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#dark times
yamujiburo · 2 months
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Tiny bit drunk, so sorry if badly worded or offensive, but what was the first post of yours that took off and made you go, "Wow, people like this?"
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i was a dumb teenager when i made these do not judge me
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brandysamantha · 7 months
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😭
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fhtagn-and-tentacles · 3 months
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ASPERITAS WALKERS
by William Bao
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victusinveritas · 4 months
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Bertolt Brecht
In the dark times, will there also be memes?
Yes, there will be memes. About the dark times.
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See? We aren’t so different 🖤🖤🖤
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david-talks-sw · 9 months
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An allergy to the Prequels
While I'm putting together a post about the evolution Lucasfilm's transmedia strategies, this part kinda turned into its own thing!
So I'm not sure if anyone else noticed, but, uh... there hasn't been that much Prequel content since the Disney sale, right?
'Couple novels and comics, some episodes... but nothing meaningful.
The more I look into it, the more it feels like a deliberate avoidance to touch on anything Prequel-related - beyond the required quota, that is - to a point where they'd rather tell stories set during periods that are Prequel-adjacent (Dark Times, High Republic) than something set around Episodes I, II and III.
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On-screen policy: "pretend they never happened"
I mean, this one's no secret. When The Force Awakens had been announced, with J.J. Abrams at the helm, everyone sighed in relief. "Finally, George Lucas won't keep ruining the franchise."
When Abrams had been announced as the director of Episode VII, I remember this cringey animated video started circulating online, titled "4 Rules To Make Star Wars Great Again" or "Dear JJ Abrams":
“Star Wars isn’t shiny and clean... Star Wars is a western.”
If you ask me, those two things are not mutually exclusive.
'Cause Star Wars has always been both, for many Prequel kids. Both clean and dusty, Coruscant and Tatooine. There was never a disconnect between the Original Trilogy (OT) and the Prequel Trilogy.
Even the documentary The People vs George Lucas shows Prequel-hating fans begrudgingly admit their kids felt all six episodes tied seamlessly.
Abrams, on the other hand, said: "I think [the "Dear JJ" video] was right on." Later on, he also said:
he considered "putting Jar Jar Binks's bones in the desert" on Jakku, somewhere, and
he intentionally made the lightsaber fights "rougher", "primitive" and "more powerful" unlike the fast-paced ones in the Prequels.
Later, we found out he wanted to blow up Coruscant.
It's clear he wasn't a big fan of the Prequels.
But y'know what? Not many fans over 20 were, at the time. And when The Force Awakens came out, most them celebrated it as a wonderful love letter to the OT.
Star Wars is cool again. Mission accomplished 🙌 !
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However movies keep coming out, and references to the Prequels - if there are any - are literally just that... references.
Sometimes in the shape of a cameo ("hey look, Genevieve O'Reilly from the Ep. III deleted scenes is playing Mon Mothma again!")
Sometimes in a name (Luke name-dropped "Darth Sidious"!)
But nothing set during the Prequel era, and nothing treating the events that happened in that period as relevant or impactful, beyond subtextual nods.
In fact, the trend of avoiding anything Prequel-related continues as the final film in the Skywalker Saga comes out:
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The Rise of Skywalker has a secret Sith society that chants the name "Palpatine" instead of his Sith name "Darth Sidious",
the film pretends the Kaminoans never existed,
and neither TROS nor Trevorrow's Duel of the Fates script even try to bring Hayden Christensen's Anakin Skywalker back on screen. Let that sink in, we're talking about the Chosen One, Skywalker Senior, whose sins caused this whole mess... and his name isn't even uttered once in the final chapter of what Disney dubbed the *Skywalker* Saga (or the entire Sequel trilogy, for that matter).
But hey, The Clone Wars got renewed for one last Season! That's cool right? So many stories had gone unfinished and somehow the animation looks even better than befo--
-- oh. It's not 22 episodes? Only 12?
Four of which had already been shown to us, but hey! We need to set-up the Bad Batch series, so let's shoehorn those episodes in there, and forget Son of Dathomir, Dark Disciple or Crystal Crisis.
*sigh* Better than nothing, I guess.
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In other mediums: "just not a priority"
Now this is something that I'll explore more in the transmedia post (and purely my interpretation), but the noticeable change between Lucasfilm's transmedia strategy *post-ROTS* and the one post-Disney sale is that:
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Before, the games, comics and novels were the main content. After all, Revenge of the Sith had been released, so that was it, for the movies. Thus, a variety of other content was being cranked out to keep the Star Wars franchise relevant. There were comics set 100 years after Episode 6, comics set 25,000 years prior, games set in the Old Republic era, other stories in the New Republic era, novels galore, a couple of parody films and an animated show, The Clone Wars, which sometimes received its own tie-in comics, novels and games.
After the sale and ever since, most of the transmedia products have had only one goal: promoting the films & streaming shows.
So while in 2015 you won't see an abundance of Prequel content... you'll see an avalanche of OT books and comics come out.
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Why? Because the heroes of that era will be in the Sequel Trilogy movies. It provided context to the kids who hadn't seen the OT yet, and reintroduced those films to a new generation of fans, while priming them for the Sequels.
A multimedia marketing strategy that ultimately proved successful.
However, it continued even after The Force Awakens came out.
Don't believe me? Compare how many comics there have been set during the Prequel era vs the OT era.
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If they make comics about the Prequels, they're limited runs.
Case in point: before the current Yoda series, the best any Disney Prequel-set comic series ever got was 6 issues.
Note: it's worth pointing out that the frequency of mini-series aren't just a Star Wars-specific thing, it's a comic book industry thing. The readership for comics is dwindling, many people are reading scans online, and so no publisher wants to commit to a story that lasts more than 4-6 issues. My problem is: there absolutely would be readership for a Prequel comic series to warrant an extended run instead of a mini-series.
Let's talk books. There have been give or 64 canon novels published since the Disney sale.
Only 11 of them are set during the Prequel era. And even those stories only came out when the planets were aligned.
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Almost half of them were released while being a part of some bigger multimedia push.
Example:
Before the Obi-Wan Kenobi series was being released on Disney Plus, we'd had one novel and like two comic stories about him during the Prequels... released between 2012 and end 2021. That's about three pieces of content in almost ten years.
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Clearly a low frequency.
Then, when the series is around the corner, two books and a comic story comes out in the space of months, plus an anthology book with an alt cover with his face on it and a comic with a story of him and Anakin in the first issue, all in 2022.
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My takeaway: short of there being a film or series that needs to be promoted, you'll rarely get any Prequel comics or books.
And this is OBI-WAN we're talking about. The character who even the Prequel haters love. Imagine how little attention the other ones get.
Gaming-wise, Battlefront had no Prequel content at all (again, 2015 was the year where OT content was shoved down the consumer's throats to prep them for Episode VII), and Battlefront 2 only released Prequel content a full year later.
All that being said, we did seen some Prequel elements here and there. After all, some actors got to reprise their roles, books and comics came out featuring Prequel characters... but there's a catch.
The stories they appear in are set in-between Episodes III and IV, a time-period known as "the Dark Times" or the "Imperial era".
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"Dark Times" being used instead of the Prequel era
It's easy to see the appeal of this era. You keep the same threat from the Original Trilogy - the Empire - but redress it with Prequel elements... while also cherry-picking the best characters of both the OT and the Prequels and giving them a chance to shine again.
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The situation is more clear cut, as opposed to the complex one in the Prequels. Bad guys are stormtroopers, good guys are anyone else. And the stories no longer take place in the shiny capital, you're back on the frontier.
But at this point... it feels like a cop-out.
When you consider how much content has been set during the Dark Times, it's nothing to sneeze at. Since the sale, we've had:
2 movies (Solo, Rogue One)
4 series set in that time-period (namely The Bad Batch, Obi-Wan Kenobi, Andor, and Star Wars: Rebels).
2 video-games (Jedi: Fallen Order and Jedi: Survivor).
17 novels (such as Ahsoka, Lords of the Sith, the new Thrawn books, etc)
And just a whole bunch of comic book series & mini-series (like Kanan, Princess Leia, various Vader-centric comics including Darth Vader: Lord of the Sith, many tie-in mini-series promoting Rogue One, Jedi: Fallen Order, Obi-Wan Kenobi, etc).
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There's been so much content made for this time-period that it feels like an unwillingness to do the work and create something set something during the Prequel era, let alone something that follows its Jedi.
After all, why make a story set in the Prequels (disliked by vocal fans) when you can just take the characters in that story and put them in an OT setting (which will appease the Prequel-haters)?
Maybe these stories get relegated to the Dark Times because:
there seems to be a perception that anything set in the Prequel era won't sell?
or maybe the current SW writers weren't fond of Episodes I, II and III, and don't find those Jedi characters likable, thinking they're too righteous and dogmatic which makes it hard to craft a story around them.
Or maybe it's because they're under the impression that the Prequel Jedi are bad. Like, canonically, in the narrative. Not just in a "I don't like them" sense, but also in a "the story is all about them becoming corrupted" sense.
Let's expand on that last point.
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Retconning the Prequels as the "Fall of the Jedi" era
Somehow the rare stories set during the Prequels that we do get seem to automatically be about how "the Jedi lost their way/failed".
The series Tales of the Jedi is explicit about it...
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... and I already explained why it contradicts what George Lucas established here and here.
You also see it in Rebels and the new season of The Clone Wars...
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... in comics...
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... in games...
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It gets to a point where the Prequels era has now been redubbed the "Fall of the Jedi" era by Lucasfilm.
You wanna know what that period was referred to before the Disney sale? The "Rise of the Empire" Era.
Because - and I'll never get tired of saying this cuz it's factual - the Prequels aren't about the fall of the Jedi, they're about the fall of the Republic and Anakin, and rise of the Empire and Vader.
So in addition to being overdone, the "Jedi lost their way" is not even the intended narrative of the Prequels (if one puts any stock in Lucas' words). It's a minor subplot at best, hardly the focus of the films, let alone a whole time period.
But dubbing it "Fall of the Jedi" implies that there's another era in which the Jedi were in their heyday.
Because Star Wars authors are in luck! Yet another alternative has presented itself in the shape of a new transmedia initiative, and it's even better than the "let's set it during the Dark Times" solution:
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A new transmedia initiative: The High Republic
You wanna deal with the Jedi before the Empire, but for some reason you wanna avoid dealing with the ones seen in the Prequels?
Look no further. Meet the Jedi of the High Republic.
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Noble, adventurous, inspired by the Knights of the Round Table, they're everything the OT kids dreamed about when they heard ol' Ben Kenobi talk about the Knights of the Old Republic.
That's more like it!
Note: the High Republic was created for other reasons and has many more upsides than the ones mentioned above. Namely, a fresh new spot in the timeline that allows for creative freedom and a beautifully-coordinated transmedia storytelling effort where retcons are non-existent. However it does seem evident that not having to deal with the 'unlikable' Prequel Jedi and their "fall" is one of those upsides.
Another perk that the High Republic era offers is more freedom in terms of storytelling compared to the Prequels.
In 2016, Pablo Hidalgo tweeted he still quotes to authors the following excerpt of West End Games' guide for aspiring Star Wars writers, from 1994.
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You can't write "this was the best day in Luke Skywalker's life", for example, because another author may want to write a better day than the one you just wrote.
My guess is that a similar approach applies to how all characters from the movies are treated. They're massively iconic. So you can't write a book that drastically changes how Mace or Yoda or Obi-Wan are perceived overall.
The stories need to be self-contained, disregardable if necessary, because you'll have dozens of writers coming up with new stories for those same characters, and you need to leave them some room.
Examples:
Notice how in the book Dooku: Jedi Lost we never see how Dooku turns to the Dark Side and joins the Sith.
Same goes for crossover comic book arcs of the Star Wars issues, like Vader Down or Crimson Reign... the characters don't really change by much in those comics. You could stick to just watching the movies and you wouldn't really miss anything.
But with The High Republic, you indeed can develop these characters as much as you want.
All stories featuring Avar Kriss leave an impact on her, you can nail down who she is perfectly in one book or one comic arc, both being just as meaningful to her character.
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The fact that she's not as iconic/famous a character as Mace Windu means that authors can go to town on crafting an interesting and nuanced character arc for her that'll have a beginning, middle and end... something Mace will never really get.
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CONCLUSION:
Back in 2015... let's not kid ourselves. The Prequels were unpopular and Disney is a multi-billion dollar corporation. Opting to make as much money as possible is what they do.
It's the same reason they decided not to go with George Lucas' original plans for the Sequels, in 2012.
I mean, imagine you're Disney. You just dropped 4 billion dollars, with a B, on this franchise. Your next Star Wars movie needs to be worth the price tag. Now, you can pick between two options:
Option #1 is uncharted territory and it explores the midi-chlorians (the cursed word…!) and the guy who presented you with this option also openly admits that a big chunk of customers won’t like it, but he wants this to be done because it’s his vision.
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Option #2 is very simple: a soft reboot, that plays on nostalgia that the same chunk of customers (aka the 'boomer and Gen-X fans who grew up with the Original Trilogy and now have kids, grandkids and MONEY) will like.
It's a no-brainer. They gave the customers what they wanted.
But time has passed, the fans who were children when the Prequels first came out have grown up, and grew up with characters like Yoda, Mace, Plo Koon, Kit Fisto and other Jedi as their heroes, aside from main characters like Anakin and Obi-Wan and Ahsoka.
Can we maybe expand on them, flesh them out more?
No, let's either ignoring the storytelling potential of these characters or reducing it to them being "righteous, arrogant and dogmatic".
God forbid we get a story showing the Prequel Jedi in a *gasp* more positive light? One where their POV is more understandable, instead of the same old "we brought this on ourselves" storyline.
There's a whole decade between The Phantom Menace and Attack of the Clones... you're telling me there's no space to show us Anakin's training and how he formed bonds with the Jedi we later see in The Clone Wars? I tried my hand at it here:
Interesting or fun Prequel-set ideas from other pro-Jedi fans on Tumblr can be found here, here and here.
And y'know, part of the Star Wars intent is for fans to take the ideas in the movies and come up with their own stories. You're supposed to create headcanons.
What I'm saying is fans of the Prequels are being given less "imagination food" than the rest, and many of us who like the Jedi in particular are forced to rely on headcanons only. "Better than nothing" is no longer an acceptable standard.
There's a range of recognizable Jedi characters that have already been established in films and TCW, can we maybe expand on them, flesh them out more, instead of whole new ones?
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kaleidescopicmind · 1 month
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"If more people...valued home above gold, this world would be a merrier place."
Quote by: Thorin Oakenshield, The Hobbit: The Battle Of The Five Armies (2014)
Gif by: @firefoot22
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My love for this dwarf prince has grown more after revisiting this trilogy yet again...and recently also after finding myself reading fan fics of him (sorry not sorry) but his smile, I can't...breathe 😭
Also...
It's so sad that this quote rings true in our world today, if only...
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Sometimes when you're in a dark place,you think you've been buried, but actually you've been planted.
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demonicseries · 5 months
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aren't you glad that we no longer live in the era where you would see a gif of bbc sherlock and everyone would reply with "my ovaries are exploding"
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nastyelf · 7 months
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family
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fairy25 · 2 months
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where are you guys meeting masc women i feel like they’re so rare and fleeting and the few i had slipped through my fingers like sand but i need them to save me carnally
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gravity-rainbow · 8 months
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are there any things about the future arcs you can say? If not you can ignore me!
I can talk about them!
There are 4 planned arcs right now, with 2 mini arcs planned as well.
The 2 mini arcs are known as: Skyfall, the story of what happened when Skyclan left; and Missing Moons, the stories of some cats whose development years were stuck in between The Hopless Storm and A Vision Of Shadows.
The main arcs coming are: Dark Times, the immediate aftermath of ASC's Downer Ending (Berryheart and Splashtail becoming leaders of their Clans); as well as an Arc that I have split in half.
Beyond the Stars, Sunlight Edition: More slice-of-life story about the remains of The Kin, lead by 5 young Protagonists, one from each Clan.
Moonpaw, daughter of Fringewhisker and Spireclaw from Skyclan.
Rowanpaw, daughter of Dovewing and Tigerstar from Shadowclan.
Spottedpaw, son of Spotfur/Silverspots (name undecided) and Stemleaf of Thunderclan.
Saplingpaw, daughter of Toadstep and Featherpelt of Windclan.
Floatpaw, daughter of Sneezecloud and Havenpelt of Riverclan.
The 5 come together and must work together to not only stop the Kin threat, but help the cats hurting from it to heal.
The other half is Beyond The Stars Moonlight Edition. Cosmic horror with a single Protagonist. Bristlepaw of Thunderclan.
A bold, curious young molly determined to push boundaries and find about about her origins, and right a wrong that no one seems willing to speak of. An unlikely group of allies may just be the key to success.
The Fourth and Possibly Final Arc takes place many, many years in the future. A reunion of every group we have seen. Thunderclan, Windclan, Skyclan, Riverclan and Shadowclan now live around the lake with Warriorclan and Bloodclan, who have lived their for years. Peace on the horizon, the cats must overcome their differences one final time, and come together as one, once and for all.
The arc will be extended with a view to each of the 7 Clans, along with how Starclan and The Dark Forest are doing now.
The Arc, jokingly referred to as Warriors Violet (in reference to the futuristic Pokemon Violet) has now been given an official name.
The Last Clan.
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mrkmciver · 27 days
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Just because you were there for them in dark times doesn't mean they will return the favor.
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traykar · 1 month
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Made some more stuff with smackart's bases.
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Foreman TX-444 and his Compliment of Construction Battle Droids won't let something as trivial as the war's end halt construction on the separatist's latest outpost.
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localwhoore · 2 months
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just had a fic idea but i sworn off writing since 2021 due to some unfortunate circumstances and my poor literary skills
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