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#also this time I actually have a reason!!!
egophiliac · 13 hours
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finally got some time to finish these guys up! which is sort of ironic considering I started these because I wanted to draw Malleus with a Dragapult, and then I just didn't for a million years!
Malleus has the aforementioned Dragapult, except it's a super special non-canon color Dragapult (like an anime-only form that you could get in-game exclusively through some limited-time event where you have to show up in-person at a specific location in Japan) (it has some wacky overpowered exclusive move/form and the OT is listed as Malleus) (so like that kind of ridiculous specialness) (Leona is extremely salty about this). also hoards and hoards of Dreepy. Dreepy LOVE Malleus. they take naps on his horns inbetween begging him to throw them across the island at mach speeds.
Lilia has a Drampa and a bunch of Woobat that he hasn't actually caught, they just follow him around in swarms because they sense a kinship with him. (also breaking my own rule again to say that he had a Mawile in the past, because...I just really wanted to give him a Mawile...)
Sebek has Sandile for obvious reasons, and also a Pikachu that bullies him relentlessly. :(
Silver has a shiny Corvisquire; I really went back-and-forth on also giving him an Aegislash, but...hm. those pokedex entries though. he can stick with just one for now.
(I hadn't planned on the shiny for him, but after I'd decided on the Corvisquire line and was looking it up for reference, I realized that shiny Rookidee is gold and then turns silver when it evolves and I lost my entire goddamn mind)
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fucktoyfelix · 2 days
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Choking Safety
I've been seeing some kind of scare-mongering type posts going around about choking during sex, so I wanted to address how to approach choking in a safe way. Choking is not a 0 risk activity, but it is also not so dangerous that you will just randomly die either. Anyone who does martial arts will confirm that thousands of teenagers are being successfully trained to choke each other safely (for self defense) every day! There's no reason you can't learn to do it too.
First you should be familiar with some basic anatomy of the neck and throat:
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The carotid veins on both sides of the neck and the trachea/windpipe in the center are the most important things to be aware of. If you want to enjoy the psychological element of having someone's hands around your neck with relatively little risk, you can do "choking" play that avoids putting any pressure on those arteries or the trachea. As with all choking play, safety is highest when both parties are fully sober. I'm not actually sure if there are people out there who are into having the windpipe or trachea blocked. This tends to hurt like fuck and cause an autonomic choking response. You'll know if you went too far center because generally the bottom will be like "WTH". I don't know if there is a way to do this play safely or not as I don't have experience with it. It probably carries some risk of the trachea collapsing which would be a hospital trip for sure. Most choking play is done with the intention of cutting off the blood supply to the brain by applying pressure to both the left and right carotid arteries. This type of choking is not really "breath play" because of the way it works (though many people refer to it that way.) This creates a pleasant light headed feeling, but is also where the higher risk comes in. It often doesn't take long for a person to lose consciousness once these arteries are blocked, often less than 10 seconds. Sometimes getting completely choked out is the goal, sometimes not. Either way, the top has to pay very very careful attention to every aspect of their bottom's body language. Once you realize that a person has lost consciousness, the choking must stop immediately. Because of this: the most dangerous way to do this kind of play is alone. (hence all the auto-erotic asphyxiation deaths you hear about) It goes without saying that intoxication also dramatically increases the risks. It's not recommended to lose consciousness this way on a regular basis. It's just not good for your brain to repeatedly go through, especially in rapid succession. Generally, the more time spaced out between this type of play: the better. Though some people may have medical conditions that make the risk higher, as long as you stop choking when you reach the desired headspace, this play is approachable. Anyone who's REALLY into the idea but feels unsure or scared, I highly recommend taking a few martial arts classes. MMA guys do this to each other all the time! For sports! The key is just stopping at the right time. There are two main ways to go about blocking the carotid arteries. The main one used in martial arts and self defense is the rear naked choke.
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This type of choke is incredible effective at choking someone out quickly and easily. The forearm and the bicep are squeezing each artery until the desired effect is achieved. The risk here is how quickly it works in combination with not being able to have a visual on your bottom's facial response. When someone loses consciousness they will go limp and begin twitching somewhat. This is normal, and you should stop immediately if you notice those signs. The more common method of choking play during sex is what looks more like typical choking. Facing your partner, using both hands.
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You want to find the arteries with both hands, and use the meat at the base of your thumbs to apply gradually increasing pressure upwards towards your partner's head. You can keep the thumbs tucked to avoid accidental pressure on the windpipe. (Though this is not required so long as you remember not to apply pressure to the windpipe.) This type of play has a few safety benefits. First, you can see your partner's face so it's more obvious when you can see they've hit a headspace that is desirable. Additionally, it's just a little more difficult to find the arteries and push up on them correctly. If your goal is to get a little light headed without losing consciousness, this is more easily accomplished with this type of choke. However, losing consciousness is still a risk and both partners being fully alert will ensure the lowest risk environment. I know choking play is incredibly popular, even 'vanilla' people participate in this type of play on a regular basis without really knowing the technical details. Most of them don't get seriously hurt...but knowing what you're actually doing with risky play is a base component of risk aware consensual kink. Anyway I hope people find this helpful! Happy choking!!
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yinyuedijun · 2 days
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translation
Aventurine doesn't like being understood, but he does like understanding other people. It is essential for manipulation, for scheming, for control. And he likes controlling you especially—for keeping you close but your heart a comfortable distance away, for opening your legs when he wants the pleasure of your body, for playing your emotions however he needs. And the day will come when that skill will be invaluable—the day when he must die without shattering you. (Or: You are the only person in the universe who understands Aventurine in his mother tongue. He often regrets teaching it to you.)
5k words. gender neutral reader, established relationship, angst, non-graphic sex (reader bottoms, anatomy neutral), themes of cultural loss, references to slavery, aventurine’s canonically implied desire to die. MDNI.
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Aventurine cannot lie in Avgin.
Deception does not come easily to him in his mother tongue. His command of it is too weak—and too kind. The universe was a different place in the days when his life was coloured by the warble of Avgin dialect. It felt simpler, partly because he was a child and partly because Sigonia was yet untouched by outsiders. There were no corporations, no casinos, no commodity codes. His entire world was sand, desert, mother, sister, father (or more often—ghost), goddess, tent, wagon, luck, sin, rain, blessing, Avgin.
Katican.
Aventurine is sure that he knew more than just those words. He was fluent as a child. He had conversations with his sister that were complex enough to make his heart hurt, though perhaps his heart was just constantly aching anyway. But the rest of his early words escapes him. He could maybe dredge them up if he thinks long enough, but he also isn't sure if his tongue and lips could form the shape of them anymore. Sometimes he still counts in Avgin, memorises phone numbers in it, but he doesn’t remember the last time he actually strung together a full sentence in the language.
When Aventurine was first stolen into slavery (a word that he had not known as a child, and still doesn't know in Avgin), he wasn’t given a Synesthesia Beacon. He had to rely on his ears and his wits, deciphering the harsh edges of the Katican dialect and then the strange garble of Interastral Standard Language. By the time he had a Beacon installed, it was already translating all speech into Standard—his dominant language.
Sometimes he feels a little aggrieved by it, but at least it wasn't Katican. He'd have blown out his brains if it were.
But it is easy to console himself: Avgin is not a useful language anyway. Dead languages have no value, and the Avgin dialect was killed along with its people. You can’t perform commerce in a dead language, can't negotiate contracts, can't enter a gambling den and use your silver tongue to rob people blind. You can't use a dead language to fell governments and extract resources; you can't use a dead language to bring an entire planet to its knees. You can’t use a dead language to gamble your life; you can't use it to save yourself from the gallows.
You cannot deceive people in a language that is defined by sand, sister, goddess, ghost.
Aventurine cannot lie in Avgin. His command of it is too weak, and there is no one left to which he can lie, anyway.
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When you ask Aventurine to teach you his first language, he gives you an amused look.
“Why Avgin?” he asks. “No one speaks it anymore. I can teach you Common Sigonian if you’d like. Or we could learn Xianzhounese together. Maybe Intellitron code? I know a little.”
“You speak Avgin,” you argue.
“Not often,” he says. “And badly when I do.”
“But it's still your language. And I want to understand you.”
Aventurine has to stop himself from laughing. Understand him? He hates being understood. When people understand him, it makes him predictable. And unlikeable. Hardly a position from which he can manipulate people in.
You understand him well enough to know that.
“You'll have to give me a better reason than that,” he says neatly. “Make it worth my while. Reward me.”
You look at him as you ponder, your eyes lingering on his. Perhaps trying to read him, though he prefers to think you're just enjoying the sight of them.
“I’ll teach you my language as well?”
“You mean—you'll reward my hard labour with more work?” he says, lighthearted.
You frown at him despite the joke. “You don't want to understand me better than what a Synesthesia Beacon would allow?” He blinks, pausing. “It’ll be convenient too. We can talk shit about other people in public and no one will understand us.”
Aventurine considers you. He doesn't like being understood, but he does like understanding other people. It is essential for manipulation, for scheming, for control. And he likes controlling you especially—for keeping you close but your heart a comfortable distance away, for opening your legs when he wants the pleasure of your body, for playing your emotions however he needs. And the day will come when that skill will be invaluable—the day when he must die without shattering you.
He also likes the idea of talking shit in public.
“I'm listening,” he says, voice lilting. You lean in, smiling. Sweet. It makes his heart feel something he isn't used to. Something addictive. Something disgusting. He scrambles to cover it with one of the usual tools: humour or distraction or maybe just plain old lying—his most reliable weapon.
“I'll throw in a kiss?” you try.
He hums. “Just one?”
“One per day.”
“Three.”
“You drive a hard bargain.”
“Well, I am a businessman.”
You snort, but he knows you're endeared. You have very noticeable tells when you’re flustered.
“Okay,” you say. “Three kisses on days you teach me.”
“Deal.”
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Aventurine remembers more Avgin than he thought he would.
It comes to him slowly, painstakingly. You aren't interested in structured lessons, and he wouldn't be able to provide them anyway. He has a nonexistent grasp of grammar aside from this sounds right and that sounds strange, and Avgin dialect is both so niche and so dead that no textbooks are available. The scholars have abandoned the language as much as the politicians abandoned its people. Aventurine only has you, his fragmented memory, and whatever questions come to mind as you live out your days with him.
Mostly, you ask him about basic vocabulary. Sometimes you ask him to repeat sentences from your conversations in Avgin, like he’s some kind of multilingual parrot. Each prompt forces him to wade through the fog in his mind, the one that’s been shrouding his childhood memories until now. He's startled at how naturally the old words roll off his tongue: One, two, three, four. Good morning. Good evening. Good night. Sweet dreams. Five, six, seven, eight. You're lying to me. Why do you always lie to me? I don't know what you're talking about. Nine, ten, eleven, twelve. Welcome home. Have you eaten? Have some bread. I made you stew. Twenty, thirty, forty, fifty. That was dangerous. I thought you wouldn't make it back to me. Sometimes I think you want to die. One hundred, one thousand, one million, one billion. I'm sorry. Come here. Let me kiss you. Don't cry. Don't cry. Don't cry.
When you say, How do I ask you to let me hold you, he answers easily. He'd heard the words so often as a child: Let me hold you, Kakavasha. Let Mama hold you. His mouth forms the sounds without conscious thought.
He regrets it almost immediately.
When Aventurine hears it from you—stilted, halting, but no less gentle—he stops breathing. Let me hold you. You say it all the time in Standard, but it feels different in Avgin. More painful. A strange sense of panic closes in on him when he's wrapped up in you, thinking in Avgin, thinking sand, sister, goddess, ghost. He holds you tightly, like the rags cut from his father’s shirt, or his mother’s locket won back from the shell-slashers, or a bag of poker chips beneath a card table, clutched within his trembling grip.
“Aventurine, is something wrong?” you ask in Avgin, and he replies in Standard with his usual smile.
“Hm? No. What could be wrong if I have you here?”
Lying is one of his greatest tools. Sex is another one. So he says, “I think I'd like my reward now,” and he runs his lips along your jaw, your pulse, the spot over your heart (there's a word for that in Avgin but not Standard, he tells you), until you're laughing. I thought you wanted three kisses, you tease, and he replies, Who said I wanted to kiss you on the mouth?
But he coaxes open your thighs, and once he's inside you, he collects his payment properly. He kisses you, and kisses you, and kisses you—and you swallow his lies whole.
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There are some things that Aventurine doesn't teach you. Mostly, they’re things that he can’t teach you.
There are countless gaps in his Avgin. His speech is painfully childish—probably more childish than it was when he actually stopped speaking it. He doesn't know how to swear (something that disappoints you) and he doesn't know how to flirt (something that devastates you). He doesn’t know any words that would be useful for work either: commercialization, governance, stakes, winnings, profit. When you ask him what his job title is in Avgin (“Was senior management even a thing in Avgin society?”), he laughs and gives you the word for gambler.
Then there are the words that he remembers—has remembered his whole life—but never says. Not to you, and not to himself. He doesn't teach you any prayers. He doesn't teach you any blessings. He doesn't teach you about Mama Fenge, or the Kakava Festival, or how the rain fell when he was born. When you ask him, What holidays did you celebrate when you were little? he shrugs and says, We didn't have any. Sigonia’s too bleak to do any partying.
Then you ask him one day, while your bodies are spent in the afterglow of sex, sticky with sweat and sweetness, how to say I love you. And he goes quiet.
Love is a cheap word in Interastral Standard. In the language of globalisation and trade, love has been commercialised, commodified, capitalised for power. You say it to him in many contexts: I love this, I love that, I love you. He hardly ever reacts, and he's never said it back. It would feel unnecessary and also cruel if he did: Aventurine has only ever said the words himself as either a joke or a manipulation.
But love feels different in Avgin than in Interastral Standard, doesn't sound like a thing that can be traded or bought. Kakavasha only ever said the word love to his mother, to his sister, to his father's grave. Love in his mother tongue feels priceless.
When Aventurine thinks about you saying it—I love you, Kakavasha, in clumsy, earnest Avgin—something so painful swells in his throat that he can hardly breathe.
“There is no word for love in my language,” he tells you.
You blink. “Okay, then what's an idiom for it?”
“There is none. There’s no word or phrase expressing love.”
You raise a brow. “That’s hard to believe.”
“Is it?” He smiles. “There’s no Avgin in the known universe who cares about love. Only scheming, thieving, and treachery—and you can't do those things when love is involved.”
You look at him in alarm. “Why are you saying that?” You're practically squirming in your discomfort. “I don't know why you think I'd believe such a racist stereotype.”
“It’s not a stereotype,” he says. “I'm not talking about the Avgin culture. I'm talking about myself.”
After all, he is the only Avgin left.
It is an unfair thing to say. A cruel thing to say. After all the laughing and kissing and crying and fucking, after all the tender eyes and gentle words from you—it is probably the worst pain imaginable: I don't give a shit about you. He waits for you to cry.
But you only stare at him calmly, studying him. You brush the hair out of his eyes, seeing them clearly.
“If you lie to me all the time,” you say in Avgin, “eventually I'll stop believing anything you say.”
Aventurine is speechless. His heart does that addictive, disgusting thing again. He thinks about leaving, but then you say, Let me hold you, and he can't do anything other than obey.
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Avgin dialect was once included in the Synesthesia Beacon list of functions. The Intelligentsia Guild added it before the Second Katica-Avgin Extinction Event, when the IPC was trying to get a political foothold on Sigonia via the Avgin people. The language was alive then, with enough value to be included into the Synesthesia LLM by the linguists.
But since the Extinction Event—since Kakavasha ran away from home—the Synesthesia data on Avgin has been stagnant, a fossil. Aventurine knows because he's subscribed to software updates for certain languages (Avgin Sigonian, Common Sigonian, Interastral Standard, and now your mother tongue). He gets pinged every time there's a new addition for slang, for neologisms—but there hasn't been a ping for the Avgin dialect since he had the Beacon installed. The live translation function hasn't even been available since the previous Amber Era. When he checks its page on his Synesthesia app, it's very clear why—
SIGONIAN, AVGIN DIALECT SPEAKERS: 0 STATUS: Extinct END OF SERVICE: 2156 AE
The complete death of the language has led to an irritating dilemma for you and Aventurine. You keep running into words that he doesn't know—this time not because of his childlike speech, but because they never existed in his language to begin with. Ocean, tropical, rainforest. Starskiff, accelerator, space fleet. Stock market, shortselling, mutual funds. Black hole, event horizon, spaghettification. All things that never came up for Kakavasha, but now come up for Aventurine, and the language has not evolved to include it.
He always wants to switch to Standard to discuss these things, but you're insistent on speaking in Avgin as much as possible. He doesn't know why, but he doesn't mind humouring you—partly because he likes to indulge you, and partly because he’s grown used to hearing the honeyed timbre of Avgin dialect in your household. The place would feel strange without it.
So you start filling the gaps with other languages, filtering them through the lyricism of Avgin. Loanwords, he thinks they’re called. You take ocean, tropical, rainforest from Amazian; starskiff, accelerator, space fleet from Xianzhounese; stock market, shortselling, mutual funds from Interastral Standard. For the astrophysics terms, you try directly translating them��with limited success.
“Can't I literally just say ‘black hole’?” you ask in Avgin, and he nearly spits out his coffee.
“Please don't. That's a dirty word.” He can't bring himself to say what it means, but from the way you’re laughing, you can clearly guess.
“I thought you said you didn't know how to swear.”
“You've just reminded me how.”
“You're welcome.” You look on the verge of cackling. Aventurine finishes his coffee and wonders when you're going to surprise him with your newfound vulgarity.
“Let's just do the space terms based on Standard,” he says. Begs.
“No, that's so boring.”
“Then let's do your language.”
You open your mouth. Close it. Give him a blank look.
“You don't know how to say those words in your mother tongue either, do you,” he intuits.
“Well, ‘spaghettification’ doesn't really come up in everyday conversation, does it?”
“Then maybe we don't need it.” He smiles, senses an opportunity. Smells blood. “How about ‘love’? I'd much rather know how you say that. I bet it sounds beautiful.”
You give him a long look. Your eyes are vulnerable when you share it: Love. I love you. He’s fascinated by the sound of it. Your voice is never that fragile when you say it in Standard. It's never so earnest. He repeats it, staring at you, and your gaze falls to the ground. His mouth curls.
“I like it,” he says. “Let's use that. It'll sound nice in Avgin.”
You try to recover. “Sure. That works. But back to ‘black hole’—”
And the two of you continue like that for days, weeks, months. It feels like a complete bastardization of his mother tongue on some days, in some conversations. Almost unrecognisable. But it doesn't feel bad. It’s all he has, it's all you have, and when he walks into your home, he starts speaking it without thinking: your bastard, patchwork language. The Avgin dialect that exists only in your house. A tongue that can only be understood by a liar.
And then, one lazy Sunday morning, he gets a familiar ping. He expects it to be Interastral Standard, as usual. The language balloons with each planet that the IPC colonises.
But instead, he opens his screen and freezes.
SIGONIAN, AVGIN DIALECT SPEAKERS: 2 STATUS: Endangered. SERVICE RESUMED: 2157 AE NEW UPDATES: 103 loanwords and 5 neologisms added.
He can't stop looking at the status. Endangered. Endangered, which means dying, but alive. The Avgin dialect is alive again. The Intelligentsia Guild determined it, so it must be true. But Aventurine can't agree: there are no Avgin speakers in the known universe other than the two of you, and what you speak isn't real Avgin. The Avgin spoken by his mother and father and sister is dead; the Avgin spoken by Kakavasha is dead. The festivals are gone; the deserts have been terraformed. There are no wagons; there are no dances; there are no prayers. There are no blessings, and he has no home—
As long as you are alive, the blood of the Avgin will never run dry.
His throat locks up.
“Aventurine?” you ask. Your voice is drowsy, but concerned. “Is something wrong?”
He looks at you from his phone, a polished smile on his face.
“No.” His syllables are plain and efficient in the noise of Interastral Standard: “Just looking at details for a new assignment. It’ll be a long one.”
“Oh.” You frown. “Will you be away from home for a long time, then?”
He stops himself from swallowing. “Yes, I'll be away from the house. For several months, probably.”
“Okay.” Your voice is small. “Take care of yourself, okay? I'll miss you.”
Each word you speak resonates with heartbreak. It always does in these conversations, even in Standard—but the sorrow is amplified in Avgin. His mother tongue has an inherently sad quality to it, he's noticed. His people have lost so much over their history—their language is one of loss. It's his language of loss. Kakavasha did all his grieving in Avgin; Aventurine has never felt sorrow in Standard. When the language died, so did Kakavasha—and all his regrets with it.
“You'll come home to me, right?” you ask. It's a beautiful sentence in Avgin. A heartrending one. He feels something that he hasn't known since he was a child.
It's a feeling he has to kill.
“Yes,” he says in Standard. “Of course I'll come back.”
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This is not the first time that Aventurine has been mistaken for dead, but this is the longest time.
The latest world to join the IPC network was a tough acquisition. It had been ruled by a despot who wreaked havoc on both the people and the planet, and who was too stupid and reckless to resolve conflicts with his trade partners. He probably would have blown up the whole star system had he been left to his own devices. Aventurine had no qualms about bringing him to ruin, nor did he have qualms about nearly dying in the process.
If things had gone his way, he'd either be dead or missing. This would have been the perfect opportunity to do the latter, actually—to be freed from the IPC. Free to drift alone, speaking with strangers in strange, unfamiliar tongues. No connection to his past, to the cruel history of his luck, to his commodity code. No tether to his inherently unjust destiny. But instead he's back in your house, pockets heavy with his borrowed wealth, speaking to you in his bastardised, childish Avgin. I'm sorry. Come here. Let me kiss you. Don't cry. Don't cry. Don't cry.
Your Avgin is—shockingly fluent. He doesn't know how. He can't think about it right now. All he can process is the wounded animal noise of your speech as you yell at him, as you cry. Like an injured songbird, or a weeping child. Why did you leave, why did you lie, why do you always lie to me, why don't you give a shit about me, you spit. Why do you want to die, why do you want to die, why do you want to die, you keep saying. Sand, sister, goddess, ghost, he keeps hearing. Sand, sister, goddess, ghost. Don't leave me, big sister. People will die. Why do you have to go?
“I’m sorry,” he tries again, this time in your language. “I'm so sorry. Come here. Let me hold you.”
You collapse into your mother tongue. Aventurine is both relieved and horrified. Relieved that he doesn't need to hear the language of his grief—horrified that he needs to hear yours. He's never heard you cry like this. He's never heard you break like this. These must have been the words you used when the soldiers found you hiding in your closet, when they dragged you out of your home. You were just a child.
Aventurine doesn't know the words you are using—you've never taught them—but he still understands them.
You're very malleable when you’re sad; even more so when you're hysterical. Aventurine understands this about you, and he understands how to calm you—this time in your native tongue—and he understands how to kiss you. He understands that you need to feel close to him. He understands that there are ways to accomplish this other than sex. A normal person would talk it out, have an honest conversation, come to a mutual understanding, and maybe even stop trying to kill himself. They wouldn't fuck you into the mattress while your face is still wet with tears.
But Aventurine is not a normal person. He doesn't know how to have an honest conversation, and he doesn't want to be understood. Lying is his greatest weapon, and sex is a close second. So he kisses you until you’re too breathless to cry, fucks you until you can't think, and makes you come so hard that you’re in too much bliss to grieve. And maybe it's horrible of him, but he enjoys it. He enjoys the way your body takes him in so easily, the way your nails dig into his back, the way you tighten around him when you climax, so wet and needy for him. The way you beg for him in your language for liars as he spends himself inside you: I love you, Aventurine, I love you, I love you, I love you—
Only because it feels good. This is all only because he enjoys fucking you. This is all only because you enjoy fucking him. This is all it'll ever be, and it'll be this way until he gets to meet his end.
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(Some months ago, Aventurine started dreaming in Avgin.
It surprised him when he first noticed it. The last time he remembers having a dream in his native tongue, he was twelve years old and still in chains. And even then, it had become a sporadic, strange thing. Awful to wake up from. One minute he was with his mother and sister on a cool, rainy day, speaking fluently in Avgin as he laughed and played—and the next minute, he was being shaken awake in his cage, hearing the cruel lash of Katican.
But ever since he's started speaking Avgin with you, he's been dreaming in it. Vividly. Sometimes he's a child in these dreams, and sometimes he's grown. He's always back in the Sigonian desert, among the tents and the campfires and his family wagons. His mother and sister are alive. Sometimes his father is too. The skies roar with thunder and the stellar winds are always harsh, but they always keep him cocooned up in their arms. He's always warm.
Sometimes Aventurine dreams of nicer days. Clear skies, warm sun, cool breeze—all blessings from the Mother Goddess. On these days, he tends to be an adult, and you tend to be there with him. Your Avgin is fluent but strange, filled with funny loanwords and peculiar slang. His father likes the neologisms and starts using them—but only in wrong ways. His sister finds it embarrassing and keeps apologising to you.
His mother loves you. She loves you so much it hurts. This is how I know you're blessed, Kakavasha, she says, glowing. You’re so lucky to have found such a kind person.
Kakavasha knows this. He knows he's lucky, and in his dreams, that isn't a bad thing. In his dreams, his luck means that his home is not violently excised from his heart: his father never dies; his mother never dies; his sister never dies. The tents are not burned; the wagons are not destroyed. He is never forced to forget his people's dishes, their songs, their language, their joy. And in his dreams, his luck means that he meets you anyway, without all the loss and the chains and the lying.
In his dreams, he is able to bring you to the desert. He is able to teach you the Avgin he spoke as a child, to cook all the meals his mother used to make, to share with you their coffee and their tea. He teaches you prayers. He teaches you blessings. He tells you about Mama Fenge, about how the rain fell when he was born. He takes you to the Kakava Festival, shows you how to dance, sings to you all the Avgin songs until you're singing back. He presses his palm to yours in prayer; he kisses you in devotion, not avoidance.
Sometimes the two of you still fight, the same fights that you have in real life, but he handles them with honesty. He listens to you. He apologises to you. He tells you that he’ll change, and he means it—because this world is a kind one, and he has no need to be so cruel to you.
In this kind world, when you lay in bed with his arms tight around you, you smile at him and say, I love you, Kakavasha. You say it in Avgin—real Avgin, not the dialect born from genocide and deceit—and when he responds, there's not even a little bit of insincerity in his voice. Because Kakavasha never became Aventurine in these dreams, so he has no Interastral Standard in which he can lie to you, no silver tongue with which he can manipulate you, no commodity code that inspires his fear of being controlled by you. Kakavasha only knows Avgin, and he only has his sand, his family, his goddess, his home.
And he has you. Finally, he has you.
He kisses you, and kisses you, and kisses you—and then he tells you the truth.)
.
.
.
Aventurine cannot lie in Avgin.
You noticed this very early on: whenever he lies to you, he always switches to Interastral Standard. Probably he wouldn't be able to do it in his mother tongue. His command of it is too weak, and the words he knows are all too kind. He speaks with the innocence of a child, and children cannot deceive people in the way that adults can. Children cannot perform commerce or negotiate contracts. They cannot use a silver tongue to rob people blind. They cannot save themselves from the gallows.
So Aventurine’s Avgin is defenceless. Vulnerable. So vulnerable it hurts. You are not so vulnerable in your first language because your captors spoke it on occasion, and you learned to lie in it to gain their pity. You told Aventurine that knowing it would help him understand you, but this was a deception. Aventurine’s mother tongue was a language of trust, but yours is a dialect of abuse.
The Avgin language died before Aventurine could be gutted by it; this is why it disarms him so completely. This is why he’s so indulgent and so warm when you use it with him, why he yields to all your requests. Not requests for money or gifts—you’re certain those are meaningless to him—but for affection. Let me hold you. Let me touch you. Let me kiss you. He can never say no.
This is also why he loves hearing you speak his mother tongue, you think—it makes him feel at home, it makes him feel safe. Maybe it even makes him feel loved. He never seems so at peace speaking any other language, so you try to use Avgin as much as possible. You like seeing him happy. You like it even if it means you need to teach him your own native language in exchange, even when it means you need to hear him say all the things your captors used to say. You don't mind it if it's him. You never mind the harm he inflicts on you, especially not when it brings you closer to him.
It is convenient that he cannot lie in Avgin. You only wanted to learn it in the first place because he talks in his sleep—mostly in Standard, but sometimes in his native tongue. And now that you know he cannot lie in Avgin, you also know he's always being honest in his dreams. Honest when he throws his arms around you in his sleep. Honest when he grabs you so tightly that you bruise. Honest when he buries his face into your neck and whispers prayers into your skin.
Most of the words he says are common ones, the earliest vocabulary that he taught you. But there are some things he's withheld from you—and to learn those things, you had to track down linguists from the Intelligentsia Guild, bribe them with your dirty money, have them give you all their deprecated, extinct data. It felt two-faced, and it was violating, but it was the only way. You already know that Aventurine would rather die than translate his feelings for you, would never want this part of himself understood.
I'm sorry for always leaving you.
I'm sorry for making you cry.
I can't bear the thought of losing you.
Freedom would be too lonely without you.
I don't want to hurt you anymore.
I don't want to lie to you anymore.
I missed you.
I want you.
I need you.
I love you.
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afterword
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lemonlover1110 · 2 days
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𝐘𝐎𝐔'𝐑𝐄 𝐃𝐎𝐈𝐍𝐆 𝐓𝐎𝐎 𝐌𝐔𝐂𝐇!
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Pairing: Firefighter!Toji Fushiguro x f!Reader
Summary: Toji tries to be the best father he can to his baby boy
Warnings: Fluff
*This isn't finished and it probably won't be but do enjoy what I did end up writing🥹🫶 I'll do a different AU for firefighter Toji
Discord +18 - Twitter - Ko-Fi
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“Toji!” You call out for your husband, wondering why he isn’t in bed. You approach the nursery, and that’s where you find your husband putting his finger under his son’s nose to check if he’s breathing. You never thought that you’d find Toji of all people doing this, but he really is doing everything he can to make sure the baby is breathing, while also making sure he doesn’t wake Megumi up.
Even after six months of having Megumi, Toji makes this part of his nightly routine. Megumi’s tiny stomach very visibly rises and falls, so there’s no need for Toji to be doing all of this. But Toji’s scared, and a new parent, so he still does.
He shushes you before you even dare speak too loud, you better not wake up the baby. You roll your eyes, a chuckle leaving your lips as you walk back to your bedroom, and your husband follows behind not too shortly after. 
“I love seeing you worry about the baby, but don’t you think you’re doing too much?” You ask him as you get in bed. Toji takes off his shirt before getting into bed right next to you. He pulls you into his warm embrace and kisses the top of your head. “Please tell me you turned off the alarm.”
“I have to get up and check up on him.” He responds, and you would laugh if you weren’t affected by it. Toji’s alarm wakes you up, and it’s annoying to be constantly woken up in the middle of the night. 
“Toji, you’re also really tired. If Megumi needs anything, he’ll cry.” You assure him, but Toji won’t listen to any of it. You understand him better than anybody since you’re also a new parent, but you already have to wake up to feed the hungry baby in the middle of the night, you don’t need to be woken up four other times by Toji.
“I still want to make sure he’s okay. What if he’s just sitting in his crib, waiting for daddy to come?” Toji asks, and you let out an exasperated sigh.
“You’re so right, Toji. But can you please go to the couch? I need to rest because I actually have to wake up and feed him.” You tell him, and Toji groans before letting go of you and sitting up on the bed. 
“You don’t mean it.” He says as he grabs his pillows. He drags his feet as he walks to the door, waiting for you to stop him. You hate to sleep without Toji but you’re tired and you don’t want to be woken up multiple times in the night for no reason.
“Close the door on your way out!” You yell at him, getting comfortable in your space. You want to go one night without interrupted sleep, and you hope tonight is that night. As much as it sucks to sleep without Toji, you need at least one night of good sleep. You hate to hurt his feelings, but you’re also too tired to care.
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“Look here, Megumi!” You put on your baby voice as you talk to your son, attempting to get him to look at your phone camera. Megumi doesn’t care though, he’s looking away, kicking his feet and yelling for the dog. He’s opening and closing his little fist in the direction of the dog, he can’t make it more clearer what he wants. “C’mon, baby, I want to send your father a cute picture.”
He keeps ignoring you, yelling to the dog. You watch the dog walk toward you and the baby, so you pick Megumi up from his play mat before the dog can lick the baby’s face. You take Megumi back to your bedroom, hoping that once you put him down on your bed, you can finally take the picture that you want to send to your husband. 
You put him down on the bed, and just as you open the phone camera to take the perfect picture before he can look away, you receive a call. Toji is calling to facetime, which is perfect timing. You accept it, immediately flipping the camera to put the attention on the baby.
“Oh my god, is that my cute little urchin wearing a sailor outfit?” Toji isn’t the type to fawn over this type of stuff, or so he thought. Toji has grown soft, in his own ways at least, for his baby boy. He’s laughing, calling his coworkers over to show off his baby. Yup, Toji has become that person.
Toji just loves being a father, he was scared that he wouldn’t. He knows some parents love their kids to death but don’t like being a parent at all– Luckily for him, that isn’t the case. He loves the fact that he’s teaching this little human the basics of how to live while also filling him with love. He loves it so much that he’s almost about to ask you for a second baby.
“You look tired.” You tell him when he stops showing off Megumi to everyone, flipping the camera on you. Toji is barely getting any sleep, even though you keep pushing him to get rest. 
“I’m fine.” He replies, and before you can argue with him, he changes the topic to more important manners, “Show me the baby, I miss him.”
“I was just showing you the baby.” You roll your eyes but you still turn the camera so Toji can watch his baby boy. 
“Megumi! Look at the phone.” Toji says, noticing how Megumi looks away. Megumi is stretching. Your hand goes to his tummy, tickling it which causes the baby to look back at you and giggle. It fills Toji up with immense joy but also regret that he can’t always be by Megumi’s side to experience it all.
Until he hears a sound you both dread, something that makes the loudest sigh leave your lips. That part is the only thing he hates about being a father. 
“Alright, I’ll see you later.” You hang up the phone before Toji can even mutter a goodbye, picking up the baby and taking him to the changing table.
You realize that in the past six months, you haven’t had any proper alone time with him. You’re both too focused on being the best parent to Megumi, that you’ve completely put your relationship on the side. He’s put everything on hold, even his own health, to be there for Megumi whenever he’s free. 
You miss him, and while you knew that your life would completely change the moment Megumi came along, you didn’t expect to be so separated from him. You want to get Megumi off your hands for a couple of hours so you can spend some nice alone time with Toji, without having him worry about Megumi needing something. 
It’s hard to get Megumi off your hands, especially when he’s so attached to you. He’s also a crybaby which certainly doesn’t help your case. 
“Do you want to go see your daddy soon?” You ask your son, picking him up from the changing table. It’s not like he can answer, so you take his coo as a yes. You need to arrange something with the help of a couple of people, and who’s better for this than some of Toji’s coworkers?
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“Fushiguro! You have some visitors here!” Toji hears from the kitchen, and he raises his brows, wondering who’s looking for him. When he walks into the kitchen, his heart skips a beat at the sight of his wife and son. Toji practically runs to your side when he sees you, pecking your lips before he takes Megumi from your arms.
“What are you two doing here?” Toji’s happiness radiates off his voice. Out of all things, he didn’t expect you and his son to come visit, but here you are. Toji kisses Megumi’s chubby cheek, while the baby’s hand grips the collar of his dad’s shirt.
“Just wanted to visit daddy for a bit since you’re always complaining about not spending enough time with Megumi.” You give him your best smile before you catch a glimpse of the woman that you came here to talk to. You squeeze Toji’s forearm before telling him, “I have to talk to Yuki, I’ll be right back.”
“Huh?” Toji furrows his brows but ultimately he doesn’t care because he has his baby boy in his arms and Megumi is trying to shove his hand into Toji’s mouth. He often wishes he could trade places with you– Toji loves his job but the moment Megumi took his first breath, he became Toji’s first priority. His favorite person; and you, of course. 
“Yuki, can we talk?” Your voice comes off as a whisper, and she raises her brows. A smirk comes to her lips before she lets out,
“Are we getting another mini Toji?” She’s rather loud, and you feel your face burn. You look absolutely mortified, and she bursts into laughter. She nudges her head to the table and begins to walk to it, making you follow behind. She pulls out a chair for you, but you shake your head since you don’t really have plans of staying for long. “What’s up?”
“You’re the person here that I trust the most… And you’re great with baby Megumi.” You bring up, and you feel yourself dragging it out. She knows, but she waits for you to say it, tapping her finger on the table as she waits for you to ask the question. “Can you take care of Megumi on Friday? I want to go out with Toji.”
“Man… I don’t know, I’m not that great with kids.” She responds, and you know it’s a lie, at least from what you’ve seen she’s great with Megumi. You’re willing to argue just about anything because you want to get Megumi off your hands for a night. 
“Really? Baby Megumi adores you.” You claim, which isn’t a lie, but Megumi likes just about anyone. “It’s a way for baby Megumi and his favorite auntie to get closer.”
She laughs, she knows what you’re doing, but she doesn’t mind. She has Friday off and has no important plans so she might as well try to figure out what goes on in a baby’s mind. She ends up saying, “As long as I don’t have to take him anywhere, I’m not sure how I’d work a carseat on a motorcycle.”
“Of course! If anything comes up you can call me and we’ll be at home within minutes.” You answer excitedly, and before you run in search for Toji, and even though he was just in the kitchen, he’s nowhere near the place when you look for him.
“Toji!” You call out for him, unsure of where he went with the baby. The firehouse is a big place, you sure aren’t going to look in every room. 
“Check the fire truck!” You hear from Yuki, and you roll your eyes at the mere suggestion. She’s not looking at it, you’re not going to entertain it– But she also knows Toji and that sounds like something he’d do. You stop in your tracks and let out a sigh before going to the firetruck. 
You walk over to the driver’s side, opening the door to find Toji putting Megumi’s hands on the wheel– A sight you find the most hilarious since Toji made it his mission to put a firefighter hat on the baby’s head; but you notice it’s smaller, leading you to assume that Toji bought this just for him and kept it hidden until now.
“Look, honey, Megumi told me he wanted to be just like his daddy when he grew up.” Toji chuckles, moving Megumi’s hands on the wheel which Toji finds hilarious. Megumi doesn’t find it as funny though. 
“Baby, he can barely sit up. Try it again in a few more months.” You say as you take the baby from his arms, and Toji clicks his tongue. He follows behind you as you walk back to the kitchen to take the diaper bag and go back to your car.
“Why are you leaving so soon?” He asks, annoyed that you’ve given him his baby and taken him away just as quickly.
“We just came to say hi and talk to Yuki, and since we’ve done that, we can go home now.” You respond. The man is pouting, something that you never thought you’d see from a man as big as Toji. When you have the diaper bag in your possession, you peck his lips, “Go save lives, baby.”
“What did you need to talk to Yuki about?” Toji questions, wondering what was so important that you decided to come all the way here.
“Babysitting, we’re going out on Friday.” You tell him, and his brows perk up. He’d think that would be more of a question instead of a statement, but it’s the latter. “You can’t say no, we haven’t had some proper alone time in months.”
“I wasn’t going to say no.” He mutters, crossing his arms and looking at the ground like a child. He was going to say no, and you can’t help but chuckle. Your hand goes under his chin and you begin to inspect his face.
“You’re also turning off those alarms to get proper rest. I think you’re annoying Megumi too by constantly coming into his room to invade his space.” And before he can argue with you, you leave him alone to share his thoughts with himself.
He guesses you're right.
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opencommunion · 3 days
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one reason (white) queer people misuse the term homonationalism is that they see queerness (or whatever you want to call it) as naturally disaffiliated with the US empire. so they understand homonationalism as a divergence from a natural mutual antagonism between queerness and empire. they talk about homonationalism as if it's an exclusively "normie gay" project, and as if it's a divergence from, rather than a consequence of, the overall trajectory of western lgbtqia+ politics. ironically it’s that self-exceptionalization by the queer, on the basis of their queerness, that imbricates them in homonationalism. they produce themselves as a homonationalist subject, and reproduce homonationalism, every time they articulate their queerness as individualized freedom. and Puar actually anticipates all of this in her original theorization of homonationalism in Terrorist Assemblages, and that's why it really helps to go to the text instead of osmosing queer theory solely through tumblr posts (esp when tumblr is so white and the queer theorists are not): "Some may strenuously object to the suggestion that queer identities, like their 'less radical' counterparts, homosexual, gay, and lesbian identities, are also implicated in ascendant white American nationalist formations, preferring to see queerness as singularly transgressive of identity norms. This focus on transgression, however, is precisely the term by which queerness narrates its own sexual exceptionalism.
While we can point to the obvious problems with the emancipatory, missionary pulses of certain (U.S., western) feminisms and of gay and lesbian liberation, queerness has its own exceptionalist desires: exceptionalism is a founding impulse, indeed the very core of a queerness that claims itself as an anti-, trans-, or unidentity. The paradigm of gay liberation and emancipation has produced all sorts of troubling narratives: about the greater homophobia of immigrant communities and communities of color, about the stricter family values and mores in these communities, about a certain prerequisite migration from home, about coming-out teleologies. We have less understanding of queerness as a biopolitical project, one that both parallels and intersects with that of multiculturalism, the ascendancy of whiteness, and may collude with or collapse into liberationist paradigms. While liberal underpinnings serve to constantly recenter the normative gay or lesbian subject as exclusively liberatory, these same tendencies labor to insistently recenter the normative queer subject as an exclusively transgressive one. Queerness here is the modality through which 'freedom from norms' becomes a regulatory queer ideal that demarcates the ideal queer. ... I am thinking of queerness as exceptional in a way that is wedded to individualism and the rational, liberal humanist subject, what [Sara] Ahmed denotes as 'attachments' and what I would qualify as deep psychic registers of investment that we often cannot account for and are sometimes best seen by others rather than ourselves. 'Freedom from norms' resonates with liberal humanism’s authorization of the fully self-possessed speaking subject, untethered by hegemony or false consciousness, enabled by the life/stylization offerings of capitalism, rationally choosing modern individualism over the ensnaring bonds of family. In this problematic definition of queerness, individual agency is legible only as resistance to norms rather than complicity with them, thus equating resistance and agency.
... Queerness as automatically and inherently transgressive enacts specific forms of disciplining and control, erecting celebratory queer liberal subjects folded into life (queerness as subject) against the sexually pathological and deviant populations targeted for death (queerness as population). Within that orientation of regulatory transgression, queer operates as an alibi for complicity with all sorts of other identity norms, such as nation, race, class, and gender, unwittingly lured onto the ascent toward whiteness. ... To be excused from a critique of one’s own power manipulations is the appeal of white liberalism, the underpinnings of the ascendancy of whiteness, which is not a conservative, racist formation bent on extermination, but rather an insidious liberal one proffering an innocuous inclusion into life."
Jasbir K. Puar, Terrorist Assemblages: Homonationalism in Queer Times (2007)
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livanas · 3 days
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Astrology observations
⊱┈──╌❊╌──┈⊰᯽⊱ :⊰᯽⊱┈──╌❊╌──┈⊰ :
I have collected and put some of my notes together to share here with everyone. I hope they’re relatable or you find them interesting.
I have Pluto in the 3rd house and am always fidgeting with my fingers and picking at my lips. It’s a habit that won’t stop help!!!
Virgo risings come off as sweet and naive and you’ll feel the compulsive need to tell them all of your secrets,be warned you don’t want them as your enemy they have Gemini Mc they’ll tarnish your reputation
Virgo rising talk too loudly and they don’t realise it. They have a problem of ghosting people that want to have one on one conversation with them thus being called rude or snobbish
Virgo risings are overly sexualised and it’s usually with random people that they never expected they’ll sleep with. They also can’t make eye contact with people when talking
Had a classmate with Mercury in Aquarius he wrote notes very fast. We liked to copy his notes and he didn’t make grammatical errors
Juno in Aquarius might have a dislike for marriage or traditional relationships.
It’s so often talked about how Pisces are delusional since they’re ruled by Neptune. But, actually Leo is the most delusional since they’re exalted in Neptune. (Tell me I’m wrong.)
Sagittarius moons are always passionate about some cause related to society eg. politics, lgbtq+ etc.
Sun in the 11th house probably don’t like to expose themselves publicly, that’s why they tend to make friends online. (12th house sun can be this way too.)
9th house stellium can indicate not relating to their birthplace or where they were raised.
Saturn in Gemini = your thoughts are holding you back.
Saturn in Leo = your ego is holding you back.
Saturn in Scorpio = your secrets are holding you back.
Mars in Aquarius have explosive tempers, remember that Aquarius is ruled by Uranus, the unstable planet par excellence.
Capricorn’s love language is all but touch. Most of them don’t like much physical contact.
Lilith square sun is a common placement in those people with abusive fathers/deeply wounded ego.
Mars conjuct MC or in the 10th house can experience others being intimidated by them for no reason. And others can get jealous whenever they achieve anything.
Opposite/sister sign ascendants can actually look strikingly similar in terms of physical appearance. (I.e; Capricorn rising and Cancer risings)
Capricorns can repress their emotions because every time they express their emotions they are antagonized. People will find a way to blame them for feeling-someway, somehow. Cancer is in their 7th-house of open enemies.
Aries moons can be very defensive. Any Aries placements seem to be overly self protective.
Lilith in the 2nd house can be an over indulgent placement.
Pisces moons have soft-spoken voices.
Chart ruler in 1st people are so in control of their own lives. I’ve always considered this a “manifestation” placement.
Chiron in the 11th house can have difficulty making friends.
Mercury in the 12th house can easily manifest whatever they speak.
Ruler of the 11th and the 5th house in the 3rd makes for someone who can easily imitate other peoples voices.
Mercury in 1st house say things that are totally out of concept. They tend to talk about themselves a lot too. (Mercury= communication and 1H= self)
Saturn in the 5th house likes historical genres, movies or documentaries.
The first born in the family can often share the same moon sign as one their parents.
Mercury dominant like the English subject and are good at dictations
The color pink has a strong connection to lunar energy. Moon in the 1st house, Cancer rising, or Cancer placements can like a lot of pink.
Gemini moons have some of the best sense of humor. They’re very witty and creative.
Pluto or Uranus in the 4th house can indicate feeling like the “black sheep” of the family.
The house your moon is in can show what area of life is the most unstable or changeable for you.
Moon in Pisces is the most sensitive placement.
I know many Aquarius moons who were all into photography or film at some point in their lives, tech seems to be a hobby of theirs and they are very tech savvy.
Those are all of my observations! please comment on any you related to or are curious about, I’d love to read them. Bye for now.
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weird-is-life · 17 hours
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Shouldn't I want you?
Pairing: Spencer Reid x fem!reader
Summary: Spencer lets you break up with him, thinking he is not enough for you
Words: 2.1k
Warnings: angst, happy ending, arguments, mentions of ice-cream, lots of tears, swear words, use of y/n and pet names, mentions of Spencer being in prison
----------------------------------------------------
Spencer has been acting weird lately. And you don't know why. He's been so distant. Making different excuses on why he couldn't make it to the dates.
He's also started texting you less and less. And the calls just seem forced from your side, like he doesn't even want to speak with you while away on cases.
It's honestly breaking your heart, and maybe that's Spencer's plan. To just break your heart so you would break up with him.
It's making you so anxious that you wait everyday for the text from him that will say 'It's over. I'm breaking up with you.' But it doesn't come, and you don't know what to think of it. You don't even know why would he want to break up. You don't think that you've done anything wrong, and you are very certain that Spencer hasn't done anything wrong either. This whole thing is just so unusual.
On the one hand, Spencer is almost ghosting you, but on the other hand he doesn't want to break up? You are so confused about the whole situation.
You are crying over the break-up that hasn't even happened yet, watching your tv with a big bowl of ice cream in your lap. Spencer's supposed to come home today from a case, but you know he's not going to come to your apartment. He hasn't done that in the last few weeks, not since he's started being so distant.
So you sit in a pit of your tears, cheesy rom-coms and a bucket of ice cream. Suddenly, there's a knock on your door, and looking at the clock you know exactly who it is.
You panic, you didn't expect him to come. You quickly wipe your tears away, and hide the ice cream in the freezer. You know that you look puffy anyways as you open the door with a big sigh and a fake smile.
Spencer, of course, sees right through it.
"Hi- what's wrong?" Spencer immediately asks with a frown. He pushes you gently out of the doorway, and steps inside too as he closes the door.
"N-nothing," you lie, trying to force a smile on your face, "what...what are you doing here?"
A quick flash of hurt and confusion passes over Spencer's face, "I wanted to see you."
You suck in a shaky breath,"oh."
"Oh?" Spencer asks, baffled. "Seriously sweetheart, what's wrong?"
"Don't-Don't call me that," you whisper, eyes on the ground.
"What?" Spencer's eyes go wide, "I shouldn't call you sweetheart?"
You sigh, and look up at Spencer. He looks so lost by what you mean, and for a split of a second you think good, let him be confused. You've been confused for the last few weeks because of him. But then you remember that it's Spencer, still very much the Spencer you love.
"Yes, you shouldn't," you sniffle a little, "because it's only hurting me more."
"I-" Spencer starts.
"Spencer, just let me finish. I think that we both know that you don't want to be in a relationship with me anymore. So please Spencer, let's just not do this anymore. I can't keep going on like this, it's-it's just too much. It hurts too much," you say, your cheeks wet with tears yet again.
Spencer stays quiet, it's actually one of the rare times that he doesn't know what to say, and it just breaks your heart even more.
"Y-you won't even say anything? No reason why?" your voice breaks in the middle of the sentence. But looking at Spencer's teary eyes and completely shut mouth, you know, you two are done.
"I-It's over, Spencer. Please just go, you can come take your things some other day," you don't even wait for him to say anything. You go open the door and look anywhere, but him while he slowly leaves.
You don't have the courage to look at him. You hear him sniffle, but don't look. You can't see his broken face, it would be even worse than it already is.
Spencer leaves, and you slam the door shut behind him. It feels like your heart is being cut open by millions of tiny glass pieces as soon as the door closes.
You barely manage to walk towards the couch before you break down. Sobs violently shaking with your body.
-
A few days go by, and it's only when you don't pick up your phone on like the 20th try does Penelope march into your apartment.
You reluctantly open the door after she knocks, and knocks, insisting she's not leaving until you open the door.
"Hi," you greet her, and you immediately notice her slightly shocked face at the sight of you. And you get it. You haven't slept properly for the last few days, and the almost constant tears can't help either.
"Oh my gosh, honey, come here," Penelope instantly pulls you into an embrace, and you melt into it like a puddle.
She squeezes you tightly until you're ready to let go. "Pen, what...what are you doing here? Did Spencer send you?"
"Don't even say his name. He's in big, big trouble," she says in her own angry way. A small smile appears on your face when she says it.
"I can't believe he's done this. He can be such an idiot sometimes even if he really is a genius," you don't argue with that, but you don't want to talk about Spencer either. He's been on your mind enough as it is right now.
"Can we...can we not talk about it? I just want to get over it, and move on as soon as possible, "you sigh. You let Penelope in, and you want to make her go sit down to the living room while you make the tea, but she insists on staying in the kitchen with you.
"Believe me, honey, I wouldn't want to talk about Spencer if it wasn't important," she starts, and your mind immediately goes to the worst possible scenario.
Seeing your wide, worried eyes she adds, "he's okay. He's just stupid, that's all."
"Yeah," you agree quietly, even if you know that it's not true. Spencer maybe used to be clueless about things like relationships, but that has changed. He was never clueless in your relationship.
"Oh sweetheart, " Penelope rubs your shoulder in comfort, "I could beat him up for making you so sad."
Her very serious tone makes you let out a small chuckle. You and her both know that she wouldn't even hurt a fly let alone Spencer, her dear friend.
"Thanks, Penny, but it's okay, I'm okay. Spencer didn't want to be with me anymore, and i-i made my peace with that or-or at least i will eventually."
"But that's just it. That's what I came here to tell you. Spencer loves you, and he just let dumb people with dumb opinions get to his head," you almost burn yourself with the warm water for the tea when you hear her words.
"What do you mean?" you quizz. You forget about the tea, and turn to her.
"He'd heard some people talk about you and him. Some colleagues saw you two together somewhere, and started gossiping. He heard them say that you're too good for him with him being in prison and all-"
"What? That's just ridiculous," you exclaim, you've never heard such a bullshit before.
Of course, you know that Spencer was in prison, but you also know he was innocent. You knew Spencer even before he went to prison, and maybe he did change a bit, but he was still the same Spencer. The Spencer you've always been in love with.
"Exactly, I told him the same, but he wouldn't listen, " she looks sympathetically at you, "I think that Spencer just loves you so much that he's willing to let you go for better or worse."
You are stunned. You stand there absolutely baffled, and Penelope just looks at you with understanding. It takes you good few minutes to finally say something.
"You knew about this?" you question as you head towards the door with Penelope on your heels.
"No, I found out yesterday otherwise I would have told you sooner," you quickly put on your shoes as you listen to her.
"I know you would. Thank you for telling me this, Pen. You're the best," you give her a tight hug.
"He's at home right now," she tells you, you appreciatively smile at her, and basically run to your car with Spencer on your mind.
-
When Spencer opens his door, you instantly push yourself inside. You don't give him even a second to react, protest or say anything.
"Spencer Reid!" you start angrily. "I can't fucking believe you. You let us break up over some stupid gossip? And you didn't even tell me?" You say, hurt.
"It's not stupid, it's true-" Spencer starts calmly, a complete contrast to you. But on the inside he feels like he's going to pass out. It was already hard for him without seeing you, but now it feels like hundred times worse.
"Like hell it is!" you argue. "Spencer of course you're enough for me. I don't care what anyone says. It's not even true anyways. I don't care that you've been in prison, i don't care about any of it."
"But it is true. I'm no good for you. You can do so much better, sweetheart. Like look at me," he gestures towards himself, " I'm such a mess, my life is always messy. You don't deserve this kind of life, you deserve so so much better. You don't deserve to be waiting late at night for me to come home, wondering if i even come home. I can't let you have that kind of life. I'm not worth it."
Finally, Spencer lets the tears go down his cheeks freely. He knows what he is giving up by breaking up with you. He'd planned his whole life with you by his side. But it's better this way. Well that's at least what he is telling himself anyway.
"Don't you get it, Spencer?" you laugh dryly from the frustration, "I don't want better. I don't want anyone else. I just want you. I want you, Spence."
You sniffle slightly, and look at Spencer with hopeless eyes begging him to understand.
"You shouldn't, sweetheart, you shouldn't want me," Spencer tells you helplessly, running his hands through his hair.
You take a brave step towards him.
"Why shouldn't I?" you start. "Shouldn't I want the sweetest, the kindest person I know in my life? Shouldn't I want to be with the person that makes me smile, and makes my heart go fast? Shouldn't I want to be with somebody I completely trust? Shouldn't I want my best friend in my life forever? Shouldn't I want somebody who I feel safe with? Shouldn't I be with somebody I love the most?"
"So Spencer you tell me? Shouldn't i? Shouldn't i want you?" your cheeks are wet from the flowing tears, too.
Spencer shakes his head. You're impossible. How could he ever think that you'd just get over him without questioning why. He should have known better than that.
Spencer takes the final step that's between you two, and softly wipes away the tears from your puffy cheeks.
"I just want what's best for you," he whispers with a broken voice. Looking right into your watery eyes.
"Then let me have you!" You point at his chest with a sniffle. You see Spencer's face soften, like he finally understands.
Spencer's hands move from your cheeks to your hips, and he pulls you closer to him. "A-are you sure?"
"Spencer, you're unbelievable, " you say, vexed, "there's no one else for me Spence. No one."
Your words are the final thing for Spencer to breakdown, to allow himself to be with you. He pulls you towards him, hugging you oh so tightly. He hides his face into the space between your neck and shoulder. You feel the wetness of his tears run down your skin.
"There's no one else for me, too," he whispers into your shoulder. You hum in agreement, not ready to say anything yet.
After a few minutes you pull away, caressing Spencer's cheek you smile at him. "I love you," you mumble, "Please don't ever let people get to your head like this. At least not without telling me, yeah?"
"Yeah," Spencer says in hushed voice, leaning into your gentle touch. "I love you, thank you for not letting me be an idiot."
You both chuckle, sniffling, and it finally feels like it's all going to be okay. Like your worlds won't be ending after all.
You and Spencer go snuggle on his couch, content to be near each other again after the few days apart, and even if you know that there's still a conversation to be held tomorrow, you feel happy.
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theminecraftbee · 1 day
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Wels hums as he walks through the shopping district. He doesn't need much, but with the recent release of Overlord, he wants to hear if any of the establishments are playing it. He doesn't expect it somewhere like the Permit Office--Grian's spent too much time and money getting a song that was as perfectly annoying to be put on hold to as possible--and if it is playing in the log shop, he will laugh. But music tends to spread around Hermitcraft fast, and sure, this isn't about anything specific, but who's gonna miss a good opportunity to dunk on Doc?
He hears the backing beats from a nearby shop and hums along with them, walking down the path--
--then turns a corner and leaps back.
"You," Wels hisses.
Hello. Awfully rude of you not to include me, you know, says the specter.
"No, there's absolutely no reason for you to be here. None at all!" Wels says, throwing his hands up. "The last time I saw you was--gosh, I don't even know. Season Seven?"
Yes, yes, and the only time you saw me, you aren't lying to yourself at all, the specter says agreeably. Come on. We both know I was haunting you for what little of Season Eight you bothered to be around for.
"If you were on Eight then you super shouldn't be here," Welsknight says. He shakes his head and looks up at the shop playing his song. Joel's? Huh. Wouldn't have thought he'd have a reason to make fun of Doc. Welsknight removes his shaking hand from his sword hilt again and starts walking.
On account of you leaving everyone there to die, yes, we're both aware, the specter says.
"Oh, screw you, you wouldn't have done any different, get new material," Wels says. "Also, you aren't real? You're like, all of my insecurities or whatever. You don't even have a real body right now, no one's made you one."
The specter shrugs. I mean, if I'm the worst parts of yourself, really, you're the one who needs better material. Abandoning all your friends to die and then abandoning them altogether--it's a wonder they let you stick around!
Wels rolls his eyes and forces his hand to stay out of his inventory. Wouldn't do to give away that still even gets him. He peaks at another shop. They're playing the song too, but it's ever-so-slightly out of sync, which is kind of terrible. As he does, Cleo waves at him. Their eyes sort of stutter right past Helsknight, which definitively tells him exactly how much body the specter even has to possess right now.
"I'm actually having a great time with my friends this season, so like, the whole 'abandonment' song and dance isn't going to work this time. Started the season with them and everything; hard to even go for 'they'll forget me at the first opportunity' or whatever."
The thing is, the more Wels says it, the more its true. None of the insecurities and pain points that the specter is echoing back at him are what he was actually thinking about. He's been like... fine? Sure, he's definitely still got repressed negative traits, but nothing like "Xisuma's evil twin brother playing around with his head" or "the moon crashing and killing everyone" or "too depressed and burnt out to get out of bed" or "sort of considering abandoning everyone because that's like, his thing" these days. None of the things that should bring the specter that had haunted him since Beef's cloning machine back to him without a body. But Wels is careful about clones outside of something like Vault Hunters, where they're explicitly under his control. He, like, doesn't even armor stand much. So that can't be this either; Helsknight clearly doesn't have a body to be messing with Wels yet!
...Helsknight doesn't even have a body or an actual insecurity to be poking at Wels with yet.
He stops. He puts his hands in his pockets, and turns around to face Helsknight. He is no longer shaking at all.
"Dude, why are you even here?" Wels asks.
I told you, it was rude to leave me out, Helsknight says.
"What," Wels says.
The final bars of Overlord play over the speakers. Welsknight hums and nods before it suddenly clicks.
"What," Wels says again.
Honestly, you're not normally this much of a moron. It was rude to leave me out. Rapping is also my thing.
"Dude," Wels says.
I could totally destroy Docm77 any day. I would obliterate the fool you call a "friend" in ways you cannot comprehend. You invoke a sacrificial goat? I know ways he'd never recover, gods he'd never be able to retrieve himself from. It would be laughable. And you left me out.
Wels stares at the demon from his nightmares.
"You're mad at me because you didn't get to be in my diss track," Wels says.
You let me be in the last one, Helsknight says.
"Dude," Wels says. "Dude, that's pathetic."
Helsknight sniffs. I'm your worst qualities. What does that say about you.
"I didn't even write this for this season," Wels says.
That makes it worse, Helsknight says.
"I don't even know where to start? For one--no, I still don't even know where to start," Wels says. "This is like, the lamest reason you could possibly have to come haunt me. Go away, I'm basking in my like, top 3 charting hit on the Hermitcraft server."
Top three? Pathetic. There are only three songs. You'd be the top song if you'd simply included my power, Helsknight says.
"I can't beat the streaming minutes Grian puts on that hold--look, uh, dude. You're, uh, a very scary representation of my fears and worst qualities and all. Appreciate that. Next time I need to do a diss track, I don't know, maybe I'll invite you? First you've got to stop appearing solely to make my life worse, though. Bring me a cookie or something. I don't know, whatever demons do."
I'm not a demon, I'm a Shadow. We're different, Helsknight says. ...I'll think about it.
When Wels turns the next corner, Helsknight has vanished again. Wels stops in the middle of the street, looks around, confirms the specter has vanished, and then bursts out laughing.
"What the Hels," he says, somehow feeling lighter and more bemused than before. That's a new feeling with his doppleganger. Then, he goes to visit Big Wood. While Doc definitely isn't playing the song of his own accord, Wels figures that Beef just might, and given the day he's having, that would feel like a kind of irony Wels isn't sure how to describe. Besides, he wants to see if Doc will notice if Wels sets the song on loop or something. What can he say--the man's reactions to being taunted are spectacular, and Wels loves seeing them. Call it a bad quality of his or something.
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sirfrogsworth · 2 days
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Let's talk about vintage lenses.
Here is your cool samurai show with modern lenses.
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Here is your cool samurai show with vintage lenses.
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Hollywood is no stranger to fads.
We are currently in the middle of a "make everything too dark" fad. But that fad is starting to overlap with "let's use really old lenses on ridiculously high resolution cameras."
This is Zack Snyder with a Red Monstro 8K camera.
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He is using a "rehoused" vintage 50mm f/0.95 Canon "Dream Lens" which was first manufactured in 1961.
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This old lens is put inside a fancy new body that can fit onto modern cameras.
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Which means Zack is getting nowhere near 8K worth of detail. These lenses are not even close to being sharp. Which is fine. I think the obsession with detail can get a bit silly and sometimes things can be "too sharp."
But it is a funny juxtaposition.
The dream lens is a cool lens. It has character. It has certain aberrations and defects that can actually be beneficial to making a cool photograph. It's a bit like vinyl records for photography.
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[ Peter Thoeny ]
It has vignetting and distortion and a very strange swirly background blur.
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[ Gabriel Binder ]
Optical engineers have been spending the last 60 years trying to eliminate these defects. And I sometimes wonder if they are confused by this fad.
"I WORKED 70 HOURS PER WEEK TO GET PERFECT CORNER SHARPNESS!"
And whether you prefer to work with a perfect optic or a vintage one... it is a valid aesthetic decision either way. I think vintage glass can really suit candid natural light photography. You can almost get abstract with these lenses.
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[ Peter Theony ]
Personally I like to start with as close to perfect as possible and then add the character in later. That way I can dial in the effect and tweak how much of it I want. But even with modern image editing tools, some of these aberrations are difficult to recreate authentically.
That said, it can be very easy for the "character" of these lenses to become distracting. And just like when someone first finds the lens flares in Photoshop, it can be easy for people to overdo things.
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Zack Snyder decided to be his own cameraman and used only vintage glass in his recent movies and it has led to some complaints about the imagery.
I mean, Zack Snyder overdoing something? I can't even imagine it.
Non camera people felt Army of the Dead was blurry and a bit weird but they couldn't quite explain why it felt that way.
The dream lens has a very wide aperture and it lets in a lot of light. But it also has a very very shallow depth of field. Which means it is very difficult to nail focus.
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[ Peter Thoeny ]
Her near eye is in focus and her far eye is soft. You literally can't get an entire face in focus.
There is no reason you have to use the dream lens at f/0.95 at all times. But just like those irresistible lens flares, Zack couldn't help himself.
Here is a blueprint that you can't really see.
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Extreme close ups of faces without autofocus at f/0.95 is nearly impossible to pull critical focus on.
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Looks like Zack nailed the area just above the eyebrow here.
Let's try to find the point of focus in this one.
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Ummmm... she is just... blurry. Missed focus completely.
But Zack isn't the only one going vintage. I've been seeing this a lot recently.
Shogun is a beautiful show. And for the most part, I really enjoyed the cinematography. But they went the vintage lens route and it kept going from gorgeous to "I can't not see it" distracting. And perhaps because I am familiar with these lens defects I am more prone to noticing. But I do think it hurt the imagery in a few spots.
Vingetting is a darkening of the corners of the frame.
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Light rays in the corners are much harder to control. A lot of modern lenses still have this problem, but they create software corrections to eliminate the issue. Some cameras do it automatically as you are recording the image.
Vintage lenses were built before lens corrections where a thing—before software was a thing. So you either have to live with them, try to remove them with VFX, or crop into your image and lose some resolution.
It's possible this is the aesthetic they wanted. They felt the vignetting added something to the image. But I just found my eyes darting to the corners and not focusing on the composition.
And then you have distortion.
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In this case, barrel distortion.
This is mostly prominent in wide angle lenses. In order to get that wider field of view the lens has to accept light from some very steep angles. And that can be quite difficult to correct. So you kind have to sacrifice any straight lines.
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And sometimes this was a positive contribution to the image.
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I thought the curved lines matched the way they were sitting here.
But most of the time I just felt like I was looking at feudal Japan through a fish's eye.
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It's a bit more tolerable as a still, but when all of these verticals are bowing in motion, I start to feel like I am developing tunnel vision.
I love that this is a tool that is available. Rehousing lenses is a really neat process and I'm glad this old glass is getting new life.
This documentary shows how lens rehousing is done and is quite fascinating if you are in to that sort of thing.
youtube
But I think we are in a "too much of a good thing" phase when it comes to these lenses. I think a balance between old and new can be found.
And I also think maybe Zack should see what f/2.8 looks like. He might like having more than an eyebrow in focus.
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kermitthesog · 3 days
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yeah i know everybody has said this or thought this before. will that stop me from making paragraphs after paragraphs? no.
annabeth and percy are actually the perfect duo.
no i don’t just mean in their relationship.
annabeth, (being the daughter of athena and all) will always be the one coming up with attack strategies or tricks. but…percy is so good at actually pulling them off.
in one book she says she’s all ideas, not mechanics. while she might be a good fighter, she isn’t as good as percy. whatever insane idea she might have, percy will do it. he’s also brave, which helps with the fact that most of her ideas involve distractions and lots of fighting and trickery.
not that he’s not smart and he can’t do anything like that. but, with many books as an example, he likes simply charging in. he doesn’t really go in with a “strategy.” most of the time it works out anyway because he’s *super* powerful.
but think of how many times he would’ve been absolutely obliterated if annabeth hadn’t kept him on the right track. she thinks ahead. he thinks moments before he gets his face socked in. i just think this is another reason that they’re perfect together. annabeth is basically just telling him what to do while he obliterates everyone. you cannot tell me otherwise.
(P.S.- i was reading the demigod files and got this idea cause we’ve all thought this, but i just realized how big it is.)
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nightwolf14292 · 19 hours
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What I think the Batfam's love languages would be:
This is not necessarily canon, you can take this as the love languages of my personal versions of the characters if ya want-
Bruce Wayne -
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How does he show his love?: I think that if you two were casually going out, seeing each other on occasion for a date but not actually officially dating or anything, he would show his love through giving gifts. I mean, it's the billionaire thing to do—just dump a bunch of money on you and let you buy stuff. Then when you started officially dating he would continue to give you gifts, but I also think he would use acts of service.. Whether that be dressing up as Batman and beating up someone who threatened you, or being Bruce Wayne and making your boss give you a promotion. Then if your relationship got extra serious, like you were moving into Wayne Manor serious, I think he would finally start to warm up to physical touch and would slowly get more touchy with you over time.
What type of love does he respond best to?: Quality time. Just having you around while he's doing mundane things, you sitting with him in the Batcave while he's working a case, going grocery shopping together. Depending on his mood he'll also respond well to words of affirmation, but if you catch him in the wrong mood he'll get annoyed and upset by them because he'll feel patronized.
Dick Grayson -
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How does he show his love?: No matter what stage of the relationship, his biggest love language is always going to be acts of service. He's a people pleaser at heart, he loves doing things for others even if it's detrimental to him. If the two of you were casually going out I think that he'd use a lot of words of affirmation on you, just being really sweet to you in general. When you started officially dating he'd make an effort to spend as much quality time with you as possible and get a little more touchy, starting to get used to hugs, cuddling, sleeping in the same bed, etc. If you got extra serious he'd become much more comfortable with physical touch, and start to lay more heavily into his acts of service.
What type of love does he respond best to?: Words of affirmation—but only if you do it right. Dick, being the people pleaser that he is, lives for praise and being told that he's helpful and good. Words of affirmation in the sense of 'I'm proud of you', or 'You did great out there tonight,' work wonders for him. However, words of affirmation in the form of compliments about his physical appearance have an adverse affect if you're still early on in the relationship. After all, Dick gets his looks complimented a lot and most of the time it makes him uncomfortable. He'll feel like you're only looking at his body and not who he is as a person. However, he's more accepting to physical compliments when you get into a more serious relationship.
Jason Todd -
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How does he show his love?: Well to be honest if you're casually going out, he.. Doesn't- I mean that early on, he has no real reason to believe that he should. After all, he's never had any experience with this sort of thing, and why would you ever want to date a literal crime boss/murderer? He thinks that you're totally a spy and that you're going to betray him or something. If you manage to progress to the officially dating stage, he'll start to open up just a tiny bit. He'll become a little more protective of you, making sure his goons won't attack you if you're out in Gotham late and 'taking care of' anyone who gives you trouble. He might get you a gift here and there, pay for dinner, but he'll still stay somewhat distant. And if you eventually manage to get to the serious stage, he will become incredibly attached, lots of quality time, lots of gifts, lots of acts of service, and SO much praise over any little thing you do.
What type of love does he respond best to?: Physical touch, but only if it's serious. To get through the first part of your relationship you pretty much just have to stick around and not be an ass, because he'll be absolutely flabbergasted that you want anything to do with him, but he'll eventually get used to it and become attached because you're the only person(that isn't the Batfam) who's been with him this long. But if it gets serious, he'll love physical touch. Hugs, cuddles, sleeping in the same bed, putting an arm around your shoulder, massaging your thighs.. Just touching you whenever he can.
Tim Drake -
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How does he he show his love?: Quality time, and by quality time, I mean he stalks you. You won't know it, at least not until much later into the relationship, but if he actually likes you he'll stalk you from the beginning. Stalking your social medias, tracking your phone's location, watching you in the Batcave on the Gotham security footage. Maybe hacking into your security cams and watching you in your house/apartment if he's particularly lonely. Aside from that, early on he'll pay for dinner, buy you flowers, maybe get you some little trinkets that he finds cool.. As you start dating he'll start to help you with school/work, putting his smarts and skills to the test to help you out with things. He always seems to know when you need help, somehow? (It's the stalking). When you get serious he'll warm up to you fully and start just being his weird lil' self, no longer masking his odd behavior around you.
What type of love does he respond best to?: Physical touch(but usually only when he's sleepy), and words of affirmation. He doesn't mind physical touch usually, but it won't always do much for him except for when he's feeling sleep deprived, in which case he craves your warmth and touch. He especially needs the words of affirmation, because he's sort of lacking that in his life right now (Though, his family[-Damian lol] are trying hard to make up for that, they're working on it), and it makes him feel useful and wanted. And like his own person for once.
Damian Wayne -
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How does he show his love?: In the first two stages of the relationship he won't really show that he cares, he might be a bit less aggressive to you then everyone else, but he's still not exactly the nicest. However, if you manage to get to a serious relationship, you'll have proved that you're actually there for him, and you'll notice a more dramatic change. He'll become much more open, start smiling more often, get a little more touchy, shower you with beautiful art he painted of you.. You were the one who helped him learn to be less violent, so by extension he's willing to rely on you.
What type of love does he respond best to?: Words of affirmation, because he has an ego that needs to be stroked. Even when you get serious and he becomes more open, Damian is still at his core a pretty narcissistic and arrogant guy, and he still acts on impulse thinking that he's better and smarter then any of his enemies. So, if you want him to be all flattered.. Just compliment his fighting skills.. Or, y'know, tell him how much better then Tim he is.
Y'all can add the others if you want, I don't know enough about the other characters to do them yet :]
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thementalshawty · 1 day
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PAC Your FS’s Vibe
So hello again the ghost is reappearing sorry to my babies, work is heavy and wearing me out I work at FedEx y’all. Package handling heavy ass boxes everyday for the week! I’ve been worn out, but that don’t mean ion love you guys and I feel like shit for not being more consistent. So I’m back with a quick PAC reading so you can get a quick little vibe of your FS just something to tickle your fancy. If you’d like more material and details even readings every month join my patreon which shall be featured on the bottom of this reading! REMEMBER! This is a GENERAL reading so take everything lightly and let the rest flow to another thank you. Let’s begin shall we.
VIBE 1:
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VIBE 2:
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VIBE 3:
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VIBE 4:
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VIBE 1:
You Got The DEATH card. So your FS regardlesss of gender is intense! They’re Scorpionic! They may be a Scorpio or have Scorpio in their natal chart. They’ve been through a lot of transitions and changes, some of them could’ve been surrounded by a lot of death actual people dying around them, so I’m hearing they may not get close to people they feel everyone they love dies type shit. This person is hella strong and mysterious, they have a lot of admires I’m hearing the word smolder so maybe they do that with their eyes. Something about their eyes stand out 👀 They know how to make people swoon. They will have you always giggling and rolling their eyes, you’ll always be trying to figure them out. Everyday is new and exciting with them you just feel so eager to learn about them, they’re enticing I’m hearing. They look good and they give me vampire vibes some lestat, and others Louis from interview with a vampire show on AMC and not money or anything just their swagger and vibe. Some even looks. They’re very serious to they take no shit and they’re not the ones to mess with! They’ve been through some shit I’m feeling. Also looks good in hoodies or wears a lot of them. A boogie with the hoodie vibes too for some reason. By
💀💀💀💀💀💀💀💀💀💀💀💀💀💀💀💀💀💀💀
Vibe 2:
HOLY FUCC You Guy Got The SUN ☀️! Your FS is very Sunny, upbeat, positive and full of energy! They like to see the brighter side to everything! Half glass full type of energy! The sun is very masculine energy so they can be masculine irregardless of gender. They are so happy and they just want everyone around them to be happy too, very innocent vibes too I’m getting youthful so they can be younger than you are or just makes you feel young too, I also get they look younger than they are. They have come full circle in their lives, I feel they have struggled, begged and pleaded in their life and now they’re finally doing things their way and they couldn’t be happier with it. They’re very self aware I feel! They know about their good shit and bullshit and if they’re not working on it or haven’t it’s cos they’re at peace with it and who they are and I feel they are so motivational and supportive to those around them! The cheerleader of their group. They want to see everyone win! I think they are Leo dominant or have Leo in their chart. Loud and proud very prideful so that can be an issue! They treat themselves like royalty, they may live in a warm place, they may like to lay out in the sun. They may have blonde hair some of them, longer too esp if it’s a feminine. This person is just awesome their vibe is so lit I love them already they just want to smile and have a good time! They have gotten lucky so many times in their life I feel they’re very a happy go lucky kinda person, they’re a joy to be around! Warm, loving, accepting, embracing I’m hearing they’re like a hug!
☀️☀️☀️☀️☀️☀️☀️☀️☀️☀️☀️☀️☀️☀️☀️☀️☀️☀️☀️
Vibe 3: You Got The Star ⭐️! So I’m seeing your FS has got very healing energy and vibes going on, they’re very inspirational and people go to them for advice and hope. This person always tries to help others and uplift them. Motivational speaker right here! I’m feelin like for some not all! Your FS is a celebrity, they could have star power if anything, locally known. Your FS is the type to wish upon a shooting star! They’re incredibly sweet and loving the type to adopt animals and kids even! They believe in the betterment of the world and the planet, man in the mirror by Michael Jackson is what I’m hearing they are basically too good for this fucking world! They are such an angel on this earth people feel lucky just to be in their presence! They are humanitarians! They philosophical too, brown hair for some, they can be an Aquarius or have Aquarius in their chart. They keep their heart open to faith. Not religious well some are but they do hold strong faith everything works out for the best.
⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️
Vibe 4: Aww You Got The Knight of Cups. Your FS is so sweet, they’re loving, passionate and creative asfcc! They’re an artist, they can be a water sign. Cancer & Pisces most likely! They are so beautiful too I feel they look really cute! They have can have tattoos. They hella romantic they want love! This person has style too hella swag 😆. They are the type to write love letters and songs for you, to create a beautiful picnic and surprise you for a date. They are the pursuer. Big dreams! They follow their heart, sometimes they don’t connect their mind and they need too, they’re hella emotional but it’s balanced and controlled. They are the type to woo you, sweep you off your feet! They will court you! This person has a big heart. Your white knight! They are the type to go save their homie at 6am in the morning and they’re still in sleep mode. They don’t care they are down and I feel since it’s cups they just flow too, they aren’t really against pushing against the current, they can probably play guitar some of them. They’re an Angel and they love hard!
💋💋💋💋💋💋💋💋💋💋💋💋💋💋💋💋💋💋💋
Well
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That’s all you guys I hope you liked it and it resonated I promise imma try to be better also if you’d like to join my patreon we have unlimited openings lol the link is here!
THANK YOU GUYS LOVE YA!!
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What do you see as the practical point of the student protests? What Israel is doing in Gaza is a moral horror, but the actual demands being made at e.g. Columbia seem so unlikely to affect it in any way (school sells small amount of stock in companies with some connection to Israel -> ??? -> ??? -> fewer children die) that it's hard to wholeheartedly support the protests escalating.
Unless the theory is "make demands that the college won't meet" -> "cause attention-catching disruption" -> "Biden admin finds it embarrassing" -> "Biden maybe pressures Netanyahu", in which case the specific demands are completely arbitrary?
one of the primary demands is disclose: the financial investments are not transparent information, thus the demand for the administration to reveal what they are. second, as i've mentioned before, university divestment is an established practice dating back to apartheid. there's nothing crazy, controversial, or quixotic about the demand. students are not making the demand with the idea that it will be the final straw that will finally crush the war effort, but with the understanding that it's their money, their community, and that a boycott of israel is the morally correct choice in line with the BDS movement. would you be comfortable attending a school that was investing in russian assets? i wouldn't. even if it's not a ton of money (we don't know how much) it's still likely to be significant given columbia's $14 billion endowment (and i find your phrasing unnecessarily condescending here.) harvard, where an encampment has been set up, is worth $50 billion. some of the ivies, like cornell, invest in raytheon—setting aside israel, why should any university have investments in the military industrial complex to begin with?
here is the preamble to the most recent currently available columbia divestment resolution:
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not exactly pie-in-the-sky stuff here. the apartheid protests resulted in successful divestment, and even the 1968 protests resulted in all demands met by the admin. it's a very practical goal. it's also one that happens to be morally righteous and just.
furthermore, i don't know where you have been for the past week, but who have you seen escalate the protests? the reason why there is now a worldwide protest movement is because, for the thousandth time, minouche shafik called the cops to arrest 108 students. the NYPD itself said the students were peaceful and offered no resistance whatsoever, even as police also arrested legal observers. it was not the intention of the protesters to get national or international attention. "hard wholeheartedly support the protests" is an exceedingly strange comment to make that i, frankly, have a hard time understanding. i find it extraordinarily easy to wholeheartedly support fellow graduate students and professors i personally know at multiple universities who are meeting the ire of a lying media, lying administration, and lying government in the form of a police baton for the crime of sitting on some university's lawn.
at this point, given the sheer level of violence the police has unleashed on students and faculty across the country for showing up to said lawns, a portion of the protest support for them stems from the defense of free speech.
additional demands in light of the arrests and suspensions include the reinstatement of SJP and SJVP and amnesty for all arrested. again, not absurd, not without precedent.
lastly, i invite you to go to a protest and see what's happening for yourself. at this point, there's bound to be one near you.
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isabel-lillah · 2 days
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april 21 - prompt: run - @jegulus-microfic - word count: 307
Okay, so Regulus might be hiding from his friends right now. But it's for a good reason.
Pandora keeps insisting he's overworking himself with studying for their exams, while Regulus keeps insisting he is not. The rest of their friend group has similar mentality as Regulus (meaning exhaustion doesn't matter as long as you pass the exams), but not all of them can avoid Pandora for the entire afternoon, so Regulus left on his own.
Barty is going to kill him for this once he comes back.
In Regulus's defence, leaving the castle, and Pandora's fussing, was integral to his sanity. He also left a note saying he's taking a walk, so his friends wouldn't have to worry. He figured it was a good enough idea.
What might not have been the best idea, though, was to take the walk in the Forbidden forest. Especially not when he's this exhausted.
Because there's no explanation other than complete exhaustion for staring eye to eye with a stag.
They've run into each other over two minutes ago and have been staring at each other the entire time.
"Pandora's right, I need to go to sleep," Regulus mutters, shaking himself out of the trance, before slowly turning around and tripping.
Before he can hit the ground, a strong body supports him.
"Thanks, deer," Regulus whispers, not knowing whether to find his own joke funny or not. Either way, the stag seems amused, so he decides to count it as a win and never tell a soul he actually said this.
As a stag and an overworked, tired teen started their way out of the forest, Regulus mustered enough energy for one last statement: "You know, deer, you feel weirdly like James. You guys have the same aura."
And if Regulus wasn't so exhausted, he would swear he saw the stag blush.
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ghostlyferrettarot · 3 days
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★Pick a Picture: 🎀📎Who's admiring you right now?📎🎀
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•Pile 1 •Pile 2 •Pile 3
❗️This is a collective reading, take what resonates and leave the rest❗️
✨️Paid Services ✨️ (Natal charts and tarot readings) Open!
🖤If you like my work you can support me through Ko-fi. Thank you!
🛍Masterlist🛍
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💭Pile 1: The emperor, Six of Swords and Ace of swords.
Hi pile 1! I feel like this is someone from your past, someone who regrets how things ended between both of you. This person thinks about you constantly, they are probably stalking your social media too.
I sense a lot of stubbornness from them, so they are wanting to approach you in some way but they are scared of doing so; I feel that you may even intimate them a lot but they won't admit this, they have a lot of pride. I see that they can come towards you after a period of time in which they have reflected about their past actions but they are still scared that you won't "take them back." It is up to you to decide what to do pile 1, I see you shining alone without being bother by these person heavy energy; so keep doing you my dear pile 1!
💭Song:
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💭Pile 2: Page of cups, The moon and 10 of cups.
Hi pile 2! This person is so sweet, I sense a lot of water energy from this person. I feel like this someone that you know since childhood or that recently met towards family/friends.
Your person wants to get to know you better, it feels like maybe you didn't have a lot of time in your first meeting but since then they cannot get you out of their mind. They could fantasize about being with you, having a connection and just being closer to you in general. Their love language is gift giving so you may be receiving gifts from this person. I feel like they get nervous around you, you really give them butterflies in such a cute way.
I feel like they are kinda preparing themselves to come towards you more directly so look forward to that my dear pile 2!
💭Song:
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💭Pile 3: Wheel of Fortune, 6 of wands and King of wands.
Hi pile 3! I feel like this is someone who you may not be aware of; This person has a more cold energy but he is different with you, this person feels that you truly understand him. I sense a little bit of pride on their side, so they won't admit this to their face but believe me they had a lot of feelings towards you!
This person wants some alone time with you, maybe both of you are always surrounded by friends or family so you two never get a chance to talk alone; I feel like this person is probably preparing themselves to come towards you in a more personal way, I keep hearing that they want to get you alone. They also have a lot of protective energy towards you but in a lovely healthy way, really loving actually; so you may be hearing from this person soon pile 3!
💭Song:
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🎀🖤Thanks for reading and tell me if it reasonated🖤🎀
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xi-chan · 1 day
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can you pretty please write ratio sunday and maybe gallagher with a reader who just brings animals home like one day they come home with just a dirty feral ass cat out of nowhere
of course I can love <33 I love this idea
White Jasmine
sypnosis: one day, you bring home a stray- much to his surprise you found it on the street pairings: Ratio, Sunday and Gallagher x reader (Separate) wordcount: 338 (Ratio), 364 (Sunday), 292 (Gallagher) A/N: fluff and crack? I have NOT grasped enough of Gallaghers personality to write enough for him im so sorryyy
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RATIO
"No." he said, nonchalantly as you pout with the kitten in your arms. "Why not? Look how cute he looks!" you said and your boyfriend grimaced as he saw the feral look on the 'kitten' that you held. "It looks like it wants to rip my face off. And here I thought you could use your brain for once." he added and you dramatically gasped, holding the kitten close to you. "How could you say that?! He's not an 'it'! Besides, all he needs is a bath, some food and some grooming. Plus, if he were to rip your face off, then it's because you made him uncomfortable." Ratio groaned in annoyance before you walked right past him, getting ready to help your kitten.
He followed quickly behind in fear for his dozens of books and whatever he has for studies. "What do you even want to name him?
"Emperor Maximillian Pusspuss."
"You cannot be serious."
Nevertheless to say, the two of you agreed on the name Cosine- mostly because that when Ratio tried to explain The Pythagorean theorem to 'an idiot' student (he called him that), the cat responded every time he said 'Cosine'.
After one long day of shopping, you opened the door to your shared house and noticed the lack of sounds from inside. Also, normally, Cosine would wait before the door once you entered, but not today. As you walked through the entire house, you stopped when you entered the bedroom, bringing out your phone to snap some pictures of the sight before you. There, your smart boyfriend laid on your bed with Cosine sleeping on his chest as he read a book. He looked up as he heard the shutter from your phone, "What do you think you're doing?" he asked, putting the book away. You smiled to yourself before walking up to the bed and petting Cosine, causing him to wake up and meow softly at you. "Well?" you took a glance at Veritas before you showed him the picture.
"Preserving memories."
SUNDAY
"Angel, this is the seventh time." he sighed, too tired to argument with you actually as you brought in yet another bird you found in Penacony. "But this one is injured." you said, showing your boyfriend the injured wing of the bird. He got up from his seat and you place the bird carefully on his hands when he stood before you. "Seems like a small fracture," he gently held the injured wing and inspected it before letting it rest beside the bird. "poor little thing." he quietly added before looking up to you. "I don't think we can care for another one, Angel." he said, but you shook your head, practically begging him. "pleaseeeee, the room is big enough for another, it can stay." he chuckled before the two of you began to walk to a distant room at Dewlight Pavilion.
Over the past 2 months, you have brought in six birds before this one, almost begging Sunday every time to help you heal them- after the fifth time you realized he only made you beg because he liked it. Together, with Robin's help, you have taken care of all the birds you have found. Even after they were healed, they chose to stay at Dewlight Pavilion, much like the origami birds that hid everywhere. Every morning, they would greet every with a delighted chirp and sometimes land on your or Robin's shoulder, but never Sunday's for some reason.
"Let me get some bandages and a intramedullary pin." you said, rushing to one of the shelves with the medicinal items. After making sure the bird was asleep for the procedure, you carefully drilled the pin into its bone before bandaging it up. Sunday gave you a small kiss as you placed the still sleeping bird on one of the pillows. "What was that for?" you asked, smiling at him. "I am not allowed to kiss you?" he chuckled before looking at the bird again. "This won't be the last, right?" You nodded and turned to him again. "Does it bother you already?"
"It does not. As long as there aren't too many staying here and you still remember that I'm present, of course."
GALLAGHER
"Here you g- what do you have there?" Gallagher just finished giving you your drink before he saw the stray hound that sat beside you. "Oh- this is Pee-wee." Gallagher remained silent before Siobhan laughed at the name behind him. "Pee-wee? That's his name?" he asked before silently mourning over the given name of that dog. You chuckled to yourself as you sat on one of the bar stools with your drink in hand and the hound also jumped onto one of the stools. "I was kidding, handsome. His name is Dexter. Fits more, don't you think?" you took a sip as he exhaled in relieve. "Oh thank god." Dexter swagged his tail as Gallagher pet him before turning to you. "Where did you get him?" he took notice of the amount of dirt in his fur and some injuries on his ears. "Near Dream's Edge. He was starving when I found him. Can we pretty please keep him?" Dexter barked at your idea and Gallagher found himself agreeing.
However, to what he was not agreeing was to you bring even more stray dogs to the bar, to the point where even the local Penacony monsters were unable to enter and the bar quickly lost customers.
"Ahem, don't you think you kind of... overdid it?" Siobhan asked you and Gallagher nodded, "They need to leave. Especially those who aren't even injured." you shook your head as you sat on the ground with almost five dogs trying to lie on your lap. "I'm unable to do so." Gallagher groaned as he gave up, sitting beside you and letting some dogs also lie on his lap.
"At least get them out of the bar. Argue with the Hotel Staff to let them wander around."
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