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thewriteadviceforwriters · 1 month

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Hiii, I just dicovered your acc and i'm loving it 🥰 I have this lil problem where I have in mind and write scenes but without a plot. And I'm very fond to the characters so I can't put them into a plot because I don't want them to suffer or a think if they do suffer it'll we forced and too much. Any tips for that?

How to Plot A Novel If You Only Have Characters & Scenes

So, you have a great cast of characters and some exciting scenes in mind, but you're struggling to put them together into a cohesive plot. Don't worry, you're not alone. Many writers struggle with plotting their novels, especially when they have a strong focus on characters and scenes. I have also been facing difficulties with this recently. But fear not, in this article, I’ll help you explore how you can plot a novel even if you only have characters and scenes to work with.

Why Is Plotting Important?

Before we dive into the how, let's first understand why plotting is important. A well-crafted plot is the backbone of any successful novel. It keeps readers engaged, creates tension and conflict, and ultimately leads to a satisfying resolution. Without a strong plot, your novel may fall flat and fail to capture the attention of readers.

Types of Plots

There are many different types of plots, but they can generally be categorized into three main types: character-driven, plot-driven, and hybrid.

Character-driven plots focus on the internal struggles and growth of the main character. The plot is driven by the character's desires, flaws, and decisions.

Plot-driven plots focus on external events and conflicts that drive the story forward. The characters may still have their own arcs, but the main focus is on the events and how they affect the characters.

Hybrid plots combine elements of both character-driven and plot-driven plots. They have a balance of internal and external conflicts that drive the story forward.

Understanding the type of plot you want to create can help guide your plotting process.

How to Plot A Novel with Only Characters & Scenes

Now that we understand the importance of plotting and the different types of plots, let's explore how you can plot a novel with only characters and scenes.

Start with Your Characters

Since you already have a strong cast of characters, it makes sense to start with them. Take some time to fully develop your characters, including their personalities, motivations, and flaws. This will help you understand how they will react in different situations and what conflicts they may face.

Identify Your Main Conflict

Every novel needs a main conflict that drives the story forward. This could be a physical conflict, such as a battle or a chase, or an emotional conflict, such as a character's internal struggle. Identify what the main conflict in your novel will be and how it will affect your characters.

Create a Story Structure

A story structure is a framework that helps guide the flow of your novel. It typically includes the beginning, middle, and end, and can be broken down further into acts or chapters. Creating a story structure can help you see the bigger picture of your novel and how your characters and scenes fit into it.

Map Out Your Scenes (High Priority) 🚩

Now it's time to map out your scenes. Start by listing all the scenes you have in mind, even if they are not in chronological order. Then, arrange them in a logical order that makes sense for your story. This may require some rearranging and tweaking to ensure a smooth flow of events.

Connect Your Scenes with Conflict (High Priority) 🚩

Once you have your scenes in order, it's time to connect them with conflict. Every scene should have some form of conflict, whether it's internal or external. This will keep readers engaged and drive the story forward. Look at each scene and identify the conflict present, and how it connects to the main conflict of the novel.

Create a Character Arc for Each Character

As your characters go through different conflicts and events, they should also experience growth and change. This is where character arcs come in. A character arc is the journey a character goes through, from their initial state to their final state. Create a character arc for each of your main characters, and make sure their actions and decisions align with their arc.

Add Subplots

Subplots are smaller storylines that run parallel to the main plot. They add depth and complexity to your novel and can help develop your characters further. Look at your characters and see if there are any side stories or relationships that could be explored in a subplot. Just make sure they tie back to the main plot in some way.

Use Plotting Tools

If you're struggling to put all the pieces together, consider using some plotting tools to help you. There are many resources available, such as plot diagrams, beat sheets, and storyboards, that can help you visualize your plot and ensure all the elements are in place. If you need help with scene structure use my new scene workbook here.

Real-World Examples of Plotting with Characters & Scenes

One example of a novel that successfully uses characters and scenes to drive the plot is "To Kill a Mockingbird" by Harper Lee. The main conflict is the trial of Tom Robinson, but it is the characters, particularly Scout and Atticus, and their reactions to the events that drive the story forward.

Another example is "The Hunger Games" by Suzanne Collins. The main conflict is the Hunger Games themselves, but it is Katniss' internal struggle and her relationships with other characters that keep readers engaged and invested in the story.

Final Thoughts

Plotting a novel with only characters and scenes may seem daunting, but with the right approach, it can be done successfully. Start by fully developing your characters, identifying the main conflict, and creating a story structure. Then, map out your scenes, connect them with conflict, and create character arcs. Don't be afraid to use plotting tools to help you along the way. With these tips, you'll be on your way to crafting a compelling plot that will keep readers hooked until the very end.

If you require assistance with developing your scene structure, you can access my Scene Workbook for Writers at no cost.

I am sorry to the individual who sent me this question. I have a lot of questions in my Tumblr inbox and have only recently come across this nice question. I apologize for the 4-month delay.

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artofkhaos404 · 5 months

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If you're an aspiring author working to get published, slaving away on a novel in progress with perfection as your goal... I would highly advise you, every once in a while... to write.

Not on your novel, not in your notes and concepts document, not on anything even remotely professional and not in a journal. Simply tell a story, stress free, with no expectations. Could be fanfiction from your favorite series, a random short story idea you had three months ago, or a writing prompt you found online. Allow yourself to have some fun again. Remind yourself why you love what you do. It will make you all the more determined and inspired to one day complete your ultimate work.

Fanfiction was how I originally fell in love with writing (that and my adventures in my paracosms). I started putting my story ideas on paper when I was eight. Four years ago I stopped writing fanfiction altogether, deeming it a waste of time when I could be putting my talents elsewhere. But a couple days ago I randomly decided to sit down with a computer and a few ideas, no outline or notes whatsoever, and just have a good time. Incredibly cleansing.

#writing #writers on tumblr #authors on tumblr #aspiring author #aspiring writer #aspiring novelist #novel in progress #novel #fanfiction #advice #writing tips #self care #love writing #love yourself #cleansing #have fun #maladaptive daydreamer #maladaptive daydreaming

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theaawalker · 1 month

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Only Fools Fall in Love | Steddie Imagine

Pairing: Steve Harrington & Eddie Munson Song Inspo: Andrew by Ben Platt Word Count: 2,574 Summary: Steve Harrington has a crush on Eddie Munson. Eddie Munson has a crush on Steve Harrington. Neither of them want to address it for various reasons. They're just two idiots in love. Warnings: angst, slowburn Masterlist: see fandoms (pc-friendly)

After defeating Vecna and barely escaping the upside down, Steve knew his life was never going to be the same again. He no longer had the pleasure of being blissfully unaware of the darkness that surrounded Hawkins. He knew about the creatures that lurked in the shadows. Knew how powerful they were and the amount of damage they had caused to their little town, how many lives were lost in the mix of creatures that were never supposed to exist.

They were supposed to be fiction, stories told to kids to keep them in their homes at certain times, to scare them into staying safe and not wondering into the forest alone at night. Unfortunately, those things were very real, too real for Steve's liking.

Some days he wished to be one of those dense high school kids who only cared about their reputation and didn't know what was happening in the world around them. He wished to be like the old Steve, the one who only cared about hooking up, parties and Nancy Wheeler. He loved her in a way he never thought he could love; she awakened something in him that he didn't know existed. Then she was ripped out of his life without even the slightest warning, she left him, she didn't love him. She said it was all bullshit. They were bullshit.

He knew now that she was right about it all, they were bullshit. Neither of them were ready or mature enough for a relationship, they were too different, too young and too foolish. Nancy was better with Jonathan, they had bonded over their trauma and Steve was jealous at first, but after seeing that massive smile on her face, he knew that she had exactly who she needed. It stung, seeing them together, they were everywhere he went, and he hated it. So, he went to parties and got piss drunk to forget and occasionally he stopped by that disgusting trailer park to buy from Eddie Munson.

Eddie "The Freak" Munson was the best dealer in town, he always had a fixed supply unlike some of the other idiots who couldn't keep up with the demand. Steve didn't necessarily like Eddie that much, he was too loud, too dramatic, too all over the place and too different. He was what Steve never could be, unapologetically different.

He never apologized for being who he was, he never cared what anyone thought or said about him. In fact, he played into it, he wore the term 'Freak' like a badge of honor and used it to scare off any potential threats. It worked most of the time, while people found him annoying, they never did anything to psychically stop him.

That irritated Steve even more. Eddie got away with being himself. Steve wished he could just exist without the fear of getting judged or trampled on. So, he worked his way up the high school ranks and became King Steve, someone everybody wanted to be or be with. None of it was true though, he was never a king. He was never any of the things they made him out to be, well except a douche. He was definitely a douche.

So now, two years after graduating high school, he had finally accepted that life was never going to be easy for him. He would never get to be his true self in front of everyone, he would never get to show the real Steve to all of Hawkins. He'd probably get beaten up or killed for it to be fair.

"Hey dingus" Robin's voice broke through his train of thought, "stop staring into space, we've got customers to attend to."

He shot her a glare before turning to the customer at the register who was returning some of the tapes she rented. His face softened when he saw the girl staring at him nervously.

"Sorry about that," he stated, "will you be renting anything else today, or just returning?"

The girl shrugged, twirling a piece of her blonde hair around her finger, "I haven't decided yet, I still have to have a look. Any suggestions?"

"Uh... Fire With Fire seems to be a hit right now, it's in the romance section"

"Are you into romance?" She asked in what he assumed was supposed to be a flirty voice.

He shrugged, "not really. I just watch whatever, but I've heard it's a good movie." He turned to Robin and smirked, "Rob and I are actually going to watch it together tonight."

A deep red blush covered the girl's cheeks at the thought of flirting with a taken man, "I'm so sorry, I have no idea."

Steve waved her off, "it's okay, happens to the best of us."

Robin scowled at him as the customer scurried away after deciding that she definitely wasn't going to rent Fire With Fire now. She thanked them and nearly ran out of the store.

"Really Steve. Using me as your repellant. Usually, you manage to get rid of the girls just be being yourself." she teased before going to the back and adding another strike under the 'You Suck' column.

Steve sat on the counter and watched her return from the break room, he wanted to tell her the truth, but he has been struggling to get the words out for the last year. It was scary being open like this, having someone know everything about you was terrifying and he didn't want it to change anything between them. She was his best friend and he loved her. He didn't want this stupid shit to come between them, he didn't want to lose the one person who understood him the best.

Losing Nancy was hard but losing Robin would probably kill him, she was his biggest support and he truly appreciated and cherished their friendship. What started out as a stupid crush on his coworker quickly turned into the most meaningful friendship he has ever had. The possibility of losing that scared him more than the monsters they faced over the last three years.

"Steve. Seriously what's up?" Robin spoke up again, a concerned look on her face, "you've been spacing out all day and you keep getting this look on your face that looks like you want to do something stupid and it's freaking me out. Are you okay? Is it Vecna? Is he still alive? Is it me? Oh god. Did I do something to make you hate me and now you want to quit your job and move away and never see me again. You've probably already packed to leave and now you're trying to think of a way to break it to m–"

"Robin, breathe. God. I'm not going anywhere" he cut her off, "I've just got a lot on my mind, and it doesn't have anything to do with Vecna or the upside down or any of that crazy shit. I'm just trying to figure out a few things."

She nodded "sorry. I got a little carried away."

They shared a laugh before going silent again, a comfortable air settling between them as they got back to work. It was a relatively quiet day in Family Video, so they didn't really do much and soon their shift came to an end and Steve got ready to lock up while Robin waited in his car.

"Hey Harrington, fancy seeing you here" he heard a familiar voice pipe up behind him.

"I work here Eddie" he said flatly.

Eddie tsked, "I'm well aware of that Stevie, I was just being courteous."

"Stevie?" He questioned.

He and Munson became kind of friends after the whole Upside Down incident. Watching Eddie nearly bleed to death made him realize that he came to like Eddie in the short time they spent together. He learnt a lot about the guy while running away from Vecna and the enraged townspeople who believed that Eddie was a satanic murderer.

The stakes were high but somehow Eddie always managed to inject humor into every situation to make it feel a lot less intense. He had a way of making people comfortable around him, of making them feel at ease. It was surprising yet welcomed at the time and watching him so close to death made the entire gang realize how much Eddie Munson truly meant to them.

He was one of them now, a part of the club, a trusted member. So, it wasn't weird for him to be here, speaking to Steve.

"Well Stevie, I figured since we escaped death together and kicked Vecna's tentacle ass we're basically friends now. There's nothing wrong with giving your friend a nickname now is there, Steve? "

Eddie had that wide eyed look on his face, the one that made Steve squirm in place, his stare was always intense. Steve felt as if he was staring into his soul, trying to unravel every dark secret locked up inside of him. Yet the casual smile on his face said the opposite, it contradicted his beady eyes in the best way possible. The perfect balance of intense and soft, which was exactly how Steve would describe Eddie.

He cleared his throat, trying his best to ignore the slight warmth in his cheeks, "uh. Sure. Yeah. Stevie... I like it"

Eddie chuckled at his flustered state, "I actually came by to invite you and Robin to a movie night at my place. Tomorrow at 7, don't be late Harrington."

Steve watched him walk off without waiting for a response, and while he tried to mill over everything Eddie said, he only managed to get stuck on the fact that Eddie referred to him as 'Harrington' again. He wasn't sure why it upset him that much, it was his surname after all, but after being called Stevie, hearing his last name out of Eddie's lips no longer sounded right.

He wanted to be called Stevie. He wanted Eddie to call him Stevie every day, because the way he said it made his stomach do the slightest flip. The way he drawled it out in that raspy voice of his, made it sound so much better than it would sound if anyone else said it. He wanted to be Eddie's Stevie.

That thought stumped him, because he had never thought of another guy like that. He never felt that happy to hear a guy give him a nickname. But to be fair, Eddie Munson wasn't just another guy. He was different. Special.

Tuesday came rolling around and Steve was on edge the entire day, he had hung out with Eddie before, but this somehow felt different. So much so that he was nervous and jittery the entire day and Robin teased him about it at every chance she got.

"It's just a movie, Steve, why are you freaking out?" She questioned, "We hung out with Eddie before, and you always enjoyed it. You know better than anyone else, that he's not what the town makes him out to be."

"I know that, Rob. That's not the issue, it's just different this time and I don't know how to explain it. Like it's been a year since all that crazy shit happened and I'm still adjusting to having Eddie around more."

"Do you not want to hang out with him anymore?" she moved around the store sorting tapes while they spoke.

"No!" he said louder than he meant to. "No... I like hanging out with Eddie, he's fun. It just feels different. I don't know how to explain it."

"Well, you have all the time in the world to figure it out. Now that the world isn't ending anymore you can think about whatever it is you're feeling and deal with it when you're ready."

He nodded; she was right. There was no rush to figure his stupid thoughts out, all he had to do was get through tonight. He was nervous for some reason and kept wondering who would be there, would Eddie have invited Nancy and Jonathan as well?

He didn't know if he wanted an answer to that question right now. Being unaware was a blessing in certain situations.

Steve stepped into Eddie's new trailer and settled down beside Robin, a smile plastered on his face as he turned to Nancy and Jonathan who were squeezed together on a love seat. The government helped clear Eddie's name and gave him and his uncle a brand-new trailer in a more reserved side of town. It was bigger and it was fully furnished so it quickly became their hang out when they wanted to escape reality for a bit.

Steve raised a brow at Robin when Vickie made her way into the trailer after them.

"Did you know she was coming?"

Robin leaned closer and whispered her response, "yeah. I invited her. Hope you don't mind?"

Steve shrugged, "of course I don't mind. I'm glad you finally upped your game, Rob." He teased.

"Shut up. You can't even get a date." She bit back, motioning for him to scoot over so Vickie could squeeze in the seat beside her.

Eddie came back into the room with beers for everyone and a few rolled up joints, he passed the beers around and sat next to Steve.

"Hope you don't mind our medicinal addition, it helps mellow us out a bit" he said to Vickie, a charming smile on his face.

Steve felt a tinge of jealousy shoot up within him when Vickie giggled and told him she didn't mind at all. It was stupid of him to get jealous over something that simple, but he managed to convince himself that he was only pissed because Eddie shouldn't be putting moves on Robin's date.

Eddie noticed the look on Steve's face, his brows all scrunched and the slightest pout to his lips. He looked adorable, like an angry kitten, Eddie wanted to kiss that stupid little pout away.

He always had a slight crush on Steve "The Hair" Harrington. Who didn't? Steve was hot, with his perfect hair, those big brown eyes, that amazingly toned body and that gorgeous smile that he flashed Eddie with whenever Eddie teased him too much. Steve was perfect and Eddie struggled daily to keep his feelings in check. He didn't want their blossoming friendship to fall apart simply because he couldn't keep it in his pants. Plus falling for straight men was a big no in the Munson doctrine so he had to stick to his rules and keep whatever playful banter they had going on extremely platonic.

Although a little teasing never hurt and seeing Steve blush was always worth it, so he leaned forward and whispered, "Is that jealousy I'm detecting? Wipe that pout off your face. Vickie's got nothing on you, big boy."

Steve felt his face heat up and bit back the smile that threatened to pull at his lips. His stomach did an entire back flip at the tone of Eddie's voice. The hairs on his neck stood up as his breath hit his skin. His entire body went rigid as the words big boy slipped out of Eddie's mouth again. This was the first time Eddie had said it since the upside down and somehow it felt more intense now, it felt different.

Eddie Munson would be the death of him and based off the smug smirk on his face, he definitely knew what he was doing.

• ♧ • ♧ • ♧ • ♧ • ♧ • ♧ • ♧ • ♧ • ♧ • ♧ •

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depressopax · 3 months

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La casa de papel NSFW alphabet

A = Aftercare (what they’re like after sex)

»» Part 2 || Part 3 || Part 4 ««

Pairing: Nairobi - Berlin - Denver - Tokyo - Professor - Alicia x gn!reader Genre: Smut, headcanons Warning(s): Sexual content, gender neutral reader Words: 900 Summary: What is aftercare like with the LCDP characters? English is not my main language, if I make any spelling mistakes please let me know so I can improve my writing! <3

Nairobi

I’ve said it before, and will say it again. AFTERCARE QUEEN <3

Very sweet and caring.

She sometimes tends to get a bit carried away when she has sex with you, so aftercare is something she prioritizes.

She’ll make sure you’re ok, praise you and make sure to tell you how well you did for her.

Her favorite aftercare is either cuddling or running a hot bath for you (and her)

She makes sure to clean you up and fix the bed

When fixing a bath - she makes sure to light some candles, dim the lights in the room and have the perfect temperature for your sore muscles.

She likes massaging your shoulders whilst whispering praise to you

Afterwards, she’ll bring you to bed again, making sure you’re comfortable and feel loved.

She likes having you sleeping naked in her arms, while she strokes your back and strokes your hair.

Crying shaking throwing up I NEED NAIROBI IN MY LIFE 😭

Berlin

Berlin may have two moods when having sex: - Slow and loving - Fast and hard

However, his aftercare is always the same.

As we know, Berlin is like a totally different person when he’s in love.

You realize so by how sweet he is with you during intimate times.

Whether he’s submissive or dominant in bed (he can do both 😽), he wants you to feel loved afterwards.

But he does enjoy being a tease too lmao

He’ll tell you how good you were, how much he enjoyed it and how amazing you look etc

…But Berlin also likes teasing you for your reactions, how “needy” you were, or simply brag about how amazing he is

Being an asshole aside…

After being reassured you’re ok, he helps you clean up

Gives you something to drink and offers you a bath or shower (he won’t let you do it alone tho)

Berlin worships you and your body, sexually or not. He just adores you.

But honestly? He is pretty lazy after sex.

He prefers to cuddle you whilst whispering praise to you

Sex makes him sleepy lmao

Besides, his favorite thing to do is have deep conversations with his lover, and have you resting on him naked.

He falls asleep pretty quick, and does so whilst spooning you.

Denver

I’m sorry, Denver simps - but this man is NOT good at aftercare.

He’s clueless AF after sex.

Of course he makes sure you’re ok and will kiss you, but more than that? No.

You’ll have to ask him for aftercare, and do so quickly before he falls asleep on you lmao 😭

But if you ask him, he’ll of course be more than happy to obey.

You’re a treasure to him, and he worships you and your body.

He’ll do his best, with praise, cuddles and offering to get you some water etc

But when it comes to aftercare FOR HIM?

He loves it.

Mans a switch, but I feel like he prefers being under you and receiving love and attention.

If you’re rough with him, he is needy afterwards and wants full attention.

Even though he’s not good at aftercare, he won't let you go to sleep without making you feel loved.

He falls asleep first, but does so while whispering “I love you”

Tokyo

Just like Denver, Tokyo tends to forget about aftercare lol

Unless she loves you deeply, she skips it.

…But she loves you, so she tries giving you good aftercare.

She brings you to the bathroom and helps you fix up a warm shower or bath, whichever you prefer.

She often ends up joining you, or takes the opportunity to fix a drink for the two of you.

Cuddling with Tokyo is almost as passionate as sex is.

She makes sure you feel like a royal when she cuddles and she praises you.

Telling you how well you did, how hot you are…

She either falls asleep fast, or stays up watching you sleep whilst slowly caressing you, thinking about how lucky she is to have you.

Professor

Homeboy is an overthinker 😭 (he’s so me)

“Was it good for you, too?”“Are you ok?”“I did make you cum, right?”“Did it hurt?”

You’ll need to reassure him everythings ok

He is very good at aftercare.

Sergio probably has read a lot about sex, to learn how to be the perfect lover lmao

And he is very attentive to your reactions etc

This way, he figures out what you like in bed, and what you enjoy for aftercare.

His personal favorite is massages.

He is very good at giving massages, and enjoys your reactions to them.

He makes sure to take the tension from your sore muscles and does so carefully - taking any discomfort or stress away.

He is not the guy to fall asleep afterwards, he wants to see you fall asleep first, so he can feel protective of you before he falls asleep as well.

Alicia

Call me down bad, but…

Alicia is a DOMME.

Usually rough with you when having sex

She sometimes tend to not be affectionate afterwards, or be a bit too arrogant/teasing

She cares about you, but sometimes simply forgets to take care of you after she’s done fucking.

You’ll probably have to remind her to give you aftercare

But when you do, she’s affectionate.

She’s very rewarding, especially after you’ve been good for her in bed.

Alicia spoils you with kisses, praise and makes sure to clean you up.

Fixes you a bath, shower, massage…Whatever you need.

Let’s be honest - you’ll probably be sore AF after she’s done with you, so she needs to take her time with you and make sure you’re ok.

If she’s stressed of frustrated from work, she definitely forgets aftercare

But otherwise, she drops the domme act and is very sweet with you.

She adores you and wants to show her love and tenderness.

Also... THE GIF?? I'M SCREAMING

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onwriting-hrarby · 1 year

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About the writing craft — Masterlist

Hello everyone! Since the followers on this tumblr have grown a little since I first started back in March, I've thought about doing a recap on the writing advice / craft posts I've done.

As you know, I am quite picky in calling in "writing advice", so these are much more meant to be like a "behind-the-scenes" "take-what-you-want" kind of posts.

[Disclaimer: the posts refer to a specific fanfiction, but they can be applied to anything—and I do apply them to original stories too)

PRE-PRODUCTION: Plotting, Inspiration, Ideas, Character design

About the fear before beginning to write a long story

Designing characters: The characters and the leitmotivs

On how I plot and divide the chapters

The foreshadowing series (Part 1 || Part 2 || Part 3 )

On endings—The Last Sentence

On inspiration

POST-PRODUCTION: Editing, rewriting

In killing your darlings when something doesn't work—and how necessary it is

On editing (from a real-life editor): The macro, the micro, an introduction to everyone

WRITING IN GENERAL

On why Nanowrimo doesn't work for me and what I do about it

On why I don't believe in "Writing advice"—and you should just read

On the difference between fiction and reality—and how people nowadays just confuse the tw

A writing year—in which I wanted to become famous, but didn't

If this is of any need to you, don't hesitate to save it or reblog it! I'm still writing about writing, but I thought there was no harm in doing a master list if anyone can find it interesting.

Also, do not hesitate to hit the ask box!

—hera

(pd: taggin @writeblrsupport in case they want to reblog for other writers!)

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o-writers-woes · 1 year

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#aspiring author #aspiring writer #author meme #wip #write #writer's block #writers #writing #writing meme #young adult #fanfiction #fanfic #ficwriting

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novlr · 1 year

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I need a word for horny but not in a sexual way more just like wanting kisses and hugs and affection or something

This is a great question! The best way to write about desire in a way that makes readers feel invested is to write around it.

Instead of using just a single word, use language that hints at something simmering below the surface. That way, you build tension for your readers, making them invested in the outcome of your characters' relationships. Here are some tips for how to write romantic desire in various ways (including some handy synonyms at the end as well).

Unconscious movements

Covert glances

Licking and biting lips

Mirroring the other's movements

Parting or crossing of legs

Touching one's own skin

Swallowing more than usual

Blinking rapidly

Short breaths

Playing with one's hair

Fidgeting

Leaning closer than usual

Internal feelings

A fluttering heartbeat

Comfort in the other's presence

Knots in your stomach

The sensation of other sounds being muffled

Nervous tingling

Short of breath

Hypersensitivity

Sudden weakness

Thumping pulse

Emotional overwhelm

Goosebumps

Behaviours

Surrounding oneself with reminders of the object of desire (like things that smell of them, or an object they hold dear)

Creating reasons to spend more time with the other person

Loss of inhibition

Impatience and irritability

Setting active goals to attain the object of desire

Conscious and subconscious fixation

Changing oneself to better suit the other's wants

Feigning other interests to promote jealousy

Showing resolved desire

Finally feeling personally fulfilled

A sense of calm and peace

A shift in focus from pursuit to personal happiness

Feelings of contentment

A change of life priorities

Feeling like an obstacle has been overcome

A more relaxed manner or expression

Personal and romantic growth

Showing unrequited desire

Pining for lost love

Frustration and anger

Bottling one's feelings

Living in denial

Feeling rejected

Falling into a personally damaging pattern of pining for the wrong people

Strained friendships

A sense of disconnection and isolation

Some handy synonyms

Craving

Longing

Yearning

Wanting

Hunger

Thirst

Covet

Infatuation

Obsession

Attraction

Passion

Fascination

Lust

Pining

Aching

Burning

Need

Love

Devotion

Rapture

Appetite

Frenzy

Frisky

Amorous (thank you, @quotidias, for the contribution!)

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taytjiefourie · 1 year

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Show Don't Tell: Anger

Greetings, lovely people! It's great to be back with another post in my 'Show Don't Tell' series! I hope you've all been doing well. Without further ado, let's dive right into today's topic: anger.

Anger is a powerful and complex emotion that can manifest in many ways. It can range from a mild irritation to a full-blown rage, and can be triggered by a variety of factors, including frustration, injustice, or hurt. While it's natural to want to avoid anger in our personal lives, it can actually be a useful tool when it comes to creative writing.

When it comes to writing, anger can add depth and complexity to characters and their interactions. By showing a character's anger, we can reveal their motivations, values, and flaws, and create a more dynamic and realistic portrayal of human emotion. Additionally, anger can create tension and conflict in a story, driving the plot forward and keeping readers engaged.

But hey, I'm not here to talk about the nitty-gritty of anger. I'm here to help you learn how to effectively show your character's anger in your writing! So let's dive right in, starting with the powerful tool of body language.

Clenched fists

Tightly crossed arms

Stiff or rigid posture

Facial expressions like frowning, scowling, or furrowing their brows

Pacing or restlessness

Grinding teeth or jaw clenching

Aggressive gestures like pointing or shaking a finger

Staring or glaring

Raised voice or shouting

Heavy breathing or sighing

Pounding a fist on a surface

Tightened or bulging neck muscles

Sweating or flushed skin

Looking away or avoiding eye contact

Physical violence, such as hitting or throwing objects

Tensing or flexing muscles

Clenching or unclenching fists repeatedly

Baring teeth or showing a snarl

Raising eyebrows or narrowing eyes

Rolling eyes or making sarcastic facial expressions

Biting or chewing on their lips

Tapping their foot or fingers impatiently

Leaning in aggressively or invading personal space

Hunching over or making themselves appear smaller

Using a monotone or clipped tone of voice

Holding their breath or exhaling loudly

Clapping hands sarcastically or making dismissive hand gestures

Making fists and shaking them at someone

Puffing up their chest or standing tall to appear more imposing

Stomping their feet or making loud footsteps.

Scrunching their nose or flaring nostrils

Puckering or twisting their mouth

Tugging or pulling at their hair or clothing

Crossing or uncrossing their legs or ankles abruptly

Bending or clenching their toes or curling their toes tightly

Bouncing or tapping their knee rapidly

Grinding or rubbing their hands together

Picking at their nails or skin

Covering their face or eyes with their hands

Throwing their head back in frustration or exasperation.

Raising or lowering their voice

Slamming things down too hard that they are carrying.

Pursing their lips and nodding.

Running their tongue on the inside of their cheek.

Stalking instead of walking

Scratching their head or neck vigorously

Pulling or tugging at their ears

Biting their tongue or inside of their cheek

Flinching or tensing up when someone approaches them

Nodding their head sharply or repeatedly

Squeezing or gripping an object tightly, such as a pen or a phone

Slamming doors or drawers

Puffing out their cheeks or blowing air out forcefully

Fidgeting or shifting their weight from foot to foot

Raising one or both eyebrows in surprise or anger.

Shrugging off someone's touch or pushing them away

Curling their lips or sneering

Tilting their head back and closing their eyes

Scrunching up their face in disgust or disapproval

Stomping their foot or kicking an object

Folding their arms tightly across their chest

Clutching their stomach or chest

Rubbing their hands together quickly

Stiffening their body or freezing in place

Turning their back on someone or walking away abruptly.

Making a fist and pressing it into their other hand

Running a hand through their hair in frustration

Holding their hand to their forehead or temple

Biting their lower lip or the inside of their cheek

Tensing their jaw and grinding their teeth

Clenching their fists behind their back or in their pockets

Tugging at their collar or tie

Staring daggers or giving someone a withering look

Curling their toes or flexing their feet

Drumming their fingers or tapping their nails on a surface.

Covering their mouth with their hand and closing their eyes.

Scratching or rubbing the back of their neck

Rubbing their eyes or face vigorously

Putting their hands on their hips and leaning forward

Standing up abruptly or pacing back and forth

Pushing a chair or other object out of the way

Clapping their hands sharply or slamming them on a surface

Breathing heavily or audibly

Hunching their shoulders or shrugging in frustration

There are so many ways to bring your character's anger to life in your writing, and your readers will feel it in their bones! Body language is just one tool in your arsenal, but there are plenty of others to explore. Next up, let's talk about sensory details. While there may be some overlap with body language, there are also unique ways to use sensory details to convey anger.

Sensory details are all about bringing your reader into your character's experience by describing what they feel, see, hear, taste, and smell. But it's not just about surface-level sensations; it's about capturing what your character feels on the inside too. Think about the way anger might make your character's heart race or their vision narrow, or the way it might leave a sour taste in their mouth or make them hyper-aware of certain smells.

Clenched teeth or jaw

Rapid heartbeat or pounding in the chest

Flushed or reddened face

Sweating or clammy skin

Heavy breathing or panting

Muscles tensing or knotting up

Twitching or trembling limbs

Ringing in the ears or muffled sounds

Vision tunneling or blurring

Sensitivity to light or sound

Tingling or numbness in the fingers or toes

Pounding or throbbing headache

Dry mouth or tightness in the throat

Stomach churning or nausea

Tingling or itching sensation on the skin

Increased sensitivity to smells or tastes

Loss of appetite or overeating

Difficulty concentrating or focusing

Racing thoughts or an inability to think straight

Feeling dizzy or lightheaded.

Tense or stiff neck and shoulders

Clammy or shaking hands

Uncontrollable shaking or shivering

Rapid speech or stuttering

Breathy or strained voice

High-pitched or shrill tone

Swelling or throbbing veins

Rapid blinking or eye twitching

Heavy or labored sighs

Chills or goosebumps

Rapid or irregular heartbeat

Flushed or blotchy skin

Pacing or restless movements

Increased energy or restlessness

Headache or pressure in the temples

Chest tightness or discomfort

Dry or sweaty palms

Fidgeting or tapping feet or fingers

Frowning or scowling

Clenching or grinding teeth.

Action is the next layer in showing your character's anger. It's all about capturing the choices they make and the way they interact with their surroundings and other characters while feeling that intense emotion. Maybe they lash out and say things they regret later, or they bottle up their anger and internalize it until it explodes. Maybe they turn to self-destructive behaviors like substance abuse or reckless driving, or they channel their anger into a creative outlet like writing or painting. Whatever actions your character takes, they can reveal a lot about their personality, values, and motivations, and help your readers connect with them on a deeper level.

Yelling or screaming

Throwing objects or slamming doors

Punching or hitting walls

Physically attacking someone

Storming out of a room or location

Refusing to engage in conversation

Passive-aggressive behavior

Giving the silent treatment

Ignoring or avoiding the source of their anger

Interrupting others or talking over them

Criticizing or belittling others

Blaming others for their problems

Making sarcastic or cutting remarks

Engaging in risky behavior or taking unnecessary risks

Excessive drinking or drug use

Engaging in self-harm or other destructive behaviors

Seeking revenge or planning retaliation

Seeking control or power over others

Using manipulation or coercion to get what they want

Betraying or sabotaging others

Withholding affection or love

Sarcasm

Eye-rolling

Mocking or imitating others

Giving ultimatums

Exaggerating or lying about their feelings or experiences

Making threats

Refusing to compromise

Refusing to listen or hear other perspectives.

Getting physically tense or rigid

Clenching their fists or teeth

Biting their nails or lips

Fidgeting or tapping their foot

Pacing back and forth

Making abrupt or sudden movements

Staring or glaring at someone

Crossing their arms or legs defensively

Scratching or rubbing their skin

Crying or showing signs of distress

Withdrawal or isolation from others

Demanding attention or validation from others

Disrupting the peace or harmony in a space or environment

Refusing to follow rules or guidelines

Engaging in arguments or fights with others

Becoming overly competitive or aggressive in their pursuits

Ignoring advice or guidance from others

Showing a lack of empathy or compassion towards others

Being overly critical or nitpicky

Refusing to apologize or take responsibility for their actions.

Exhibiting physical symptoms like sweating or shaking

Making demands or issuing commands to others

Engaging in reckless or dangerous behavior

Becoming overly defensive or argumentative

Engaging in self-destructive behavior or self-sabotage

Refusing to acknowledge or address the source of their anger

Blaming themselves for problems that are not their fault

Seeking out conflict or confrontation with others

Using passive-aggressive behavior to communicate their anger

Engaging in obsessive or compulsive behaviors

Struggling to focus or concentrate due to their anger

Engaging in self-soothing behaviors like rocking or pacing

Using humor to mask or downplay their anger

Becoming distant or disengaged from others.

Now, let's talk about setting. It's not just where your characters are, but how they react to it. This means the environment can be used to show off their anger or even help readers understand why they are feeling angry.

Secluding themselves in a quiet, isolated part of the environment

Moving quickly and aggressively through the environment

Becoming agitated or restless in a peaceful or serene environment

Ignoring or avoiding other characters in the environment

Intentionally damaging the environment or objects within it

Distancing themselves from others or backing away from objects in the environment

Taking actions that disrupt the peace or harmony of the environment, such as slamming doors or turning over tables

Focusing on negative aspects of the environment, such as dirt or clutter, and feeling anger towards those elements

Becoming fixated on a particular aspect of the environment and feeling anger towards anyone who interferes with it.

Avoiding eye contact with others in the environment

Making sarcastic or biting comments about the environment

Displaying impatience or frustration with slow-moving objects or people in the environment

Purposefully choosing a more hostile or uncomfortable location to match their angry emotional state

Remember how a bright, sunny day with chirping birds and fresh flowers can instantly put you in a happy mood? Well, the same goes for the location in your story. Even without a character present, scenery can influence the way readers perceive the mood. So, when it comes to anger, the location can be used to set the tone just as much as the character's actions and emotions.

Weather: Dark clouds, lightning, thunder, and heavy rain can create an ominous and angry atmosphere.

Time of Day: Nighttime or sunset can create a moody and angry atmosphere.

Location: A rundown or dangerous part of town can create a sense of anger or unease.

Objects: Broken or destroyed objects can indicate a character's anger and frustration.

Colors: Dark or vibrant colors like red or black can be used to create a sense of anger.

Noises: Loud, jarring noises like alarms or sirens can create a sense of anger and urgency.

Crowds: A crowded or noisy environment can be used to create feelings of anger or irritation.

Architecture: Cold or sterile environments like hospitals or government buildings can create a sense of anger and frustration.

Nature: A barren or lifeless landscape can create a sense of anger or despair.

Animals: Aggressive or hostile animals can be used to create a sense of danger and anger.

Now, let's talk about dialogue. There's nothing quite like a character yelling and cussing up a storm to show their anger, right? It's one of the most powerful ways to convey intense emotions through words. So, buckle up and get ready to explore the ways in which dialogue can be used to show anger in your writing!

Cursing and using expletives

Speaking loudly and aggressively

Interrupting others and speaking over them

Using sarcastic or mocking tones

Making threats or using violent language

Using short, sharp sentences or phrases

Speaking through gritted teeth or a clenched jaw

Insulting or belittling others

Using repetitive or redundant language

Refusing to engage in conversation or responding with silence.

Using rhetorical questions that are meant to convey frustration

Interrupting themselves mid-sentence with a burst of anger

Repeating a particular phrase or word to emphasize their anger

Using a dismissive tone to indicate irritation or impatience

Speaking with a tone that is icy or cold

Using a monotone voice to convey anger and frustration

Resorting to name-calling or insults

Being defensive or argumentative in their responses

Speaking rapidly and stumbling over their words in their anger

Using a confrontational or challenging tone to express anger.

And what comes after all of that? Well, my dear friend, when you've exhausted their words, body language, senses, and actions, what's left? That's when you dive into their mind and explore their point of view. You can write about their thoughts and inner dialogue to really capture the depth of their anger.

Negative thoughts about others or the situation

Self-criticism and frustration

Dwelling on past events that caused the anger

Increased cynicism and pessimism

A desire for revenge or justice

Difficulty concentrating or focusing on tasks

Racing or intrusive thoughts

A feeling of being overwhelmed or out of control

A sense of injustice or unfair treatment

Blaming others or external circumstances for their anger

Now we come to the last item on our list - metaphors and analogies. They are frequently used in writing to create colorful and vivid descriptions, and can also effectively convey a character's anger. However, it's important to be careful with their use, as readers can become annoyed if they are overused.

"Her anger burned like a wildfire, consuming everything in its path."

"He felt like a coiled snake, ready to strike at any moment."

"Her anger was a thunderstorm, building and brewing until it finally erupted."

"His anger was a ticking time bomb, ready to explode at any second."

"She felt like a volcano, with her anger bubbling just below the surface."

"His anger was a raging river, with powerful currents and dangerous undertows."

"She felt like a caged animal, trapped and helpless in her anger."

"His anger was a sharp sword, cutting through everything in its way."

"She felt like a stormy sea, with her anger churning like the waves."

"His anger was a blazing inferno, burning everything in its wake."

"His anger boiled like lava in a volcano, ready to erupt at any moment."

"Her words sliced through me like a knife, leaving me raw and bleeding with anger."

"He was a ticking time bomb, just waiting to explode with fury."

"Her temper was a wildfire, spreading quickly and uncontrollably."

"His rage was a storm, brewing and building until it unleashed with a violent outburst."

"She was a snake, coiled and ready to strike with venomous anger."

"His fury was a thunderous roar, shaking the very foundations of the earth."

"Her temper was a beast, wild and untamed, impossible to control."

"His anger was a whirlpool, pulling me down into its dark depths."

"She was a volcano, her anger a fiery eruption that left nothing but destruction in its wake."

Well, that's all for today's post. It's always bittersweet to say goodbye, but don't worry, I'll be back soon with more juicy writing tips! Before I go, I'd love to hear your thoughts on this post. Did you find it helpful? Did you learn something new? And more importantly, what other emotions do you want me to tackle next? Let me know in the comments below!

You can find plenty of these posts on my Tumblr, so be sure to check them out! or you can find a more organized version here!

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elizaellwrites · 1 year

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The logical side of me: There needs to be a rational explanation for everything that happens, whether it's realistic or not.

Chaotic side: Magic does magic things because magic.

#aspiring author #writeblr #writer #aspiring writer #writers on tumblr #writing community #writers of tumblr

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rhyaxxyn · 2 months

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𝐈𝐍𝐅𝐈𝐍𝐈𝐓𝐄 𝐓𝐀𝐍𝐆𝐄𝐍𝐓𝐒

"𝑻𝒆𝒍𝒍 𝒕𝒉𝒆 𝒌𝒊𝒏𝒈; 𝒕𝒉𝒆 𝒇𝒂𝒊𝒓 𝒘𝒓𝒐𝒖𝒈𝒉𝒕 𝒉𝒐𝒖𝒔𝒆 𝒉𝒂𝒔 𝒇𝒂𝒍𝒍𝒆𝒏. 𝑵𝒐 𝒔𝒉𝒆𝒍𝒕𝒆𝒓 𝒉𝒂𝒔 𝑨𝒑𝒐𝒍𝒍𝒐, 𝒏𝒐𝒓 𝒔𝒂𝒄𝒓𝒆𝒅 𝒍𝒂𝒖𝒓𝒆𝒍 𝒍𝒆𝒂𝒗𝒆𝒔. 𝑻𝒉𝒆 𝒇𝒐𝒖𝒏𝒕𝒂𝒊𝒏𝒔 𝒂𝒓𝒆 𝒏𝒐𝒘 𝒔𝒊𝒍𝒆𝒏𝒕; 𝒕𝒉𝒆 𝒗𝒐𝒊𝒄𝒆 𝒊𝒔 𝒔𝒕𝒊𝒍𝒍𝒆𝒅. 𝑰𝒕 𝒊𝒔 𝒇𝒊𝒏𝒊𝒔𝒉𝒆𝒅."

— 𝐓𝐡𝐞 𝐥𝐚𝐬𝐭 𝐎𝐫𝐚𝐜𝐥𝐞 𝐨𝐟 𝐃𝐞𝐥𝐩𝐡𝐢

𝐀𝐁𝐎𝐔𝐓

GENRE: New Adult (16-25) / Contemporary Fantasy SUB-GENRE: Romance / SciFi / Dystopian / Action POV: Third Person (Multi) / Past Tense THEMES/TROPES: War, Found Family, Heroism, Sacrifice, Power, Corruption, Enemies to Lovers, Bigotry, Forgotten Past, Faith, Dark VS. Light STATUS: Seeking Publication

𝐒𝐘𝐍𝐎𝐏𝐒𝐈𝐒:

In the wake of a god being mysteriously killed, the Nameless War has waged between the gods and humanity for fifty-eight years, killing that which is mortal and immortal, and creating constant battles for territory between the divine Creator military and the human Revolutionists. As hope for future peace between the species wanes, the fate of the war lands in unlikely hands. Pandora, a goddess, the lost creator, nameless and chained to the Earth because of duty, yet still running from her true power. Quinn, a god, the skijic and Creator High General, desperate for the memories of a life lost and the familiarity of a purple-eyed goddess. Natia, a girl, heiress to one of the Republic of Valentulus’s most powerful cities, and slave to the Revolutionist Snake General. Loyalties whither, fear awakens, and stories collide as the Nameless War reaches its tipping point. It is up to Pandora, Quinn, and Natia, each of them sworn against one another, to challenge the boundaries of their duties—and their pasts. The only thing that might change their opposing fates is the truth, but letting the past fly free could very well set the darkness loose. The fight between deities and humanity is made equal, and the fate of the universe unsure.

𝐂𝐇𝐀𝐑𝐀𝐂𝐓𝐄𝐑𝐒 - 𝐩𝐫𝐨𝐭𝐚𝐠𝐬

PANDORA: Goddess of Nothing, Governor of Domum Deorum, Creator of the Universe. Extremely skilled in both alchemic and physical combat; well versed in a number of chordophone instruments (piano, kaleiscian zarisk, violin); selfless and self sacrificing; compassionate, analytical, cultured, stubborn, witty. QUINN: God of Stars, High General of the Creator Military. Omne’s personal “lap dog” before his capture; good with any blade, has "shit aim"; short with those he doesn’t know/care about; protective, sarcastic, composed, knowledgeable, caring, prideful. NATIA GENESIS: Heiress of Genesis Point. Little Sparrow. Remarkably intelligent in regards to literature, strategy, and divine biology due to intense schooling; the Republic of Valentulus' most renowned deitologist; near non-existent family ties outside of the media; intelligent, kind, self-destructive, abrasive.

𝐂𝐇𝐀𝐑𝐀𝐂𝐓𝐄𝐑𝐒 - 𝐚𝐧𝐭𝐚𝐠𝐬

OPHELIA SERPENTINE – General of the Revolutionist Military Government. Although not a master of strategy like Natia, she is manipulative; willing to do any and everything to maintain her power; manipulative, emotionally intelligent, controlling, dedicated, knowledgeable, passionate. OMNE - Goddess of the Universe (Mind), Queen of the Gods. Like Ophelia, she is extremely manipulative in order to achieve her means, though she keeps them hard to distinguish; analytical, facetious, secretive, manipulative, humorous, rude.

𝐒𝐄𝐓𝐓𝐈𝐍𝐆

REPUBLIC OF VALENTULUS – Otherwise known as the R.O.V.; had once been the newly created nation in place of the United States in order to maintain control over the worsening relations between gods and humans. Unfortunately, much of it was destroyed after the beginning of the war, spare for the wealthiest districts and cities. DOMUM DEORUM - Heather’s city she built through the means of alchemy. Gods and humans live in unity here, under the leadership of Heather’s councils: Low Council (general citizens), High Council (divine and human district leaders), Master Alchemists (gods who have mastered the alchemic arts). For fifty-eight years Domum Deorum has existed in secret, though their efforts in the war remain influential. GENESIS POINT - A city with close ties to the Revolutionist military government. Mainly profits from scientific innovations, particularly thanks to Natia's efforts as a deitologist, and diplomatic advisors. As such, they are a major producer of both technology and weaponry. The city has been led by the Genesis family since its creation, Lukyn Genesis the most recent, with Natia Genesis as the next in line to inherit one of the R.O.V.'s most powerful governments.

(order of protags in the images above: Natia Genesis, Quinn, Pandora.)

Note: this is definitely one of several times i've introduced this particular book, but i'm so, so, so happy to do so. infinite tangents is the first book of many in the natural orders series, and i'm so excited to share with you all how far this story has come since i came up with it in 2014 (which is insane to me). hopefully, this story will be published soon... if i can work up the courage to email literary agents.

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