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oobbbear · 3 months

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An original species inspired my the moon phases :]! Long post warning ⚠️

These are new moons, they are the smallest and the weakest sub species of the moon kinds

These little creatures can be found everywhere, some living amongst the humans, some in the forest, some even under water

Their height range from 5cm to 30cm

New moons who lives in the human world disguises themselves as everyday objects so they can blend in and not be caught, they steal little trinkets and foods when human’s not looking

These are the crescent moons, they act mostly the same as new moons the only difference is they’re taller and stronger

New moons would sometimes disguise themselves as other moon species so they don’t get attacked by them. Moons are not the kindest to the other sub species. New Moons usually go out in a group of 3 or more, that way they can look out for each other in the big dangerous world.

New moons dress up in heavy layers not only to blend in with their surroundings, it also because their natural body is very soft and fragile, they need the layer of protection to not die easily in the wild

Their disguise of choice is like their second skin it aids and protects them, even tho it is changeable and won’t hurt them when damaged, the little guys value them greatly

This is a Sun, they are the natural enemies of the Moons, while Moons are like little humans, Sun are more like big shiny long dogs, they’re not as smart as the moons but they are much stronger and faster than them

Suns hunts New Moons as food

And in return New Moons do the same

Whenever a Sun is killed by the New Moons, the little creatures would gather together and throw a big party to celebrate their rare victory against their biggest threat in the wild

They called the celebration “The Feast of Eclipse”, like the name, Eclipse appears rarely, and it is the only time a moon can dominate a sun, even if only for a short amount of time

During the celebration, they would dance and sing around their kill and pray for the safety of their kind and for their god to protect them against the many predators they face. It’s a traditional ritual for them

After the ritual, they would cut up the Sun beast and prepare its flesh for the feast. Suns are very good nutritions for the Moons so they won’t let anything go to waste, they make wine out of their blood and meat for the main dishes, after the meal left over flesh will be make into jerkies, and bones will be turn into tools or decorations

Enough about New Moon, let's talk about some other sub species of Moons

This is a Full moon, they are the rarest of the Moon kind. Alike other Moons, they also disguises themselves to blend in their surroundings, but unlike others who gathers material to make their second skin, Full Moons are natural shapeshifters. They release a orb like liquid from the back of their head which made up their body, they can mold it into any form, the only flaw is that they are not able so change their facial structure and their skin patterns.

Full Moons are on the top of the Moon food chain, they eat every single Moon species which including their own kind. These bastards eat ugly look away.

They are the only Moon kind who can own and train a Sun, some keep them as pets but most use as hunting dogs to catch New Moons.

This is all I got at the moment! here's a chart of all the Moon phases, I am planning to introduce the Quarters and Gibbous in the future so keep an eye out if you're interested! I love making character concept it gives my brain something to work with when I'm on break :]

Oh also! feel free to make your own little Moon Phase creature designs and please tag me if you plan to post it I wanna see I’m curious what y’all make of them!

#my art #oc #Moon phase creatures #character design #character concept #cw animal death #cw blood #tw blood #cw body horror #full moons are so weird I love them so much

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ferret-who-likes-robots · 2 months

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HELLO, I GOT A THING, BASED OFF OF @oobbbears MOON PHASE CREATURES

#Moon phase creatures #Moon phase creatures au #sun and moon au #moondrop #sundrop #eclipse dca #eclipse fnaf #ao3 #ao3 link

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thinkin-bout-milgram · 4 months

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Deep Cover: Initial Thoughts

Okay, this one is a lot to look at , especially given how relatively little is actually said. Still, I think I'm starting to make sense of it, so here's my analysis that I've figured out so far.

I'll be using @/oehale on Twitter's translation of Kotoko's voice drama Yonah. As usual, I'll be bolding my general topics/thoughts and moving forwards with that. Let's get started!

Kotoko sees herself as the new warden.

The most obvious comparison here is the mimicking of UNDERCOVER. Kotoko, like the original UNDERCOVER, has lyrics that start with "UNDER" and are followed by talking about the other prisoners. She also basically says as much to Es; they're working together now. They should work together to make the "right" Milgram.

It's pretty obvious that our little innocent deal with Kotoko has gone straight to her head. She now sees herself as part of the authority of the prison, and believes it's her role to give out the proper punishment for guilty verdicts. However...

Kotoko believes everyone in the prison (other than her) should be guilty.

This is pretty obvious based on those previously mentioned "UNDER" lines. They're all very critical. Notably, the ones that most clearly indicate this-- towards the end of the song-- only include the innocent prisoners, but she's made it pretty clear that she agrees the earlier guilties should have also been guilty.

“UNDER” Doltish “001 Parasite” “UNDER” Obscene “002 Slut” “UNDER” Incessant “004 Phony Queen” “UNDER” Doomed “005 Dissection Pawn” “UNDER” Concealing “007 Deceiver” “UNDER” Inept “011 Guard”

Even Es, the "inept guard," gets to face Kotoko's judgment! That line is interesting in conversation with the audio drama, which focuses on Kotoko calling Es weak because they've grown to like and have sympathy for the prisoners. Kotoko has come to view Es, someone who is willing to forgive the guilty (in her perception) prisoners, as being guilty as well for not condemning them.

(Also, 011? Are you implying that something will happen after the tenth? Am I right about a Trial 4 in which we'll vote on Es??)

Notably, for Kotoko, wanting everyone to be voted guilty basically means that she wants everyone else to die. In the intro to the second Trial, Kotoko said that she wouldn't go as easy next time, and Mahiru already nearly died this time around.

So ridiculous, isn’t it ridiculous They’re still here, still here, it grates me

This also definitely seems pretty "get everyone else out of here (kill them)" to me, especially given that it's shown after Kotoko smashes all the pieces representing the innocent prisoners as well.

The guilty ones were already broken earlier into the MV:

Futa's and Mahiru's were broken first; they've already been "broken" in the sense that they've been attacked. The other guilty prisoners go next, as they're Kotoko's next targets. Then, finally, the rest of the originally innocent prisoners, who Kotoko hopes will be voted guilty sooner rather than later.

This is also a small note, but I find it interesting that the line "I want a reason for judgment execution, I want it" was initially translated as "I need a good reason to give justice" in the Trial 2 Song Preview. The specific reference to execution was added/wasn't emphasized in the original version. I don't know what the "correct" direct translation is, but I always stand by the fact that if the translators chose to translate something in a certain way, it's intentional.

(Side note, but I wonder if UNDERCOVER's change in official lyrics to include all of the prisoners' Trial 1 song titles happened when they decided to mimic it in Deep Cover, which also includes the Trial 1 song titles. Could be a reason for the change in translation.)

And, uh... that's all I got. That I'm confident about, anyways. I still have other thoughts, though, so rather than me having bolded claims as section titles, I'm just gonna have, like... categories.

The Girl

You.

We've seen her before, in HARROW:

So, she's the one Kotoko rescued from this guy, right? That's what this seems to be telling us. However, there are a couple of important details to consider.

Where's her hat?

What about the girl in the white dress?

What about the girl in the pink shirt?

I'll get back to 1 in a bit.

The girl with the white dress in question only appears shortly in HARROW, and as far as I can tell, not at all in Deep Cover:

It could technically be the same girl, I guess, given that we can't see her face. However, then there's the pink shirt girl:

There's also still this thing from HARROW:

In my original HARROW theory, I theorized that the guy abducted Kotoko (the girl in the pink shirt), but the girl in the white dress distracted him/sacrificed herself long enough for Kotoko to get away. The memorial/potentially a police notification?/whatever the sign with the flowers is belongs to the white dress girl. Kotoko then later tracks down the guy who did it, when he's abducting the girl in orange. Kotoko then kills him.

Honestly, I think that this still tracks. We didn't really get anything else about the memorial, the girl in white or the girl in pink in this MV-- or the guy she killed, for that matter-- so there aren't any conflicts. I'll be moving forward assuming that that's true.

So, then, back to the orange girl. She isn't wearing the hat Kotoko gave her when we see her getting dragged off. What does that mean?

Establishing the Timeline

It seems most likely to me that most of Deep Cover happens after HARROW's murder. That's not just because the opening shot of Deep Cover looks like the end of HARROW. There's a lot more going into that.

First off, there's the girl. I initially thought that she might be Kotoko's sister, given the apparent familiarity Kotoko seems to show to her, rubbing her head in the park scene. However, once I remembered my initial theory, there are only really two possible interpretations I can think of for her involvement with the man Kotoko kills.

Either

She isn't at all related to Kotoko, and they "met" when Kotoko rescued her by killing the man, OR

She IS Kotoko's sister, in which case Kotoko probably used her as bait to lure out the guy in order to follow him back to his warehouse and kill him.

The second one was my initial read, but after looking at it longer, I think the first one makes more sense on the whole. If I'm right that the first thing that happens in the Deep Cover MV is the murder, that means that the park scene happens after it.

This isn't hard evidence or anything, but notably, the hat the girl has says "LUCKY" on it. If she's lucky, it probably means that she's lucky that she survived the situation with the man. It wouldn't be luck if she was planted there by Kotoko; it would only be luck if she happened to be the victim who's abduction lined up with Kotoko's rescue mission.

The park scene is still a little confusing to me if they were strangers, though. After all, Kotoko pretty pointedly ignores the girl at 2:06 to 2:19ish, and as far as I can tell, nothing major happened between the park and then.

There are three main explanations I can think of.

The first one is that the girl tried to stop her. Like, maybe she thought it was really cool when Kotoko rescued her, but when she realized Kotoko went to go threaten/possibly kill someone who, like, stole something from a business or something, she thought that was too much. This is pretty much entirely based upon the fact that the "Tell me why you tell me stop" lyric lines up suspiciously well with the change in the girl's expression from happiness to surprise, and then eventually what looks like fear.

The second one is that Kotoko is distracted at that point. In the park, we see Kotoko still looking at her phone, presumably looking for more wrongdoers. She spends time with the girl while simultaneously working, so it's no bother to her to spend time with the girl. However, when the girl tries to greet her later, she's in work mode. After passing the girl, we see Kotoko marching on forward with smoke (?) around her. It's very dramatic and she looks very threatening. It's even possible that she's doing a werewolf transformation type of thing there. If Kotoko has her sights set on a target, she might be more unwilling to waste time talking to the girl. This would signify that the people she rescues are irrelevant to her; her focus is on punishing wrongdoers, not checking in on saved would-be-victims.

The third one is that the park actually happened after the thing on the street, but given that she's already wearing the hat on the street scene, which she first wears in the park, that doesn't make a lot of sense.

I think the second option makes the most sense, so it's what I'll be going with.

So, the timeline looks like this:

Kotoko, as a child, is abducted by that one guy. She wears a pink shirt in the flashback. The girl in the white dress intercepts and allows Kotoko to escape. Years later, after becoming a vigilante, Kotoko tracks down the same guy and kills him, rescuing the orange outfit girl in the process.

The orange outfit girl finds Kotoko in the park and either receives or shows Kotoko the hat she got. Kotoko, while still looking at information for her next target, entertains her because she isn't actively busy.

The girl tries to approach Kotoko on the street. However, Kotoko is heading after her next target, and there's no time to lose. The expression of intensity and general coldness Kotoko gives off intimidates the girl, and Kotoko proceeds with her plans.

So, that's how Kotoko's murder works, right? There's absolutely nothing else related to time that could drive me insane!

...

Becoming a Lunatic (The Moon Phases)

Okay, Kotoko's a werewolf, she attacks on the full moon, we all get it. Except... goddamn it, there's more moon than just the full moon.

As far as I can tell, there are three moon phases that are shown across HARROW and Deep Cover. The first one I'm talking about is the full moon.

The Full Moon

The wolf zone occurrence of the full moon in HARROW lines up with when she kills the guy, which makes sense. In Deep Cover, it's preceding the time where she smashes all of the remaining innocent prisoners. That hasn't happened yet.

Because moon cycles happen repeatedly, I think it's okay to say that the full moon happened in the past, when Kotoko killed the guy, and in the future, where Kotoko hopes to kill the other prisoners. It's even possible there's a full moon we didn't see when Kotoko attacked Mahiru and Futa.

Like, that's probably just a spotlight, but it definitely COULD be moonlight. Either way, we don't see the sky, so it at least isn't conclusively NOT a full moon then.

So, full moon = violence. What else?

The Waning Crescent

Disclaimer I know nothing about moons. I am working off of this chart from timeanddate.com. If it's wrong blame them, I can't find a better chart anywhere on the internet.

Notably, the waning crescent is what the moon is for pretty much all of HARROW, except the quick appearance of the full moon at the end. There are clearly visible shots of it around 1 minute and 2 minutes in.

I don't really know what specifically waning crescent is supposed to mean here. Google says that it's about change and reflection, but spoilers, that's what it also told me about the third moon phase that shows up, so I don't know how much stock to really put into that.

I think the most obvious (?) symbolism of it is that it's right before the new moon, when the light isn't shining at all. If I had to take a stab at what the new moon represented, I'd say it's times in which Kotoko is powerless. She's powerless when she's looking for information before the first murder, she's powerless when looking at her crossed out board (more on that later), and she's powerless now-- when we're going to vote. She can't give out justice without our help. This is the last part before we give our verdict on her, so as she's looking around at the other prisoners, innocent and guilty alike, she's preparing to be able to do nothing. She hopes she'll get back to that full moon and exact justice on the other prisoners, but that's only hypothetical for now.

Let's talk about that board really quickly. This is how it looks in the middle of Deep Cover, when the crescent shows up:

This is how it looks at both the beginning and end of HARROW:

This is another reason to believe that Deep Cover happens after the end of HARROW. After all, it'd be hard to un-black out the papers, and given that they're hanging in basically the same positions, it'd be surprising if they were replaced papers. So, that means that Kotoko blacks out her information sometime after she successfully kills the guy.

The scene with the blacked out board is immediately followed by the final moon phase, and then by the girl in orange in the park.

The Third Quarter Moon

The crescent moon on top of the board directly fades into this third quarter moon. This made sense to me until I saw the arrow on the moon phase chart telling me to read it counterclockwise. Then I was confused.

Because the third quarter moon happens immediately before the waning crescent, I think that this moon shift is meant to serve as a time rewind. The scene with the girl in the park (and therefore also, the girl on the street) happens before the scene with the blacked out board. This supports the idea that Kotoko ignored the girl because she was taking out a target; after that scene, all her targets are gone, so Kotoko can cross out the information about them on her wall.

This also checks out with the stuff with the girl in the park and on the street happening after Kotoko kills the guy, given that the third quarter moon comes a little bit after the full moon.

There's no occurrence of the third quarter moon in HARROW. However, it does actually show up one other time in Deep Cover.

At 2:28, the moon shows up in third quarter again, then transitioning to a pink full moon. I'd assume that this shift backwards in the moon cycle, as it did earlier, signifies turning back in time. However, the pink full moon refers to Kotoko killing all of the remaining Milgram prisoners, an event that's already in the future. What happens after the hypothetical future scenario of Kotoko killing everyone?

The answer is, Kotoko collapsing in the wreckage of the destruction she caused. She's in her warden outfit, so it's consistent. The scratch marks probably indicate that this is immediately after she turns back from being a werewolf, in the hypothetical pink full moon.

This indicates that, somewhere in her mind, Kotoko realizes that she might suffer from killing everyone else, collapsing under the weight. It does seem like Kotoko understands that being the one true savior is difficult.

K: I know it well. It's so hard to hold the responsibility of a guard all alone. I've also felt this way. You are such a kind person. You can't stand the prison changing with the power of your choices. So you need someone to be with. Leave all of the dirty work to me.

Even if she wants to present herself as someone who's crushed her own weakness, she still has to worry. The lyrics of the chorus are begging Es to give her her next target. If she doesn't have people to target, she doesn't have purpose. Her board is all blacked out; the guilty prisoners will be crushed. Once all that's said and done... what else is she going to do?

Conclusion

Anyways, that's my best shot at understanding this MV. It is... confusing. The main things I still don't understand across the two MVs are the many wolves with purple glowing eyes in HARROW and what the hell the pieces that represent the other prisoners in Deep Cover are. If they're not chess, then what are they???

oh wait lmao i forgot

VERDICT: GUILTY

We already knew this one.

I can't tell Kotoko that it's right to kill the rest of the prisoners, and she really needs to be restrained. I don't know exactly what the damage is gonna be to Kotoko's mental state, but for the safety of everyone else, I kinda have to. She makes fair points about us verbally torturing prisoners not being that different from physically harming them, but... we're at the very least not shooting to kill?? Like, if you kill them, there's no hope at redeeming them. That's what we're trying to do, even if the tactics Milgram gives us are less than ideal.

Anyways, tell me your thoughts and if any of this made sense! Happy end of Trial 2!

#milgram #ミルグラム #admin venus #kotoko yuzuriha #milgram theory #long post #5:43 am hell yeah #normal things #this mv did NOT make sense to me the first time that i watched it #like at all #the moon phases almost made me cry /srs #but i think i figured it out by the end!!#kotoko is such an interesting little creature #i want to study her #which i guess is what this post is doing lol #i should go to sleep

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aleksandra-czudzak · 1 year

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Aleksandra Czudżak

#illustration #magic and mayhem #magic illustration #magical creature #horse #white horse #flame #fire #illu #ilustracja #gouache #cresent moon #moon phases #magical #ilustrace #decorative #folkart #folk #magic art

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anthonyspage · 1 year

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🌌🌿🙌🌙🦋🌒🌔🌕🌖🌘✨

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agentromanoffsir · 1 year

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neocities guide - why you should build your own html website

do you miss the charm of the 90s/00s web where sites had actual personality instead of the same minimalistic theme? are you feeling drained by social media and the constant corporate monopoly of your data and time? do you want to be excited about the internet again? try neocities!!

what is neocities?

neocities is a free hosting website that lets you build your own html website from scratch, with total creative control. in their own words: "we are tired of living in an online world where people are isolated from each other on boring, generic social networks that don't let us truly express ourselves. it's time we took back our personalities from these sterilized, lifeless, monetized, data mined, monitored addiction machines and let our creativity flourish again."

why should I make my own website?

web3 has been overtaken by capitalism & conformity. websites that once were meant to be fun online social spaces now exist solely to steal your data and sell you things. it sucks!! building a personal site is a great way to express yourself and take control of your online experience.

what would I even put on a website?

the best part about making your own site is that you can do literally whatever the hell you want! focus on a specific subject or make it a wild collection of all your interests. share your art! make a shrine for one of your interests! post a picture of every bird you see when you step outside! make a collection of your favorite blinkies! the world is your oyster !! here are some cool example sites to inspire you: recently updated neocities sites | it can be fun to just look through these and browse people's content! space bar | local interstellar dive bar creature feature | halloween & monsters big gulp supreme peanutbuttaz | personal site dragodiluna linwood | personal site patho grove | personal site

getting started: neocities/html guide

sound interesting? here are some guides to help you get started, especially if you aren't familiar with html/css sadgrl.online webmastery | a fantastic resource for getting started with html & web revival. also has a layout builder that you can use to start with in case starting from scratch is too intimidating web design in 4 minutes | good for learning coding basics w3schools | html tutorials templaterr | demo & html for basic web elements eggramen test pages | css page templates to get started with sadgrl background tiles | bg tiles rivendell background tiles | more free bg tiles

fun stuff to add to your site

web revival manifestos & communities

also, there's actually a pretty cool community of people out there who want to bring joy back to the web! melonland project | web project/community celebrating individual & joyful online experiences. Also has an online forum melonland intro to web revival | what is web revival? melonking manifesto | status cafe | share your current status nightfall city | online community onio.cafe | leave a message and enjoy the ambiance sadgrl internet manifesto | yesterweb internet manifesto | sadly defunct, still a great resource reclaiming online social spaces | great manifesto on cultivating your online experience

in conclusion

i want everyone to make a neocities site because it's fun af and i love seeing everyone's weird personal sites that they made outside of the control of capitalism :) say hi to me on neocities

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afuturisticallywingedbird-blog · 24 days

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A few of these are old drawing from 2022, but I did finally ink them, so it won't rub off later at least.

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diana-thyme · 1 year

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The Ultimate Grimoire Guide

So! I have been seeing a ton of grimoire ideas and thought I’d stuff them all together. A lot of ideas are from @manifestationsofasort, @banebite, and @pigeonflavouredcake. Check them out! They have a ton of cool stuff there.

What Do I Use For My Grimoire?

You can use anything for a grimoire! For a physical one, journals, binders, and notebooks are good. For digital ones, Notion, Tumblr, Docs, and even just your file folder are great.

Introduction

A Book Blessing

Table of Contents

About Me

Your Current Path

Your Personal Beliefs

Your Spiritual Journey

Superstitions

Past lives

Favorite Herbs/Crystals/Animals/Etc.

Natal Chart

Craft Name

How You Entered The Craft

Astrology Signs

Birthday Correspondences (birth tarot card, birth stone, etc.)

Goals

Safety

Fire Safety

What Not to Burn

Toxic Plants & Oils (to humans, plants, animals)

Crystals That Shouldn’t Be Put… (in sun, in water, etc.)

Things That Shouldn’t Be In Nature (glass, salt, etc.)

Potion Safety

How to Incorporate Blood in Spells

Smoke Safety

Wound Care

Biohazards

Core Concepts

Intention & How It Works

Directing Energy

Protection

Banishing

Cleansing

Binding

Charging

Shielding

Grounding

Centering

Visualization

Consecration/Blessing

Warding

Enchanting

Manifestation

Meditation

What Makes A Spell Work

Basic Spell Structure

What Not To Do In Spells

Disposing Spell Ingredients

Revitalizing Long Term Spells

How To Cast Spells

What To Put In Spells

Spell Mediums (jars, spoken, candle, sigils)

Spell Timing

Potion Bases

Differentiating Between Magick and Mundane

Common Terms

Common Symbols

Intuition

Elements

Basic Alchemy and Symbols

Ways To Break Spells

Laws and Philosophies

Correspondences

Herbs & Spices

Crystals & Rocks

Colors

Liquids & Drinks

Metals

Numbers

Tarot Cards

Elements

Trees & Woods

Flowers

Days

Months

Seasons

Moon Phases

Zodiacs

Planets

Incense

Teas

Essential Oils

Directions

Animals

Symbology

Bone Correspondences

Different Types of Water

Common Plants

Entities

Deities You Worship

Pantheons

Pantheons & Deities Closed to You

Common Offerings

Epithets

Mythos

Family

Worship vs Work

Prayers & Prayer Template

Altars

Deity Comms

Devotional Acts

Angels

Demons

Ancestors

Spirit Guides

Fae

Familiars

House, Animal, Plant, Etc. Spirits

Folklore Entities

Spirit Etiquette

Graveyard Etiquette

Boundaries

Communication Guide & Etiquette

Spirit Work Safety Guide

How Entities Appear To You

Circle Casting

Common Offerings

Altars

Servitors

Mythological Creatures (dragons, gorgons, etc.)

Utility Pages

Gazing Pages

Sigil Charging Station

Altar Pages

Intent Pages

Getaway Pages

Vision Boards

Dream Pages

Binding Page

Pendulum Board

Crystal Grid

Throwing Bones Page

Divination Pages

Mirror Gazing Page

Invocation Pages

Affirmation/Manifestation Pages

Spirit Board Page

Other Practices

Practices That Are Closed to You (Voodoo, Hoodoo, Santeria, Brujeria, Shamanism, Native Practices)

Wicca and Wiccan Paths

Satanism, Both Theistic and Non-Theistic

Deity Work

Religious Paths (Hellenism, Christianity, Kemeticism, etc.)

Animism

Types of Magic/Spells

Pop Culture Paganism/Magic

Tech Magic

Chaos Magic

Green Magic

Lunar Magic

Solar Magic

Sea Magic

Kitchen Magic

Ceremonial Magic

Hedge Magic

Death Magic

Gray Magic

Eclectic Magic

Elemental Magic

Fae Magic

Spirit Magic

Candle Magic

Crystal Magic

Herbalism

Glamours

Hexes

Jinxes

Curses

Weather Magic

Astral Magic

Shadow Work

Energy Work

Sigils

Art Magic

Knot Magic

Music Magic

Blood Magic

Bath Magic

Affirmations

Divination

Tarot Cards

Oracle Cards

Playing Cards

Card Spreads

Pendulum

Numerology

Scrying

Palmistry

Tasseography

Runes

Shufflemancy

Dice

Bibliomancy

Carromancy

Pyromancy

Psychic Abilities

Astrology

Auras

Lenormand

Sacred Geometry

Angel Numbers

Ornithomancy

Aeromancy

Aleuromancy

Axinomancy

Belomancy

Hydromancy

Lecanomancy

Necromancy

Oneiromancy

Onomancy

Oomancy

Phyllomancy

Psephomancy

Rhabdomancy

Xylomancy

Tools

Crystal grid

Candle grid

Charms

Talismans

Amulets

Taglocks

Wand

Broom

Athame

Boline

Cingulum

Stang

Bells

Drums

Staffs

Chalices

Cauldrons

Witches Ladder

Poppets

Holidays

Yule

Imbolc

Ostara

Beltane

Litha

Lammas

Mabon

Samhain

Esbats

Deity Specific Holidays

Religious Holidays (Christmas, Easter, Dionysia, etc.)

Celestial Events

Altars

Basics of Altars

Travel Altars

Deity Altars

Spirit Altars

Familiar Altars

Ancestor Altars

Self Altars

Working Altars

Self-Care

Burnout Prevention

Aromatherapy

Stress Management

Coping Mechanisms

Theories & History

Witchcraft history

Paganism

New Age Spirituality

Cultural Appropriation

Thelema

Conspiracy Theories

Cults

Satanic Panic

KJV

Witches in History

Cats in History

Transphobia in Witchcraft Circles

Queerness in Witchcraft Circles

Other

Recipes

How to Get Herbs

Foraging

Drying Herbs and Flowers

Chakras

Reiki

Witches Alphabet

Runic Alphabet

Guide to Gardening

Your Witch Tips

Resources

Other Tips

List of Spells

Cryptids and Their Lore

What is a Liminal Space?

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devilcrue · 2 years

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Credits to: Jeremy Neill

Red hot and freshly varnished... 'Carnal'

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atlantean-studies · 2 years

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#spiritualawareness #spiritualguidance #spiritual quotes #spiritualhealing #soul #healing #letting go #quote #mermaid #mythical creatures #moon #moon phases

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oobbbear · 3 months

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Hey bearz. Are all full moons from your moon species thingy evil and fucked up or can some of them be normal?

They’re not necessarily evil, all the hunting and cannibalism are just a part of their nature.

Their personality varies, some of them are a bit fucked up, but the others can be quit nice, it all depends on the individual :]! I can make some nicer full moons in the future, they’re still going to hunt for other moons because it’s a part of their diet, but they can be nice in the sense of ummmm being nice to their neighbors(?) some of the nicer ones can live in the human society and have a pretty regular life, they’re nice to their neighbors

#ask #Moon phase creatures #okay sorry I just started rambling in the second half ndjdbdjdn

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ferret-who-likes-robots · 2 months

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✨️doodles✨️

i killed my thicker paged sketchbook so i cant draw anything with alcohol markers, but i got another sketchbook that i call my doodlebook so i doodled last night >:3

So we got that one meme including mrasb!Eclipse and mrasb!mc, an au that i havent done anything with where humans are extinct and fae have taken over the world and mc finds abandoned and overgrown sun, moon and eclipse, a scene from strange moon creatures (fanfic/au inspired by @oobbbears moon phase creatures) where sun tickles moon to death, and make the freaking frogs gay but mushroom

#sun and moon au #moondrop #sundrop #eclipse dca #eclipse fnaf #moondrop x sundrop #sundrop x moondrop #Magic rings and silver bullets au #moon phase creatures #moon phase creatures au #mushroom frog #Mushroom moon #witch hunter au #witch au

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girl-that-writes · 7 months

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Look at that flower. It's not doing anything extra to be pleasing to you. It's beautiful just because it's here.

Look at that painting. It's not doing anything to be appealing to you. It reminds you of something nice just because it's here.

Look at the moon. It has spots and it keeps going through phases. It's not doing you any personal favours. You still love looking at it just because its here.

Look at the stars. They are so far away and you only see them twinkle. You still love gazing at them just because they are here.

Look at the sun. You can't live without it even if on some days its heat is scorching. You still love the days when its heat is the best feeling on your skin. Just because it's here.

I promise, somebody looks at you and finds you beautiful, gets reminded of nice times, loves looking at you, loves gazing at you and chooses to love you despite the bad days (and so much more) just because you're here, I promise. Human beings are naturally loving creatures. Maybe that someone is from the past, maybe that someone is from the present, maybe that someone is from the future or maybe that person will be you one day. But you have to keep existing to find out.

#recovery #healing #self growth #self worth #self healing #self improvement #self care #self love #positive thinking #mental wellbeing #mental wellness #mental health #beauty in little things #growth

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holybibly · 14 days

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This is a little preview of my new series and yes, bunnies, this is a whole series from me. I hope everyone is ready for an erotic dystopia?

Decadent dystopian erotica with majestic dragons - second teaser for today

Glass House Ateez x reader

Everything changed in an instant.

The king was dead, and thousands of dragons took to the burning skies. The old world was over, and a 'new age' was in the making—an age of gods and monsters.

A thousand years ago, the fires of revolution blazed across the face of the world. Dragons—the creatures of ancient legends and children's fairy tales—reduced the once prosperous world to ashes in a matter of minutes. Rivers of black blood coursed through the veins of the streets, flooding the cities and lands in their wake. The sky was a blaze of purple flames and electric shocks. The church was reduced to rubble, and the royal family was executed in a public display. In the eyes of the dead, the unspoken horror in front of these majestic creatures remained forever, and in the sparks of the flames, they shimmered like precious sea stones.

There was a bitter smell of burning flesh and ash in the air. It was the smell of dreams on fire—the smell of a future in decay.

It was the beginning of the end of ancient life. The beginning of a new world. The Age of Immortality has begun.

All the legends turned out to be true; dragons did exist. They had always lived close to us, lurking in the velvety darkness of the night, waiting for the hour. Waiting for the hour to come when the power would be in their hands. Dangerous, unbridled, wild creatures of magic and the elements, predators at the top of the food chain. They had come into the world to rule, not to obey, and now, at long last, their time had come.

The world was at anarchy. Dragons were killing, raping, and enslaving races and lands as if it were an amusing child's game. They drank blood as black as the night from golden bowls, and they ate our succulent flesh as our bones cracked under the pressure of their razor-sharp teeth. They would hold orgies in the midst of the torn corpses and revel in their omnipotence. Those were the days of darkness. A time of terror, when the very word danger was a synonym for life itself. And so it went for several years, until the ultimate power fell into the clutches of the deadly Children of the Night, the oldest of all dragons.

The majestic Hala.

Eternal as the moon itself and deadly as the uncharted depths of the ocean, they inspired burning terror in all who encountered them. To their people, they were nothing more than a myth, a legend written on fragments of tablets. Forefathers, ancestors—they had hundreds of names, but each one inspired more fear than the last. They were predators among predators, bristling with animal dominance and primal, unbridled sexuality. They exuded power and sinfulness. They were the ones who defined the rules and set the boundaries of what was permissible.

With the arrival of Hala, a new phase in the history of the world began.

Humanity was enslaved, and dragons became the dominant species. As the years went by, the human population began to decline rapidly, with fewer and fewer humans, until "our" species reached the status of gatherers. Angelicus Nova, or Angel Stars, was what we came to be called. Human existence took on a strange religious orientation; we were worshipped, idolized, and adored, but despite all this, humans remained nothing more than a rare exchangeable currency, nothing more than an expensive trinket that was prestigious to own and could be broken with a flick of the wrist.

The human being also became one of the ways in which money flowed endlessly. These institutions were known as "glass houses." Gateway to heaven. They would be the equivalent of strip clubs or luxury escort houses if you and I were in the old world. The rules were the same: "Look, but don't touch." Girls and boys were expensive pieces of family jewelry that rested under the glass of fancy display cases. Our masters showed us off to the greedy eyes of the world with all the pride and ostentation that dragons have.

In spite of their possessive, animalistic nature, dragons were nothing more than swaggering bastards with inflated egos and delusions of grandeur.

Humans could be anything as long as dragons owned us—a muse, an innamorata, a nymph, an angel, a siren, or even a goddess—but like everything else in the universe, we came at a price.

The 'glass houses' were only in operation at night. During the day, all the 'jewels' rested and tidied up after tiring hours of contemplation of the world through the bluish glass of the display window. Nice, obliging workers in starched white collars were busy with the cleaning, scrubbing the baroque decorations of the vetrines with great care from a mixture of sperm, drool, and other secretions. You looked at it with an almost reverent awe, finding it disgusting to the point of bordering on the pornographically beautiful.

You could see it as real art—crude and original, but art nonetheless. There was something particularly mesmerizing about it, almost hypnotic, about the way the thick, pearly sperm dripped slowly from the golden flowers.

Of all the glass houses that ever existed, "Eros" was the most beautiful. It was the jewel in the crown of the New Empire, and you were its goddess. There were rumors that the Hala themselves were customers of 'Eros'. But rumors were only rumors. If they were ever to visit your 'home', you would know about it, for they would be where all men ended up—at your feet.

You were content with the life that you were living. There was no tragedy and no misery, no abusive family or abusive peers, no bullying and harassment at school—no, you had it all great. You were born here at Eros—the growth and blossoming of a beautiful flower. Your whole life has been within the confines of glass rooms and silk sheets, but unlike your dreamy friends, you weren't in need of rescue.

Your name is Aphrodite. Born in the radiance of the Creator. A goddess among goddesses, carved out of marble and mother of pearl. Your hair falls to the ground in waterfalls of pearls and silk. Your eyes are the eerie silvery moonlight in half-darkness, the deadly attraction of jewels in velvet lashes. Your lips are the succulent, juicy, forbidden fruit that every man would like to taste. The pain of your kiss is going to be the last pleasure of life.

You are not a delicate, pure lily; you are not a passionate, fiery rose; you are a narcissus reveling in the crystal of mountain waters. You love yourself to pain, to death, to despair, and in all the New Empire, there was none more beautiful than you.

Original sin. The primordial beauty. You are desire in all it manifests and begins to manifest.

The naked goddess, clad in snow-white fur like armor, is the goddess of love and ecstasy.

You've never been conceptualized; you've always been enigmatic.

You have been the object of worship. Your beauty has been sung in songs, and your love has been professed in a thousand languages. "Eros" was the site of visits from the mightiest and most powerful dragons of the New Empire. They all crawled at your feet, stroking their thick, greased with their cum cocks, greedily as they burned your skin with their golden gaze. They licked the deceptively thin glass of your display case with their long, sometimes split tongues, leaving muddy streaks on the perfect surface of the glass. The mighty and great dragons, unaccustomed to humiliation and submission, urinated like bitches in heat at the mere sight of your bare shoulders and long neck covered with diamond serpents, their eyes shining like stars in the twilight of your silken chambers. They would drip their sperm onto the icy marble floor until it collected in small, glistening puddles, and then they would lick it up as if it were the sweetest nectar in the world. Ambrosia in the truest sense.

Behind the glass walls of Eros, they were dominators, predators, and the rulers of this world through fear and pain, but here in this garden of Eros, they were nothing more than whores—shameless and needy. Slaves to your beauty, desperate to please you.

Their moans are always a delight to you. The moaning of your name.

The scenarios have been repeated to the point of being painful. Sugar-sweet subs with outstretched tongues and pretty, tear-stained faces. Dominant alphas with sweat-glistening skin and eyes rolling with pleasure.

Dragons fucked other dragons; orgies and bacchanals were staged; they were subjugated and subdued. They growled, moaned, squealed, and purred; some were fucked like a port slut, and some were licked for hours until they passed out from hyperstimulation. Some masturbated in front of your window, enjoying the fact that you were there to watch them, and there were others who would spend their heat and ruts in front of your window.

The list could go on and on: bondage, darkphilia, breeding, voyeurism, humiliation, objectification, and breathing games.

You were saturated with this game.

There were so many ways in which you could spend your evenings in the company of others. It was all designed to excite you, to make you beg, and to make you plead. Each of your visitors secretly hoped that one day you would strip off your luxurious furs and assume the position that was right for them—submissive, naked, and ready to accept whatever it was they were giving you.

It was an act of power; it was a position of strength, but here you were the strength. You were power.

No one would ever have the temerity to lay a hand on you. Goddesses are always untouchable.

You entertained yourselves by teasing them, mocking them, and fanning their flames of desire and passion. Dragons are creatures that are very dependent on their emotions and their desires; they feed on their power and their magic, but when they do not get what they want, it burns them from the inside; it breaks and crumbles them, like a cookie that has been bitten.

It was delicious, but you were full. Thank you, next.

You never denied that you were a sadist; you had a taste for pain; maybe it was a kind of revenge for the destruction of your family; maybe not. They came to you for that feeling; the dragons wanted to be punished and tamed, and the feeling of pain made them cum harder. As they say, Orgasm is a little death.

You could play this game for hours on end, letting the fur expose your boobs and pressing it against the cold glass as you went. It was magnificent—tall and plump, as if it had been milked with milk—with pink nipples the color of magnolia blossoms. There was something animalistically seductive about it—an appeal to their natural reproductive instincts—that evil thought of possible pregnancy. Their whimpering made you laugh, and the sounds they made were so sweet—desperate pleas and long, long moans.

"Let me taste you; I want it so much. I was a good boy, such a good boy."

There were other days when you would let your hands run over the bare skin of your thighs, leaving long red streaks that stood in erotic contrast to the silk of your pale skin. You smeared the clear, shimmering liquid of your juices along the line of your neck, in that most exciting place for dragons, where their teeth locked in a mating mark, as if branding their mate in the most perverse of affiliations.

"Tell me I belong to you; please say it. I'll do anything you don't want. Own me, use me; I want to be your toy.".

Sometimes other girls would be brought into your shop window to put on an erotic show. Exquisite nymphs and rosy-cheeked Lolitas would explore your tender skin with their soft, wet tongues, leaving traces of hungry kisses, until at last their lips would close on the most intimate spot between your thighs.

On days like this, the whole of 'Eros' would shake with furious, jealous growls and thunderclaps. Dragons were terrible possessive, and even though the "scene" itself would excite the hell out of them, the jealousy would burn through their veins from the inside out, like a deadly poison.

"You belong to me, and only to me. You are mine, mine and mine alone. I will tear this girl apart, and we will fuck in her blood until there are no more conscious thoughts left in your pretty little head, until you remember nothing but my name.".

But no matter what their words were to you, you didn't have a care in the world. Nobody would dare touch the goddess, and if they tried, they would not only lose their hands but also get killed.

That was the law of the New Empire—all the people who were left were protected and sheltered in an incredible way. There were very few of you, and if there had been any harm to even one of you, it would have been a real tragedy. Only once has there been a breach of that law, and the consequences have been terrible. No one wants a repeat.

In any case, your life in the Garden of Eros was a pleasure. Maybe it was some kind of perverse way of looking at the world and love, but you didn't have any desire to change anything; everything was great.

Have you ever wondered if there might be another version of you out there? Perhaps, somewhere in a parallel universe, humans would still exist as the dominant species, their countries and cities would be prosperous, and you would be living a different life—a normal one. There, in that other universe, that other Aphrodite—no, not Aphrodite—you would have an ordinary name, not a divine one, something cute, something sweet, and always with a hint of shyness. It is probably there that you would have experienced your first love, that you would dream of a prince who would take you off into the sunset, and that "and they lived happily ever after." You would have been embarrassed to talk about sex, and you would have blushed horribly if his fingers had been in your knickers. But you weren't her. And she wasn't you. You don't want to be saved from sinning; you want to become one of them. You want to experience forbidden pleasures. You want to subjugate and dominate.

You're not in need of a prince; you've already had a king, or rather, eight kings. The day will come when everything you have ever dreamed of will come true, even if you haven't met any of the Hala yet.

You want power; you want to sit on a golden throne in a castle high up in the sky, and so it shall be. They say that love is a great strength, but they fail to mention that it is also the greatest weakness. And you, like no one else, know how to use it to your advantage.

This is not a pink fairy tale. There are no rainbow ponies pooping rainbows and eating fairy dust. No, this is a rotten world. It is full of debauchery, violence, and sex. You could say, "Come and rescue me. I'm waiting for you," but no, you have to rephrase it as "I'm waiting for you to crawl on your knees and lick my heels, and from that moment on, I will own you.".

Yes, that sounds much better.

It's already eight o'clock; time to get ready; you're leaving soon.

Ladies and gentlemen, welcome to the most famous glass house in the New Empire. Tonight we have wet aesthetic cunnilingus as our main course, and for dessert, a mind-blowing orgasm. You have a choice of starters. Drinks are on the house. We accept cash and checks. If you wish, you can leave a tip for one of our "jewels.".

Our hope is that your time at Eros will be an unforgettable experience.

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venussaidso · 2 months

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𝐌𝐨𝐨𝐧-𝐑𝐚𝐡𝐮-𝐊𝐞𝐭𝐮: 𝐓𝐫𝐮𝐞 𝐕𝐚𝐦𝐩𝐢𝐫𝐢𝐬𝐦

the prominent themes of vampirism such as desire, hunger, mystery and illusions tie so perfectly with the moon and its nodes. it wasn't surprising to find the nodes dominating this genre the most, along with the luminaries (moon & sun nakshatras, but more fittingly the moon). i will not be touching on the few sun nakshatras playing vampires, as the moon makes far more sense symbolizing true vampiric nature.

So many vampire movie posters have this luminous glow to them, likely done consciously because of these creatures' affinity for nighttime, and generally being nocturnal as they're extremely sensitive to any type of sunlight.

I've once briefly mentioned, in my "Moon Dominant Themes" post, that lunar natives can operate very secretly, such as 'working in the shadows'. And the whole lore of vampires always emphasizes their ability to hide themselves while still living among humans.

Vampires undergoing periods of dormancy and resurgence is interesting as that can also be linked back to the moon's cycles of waxing & maning. The influence that the moon has on vampires, in some legends, is during certain lunar phases in which they become more active. A full moon could literally mean that their strength has enhanced, whilst a moonless night could mean their desire for blood is heightened.

Rohini Sun Colin Farrell

Claire Nakti explored, in her "TOP 3 Most Magical & Mystical Astrology Signs | Cults, Divination, & Occultism | Part 2 (Nakshatras)" documentary, on the ability of Moon nakshatra natives to brainwash/mind control/hypnotize.

daniel kaluuya is a hasta moon, not rohini.

As these natives are often cult leaders, their ability to influence the mind goes back to their lunar-rulership. The Moon rules over the mind, emotions and subconscious. A vampire's ability to hypnotize humans and other lesser beings is in parallel to the Moon's influence over the psyche and subconscious.

This illusory nature found in vampires can be connected to the shadow planet, Rahu. As Rahu is illusions, desire, hunger. Rahu is very seductive and tempting; this could tie back to some legends in which vampires lure their prey giving them promises of pleasure.

Ardra Sun Tom Cruise.

In "Interview with the Vampire", Tom Cruise plays Lestat who is an overindulgent, greedy vampire. Rahu governs desires and the pursuit of worldly pleasures. It's related to insatiable cravings that lead to greed. The lustful nature of Rahu is seen in Lestat's intense bloodlust and the chaos it brings.

Rahu's associations with eclipses relates to their ability of being hidden in the shadows. Another hint is in Rahu being a Shadow planet itself, just like Ketu is which is also related to vampires.

The story about Rahu's head getting decapitated by Vishnu for trying to get a drink out of the nectar of immortality can be brilliantly paralleled with vampirism. Due to Rahu's consumption of the drop of the nectar, he became the infamous dismembered immortal. His dismemberment a symbol of the detachment from humanity to vampirism.

Rahu is considered an entity of darkness and malevolence, preying upon cosmic forces and defying the natural order of things (such as vampirism which does defy nature itself, ie. the dead becoming undead) in pursuit for immortality. Vampires are literal parasites, and Rahu is also parasitical. Vampires feed on humans without providing any benefit in the ecosystem in return, a one-sided relationship which resembles one between a parasite and its host. Rahu is depicted as insatiable and consuming, feeding and draining one's energy. It creates a cycle of thirsting for more without any fulfillment, a predicament vampires find themselves in.

Ashwini Sun Luke Evans

Rahu and Ketu represent the lunar nodes, respectively depicted as the head and tail of the celestial serpent. Their energetic interaction can be likened to the endless chase between a vampire and a vampire hunter, villain and hero, the friction between unlikely lovers. It's obvious in how Rahu embodies the insatiable hunger for experiences and the craving for fulfillment that it can be the vampiric force in such a dynamic. Like a vampire, Rahu relentlessly pursues its desires, often leading to greed and excess. And then you have Ketu, on the other hand, which embodies detachment, spirituality, and liberation from worldly attachments. It quite literally symbolizes the renunciation of desires and the quest for enlightenment, opposing Rahu's restlessness for more. Ketu is a cutting force, and like a determined vampire hunter, is skilled in tracking down illusions and breaking free from temptations.

Although it sounds like a more fitting interplay between Rahu as the evil force and Ketu as the hunter, it's actually more seen in the other way around.

It is more so that Rahuvians are the vampire hunters, which I found so intriguing; showcasing how Rahu is both the parasitical (illusory), and also the one to be rid of parasites (disillusionment). And I have explored this particular theme in my Rahu post -- how Rahu natives experience a lot of disillusionment from their reality, wanting to cast away the illusions that drain the life force.

The reversal of roles showcases the fluidity of the nodes; their roles almost always expected to reverse, illustrating just how Rahu and Ketu are deeply intertwined with the concept of karma, representing the push-&-pull between cosmic forces of destiny.

More nodal-vampire movies, and other examples in which Rahu & Ketu find themselves on opposite sides of the same spectrum in which they are both vampires, similar to the friction seen between Louis (Ketu) and Lestat (Rahu) in "Interview with the Vampire".

In the film "Fright Night", the one who has to kill the villainous vampire is an Ashwini native. It is also interesting how in "Queen of the Damned" (above, right), the villain is a Magha native who must be stopped by her Mula lover -- both being vampires.

As mentioned in the figure image about the film "Abraham Lincoln: Vampire Hunter", where a nodal-ruled native is paired up with someone who is lunar-ruled, this is a type of pairing seen a lot in these supernatural stories.

Similarly to "Twilight", as Edward was the one to turn Bella into a vampire, we see the planetary reversal of this in which the lunar-native is the one who turns the nodal-native.

Or the film "Vamps" in which Hasta Sun, Shatabhisha Moon native Alicia Silverstone turns Mula Sun, Magha Moon native Krysten Ritter into a vampire.

It isn't a surprise that the moon and its nodes are related to the extremities of the mind. These energies can cause isolation due to how polarizing they come off in regular society (furthermore validating its relation to vampirism), so they become attracted to one another -- especially the nodal natives to the moon natives, because of how much they feel magnetized by them, and vice versa.

The presence of some Sun nakshatras in vampire stories is present and that could tie to the Sun's influence over the Moon despite the fact that solar symbolisms regarding vampirism don't exist, and vampires are far too sensitive to the Sun so much so that they get sunburn during the full moon where the sun's light reflects (interesting to think about). The whole point of a vampire is to lurk in the shadows or during nighttime, so the strict avoidance of the Sun could make sense in there being solar-natives in vampiric roles. It makes for an interesting contradiction, certainly.

Ketu is the body of the severed demon Rahu following the consumption of the elixir. Much like Rahu, Ketu is also associated to darkness and illusions. But it symbolizes the darker, unseen aspects of reality -- all the hidden forces and energies as I've touched on in my Ketu exploration. Ketu and Rahu are two sides of the same coin, it isn't surprising to see them share many vampiric roles/stories.

Ketu is about spiritual liberation, detachment (in this context, becoming a vampire means a harsh detachment from normality/the old life), transcendence; these existential themes are found in vampirism.

The character Louis in "Interview with the Vampire" played by Mula Sun Brad Pitt describes his existential crisis as a vampire to a Magha Sun human who interviews him.

The enhanced strength, agility, speed, hearing and all these abilities are gained after the painful transformation process, going from human to vampire. This process is seen in the film "Interview with the Vampire", Mula Sun Brad Pitt's character going through excruciating pain when turning. My mind immediately takes me to Claire Nakti's first Mula nakshatra exploration, in which she touched on the interconnection of pain and evolution for access to more powers.

robert pattinson is an ardra moon, not sun. and i accidentally used jk rowling's face as l.j smith, ugh! 💔

Vampires are caught between worlds, trapped in a liminal space between life & death. Ketu can cause feelings of entrapment. The yearning for release from their eternal existence is a common theme, as Ketu wants to escape its body. Louis de Pointe du Lac is the best character as example of rejecting one's own nature and wanting to cease to exist.

Mula Sun Brad Pitt

nodals being so emo jfc

notes: colin farrell's birthtime accuracy is botched, he's definitely a mula ascendant. tom hiddleston stays a possible ashwini moon until he's not (until his birthtime is available and accurate).

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