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childofaura · 8 months

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Ok... I swore to myself I wasn't gonna make another negative MAWS post, that I was just gonna leave it at the Twink Slade disappointment post.

But apparently there's this trend that's been happening on Twitter, where people are trying to bring up the 2004 "The Batman" designs to try and defend the designs of the MAWS rogue gallery. And that was the territory I CANNOT let go, as someone who is a fan of Jeff Matsuda and his character designs.

SO FIRST, LET ME CLARIFY: I'm simply making ONE post about ONE factor of MAWS that irritates me. I'm not here to just sit and constantly bash on the show. I wouldn't do that, I have a personal close friend of mine who enjoys the show and I'm happy for her and I want her to enjoy the show. I have SO many gripes and reservations but I recognize those are personal.

I'll be putting this under a Read More and tagging it as Anti-MAWS so MAWS fans don't have to read/deal with this post. Probably just don't read my tags as well.

So if there's one thing that has irked me the most about MAWS, it's the redesigns and rewrites of Supes' rogue galleries. Mostly the redesigns though. MAWS took a bunch of colorful, diverse, and fantastical designs and made them monotonous, bland, and simply not fun at all. And yes, while the in-universe explanation (Being that they're all mechanically enhanced rather than freak accidents or born that way) makes sense, it still makes the villains incredibly un-appealing. EVERYONE is in boring black, white, and gray armor (aside from Parasite and while I think his physical design is neat I have issues with his character rewrite too, I'm just not here to discuss that). Everyone who had incredibly fun or creative designs was horribly washed out. Silver Banshee went from being a literal ghostly wraith to a boring motorcycle-looking chick. Livewire went from a vibrant blue lightning motif (that SHE herself created) to boring merc armor. And yes, I have issues with Slade's armor, the head was promising but the overall design has color-balancing issues.

Now let's look at the redesigns of the rogue gallery for the 2004 "The Batman" show. These are mostly drastically different from their original design counterparts, just like MAWS. But the massive difference is that most of these designs are still colorful (where it applies, obviously not to Penguin), recognizable, and push the borders of imagination; They're so ludicrous and exaggerated in their design and their physical features. Even if I was disappointed in some of the character rewrites (Like Mr. Freeze having only a small cameo to Nora in the flashback, but mainly being another selfish thug), the designs are still great. You can look at The Batman villain designs and easily recognize them because they follow the basic structure of their original designs.

Joker:

Is still in his green, purple, and orange color palette, with his trademark freakish grin. The design takes creative liberties with the spiked hair, the more athletic physique, and the actual clothing style of his outfit, but this is clearly meant to be Joker.

Mr. Freeze:

Is now essentially a cryomancer thanks to his mutation, but this is still obviously Mr. Freeze. Some kind of helmet (in this case encased in his own ice) wearing a thermal freeze suit, and his red eyes invoking the red goggles he wore in his original iteration.

Catwoman:

The design exaggerates a lot of features of the OG outfit, like the ears and the goggles (though the OG design really just has eye spaces), and uses shades of crimson and purple, but you look at the black bodysuit and the whip around her waist and she can clearly be identified.

The main argument I'm making with the 2004 Batman designs is that they're A) recognizable to their original counterparts by invoking the same color scheme and basic design points, B) Colorful and pushing the lunacy of a world full of supervillains, and C) Completely stand out from each other, no two villains look as though they're of similar origins (besides obvious pairs like Joker/Harley Quinn and the two Clayfaces, the latter which was a guy who took concentrated serum made from Ethan Bennett's Clayface DNA). The Batman designs are good because while they ARE drastically different from their original counterparts, they honor the original designs.

Whereas in the MAWS redesigns, none of the redesigns are reminiscent of their original counterparts (besides the obvious Brain and Monsieur Mallah, kind of hard to fuck that up), and lack the fantastical element that The Batman redesigns (And the original Superman show, where it applies) had.

Livewire:

Looks nothing like her original counterpart. The armored clothes, the lack of lightning motif, lack of color to her outfit (I'm not here to talk about the race-swapping), none of it is supposed to tip you off to being Livewire, especially when her character is written so drastically different. You should be able to tell who Livewire is BEFORE you see her powers.

When OG Livewire looks like this:

Silver Banshee:

Is just a regular human in drab clothing. There's some kind of attempt to give her the hint of a ghost motif with the bone legs, but then that disappears in her later costume design. Same later costume that tries to half-ass a skull motif on the helmet but it doesn't work with the helmet's angles.

When this is Silver Banshee's original design (going with a still from Batman Unlimited)

And if they wanted to stray from the whole "supernatural" aspect, they could have compromised like they did in Suicide Squad: Hell to Pay:

Which I mean I still don't like that redesign as much as Silver Banshee's OG design, but it's still recognizable and it's still cool.

The bottom line is basically this: You don't have to justify liking this new Superman show and its take on new characters. But to try and say the character designs on MAWS are like the 2004 "The Batman" cartoon redesigns is such an unequal and imbalanced comparison. The thought process for the character designs in these shows are so drastically different from each other, and the execution of said character designs aren't comparable.

#discourse #Anti MAWS #Anti My Adventures with Superman #Listen I'm not saying any other gripes publicly about the show; Again I have an irl friend who watches it #and I'm absolutely not about to drag her down or just rag on the show; so I get it #But if there is one thing that can really make or break something for me it's character design #And the one thing I'll openly criticize MAWS for is how basic their character design process seems to be #The showrunners FROM THEIR OWN MOUTHS said that they purposely made Lois look like Luz from Owl House #So there is NOT a lot of creative thought process going into these redesigns #And to compare that to Jeff Matsuda who is an industry veteran and who's worked on MANY shows with incredibly kick-ass designs #Well that is a stick in my craw that I can't let slide #'BUT AURA DON'T YOU LIKE THE 3D HE-MAN SHOW AND THEIR DESIGNS?!'#Yes I do but A) I'm not out here claiming that they're faithful designs to the original characters (Because Duncan and Teela clearly aren't #B) Nor are they badly designed characters that I'm trying to compare to a whole different level of character design #The Batman 2004 show was an incredibly fun show that captured the dark and melancholy nature of Batman; and the villain designs were fun #MAWS isn't on the same level as The Batman

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urfavisacompulsiveliar · 2 years

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Vriska Serket from Homestuck is a compulsive liar 🧡

[Image ID: screenshot of Vriska from Homestuck, with grey skin, long black hair, orange horns, and fangs. One eye is yellow, the other is covered by an eye patch. Her lips and the cuts on her face and neck are blue.]

#READ THESE TAGS PLEASE #request #so i don't go here #but im vaguely aware that this character is a villain and is a source of discourse in the fandom #so i wanna be clear that this blog is sincere #the term compulsive liar is never used as an insult on here #which is why i encourage including explanations in requests #you don't have to but it can make the vetting process easier #as of now i don't have any reason to believe this is a bad faith request #and i give people people the benefit of the doubt #just wanted to make sure we're all on the same page #on a lighter note #after writing those tags i looked on the wiki for the photos and #i really like the idea of a redeemed villain who retains compulsive lying after the fact #bc it doesn't make them inherently bad #homestuck #vriska #homestuck vriska #vriska serket #compulsive liar #compulsive lying #compulsive liar headcanon #compulsive lying positivity #mythomania #mythomania positivity #mythomaniac #mythomaniac headcanon #your fave is a compulsive liar #your fave

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depresseddepot · 1 year

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I'm reading the winternight trilogy by katherine arden and I gotta be honest, I am obsessed with whatever fucked up nonsense konstantin has got going on

#sorry in advance if i have any christian followers #but something about watching extremely arrogant and devout christians lose their whole mind when their god isnt real is SO fun to read #like this man really started out as being worshipped as a saint and ended up weeping on a filthy floor for the devil to speak to him again #i JUST started the third book and (spoilers) the way his laughing and cheering at vasilisa's execution turned into like.#choked and panicked sobs #makes me feel some kind of way #yesss priest. lose your faith and then your mind and live haunted by your desire #i hope at the end of the trilogy he breaks so severely that he begs vasya to kill him and she doesn't do it #cause killing a bug under your boot requires you to dirty yourself with them #OR ALTERNATIVELY: he tries to worship her and she's like ''girl WHAT'' and kills him #this man is so fucked up and I am watching him so very closely. like a zoo animal #i never thought i had any preference for villains but it turns out i like the ones that weep and fall from very high places #and love and hate in the same breath #anyways. long story short there's a part of my brain now that is dedicated to priests losing their faith in god so much #that they beg what they think is the devil to return to them #GOOD SHIT ms arden thank u very much #in this house (my brain) we love men that are like pathetic wet rats !!!! kicked puppies !!!! xoxo !!!!

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femcelhood · 9 months

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Still not over that one time I got called an actual cultist because I spoke the truth (people only excuse Edelgard’s actions because she was a female character)

#sorry expired fandom discourse time #NOT ONLY DO THE GAME’S OWN WRITERS CALL HER A VILLAIN #but plenty of other FE villains had the exact same types of convictions (ends justify the means)#like. hey did you notice the very obvious symbolism that Edelgard is only seen in MOONLIGHT and FIRELIGHT after the time skip?#did you forget about that little part where she essentially called Claud a half breed?#did you miss the part where she oppressed for their faith?#did you miss the BLOODY BRUTAL LIFE SHATTERING WAR SHE STARTED?#arrerggghhhh it makes my head explode #I really really really want to like Edelgard. she’s my exact favorite type of villain #but god the stans have left such a bad taste in my mouth #this game came out 4 years ago #if any of you idiots come at me I’m blocking you I’m not doing this shit anymore

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kiapet2 · 1 year

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Alright, it’s less than a week since the Owl House finale aired and as expected I’ve already seen two direct comparisons to Steven Universe’s ending and several more vague-blogs, because one of this site’s hobbies is using other queer shows to put down Steven Universe. So let’s do this, then. Let’s compare the endings of Owl House and Steven Universe, and what each is ultimately trying to say.

Steven Universe and the Owl House are both shows that deal heavily with the clash of individualism and self-expression vs. socially-mandated conformity, and both shows’ final villains ultimately embody this conflict. One major difference, however, is that Owl House approaches this from the perspective of legal/societal structures, while Steven Universe approaches it from the perspective of family structures.

Steven Universe has always been about family--and particularly the ways traumas and biases are passed down through a family--and it has always heavily used the language of metaphor to discuss these topics. The Diamonds are the ultimate extension of this theme, something a lot of bad-faith (or just bad) takes on the ending miss; they interpret the diamonds in their literal capacity as dictators, rather than the way Steven Universe always portrays them, which is as matriarchs, i.e. the heads of a family who dictate and control all the family’s other members. This metaphor becomes more and more blatant until it outright becomes text, with the Diamonds turning out to be Steven’s literal family members, with whom his part of the family is estranged because of their previous controlling behavior.

In accordance with this theme, we ultimately find out that the Diamonds’ toxic ideology, with its rigid standards of perfection, are not only something they enforce on the gems below them, but also on themselves. They are suffering from the system in their own ways, unable to live up to the standards they themselves created. And who among us hasn’t known someone like that? A parent or grandparent who grew up under a cruel, oppressive worldview, and instead of rebelling against it internalized it--who turned around and said “I dealt with this, and so can you”? And so the ending of Steven Universe is the Diamonds realizing exactly how toxic the rigid ideology they’ve spent their lives perpetuating really is, and confronting the fact that their adherence to this ideology is what destroyed their relationship with Pink, and that the only way they’re going to have a relationship with Steven is if they’re willing to commit to changing both themselves, and the family structure they’ve enforced for so long.

Emperor Belos, in contrast, is not suffering from the structures he created, because his rules were never meant to apply to him. He sees the witches (and demons, and so-on) as lesser beings, evil beings, who exist to be controlled, and ultimately, exterminated. And every element of the society he built--the schools, the government, the police force, the religion--he intentionally constructed to keep these lesser beings under his control. The real-world allegory isn’t hard to see, here. And because what Belos represents in the story is, in fact, a fascist leader, the story shows that he can’t be reasoned with in any way that matters, and instead he is ultimately ground into paste beneath the boots of the people he sought to destroy. Different themes, different endings.

Now the usual argument that comes up here is as follows: but the Steven Universe ending isn’t as realistic! Not everyone is going to change, not everyone is going to be able to be reasoned with. Not every older, conservative family member is eventually going to accept you for who you are. And while that is true, ultimately SU isn’t meant to be realistic; it’s meant to be a power fantasy. Rebecca Sugar has come out and said before that they wrote a world in which there was good in everyone, because that’s the way she wishes the world could be. That’s the world they want to be able to believe in. And I am never going to begrudge a person, much less a queer person, for finding healing in writing that kind of world.

But you know what else is unrealistic? What else is ultimately just a fantasy? Grinding your government’s fascist leader into paste under your boot, then taking over and remaking society into something that accepts everyone. Sadly, Trump is not likely to get his ass beat any time soon. And more generally, punching fascists, while ideologically sound, is something most people are not going to get to do, due to real-world consequences such as “getting beat up by the fascist’s angry friends” and “being arrested for assault”. And even if you did depose one leader, our very society is set up in a way that perpetuates all manner of injustices, and systemic change is a complex and lengthy process that almost certainly won’t be completed in our lifetimes. But it’s fun to imagine we could, isn’t it?

Both endings are power fantasies. Both show the way they want the world to be, rather than the way it is. They are very different power fantasies, which fill very different--and at times conflicting--needs. And in situations like that, internet culture really likes to pick one to be the right fantasy, the right way to look at the world.

But the truth is, both fantasies are needed! Some people need stories about your queerphobic relatives finally realizing the error of their ways and taking the necessary steps to accept and reconcile with you. And some people need stories where you get to grind fascist bastards beneath the heel of your boot. It’s okay if you prefer one type of fantasy over the other! But in the end, both are valuable, and both are important.

And isn’t it wonderful, for us to have such a diversity of great queer stories? That we can explore both of these deep, conflicting needs? Let’s appreciate each of these fantastic works for what it was meant to be, rather than trying to pit them against each other or make them conform to a single, “best” way to tell a story.

#owl house #the owl house #toh #toh finale #toh spoilers #steven universe #sunset #su spoilers #meta #discourse #my meta #queer fiction

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softgreengrass · 2 months

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I’ll Survive

Natasha Romanoff x reader

Summary: happy then sad then happy, requested, supersoldier!r but it’s not relevant to plot

Word Count: 2.7K

Warnings: death, grief

A/N: thanks for the request!

You and Natasha are in the gym when FRIDAY calls a meeting.

“Come on, is that all you got?” she grins, leaning into the punching bag with all her weight.

You fire a few more jabs, and her feet slip back a little. Sweat rolls down your forehead.

“Attention, all,” FRIDAY’s voice rings out. “Mission briefing in the conference room. 10 minutes.”

You don’t stop your barrage of punches, your eyes locked onto the Avengers logo in the center of the bag.

“You sure you’re ready to get back into it?” Natasha asks.

You’ve been coming off of an injury for a few months now. Bad intel, a trap, a bullet straight through your femur — being on bedrest was your seventh circle of hell.

Instead of answering, you wind your fist back and hit the bag hard enough to send it flying across the room, taking Natasha with it. She slams against the wall and laughs.

You wipe your face with a towel before walking over and kicking the bag away from her. “Sorry.”

“Super soldiers,” she mutters, shaking her head.

You offer her a hand. She takes it, rising to her feet, and leans into your chest. Butterflies shoot through your stomach.

“You sure you’re ready?” she asks softly.

“Yeah.”

Her eyes flick down to your lips, and you pull her into a slow kiss. Her hands find the back of your neck, lace through your hair. It only lasts a few seconds before she swipes her foot behind your leg and shoves your shoulders hard.

You land flat on your back with a groan.

“10 minutes, killer,” she smirks. “And don’t ever do that again.”

You’re the last one in the conference room, and there are no seats left around the table. Cap shoots you a disapproving glance as you close the door behind you.

“Hope no one made any weekend plans,” Cap clears his throat. “Because we’re heading to Russia.”

Tony groans obnoxiously. “Come on, really?”

The holographic screen suspended above the table turns on, showing the floor plans of the Kremlin. Everyone falls silent.

“This isn’t a villain of the week, guys,” Steve sighs. “Hell, it’s not even HYDRA.”

You whistle, and Rhodey glares at you.

“As far as we can tell, the Russian government is doing this entirely of their own accord. The only one pulling the strings is Putin.”

“What are they doing?” Clint asks, leaning back in his chair.

“They want to put nukes in space.” Steve presses his clicker and the screen shows the earth and a dozen orbits around it. “That’s a one-way ticket to world war three.”

“And you want us to, what, eat the nukes?” Tony asks.

Cap clenches his jaw. “The Department of Defense wants us to make sure they don’t launch. My plan makes sure Putin won’t ever get the chance to.”

“You want to assassinate him?” Natasha asks quickly.

Steve faces her. “I want you to.”

Your eyes meet Natasha’s through the projection, and you swallow.

“He’s gotta be the most well-protected guy on the planet,” Bruce says.

“That’s a suicide mission!” Clint cries.

“Which is why we’re all going,” Steve says, in that authoritative old man tone that shuts everyone up. “Banner’s right. It’s going to take all of us just to get a chance.”

“Pretty sure assassinating the Russian president is an act of war,” you say. “Number two in command is just gonna send those nukes up and point them straight at the Pentagon.”

Everyone is quiet for a moment. Then they turn towards Steve.

“Which is why I have a plan,” he says firmly.

You don’t like it one bit. Not one bit. Natasha, undercover for two weeks without comms. Clint posing as a diplomat. The rest of you hunkered underground, waiting for the right moment to invade the Kremlin. It’s almost recklessly risky. And yet, Steve has his full faith in it, which means the rest of you do too.

That night, Natasha holds onto you tightly. She’s terrified to go back there, regardless of what she says. It’s worse than going after one cell, or even the Red Room itself. It’s the man behind the curtain who’s been controlling it all.

“It’s going to go fine,” she murmurs, wrapping her arms around your waist and pulling you further into her.

“It is,” you say. You take her hands and press them into your sternum. You’d only succeeded in being the big spoon a couple times — never when she was stressed. So you stare at the wall. “I mean it.”

“Me too,” her breath fans against the back of your neck. “We’ve done harder things before, haven’t we?”

“Oh, absolutely,” you exhale. “I mean, aliens? AI? Bruce when he’s hungry?”

She laughs, and that eases some of the pressure on your heart. “Worst case, I’ll survive.”

“You always do.”

“I always do,” she smiles. “And best case, I take care of him, you get rid of the cabinet, and Steve slides in his new leader. And we get out of there and go to… I don’t know. The Dominican Republic.”

“The Dominican Republic?”

“Why not?” she kisses your shoulder. “A vacation. Moscow’ll be a pretty intense way to get back into the action. You’ll deserve a break.”

“I’ve been on a break for three months,” you snort.

“Oh come on, you don’t want a piña colada? Palm trees? White sand beaches?”

“Well when you put it like that,” you say, turning around to face her. “I guess we could go to the Dominican Republic.”

She smiles, tucks a strand of hair behind your ear. “Promise?”

You could stare into the green of her eyes forever. “Promise.”

Not three weeks later, you sit staring at a computer screen in a bunker a hundred feet below Red Square. Tony sits to your left. There’s no point in watching the feed, since all of the cameras are outside of the Kremlin and Natasha walked in an hour ago, but you can’t help it. You feel powerless.

For ten days, Natasha has been Alina Konstantinovna Petrova, a middle-aged politician who just got back from a stint in Belarus. When she emerged wearing the nanotech mask for the first time, you genuinely didn’t recognize her. Her voice, her gait, her mannerisms — all changed. Sometimes you forget she’s the world’s greatest spy.

But with no comms and no tracker, all you have is your faith in that fact. Just your trust in her.

If she’s on schedule, she should be having tea with the Prime Minister, but really she could be anywhere, doing anything. There’s absolutely no way for you to know.

“You know,” Wanda sighs, tipping back in her office chair and tossing a tennis ball into the air. “I don’t think all of us had to be here.”

“Agreed,” Tony grumbles. “I was supposed to be at a gala right now.”

“Do you think-”

“Quiet!” Steve orders, narrowing his eyes at the screen. “Do you see that? Is that smoke?”

You lean closer. It is smoke, pouring out of a second-floor window, and it makes your stomach drop.

Steve taps into the emergency comms in Clint’s ear. “Is there a fire? What’s going on?”

“I don’t know,” Clint’s voice replies, hushed. “I don’t know, they put us into a ballroom. I don’t know where she is.”

“Shit,” Steve mutters.

“What do we do?” you ask, rising to your feet.

Steve grimaces. “If… if we make contact now, she won’t have a shot. It’ll all be for nothing.”

“The Kremlin isn’t usually on fire,” you snap.

“I’m sure she can handle it,” he glares back. His voice is dangerously quiet when he speaks again. “She knows what’s on the line here.”

But five minutes later, the smoke hasn’t stopped. It’s spread. Clint and the other diplomats are being evacuated.

You keep your eyes glued to the feed, scanning for Alina Petrova’s face among the crowd. She never emerges, but neither do the Prime Minister or cabinet. Maybe there’s a hidden exit.

Just when it seems like the fire is coming under control and the chaos is cooling, the cameras cut out.

You rush for the exit immediately, Tony and Steve right on your heels. Your entire body goes numb as you climb the ladder.

It’s probably fine, you think, hands squeezing the rungs too tight. The fire burned a power line, or the government stopped the footage to protect their image. She’s fine. She’s fine.

You heave the manhole cover out of place with your shoulder, hoisting yourself onto the street and ignoring the pedestrians who stare at you.

It’s absolute pandemonium. There’s a crater where half of the Kremlin used to be, and the other half is engulfed in flames. You sprint towards it.

Steve immediately shouts after you, but all you can hear is the rush of blood in your ears.

Maybe there’s a hidden exit. She had to have noticed the fire, she would’ve escaped, she would’ve made it out. She would’ve.

The police that are always stationed around the Kremlin make a border around it, though no one except you is trying to go towards the burning building.

“Ostanavis’!” they yell, but you hurdle their makeshift barricade.

If she was on schedule, she would’ve been on the east side, top floor. The heat doesn’t even register in your mind.

You root through rubble as fast as you can, barely noticing when Wanda and Steve join you in your search. Smoke stings your eyes and fills your lungs until you can barely choke out a breath.

There are heaps of ash that might’ve once been people, might’ve once been Natasha.

You climb trembling supports to get to the second floor: there are bones there, even fragments of medals and jewelry. The farther you get from the crater the less charred the bodies become. But you can only get so close to the live blaze, and none of the bodies are hers. The skin on your hands begins to blister from red-hot ash and metal.

At some point Steve pulls you away, ignores the way you claw at him and scream that you won’t leave her. The three of you (Tony, Bruce, and Rhodey had been wise enough to run away from flaming wreckage) end up in a Russian prison, charged as enemies of the state responsible for the fire and ensuing blast.

By the time the Department of Defense negotiates you out, you’ve convinced yourself that Natasha must’ve escaped. There’s no other option. She couldn’t die. If you didn’t find her, she couldn’t have been there. She must’ve gotten out.

But when you walk into SHIELD’s Moscow base, she isn’t there. It’s only Fury and Clint.

“Where is she?” you ask, rushing towards them. Everyone else seems to slip out of the room.

Fury’s eyes stay trained on you, swimming with something you don’t want to decipher. Your heart pounds against your chest

“Where is she?”

“She’s dead,” Clint says, his voice raw.

“No,” you respond immediately. “No, she isn’t.”

He closes his eyes.

No. You see a flash of her smile, of the jacket she loved. You feel the ghost of her touch on your face.

“I thought she faked it,” Fury says after a moment. “But… we made a deal a few years ago. If one of us faked it again we’d leave something behind so the other would know. A ring.”

You’ve never heard his voice so weak before. Somehow it’s scarier than anything else.

“But there was no ring,” he clears his throat. “Just this.”

He holds out his hand, opens it. The necklace you gave Natasha last year is bunched up on his palm, dark with soot. Your knees almost give out. She never takes it off, not to sleep or train or go undercover. She would never leave it behind.

Reality dawns on you like an awful black wave. Natasha is dead.

“I’m sorry,” Fury says, resting a hand on your shoulder. You can’t feel it. Every breath, every blink is manual now, every movement an act of will.

Worst case, I’ll survive.

You just want to hug her again. Just see her face one more time, knowing it’ll be the last. Suddenly a deep red rage fills your vision, and your muscles twitch to strangle whoever set the fire, whoever planted the bomb.

“There was no body?” you ask hoarsely. You can’t tear your eyes from the necklace.

Fury shakes his head. “Ash.”

A lump forms in your throat that won’t leave for weeks. You feel like you’re looking at everything through frosted glass, frozen in the moments that you just held. It’s like you’ve been caught in a spiderweb.

You don’t cry until you set foot inside her room at the compound. Everything is just how she left it, like she just stepped out. Like she’ll come back any second now.

The covers on her bed are rumpled.

You can’t wrap your kind around the fact that she could be gone, vanished into thin air, reduced to dust. That she’ll never touch anything again. You sit down on the floor and hug your knees.

For a few days you don’t eat; you don’t speak for longer. The gaping hole in your chest churns and twists in an agonizing way. Every night you dream of refusing Steve’s plan, or going up as soon as you saw the smoke, or doing anything except sitting idly while she burned alive.

You’re at Steve’s throat often enough that Tony kicks you both out of the compound. It’s not like either of you are of use, anyways. The others manage to channel their sorrow into work. You don’t.

Clint takes time off, too. Laura manages to convince you it’ll be good.

But with nothing to distract you, you feel the pain of every passing moment. Every minute that you get older and she doesn’t. You don’t want to have to think of a life without her in it.

Weeks or months into your dull gray blur of a life, someone knocks on your door. You hope it’s not Steve. You don’t know if it’s the season, but you could spring for a box of Thin Mints.

It’s not a girl scout. It’s Natasha.

Your eyes go wide; your face pales. Nanotech mask? Clone? “A-Are you real?”

She wheezes out your name, keeps her hands clutched to her side.

“Is it really you?” you ask, your eyes welling with tears and your hands trembling as you reach out to touch her.

“I missed you,” she breathes, her eyes roaming your face.

She has a black eye and a split lip. It’s her. You drink in the green of her eyes and the red of her hair and the softness of her face and you can’t keep the sobs from escaping. She crashes into your arms, ignoring the throbbing pain in her ribs. She smells like sweat and home.

Natasha is crying too, shaking, her face hidden in your chest. You close your eyes and tilt your head down to rest your lips on her head.

“You’re hurt,” you say when you remember how to speak.

She pulls away and kisses you deeply. It feels like God blessing you, even if it tastes like blood. She’s real. You don’t let go of her until she gently pushes you away.

“We should go inside,” she whispers.

You’re in a daze for half an hour, while you wrap her ribs and bandage the gash on her arm. She doesn’t leave your gaze for one second. When you’re finally satisfied that she won’t drop dead, you collapse onto the couch next to her.

She climbs on top of you, pulls you close.

“They were onto me,” she murmurs into your hair. “I had to escape, I couldn’t let them think I was alive.”

Anger roars in your chest. “I’m not losing you again.”

“I know. I’m sorry.”

“I’m going to kill them,” you growl, wrapping your arms around her securely.

“I’ll help,” she says, and you can hear the smile in her voice. “They’re probably coming here.”

“You were followed?”

“I wanted to see you,” she sighs. “I didn’t take all the precautions.”

You laugh and bury your face into the crook of her neck. “You think we can go to the Dominican Republic after?”

“I’ll break up with you if we don’t.”

#natasha romanoff x reader #natasha romanoff #angst #black widow #black widow x reader #marvel #mcu #natasha x reader #fluff

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bowtiepastabitch · 3 months

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Heaven's Not Homophobic in Good Omens, and Why That's Important

I need to preface this with, I am not trying to start a fight or argument and won't tolerate any homophobic or bad faith arguments in response to this. Cool? Cool.

This is in large part inspired by this ask from Neil's blog, which sparked some discourse that I don't want to get involved in but that brought up some analytic questions for me.

He goes on to reblog a question asking about Uriel's taunt specifically, clarifying that "boyfriend in the dark glasses" can just as easily be read/translated from angelic as girlfriend or bosom buddy. The idea is that an angel and a demon "fraternizing" is seriously looked down upon, not that heaven is homophobic. And that's super important.

We see homophobia in both the book and show, of course. Aziraphale is very queer-coded, intentionally and explicitly so, and we see the reaction of other humans to that several times. Sergeant Shadwell, for example, and the kid in the book that calls him the f-slur when he's doing magic at Warlock's birthday party. These are, however, individual human reactions to his coding as a gay man.

I am, personally, not a fan of heaven redemption theories for the show; no hate for people who want that it's just not something I'm interested in. I don't believe that heaven is good with bad leadership, or that God Herself remains as a paragon of virtue. To me, that's not in line with the themes and messages of the show. It's important, however, that heaven doesn't reflect human vices. Heaven can be nasty and selfish and apathetic in its own right without ableism, homophobia, transphobia, or racism. This matters for two reasons.

Firstly, we don't need the -isms and -phobias to be evil or at least ethically impure. In a world where we spend so much time fighting against prejudice and bigotry, our impulse is to see that reflected in characters whose motivations we distrust or who we're intended to dislike. While it's true that that's often the big bad evil in our daily lives, it can really cheapen the malice in fictional evil from a storytelling standpoint. A villain motivated by racism or as an allegory for homophobia can be incredibly compelling, but not every bad guy can be the physical representation of an -ism. Art reflects the reality in which it's crafted, but the complexity of human nature and the evil it's capable of can't be simplified to a dni list.

Secondly, and I think more importantly, is that for Good Omens specifically, this places the responsibility for homophobia on humanity. If you're in this fandom, there's like a 98% chance you've been hurt by religion in some way. For a lot of us, that includes religious homophobia and hate, so it makes sense to want to project that onto the 'religious' structure of Good Omens. It's a story that is, in many ways, about religious trauma and abuse. However, if heaven itself held homophobic values, it would canonize in-universe the idea that heaven and religion itself are responsible for all humanity's -isms and -phobias and absolve humans of any responsibility. Much like Crowley emphasizes repeatedly that the wicked cruelty he takes responsibility for is entirely human-made, we have to accept that heaven can't take the blame for this. To make heaven, the religious authority, homophobic would simply justify religious bigotry from humans. By taking the blame for religious extremism and hatred away from heaven and the religious structure, Good Omens makes it clear that the nastiness of humanity is uniquely and specially human and forces the individual to take responsibility rather than the system. Hell isn't responsible for the Spanish Inquisition, which by the way was religiously motivated if you didn't know, and heaven isn't responsible for Ronald Reagan.

This idea is perhaps more strongly and explicitly expressed in the Good Omens novel, in the scene where Aziraphale briefly possesses a televangelist on live TV. It's comedic, yes, but also serves to demonstrate that human concepts of the apocalypse and religious fervor are deeply incorrect (in gomens universe canon) and condemn exploitation of faith practices. Pratchett and Gaiman weave a great deal of complexity into the way religion and religious values are portrayed in the book, especially in the emphasis on heaven and hell being essentially the same. They're interested in the concept of what it means to be uniquely and unabashedly human, the good and the bad, and part of that is forcing each individual person to bear the brunt of responsibility for their own actions rather than passing it off onto a greater religious authority.

Additionally, from a fan perspective, there's something refreshing about a very queer story where homophobia isn't the primary (or even a side) conflict. The primary narrative of Good Omens isn't that these two man-shaped-beings are gay, it's that they're an angel and a demon. The tension in their romantic arc arises entirely from the larger conflict of heaven and hell, and things like gender and sexuality don't really matter at all. Yes, homophobia and transphobia are very real, present issues in our everyday lives, but they don't have to be central to every story we tell. There's something really soothing about Crowley and Aziraphale being so queer-coded and so clearly enamored with each other without constantly being bombarded with homophobia and hate. It's incredible to see a disabled angel whose use of a mobility aid makes no difference in their role and to see angels and demons using they/them pronouns without being questioned or misgendered. It's all accepted and normalized, and that's the kind of representation that we as queer people deserve.

#anywho that got real long #good omens #neil gaiman #terry pratchett #media analysis #good omens analysis #queer coding #queer representation #ineffable husbands #gomens #aziraphale x crowley #anywho happy valentines day #love my fandom #not beta read or majorly edited because I'm a busy guy with homework so lmk if there's any errors that need correcting (politely!)

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commander-revan · 7 months

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I've been thinking a lot lately about how Dabi feels post dance and the Paranormal Liberation War in regards to losing Twice and Compress all in the same day.

Obviously he's ecstatic that he finally got to reveal himself, got to see his father face the consequences of his neglect, and tell the whole world about what a piece of shit the Number One hero is to his own family.

But after those scenes, despite all the recent promotional art of him smiling, he doesn't actually seem happy. In some cases it even seems like he's doing worse mentally.

We missed out on a lot in not getting to see how the remaining League members feel immediately after that battle. We don't even get to see Shigaraki acknowledge losing Twice and Compress, if he even knows what happened to them with AFO trying to take him over.

All we really get are these panels when AFO is breaking other villains out of prisons around Japan. And he and Spinner just look so exhausted.

Dabi is clearly upset about losing Twice given his confrontation with Hawks, but after that we don't see him talk about it at all. We do see him with this look when Compress brings up that he believes Twice died, but Dabi doesn't even mention that he was there with him in his final moments.

He just immediately switches gears and decides to focus all of his energy into hunting down Endeavor, kickstarting his plans for revenge much earlier than he expected.

The only other time we see him mention Twice is this moment with Toga (this scene is also the only time we see him smile post reveal and before the war).

We get even less when it comes to Mr. Compress, even though Dabi seemed the closest to him out of everyone in the League. Nothing gets said at all about him. Compress helps Dabi escape and tucks him away with Spinner before he sacrifices himself for them. But I don't think Dabi knew what Compress was really doing, that he wouldn't be coming back with them.

I also don't think the world had the reaction Dabi was hoping for after releasing his reveal video. Sure some people lost faith, and there was a press conference, but ultimately Endeavor didn't face any consequences. It confirmed what Dabi already knew, that nobody cares and heroes will continue to get away with anything in this society.

After this, in the few scenes he's in before the war, he just has blank stares.

Or he's annoyed that AFO isn't letting him go after Endeavor immediately.

He doesn't care about taking down the world, or AFO's plans, he's just impatient to kill his father and ultimately himself. Like Shoto said, he's been ready to die from the start. And I think losing the people he was closest to in the League only exacerbated his fatalistic mindset.

With Twice dead, Compress in prison, Shigaraki being possessed, and with what happened to Spinner, it's really just him and Toga left. He doesn't have a reason to really stick around for anyone anymore.

Which just makes me wonder if he blames himself. He's the one who brought Hawks in after all. If it wasn't for that, Twice and Compress might still be around, they might still have their base, their army. They lost everything, and he's partially to blame.

He's been deemed a failure since he was a child, by Endeavor, by AFO after his three-year coma. And then he failed in protecting the League, in judging how much of a threat Hawks actually was. He only brought Hawks in once they had formed the PLF. He thought with numbers behind them Hawks couldn't touch them when/if he turned on them. And he definitely didn't think that Hawks would actually kill anyone. But he was wrong.

In the end, he got exactly what he wanted, but I don't think he ever expected that the League would pay the price for it. Along with everything with his family, he might think that he deserves to die for what happened. For failing the people closest to him one last time.

#dabi #my hero academia #touya todoroki #league of villains #mr compress #Twice #jin bubaigawara

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neuralnetsprettypatterns · 2 months

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Pinned Post

Hi there! I'm Neural Nets. I make kink content. I specialize in audio content about mind control. I also produce video, make games, and create experimental content for personal massagers.

If I have a kinky vision, I aim to make it real. I learn the tools I need for them.

I made the first content for "bimboization" over a decade ago. It was supposed to be private. It got leaked and cycled into thousands of spicy video dishes. I left the scene and returned to find it EVERYWHERE. That was fucking surreal.

My content is much better now. I learned the tools to make the horny impulses real.

Some of my content is free. You can find free things here, on Discord, on Reddit, on Soundgasm, and on Spotify. My media presence is a bit scattered because of bans and illness, but it's there.

The real archive is on Patreon. That costs money. It doesn't cost very MUCH money, and I think it's well worth it. That's your call, though.

I am definitely over 30. I don't disclose my exact age because hacking. "Over 30" should be enough. If you're hoping I run for US Senate, I appreciate your optimism and mourn its imminent passing.

FAQ:

Do you answer asks?

Yes! I turned off anonymous asks here. Trolls should commit to the bit. That said, I appreciate asks and I answer all of them if they're in good faith.

2. Do you answer DMs?

I leave my DMs on here. I wrestled with that decision.

They're on for: a. people I've known for a while or b. people contacting me about projects, like VAs and spicemakers

Any other questions go to asks.

3. How do I voice act in a Neural Nets production?

You contact me. You'll need to provide a voice sample.

If I cast you, I'll direct you to the casting spreadsheet. It has deadlines. If people miss deadlines, their parts get recast. I can direct, but I can't micromanage your time.

Sometimes, people are very underconfident in their voices, and it makes them feel bad. If that's you, I empathize. I'd be happy to answer questions and give advice! I shouldn't direct you, though. I don't want to unwittingly hurt people by directing.

4. Do you believe your content?

I believe in equality and radical honesty. I unequivocally believe in consent. I wish political and economic systems did too.

I have dark impulses. I like some schtick and some kayfabe. I like trickery and manipulation - in consensual kink.

All my content addresses things that turn me on, but my ethics trump my desire for a host of braintrained pleasers.

5. Do you do AI stuff?

Not really. I've tried machine learning tools. Porn is the cutting edge of new tech, after all.

I like automated tools to generate effects. Purely generated stuff, like image generation? Overall, meh. People make me horny. Mechanized people can make me horny. Machines, by themselves, don't make me horny.

6. Aren't you evil?

No. Some people are bad at reality testing. Some people chase clout. I naively engaged them initially. That was a mistake.

If anyone has beef, they failed to contact me privately. That's the damning mark of clout chasing.

I'm flawed and human, but I'm neither your hero nor your villain.

7. Aren't you dead?

No. In late 2022, I was diagnosed with multiple sclerosis. It's partially genetic, so I sorta saw this coming. That was my worst lifelong fear, and it happened.

Fortunately, though, we caught it early and they have banger drugs for it now. Monoclonal antibodies destroyed the misbehaving parts of my immune system. I'm in NEDA, which is like remission.I recovered compromised motor skills through a year of totally brutal and partially self administered physiotherapy. I ate a lot of pavement, so it's a good thing I used to skate.

If you saw me now, you probably wouldn't clock anything. Lucky.

I am annoyed at people who mass reported my last blog shortly after I came out as sick. It takes a special kind of miserable to delight in that. Regardless, I'm back and that's not my problem.

I missed this platform, as completely broken and dysfunctional as it is.

I am glad to be back, and I'm here for any asks.

#neuralnetsandprettypatterns #neuroplex #hypnosis files

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autumnmobile12 · 1 month

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The League of Morons vs A Summer Camp

All right, so I love the hell out of this nonsense and I want to talk about the Vanguard's plan and how ridiculous it was.

First, most of the crew showed up a night early and…well, then what? That first night, Dabi says they’re still waiting on a few more people to arrive. Okay, so what are you all doing here already?

Did Kurogiri warp them back to the bar after they’d gotten a look at the place? Scouted the area a bit? You needed seven people for that? Were they that bored waiting for Twice, Compress, and the Nomu to show up? What were they doing in the 24 hours between this part and the actual attack? Standing on that cliff and muttering, “Heroes…”?

Was Toga all, "Guys, I'm tired. Can we go back to the bar already?"

Spinner: "No, as villain protocol dictates, we must stand here menacingly for a minimum of twelve hours."

Dabi: Fuck you, I'm going to bed.

Except for being a scare tactic, having Dabi start a fire was mostly unnecessary. Their goal was to further weaken society's faith in heroes by targeting UA students, so you'd think he'd be a little more proactive in...well, actually harming someone. As it happened, the fire really only to served to announce there was an attack happening.

But I’ll throw the Vanguard a bone here and say this was Spinner’s doing. Like their original plan was to start a massive fire that would consume both classes and all the heroes in a singular tragedy, but then Spinner said, “Hey, pump the breaks, people. We’re here to uphold Stain’s ideals about toppling the corrupt Hero culture. Do we really want mass child murder as part of our brand?” Sure, he wanted to go after Iida, but he was a specific target since he was on Stain's hit list.

The two copies Twice made of Dabi were virtually useless in a fight since Vlad and Aizawa both took him out so quickly it was embarrassing. And yet he’s apparently a big enough threat that No. 1 and No 2. can’t handle him. Go fig.

Endeavor/Hawks: Oh, no, he’s too strong…

Aizawa/Vlad: Listen here, you little shit!

...

Muscular goes and reveals their plan even though he didn’t have to. They all saw the Sports Festival, they knew what Bakugo looked like, and yet here he is asking Deku where he he can find Bakugo as if he was going to answer him. Yes, he didn’t think there was any harm in telling him since his plan was to kill Deku anyway, but alerting UA to the fact they were looking to kidnap someone is still just hubris.

Going after Bakugo in the first place was a dumb idea. We can probably credit that one to Shigaraki because only he would look at the violently temperamental teenager raging on national television and think, “Yes, he seems like a reasonable person to negotiate with.”

...

Gonna drop in some actual light criticism here: Given the inequality issues that arise in the series later, targeting the heteromorph students for recruitment purposes would have been a smarter move for the LoV. They’re all part of a demographic that has a justified reason for being dissatisfied with society, so there would have been a believable chance of the LoV thinking they could sway some people to their side.

But hey, the League of Villains was on a learning curve. Give 'em a break.

He totally saw Aoyama here. Or at least he heard him because he clocked that there was something weird about that bush and he was going to go check it out…and then Twice distracted him and Dabi has an total ADHD moment and forgets what he was doing.

And it's not because Aoyama was the spy. Nobody in the Vanguard knew.

1.) Shigaraki says he tried and couldn't figure out where the camp was, but AFO figured it out relatively quickly. So if even his successor doesn't know who the spy was or called on that resource, then why would AFO tell anyone else in the group?

2.) Moonfish, Muscular, and Mustard were all apprehended, but none of them ratted out Aoyama, as someone with nothing left to lose would. Neither did Kurogiri when he was later apprehended, but that one may have been a loyalty matter. So I think this was a case of AFO saying, "I have a source of info and you don't need to know who it is." Because at the end of the day, AFO is an arrogant narcissist who's definitely not placing all his eggs in one basket. Aoyama wouldn't be an easy spy to replace, so of course AFO would want to limit any chances of him being exposed.

So this was Dabi's screw up.

Speaking of forgetting things, Dabi also straight up forgot they had a Nomu because he thanked Twice for reminding him they had a Nomu.

Sir....how the hell do you forget you have a Nomu?

Toga was supposed to get blood from at least three people. She failed.

Twice had a simple job. Create clones. He succeeded, but the only two he made were Dabi and I refer you to the previous point on how useless they were.

Spinner and Magne’s roles were a diversion. Distract the Wild, Wild Pussycats and give everyone else the opening to find and kidnap Bakugo.

They did pretty well. Up until the point they were almost caught and Kurogiri had to bail them out. Also Spinner lugged the giant, over-the-top blade contraption all the way there only for Deku to destroy it.

However, they do deserve some credit for making probably the best strategic decision of the group that night, and that was taking out Pixie Bob. We saw on the first day of the camp that she was able to hold back a class of twenty students with an army of earth creatures she was simultaneously controlling. That would have been a huge problem, so for the purposes of their team, good on them for removing that obstacle.

Underrated squad members right here.

Mustard was a legitimate threat for same reasons Dabi and his fire was a threat, plus he brought a firearm into the fight. (I want to know what the other villains thought when they saw that.)

But instead of putting him in the center of the fight where he could do some significant harm, they placed him on the outliers and all he did was knock some students unconscious and everybody made a full physical recovery, showcasing the gas he emitted wasn’t all that lethal and didn't cause any long-term complications. (Again, maybe this was Spinner's idea of Stain's ideology on not indiscriminately massacring children. "Guys, I'm telling you! That's fucked up!")

The Nomu (effectively brain dead without orders) did more damage than any of them, which makes the previous point that Dabi forgot they had it even funnier.

And finally, Mr. Compress was missing for half the night and then almost came in clutch by fulfilling their main objective plus extra credit, only to nearly blow it with his showboating. Seriously, they could have gotten away with both Bakugo and Tokoyami had they just booked it while the going was good.

But no, Compress had to make a dramatic production of it. When he first snatched the kids, he could have just left and Deku and company would have had no idea what happened. Had he just kept his mouth shut and left, they wouldn't have known he even existed. Then as the Vanguard members were leaving through the warp gates, he goes and does it again, giving Aoyama enough time to fire at them with his navel laser, something that also could have bee avoided had Dabi just checked the fucking bush!

The Vanguard Action Squad won by sheer dumb luck and their collective incompetence actually succeeding is the most hilarious thing about this arc. In the end, three members of their crew were arrested. (Although I think everyone was secretly relieved they lost Moonfish. Even if he was on my side, I’d be actively worried that guy would kill and eat me in my sleep.)

Yet this self-important twerp is smiling like they actually did something to be proud of here. All Dabi really accomplished personally was grab a marble (coincidentally the correct marble) before Shouto could, which is borderline more standard older sibling behavior than actual villainy. He literally lost two separate fights in one night and called it a win.

This arc was a five episode Scooby-Doo trap going wrong and succeeding.

Seriously, I hope that after the warp gates closed, they all just looked at each other and immediately started calling each other out on everything. Like Dabi slapped Compress upside the head and asked him what he'd been thinking having 'one last bow' before they got away. Spinner yelling at Dabi about how the clones did nothing. And there's Bakugo all, "I can't believe I've been kidnapped by a gaggle of morons."

Fake it till you make it at its finest.

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childofaura · 2 years

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Broke: Mephiles’ design being grayscale Shadow is a lazy design choice.

Woke: Mephiles’ design being grayscale Shadow is genius because of his nature in attempting to appeal to Shadow’s past traumas with promises of revenge and justice, like the inner voice that constantly tells you to simply let go.

Bespoke: CRYSTAL LOOK IS METAL.

#Sonic the Hedgehog #I cannot stress how much I love that Mephiles and Shadow are so intertwined #In SA2 Shadow’s villain was less Eggman and more his own inner demons #In Shadow the Hedgehog it was less Black Doom and more the empty gaps in his memory (but also Black Doom later)#But in 06? It’s purely Mephiles #Because after everything previously there’s nothing in his past that’s left to overcome #Just Mephiles #Imagine being faced with someone who looks almost exactly like you #Who not only knows you but really KNOWS you #That scene in the Flame Core where he taunts Shadow with the image of his future self being held in stasis?#He KNOWS how humanity had screwed Shadow over #And let me tell you Mephiles’ manipulation was the strongest out of any villain who used Shadow as a tool previously #But he underestimated exactly how much Shadow’s past experiences had helped solidify his identity; his goals; his faith in his own path

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am-i-the-asshole-official · 3 months

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AITA for creating and running a gimmick blog?

A few months back, I was bored and decided to hop on the trend of gimmick blogs. Since I don't have any crazy skills like identifying cars or programming bots, I settled on something I thought was extremely simple: correcting typos. So I'll sometimes reblog posts that have typos in them and comment with corrections. I would only do this on posts that were already lighthearted or joking in tone; I would never derail a serious post with it. And I really haven't used it very often - maybe a couple times a week at most, just when I happen to notice a good candidate.

Well, recently I was inundated out of nowhere by a bunch of anons telling me this was a horribly offensive idea. According to them, I was insulting dyslexic people, non-native English speakers, people without access to education, and a whole bunch of other groups with these unwarranted corrections.

I had honestly never considered that angle, and I've paused using that blog so I can try and reflect on it. But when I replied to a couple of the asks asking for a better explanation of exactly how this was harmful - because I genuinely wanted to be informed - the vast majority of the replies, with few exceptions, were obscenely rude to me. I've been called classist, ableist, racist, and a lot of much worse words I don't care to repeat here. I blocked exactly two people because they were being extremely hateful in my notes, while still trying to engage with the more polite ones, but of course I still got accused of blocking and ignoring everyone I disagreed with.

The truth is, I'm still not sure whether or not I disagree with any of them on the actual subject at hand; I just can't deal with people being bitter and rude and assuming the worst of me. I tried to make it clear that I was more than willing to listen and have a conversation in good faith, but that has proved impossible.

So now I'm really hurt and really, really confused. I'm not going to just blindly trust a small group of hypocrites on the internet who claim they're worried about people's feelings while at the same time trying to completely villainize me as if I don't have feelings too. But I also understand that they might have a point. Sadly, politeness is not always correlated with correctness.

I absolutely do not want to continue running this gimmick blog if it's truly harmful and offensive to people. I've just never encountered this take before, and it was delivered with such vitriol that I had to take a break from tumblr entirely just to recover my sanity. So I'm hoping a much broader and less biased sample size will help to clear this up. I know an AITA poll isn't perfect, but it should do.

If I get a YTA verdict, I will delete the typo-correcting blog and stop immediately, no questions asked. If not, I'll know I just angered an extremely vocal minority that has no idea how to deal with conflict.

AITA?

What are these acronyms?

#aita #am i the asshole

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venvellan · 9 months

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da2's arishok is a good villain. if you have a fundamental understanding of the qun and listen to his thought process, the things he does makes sense. he uses the qun to justify slaughtering kirkwall's people, which is utterly inexcusable and what makes him a villain, but his character is complex enough to make dealing with him that much more thought provoking. he sends agents to kill petrice because she was killing his people, he doesn't give up the elves because they committed their lives to the qun, no matter how recently they converted, and he refuses to leave without the tome (and isabela) because his idea of justice hasn't been done. his logic makes sense, generally, though it is wrong on more than one occasion. he isn't moral, but he is methodical.

i feel this way about solas, too. i like da2's arishok for the same reasons that initially draw people to solas, i think. when we meet them, i find them interesting and educational to talk to, someone worthy of respect, and someone very honorable in their own way. similarly, many of my issues with solas compare with flaws in the qun/the arishok.

solas asserts that all of his beliefs are correct, and we're never allowed to challenge him on any of it. if he has high enough approval, he'll approach you to go, "yknow, i thought you were all [insert prejudice or stereotype] but YOU showed me that some of you guys are actually okay," which is NOT what it looks like for someone's beliefs to be challenged.

brief aside, i want to be fair in that we don't get this opportunity with many of the companions, and it's not even an inquisition specific issue. the dialogue format is agree, joke, be mean, and it's flawed, but it works in the majority of interactions. we don't really get to engage in nuanced discussions with characters, but there are positives and negatives to the system overall. it is possible to challenge and shape a character within this dialogue system (i.e., garrus vakarian) but in dragon age that really only comes in the form of harden/unharden. it was a little more doable with origins' system, but it really hasn't been a huge part of any dragon age game. most characters' beliefs remain largely unchanged by you regardless of how you play.

solas also possesses a strong sense of duty and purpose, though what duty he has, what his true goals are, he keeps hidden as long as he can. the most damning comparison though, to me, is how willing he is to destroy the world and bring back "his people," while the qunari fight to conquer the world and homogenize society into "their people."

in any case, with both him and the arishok, you can see the wheels turning in their heads. you can see why they do what they do, even if it's wholly immoral. it makes their threat a lot more personal, a lot scarier, psychologically, that a "normal" person, who doesn't want to cause suffering, can hold such specific beliefs and such strong conviction that knowing that they'll hurt people doesn't give them any pause. the root of their motivation is understandable. solas wants to right his wrongs, at his core. the arishok implicitly believes that the qun is safer, better for its people than life outside the qun. we can see that they're taking it too far, but they don't care. it makes them good villains.

"i am not corypheus, i take no joy in this." sure, which is a very similar sentiment, emotionally, to the qunari sense of duty. you can say you don't enjoy it all you want, you're still committing genocide. you can hate the qunari all you want, but you fight with their ferocity, their unshakeable faith in their own cause. their need to "do what's right," no matter who's caught in the wake.

i understand why people like solas, i go back and forth on it myself, but i don't think he's all that different from the arishok in method and motivation. they're each thrust into a world so different from what they believe is "right" that they demand it change around them. if we had to kill the old arishok, then if solas refuses to give up, he will have to die. he doesn't get to do genocide just because he's romanceable. he's a good character, he's a good villain, but he's not a good guy, and unless he stops before he does any real harm (which he will not do), he should share the arishok's fate.

#ive had a hard time trying to put words to the way i feel about solas #but this does it #solas is a good character and quite likeable for lots of reasons #especially in inquisition's main story #but end of the day hes not a good fuckin dude #also please engage with this it took me like three hours #da discourse #cw: genocide #dragon age #dragon age 2 #dragon age inquisition #da2 #dai #the arishok #solas #fen'harel

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catholic-character-tournament · 11 months

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Round 1 - Side B

Propaganda below ⬇️

Matt

Matt's faith in the show is really important and well explored; one of the first scenes of the show is Matt going to confession (or, well, talking to his priest since he's not really confessing at that point). Matt struggles a lot with what he's supposed to do; everyone's telling him to kill the villain and he kinda wants to, but he literally says: "I know my soul is damned if I take his life". He struggles with his faith and goes with his doubts to his priest, and it's beautiful—also when he finally gets a costume for his vigilanteing he chooses to dress as the devil, lol. (His priest tells him that nothing makes people run to Church faster than the feeling of having the devil on their heels.)

a lot of the show is about how he justifies his vigilante actions with his faith, and whether he's doing the right thing in trying to help people or just using it as an outlet for his anger. the literal first scene of the show has him in a confession booth talking to his priest (who is a really interesting character too). this is not the scene I was talking about but it's such an excellent scene with matt talking to his priest: https://youtu.be/XHZ3NbEIDdw

canonically catholic but dresses like a demon to be quirky

honestly i dont wanna type too much but i feel that matt is a great example of someone who battles with his faith because he rarely loses his faith but rather fights with why he was made the way he was and put through what he was. He believes himself to have the devil inside him but believes that God put him there

ok in the comics barring the most current run matt has Mostly been a non-practicing Catholic that very rarely actually does any catholic Activities but ends up falling back into the Mindset and very occasionally dramatically taking confession (ex. in that one issue where he takes confession, basically tells the father that he is uniquely terrible and is thinking about violently murdering someone and when the father says "you can be forgiven" hes like "AUGFH-- NO!!!!!!!!!!" and runs out) when he's gone through some shit. and i love that its so relatable

hello its me cct organizer. i have to come clean, i made this tournament because i need matt to win something. i dont think hell win the sadboy and he lost the ginger tournament and >:( hes my favoritest guy ever. Also @ who said he has religious trauma is wrong and i will fight u about it (nicely) on my main @usaigi

This guy so catholic he spends an ungodly amount of time just chilling in the church. And goes there whenever there is a moral conundrum about killing people being Bad even though it would solve a lot of problems and stop said people from killing other people. This happens every other episode. Matt is the Catholic Guilt Guy. There's actually a lot of catholic stuff in the show as a whole. Just a compilation would be like three whole episodes long.

Hes great hes catholic enough to not outrught murder people but not catholic enough to not fuck before marriage hes a bisexual disaster at all times hes besties with a priest might i add hes great hes my special little guy

his catholicism is a huge piece of his characterisation he was raised by nuns in a catholic orphanage, the first scene we ever see him (as an adult and not a flashback) is him going to confession, he is good friend with his priest and has regular debates with him, etc also in s3 he has a huge crisis of faith after he lost A Lot where he stops believing for a while and it's linked to his identity crisis where he actually wants to kill another person (a hard line he previously chose never to cross) and wants to be only daredevil and not matt murdock, when he is both and needs both to exist also when he was a kid his grandmother used to say "watch out for the murdock boys, they've got the devil in them" and it created a surprising lot of his issues

So he's both catholic in the comics and the show but he's More Catholic in the show. Like, raised in a catholic orphanage by nuns (ONE OF WHICH IS HIS *MOTHER*), second scene in the show has him in a confession box kind. Matt Murdock goes out and gets the shit beaten out of him nightly and also beats the shit out of other people and purposefully leaned into devil iconography as his theme. When his nurse friend says, he takes a lot of punishment without one complaint he says "That part's the Catholicism." It is a Core Aspect of his character (at least in the show). He makes me insane. Also the same chemicals that blinded him created the teenage mutant ninja turtles and everyone should know that.

They went to confession to a priest who they had saved as their costumed counterpart and the guy recognized them by the voice, proving that it's possible and everyone else is just dumb

he takes "i wanna fight god" to new and incredibly violent levels, while also being a sweetheart and a goofball

Actually strictly WILL NOT kill criminals. Goes wayyy out of his way to avoid it. Fights with the Punisher about it. Goes to confession booth after nightly vigilante excursions. Feels so much guilt. "How have you been holding up?" "Like a good Caltholic boy" "that bad huh" - actual conversation with his priest

So Daredevil struggles with his mission as a crime fighter because killing criminals goes against his faith. He makes it a point to not kill criminals, believing that even bad people deserve a second chance. This philosophy puts him at odds against The Punisher, who is a relentless killer. As a Catholic myself, while I love the concept of a morally conflicted superhero, I think the worldbuilding around Daredevil is lacking. If he struggles with violence and killing, why doesn't he pray to warrior saints like Saint Michael, Saint Ignatius of Loyola (a former knight), or Saint Joan of Arc? Why isn't there a community of other Catholics he can turn to for guidance, considering New York City has a sizeable population of Catholics? And why are the churches he goes to always empty? Doesn't he know that the Catholic Church supports the just war theory? I think that would have made his burden more bearable.

He goes to church and confesses to punching people and says "imma do it again can i apologize in advance" and the father dude says "no you're meant to stop now" and Matt says "no" and they do this everyday. I'm not remembering it properly but this is a canon interaction i swear

HELLO HI YES I LOVE HIM AND WILL INFOR DUMP ok so. he is a vigalantty and he got named daredevil and he is an orphan and after the age of 12 was raised in an orphanage at a Catholic church and his therapist is his priest via confession abd. also his mother is a nun he has a whole mental breakdown over god and called Job a pussy because he liked god until he got better and liked god again he said "I'm dearedrvil and not even god can stop that now" and he's so cool

matt is a freakish little babygirl who was raised by nuns and definitely has religious trauma. i hate him so much (affectionately)

he’s literally fucking insane about it i don’t know what to say here. he thinks he’s chosen by god to go on some sort of holy quest to save hell’s kitchen. joan of arc ass.

i already know hes in by default j just wanted to give him a personal shout out i love this angsty catholic dweeb

how practicing he is depends on the run, but in my favorite he is quite literally confessing to a member of the last extant order millitant who happens to be a priest at a church in hells kitchen.

i love him for having the funniest version of a trope i usually hate (person gets into confession booth and asks forgiveness not for what they've done, but for what they're about to do). usually this trope just looks silly to me bc like. the priest would just say "i can't do that" and you would have to either awkwardly explain yourself or just Leave. it's funny when matt does it because fr. lantom is probably like "what are you gonna do???" and matt's like "lol. lmao. 😊 hehehe." anyway we love this angry catholic man who dresses up like the devil to beat people up in hell's kitchen

Harrowhark

I'm pretty sure you've already got plenty of submissions for her so I'll just say she was raised in what is basically a cult (technically a nunnery but let's be real) dedicated to keeping the body of the thing that will kill God behind the rock. One of their prayers is actually "I pray the rock is never rolled away". Harrow is extremely devout as penance for her earlier heretical actions in the tomb as a child (spoiler!) so the Catholic guilt really comes through

imagine being a catholic nun and you meet god, but it turns out he’s a twitch streamer from new zealand who became god because everything got a little bit out of hand. and just before you met him you gave yourself a diy grief-fuelled lobotomy with the help of your best frenemy. imagine how insane you’d be. now multiply that insanity by nine. that’s the fictional love of my life right there.

she meets god. she’s not inspired

she’s number one practitioner of space Catholicism. The locked tomb is chock full of Christian (catholic) imagery themes metaphors etc. just look at her she’s got a bone rosary

They're Catholicism with extra bones. Everyone is a nun. They have what is basically a rosary made from knuckle bones. They technically worship the same God as everyone else, but they're waaaay more focused on The Body in the Tomb (Mary) and we get a moment where we find out that while everyone else prays the equivilent of The Lords Prayer, they're doing the equivilent of Hail Mary. And they paint their faces with skulls.

She thinks leaving dry bread in a drawer is taking care of someone. She's in love with a 10,000 year old corpse (the same one they worship). She spent ALL NIGHT digging with her bare hands to make sure a field had bones every 5 feet so she could fight her girlfriend - I mean, greatest enemy. Spoiler territory: She's been puppeting her parents corpses since she was 8 years old. Instead of grieving her dead girlfriend, she gives herself a lobotomy. She makes soup with bone in it so she can use the bone IN THEIR STOMACH to try and kill them.

The author is/was Catholic and the entire series had heavy Catholic overtones. https://www.tor.com/2020/08/19/gideon-the-ninth-young-pope-and-the-new-pope-are-building-a-queer-catholic-speculative-fiction-canon/ A good breakdown of how it's Catholic

#matt murdock #daredevil #marvel #Harrowhark Nonagesimus #The Locked Tomb #cct polls #tumblr tournament #tumblr bracket #tumblr polls

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