Today my therapist introduced me to a concept surrounding disability that she called "hLep".
Which is when you - in this case, you are a disabled person - ask someone for help ("I can't drink almond milk so can you get me some whole milk?", or "Please call Donna and ask her to pick up the car for me."), and they say yes, and then they do something that is not what you asked for but is what they think you should have asked for ("I know you said you wanted whole, but I got you skim milk because it's better for you!", "I didn't want to ruin Donna's day by asking her that, so I spent your money on an expensive towing service!") And then if you get annoyed at them for ignoring what you actually asked for - and often it has already happened repeatedly - they get angry because they "were just helping you! You should be grateful!!"
And my therapist pointed out that this is not "help", it's "hLep".
Sure, it looks like help; it kind of sounds like help too; and if it was adjusted just a little bit, it could be help. But it's not help. It's hLep.
At its best, it is patronizing and makes a person feel unvalued and un-listened-to. Always, it reinforces the false idea that disabled people can't be trusted with our own care. And at its worst, it results in disabled people losing our freedom and control over our lives, and also being unable to actually access what we need to survive.
So please, when a disabled person asks you for help on something, don't be a hLeper, be a helper! In other words: they know better than you what they need, and the best way you can honor the trust they've put in you is to believe that!
Also, I want to be very clear that the "getting angry at a disabled person's attempts to point out harmful behavior" part of this makes the whole thing WAY worse. Like it'd be one thing if my roommate bought me some passive-aggressive skim milk, but then they heard what I had to say, and they apologized and did better in the future - our relationship could bounce back from that. But it is very much another thing to have a crying shouting match with someone who is furious at you for saying something they did was ableist. Like, Christ, Jessica, remind me to never ask for your support ever again! You make me feel like if I asked you to call 911, you'd order a pizza because you know I'll feel better once I eat something!!
Edit: crediting my therapist by name with her permission - this term was coined by Nahime Aguirre Mtanous!
Edit again: I made an optional follow-up to this post after seeing the responses. Might help somebody. CW for me frankly talking about how dangerous hLep really is.
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DC xDP fanfic idea: One hell of a good Bellhop
Danny and Jazz Fenton get a chance of a lifetime after a whirlwind of dimension displacement. It's hard to explain how it happened. One minute, they were visiting Clockwork, having tea with their surrogate grandfather, and the next, they were being attacked by what appeared to be woolly mammoths standing on two legs and carrying weapons.
Clockwork had dispatch to take them head on- timeline pests he called them- but in the confusion Danny and Jazz were taken by suprised, stuffed into sacks and thrown through a whirlpool turned portal that spit them out in a new world.
They tried to call Clockwork for help, but it was as if though the Ghost Zone was blocked by some power. Danny at least still had his ghost powers and Jazz was equipped with the standard Fenton weapons on her person, but that wasn't much help when between the two of them they had sixty dollars and thirty four cents to their names.
Drivers' invalid licenses, phones that weren't connected to any service, and maybe worse of all, no actual identity to speak of.
The Fentons simply didn't exist in this world. Not even their four fathers. The two were at a loss on what to do- for about three months. Then they put their Fenton intelligence to use and hacked into a hotel.
It was a run-down place in the heart of downtown Gotham- the place that the portal shot them to was Metropolis. Still, people paid way too much attention to homeless minors there, so they had to move after dodging a weird underwear guy who kept trying to capture Danny. Apparently, he thought Danny was a "Kryptonian Clone". Fruitloop.
Jazz thought they were the only guests in the Hotel, which is why the owner was so happy to host them for weeks instead of a few days. He was a sweet old man named Charles who was far too old to work but couldn't afford the staff, so he did everything himself.
Jazz felt an awful pity seeing him sit at his counter, staring hopefully at the door for any new guests whenever she returned from her work. It was heartbreaking to see Charles' eyes dim whenever the closing time came, and once again, no one stopped by. At this point, he kept the hotel open in a sad, broken dream.
Where did she work? Danny didn't know, but Jazz made him swear she would handle their expenses. She kept a tight lip on her day, and since Danny had no documentation to go to school with, he found himself helping Charles with maintenance.
He has no license to do anything, but Danny has been installing electricity, water pipes, and anything in between since he was young. FentonWorks always needed something fixed, after all.
He even went out and "borrowed" some paint cans to give the old place a little touch-up. Charles' eyes watered when he saw.
"My wife and I meet at this hotel, you know," Charles tells him one day as Danny patches up some old bricks. He runs to find the old man, gently running his hand along the fireplace. A picture of two young people dancing in the Hotel Lobby—back when it was new and shiny—is hanging right over it. It's easy to see it's Charles and his late wife, Sally.
"Of course, that was back in the forties—a few years after the war and before Gotham was crime-infested. We always wanted to run this place together. We worked two jobs, and when we finally had enough, we bought it from the old owners when they announced they were closing down. We were so happy and ran it together for a year, but then she got sick. Really sick. I was told to give up on the Hotel when I lost her. No one saw a reason when it was obviously failing, but it's the last thing I have of her, you know?"
Danny's lips wobble. He thinks back to hours and hours of tracing the Fenton Works logo on all his new clothes. It looks stupid but, gosh its the last thing he has of his parents since they been sepreated too.
"Yeah" His voice catches "Yeah I know. Did you two ever have children?"
Charles shakes his head. "Salley couldn't have kids, and no matter how many times we applied, we were never approved for adoption. Then we were too old."
"I'm sorry Charles"
"That's alright, my boy." The man's smile is just as heartbreaking and sad as it is soft. "It's something I accepted long ago. "
Danny decided then and there that he would save this hotel if it was the last thing he did. Danny wasn't aware that his Ghost Powers launched onto that oath and sent out a flair, turning Gotham's Fog Lodge into his new haunt.
This meant that overnight, Danny's haunt was carefully bettering itself as a reflection of Danny's happiness. It made it look brand new among all the old and falling apart scenery.
No one knew why or how, but it looked just as Charles remembered it in the glory days.
Danny decided they couldn't compete with large chain hotels, so he made it an experience instead. He did Era events using his experience with the different parts of the Ghost Zone as references.
Soon Gotham was hearing of the Victorian Era Ball—a chance to dress up and dance the old ways with antique clothing of that period.
But Danny didn't stop there.
Disco parties. Nineties garage bands. Murder mysteries nights from the roaring twenties. Even the props were so realistic that people swore they stepped into the time from when arriving for their events.
People started calling, hoping to book in advance, and Charles burst into tears the first night Danny told them they ran out of rooms.
Since it was Danny's haunt, he could complete all the work by himself, having the hotel help him along the way. No one knew why or how, but somehow it was always clean, food was always prepared whenever someone needed it, and bags would be up into their rooms without actually seeing the Bellhop pass getting them at the door.
Not a single staff member in sight, either.
Charles suspected Danny was meta, and he was using his powers to be one hell of a good host. Everyone else thought the place was haunted by staff made entirly of ghosts, and that somehow made it more appealing.
Jazz's new boss thought it a little too good to be accurate, but he was so good at keeping records and organizing that he gave her the benefit of the doubt. After all, she did mention she had a meta brother she was desperately trying to protect.
If there was one thing Red Hood knew, it was that desperate people turned to crime the most. If he could keep someone like Jazz Fenton away from working with the nutjobs of Gotham, he would have been doing one thing better for the city.
As far as Jazz was aware, she was only an assistant/secretary to an obvious front masquerading as an insurance company, and if she pretended not to notice all the crime, she could feed Danny and help Charles.
Charles, for his part, never said it, but he thinks if he and Sally had been able to have grandchildren, they would have been exactly like Jazz and Danny.
He may have let it be implied at one point, and the misunderstanding spreads that he is their grandfather. None of the three make haste to correct it.
Gotham Fog Lodge starts to gain traction around the same time it captures the eye of one very intrigued billionaire. Bruce Wayne keeps an eye on the business but decided to let Jason make the call since the grandduaghter's owner works for him. '
Surely, he would step in if something malicious was going on.
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at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"
like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.
"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."
... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.
and i'd still keep writing.
i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.
i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley
"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"
and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.
it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.
you create because you're greedy.
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Bruh emotional support ghost kid? Well thats what they are calling him
Suicide cases in gothem are about to fucking plummet boiz cause this one weird blue eyes, black haired boy is now heading to your location.
How does he know where to be? Having a bad day and are all alone? No the fuck your not cause don’t turn around now but theres some shiny blue eyes coming at you from that dark ally. Oh shit hes here to drop some information about you and your lost loved ones that he should know. Oh god the closure. How could you have been afraid on this sweet, creepy, boy who just helped you find your way.
Meanwhile Danny is chillin in Gothem cause the GIW hate it there (none of they equipment actually functions in Gothem so it’s either super haunted or actually not haunted at all). Then all of a sudden he gets approached by a random ghost begging for his help because their sweet baby girl is about to do something horrible. Oops now all the ghosts are following their most loved ones around just to make sure they are there to rush to Danny for help when all else fails. Now hes getting to fulfil his protection obsession double time because one hes helping protect people from themselves and two hes protecting everyone in Gothem by stopping people from becoming villains for revenge. Plus he gets to see first hand how hes making a difference because all those people he saved are sending him some good vibes from all across Gothem.
Thank god he followed Jazz around so much to slightly absorb some of her phycology knowledge over the years. Plus it was actually pretty interesting so she gave him her old text books. Shes also helping him deal with the rare events where he can’t save someone. Just a moment too late or he stops them but they later succeeded in the hospital. Neither are his fault. Now only if he could convince his core of that.
Anyway why Gothem you ask? Amity Park would have been just as good tbh but imagine Batmans face when he finally gets to be face to face with the emotional support ghost boy. Why is he here? Bruce is fine. Batman is fine. Hes not gonna do anything crazy. It’s just a hard time of year. Around their death always gives him grief. But hes an adult and can manage it.
“You know they are so proud of you.” The boy states. As if it’s clear as day, even though it’s Gothem and never a clear day. Batman blinks at him, stunned for a moment. “What?” This boy can’t possibly know that. No one will ever know that, Bruce can only hope. “They see their home, full of such life. That big house that felt so empty, so cold, to them as well for years. Then you filled it with Family and Love like they had always wanted for you. They are so proud of what you have turned it into. Somewhere full of life and warmth.” A small smile graces his face as finally “you have made your parents so proud” and its all he can do to contain himself. Emotions are running high and sue him because he really did need to hear that ok. The boy suddenly looks to Bruces right with a confused face “aren’t all basements like that though?” Before Bruce can even get a word in hes gone. Just vanished before his eyes.
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