Time Walk
Artist: Amy Weber
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Obsessed with the idea of sorcerer's eyes turning gold as means of scaring off predators, similar to how poisonous frogs are generally brightly colored to warn away birds, or how certain butterflies use startle coloration to temporarily shock their predators with a sudden color change. The golden eyes act, essentially, as a glaring warning to the opposition that a sorcerer's insides are far more threatening than they may appear on the outside. Or, at the very least, as a means of temporarily startling the enemy while the sorcerer makes a quick escape.
Also consider - frog/butterfly coded!Merlin. This man is pure amphibian/insect just look at him! Truly a creature.
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3rd Annual Witchcraft and Sorcery Convention, program book, Ken Krueger's Where House, Cahuenga, CA, 1973 (cover illustration by Bernie Zuber)
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a woman praying to the sun, the moon, and the stars
in a chapter on witchcraft in the didactic poem 'die pluemen der tugent' ('the flowers of virtue') by hans vintler, bavaria, c. 1469
source: Gotha, Forschungsbibl. der Universität Erfurt, Cod. Chart. A 594, fol. 168r
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I think one of the most powerful tools a practitioner can use in ritual, though not one I see discussed often, is reenactment.
Reenacting the myths of your gods.
Reenacting the trials of your saints.
Reenacting the movement and rhythm of the natural world around you.
To act as these is to invoke these, body and soul- both from without and within. To feel the exact space that they occupy in the ritual, which is yourself. It is to clothe yourself in their divinity, so that a small part shall remain.
This is the spell, you see. That piece, that part, is the gift imparted to you. To shape you or guide you in the way you ask.
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Act on Impulse
"You don't want to know what happens after I put on the goggles."
Artist: Brad Rigney
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How I block all evil attacks and enchantments that all you wizarding bitches try to launch at me
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