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#I'm just saying hi
abracadaze · 2 years
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i feel so bad for nikola tesla like imagine spending years beefing with a guy who has conned the public into believing he's some sort of supergenius when in reality it's his overworked employees developing all of his world-changing inventions and you end up dying broke and starving and alone and then 100 years later another guy cons the public into believing he's some sort of supergenius when in reality it's his overworked employees developing all of his world-changing inventions and he's doing it all IN YOUR NAME. he must be rolling in his grave like a fucking rotisserie chicken
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forgettable-au · 2 months
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I think about this call so much
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shadowtraveled · 2 months
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"mithrun is the only real monsterfucker in dungeon meshi" is objectively the funniest bit you can get out of his everything, but in all seriousness i think his attraction to his love interest is deliberately overstated—and that makes sense, because romantic jealousy is a classic and digestible motive, which is explicitly what kabru was aiming for in condensing mithrun's backstory, and also because until chapter 94, mithrun wasn't willing to admit to the true nature of his desires.
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but because romantic envy is both classic and digestible, it probably isn’t a unique enough or complicated enough desire to tempt a demon’s appetite. mithrun’s wish, as far as we can figure from kabru’s reduced retelling, was to have a life in which he had never become one of the canaries, and that carries like 3857 implications and desires within it. that’s delicious. his love interest acts as sort of a red herring to his motivation for making it, though. (side note: i'm saying "love interest" here because, keeping in mind that i barely speak japanese on a good day anymore, "想い人" is something i'd usually take as just kind of an old-fashioned and romantic way to refer to a lover, but in context i wonder if both the connotation of yearning and the vagueness are intentional, and i think this phrasing gets those aspects of it more effectively. anyway.)
mithrun considered his love interest to be untrustworthy. there was a minute where i thought that comment might be about a similar-looking elf (yugin, one of his squad members), but comparing the two…
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the "sketchy" arrow is definitely referring to the elf we know as his love interest—the bangs go toward her right, she only has the one forehead ornament, and, most notably, her ears aren't notched.
every time she’s given a full-body depiction in his dungeon, she’s drawn as a chimera, with the body of a snake from the waist down. (side note: the “what if a dungeon has chimeras before reaching level 4?”/“then the dungeon lord is unstable” exchange just being mithrun grilling his past self alive is so funny. he’s so. but anyway) there are a couple things about this.
first, the snake part of the chimera appears to be modeled after some species of coral snake mimic
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which, in the biology-for-fun manga, i… doubt is a coincidence, especially with the added context of the “untrustworthy” comment. the dungeon’s conjured illusion of mithrun’s love interest was a harmless copycat of a venomous original. for whatever reason, he felt this person was a threat and made up a "safe" version of her to be in a relationship with, and while it’s definitely possible to be attracted to or even love someone you find to be toxic and/or intimidating, when you take that into consideration alongside the configuration of her body, you get some interesting implications.
which brings us to our second point: if we assume that mithrun was not in fact fucking a snake, then sexual attraction, at least, was so far removed from his idea of a relationship with this person that he did not even bother to keep her dungeon copy human enough to maintain the illusion of the option of a sexual relationship. this is somewhat echoed in the depictions of their interactions, which also imply a frankly unexpected romantic distance. she kisses his cheek and he doesn't seem to react; she's at the edge of a narrow bed with only one set of pillows, on top of his blankets while he's underneath them.
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the kiss is particularly interesting because it seems to contrast the text. kabru's narration tells us this was everything mithrun could have asked for, but mithrun is there looking unreadable to pensive, likely because this is right before the panel that makes it clear things in the dungeon are beginning to go wrong.
walking through this backwards for a minute, we have the physical barrier of his bedding and the spatial separation inherent in a bed made for one person, the emotional barrier of his mounting anxiety getting in the way of his ability to enjoy the affection he sought, and... the snake, which historically carries the connotation of temptation, yes, but also mistrust, barring physical intimacy. okay. ok. if a dungeon reflects the mentality of its lord, all of this might suggest that mithrun was not able to have any real desire for a relationship with this person. his unwillingness to be vulnerable or let another person in was insurmountable. but in that case, why was she such a focal point that she remained to the end, after his dungeon had stopped creating iterations of his friends to come and visit him? why would he get so upset over her meeting with his brother that he became lord of a dungeon about it?
well. mithrun's brother was also interested in her, probably genuinely. and mithrun had to win.
you have an older brother who your parents completely ignore, probably in part because he is chronically ill/disabled and almost definitely in part because he received a ton of recessive traits that resulted in rumors that he was an illegitimate child. you are aware, most likely because those same parents fucking told you, that you actually are an illegitimate child. but they keep you around because you had the good fortune of looking just like your mother. what can that possibly teach you but that you, like your brother, are disposable?
it's utterly unsurprising that mithrun, under these circumstances, developed a pathological need to be better than everyone around him. people don't keep you otherwise. i'd argue this is also why he says he looked down on everyone he knew while milsiril claims his dungeon reeked of feelings of inferiority—he sought out people's worst traits and prioritized them in his mind to protect his already extremely fragile sense of self-worth, and all the while he tried to be as likable and high-performing as he possibly could be. his parents disposed of him anyway, but even then he tried to keep up the performance. he was kind to everyone. he never once lost to a dungeon.
when he saw his "love interest" meeting up with his brother, what he saw was himself being replaced by a person his parents had always treated as worthless, and if that was what they thought of the child they'd kept, what value could anyone possibly see in the bastard they'd given away to die? mithrun and kabru tell the story like he wanted to win this unnamed elf's heart, but it was never about being with her. it was about cementing his worth, proving that he didn't deserve to be thrown away.
and so it's particularly cruel that his demon discarded him, too. but maybe it's also particularly gentle that, in the end, there was someone who refused to even consider giving up on him.
kui laid it out in three panels better than i could hope to.
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yeah. it's love. you wanted to be loved, even when the only way you were able to understand it was through the desire to be wanted, and you wanted that so badly that the idea of being consumed felt like the promise of finally mattering to someone.
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Something I think about a lot is how Rick Riordan very rarely uses "girlfriend/boyfriend" to refer to Percy and Annabeth within their perspectives. They're so intertwined, even Annabeth says in hoh that the word boyfriend isn't strong enough, because Percy was a part of her. They are a singular soul, too wrapped around each others' fates that regular labels are far too weak for them. But, Rick Riordan uses "boyfriend" a lot in Nico and Wills perspectives, not because they love each other less than percabeth, but to show how much the word means to them. Nico uses it any chance he gets- "his boyfriend," "he actually had a boyfriend," because Nico has never been able to say that before. Their struggle with their queer identities mixed with Nico's catholic guilt and chronic everyone-hates-me disease makes the fact that he has someone to call his actual boyfriend so much more important to his character development.
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kezhke88 · 7 months
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How much do we love Crowley standing behind Aziraphale when he's chatting to people like he's some sort of unofficial bodyguard
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spacedace · 5 months
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You ever think Dick overhears someone say Jason was the most violent Robin and just gets so mad about it?
And it's not even about like, defending Jason's honor or anything. It's purely because he's just so incredibly insulted that people somehow forgot how much of an unhinged ball of rage he was as a child.
Like I'm imagining him storming into the cave and yanking on his now way too small Robin costume and muttering angrily about I'll show you the angriest Robin
Barbara is facepalming about all the nonsense that's about to pop off that inevitably she's gonna have to clean up. Bruce just starts sweating profusely and desperately trying to talk Dick down because he suddenly remembers that time Dick kicked a criminal so hard they ended up in a coma for a week and smiled so brightly while doing it that the other goons there at the time just chose to jump off a three story building into the suspect sludge that filled Gotham harbor rather than face the unhinged ten year old on bright colors and pixie boots.
Duke: But wasn't Dick the nice one?
Tim, who idolized Dick Grayson's Robin like his own chaotic god: Don't ever insult my favorite Robin that way again. Here are my top thirty photos of him reigning deranged chaotic violence upon his enemies. I'd show you more but this album just has the photos from the first month I started following him and Batman around.
Jason: The hundreds of dead assassins and all the shit I've heard about you and Young Justice suddenly make a lot more sense
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azulhood · 2 months
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Danny was tired, like 'I feel it in my bones and soul' tired. And he didn't want sleep at home because there's only so many nights, he could spend lying awake making sure his heart was beating in case his parents checked on him.
Currently he was flying aimlessly not really taking in his surroundings, but he could neither sleep while flying or fly forever. Normally he'd sleep over at Sam or Tucker's, but the Mansons had made it clear that he wasn't welcome at their house anymore and Tucker was grounded. Both would sneak him in if he asked, but he didn't want them to get in trouble for him. Which leads him to decide between his two choices, sleeping in a graveyard, or sleeping in a forest.
The graveyard was a little crowded with all the ghosts that called it home but he could probably find a quiet spot to sleep. The forest had a great view of the stars but was filled with traps from both his parents and the GIW after tracking his ecto-signature. Both options weren't appealing, but he wasn't about to chance sleeping on the roof of his house again. There were too many ghost detecting guns attached to it now. Danny sighed, graveyard it was, at least the ecto from all the shades/ghosts would hide him well enough. Decision made, now all he had to do was make his way over there. But first, where the heck was he? Danny looked around at the unfamiliar grey sky and gargoyles littered around and realized he had no clue where he was. He must have flown too far away from Amity without noticing...Again. It was really becoming a bad habit. Danny stared down at the city's inhabitants that were going home or heading to nightshifts or whatever and dreaded the long flight back to his town. And maybe it was ghost instinct, or maybe it was just his exhaustion. But his brain suggested 'What if I just possess someone?' And to him that seemed like a perfectly logical train of thought. He wouldn't control their body or anything, just sleep in their skin...That did not make it sound better at all. Before he could think twice, someone left a general store, arms filled with stuff and somehow projecting an aura of safety. The two thoughts of 'They look comfy' and 'screw it' clashed together in his head as he made the very stupid decision of performing a swan drive right into the someone. "WHAT THE-" "Don't worry, I'll be gone by morning I just need to sleep" Danny cut off the persons freakout-he should really get their name at some point- he would have explained more but the sleep gods had already done their job. This left one very confused, scared, and freaked out Batkid.
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starwarjotta · 3 months
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looking for someone on Tatooine
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axiliern · 13 days
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tim's got the vibe of the viet mom who makes way too much thịt kho and gets stuck eating it for leftovers for weeks
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malyen0retsev · 2 years
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i wish everyone who made kit connor feel he had to come out a very merry FUCK YOU. you forced an eighteen year old into coming out publicly, before he was ready, when he stated many many times he wanted to keep it private. how many more times does this shit have to fucking happen before some of you fucking clock that YOU CANNOT QUEERBAIT IN REAL LIFE. this is the natural end to the discourse of ‘if somebody is in the public eye playing a queer person they owe us their sexuality’, and it’s DEEPLY FUCKED UP, they do NOT owe you an answer, and this mindset JUST FORCED AN EIGHTEEN YEAR OLD TO OUT HIMSELF BEFORE HE WAS READY TO
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deadpoets · 18 days
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DEAD POETS SOCIETY (1989) dir. Peter Weir
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somnimagus · 6 months
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My page for @sheikahzine; about Impaz's duty to her village, empty of people and full of memories.
[id in alt text]
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willowser · 2 months
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HMMMMM bakugou being just. the absolute picture of sin.
he works overnight and comes home early in the morning, around 3 or 4 am or so, and you greet him and give him a kissy and ask how it all went. and even though it's still dark outside and he's been working for twelve hours—he's still coming off patrol, right ? so he's still got some energy left, and he eats something and takes a shower and winds down as you fall back to sleep.
and it's not until much later in the day that he wakes up, early afternoon, and you're kind of tiptoeing around so that he can get his much-needed rest. you slip into the closet of your bedroom for something and you think you're gonna get in and out without a sound, but his hearing is so attuned to just about anything and everything at this point.
so rough and raspy, he grunts out, "what're y'lookin' for?" and you whip around real fast and he's just—
half sitting up in bed, bare back leaning against the headboard. an arm behind his head, so that his bicep is tense and round and stone-solid. stretched like that, his obliques are more prominent, taut and rippling up the side of his ribcage. he must have gotten hot while passed out, as he usually does, because the comforter is all askew; one of his legs is bent, the fine hair a dark gold in the waning day; the other is hanging off the bed, lightly swinging as he watches you, and the blanket has come down enough that you can see the bulge of his thigh muscles beneath his stupid tiny black boxer briefs.
and he's just so. man. in every single way.
(his hair is flat on one side, too, and his eyes are still a little puffy from sleep—but you think that adds to it, all in all)
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confessedlyfannish · 1 month
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Writing Prompt #12
Bruce is reading the paper when the pour of Tim's coffee goes abruptly quiet. It would be hard to pinpoint why this is disturbing if it wasn't for the way the soft, tinny sound the vent system in the manor makes cuts out for the first time since being updated in the 90s. The pour, Bruce realizes, has not slowed to a trickle before stopping. It has simply stopped. And there is no overeager clack of a the mug against the marble counter or the uncouth first slurp (nor muttered apology at Alfred's scolding look) immediately following the end of the pour.
Bruce fights the instinct to use all of his senses to investigate, and instead keeps his eyes on the byline of the article detailing the latest set of microearthquakes to hit the midwest in the last week. Microearthquakes aren't an unusual occurrence and aren't noticeable by human standards, which is why this article is regulated to page seven, but from several hundred a day worldwide to several hundred a day solely in the East North Central States, seismologists are baffled.
Bruce had been considering sending Superman to investigate under the guise of a Daily Planet article requested by Bruce Wayne (Wayne Industries does have an offshoot factory in the area) when everything had stopped twenty seconds ago. That is what he assumes has happened (having not moved a muscle to confirm) in the amount of time he assumes has passed. His million dollar Rolex does not quite audibly tick but in the absolute silence it should be heard, which confirms the silence to be exactly that—absolute.
While Bruce can hold his breath with the best of the Olympian swimmers, he has never accounted for a need to remain without blinking without being able to move one's eyes. Rotating the eyeballs will maintain lubrication such that one could go without blinking for up to ten minutes. But staring at the byline fixedly, he estimates another twenty seconds before tears start to form.
These are the thoughts Bruce distracts himself with, because he doesn't dare consider how Tim and Alfred haven't made a (living) sound in the past forty-five seconds. About Damian, packing his bag upstairs for school after a morning walk with Titus that was "just pushing it, Master Damian".
There is a knife to his right, if memory serves (it does). In the next five seconds—
"Your wards and guardian are fine, Mr. Wayne," the deepest voice Bruce has ever heard intones. For a dizzying moment, it is hard to pinpoint the location of the voice, for it comes from everywhere—like the chiming of a clocktower whilst inside the tower, so overpowering he is cocooned in its volume.
But it is not spoken loudly, just calmly, and when he puts the paper down, folds it, and looks to his right, a blue man sits in Dick's chair.
He wears a three piece suit made entirely of hues of violet, tie included. He has a black brooch in the shape of a cogwheel pinned to his chest pocket, a simple chain clipped to his lapel. Black leather gloves delicately thumb Bruce's watch (no longer on his wrist, somewhere between second 45 and 46 it has stopped being on his wrist), admiring it.
"You'll forgive me," the man says with surety. "Clocks are rather my thing, and this is an impressive piece." He turns it over and reveals the 'M. Brando' roughly scratched into the silver back. He frowns.
"What a shame," he says, placing it face side up on the table.
"Most would consider that the watch's most valuable characteristic." Bruce says, voice steady, hands neatly folded before him. Two inches from the knife. To his left, there is an open doorway to the kitchen. If he turns his head, he might be able to get a glance of Tim or Alfred.
He doesn't look away from the man.
"It is the arrogance of man," the man says, raising red eyes (sclera and all) to Bruce, "to think they can make their mark on time."
"...Is that supposed to be considered so literally?" Bruce asks, with a light smile he does not mean.
The man smiles lightly back, eyes crinkling at the corners. He looks to be in his mid thirties, clean-shaven. His skin is a dull blue, his hair a shock of white, and a jagged scar runs through one eye and curving down the side of his cheek, an even darker, rawer shade of blue-purple.
The man turns the watch back over and taps at the engraving. "Let me ask you this," he says. "When we deface a work of art, does it become part of the art? Does it add to its intrinsic meaning?"
Bruce forces his shoulders to shrug. "It's arbitrary," he says. "A teenager inscribes his name on the wall of an Ancient Egyptian temple and his parents are forced to publicly apologize. But runic inscriptions are found on the Hagia Sophia that equate to an errant Viking guard having inscribed 'Halfdan was here' and we consider it an artifact of a time in which the Byzantine Empire had established an alliance with the Norse and converted vikings to Christianity."
"The vikings were as errant as the teenager," the man says, "in my experience." He leans back in his chair. "I suppose you could say the difference is time. When time passes, we start to think of things as artistic, or historical. We find the beauty in even the rubble, or at least we find necessity in the destruction..."
He offers Bruce the watch. After a moment, Bruce takes it.
"The problem, Mr. Wayne, is that time does not pass for me. I see it all as it was, as it is, as it ever will be, at all times. There is no refuge from the horror or comfort in that one day..." he closes his hand, the leather squeaking. And then his face smooths out, the brief severity gone. He regards Bruce calmly.
"You can look left, Mr. Wayne."
Bruce looks left. Framed by the doorway, Tim looks like a photograph caught in time. A stream of coffee escapes the spout of the stainless steel pot he prefers over the Breville in the name of expediency, frozen as it makes its way to the thermos proclaiming BITCH I MIGHTWING. Tim regards his task with a face of mindless concentration, mouth slack, lashes in dark relief against his pale skin as he looks down at the mug. Behind him, Bruce can see Alfred's hand outstretched towards the refrigerator handle, equally and terrifyingly still.
"My name is Clockwork," the man says. "I have other names, ones you undoubtedly know, but this one will be bestowed upon me from the mouth of a child I cherish, and so I favor it above all else. I am the Keeper of Time."
"What do you want from me?" Bruce asks, shedding Wayne for Batman in the time it takes to meet Clockwork's eyes. The man acknowledges the change with a greeting nod.
"In a few days time, you will send Superman to the Midwest to investigate the unusual seismic activity. By then, it will be too late, the activity will be gone. They will have already muzzled him."
"Him."
"There is a boy with the power to rule the realm I come from. Your government has been watching him. The day he turned 18, they took him from his family and hid him away. I want you to retrieve him. I want you to do it today."
"Why me?"
"His parents do not have the resources you do, both as Batman and Bruce Wayne. You will dismantle the organization that is keen on keeping him imprisoned, and you will offer him a scholarship to the local University. You and yours will keep him safe within Gotham until he is able to take his place as my King."
This is a lot of information to take in, even for Bruce. The idea that there could be a boy powerful enough to rule over this (god, his mind whispers) entity and that somehow, he has slipped under all of their radars is as frustrating as it is overwhelming. But although Clockwork has seemed willing to converse, he doesn't know how many more questions he will get.
"You have the power to stop time," he decides on, "why don't you rescue him? Would he not be better suited with you and your people?"
"Within every monarchy, there is a court," Clockwork. "Mine will be unhappy with the choice I have made," he looks at Bruce's watch, head cocked. "In different worlds, they call you the Dark Knight. This will be your chance to serve before a True King."
Bruce bristles. "I bow to no one."
"You'll all serve him, one day," Clockwork says, patiently. "He is the ruler of realms where all souls go, new and old. When you finally take refuge, he will be your sanctuary." He frowns. "But your government rejects the idea of gods. All they know is he is other. Not human. Not meta. A weapon."
"A weapon you want me to bring to my city."
"I believe you call one of your weapons 'Clark', do you not?" Clockwork asks idly. "But you misunderstand me. They seek to weaponize him. He is not restrained for your safety, but for their gain."
"And if I don't take him?" Bruce asks, because a) Clockwork has implied he will be at the very least impeded, at worst destroyed over this, and b) he never did quite learn not to poke the bear. "You won't be around if I decide he's better off with the government."
"You will," Clockwork says, with the same certainty he's wielded this entire conversation. "Not because he is a child, though he is, nor because you are good, though you are, nor even because it is better power be close at hand than afar.
"I have told you my court will be unhappy with me. In truth, there are others who also defend the King. Together we will destroy the access to our world not long after this conversation. The court will be unable to touch him, but neither will we as we face the repercussions for our actions. I am telling you this, because in a timeline where I do not, you think I will be there to protect him. And so when he is in danger, even subconsciously, you choose to save him last, or not at all. And that is the wrong choice.
"So cement it in your head, Bruce Wayne," the man says, "You will go to him because I tell you to. And you will keep him safe until he is ready to return to us. He will find no safety net in me. So you will make the right choice, no matter the cost."
"Or, when our worlds connect again, and they will," his voice now echoes in triplicate with the voices of the many, the young, the old, Tim, Bruce's mother, Barry Allen, Bruce's own voice, "I will not be the only one who comes for you."
"Now," he says, producing a Wayne Industries branded BIC pen. "I will tell you the location the boy is being kept, and then I would like my medallion back, please. In that order."
Bruce glances down and sees a golden talisman, attached to a black ribbon that is draped haphazardly around the neck of his bathrobe, so light (too light, he still should have—) he has not felt its weight until this moment.
Bruce flips the paper over, takes the pen, and jots down the coordinates the being rattles off over the face of a senator. By his calculation, they do correspond with a location in the midwest.
"You will find him on B6. Take a left down the hallway and he will be in the third room down, the one with a reinforced steel door. Take Mr. Kent and Mr. Grayson with you, and when you leave take the staircase at the end of the hallway, not the elevator."
The man gets up, dusts off his impeccably clean pants, and offers him a hand to shake.
"We will not meet again for some time, Mr. Wayne."
Bruce looks at the creature, stands, and shakes his hand. It feels like nothing. The Keeper of Time sighs, although nothing has been said.
"Ask your question, Mr. Wayne."
"I have more than one."
"You do," Clockwork says. "But I have heard them all, and so they are one. Please ask, or I will not be inclined to answer it."
"What does this boy mean for the future, that you are willing to sacrifice yourself for him?"
There is a pause.
"So that is the one," Clockwork says, after a time. "Yes. I see. I should resolve this, I suppose."
"Resolve what?"
"It is not his future I mean to protect," the man says. "It is his present."
"You want to keep him safe now..." Bruce says, but he's not sure what the being is trying to say.
"I am not inclined," Clockwork repeats, stops. His expression turns solemn, red eyes widening. In their reflection, Bruce can see something. A rush of movement too quick to make heads or tails of, like playing fast forward on a videotape. "Superman reports no signs of unusual seismic activity. With nothing further to look into, you let it go in favor of other investigative pursuits. You do not find him, as you are not meant to. He stays there. His family, his friends, they cannot find him. His captors tell him they have moved on. He does not believe them, until he does. He stays there. He stays there until he is strong enough to save himself."
Clockwork speaks stiffly, rattling off the chain of events as if reading a Justice League debrief. "He is King. He will always be King. He is strong, and good, and compassionate, and he is great for my people because yours have betrayed his trust beyond repair. He throws himself into being the best to ever Be, because there is nothing Left for him otherwise. We love him. We love him. We love him. My King. Forevermore."
The red film in his eyes stall out, and Bruce is forced to look away from how bright the image is, barely making out a silhouette before they dull back to their regular red.
"I am not inclined," Clockwork says slowly, "To this future."
"Because of what it means in the present," Bruce finishes for him. "They're not just imprisoning him, are they."
"They will have already muzzled him."
Clockworks is right in front of him faster than he can process, fist gripping the medallion at his neck so tight he now feels the ribbon digging into his skin.
"Unlike you, Mr. Wayne," and for the first time, the god is angry, and the image of it will haunt Bruce for the rest of his life, "I do not believe in building a better future on the back of a broken child."
"Find him," the deity orders, and yanks the necklace so hard the ribbon rips—
Clack!
"sluuuuurp!"
"Master Timothy, honestly!"
"Sorry Alfred!"
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spocks-kaathyra · 1 month
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experimenting w making little trek dolls for the STLV craft swap :))
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zivazivc · 3 months
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started going wall climbing with my brother recently and it's so much fun! i used to do it as a kid but stopped because i was super short, dunno why i never picked it up again...
anyway i kind of imagine these two would do that too, like a fun date, especially in a human au scenario, although i drew them as trolls because i've realized i haven't drawn them much at all
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