having helped and saved those two. Even her body language (the position of her hands) portrays that. And excuse me, but I A B S O L U T E L Y loved how CLAMP clarified once and for all, addressing directly the complaints of their own fandom, that Sakura wasn't forcingly dragged into a matter that wasn't related to her. Everything she did, she decided to do it because she felt it touched her personally. From the moment she became Akiho's friend and came to care for her, everything that happened and everything that she was involved with was related to her too. This wasn't "somebody else's business" anymore. Because Akiho is one of her most beloved friends, no matter how "fast" that happened. Some relationships bloom almost immediately, because the connection is just that strong. And so, this turned into just another expression of "your happiness is my happiness", with Sakura acting according to what her heart suggested. As Kaito is Akiho's most beloved person, Sakura couldn't help but care for him too, because doing so would've made her friend happy, in a wonderful "circulation of love".

Special mention for the scene with pregnant Lilie, oh my god I didn't really expect this either. How long ago I wrote that Tumblr post about cosmos flowers and the origin of Akiho's name? A couple of weeks ago? It's like CLAMP answered my curiosity, with this scene. I still keep my interpretation in my heart, but I also love the logic "it is a flower that keeps the same name in many countries". Of course. "Wherever you'll go, you'll always be your unique self". (And now I want to cry, mama's heart is so big😭) The way Lilie keeps her hands over her womb made me tear up. The ring isn't there anymore, a sign that she probably already gave it to Momo (understandably, since once Akiho would be born, she wouldn't really have much time left). The baby bump isn't that noticeable, probably because she's at the beginning of her pregnancy. Who knows if she kept seeing little Kaito while she was pregnant. 🥲Who knows if in the scene where she's telling him about how wonderful it is to have something you love, especially a person, she was already pregnant with Akiho. 🥲

Momo and Sakura's final words made me understand that Momo cannot go back to Akiho and Kaito till the circumstances and the moment is right. Whether it depends on Akiho's wish, or the right cosmic arrangement, it's surely not in the short term. Especially considering the limited scope of Momo's agency. It cannot come from Momo (unless she pays a huge price), it needs to come from them, strongly enough. I also want to think that, again as an acquired mother figure, Momo wants those two to find their own way, identity and figure out their relationship on their own, without her interference. I'm sure she's keeping an eye on them from faraway, though. 🥲Even though this still feels bittersweet because I wanted to see them reuniting in canon so badly, it gave me lots of hope for the future. Momo is just waiting for the right moment, and she'll be ready to embrace them when the time is right. Maybe, who knows, we'll see that reunion in another series or in a special publication in the future?

The End

And then....the final scene 🥲NOW it is finally clear what Ohkawa meant in that one Twitter Space, when she mentioned that there was a reason why they never featured Sakura's birthday!!! THEY NEEDED TO KEEP THE EXCLUSIVITY FOR THIS!! 😂 I'm so glad they did, really...it's so sweet to see her reaching 14 years old (the "standard age" of many shoujo heroines! 😂) and seeing Syaoran giving her a present, with that strikingly sweet smile full of love...but most importantly....the breathtaking final double spread 🥲🥲🥲🥲 The way she pulls his hand close to her chest, to her heart, while saying that Syaoran will be forever and ever her most important and special person.....really, this chapter is meant to k*ll us all with feels!🥲and I love how CLAMP keep finding ways to portray their physical displays of affection without resorting to the classic, most wanted (but also probably considered not appropriate yet) "kiss". The very final page is a direct parallel of a page from chapter one, where Sakura was going to school alone and looked back down the street to admire the cherry blossoms in full bloom.

Now, she's not alone anymore, but actually hugging the love of her life on her special day! Really, what a wonderful and fulfilling way to give the final touch to this amazing story! 🥲 Her very last line also contributed to this. Sakura leaves us again, 24 years after the first ending, with words of positivity for the future, and love for her important people. This wraps everything up nicely, but it still keeps things quite "open-ended", hopefully in the eventuality to return to this wonderful series in the future. Sakura is growing up, as CLAMP wished, and it might be possible to see her dealing with more "grown-up" situations, magic and non-magic wise. But one thing is for sure, her relationship with her loved ones will always take top priority. ❤️

Well well well, we came to the end of this looooooong commentary for this special chapter too. I can't help but thank once again all of you who followed my posts all these years, and commented with your POVs on the story.

As I've said multiple times, Cardcaptor Sakura gave me so much ever since I was a kid, and this sequel was no exception. This special chapter, in particular, overflowed with things I wanted to see, and I'm sure I'm not the only one thinking so. I once again want to congratulate CLAMP for wrapping everything up nicely, and thank them from the bottom of my heart for these almost 8 years of emotional journey. 🙏

See you around with my other tumblr posts, and let's look forward to the release of volume 16 on April 1st, and hopefully, news about the anime sequel of Clear Card!!

#cardcaptor sakura #card captor sakura #clear card arc #ccsakura #ccs spoilers #sakura kinomoto #syaoran li #akiho shinomoto #yuna d. kaito #syaosaku #yunaaki #special chapter #translation differences #how come this post is so freaking long even without translation differences?#well dammit I had A LOT TO SAY #and even some itches to scratch #aaaah the satisfaction #😊so happy

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ecogirl2759 · 7 months

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So, I decided to take a few photos of the Danganronpa 4コマ KINGS series and compile a few of the findings I thought were funny.

I don't have everything fully translated yet, so there may be a few issues with my findings. If you find any mistakes or have anything to add, please lmk :) I'll also update this if I find things later.

---IMPORTANT NOTE---

All of these drawings are NOT mine. Everything comes from the 4コマ KINGS series published by Spike Chunsoft. I'm simply photographing them and sharing them with others who may not have seen them before (since the series is out of circulation). If there is any issue with my post, please inform me so that I can take appropriate action.

All photos are below the break here :) (Warning, it's long lol) ((And there are a few minor spoilers))

(EDIT: As a side note, I've posted more pictures in an update. Idrk how this site works, so I'm letting people know here so you can find it if you want.)

Fun things that you can learn from the Danganronpa 4コマ KINGS comics:

Hifumi has written, drawn, or thought of making content relating to Sayaka x Kiyoko, Aoi x Sakura (on two occasions), and Makoto x Byakuya

Toko thinks that… something… happened between Mondo and Kiyotaka in the sauna, wink wink.

Toko wrote some sort of fanfiction in relation to Byakuya, Chihiro and Mondo. Idk what it is, but the title is along the lines of "The Byakuya Family Household Sweep Away a Beautiful Girl". (Pretty sure it's a Mondo x Chihiro fic, but I could be wrong.)

^ pretty sure Syo is a heavy BL fan lol

Aoi's b00bs are so squishy, she can use them to launch herself off things.

Everyone really likes drawing pretty boy Byakuya. Like, he looks fabulous in some of these panels. Here is one of those pictures:

........Okay, fine, this is the right one:

Hifumi has drawn gender swaps of a few of the boys, being Makoto, Byakuya, Leon, Yasuhiro, Kiyotaka, and Mondo.

Leon really wants a harem lol

Kiyoko's secret picture (from the last trial in-game) was of Class 78 hosting a cat maid cafe

Yasuhiro's secret (the motive in Chapter 2) is that he's an idiot.

Mondo, Kiyotaka and Sayaka all get along really well! So do Mondo, Kiyotaka and Chihiro :)

Mondo knows how to sew!

Mondo doesn't wear eyeliner, he just has really long eye lashes.

Mondo's hair is fluffy and bouncy :)

Makoto thinks Mondo's hair looks like a corn chip. Aoi thinks it looks like a chocolate croissant :)

Chihiro once gave Mondo a game about dogs. He loved it lol

Chihiro and Mondo have actually trained together.

^ they actually make a great team :)

(I'm pretty sure that) Kiyotaka was found guilty in a trial relating to black underwear. Unclear if he was executed or not. (This point is subject to change once I fully translate the comic.)

Kiyotaka was brainwashed by the Mono-Rangers (parody on Power Rangers) in a different comic. He became Commander Ishimaru and enforced rules and dress code in a dictator-like fashion. (Full translation is still in the works.) This is what his outfit looked like:

Daiya dies in 4K

Komaru's here :D

Mukuro shows up a lot as herself! She's so cute lol

Kiyoko's kinda socially awkward lol, it's really cute.

Makoto has wanted to see up Kiyoko's skirt on multiple occasions.

Makoto has tried a couple of times to cheer Kiyotaka up. It does not work.

And now, here are some funny out-of-context panels to cap off this post! These were too hilarious not to include, I just couldn't make a bullet point out of them lol.

Thank you for coming to my ted talk :)

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ask-whitepearl-and-steven · 18 days

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Ahahaha..haha...ha I just binge read the entirety of your comic...

What the heck dude! You're ridiculously good at drawing and writing this comic. And by god, you started out posting DAILY???? how!? I may have misunderstood, but it sure as shit sounded like you were posting daily in s1. Like bro, even if you were posting weekly, I'm impressed. And especially with the quality!

You truly deserve a pat on the head. And pull yourself a little more slack. You've been updating this comic for 6 YEARS! Like, the dedication! Like, I would have got bored and quite after 1 year! (If I got that far at all.)

This is truly some of the best fan content I've consumed in a while.

Hey, thanks for your kind words!

To be fair, when I was posting daily, the drawings I put out were a lot more rudimentary and the content was minimal - just enough to answer an ask. 3-4 panels. If someone had 3-4 post-it notes and a piece of paper, that's totally doable for most people. :)

These days, my posting schedule reflects the amount of time it takes me to put out a comic. I definitely work much harder on it at this point in time.

And don't worry - the slack is coming. I am keeping up my posting for now, but I'll likely be taking a break after episode 10 finishes up.

But hey, I appreciate you (and everyone else) who reads and leaves me kind words!

#chekhov answers

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r--kt · 24 days

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Good boy Tobi. Why is he acting this way?

"oh yeah, it was just Zetsu" a-ha, not even close. here I'll talk specifically why Obito resorts to roleplay, and why he is comfortable with the images of Madara and Tobi. (obviously because it's not being himself but let's dig deeper)

contents | responsibility · regrets · a sense of control · conclusions

Vol. 31 CH. 280. Tobi's first appearance.

sure this looks like another defense mechanism that allows Obito to avoid reality, especially when interacting with people. full coverage, imitation of someone else's voice, name change, personality change etc. his clothes literally look like armor, and I'd like to think that hiding and protecting himself "just because it feels right" is exactly the point (no need in armor, he's intangible, so that's a psyche). the very way he completely depersonalizes himself shows that on a subconscious level he is not comfortable being in the conditions he finds himself. this alone may indicate that he is not very happy with his position of a faceless world saviour. and this is his first damn appearance.

Tobi is another manifestation of Obito's escapism, which is the central theme of his story. I have identified three advantages of using Tobi's image for Obito, and all of them will be described below. maybe you'll find some more, feel free to reblog and add your thoughts!

Responsibility

escapism is just stress-relieving. for him, the roleplay was a way to relieve tension from the responsibility that he had imposed on himself. "no one in the whole world can do it except me" must be really exhausting. so what if I just don't be myself for a while? what if I be the one who can make a mistake? it's important to be frivolous and let things go sometimes, otherwise the psyche will be disturbed even more. so, that's the first advantage, that allowed Obito not to go completely crazy.

Regrets

CH. 652

as I said, Obito is not very happy with his position. even though he believes that tsukuyomi plan is correct, this doesn't negate that he is unhappy to fulfill it and suffer the hardships because of it.

during the war, we can see that Obito really regrets that he hadn't live his life the way he could, with his friends and dear ones. he began to ask questions: "could I have a better life?" "who have I become?" "who does my friend see me as?" these feelings burst out only at the culmination, before that they were deeply suppressed, with the help of detachment from reality, which Obito achieved mostly thanks to the image of Tobi. a ridiculous stupid guy who talks nonsense and does not pretend to be any role other than a comic relief. another personality allows Obito to distract himself from the real problems, which he can't reconcile.

CH. 281 idk what an idiot. love him.

in order to avoid all these dangerous thoughts for as long as possible, he came to this escapist behavior. it is not only a convenient tool for manipulation (I'm not really touching on that in this post, though it's important too), but it also distracted him from all his regrets. though, it's funny that he still chose orange and purple colors that probably reminded him of the past.

A Sense of Control

it seems to me that this is the most important reason to pretend to be either an inept, complaisant fool or a legend of the Shinobi world. why these two extremes?

many events in Obito's life showed him that no matter how he acts, he will still be punished, which means he personally has no control over anything. during the exposition, he is late helping the old ladies, but Kakashi condemns him no matter what. during the first turning points, he commits morally correct actions in order to end up first being mutilated and isolated, and then lose the most precious (and only) thing he really had: friendship with Rin and Kakashi. in the end, he does not even have control over his own body until he learns to control the mokuton and gets used to the constantly breaking off or deforming limbs. Madara and Tobi appear as other personalities who are able to achieve control under certain conditions and give Obito the necessary mental stability.

CH. 460

Madara is the epitome of control. the ghost of the Uchiha clan, the fear of which is alive many years after his death. by taking on a character who has more control than Obito did in real life he might feel quite cathartic and empowering, and it offered him a sense of emotional security (the mask helps with it physically, the personality and famous name — mentally).

while Tobi, besides an attempt to make up for lost childhood, is a demonstration of "the lowest standards" so that for once in his life, he did feel that he always met expectations, that more was not required of him. he's incompetent, he messes up, he's irritating, and therefore others don't expect anything else from him. yes, Tobi is judged and punished, but Tobi is not trying to be praised, so his own expectations are not broken.

CH. 359

Madara's personality is convenient because it's dominant, it controls others, inspires them with a certain fear and submission. Tobi's personality is convenient because with its help Obito choose to show fear and submission himself whenever he wants, that is, it does not become an unexpected blow for him. I would add that similar mental mechanisms work in many types of traumatic experience (not talking about his sexual deviations like moderate sadomasochism yet, the man is clearly traumatized).

does it all work? obviously, yes. there's no point in explaining that this whole Madara thing worked perfectly. Tobi, although condemned by Deidara, is at the same time accepted and encouraged by him a bit, simply because it is pointless to expect anything from him. however, this works as long as the fictional personalities do not overlap, as long as others believe in the reality of both.

CH. 396

another interesting topic is that Obito himself began to mix these personalities and demonstrate the falsity of one, which deprived him of the very opportunity to avoid reality (Madara clearly reminds him more of the responsibility on his shoulders than Tobi) and relieve the constantly increasing stress. therefore, starting from the moment when "Madara" shows that "Tobi" was just a cover, Obito loses the advantages of Tobi's image, suppressed regrets gradually surface, stress accumulates, the sense of control disappears for lack of any new personality other than his own (which has problems with control). and all these consequences falls on him during the war.

Conclusions

the reasons for this defense strategy appeared in Obito due to his low self-esteem, which was facilitated by the following. the early death of Obito's parents was most likely at the age when he was too young, and therefore psychologically this loss was fixed as "I was left because something was wrong with me. I can't be loved naturally, I need to deserve it first". because of that there was a constant attempt to be better, to reach the level of a genius opponent, who not only shows with all his appearance that you are not enough, but also constantly pokes you in your own shit like a puppy. and that's not the only situation where you're not that good. there's a lot, actually.

such an environment forms an attitude "to get recognition, I need to try harder than anyone else, because something is wrong with me". subsequently, this attitude is transformed into a new one: "I cannot get recognition in any case, which means I will achieve recognition, respect, attention through pretending and forming other personalities". and that's how Tobi appeared.

I don't even know what to add at the end. it's just great that you can see the depth in Obito, even when he's acting like a moron. here's some admiration for this silly guy

#obito uchiha #naruto shippuden #uchiha obito #madara uchiha #kakashi hatake #deidara #obito

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d4rkpluto · 1 year

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𝔡𝔢𝔯𝔦𝔳𝔞𝔱𝔦𝔳𝔢 𝔥𝔬𝔲𝔰𝔢𝔰 𝔣𝔬𝔯 𝔱𝔥𝔢 𝔣𝔲𝔱𝔲𝔯𝔢 𝔰𝔭𝔬𝔲𝔰𝔢

follow for more content!

and before we get into this post i really hope that the people here know the basic themes of signs, planets or houses because i'll actually pull my hair out if someone asks me what are the themes of leo or the moon.

reminder if you want to be apart of the astrotumblr classes book here's the link!

♇ so what are derivative houses? it comes from horary astrology, and it is when you measure a chart from some point of the wheel which is not from the ascendant. using this topic as an example, [future spouse], what if you wanted to learn how your future spouse's siblings are like?

♇ and we know the number/house for siblings in astrology is the number "3", so from the main future spouse house [the seventh house] you count three houses.

♇ so, 7⟶8⟶9. so the sign/or planets in your ninth house would tell you how your future spouse's siblings are like. [before i thought it would be the tenth house, but when you count in horary astrology, number one would also be from where you start!].

♇ another example, your future spouse's friends, the number 11 rules over friends in astrology so you will need to count eleven houses to see.

7⟶8⟶9⟶ 10⟶11⟶12⟶1⟶2⟶3⟶4⟶5. so the sign/or planets in your fifth house would tell you how your future spouse's friends would be like! now there's some understanding lets get into the post :)

THE FUTURE SPOUSE'S PERSONALITY AND APPEARANCE WOULD BE IN THE SEVENTH HOUSE OF YOUR CHART SINCE IT IS THE FIRST HOUSE IN THIS TOPIC. [1 IN ASTROLOGY REPRESENTS APPEARANCE AND PERSONALITY].

♇ 7.

⟶ if you have mars in your seventh house, this could imply that your future spouse is someone who is likely going to have a built figure, could have a strong stance and could be someone who is passionate about politics or how they appear to the world.

⟶ if you have gemini in your seventh house, this could imply that your future spouse is someone who is comical, communicative and curious. you might find them pretty and they could have really full or curly hair.

THE FUTURE SPOUSE'S VALUES AND FINANCE WOULD BE IN THE EIGHTH HOUSE OF YOUR CHART SINCE IT IS THE SECOND HOUSE IN THIS TOPIC. [2 IN ASTROLOGY REPRESENTS VALUES AND FINANCES].

♇ 7⟶8.

⟶ if you have venus in your eighth house, this could mean that your future spouse is abundant with their money [or in the future] or they could be in a very comfortable place with their money, and they could be someone who values harmony, receiving love and money.

⟶ if you have scorpio in your eighth house, your future spouse could be someone who receives a lot of money from the people around them, from the government or it could be a legacy/will given to them. they could be someone who values intensity, sex and power.

THE FUTURE SPOUSE'S SIBLINGS AND COMMUNICATION STYLE WOULD BE IN THE NINTH HOUSE OF YOUR CHART SINCE IT IS THE THIRD HOUSE IN THIS TOPIC. [3 IN ASTROLOGY REPRESENTS SIBLINGS AND COMMUNICATION].

♇ 7⟶8⟶9.

⟶ if you have lilith in the ninth house, this could imply that your future spouse's siblings could be people who go through a lot of stuff, or they might not get a long with each other, or they could have a troubling opinion about religion/spirituality or they could have questioning morals. or your future spouse could be someone who is straight forward when communicating or could be perceived as a rude person. they might flirt a lot too.

⟶ if you have aries in ninth house, this could show that your future spouse's siblings could be trouble-some but fun people. they're people who are about the adventure and like to lead what they're apart of; this could show that your future spouse could have a type of communication style which has people immediately listen to them, they can sometimes come off as aggressive as well.

THE FUTURE SPOUSE'S FAMILY WOULD BE IN THE TENTH HOUSE OF YOUR CHART SINCE IT IS THE FOURTH HOUSE IN THIS TOPIC. [4 IN ASTROLOGY REPRESENTS FAMILY].

♇ 7⟶8⟶9⟶10.

⟶ if you have uranus in the tenth house, this could imply that your future spouse's family could be really progressive people or they could be really chaotic. they might like to be on the internet a lot or they might like to move around a lot, there could be arguments and fights over wills.

⟶ if you have libra in the tenth house, this could mean that your future spouse's family could be people who are diplomatic, kind and stylish. they might be people who are into creative things and you're likely going to get along with them. on the other hand, they could be people who are flaky and indecisive.

THE FUTURE SPOUSE'S CHILDREN WOULD BE IN THE ELEVENTH HOUSE OF YOUR CHART SINCE IT IS THE FIFTH HOUSE IN THIS TOPIC. [5 IN ASTROLOGY REPRESENTS CHILDREN].

♇ 7⟶8⟶9⟶10⟶11.

⟶ if you have the sun in the eleventh house, your future spouse would most likely have children who are wise, talented and glamorous, there could be a sense of them wanting to understand their life path or always want to know what they're supposed to do in their life time.

⟶ if you have sagittarius in the eleventh house, your future spouse is likely going to have children who are big on principles and moralities, they could be really obnoxious but funny, and they might be hyperactive. your future spouse could have [or give you children] who are big on religion or spirituality.

THE FUTURE SPOUSE'S SKILLS WOULD BE IN THE TWELFTH HOUSE OF YOUR CHART SINCE IT IS THE SIXTH HOUSE IN THIS TOPIC. [6 IN ASTROLOGY REPRESENTS SKILLS].

♇ 7⟶8⟶9⟶10⟶11⟶12.

⟶ if you have moon in the twelfth house, your future spouse could have the skill of being very intuitive, they could be good at swimming and creating projects. they could be skilled in singing, painting or other things.

⟶ if you have taurus in the twelfth house, your future spouse is likely going to have the skill of being creative and they could be good at cooking, they could be someone who is great at fashion, and they can be someone who is good at making music and handling money.

THE FUTURE SPOUSE AND WHAT KIND OF PARTNER'S THEY ATTRACT WOULD BE IN THE FIRST HOUSE OF YOUR CHART SINCE IT IS THE SEVENTH HOUSE IN THIS TOPIC. [7 IN ASTROLOGY REPRESENTS PARTNERS].

♇ 7⟶8⟶9⟶10⟶11⟶12⟶1.

⟶ if you have pluto in the first house this could mean that your future spouse could attract people who transform their lives a lot, they could also attract people who are self-destructive and powerful. people who could be considered as sexy and hard-working.

⟶ if you have aquarius in the first house this could mean your future spouse could attract lovers who are different races, ethnicities, they could be people who are also attracted to the same sex. they could attract people who are hard to pin down and romantic partners who are very progressive.

THE FUTURE SPOUSE'S SEX SKILLS WOULD BE IN THE SECOND HOUSE OF YOUR CHART SINCE IT IS THE EIGHTH HOUSE IN THIS TOPIC. [8 IN ASTROLOGY REPRESENTS SEX.]

♇ 7⟶8⟶9⟶10⟶11⟶12⟶1⟶2.

⟶ if you have jupiter in the second house this could mean that this person can be a big giver when it comes to sex, they could be someone who likes to be given a lot of pleasure as well. they could be someone who likes spending a lot of physical intimacy with their romantic partners, could be interested in oral sex as well.

⟶ if you have virgo in the second house this could mean that your person could be a very precise and giving person when it comes to sex. they might be interested in quickies and be interested in sex that has themes of using other senses.

THE FUTURE SPOUSE'S MORALS AND BELIEFS WOULD BE IN THE THIRD HOUSE OF YOUR CHART SINCE IT IS THE NINTH HOUSE IN THIS TOPIC. [9 IN ASTROLOGY REPRESENTS MORALS AND BELIEFS].

♇ 7⟶8⟶9⟶10⟶11⟶12⟶1⟶2⟶3.

⟶ if you have saturn in the third house this could imply that your future spouse is quite traditional when it comes to rules and morals. they might have very strong principles and loyalty might mean a lot to them, or they could be someone who lacks beliefs and they might over-step morality.

⟶ if you have cancer in the third house this could show that their morals connect to their emotions & emotional state a lot. they'd be the type to cry because someone betrayed them, they could be considered a decent person and you wont have a problem with sharing your beliefs with them.

THE FUTURE SPOUSE'S STATUS AND HOW THE PUBLIC VIEWS THEM WOULD BE IN THE FOURTH HOUSE OF YOUR CHART SINCE IT IS IN THE TENTH HOUSE IN THIS TOPIC. [10 IN ASTROLOGY REPRESENTS STATUS AND THE PUBLIC].

♇ 7⟶8⟶9⟶10⟶11⟶12⟶1⟶2⟶3⟶4.

⟶ if you have venus in the fourth house people are likely going to perceive your future spouse as someone who is attractive, they might get along with a lot of people and they could be considered as someone who has a good status. they might dress well, and people usually compliment them, there could be some envy because of this.

⟶ if you have capricorn in the fourth house, people are likely going to respect your future spouse, they're likely going to have a good status and they'll be deemed as someone who is hard-working, resilient and wise. they could be seen as someone who's better than their peers.

THE FUTURE SPOUSE'S FRIENDS WOULD BE IN THE FIFTH HOUSE OF YOUR CHART SINCE IT IS THE ELEVENTH HOUSE IN THIS TOPIC. [11 IN ASTROLOGY REPRESENTS FRIENDS].

♇ 7⟶8⟶9⟶10⟶11⟶12⟶1⟶2⟶3⟶4⟶5.

⟶ if you have lilith in the fifth house there could be a good chance you dont get along with your future spouse's friends, or there could be something weird about them. they could be people who break traditions, and some of them might be cheats and liars, they can either be very liberating or misogynistic.

⟶ if you have pisces in the fifth house there could be a chance that your future spouse's friends are emotional, receptive and creative. you'll likely live through them or have expectations for them, or they'll have expectations for you and they might even put you on a pedestal, but they're the type of friends that would immediately turn their back on you if you do something bad.

THE FUTURE SPOUSE'S MENTAL HEALTH AND HIDDEN ENEMIES WOULD BE IN THE SIXTH HOUSE OF YOUR CHART SINCE IT IS THE TWELFTH HOUSE IN THIS TOPIC. [12 IN ASTROLOGY REPRESENTS MENTAL HEALTH AND HIDDEN ENEMIES].

♇ 7⟶8⟶9⟶10⟶11⟶12⟶1⟶2⟶3⟶4⟶5⟶6.

⟶ if you have juno in the sixth house your future spouse could be someone who is open about their mental state, they could be someone who runs to relationships as a way to escape from their sadness, they might not be able to live without romance or them being away from a romantic partner makes them depressed. they could have been in relationships where they thought they were with their potential marriage partner just to get disappointed and betrayed, some women might've betrayed them.

⟶ if you have leo in the sixth house your future spouse could be someone who is too prideful to open up about their mental health, they could be someone who easily has a defeated ego, they could be someone who might've had a father figure be their hidden enemy and their own pride and ego.

reminder if you want to be apart of the astrotumblr classes book here's the link!

masterlist

pluto

♇

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david-talks-sw · 10 months

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An allergy to the Prequels

While I'm putting together a post about the evolution Lucasfilm's transmedia strategies, this part kinda turned into its own thing!

So I'm not sure if anyone else noticed, but, uh... there hasn't been that much Prequel content since the Disney sale, right?

'Couple novels and comics, some episodes... but nothing meaningful.

The more I look into it, the more it feels like a deliberate avoidance to touch on anything Prequel-related - beyond the required quota, that is - to a point where they'd rather tell stories set during periods that are Prequel-adjacent (Dark Times, High Republic) than something set around Episodes I, II and III.

On-screen policy: "pretend they never happened"

I mean, this one's no secret. When The Force Awakens had been announced, with J.J. Abrams at the helm, everyone sighed in relief. "Finally, George Lucas won't keep ruining the franchise."

When Abrams had been announced as the director of Episode VII, I remember this cringey animated video started circulating online, titled "4 Rules To Make Star Wars Great Again" or "Dear JJ Abrams":

“Star Wars isn’t shiny and clean... Star Wars is a western.”

If you ask me, those two things are not mutually exclusive.

'Cause Star Wars has always been both, for many Prequel kids. Both clean and dusty, Coruscant and Tatooine. There was never a disconnect between the Original Trilogy (OT) and the Prequel Trilogy.

Even the documentary The People vs George Lucas shows Prequel-hating fans begrudgingly admit their kids felt all six episodes tied seamlessly.

Abrams, on the other hand, said: "I think [the "Dear JJ" video] was right on." Later on, he also said:

he considered "putting Jar Jar Binks's bones in the desert" on Jakku, somewhere, and

he intentionally made the lightsaber fights "rougher", "primitive" and "more powerful" unlike the fast-paced ones in the Prequels.

Later, we found out he wanted to blow up Coruscant.

It's clear he wasn't a big fan of the Prequels.

But y'know what? Not many fans over 20 were, at the time. And when The Force Awakens came out, most them celebrated it as a wonderful love letter to the OT.

Star Wars is cool again. Mission accomplished 🙌 !

However movies keep coming out, and references to the Prequels - if there are any - are literally just that... references.

Sometimes in the shape of a cameo ("hey look, Genevieve O'Reilly from the Ep. III deleted scenes is playing Mon Mothma again!")

Sometimes in a name (Luke name-dropped "Darth Sidious"!)

But nothing set during the Prequel era, and nothing treating the events that happened in that period as relevant or impactful, beyond subtextual nods.

In fact, the trend of avoiding anything Prequel-related continues as the final film in the Skywalker Saga comes out:

The Rise of Skywalker has a secret Sith society that chants the name "Palpatine" instead of his Sith name "Darth Sidious",

the film pretends the Kaminoans never existed,

and neither TROS nor Trevorrow's Duel of the Fates script even try to bring Hayden Christensen's Anakin Skywalker back on screen. Let that sink in, we're talking about the Chosen One, Skywalker Senior, whose sins caused this whole mess... and his name isn't even uttered once in the final chapter of what Disney dubbed the *Skywalker* Saga (or the entire Sequel trilogy, for that matter).

But hey, The Clone Wars got renewed for one last Season! That's cool right? So many stories had gone unfinished and somehow the animation looks even better than befo--

-- oh. It's not 22 episodes? Only 12?

Four of which had already been shown to us, but hey! We need to set-up the Bad Batch series, so let's shoehorn those episodes in there, and forget Son of Dathomir, Dark Disciple or Crystal Crisis.

*sigh* Better than nothing, I guess.

In other mediums: "just not a priority"

Now this is something that I'll explore more in the transmedia post (and purely my interpretation), but the noticeable change between Lucasfilm's transmedia strategy *post-ROTS* and the one post-Disney sale is that:

Before, the games, comics and novels were the main content. After all, Revenge of the Sith had been released, so that was it, for the movies. Thus, a variety of other content was being cranked out to keep the Star Wars franchise relevant. There were comics set 100 years after Episode 6, comics set 25,000 years prior, games set in the Old Republic era, other stories in the New Republic era, novels galore, a couple of parody films and an animated show, The Clone Wars, which sometimes received its own tie-in comics, novels and games.

After the sale and ever since, most of the transmedia products have had only one goal: promoting the films & streaming shows.

So while in 2015 you won't see an abundance of Prequel content... you'll see an avalanche of OT books and comics come out.

Why? Because the heroes of that era will be in the Sequel Trilogy movies. It provided context to the kids who hadn't seen the OT yet, and reintroduced those films to a new generation of fans, while priming them for the Sequels.

A multimedia marketing strategy that ultimately proved successful.

However, it continued even after The Force Awakens came out.

Don't believe me? Compare how many comics there have been set during the Prequel era vs the OT era.

If they make comics about the Prequels, they're limited runs.

Case in point: before the current Yoda series, the best any Disney Prequel-set comic series ever got was 6 issues.

Note: it's worth pointing out that the frequency of mini-series aren't just a Star Wars-specific thing, it's a comic book industry thing. The readership for comics is dwindling, many people are reading scans online, and so no publisher wants to commit to a story that lasts more than 4-6 issues. My problem is: there absolutely would be readership for a Prequel comic series to warrant an extended run instead of a mini-series.

Let's talk books. There have been give or 64 canon novels published since the Disney sale.

Only 11 of them are set during the Prequel era. And even those stories only came out when the planets were aligned.

Almost half of them were released while being a part of some bigger multimedia push.

Example:

Before the Obi-Wan Kenobi series was being released on Disney Plus, we'd had one novel and like two comic stories about him during the Prequels... released between 2012 and end 2021. That's about three pieces of content in almost ten years.

Clearly a low frequency.

Then, when the series is around the corner, two books and a comic story comes out in the space of months, plus an anthology book with an alt cover with his face on it and a comic with a story of him and Anakin in the first issue, all in 2022.

My takeaway: short of there being a film or series that needs to be promoted, you'll rarely get any Prequel comics or books.

And this is OBI-WAN we're talking about. The character who even the Prequel haters love. Imagine how little attention the other ones get.

Gaming-wise, Battlefront had no Prequel content at all (again, 2015 was the year where OT content was shoved down the consumer's throats to prep them for Episode VII), and Battlefront 2 only released Prequel content a full year later.

All that being said, we did seen some Prequel elements here and there. After all, some actors got to reprise their roles, books and comics came out featuring Prequel characters... but there's a catch.

The stories they appear in are set in-between Episodes III and IV, a time-period known as "the Dark Times" or the "Imperial era".

"Dark Times" being used instead of the Prequel era

It's easy to see the appeal of this era. You keep the same threat from the Original Trilogy - the Empire - but redress it with Prequel elements... while also cherry-picking the best characters of both the OT and the Prequels and giving them a chance to shine again.

The situation is more clear cut, as opposed to the complex one in the Prequels. Bad guys are stormtroopers, good guys are anyone else. And the stories no longer take place in the shiny capital, you're back on the frontier.

But at this point... it feels like a cop-out.

When you consider how much content has been set during the Dark Times, it's nothing to sneeze at. Since the sale, we've had:

2 movies (Solo, Rogue One)

4 series set in that time-period (namely The Bad Batch, Obi-Wan Kenobi, Andor, and Star Wars: Rebels).

2 video-games (Jedi: Fallen Order and Jedi: Survivor).

17 novels (such as Ahsoka, Lords of the Sith, the new Thrawn books, etc)

And just a whole bunch of comic book series & mini-series (like Kanan, Princess Leia, various Vader-centric comics including Darth Vader: Lord of the Sith, many tie-in mini-series promoting Rogue One, Jedi: Fallen Order, Obi-Wan Kenobi, etc).

There's been so much content made for this time-period that it feels like an unwillingness to do the work and create something set something during the Prequel era, let alone something that follows its Jedi.

After all, why make a story set in the Prequels (disliked by vocal fans) when you can just take the characters in that story and put them in an OT setting (which will appease the Prequel-haters)?

Maybe these stories get relegated to the Dark Times because:

there seems to be a perception that anything set in the Prequel era won't sell?

or maybe the current SW writers weren't fond of Episodes I, II and III, and don't find those Jedi characters likable, thinking they're too righteous and dogmatic which makes it hard to craft a story around them.

Or maybe it's because they're under the impression that the Prequel Jedi are bad. Like, canonically, in the narrative. Not just in a "I don't like them" sense, but also in a "the story is all about them becoming corrupted" sense.

Let's expand on that last point.

Retconning the Prequels as the "Fall of the Jedi" era

Somehow the rare stories set during the Prequels that we do get seem to automatically be about how "the Jedi lost their way/failed".

The series Tales of the Jedi is explicit about it...

... and I already explained why it contradicts what George Lucas established here and here.

You also see it in Rebels and the new season of The Clone Wars...

... in comics...

... in games...

It gets to a point where the Prequels era has now been redubbed the "Fall of the Jedi" era by Lucasfilm.

You wanna know what that period was referred to before the Disney sale? The "Rise of the Empire" Era.

Because - and I'll never get tired of saying this cuz it's factual - the Prequels aren't about the fall of the Jedi, they're about the fall of the Republic and Anakin, and rise of the Empire and Vader.

So in addition to being overdone, the "Jedi lost their way" is not even the intended narrative of the Prequels (if one puts any stock in Lucas' words). It's a minor subplot at best, hardly the focus of the films, let alone a whole time period.

But dubbing it "Fall of the Jedi" implies that there's another era in which the Jedi were in their heyday.

Because Star Wars authors are in luck! Yet another alternative has presented itself in the shape of a new transmedia initiative, and it's even better than the "let's set it during the Dark Times" solution:

A new transmedia initiative: The High Republic

You wanna deal with the Jedi before the Empire, but for some reason you wanna avoid dealing with the ones seen in the Prequels?

Look no further. Meet the Jedi of the High Republic.

Noble, adventurous, inspired by the Knights of the Round Table, they're everything the OT kids dreamed about when they heard ol' Ben Kenobi talk about the Knights of the Old Republic.

That's more like it!

Note: the High Republic was created for other reasons and has many more upsides than the ones mentioned above. Namely, a fresh new spot in the timeline that allows for creative freedom and a beautifully-coordinated transmedia storytelling effort where retcons are non-existent. However it does seem evident that not having to deal with the 'unlikable' Prequel Jedi and their "fall" is one of those upsides.

Another perk that the High Republic era offers is more freedom in terms of storytelling compared to the Prequels.

In 2016, Pablo Hidalgo tweeted he still quotes to authors the following excerpt of West End Games' guide for aspiring Star Wars writers, from 1994.

You can't write "this was the best day in Luke Skywalker's life", for example, because another author may want to write a better day than the one you just wrote.

My guess is that a similar approach applies to how all characters from the movies are treated. They're massively iconic. So you can't write a book that drastically changes how Mace or Yoda or Obi-Wan are perceived overall.

The stories need to be self-contained, disregardable if necessary, because you'll have dozens of writers coming up with new stories for those same characters, and you need to leave them some room.

Examples:

Notice how in the book Dooku: Jedi Lost we never see how Dooku turns to the Dark Side and joins the Sith.

Same goes for crossover comic book arcs of the Star Wars issues, like Vader Down or Crimson Reign... the characters don't really change by much in those comics. You could stick to just watching the movies and you wouldn't really miss anything.

But with The High Republic, you indeed can develop these characters as much as you want.

All stories featuring Avar Kriss leave an impact on her, you can nail down who she is perfectly in one book or one comic arc, both being just as meaningful to her character.

The fact that she's not as iconic/famous a character as Mace Windu means that authors can go to town on crafting an interesting and nuanced character arc for her that'll have a beginning, middle and end... something Mace will never really get.

CONCLUSION:

Back in 2015... let's not kid ourselves. The Prequels were unpopular and Disney is a multi-billion dollar corporation. Opting to make as much money as possible is what they do.

It's the same reason they decided not to go with George Lucas' original plans for the Sequels, in 2012.

I mean, imagine you're Disney. You just dropped 4 billion dollars, with a B, on this franchise. Your next Star Wars movie needs to be worth the price tag. Now, you can pick between two options:

Option #1 is uncharted territory and it explores the midi-chlorians (the cursed word…!) and the guy who presented you with this option also openly admits that a big chunk of customers won’t like it, but he wants this to be done because it’s his vision.

Option #2 is very simple: a soft reboot, that plays on nostalgia that the same chunk of customers (aka the 'boomer and Gen-X fans who grew up with the Original Trilogy and now have kids, grandkids and MONEY) will like.

It's a no-brainer. They gave the customers what they wanted.

But time has passed, the fans who were children when the Prequels first came out have grown up, and grew up with characters like Yoda, Mace, Plo Koon, Kit Fisto and other Jedi as their heroes, aside from main characters like Anakin and Obi-Wan and Ahsoka.

Can we maybe expand on them, flesh them out more?

No, let's either ignoring the storytelling potential of these characters or reducing it to them being "righteous, arrogant and dogmatic".

God forbid we get a story showing the Prequel Jedi in a *gasp* more positive light? One where their POV is more understandable, instead of the same old "we brought this on ourselves" storyline.

There's a whole decade between The Phantom Menace and Attack of the Clones... you're telling me there's no space to show us Anakin's training and how he formed bonds with the Jedi we later see in The Clone Wars? I tried my hand at it here:

Interesting or fun Prequel-set ideas from other pro-Jedi fans on Tumblr can be found here, here and here.

And y'know, part of the Star Wars intent is for fans to take the ideas in the movies and come up with their own stories. You're supposed to create headcanons.

What I'm saying is fans of the Prequels are being given less "imagination food" than the rest, and many of us who like the Jedi in particular are forced to rely on headcanons only. "Better than nothing" is no longer an acceptable standard.

There's a range of recognizable Jedi characters that have already been established in films and TCW, can we maybe expand on them, flesh them out more, instead of whole new ones?

#jedi order #star wars #sw meta #long post #meta #lucasfilm #star wars prequels #prequel trilogy #sw prequels #high republic #the high republic #dark times #imperial era #the clone wars #tcw #sw negativity

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alciedoodles · 11 months

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hi!! i saw your other post about how you simplify details and it was really helpful - was wondering if you had any tips abt drawing expressions/poses to express a story/emotions. like i saw your recent sumeru char doodles on twt and the way you draw alhaitham and hungover kaveh is so!!! ahh!! all of the lines feel really intentional, from the expressions to the fabric of the clothing and omg i love it so much. anyways sorry for rambling HAHA thank you sm for sharing your art! gl w art school 💪

Hello!

Thank you so much for the lovely words <3 it's really such a honor to hear that so many people consider my art to be very expressive, which I think is an essential skill to have for storytelling in comics!

First of all, I'd like to say this isn't something I can easily answer... you must already know there's no easy step-by-step guide on how to be "good" at art or expressions or whichever aspect you're trying to improve, the answer will always be observation and practice. However, I can tell you some of my methods I use to make sure emotions are conveyed as efficiently as possible(?). Here are the key points I always try to apply (note that these aren't rules, these are just my guiding points):

Understanding the character(s), the context, and how the two work together

Laying down a foundation

Not letting dialogue be the main driving force behind storytelling

Paneling conveys emotion too, actually

The absence of something can also convey emotion

You didn't specifically ask about comics, but since it's my favorite subject and it ties into your question, I'll be using a lot of examples from the comics I made! And it might interest other people who were curious?

VERY long post ahead :)

1. Understanding the character(s), the context, and how the two work together

This is what I think is the most fundamental part of storytelling! I mean, makes sense, right? Obviously you don't need a PhD in The Character to make stories based off them. I literally cannot tell you every detail about my favorite characters despite loving them very much, but I think understanding them and their relationships on a big-picture level is primordial. What drives them, what are their principles, what are their biggest fears, who do they make exceptions for, etc. Also, to me, understanding their relationships is sometimes more important than understanding the character at a molecular level. We can tell so much about someone just from the way they interact with specific people vs how they interact with strangers. The person I am online isn't the same I am with friends nor even with family-- like one of the reasons some characters can feel one-dimensional is because they don't show variation in their character throughout their relationships (and since you mentioned Kaveh and Alhaitham, I don't need to tell you the way both of them interact with each other is far removed from the way they interact with friends, strangers, etc... I think a lot of people forget who they are outside of their relationship, which a huge point of contention behind mischaracterization in fan works). I don't have much to say about this other than this is something I keep in mind every step of the way through.

2. Laying down a foundation

This is what the majority of my comics look like on second draft:

I said second because the first drafts usually look like this, which are barely comprehensible to anyone but myself:

The purpose of these are not only to give me a better guide for posing than whatever i did on the first draft (storyboard), but also have a first pass at motion and emotion. The expressions and gestures are legible enough that you can probably glean the emotions of each character based off the little sketches. Ultimately, some of the things I'll draft will end up adjusted, changed, expanded on or even removed.

This particular panel of Reigen is a favorite of mine, because the first pass already shows his confusion, but the final one is even more distorted because it felt like it needed to be even more accentuated.

This panel where he mansplains is also a good example, because the first pass gave him too much of an arrogant/uninterested look (notable with his upturned face), whereas Reigen is more likely to take pride in explaining something he knows to make himself look like a wise and mature figure (notable with his slight smirk and downturned face, as if nodding to himself; the hand is also slightly more forward as if inviting rather than dismissing). And since I basically made an example of it above: body language is super important! This applies for everyone. It doesn't stop at characters who make grand gestures and exaggerated poses every waking moment of their life, but also characters who are socially awkward, private, reclusive...

The posing here is intentionally stiff but not entirely closed off, giving the sense that he's earnest, tries his best to make connections , but also doesn't want to take too much space, thinking the smallest wrong move could cause trouble. Also, give room for the body to do its thing. Avoid cropping out things that shouldn't be cropped out. Leave enough room between the edges of the panel and the point of focus to emphasize what you want to emphasize. Close-up shots shouldn't be too frequent (in fact, personally I don't like doing close-up shots but it doesn't mean they're bad or shouldn't be done, again, my word isn't gospel!), especially if what you're conveying isn't too emotionally charged. Lastly, I have terrible news for people who hate drawing hands. Hands are possibly the second most expressive part of our body (if we don't count the body as a whole), so especially for your charismatic characters, you will very often want to use hands as a tool of expression.

(Think how much emotion and personality would be lost if the hands weren't there!)

3. Not letting dialogue be the main driving force behind storytelling

With my comics, I play an incredibly dangerous game called "I'll think of dialogue as I make the storyboard and then when I'm done drawing every page I'll write the dialogue over it guided solely by memory and whatever I drew". Don't do this. Have a script in hand or write it at the same time as you draft your storyboard. The reason I do this is because I'm lazy and I don't want to open a simple writing software to type down a script. Genuinely I have no other reasons. Anyway, the only advantage this gives to my comics is that they will generally be able to stand on their own without much dialogue; obviously dialogue is essential, but what I mean is that we don't need it to have a pretty accurate read on the room.

For example, if I remove all the dialogue from this page, you probably can't guess exactly what's being discussed. However, you can identify through their emotions alone that there is disbelief, bargaining, and finally a pretty devastating info was dropped. Alternatively, cutting down dialogue from your page and leaving room to expressions/body language alone can be entirely more beneficial than having any dialogue to begin with.

AKA Readers aren't stupid (some may be, but the majority can extrapolate just fine). You'll realize how much you don't need words and how your stories can be even more funny/impactful by pushing forward visual storytelling.

4. Paneling conveys emotion too, actually

Being a "good" artist isn't enough to make good comics. The way you panel things is extremely important, because it sets the tone, mood, pace, you name it. Some of the best works out there are the ones with the most care put into the flow of the comic. You need to understand how people will read it, and it starts with what order you deliver the information and how. This is paneling 101, but a page with irregularly shaped panels, multiple changing camera angles and such will be exponentially more dynamic than a page where each panel is the same size, have similar compositions and/or repetitions with little to no diagonal or curved lines of action.

The two examples above are WIPs from 2 different stories so unfortunately you'll have to make do with the rough sketches. That being said, you don't need to know the context of either pages to know the kind of emotion that should be felt through the paneling alone. Give time for the important emotions to be processed by the reader (unless it's intentionally fast-paced). Every emotion that needs to be emphasized should have its own panel.

In this example, I could easily have condensed these two panels into one by transferring the dialogue from the second into the first and jumping on to the next action. However, it would undeniably give much less impact to Kaveh's disbelief. On an inverse situation, sometimes you will want to condense two panels you made into one, because whatever those two panels are doing are perhaps not important enough to deserve separate panels! Lastly, you can notice that the space on the page is not always filled. Leaving space between each panel and/or between the edges of the page gives room for the reader to breathe and slows down the flow; and inversely, if you want to make the situation more frantic, make everything look more tight and constricted.

5. Not showing facial expressions sometimes conveys more emotion than doing so

This ties nicely to the point I made about body language. You don't need to see a character's face to know what they're going through, necessarily. Sometimes, their posture or their dialogue is enough. In my opinion, a story is more compelling when this equilibrium of facial expressions / body language / paneling / dialogue is correctly adjusted-- you will not need to have all the elements to convey the message or it could be a little overbearing. I don't have many examples for this one because they tend to be more relevant in dramatic scenarios, which I haven't done that many of.

(The first one is once again from a WIP)

And that's about it for my insane guide on comic-ing. I hope ANY of it made sense.

***

Here's a round up of extra tips, focused entirely on the drawing part which might be more of what you asked to begin with :'D

- That little line/wrinkle that adds so much character

Yall know what I'm talking about. In my opinion, too many artists are afraid of giving laugh lines/wrinkles because it makes their characters look older, except when it's to add those sexy sexy eyebags. I'm encouraging everyone to add them to their art little by little and see how much it can improve the expressiveness! Obviously, I don't use it everywhere, but it's a very effective way to make your expressions feel even more... well. expressive.

- Line of action

You've probably seen this picture going around before, from Preston Blair:

Although it's called line of action which implies action, this line is important even when the character isn't really in action.

You can gain a lot in expressiveness when you think of the body as one whole fluid instead of a sum of multiple disjointed parts. This is why drawing a very rough base comprised of only lines and circles can help figure out if the posing works before you start refining it.

On a different note, animation principles work very much in comics as well! I recommend looking up animation guides especially those that show how to make key poses.

- Shadows and/or color fill

This is one I will use quite often for different situations.

Shadows can immediately set a tone when they're used dramatically. For example, a shadow over a character's face can convey unease and/or evil intent.

On the other hand, I will use color fills for different purposes:

Differentiating ground layers

This can help with readability.

2. Conveying a certain mood

It can separate the character from the color of their background to give a sense of isolation, reflection, realization, being disconnected from their surroundings, etc...

- Don't be scared of using codes / tropes / archetypes

...As long as it benefits the narrative, of course. By codes / tropes / archetypes, I mean posing or expressions or visual effects that are universally understood and used for specific expressions. The semicircle sweatdrops and blush made with slashes are incredibly typical of manga/anime, but it doesn't mean they're bad! Visual effects are there to help remove the ambiguity of an expression considering a single expression without visual codes could convey multiple emotions!

- Find what inspires you and take notes!!!

In my case, what greatly shaped my art style to what it currently is: One Piece, the Ace Attorney series and Mob Psycho 100 (yes, I only watched the latter last year but it still managed to become a source of improvement/inspiration for my art even at my current level, because you'll never stop improving :) )

I hope this wasn't too long or too off-topic, and I hope it can also help other people who might be interested! Thank you for reading!

#oh my goddddddd this is long im sorry #i kept adding onto it as i got new ideas #art tips #not art #inbox

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toh-tagteam-au · 1 year

Text

Status Update and Warning of a Synopsis Drop

Gonna keep it a stack w yall fellas. I've written over 100 parts of this comic spanning all of the episodes (over 300 pages using 9 point font on google docs) and im realizing theres No Way I'm gonna be able to get my motivation to draw as much as I did for TT back when I first started, much less finish the thing. Much less actually GET to YBOS, which is when the canon deviance legit starts and the story gets way more interesting imo.

So here's what's going to happen:

I'm going to stop drawing the comic. As much as I really like the idea of finishing this particular scene, I know I'm not gonna be able to do it. I haven't updated consistently for months – this is the end of my line here.

BUT

I'm going to write the whole story in its own post WITH VISUALS. I'll explain what happens in every episode over the course of all the seasons, maybe even include some of my favorite visuals/boards when I was writing them. I'll also probs have some deleted concepts in a separate post (because damn I went through some rewrites when season 2b dropped). I'll consider dropping the script too, so you guys can see the actual lines I wrote for each part, but that's a big "if".

Don't get me wrong, I'll still be active (probably more active than I have been in the past few months LMAOOOO). I'm just shifting this AU story away from a comic medium and into a Tumblr AU medium, like how a lot of the TOH aus are at the moment. I want to tell this story and give you guys content, and if i have to do it without the art medium then I will.

I am so grateful you guys have stuck around. The compliments on this comic – my art, the story, literally everything – mean everything to me. I hope you guys like the Tag Team synopsis when I post it.

#wont tag this as anything since i dont think theres anything TO tag

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tblsomedoodles · 3 months

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C R A V E

more Donnie VS The World content. It makes me vibrate and scream and wiggle like I'm off my meds. I would love anything, even a solid block of text, but your doodles/full artworks/comics are my favorite.

Please? All I've found so far is what we see in the donnieverse comic and the MVA/AMV (music video animatic/animatic music video). So many questions, like - is Casey (Sr) involved in any way, whethercas a fellow captive or rescue mission teammate? Is this the True Apocalypse or Averted Apocalypse timeline? If the latter, where is Casey (Jr)? How is Splinter handling it? (Is he even still alive to be Having Emotions About It?)

(Please feed me.

B L E A S E)

(If you don't mind, could you show/tell how Donnie escapes, one of his first Big Leads that gives him so much hope he cries, and/or the Big Reunion? One would be nice, two would be great, and all three would be amazing. If they aren't planned/are too spoilery, that's okay. Anything you can/are willing to give would be lovely.)

Thank you!! I'm glad you like it : ) I don't think I've answered many asked about this particular au, so i'm more than willing to talk about it! : )

I don't really have much up for it, mostly b/c it deals with a lot of angsty material that i can be a little uneasy about posting. I have a bit of old concept art, and an unposted fic i'm editing/rewriting (b/c it's the first fic i wrote for Rise and i did not have those character voices down lol.) I can probably post the first bits of it later this week. I did say at one point that i would once 'proud family tradition' was over, and it now is.

but yeah, here's the concept art, i'll put the explanation under the break b/c i'm going to be rambling lol.

So Donnie vs. takes place after the thwarted apocalypse (not-apocalypse future). They get taken by Bishop a few months afterwards, and it isn't until about a year after that, that Donnie gets free.

He's the last one still with Bishop at that point, and had been told/convinced through various means that his brothers were dead.

Bishop did a lot of experiments on him, leaving a lot of scaring. One of which was injecting him with Krang DNA to see what would happen. (the eye and veins thing. I think he has some side effects from that but i'm not entirely certain what they are atm)

The fic itself starts after his rescue, b/c i'm focusing on Donnie's search for his brothers (and his own recovery) Rather than the traumatic event itself.

The rescue itself, was certainly a rescue. April, Casey, and CJ worked together to get him out of there as well as gain whatever information they could before they were found out. (Casey went undercover and was able to get some incomplete files and help get donnie out before she was discovered and had to leave.)

donnies in...pretty bad shape at that point, mentally and physically. Physically, he's malnurished, injured, scared, the works. Bishop did a number on him in the year he had him.

Mentally, he's pretty much shut down. He's completely non-verbal, unresponsive most of the time, when he does respond it's very slow and seemingly difficult for him to do so. He describes it that it feels like he's behind several plates of thick glass. He can see and hear what's happening, interacting (or even just feeling anything about it) is very hard to get past the glass.

How he goes from that state to hunting down his brothers is fairly simple. One of the broken, encripted files Casey acquired was Leo's file. None of the three could open it, but they managed to get Donnie to try to do so. He manages it, sees the file, and for the first time in about a year, has hope. He doesn't even wait to show the other three, he just takes off while no one was looking, with April's laptop and CJ's coat (he steals a backpack along the way.)

I don't really want to say much past that. A lot of the rescues/reunions are pretty spoiler heavy, and i don't want to ruin some of the mystery of what's going on in the fic. But know this, he does get all his brothers (and family in general) back. Also, splinter is alive and is part of this, but again, that's spoilers for some things i don't want to ruin.

Again, i'll probably start posting this sometime this week. It's an interesting fic that i've put quite a bit of time into at this point, so i'll be excited to see what is thought of it.

Thank you!

#asks #tmnt #rottmnt #donnie vs the world #my doodles #medical experimentation

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ordinaryschmuck · 4 months

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I have plans for a web comic. Your standard, superhero comic, written and illustrated by me and likely ONLY by me. A comic that has this premise:

"When some of the world's mightiest heroes are discovered to be dead, with more villains growing and super killers out in the world, it's up for humanity's last hope to band together as a single team for justice. Unfortunately, humanity's last hope includes a narcissist, a coward, an idiot keeps losing fights, a homeless person who wants a normal life, a super genius that's thirteen-year-old, a shape-shifting pacifist, and a recovering drunk leading them all. Will they be able to save the world? Well...They'll certainly try."

It'll have lots of stuff that makes superheroes fun. Action, comedy, heroes being human, struggling to do good for both the world and for the people in their lives, tragic backstories that show why the heroes make sure no one has as bad of a day as they did, SELECTIVE intense violence, heroes advocating for redemption over final acts of violence, and some gay characters...Alright, that last one's more or less implied in most superhero content, but why not include here, right?

I love this idea, these characters, and all the plans I have for them. The problem? On the internet, it's a shot in the dark if whether or not what you make is popular. And I don't know if my heart can take it if the first few pages of my comic go up, and only ten people see it with two of them liking it. I can't take it anymore. I've tried three times to make a webcomic, really trying to make something good and pouring everything I have into each one, only for my work to go unnoticed and unappreciated.

"Maybe they're not good."

Yeah. Maybe. Maybe my writing's not good enough to stand out. Maybe my art-style isn't appealing enough to some people. Maybe my jokes aren't funny enough. Maybe my ideas aren't interesting enough. Maybe my story's aren't profound enough. Maybe...I'M not good enough.

...But at least maybe it'll be worth another shot. Who knows, this will finally be the one to worth trying and get a lot of attention. At least, worth trying for a year and see how big the numbers are. But here's the thing: I want to make sure first. I want to know, going in, that I'll have enough people supporting me.

So, here's what I want: 1,000 notes. I don't want money, I don't want donations, I want 1,000 notes on THIS POST to tell me that my creative mind is worth creating again. If I get 1,000 notes, at any point throughout...let's say the rest of the year, then I'll do it.

I'll make another webcomic. And hopefully don't waste my life doing it.

#web comics #original webcomic #webcomic #superheroes #original superhero

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sparklegemstone · 1 month

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Loki at Paley Fest 2024

It was incredible! I'm so happy I got the opportunity to attend, and it uplifted my spirits so much. I really hope Paley makes the panel available for everyone to watch at some point because the questions and discussion were pithy, thoughtful, and engaging. Just a stellar panel. If it doesn't become publicly available, I'll try to circle back to post more detail of what was discussed.

Hiddleston was absolutely firing on all cylinders being his eloquent self going on long explorations of themes and the human condition. I think the most memorable was when he was exploring the relationship of Loki's line "Satisfaction is not in my nature" from a previous film to the events of the Loki series and whether that was relevant or not relevant to where the character arrived at in the series.

First of all, kudos to the host of the panel (also writer of a MCU timeline book) that came with receipts and Loki and Hiddleston quotes from over a decade ago that he used to ask really interesting questions that explored Loki's journey and highlighted the beautiful ways Hiddleston has thought about playing the role over years. He just did an excellent, excellent job, and is the one that brough up the "satisfaction is not in my nature" quote to prompt discussion.

And let's be honest, I think a lot of panelists, whose job is to sound engaging and fill up panel time, when asked to explore the relationship of that "not satisfied" quote to the most recent content they filmed, would just turn on their "I'm in English class" brain and run with the prompt and improvise some ideas of how the theme of not being satisfied is shown in the series. But rather than just running with and affirming the prompt, Hiddleston actually thought about it sincerely and turned it around answering in the negative, that he wasn't sure if that still applied in the series. So instead of just running with the prompt, he cared enough about the art to give it the most truthful answer he could. I saw that aspect of how he approaches discussion when I met him in person at a comic con a number of years ago as well, that interest in exploring something sincerely rather than doing the easier thing of just running with whatever is expedient, and I love that about him.

And then Wilson displayed great comedic sense and flow of the discussion by capping off Hiddleston's eloquent discussion by doing a sharp right turn into the absurd, pivoting into how "would my dog have any meaning in his life if he was satisfied and had everything he wanted and wasn't constantly eager for his next meal". That got a huge laugh from everyone.

Some other anecdotes from the event:

For the arc of the series, it was described as season 1 being about Loki learning to love himself and season 2 was about learning to accept connections and let the love of others in.

Hiddleston's wardrobe was lovely -- all black and dark grey, with bright red tread on the bottom of his shoes for which sitting at a panel with your legs crossed is the perfectly opportunity to show off that pop of color.

I was also digging Aaron Moorhead's style with a grey top half and orange pants and shoes with blue socks. Love this trend of men making bold color choices in their wardrobe.

Hiddleston was, unsurprisingly, very engaged with the whole discussion and it was fun to watch his reactions when other people spoke. The host asked the writers/directors if they'd created S2 with it in mind of it being Loki's last appearance or whether we might see more of Loki in the future. Wilson playfully said "he comes the tap dancing" and Hiddleston very deliberately turned towards the writers/directors with his chin on his fist like "I'm so curious to hear the answer, do tell".

Sylvie ended up in a McDonalds in S2 because when Di Martino got asked at the end of season 1 where she saw Sylvie going next, she told them "she's hungry, I bet she'd go for a burger". So Di Martino takes full responsibility for that particular decision, lol.

Because comedy films aren't my thing and Wilson hasn't crossed my personal radar much besides Zoolander, which is a delightful film, I found it very interesting and wasn't necessarily expecting just the thunderous amount of applause and huge reception that Wilson got from the audience. He's very popular.

During the panel, every so often a little piece of paper, like 2x2 inches, the kind you'd use to create the effect of dumping a bunch of confetti, would fall from the rafters above the stage and slowly float down until it landed on the stage itself in front of the panel. The first time was peculiar, but it continued to happen five distinct times throughout the panel and became a bit of a running joke.

Before the Q&A, they screened the finale episode, and they did not have their tech sorted out. The film didn't play at a consistent 24 fps and there were parts that lagged and slowed down the motion on screen. A minor thing really, but for an organization whose sole purpose and mission is media (Paley), in a venue (the Dolby Theater) that hosts the Oscars and should be technologically state of the art, you'd think they'd make sure they could play video at proper speed. I just thought it was a funny issue for a media organization to have.

Tagging @delyth88 since I know you were interested in hearing about it.

#paleyfest #loki #tom hiddleston

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nekropsii · 1 year

Note

man what I hate about the fandom excusing the Dave blog with the n word like "it's not IN the comic so it's not canon" is that in THE comic, Hussie was way too obsessed with having Dave rap about segregation and slavery as quips one of the first raps even referenced the slur negro, which textually went over many people's heads (because "it's just "black" in French") when the context was racist white men in segregation-era and how they pronounced that very closely to the well-known slur, pronouncing it with "knee" these types of raps weren't just in Act 1, it was even in Act 3 it's so uncomfortable considering Hussie said "I just type out how I'd talk" when it came to Dave's dialogue, considering his humor and how those raps and the blog came into light it's so annoying how people keep suggesting it's not IN the comic at all- like it's giving "read it once 5 years ago and never freshened up on it while still debating it", y'know?

I'll give as many sources to what you said here as I can, just so people listen more. Wasn't able to track everything down, so some things are more up in the air, but overall, you're on the money.

[Blog of Dave Strider- February 17, 2010.]

I heavily agree and identify with your frustration. Just because it's "not in the comic" doesn't mean Hussie didn't write it and that it's not worth evaluating. This isn't a case where you can disregard it for noncanonicity reasons, like Post Canon. This was written concurrently with canon, and therefore it reflects the political mindset of Hussie during the time of writing Homestuck. That much is valuable information. What I will point out is that the next paragraph here contains yet another phrase that is rather telling of Hussie's... Racial vocabulary.

Definitely not the most comfortable thing in the world, to put it nicely. Haven't personally seen it get mentioned, and I feel like it's apt to bring up here, since this is the closest I've seen Hussie get to the big Hard R. Typically, they default to Soft A, which doesn't make it less racist, but does have a different... Vibe, so to speak. It's more hateful sounding.

Moving on.

[Andrew Hussie's Formspring- Feb 24, 2010 - Mar 7, 2010. Exact date unknown.]

The fact that Dave is a near exact emulation of Hussie themself in speech mannerisms, down to the lifting of entire chatlogs, is telling. As we've seen from Hussie's past work, he was clearly... excessively comfortable with throwing around the N-word, as a white man. Why would Dave be any different? It's hard to argue that Dave's racism is "not indicative of Dave's flaws, but indicative of Hussie's", when Dave as a character is both a product of Hussie's mind and a direct extension of her. You can't truly divorce the two. Dave is racist because Hussie is racist. Dave is an extension of Hussie.

[Homestuck, Act 2, page 294- June 23, 2009.]

I believe this is what you were talking about in reference to that particular version of the N-word being used, as well as the references to slavery. This is in Act 2. I couldn't find much in Dave's other raps, outside of his fixation on the idea of Black presidents as a novel concept... Other than this.

[Homestuck, Act 5 Act 2, page 2825- November 1, 2010.]

Apparently using the term "Urban" to refer to Black people, culture, art, and music is a recurring Hussie-ism, even in Homestuck. Rose also uses this a couple times, notably more than Dave does. It sees more usage in Problem Sleuth as well- unsurprising, considering it is an older work than Homestuck is.

[Homestuck, Act 4, page 1590- March 17, 2010.]

[Homestuck, [o], page 3879- July 2, 2011.]

[Problem Sleuth, page 62- March 15, 2008.]

TL;DR: I don't think there's any real excuse to leave Hussie's racism out of genuine discussion of the contents of his works. It's obvious. The only valid defense for leaving it out of analytical conversations is ignorance, because... Well, some people just aren't that observant. Homestuck does not exist in a vacuum. Hussie did, in fact, write this, and Hussie is, in fact, bigoted. Bigotry shows throughout their works not because they're spinning a grand narrative of overcoming your moral failings, but because they kind of just suck. Dave isn't an exception, and shouldn't be divorced from the context of having been written by Andrew Hussie. There's no debate to be had over the existence of Hussie's bigotry, because contesting such a clear cut fact is pure stupidity. It's like arguing that evolution isn't real because you, personally, do not understand it, or don't find it comforting. Hussie's bigotry is one of the only things we can be 100% sure is a real part of his personhood, rather than another figment of his ironic online persona. The level of "Well, Actually"-ism people will engage in over this is mind-numbing, quite frankly.

Thank you for the ask- people being aware of the racism in Homestuck keep me sane. Have a lovely day.

#homestuck #problem sleuth #homestuck meta #homestuck analysis #beta kids #dave strider #rose lalonde #john egbert #andrew hussie #cw racism #homestuck.pdf #dave.pdf #dave.prtsc #rose.prtsc #john.prtsc #nekro.pdf #nekro.sms

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eleemosynecdoche · 9 months

Text

Okay. Oil fire serious posting, huh? Now my friend @rlyehtaxidermist is a patient, forbearing soul, and I've been known to get a little hot under the collar at times. The language may get spicy. You have been warned.

Anyways, there are people apparently trying to do some kind of shipping war over this interpretation of Touhou 19 and of Sanae and Tsukasa. They level three basic charges- that there's no support for it, that it's a shallow sex ship, and that Tsukasa is obviously manipulating Sanae. Let's take it from the top.

1. No Evidence, Not Canon

Well, I could go and take screenshots and get the Japanese text and screenies of confirmed "sex isn't real in Touhou" people trying to puzzle out the parts of the Japanese text where Sanae and Tsukasa use very familiar language with each other. But I won't.

Why does it matter? Like, take it as a given that this is the case, that this ship is created from nothing. What would that mean? That people need to stop talking about it? Or restrict their posting about it to some kind of space for non-canon shipping? Is that reasonable?

Look, shipping characters on the basis of them being in adjacent stages has a history in Touhou. Some of them, like Parsee/Yuugi, got ZUN offering some support for it much later, through indirect means. Others, like Nitori/Hina, are kind of unpopular nowadays. People still make art and comics and doujin novels for those unpopular ships based on proximity. And why shouldn't they?

Some of my favorite doujin works- Ōkawa Bkub's "Charm" series, ALISON Airlines's drug-themed and mind-expanding works, Komaku Jūshoku's Ran-chama shorts- are far outside the boundaries of what ZUN produces. I think it's good that people take what ZUN puts down and run with it. I think that's a much healthier way to creatively engage with an artistic work you enjoy. It also gave us Higurashi When They Cry, Umineko When They Cry, Undertale and Deltarune, and other independent works where the influence isn't quite as obvious.

Anyways, all that freedom brings with it people being allowed to ship in ways you think aren't canonically supported, as part of being able to creatively reinterpret the work they're engaging with.

2. It's A Shallow Sex Ship!

Now let's be fucking clear here- what people are implying by this is pretty clearly "You're using this shipping to get off!"

Look. Do you really think that people are likely to be getting off to the idea of sex that's unglamorous and kinda mediocre, a bit awkward? If there is some kind of fetishist of that kind posting about SanaKasa, I'll buy them a drink to salute their extremely broad and abstract sexuality, which would be quite rare indeed.

I'm being mean. The more likely thought process here is that social assumptions around whether anyone would use direct and somewhat crude language about weird sex without being aroused at that moment or being some kind of perpetually-horny sex pervert are shaping how people react to seeing posts where a foxgirl's tail is used as a proxy for her having an erection.

So set that aside. I'm gonna talk about why the sex posts are meaningful to me personally.

I'm not an old hand of Touhou fandom, I came to it as a grown adult with the period between Legacy of Lunatic Kingdom and Hidden Star in Four Seasons as my entry point. But what I learned very quickly is that there's a lot of Touhou stuff, posting, art, comics, fanfics, where people offer up sexual content that I find deeply unappealing (mostly because it's dull, het, and not infrequently invokes sexual violence). And then, eventually, I realized that there was a kind of reaction to this state of affairs.

This was the sense that Touhou fandom was divided into bad sexual stuff and good desexualized stuff. And sexual stuff from a lesbian or WLW perspective was lumped in as part of the bad, with an assumption it was made for men too. And so if you wanted to enjoy the lesbian overtones of Touhou, the Touhous better not be having sex!

This is in turn correlated, I think, with the sense of Touhou as the whimsical side of the "cute girls having tea parties" media metaconcept. All of this ties really heavily into a broader social understanding of sexual desires between women, between nonbinary people, (or even between men much of the time) as intrinsically predatory and needing to be desexualized to be acceptable.

But Touhou isn't a series about cute girls doing cute things at tea parties in the text. In the games, it's a bunch of rude women threatening each other with violence in erudite ways, then engaging in elegant examples of that violence, and finally going drinking together. There's intrinsic sexual tension to all of that. It's people flirting with each other, showing off their stuff, and then getting to know each other at a bar.

Touhou's gotten more explicit about the sexual side of things. Tsukasa, who's drawn with what are instantly recognizable as sexually charged expressions, lidded eyes and insouciant gestures, whose outfit loosely resembles both short pajamas and a romper dress with the skirt cut away to show off the built-in bloomers, is a noteworthy chunk of that, and then she gets treated both in the fandom and in UDoaLG by powerful beast youkai as, essentially, a born slut.

But the sexual aspects have been there since Perfect Cherry Blossom at the latest. The implicit flirtatiousness, the women with extremely close relationships. So what talking about Tsukasa having bad sex and falling in love means to me is a couple of things- it's an acknowledgement that sex is going on. It's also a way to engage with Tsukasa as a character who's engaged in what is only barely subtextually survival sex work, and offer up the possibility of love in a very normal and unglamorous sense, for Tsukasa to be sexual and yet loved and fully worthy of love.

Making them both transfem or transfeminine-coded (i.e. Tsukasa probably didn't transition, but her penis is still effectively a trans woman's rather than that of a cis woman who shapeshifted in terms of how characters understand her position and body) is in turn an extension of that, of how trans women's bodies are fetishized (especially in sex work). And taking these bodies we, as a group of people, have, and treating them as sexual, but in a more naturalistic way yet playful way. And so for me it's just a matter of being truthful- this is describing the situation in terms of the world as I know it, within certain specific boundaries of Touhou I like to use.

This humongous nerd can have a loving, fulfilling relationship while not being good at sex and having to figure that out. This poor little kon kon can be loved without it being transactional, without having to try and become purified and sweet and "More tea, Miss Sanae?" Even bad girls (in several senses) can love and be loved. If you're gay enough with your cringe girlfriend, a miracle will happen.

All of this is of course my hyperprecise sexual fetish. Every last word of it.

3. All According To Tsukasa's Keikaku

"Tsukasa's just manipulating Sanae!"

Why is it important that Tsukasa be an undefeatable schemer and manipulator?

Let me put it this way. If Tsukasa can manipulate everyone equally well because everyone has weaknesses in their heart or whatever, that's blandly cynical. It makes her out to be some kind of overwhelming malevolence. If Tsukasa is really really good at manipulating powerful, perceptive, and forceful women, but completely unable to affect naive, slightly gullible, says exactly what she's thinking Sanae beyond marginally? That's funny! The one person that should be a cream puff to manipulate is beyond manipulation!

It's thematic! Someone who's open and honest and not trying to manipulate other people can't be manipulated in turn, because she's rejecting the game. It's relevant to Tsukasa's character! UDoaLG makes it clear that tube foxes are despised, that they're seen as weak and unable to fight like real women do. Tsukasa has to manipulate people because it's her only way to keep from being crushed, or so she thinks, because she's immersed in that reality.

Sanae isn't manipulatable, but also doesn't really try to crush her. Sanae offers a relationship between equals, even if they have different power levels.

It even plays into neurodivergence and mental illness- think of Tsukasa as someone unsure if she's manipulating people or not. Sanae being autistic and not manipulatable provides a reassurance that she's capable of doing better.

None of which means she's going to start being a saint or even a decent person, just that she's an awful person whose awfulness is hard to separate from her situation, but she can be in a better situation without having to become good first. She can stay malicious and kinda sucky and we know she's doing it on purpose now! We can say, "you are yucky disgusting, babygirl" and squeeze her into a Pringles tube without guilt. With minimal guilt.

Also, abilities are self-declared and Tsukasa's method of manipulating the other polycule members in Unconnected Marketeers mostly seemed to be encouraging them to do what they wanted to do already. Similarly, she can manipulate Aun in UDoaLG by playing on Aun's desire to be helpful and the dangers of the situation, but Aun also knows it's safe because her other body is back at the shrine. She's not, frankly, massively strong. In demonstrated "power levels" she's a step below Yachie "failgirl" Kicchou. Think about that.

Made it all the way to the end? Congratulations! Imagine a Touhou ending slide where I'm (whatever you think I look like) holding up Tsukasa and Sanae sock puppets.

#touhou #th19 spoilers #oil fire meta #tsukasa kudamaki #sanae kochiya #monstrously large posts

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