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#we want to be able to do Some things for ourselves. we want to keep some of the little joys like cooking a few meals here and there
unicarcass · 3 months
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kinda majorly fucked up and irritated again abt the fact that a one-off event can and has put us in constant excruciating pain for the rest of our life
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asiancatboy · 2 years
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i wish we lived in a world where talking about suicide and suicidal ideation wasn't so taboo, treated with the sensitivity it deserves but not overcautious to the point everyone affected feels like they can't reach out or talk for fear of being institutionalised against their will
#suicide#suicidal ideation#i've grown up passively suicidal for as long as i can rememeber and honestly me talking about suicide is rarely ever a cry for help#if anything it's the healthiest thing for me to do bc sure i don't actively want to die but bottling this shit up to keep everyone around#me comfortable at all times is isolating. and i don't mean talking about suicide like mid-breakdown wanting to die type talk like obv be#concerned there. but i wouldn't be able to talk about a passing thought or talk about my progress with combating said thoughts or even joke#about the fact i wanted to die today but didn't yay me without some bitch somewhere being like um actually that's so manipulative go to#therapy get a diary you are only making yourself worse by letting yourself think these things#like yes i agree. time place audience consideration & an understanding that the subject is sensitive & not always welcome. but also why is#that. could it be that our lack of willingness to talk about suicidality is contributing to the hostile reaction in the face of ppl who#experience it which leads to more involuntary hospitalisation and in turn makes vulnerable ppl feel worse and unsupported#society has failed us bad like they'll have everyone believe that the only way to deal with suicidality or severe mental health problems is#to lock everyone away and chalk it up to a chemical imbalance. not saying everyone should suddenly be fine with the topic or forget#how to be courteous with boundaries but i do believe we are collectively hurting ourselves by refusing to engage conversation entirely#7
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euqinim0dart · 2 months
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Some positivity in these turbulent AI times
*This does not minimize the crisis at hand, but is aimed at easing any anxieties.
With every social media selling our data to AI companies now, there is very little way to avoid being scraped. The sad thing is many of us still NEED social media to advertise ourselves and get seen by clients. I can't help but feeling that we as artists are not at risk of losing our livelihoods, here is why:
Just because your data is available does not mean that AI companies will/want to use it. Your work may never end up being scraped at all.
The possibility of someone who uses AI art prompts can replace you (if your work is scraped) is very unlikely. Art Directors and clients HAVE to work with people, the person using AI art cannot back up what a machine made. Their final product for a client will never be substantial since AI prompts cannot be consistent with use and edits requested will be impossible.
AI creators will NEVER be able to make a move unless us artists make a move first. They will always be behind in the industry.
AI creators lack the fundamental skills of art and therefore cannot detect when something looks off in a composition. Many professional artists like me get hired repeatedly for a reason! WE as artists know what we're doing.
The art community is close-knit and can fund itself. Look at furry commissions, Patreon, art conventions, Hollywood. Real art will always be able to make money and find an audience because it's how we communicate as a species.
AI creators lack the passion and ambition to make a career out of AI prompts. Not that they couldn't start drawing at any time, but these tend to be the people who don't enjoy creating art to begin with.
There is no story or personal experience that can be shared about AI prompts so paying customers will lose interest quickly.
Art is needed to help advance society along, history says so. To do that, companies will need to hire artists (music, architecture, photography, design, etc). The best way for us artists to keep fighting for our voice to be heard right now is staying visible. Do not hide or give in! That is what they want. Continue posting online and/or in person and sharing your art with the world. It takes a community and we need you!
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writingwithfolklore · 2 months
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5 Tips for Creating Intimidating Antagonists
Antagonists, whether people, the world, an object, or something else are integral to giving your story stakes and enough conflict to challenge your character enough to change them. Today I’m just going to focus on people antagonists because they are the easiest to do this with!
1. Your antagonist is still a character
While sure, antagonists exist in the story to combat your MC and make their lives and quest difficult, they are still characters in the story—they are still people in the world.
Antagonists lacking in this humanity may land flat or uninteresting, and it’s more likely they’ll fall into trope territory.
You should treat your antagonists like any other character. They should have goals, objectives, flaws, backstories, etc. (check out my character creation stuff here). They may even go through their own character arc, even if that doesn’t necessarily lead them to the ‘good’ side.
Really effective antagonists are human enough for us to see ourselves in them—in another universe, we could even be them.
2. They’re… antagonistic
There’s two types of antagonist. Type A and Type B. Type A antagonist’s have a goal that is opposite the MC’s. Type B’s goal is the same as the MC’s, but their objectives contradict each other.
For example, in Type A, your MC wants to win the contest, your antagonist wants them to lose.
In Type B, your MC wants to win the contest, and your antagonist wants to win the same contest. They can’t both win, so the way they get to their goal goes against each other.
A is where you get your Draco Malfoy’s, other school bullies, or President Snow’s (they don’t necessarily want what the MC does, they just don’t want them to have it.)
B is where you get the other Hunger Games contestants, or any adventure movie where the villain wants the secret treasure that the MCs are also hunting down. They want the same thing.
3. They have well-formed motivations
While we as the writers know that your antagonist was conceptualized to get in the way of the MC, they don’t know that. To them, they exist separate from the MC, and have their own reasons for doing what they do.
In Type A antagonists, whatever the MC wants would be bad for them in some way—so they can’t let them have it. For example, your MC wants to destroy Amazon, Jeff Bezos wants them not to do that. Why not? He wants to continue making money. To him, the MC getting what they want would take away something he has.
Other motivations could be: MC’s success would take away an opportunity they want, lose them power or fame or money or love, it could reveal something harmful about them—harming their reputation. It could even, in some cases, cause them physical harm.
This doesn’t necessarily have to be true, but the antagonist has to believe it’s true. Such as, if MC wins the competition, my wife will leave me for them. Maybe she absolutely wouldn’t, but your antagonist isn’t going to take that chance anyway.
In Type B antagonists, they want the same thing as the MC. In this case, their motivations could be literally anything. They want to win the competition to have enough money to save their family farm, or to prove to their family that they can succeed at something, or to bring them fame so that they won’t die a ‘nobody’.
They have a motivation separate from the MC, but that pesky protagonist keeps getting in their way.
4. They have power over the MC
Antagonists that aren’t able to combat the MC very well aren’t very interesting. Their job is to set the MC back, so they should be able to impact their journey and lives. They need some sort of advantage, privilege, or power over the MC.
President Snow has armies and the force of his system to squash Katniss. She’s able to survive through political tension and her own army of rebels, but he looms an incredibly formidable foe.
Your antagonist may be more wealthy, powerful, influential, intelligent, or skilled. They may have more people on their side. They are superior in some way to the protagonist.
5. And sometimes they win
Leading from the last point, your antagonists need wins. They need to get their way sometimes, which means your protagonist has to lose. You can do a bit of a trade off that allows your protagonist to lose enough to make a formidable foe out of their antagonist, but still allows them some progress using Fortunately, Unfortunately.
It goes like… Fortunately, MC gets accepted into the competition. Unfortunately, the antagonist convinces the rest of the competitors to hate them. Fortunately, they make one friend. Unfortunately, their first entry into the competition gets sabotaged. Fortunately, they make it through the first round anyway, etc. etc.
An antagonist that doesn’t do any antagonizing isn’t very interesting, and is completely pointless in their purpose to heighten stakes and create conflict for your protagonist to overcome. We’ll probably be talking about antagonists more soon!
Anything I missed?
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3hks · 3 months
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How to Get Better at Writing Without Actually Writing
Are you looking to improve your writing without needing to write? I'll admit, I am definitely that kind of person--I have the hardest time even finding something interesting to write--despite that, I have noticed that my writing has vastly improved over the past year or two when it was hardly a hobby, and here's how I did it!
ANALYZE DIFFERENT WORKS
Yes yes, everyone tells you to READ, READ, and READ, even I will agree. However, unlike what some people tell you, you don't actually have to read all those classics like Heart of Darkness or The Hobbit. Of course, those books are very beneficial, but if you find no interest in those types of books (like me), then don't read them!
If you prefer reading casual stories posted by online authors, whether it be a fanfiction or their own, original story, it still qualifies as reading! As long as you are able to find a work that you particularly enjoy, that's all you need!
When reading, the key to improving at writing is to always study the story. Take a moment to look at certain words or phrases that stick out to you. How does the author use them? What do they mean? Keep track of the characters' development and how it affects them. Additionally, note things like powerful scenes, dialogue, and more to have an idea of how you can create something just as impactful. For example, if a text made you cry, think about how and why you reacted like that. This can actually help you re-create events that hold the same effectiveness, if not more!
To add on, if you really dislike reading just that much, then you can always analyze things like shows, movies, etc. However, this will prove to be less efficient because you often don't get access to the text behind the shows. Still, it's a good way to study the plot, characters, character developments, dialogue, and relationships!
2. PROOFREADING
No, I'm not saying that you should be an editor; this actually ties back to my first tip. Remember how I said that if you don't want to read classics, then don't? Well, this is because forcing yourself to read them is completely unnecessary (unless you like them or want to write like the author, of course). As a matter of fact, reading poorly written stories can be very helpful for improvement!
When we read books or novels that have obvious grammar errors, repetitive words, and choppy sentences, we will realize these mistakes and point them out to ourselves. Being able to scout out faults means that we are able to learn from them and grow! Noticing these things will also help prevent you from making the same or similar mistakes!
3. STUDY TIPS ONLINE
I used to go search up websites on Google whenever I wanted help with a certain topic. Of course, not all of the sites are reliable and/or helpful, but some point out good ideas that a couple of us just need! This can be especially useful regarding the things that we are unfamiliar with when writing. They can offer a base foundation and tips on how to start and finish!
They can also serve as a great inspiration for fresh ideas and new perspectives!
Yes, these three tips are pretty simple; however, I have found that they work very well for me! People vary from person-to-person, so it can't be guaranteed the same effect, but this is the best I got! HAPPY VALENTINES DAY! <3
Happy writing~
3hks :)
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galedekarios · 3 months
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i'm reading a new interview tim downie gave about gale and it offers some of tim's own headcanons about gale, as well as tim's thoughts and insights on gale's character:
Nerds & Beyond: I like that you mentioned that the game is full of rounded characters because they are, they all have different aspects that make them feel real. I adore that Gale specifically is so serious and studious, but at the same time he has this really playful side — he often jokes about how he was a mischievous youth, he encourages other people like Arabella to do so, he understands when The Dark Urge first mentions their violent thoughts. There is a lot of nuance and depth there. But the quality that I love with Gale most is that obviously he is very ill when we first meet him – not that we know immediately – and he’s dealing with a lot of chronic pain. I find him incredibly selfless because he takes that day-to-day head on to help the party, which is an aspect I feel continues to show throughout the three acts. What’s your favorite quality of Gale’s, or what did you take away from him? Tim Downie: It’s so interesting hearing you say that, because I had so many different feedbacks about what people take from the character and sometimes things really surprise you. It’s interesting hearing that such and such has taken that particular aspect, because there are broad things like “He’s funny,” and that’s quite nice, that’s a nice trait, though not one you necessarily get to see that much. It’s so interesting hearing other people’s views about what they take from Gale.  The idea of dealing with chronic pain I found really interesting and an interesting subplot to play, and that was the great thing about doing something like this is that it is so unbelievably nuanced. You have so many layers that just keep going and going and going, as much as we all contain multitudes within ourselves. We all deal with these things, but only certain things pop up to the surface at any given point.  What did I take from Gale, though? I liked his studiousness. I would imagine that he was probably bullied as a kid for it, and he was probably a bit of a joker because he was bullied, and he uses that as a defense. But an even bigger defense for him is “I now know stuff that I didn’t before,” and that’s a power. It’s very similar to when you are being bullied and you’re the funny one – that’s your power, that’s your thing. “I may not be able to hurt you in a traditional sense, but I can say things that will make you feel pain,” which is a very different thing because you physically can’t go after them.  That’s the wonderful thing about acting and this character as well is being able to explore all these things that you might not have, that you might have gone, “I’m not gonna look at that again, I don’t want to deal with that,” and then it brings it up again and it’s like, “Oh, this is actually quite cathartic,” to re-explore these these moments of sorrow and loss and how you deal with grief and things like that and heartbreak and how you get over that.  It’s not all just tears, you do try and make a joke of it.
i really like that they are addressing the topic of gale's chronic pain. it's something that doesn't get addressed often, not even in the game itself.
i also found his answer as to why people might connect to gale very nice:
Nerds & Beyond: Gale is the most popular origin character to play as. What is it about him that you think allows so many different players to connect with him to the depths the fandom has? Tim Downie: I really don’t know. I think you’d have to ask the players that, ‘cause I don’t know, to be quite honest with you. He’s a wizard, and who wouldn’t want to be a wizard at the end of the day? I always say the difference between wizards and sorcerers is that sorcerers just pretend – they just assume they know what they’re doing, but a wizard has really learned this trade. And so there’s that kind of weight of knowledge and learning, which I would love to play as and be for a length of time.  I think it’s also the frailties. I like characters, and a lot of people do I’m assuming, that have flaws, otherwise you’ve made them completely unapproachable. To be completely superhuman or completely extraordinary at something then removes the humanity from it because it becomes like, “Well, that’s never gonna happen.” But when there’s a flaw, when there’s, “Oh, I’ve got that wrong, too,” or like, “My knees hurt” as you say, or “I’ve got a bit of a headache. I really don’t want to do this,” “You’re really annoying me, this is very annoying, could you please hurry up?” or “Stop licking the damn thing,” it’s always those moments that are fun because it shows what we’re all thinking at that point, it removes it from almost archetype and stereotype and it becomes human in a way.
gale is approachable and likeable, has flaws, but is genuinely nice. i think that very much sums up his character.
this bit here made me laugh:
Nerds & Beyond: When you’re talking about those different layers in the humanity building, I think one of the most important aspects in this game is the more “background” or passive dialogue, so dialogue that is prompted in the world and not in the cut scenes.  For instance — the first time I made Gale sneak he immediately complained about his knees, and it was such a real moment where he was just like, “Oh, don’t make me do this. This is not what I’m here for, I’ve got bad knees and I’m not made for this.” Did you have any of those background lines or moments that stick out as being particularly fun to craft?  Tim Downie: I remember the first time I ever had to do waiting, I found it infinitely interesting in so many ways. The idea that I did actually just have to wait and just actually, “Hmm…” Those little things I find really funny because they’re probably the closest to me that the character ever gets. His waiting mannerisms are kind of very English – slightly annoyed and I’m not going to show it to you though because we’re all being very nice, but I’ll do it with a huff and a slightly sarcastic, “Well, that’s great. Another 20 minutes. That’s great.” Those kinds of sentiments I found wonderful and incredibly fun, and funny, to do. 
if you want to read the whole interview for yourself, you can do so here!
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gallusrostromegalus · 2 months
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You can lay blame for this second ask at @hoifne 's feet, I saw their comment on the post and had to:
How did folks react to the moon landing?
"You're ready? No Big Regrets?" Renji asks. He always asks. He'd done hundreds of Konso rituals now that he was doing his mandatory tour of duty in the living world, but he never wants them to feel 'routine', so he talks to the ghosts. Hypes them up a bit for the afterlife, tries to keep his heart in it.
Especially when it's a kid.
"Well, it's not really a big deal..." The ghost Suichi considers. He was maybe ten or eleven years old. Thick prescription glasses, face round with puppy fat, very loved. Love won't stop a freak electrical accident though. Young Suichi is handling his sudden departure really well, all things considered, so maybe love does stop despair. "-but its a bit of a shame that if there's no TV in the afterlife, I won't be able to watch the moon landing."
"Yeah, we're a bit behind the times, but I'm sure one of the mad geniuses in the 12th will invent one sooner than late-" Renji grins ruffling the boy's hair before the rest of the sentence registers. "-The What Landing?"
"The Moon Landing!" Suichi lights up with excitement. "They just launched the rocket yesterday! But in just three days, man will walk on the moon!"
"...The Moon?" Renji blinks, bewildered.
"Yeah!"
Renji points up over his shoulder into the sky, gripping the boy's shoulder, eyes wide. "THE MOON IN THE FUCKING SKY?"
---
The lights of the Fifth division offices reflect blankly off of Captain Aizen's glasses as he attempts to process the news. He is entirely still, save for his eyebrows which are writhing like overcaffienated caterpillars, unable to settle on an emotion to convey.
"The Moon?" Lieutenant Ichimaru squints at Renji even harder than usual, pointing up out the window behind him. "The Moon in the fucking sky?"
"Yeah!" Renji spread his hands. "I didn't believe it either but the humans have managed to work out some neat trick with the way the world turns to like, throw the spaceship like a slingshot..?" he tried to explain.
"So, so there's three guys in a boat-" Captain Aizen tried again, reaching up under his glasses to rub the bridge of his nose.
"It's really more like a sealed metal tube, but they call it a Space Ship because it does sorta sail through space..." Renji tried to explain, holding up the newspaper from the living world he'd brought back to substantiate his claims and also provide helpful images to explain what was happening.
"So there's three guys in a metal tube and they... threw it into the sky so hard that instead of falling it started flying instead?" Aizen tried. "How do they even throw something that hard without Kido?"
"So the men are up in this little itty bitty bit at the top that looks like a cap on a vaccine needle-" Renji pointed at the image of the Apollo 11 rocket. "-All the rest of this is the uh. enormous amount of extremely coordinated high explosives they used to launch it. The. The whole thing is like... It's a little over three hundred fifty shaku and only 12 shaku of that is where the humans are. The rest is um. Air they smooshed so hard it became liquid and then they set that on fire and look at the picture you can see the kaboom!" Renji tried to explain, pushing the paper across Aizen's desk for his captain to read.
Aizen certainly pointed his face at the image and accompanying article, but 'read' may have been a bit beyond him at the moment.
"Oh, is that all it took?" Ichimaru hummed with interest. "Well fuck, why haven't we done that?"
"Oh yes, how very silly that the humans have beaten us at the trifling matter of FLINGING OURSELVES INTO SPACE, WHAT THE *HELL* ARE YOU TALKING ABOUT ICHIMARU??" Aizen objected.
"Well like. Idea's sound. Moon goes around the earth, so a smaller thing should too. And we can absolutely make a sealed metal container and kaboom bigger than that." Gin shrugged, as though this were plainly obvious. "Betchya the clown that runs the twelfth has the stuff laying around- we got a meeting with him later today anyway, why not ask?"
"Oh sure, that's a great Idea!" Aizen beamed. "Why hello Kurotsuchi-taicho, curious news from the human world- do you think you could spare a few parts and several tons of explosives to send some guys for a stroll on the moon?"
There was a moment of silence where Renji and Gin shared an awkward glance (or at least, Renji gave meaningful look to the narrow slits where his lieutenant-commander's eyes theoretically were).
"...he'd agree to that in a heartbeat, if he hasn't started work on his own Spaceboat already." Aizen groaned.
---
"No." Grunted Mayuri.
"No? Why not?" Aizen asked, head cocked to the side like a confused spaniel.
"Look, what the old man doesn't know about budget expenditures won't hurt him!" Gin smiled encouragingly. "Think of all the scientific data you'd get to research!"
"What the old man finds out about budget expenditures after the fact can and will hurt me." Mayuri growled. "It's not cookie money, kitting an expedition to the living world to engineer a spaceship with atomic matter instead of Reishi- No, much more efficient to let the humans do it for us and poach the date from them."
"...Why would we need to go to the Living world?" Aizen blinked, confused. "I can see the moon from the window right here?" Aizen pointed out the window of Kurotsuchi's office.
"What? That moon? You can't go to that moon!" The clownish chemical engineer cackled."
Aizen and Ichimaru stared at him blankly.
"Is. Is the moon here different than the one in the living world?" Aizen asked, bewildered.
"Different? It doesn't exist!" Mayuri laughed, waving his hand at them.
Aizen and Ichimaru stared at him, then leaned back in their seats, looking out the window at the moon, which still looked as physical and present as it ever did.
"...Oh don't tell me you didn't know." Mayuri frowned, pouting. "No, spirit world doesn't have a moon. The thing up in the sky is a Tulpa- there's a "moon" because everyone who comes to spirit world thinks there should be one, and there's so much ambient spiritual energy even weak souls can exert some force on the nature of reality and when millions of them are all certain there should be a moon, a moon manifests. Or at least, a thing that looks like a moon. Doesn't act like one, changes size and skips around it's phases all the time and if it really were a round object in space, that's NOT what a crescent moon would look like."
Aizen and Ichimaru looked back out the window at the "Moon", whose crescent arced a full three quarters of the alleged satellite's circumference.
"Seriously? this is some really basic stuff." Mayuri glared at them in disappointment. "You never noticed that the moon is always visible out any random window at night, no matter what time it is? It doesn't even go east-to-west more than half the time!"
"But. But we have a lunar calendar..?" Aizen muttered, an edge of genuine distress in his voice.
"Oh yeah, the moon *used* to be regular as clockwork- everyone literally set their watches to it." Mayuri shrugged. "Then sometime about eh, two and a half, three thousand years ago? Right around the same time the first captain-class spirits started appearing, the moon started doing this 'Full Moon Thrice A Month If it Feels Like It' and 'Visible At Improbable Angles' nonsense."
Aizen's eyes were wide and Gin's very nearly open with alarm.
"That's uh- that's terrifying?" Aizen sputtered, now outright frightened.
"Yeah, anybody know what coulda caused that?" Gin muttered.
"The going theory is that the precipitation of a new class of spiritually hyperpotent souls like us has caused disproportionate tugs on the desired appearence of the the "Moon", but that's only a theory- my predecessor's predecessor once attempted to send a camera to the 'Moon' for a closer look, but it never actually *got* any closer." Mayuri explained, casually inspecting his fingernails- he seemed to be growing out the middle one for some godforsaken reason. "-Your theoretical starboat would likely far worse."
"...Okay but that's worse. You understand how that's worse, right?" Aizen demanded and Mayuri waved him off.
"No, no hit makes sense-" Gin nodded, and Aizen glared at his lieutenant. "Think about it! There's what, three and a half billion human on earth? Millions die every day, but only a couple hundred ever turn up every day at the intake queue in the 7th, and nearly everyone is from just the one part of Japan. We're one afterlife of many- ugh, could you imagine if the missionaries were sent here?- anyway, our world is nowhere NEAR as big at the Living World, so the moon-moon is just a geographical feature in the living world, and there's only a couple million people living here. We got disproportionate swing, so we pull on the collective conciousness more. It's fine!"
"That's AWFUL!" Aizen shouted, dismayed.
"I mean I think we all understand God is an Asshole, but what are you gonna do about it?" Mayuri shrugged before tapping on the crate beside his desk. "-Anyway, do you want these Polio Vaccines for the rukongai outreach program our not?"
"I- yes. Please." Aizen muttered.
"Good man, sign here." Mayuri tapped the sheet on his desk. As Aizen tried to read over the provisions release paperwork, the small "Electronic Mailer" on Mayuri's desk pinged. "Oh, the word got out- Kyoraku-taicho wants to hold another moon-viewing party for the occasion. Do me a favor and attend so you can explain to him why we can't go to our 'moon' for me? I don't want to go, and I really don't want to explain it to him through a hangover either."
"If you don't wanna go Boss I'll stand in for you. Promises to be a real riot." Gin grinned.
"Yes, you have your young friend, don't you? Miss Matsumoto?" Aizen smiled fondly at his second-in-command.
"Oh, she probably already got her invite- she an' Miss Nan- er, lieutenant Ise are real pals from the academy." Gin laughed. "Nah, I was gonna drag old blind bones along."
"...Captain Tousen?" Aizen asked, befuddled. "Whatever for?"
"Stars ain't exactly braille, y'know?" Gin explained, wiggling his fingers. "He knows even less than we do an' I wanna watch Rangiku and Kyoraku try'n 'splain the whole thing to him." Gin grinned.
"Sounds lovely! Take your shit and get out of my office." Mayuri threatened.
---
Renji exhaled, still bewildered, laying on his back on the grassy hill just outside the 2nd division training grounds, staring up at the moon as it rose opposite the sunset behind him. Or, maybe not? There had been some lecture about how the moon in spirit world wasn't a moon back at the academy that he didn't really remember-
"You sound like you're in the throes of a moral conundrum Red." Shuuhei teased, looking up from the strange contraption he was setting up.
"Huh?" Renji blinked. "Oh, no I'm just- Those guys in the Spaceship gotta be somethin' else, going to die thousands of miles from home."
"What? The Astronauts? They'll be fine! -Probably." Shuuhei laughed. "They're definitely insane, getting in that contraption at all, but they still gotta come home with all the rocks and whatever they get from the moon for the lab techs to look at."
"...How the hell are they getting back?" Renji frowned, rolling up onto his elbow to frown at his senpai. "I thought they blew up all the rocket getting off the planet?"
"They got a bitty rocket in the lunar landing craft that will get them between their ship and the lunar surface, and then they will angle the ship a bit and the moon will fling them back to earth the way earth flung them at the moon." Shuuei explained, not looking up from the weird bass-drum looking object he was messing with.
Renji opened his mouth, realized his friend probably understood it way better than he did, closed his mouth, shrugged, and changed topics. "So what is that thing you had me haul up here?"
"It's uhhh... Experimental. Haven't got a name for it yet." Shuuhei muttered, placing a level on top of it and frowning at the bubble before adjusting the legs bolted awkwardly to the side of the drum. "-But with all this excitement about the Lunar Landing, I realized Tousen-Taicho is... I mean he gets left out of a lotta stuff, y'know? But it's not like he can see the stars, or the spirit-moon, and I don't think he really understands orbital mechanics-"
"I sure fuckin' don't." Renji muttered.
"Yeah, because you're the kind of moron who put a ham sandwich in a VCR-" Shuuhei rolled his eyes.
"That was ONE TIME, and Matsumoto Senpai told me it was a Panini Press!" Renji sulked.
"-and then pressed "Fast Forward", but Tousen is actually smart as hell- I'm the one who can't explain it without gestures he can't see." Shuuhei continued. "...but I can use a camera obscura and reiryoku-sensitive film to sort of take an old exposure image of the night sky. I'm hoping that if I treat the exposed film right, that the light and dark parts will turn into different textures for him to read, like a braille sky."
"Oh." Renji muttered. "That's really nice of you actually."
"I mean, we'll see if it works." Shuuhei shugged, examining the level again. "Hand me the allen wrenches- What about your boss?"
"Captain Aizen? Uh- honestly? He seems a little freaked out by all this and I saw him fuckin' slam the newspaper into his wastebasket when he got back from the twelth." Renji winced. "He's weird like that. Sweet as cake most of the time but then there's these weird flashes of anger... and I'm not sure how much longer he's gonna be my boss."
"As in you got ambitions, or you think he's gonna get fired?" Shuuhei asked, staring at the level again.
"As in 'Tetsuzaemon Iba got in another brawl with his mother about him only being fourth seat when she made captain, and Liuetenant Madarame asked me if I'd updated my resume recently." Renji winced.
"Woof. Talk about a lateral promotion." Shuuhei winced. "Still, the pay raise would be nice. You could afford to take your girl Rukia somewhere up to her brother's standards!"
"IT'S NOT LIKE THAT!" Renji snapped, rolling over and jumping to his feet. "-It's -I'm sorry. It's kinda complicated." Renji sighed.
Shuuhei was silent for a minute as Renji sat back down on the grass, face in his hands. After a minute of fine-tuning the drum to keep it level, he spoke up. "You're more than good enough."
"Huh?" Renji jolted. "Oh, yeah- I'd be doing all the eleventh's paperwork but there's no way it's worse than the fucking rice subsidies accounting board-"
"That's not what I meant." Shuuhei glared.
"...I know." Renji groaned. "It's just. It's complicated, okay?"
"If you say so." Shuuhei shrugged. "Alright, hand me the flat box- thanks. It'll be ready for exposure in a minute, and I want to get it done before those clouds roll in." He gestured at the distant thunderheads threatening to bloom into a summer storm on the edge of the city.
The process was quick- the shielded plate went into the gap under the drum, and the light of the night sky was reflected onto it from a pinhole in the top. Once the metal plates were pulled back, it needed a few minutes to pick up enough light, before Shuuhei pushed the metal shutters back in and locked the plate in darkness until it could be developed.
"It's for taking pictures of the stars, right?" Renji asked as Shuuhei started disassembling the camera. "You could call that plate an Astrograph."
"Hah! Futuristic. I like it!" Shuuhei grinned. "C'mon and help me with this thing before the punishment squad turns up to kick my ass for having a camera within a mile of the second."
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hermajestyimher · 1 year
Text
This Is How We Will Own 2023:
We're less than a month away from the New Year, and as such, it is important that we begin to set the foundations and plans we have to not only succeed, but make 2023 a memorable year.
Regardless of how 2022 went for you, regardless of how many goals you were able to achieve, a new year marks a new beginning. Do not beat yourself over how things went, focus on how you can improve them moving forward.
In 2023 we're:
Spending less time being passive scrollers online. The pandemic is over, the world is back in action and so must we. It's time to stop letting our minds be consumed by the opinions of thousands of people on the internet. More often than not, the things we read online come from the psyche of mentally unwell individuals, and given social media's tendency to prompt out the voices of the most unhinged, it gives people that shouldn't have a platform a false sense of authority. In 2023 we're getting off the grid as much as we can and reconnecting with the real world. We will not allow this online façade to swallow us into its void any longer.
Spending more time learning and engaging in high-end activities and hobbies that can elevate our social circle and our taste. Things like polo matches, pilates, ballet, opera, piano classes, poetry, political forums, martial arts, and high-intensity sports, among other things. It is crucial to cultivate a persona that engages in a variety of fulfilling activities that can bring us joy but also help us grow as individuals.
Prioritizing our health and fitness. No more excuses, it's time to cut down on added sugar and refined carbs, time to eat more nutrient-dense whole foods, drink plenty of water daily, invest in vitamin injections every other month, take supplements to improve our body's collagen production, and overcome feelings of laziness by pushing ourselves through fitness goals. 2023 we will make of the gym our sanctuary.
Living below our budget and investing as much as we can. If you haven't already, get a financial advisor, develop long and short-term financial goals and get organized with your income. It doesn't matter if in the past you've felt like your financial habits have not been the most adequate, it's never too late to take control of them and be responsible. We owe to ourselves to spend wisely to have the peace of mind financial security brings. Never go broke trying to impress others.
We're no longer entertaining inadequate men. I must admit I'm guilty of this myself. After years of not dating, getting back into the dating scene has felt extremely disappointing and tiring. Most prospects are simply not up to par with the standards I have and what I want out of my life partner. Sometimes we allow ourselves to become desperate to build these types of romantic relationships that we begin to overlook the things that we really want deep down. In 2023, we're refocusing our attention on living our best lives and being as active as possible in real-life events as touched upon previously, and trust that the right dating prospects will present themselves when we least expect. We attract, we don't chase.
Finally, we're overcoming negative self-talk patterns that hinder our growth. We're investing in therapy, we're unlearning the limiting beliefs that keep us in bondage to people, routines, and views of the world that are not good for us. We have to put an end to the insidious lie of the scarcity mindset, overcome past traumas, and look forward to the good things that are yet to come.
There are many more things I could add to this list, but for now, these are the things I and I know many of you will find helpful on improving on for the year to come. These lists can come out as intimidating to some people, but we have to remember that we are not expected to become the ideal version of ourselves overnight. Growth is a marathon, not a sprint, and it requires consistency. Each day that you wake up and choose to do one or two things differently you're making stride towards that better you. No improvement is ever too little.
Let's make 2023 a memorable year, and every year afterwards.
Daphne.
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alastors-antlers · 3 months
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Being someone who sees a lot of talk about shipping Alastor (sexually, romantically) in fanworks, I just want to take some time to talk about both sides of the issue. It's long, I know - please, please bear with me until the end, and I hope you'll understand what I mean in a bit.
I hope this helps someone, but as an aroace person who understands the frustration and hurt, this is often how it feels to me:
Alastor, being one of the limited cases of aspec rep that I've seen and one of even fewer which I actually enjoyed, means a lot to me.
That being said, his canon rep establishes that he's aroace but not much about how this factors into his life or relationships at all -- and when there's a gap in canon, I turn to fanfiction, which tends to spotlight characters' queerness even when the source material doesn't or can't. Don't we all want to see ourselves in the media we engage with?
When I pull up AO3, there are already a good number of fics about him. Great! Some of them are definitely incredible; but as I read on, it starts to seem like a lot of fics I see acknowledge that he's asexual or aromantic in some way but don't really factor that into the story. It reads like you could have written the story without keeping his queer identity in mind, and it would've come out the same.
Even when representation that does resonate with me exists, it starts to be exhausting to pick through the slash tags to see which ones are written in an aspec-coded way, so I wonder if it would be easier to not read anything with slash at all. On the other hand, when you filter ships out completely, only a tiny fraction of the fanworks are left.
People often respond that aspec people can have relationships, and I think we tend to know that. They can have sex, some can experience sexual attraction in select situations, they can romance others beyond romantic attraction -- any combination of things. But some aroace people don't want either, and sometimes we're struggling to see ourselves in how Alastor is typically portrayed.
Out of all of the fics, sex-repulsed, totally aromantic Alastor isn't seen much. And when Alastor's limited canon seems to be pretty supportive of a reading where he is those things...
Sometimes, you start to feel lost. If fics were evenly distributed along the aroace spectrum of experiences, wouldn't you expect more fics of him being the "totally uninterested" brand of aroace? But there aren't. People seem to have a preference toward seeing him in relationships. Even if they mean well, it can make you think: what does that say about how we view asexuality/aromanticism as a whole?
Is there something less interesting about Alastor, when romance is taken out of the picture? Do others find him less appealing as a character if they can't see him dating, or in love, or having sex or wanting it? Why do we need romance, when romance is already everywhere else, when it doesn't even feel like he was originally really interested? It brings to mind a struggle to be societally accepted, even today.
Even when it's not technically wrong to write Alastor as you see him, being told that we should all be able to ship him however we want can feel like this:
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It brings to mind people who try to swing in with misinformed good intentions, telling us "oh, you're aromantic? but you can still have romantic relationships, right? so you can still be normal." when all we want is to be okay outside of the normal.
Or trying to find a partner who can be with us, out of everyone who tells us "I know you don't enjoy sex, and that's okay, but I can't have a romantic relationship with you without it." and being so tired of hoping for someone who gets it.
Or talking with peers, and hearing them all commiserate and fawn over their experiences with love, then telling them about someone you like non-romantically and getting "aww, it sounds like somebody's got a crush!" but not being believed when you tell them it's not like that at all.
Alastor is not a big deal, not really, not in the grand scheme of things. But in an allonormative world, it can feel like a sudden splash of cold water when we were expecting a warm fire to sit around. Even within this ecosystem, we squint to see ourselves reflected.
Society isn't built for us. It can be exhausting to be reminded of that.
~~~
I hope to support people writing Alastor as any variation of aspec, or not even aspec at all. At the end of the day, I think that fanon is really whatever you want it to be, and everyone has their own reasons for writing what they find enjoyable. They should be allowed to do so, and I want to believe that people do what they do with good intentions.
They want to imagine scenarios with the templates of characters they love, and that's okay; even beyond sexuality/queer identities/etc., fan interpretations of characters can be incredibly, wildly different from who they really are in the story anyway, and that's what I try to remind myself. But still, I also can't help feeling disappointed about the aroace representation we could have seen.
(Is Alastor canonically sex-repulsed? Uhh, maybe. If I had to guess, that'd be my top guess, but this might be a hot take: I wouldn't really say there's enough to go off of considering that this view is supported by Angel propositioning him both times, and it's not like Alastor is a particularly big fan of Angel at those points anyway lol)
To my fellow aroaces struggling with Alastor's fandom rep: if you need a break from it all; if you need to block the tags that you hate; if you need to talk to someone about how you're feeling; that's okay. It makes sense that you'd want more representation in a way that helps you feel seen and validated and less alone. I can't speak for everyone, but I think I get it.
I don't have any solutions for how you're feeling, because sometimes I'm feeling the same way. I understand that you want others to get your position and you have the right to express your feelings, but even if you're correct, often being angry or frustrated won't help change others' minds, so let's try to save our energy and take care of ourselves.
Something that helps me to think about is that even now, asexuality is gaining more visibility. We're gaining support. Real change is happening in the world that's helping incredible amounts of aspec people feel freer to be themselves. And maybe one day, we won't be reaching to protect our scraps of representation.
Let's fight until that day together <3
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puck-bunnies · 3 months
Text
behind closed doors
umich!luke hughes x fem!reader
warnings: nsfw 18+, fingering, praising, choking, not proof read
word count: 2.3k
me and luke were never much of friends, never even talked much. at least, that’s what everyone thought. no one ever knows what happens behind closed doors.
i have not used this app in forever, meaning i haven’t written a fic in quite a long time so this is me trying to get back into writing. sorry if this is not great and a little rushed, i just haven’t written anything in like five months. anyways, try to enjoy this fic and ill try to write more as soon as i can.
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i sit in the living room of my best friends boyfriends house, she sits beside me as all of ethan’s roommates take up every other seat. the lightning vs islanders game plays on the tv, having all of our eyes glued to it.
the boys are in a constant state of yelling, wether is celebrating, yelling at how stupid the refs are, or booing the other team. i’m not as invested as usual, my teams aren’t playing, but ill never miss an opportunity to a hockey game.
my mind also focuses on the close proximity as luke sits beside me, our thighs lightly rubbing against each other ever so softly. the warm summer weather left me wearing shorts and a tank top, causing luke’s hand to glide across my bare skin as he secretly places his hand on my thigh.
i never intended on sneaking around with luke, it all just happened one day, the house was empty and quiet. we got to talking, venturing from subjects like our classes, plans for our future, and somehow turning into our sex life.
he learned that i’ve never really gotten quite what i need, never feeling that spark with any guy that i’ve been with. them never wanting to try anything i’ve wanted to, i’ve never been fully satisfied.
he continued to tell me how he has slept around quite a bit. nearly almost always leaving the rink with some new blonde puck bunny stuck to his arm. he didn’t wear it as a trophy, or say that he regretted any of it, all just saying it’s apart of his past. his history he can’t and won’t change.
one thing led to another, his hands roaming my body as my lips bit down on his. my hands squeezing the mattress tightly with every moan escaping my lips.
we didn’t even stop there, whenever we could find a time to be alone, we were tangled in each others arms.
here we are now, not even able to keep our hands to ourselves in sight of one another. i try to shake his hand off, not wanting any of the surrounding eyes to see his intimate gesture. he doesn’t move, squeezing my skin harder. i softly pierce my bottom lip with my teeth, try to calm my nerves. i can feel heat bubbling up to my face, painting my cheeks with a faint blush.
my eyes peer over to him, giving him a pleading look to start behaving. he doesn’t budge, giving me a side smirk before returning his eyes on the game.
rutger groans loudly as the 2nd period finishes, “fuck the lightning.” he swears as they’re pulling a 4-1 lead. he chugs back the rest of his beer, throwing the can on the ground in some grown man temper tantrum.
the ads run during the commercial break, leaving the rest of us to disregard the television for the time being. my heart starts to quicken, without their distraction of the game they’re eyes could fall upon luke’s hand on me.
my mind tries to work fast, but the only thing i can think of doing is grabbing the blanket next to me and covering myself with it, concealing us from the wandering eyes. luke’s lips curl into a smirk, proud of me not forcing him off, knowing that i want it. that i want him.
his hand becomes bolder, rubbing up and down my inner thigh. i bite my bottom lip again, trying to stabilize myself from this new feeling. his fingers become more adventurous, going to the hem of my shorts.
“fuck.” i softly mumble to myself, luke’s soft chuckle tells me that he hears my light groans. his fingers don’t stop there, rubbing up to the bottom of my shirt, toying with the cotton material.
the pads of his fingers brush against my sensitive skin, right across the bottom of my stomach. fire engulfs my stomach, my breath hitches as he rubs softly back and forth, tickling my skin.
the game comes back for the final period, my eyes keep trained on the hockey game, but my mind can only focus on his touch as it drives me insane.
he feels my stomach hitch with my breath, he knows i want him so badly, he knows what he does to me. i squeeze my thighs together, trying to cause some type of sensation in my growing wetness.
i can’t take his teasing fingers anymore, “meet me in my room.” i whisper to him. rising from the couch and walking away from the crowded living room. i head for the direction of the bathroom, making them hear my footsteps as i lead their ears to the door closing. i stay outside the bathroom, tiptoeing to my room in an unsteady waiting of luke.
the door finally opens, luke quickly closing the door silently behind him. a deep breath is all i can hear from him, turning around to look at me patiently sitting on the foot of my bed. he takes a seat beside me, quickly gripping my hips and pulling me onto his lap.
“it’s been awhile since we’ve been alone,” my fingers rake up the back of his head, through his soft brown hair, my finger swirling around a curly lock. “too long.” a soft sigh parts from his lips as my fingers lightly scratch at his scalp.
he keeps his hands on my hips, roughly gripping at my denim shorts. “i missed your hands all over me. you can’t tease me out there and not expect me to want more.”
our bodies come closer, our lips so close together, our hearts syncing their beats. i can barely hold myself back from making up that final inch. “tell me how badly you want me.”
“i want you..” he shyly gives into my need. it’s not enough for me, i feed off of hearing how badly he wants me, his hands rubbing up and down my body, the feeling of his cock being buried deep inside me.
“oh yeah…” my lips attach to his neck, softly kissing down from his jaw.
finally he gives in, “i want to feel you against me, your lips on mine, every inch of your beautiful body baby.”
a devilish smirk spreads on my face, “mmm, is that right?” i mumble against his neck, softly sinking my teeth into his sensitive skin, sucking the spot to soothe it after.
“oh god yes.” luke practically moans out. his hands become adventurous, slowly going down to hold my ass in his hands, gripping at my clothed skin. they make their way down farther, gripping at my exposed thighs while my kisses go back up his jaw.
i crave for his taste, forcefully pressing my lips against his in a hungry state. my tongue quickly sliding into his mouth, hands combing through his messy curls, pushing him closer into me. he guides my hips back and forth on him, i can feel him hardening underneath me.
breaking the kiss to catch my breath, i drop my head onto his shoulders as i feel his hands press against my pussy. my hips still grind on him, but instead of just on his hard cock, it’s on his fingers. “mmm, you want me that bad?” he chuckles, i nod against his shoulder.
he undoes my shorts, exposing the top of my pink lacy panties, his fingers drag down them, going farther into my pants. they settle on my wetness, my hips stop rocking, focusing on the closer touch. “god you’re soaked.”
my lip sticks to my teeth in a harsh lip bite, my walls clench around nothing, begging to be filled by him. his fingers work slow and teasingly, rubbing circles around my clothed clit, watching me squirm on top of him. my back slightly arches, legs slowly opening wider for him to have better access to my aching pussy. “needy, are we?”
i softly whimper, my hips start to grind again, craving more attention from his teasingly slow hands. his fingers move the crotch of my panties aside, touching my wetness with his bare fingers, feeling my folds and them dripping for him. my head lifts off his shoulder, taking a glance down at his hand stuffed down my pants, looking back deep into his eyes.
i take a deep breath out, without a single warning he thrusts a finger in my pussy. making me loudly squeal with surprise. he quickly covers my mouth, stopping his finger in me. “you have to be quiet princess, you don’t want us getting caught, now do you?” he asks. i shake my head no, he hums at my obedience. “good girl.” his voice is in a whisper, softly praising me.
he begins to move his finger once again, letting me adjust to the new sensation before adding another, stretching me out for him. curling his fingers up to my g-spot. finally trusting me enough not to scream, he moves his hand off of my face, settling it down on my hip to keep me steady.
my hands grasp at his curly locks, trying to compose myself. as he adds another finger i bite down on my bottom lip, trying to keep the wanting moans from escaping my lips. a smirk spreads across luke’s face, watching what he can do to me with just his hands. i curse under my breath, dropping my head down to keep my brain straight, the pleasure slowly becoming less bearable.
his fingers quicken, hand comes off my hip and to my chin, lifting my head to force me to stare back into his eyes. “look at me while i’m finger fucking you baby.” my teeth puncture my bottom lip harder, my chest heaving with all the moans i keep to myself. i slip up and let on me out, hard hands hit my throat, softly squeezing. “i thought i told you to keep quiet?”
his grip loosens to allow me to take a breath, closing back up as soon as my chest rises. another finger slips in my cunt, my legs start to squirm, toes curling and hands squeezing his hair. his fingers losen from my throat, falling down to the straps of my tank top. he pulls one strap off each shoulder, one at a time. hooking two fingers at the neckline and pulling down, my tits falling out from my lack of wearing a bra.
he wastes no time before gripping my breast, rubbing his thumb over the sensitive bud. i clench around his fingers, my senses overloading with pleasure. he lowers his head, kitty licking my other nipple. i softly moan, not loud enough for luke to get me in trouble again, but enough for him to know the things he’s doing to me.
my stomach clenches, the feeling i know very well as my head starts to feel light. “i’m so close.” i whimper out. luke doesn’t let up, switching to my other breast, sucking on the nipple before softly biting the skin.
my whole body clenches as i feel my climax, luke’s quick fingers curling inside me quickly. it all comes raining down, my pussy clenching around him as i coat his fingers with myself. he backs up, letting me heave and fall down on his chest to catch my breath.
i quietly curse under my breath, squeezing my eyes shut to recover from my high. i life my head back up to look luke in the eyes. he removes his fingers from my folds, fingers coated with my cum. he slides his fingers into his mouth, licking them clean. my breath catches in my throat again, god damn he makes me want more.
“you’re such a good girl Y/N.” he pops his fingers out of his mouth, “i wish i could fuck you silly right now. but i want to keep all those precious moans to myself, when we can be completely alone.”
before i can even react to his words he puts his lips back onto mine, slipping his tongue in my mouth to let me taste myself. his fingers plant back onto my hips, helping me up to my feet so he can get out from underneath me.
“you go get yourself cleaned up and meet me back in the living room. i pray we weren’t gone too long for anyone to notice.” he whispers, fixing my hair from the sweat that beads on my forehead.
i nod to his words, giving him one last little kiss before he silently slips out of my bedroom. my try to regain my normal breathing patterns, my brain still fuzzy from my previous orgasm.
i obey luke’s wishes, tiptoeing to the bathroom to clean myself off. splashing water into my face to try to remove my blushing red cheeks. i walk back out to the bathroom, seeing everyone engrossed in the final minutes of the third period. i thankfully sigh, slipping back between the guys to sit back down beside luke. he offers me a light smirk, we both then back to the television, watching the game unfold.
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vivwritesfics · 5 months
Text
No Need To Ask
Chapter Twenty-Seven - The Hardest Thing Is Letting Go
The Norris' were a notorious crime family in the UK. One of many. With Norris, the head of the family, running operations with his son, Lando, they work to keep Y/N Norris, Norris' daughter protected. Life in a crime family wasn't something they wanted for her.
But with tension with one of the Spanish crime families rise, Norris and his now deceased wife come up with only one plan, offer their daughter to the Sainz's or risk an all out war.
1.9K words
Warnings: Funeral
guy's im still so sorry for this one, it's incredibly angsty - I promise I'll make things fluffier soon
Series Masterlist
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"There was a time when I was afraid of the world. I was afraid of what was happening in my life and what it was becoming. I was afraid of the world we find ourselves being apart of."
Y/N had never addressed a room like this. Each and every mafia boss stared at her. Her own husband stared at her, with admiration in his eyes, Lando too. He was so proud of his little sister for doing something like this.
She shouldn't have to do it. The fact that she was standing in front of everybody to honour her best friend was astounding.
Tears were ready to fall, but Y/N wouldn't let them. She was going to be strong. For Oscar.
"There was one person who I could count on when I was this scared. He watched over me, kept me company and made me feel normal. There were times when I was breaking down and he'd play some music and get me to dance, taking my mind off of everything.
"That man was Oscar Jack Piastri."
She'd started writing this letter the moment that Carlos had gotten her back to Spain. It had started out as a letter to Oscar, with a lot more in it than she was willing to say in his funeral.
"Oscar wasn't a part of the Norris family," she continued. "In theory, we were never destined to meet. Every day since he first came into my life, I thank my lucky stars that we had him on loan from Webber."
Her hands shook as she turned the page.
"Without Oscar, I wouldn't be here today. He saved my life in so many ways. There was a time in my life, without him by my side, I would have ended it all."
The tears were free flowing now. Carlos stood from his seat and came to stand beside his wife, trying to gently coax her to sit down, but she wouldn't. She had a a speech to make.
She skipped over the next little section. That bit was for her and her only. "Oscar was the bravest of us all. He endured so much. He didn't have to be harsh or domineering to show just what power he had.
"But he was also kind and sweet." He was my soulmate, in the most platonic sense of the word.
Platonic, Y/N thought. But a small part of her was so sure, had circumstances been different, it would be Oscar she was in love with, Oscar who was holding her through the night. Even if they were still in with world of crime and mafia families, if Y/N didn't have to marry Carlos, she was sure she and Oscar would have been together.
She knew this before she got married, but she couldn't say anything. In another universe she would have loved Oscar.
"He saved my life more than once, and I will never be able to repay that debt," she said, wiping away the tears rolling down her cheeks. "He was the very best of us and our world will never be the same without him. Oscar-" But she stopped, just a second to compose himself. "Oscar..."
This time, when Carlos wrapped his arms around her, Y/N fell into him, crying against his chest. He held her for a moment, stroked her back and ran his fingers through her hair.
He moved Y/N behind him and addressed his fellow heads of family. "Oscar became a very dear friend of mine. Without him, I wouldn't have my beautiful wife standing by my side. To that, I say we raise our glasses-" Nobody had a glass in hand "-to a man we will sorely miss."
It was different to the funeral of Norris. The grief Y/N felt was different, harder to deal with.
After the funeral, Carlos took his wife home. They sat in the very back of the car as they were driven to the Webber plane hangar. Lando had organised food for everybody for after the funeral, but Y/N just couldn't be here. And Carlos knew it, too.
They sat beside each other on the jet, her head on Carlos's shoulder as she cried herself to sleep. Oscar was gone. The words still felt foreign to her.
It was incredibly long flight, with the couple stopping over in Malaysia. They had been the ones to take Oscar's body back to Australia, back to his family, to be buried. It meant a long trip for them, but they didn't care. After all that Oscar had done for them, this was the least they could do for him.
It was near a day later that they touched down in Spain. Their stay in Madrid had been short lived, just long enough to refuel the Spain. They should have stayed in Australia, the couple thought. But that was too painful.
Carlos drove them back to the house. He kept his hand on her leg as the radio played quietly, filling the space between them. They didn't have to speak; it wouldn't help anything for the time being.
"I wish he could have met baby Oscar," she whispered as they approached the gate in front of the house. She cradled her bump with one hand, the other on top of Carlos's.
Before the funeral, Carlos had insisted that they go to the hospital, for Y/N's first prenatal check up. They found out just how far along she was and the sex of the baby.
As soon as they found out they were having a boy, she knew they had to call him Oscar. Oscar Sainz, after the man that had saved his life. His middle name was chosen by his father. Pau, a Spanish name. OP Sainz. Their baby was OP Sainz.
Carlos drove through the gates when they opened and pulled into the garage. He opened the car door for Y/N and held her hand as they walked through the house. The house was different now, it felt colder somehow.
"I'm going to get us guard dogs," he said as they climbed the stairs.
Y/N nodded her head as she walked through the hall, heading towards the room that Carlos and Oscar had decorated for the baby. She hadn't seen it yet, just listened as Carlos told her about it to try and calm her down.
Her breath caught in her throat as she walked into the nursery. "You two did all of this?" She asked as she looked around the room, They had done everything, put up shelves and built the drawers and wardrobe. They'd painted the walls and set up the crib, including a little tee-pee tent full of cushions and blankets.
There was a blanket in the crib, one decorated with giraffes. Y/N picked it up and held it close to her chest as she looked around the room. Her husband and her best friend had done all of this for her baby. It was a living memory to Oscar, just like the baby would be.
"I'm thinking of painting his name on the door," said Carlos as Y/N turned towards him.
Y/N put the blanket back and fell against her husband, pressing her lips to his. "My wonderful husband," she whispered, her eyes closed as he wrapped his arms around her and kissed her softly.
He took her hand and walked her out to the window. "Take a look," he said and she looked to where the golf course used to be.
Carlos had set up an entire play area for their child. If Y/N had the strength to cry, she would have. But she couldn't anymore, her body too exhausted.
"What would you like for dinner, mi corazon?" He asked, his finger trailing up her arm.
"I just want to sleep, Carlos," she croaked, exhausted.
That was fine, he'd let her sleep. Carlos followed her out of the nursery. He watched as Y/N turned left, heading back to her old room. That was right, he hadn't told her yet. "Querida, wait!" He called as he grabbed a hold of her arm. "This way."
Carlos led her into his bedroom, the bedroom they now shared. He'd moved all of her things in during those twelve weeks that he had been alone. He sat her on the bed and got her changed into her loosest and comfiest pyjamas. "Sleep, mi corazon. I'll have dinner for you ready when you take up," he said and pulled the sheets back.
Y/N climbed under it. She closed her eyes as Carlos kissed her forehead and left the room.
He spent the next few hours making his way through work. It was comforting, having things back to normal. Or, as normal as they could be. Most of the work he went through was sorting through his fathers affairs.
After three hours of working, there was a knock at the office door. He glanced up briefly and returned to his work. "Not now, madre," he muttered under his breath as he strode into the room.
"¿Y? ¿Ya no hablamos nuestra lengua materna?" She asked as she sat in the seat opposite him. (And? Don't we speak our native language anymore?)
Letting out a sigh, Carlos looked up from his work and placed his pen down. "Podemos hablar nuestra lengua materna, madre. ¿Qué te gustaría hablar?" (we can speak our mother tongue, mother. What would you like to talk about?)
"No hemos tenido una cena familiar desde que murió tu padre," she said, correcting her posture and sitting up straighter. (We haven't had a family dinner since your father died.)
Carlos shut his eyes for a moment. It was their first night back in the house since Y/N's kidnapping. "Por favor madre. No es una cena familiar a menos que mi esposa esté allí. Después de todo lo que él ha pasado, ella necesita tiempo." (please mother It's not a family dinner unless my wife is there. After everything he's been through, she needs time.)
He stood up. "Now, if you'll excuse me," he began as he switched back to English. "I'm going to make my wife some dinner."
Carlos strode out of his office, leaving his mother where she was.
And he really did make Y/N dinner. He didn't ask the cooks to do it, he got stuck in and made her something to eat. It was surprising, just how good of a cook Carlos was. It was also surprising how much he enjoyed it.
He made her dinner, along with a side of buttered toast, just in case she didn't want what he made her. He walked it up to the bedroom and placed it on the dresser as he gently woke her up. He whispered her name and shook her shoulder gently. "Wake my, mi amor. I made you dinner."
Y/N opened her eyes. It was clear from the way she stared at him, eyes wide, that her sleep hadn't been peaceful. Carlos placed the plates in front of her as she sat her. "Here, querida," he said and pulled the cutlery from his pocket.
She dug into her dinner, eating it all (including the toast). "My wonderful husband," she said as he placed the plates back onto the dresser.
Carlos climbed onto the bed and sat himself beside her. He grabbed a hold of her and pulled her onto his lap. "I love you," he whispered, his forehead pressed against hers. "My beautiful wife. I'm never going to let you go."
She grabbed his cheeks and lifted his mouth to hers.
Taglist (CLOSED): @multi-universe21 @formulas-bitch @gills-lounge @weasleyswizarding-wheezes @carlossainzwho @f1lov3r @samaib11 @charli123456789 @queenofmanydreams @ironmaiden1313 @vellicora @glitterf1 @80sloverry @lightdragonrayne @moonayu @bellsalabanccini @topguncultleader @handsupforamiracle @cmleitora @jenniferrvsesi @barcelonaloverf1life @sbella13 @nicolettecallednikki @darleneslane @thehufflepuffavenger1 @champagneproblems17 @aespie @yukheizcigarettes @rewmuslupin @hollie911 @ashy-kit @ririgy @stqrgir1 @zaynzierulez @minkyungseokie @rafaaoli @carolinesainz @ashies-ln4op81aa22 @measimp @mizelophsun11 @eviethetheatrefreak @andydrysdalerogers @formulaal @graciewrote @biancathecool @evans-dejong @sparklyperfectionstranger @venusesworld @goldenharrysworld @cassie0sstuff @gracielukey @watermelonworries @celesteblack08 @shobaes @chonkybonky
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transmascissues · 10 months
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building off of this post, people love to say that “trans men want to keep going into in women’s spaces after they transition because they just want to have the best of both worlds!” but in my experience, there are four main reasons that a trans man might use a “women’s space” after they transition:
it’s an important resource that’s being arbitrarily gendered and we need to use it regardless of which gender is “supposed to” be using it.
it’s a public facility where we’d be significantly less safe in the men’s version and we have to choose our safety over our desire to not be misgendered.
it’s a social space that we’ve been in since before we transitioned and we don’t want to suddenly be cut off from our friends and support system.
the trans man in question is multigender and is also a woman, or maintains some other kind of connection to womanhood alongside their manhood.
do any of those sound like “evil men rubbing our dirty little hands together making plans for how we’re going to get male privilege without losing access to women’s spaces” to you? they sure don’t to me!
i think it’s pretty reasonable that we want to transition without losing the ability to access the resources we need, keep ourselves safe, keep up the relationships we’ve built, and express all facets of who we are. all of those are really, like, pretty basic parts of having good life and we shouldn’t be expected to give them up when we transition.
and honestly, if you claim to care about trans people, you should not be so attached to the gendering of these spaces that you’re willing to deny trans men those things for the sake of upholding gender restrictions. anyone who prioritizes the sanctity of gender segregated spaces over the safety, health, and well-being of trans men is a fucking transphobe. (yes, even if you’re trans yourself.)
and that’s what really gets me about all of this — the vehemence with which people are willing to defend those spaces being entirely and inflexibly gendered, despite how enforcement of gendered spaces has hurt trans people time and time again. gendered spaces have literally always been set up in ways that force trans people to break the rules; some trans men might break those rules in ways that don’t make sense to you, but that doesn’t mean it’s wrong for us to do so! it just means you might feel weird about it and that’s okay, discomfort won’t kill you.
“but using women’s spaces after transitioning to male defeats the purpose of transitioning! the whole point of transitioning is to be able to live as a man!”
and who are you to tell trans men what the point of our transitions should be? what if the purpose of us transitioning is just to live the happiest and most fulfilled life possible, and forcing ourselves into unsafe spaces or denying ourselves access to important resources or cutting ourselves off from important people in our lives or pushing down the more complex parts of our genders would “defeat the purpose of transitioning” for us? what if being able to go where cis men go is just one part of a much bigger journey, not the end goal?
if you really want to talk about “defeating the purpose,” let’s talk about how policing which gendered spaces trans men can access defeats the purpose of trying to stop cis people from policing which gendered spaces trans people can access, because it allows the policing of trans people in gendered spaces to continue in some form instead of eliminating it altogether. let’s talk about how using “evil men invading women’s spaces” rhetoric against trans men defeats the purpose of trying to stop cis people from using it against trans women, because it allows the rhetoric to continue in some form instead of eliminating it altogether.
the point of saying “let people decide which gendered space is right for them” isn’t to make sure everyone uses the one aligned with their “true gender,” it’s to let people do what’s best for them without punishing them for their choice. sometimes the best choice is one that seems wrong from the outside, and you need to learn to live with that.
i just think we as a community need to be more hostile toward people who think upholding the sanctity of a gendered space is more important than giving trans people the freedom to move through the world without being punished for existing in those gendered spaces. that kind of thinking is fucking dangerous and it’s weird as hell that some of y’all are so comfortable with it being directed at us.
moral of the story: stop giving so much of a shit about where a trans man decides to piss or see a doctor or hang out or whatever else. even if you think he doesn’t belong there, he probably has a good reason to be there anyway, and that reason is frankly none of your damn business.
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lastoneout · 10 months
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I def agree that Nimona's story was a major trans allegory for sure, but also as a queer person in general the whole "maybe I wouldn't die, but I sure wouldn't be living" thing resonated so hard, and like especially as a bisexual person.
Cuz being bi+ there's a lot of pressure from both sides to pick one, either be gay or be straight, and it gets way worse when we're in a relationship, bcs people will say shit like "oh well you're a woman dating a man, so you're straight now, why do you keep talking about being bi?" or vice-versa, like people don't understand why recognizing my indentity is important outside of the context of a relationship, and it's so frustrating bcs yeah like, maybe from the outside it looks like I'm straight, and maybe I could just be quiet and ignore my identity and I'd wouldn't die, but...I wouldn't be living.
And it was wild too bcs a few months back I was talking with my fiancé, who's also bi, and kinda venting cuz I'd seen some of that kind of biphobia in the wild and it'd upset me, and I remember saying something so similar. Like "I could probably just shut up and pretend I'm not bisexual, but that would feel like a death, like some part of me had died, I wouldn't be able to really live" so to hear Nimona say basically the exact same thing? Instant tears. I've never felt more understood.
And even with the other parts of myself, being asexual and trying to figure out what sort of relationship I want to have to my gender, so often I see people say stuff like "why do you have to tell other people that you're ace" and "if you're not going to transition at all why does your gender identity matter" and it's like because this is my authentic self and expressing that is the only way I can feel like my life is worth living!!
It's just so nice to hear that put into words, and I have a feeling a lot of queer people of all identities could relate in that moment, bcs we all hear the refrain of "why can't you just keep this to yourself and pretend you're normal" over and over again from ignorant people, some who mean well and some who very much Do Not, and Nimona is right! Maybe some of us wouldn't die outright, but for a lot of us a life spent hiding who we are, stuffing ourselves in boxes for the comfort of others, trying desperately to seem normal, it simply isn't a life where we're truly living.
Anyway rambling over, this movie is just so good and so queer and ough I can't stop crying about it T-T
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dduane · 9 days
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Hello! Do you think your conception of magic in YW is influenced at all by computer code? Between High Wizardry and some of the website admin stuff you discuss here, I'm guessing you've coded at least a little.
I'm an actor-turned-librarian who's cobbled together a little bit of coding competency through goofing off. The other day I tried to explain how I conceptualize a coding project and, well, first you need to figure out something's name -- and make sure you're properly specific for the context, you may need a lot of detail in how you name it -- and then you can start figuring out how to persuade it to do what you want ....
So I guess it's sort of a chicken-and-egg question: have I conceptualized coding in the image of my favorite fictional magic systems, or have I been generally drawn to magic systems with a sort of code-y, process-y inspiration?
I wouldn't like to second-guess your in-brain structure. But I can talk about my historical processes a bit, as they may apply to this.
Let me step back slightly. Before* I was a writer, I was a nurse. Before I was a nurse, I was studying to be an astrophysicist. Both of these arts/sciences require a certain sense of the hard structure of the universe—of the ways it requires you to put bits of it together if you're going to get anything useful done. This general outlook has determined, to a certain extent, how I interact with the nuts and bolts of the online world.
More historically speaking: I'm one of an unusual stratum of computer users who were technologically orphaned by the (bankruptcy) failure of the Osborne computer company in the mid-1980s. Those of us who had these machines, and who were at all techie-oriented, quickly became WAY more so in an attempt to keep our Osbornes running after the company went under. We learned how to keep our babies going without any available support, and when we moved on to other machines, we quickly became expert in fixing them... having learned the bitter lesson that when your computer fails, most of the time you're the only one you're going to be able to rely on to keep it going.
We learned to do things for ourselves, from the bottom up: hardware to programming. That mindset has remained with me from then until now.
After my Osborne, I moved from an early Apple (lent by our old friend Michael Reaves) to various early DOS/TRS machines when I moved over to this side of the Atlantic. I wrote Star Trek: The Kobayashi Alternative on a TRS-80 Model 100, gods bless its gentle hardworking heart. (I can still see in my mind the pale, pine-panelled interior of the ancient creaky London hotel, just south of Notting Hill Gate Tube, where I did most of the Trek work while I was in town on other business. I'd hooked the computer's modem to the hotel's phone system with alligator clips.) While Peter and I were later sorting out where we'd live on this side of things, for a long time—before portable computers, except for the TRS—the big machines lived in the boot of the Volvo while we migrated from place to place. And always the alligator clips were there.
Finally we settled in Ireland, and not too long after us, so did the Internet. (But not before I had to go up to Dublin one time, with the alligator clips again FFS!, and show the adorably clueless national telephone company guys how to hook up/in. ...I never pass that building without thinking of it: once Telecom Eireann, then Eircom, then Eir. Now it's a Starbucks. No matter. I remember where to hook the alligator clips in.)
And then, with the internet, lo, there came the (net-oriented) coding. Our first household web site went online in 1995. I handcoded our site's HTML. (Because what's a girl to do: wait for the techbois to make such work accessible or affordable? Bwahahahaha.) I continued to do that until the early 2000s, at which point I moved our sites to Drupal and learned its obscure ways. These days—having decided that Updating Damn Drupal Core Every Week is not what my mom raised me for—I've migrated all our household sites to WordPress, and I like it. I still pay a lot of attention to them, but at least I don't have to custom-code every whole damn page. I'm happy enough to let Elementor do that, while inserting occasional custom CSS, because (a) I have other writing to do, and (b) Life Is Too Short.
(I also used to hand-build our household computers, because (a) money was short and (b) why not know exactly what all your hardware is? But more recently I've started letting Scan in the UK do that. It's another Life Is Too Short thing... and Scan does good work. Lovely tight builds, and good customer service when needed.)
So: yeah, I code. :) Is the Young Wizards universe’s spell structure influenced by that? Uh, yeah. Inevitable, I’d think. Habit is such a taskmaster.
Meanwhile, summing up: I'm fluent in HTML. I'm nearly as fluent in CSS. I have enough PHP to be dangerous (to myself as well as others). I have memories of C that I can dredge up when necessary. I generated most of the Rihannsu language in MS-BASIC, gods bless it. ...And beyond that (as we say around here), deponent saith not. :)
*Or “while”, as I started writing when I was six or seven.
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mouschiwrites · 6 months
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Creepypasta/MH - Little Things They Do To Show Their Love
Characters: Tim/Masky, Eyeless Jack, Nina the Killer, Clockwork, Brian/Hoody, Jane the Killer
Tim/Masky
When it’s cold out, he always gives you his coat
Before you even start to shiver, he’s shrugging off his jacket and wrapping it around you
It smells like cigarettes and coffee, but it's very toasty
As he puts it on he rubs your arms, trying to warm you up
If it’s extra cold he’ll put his arm around your shoulder as well
He won’t say a word though, he’ll just do it in silence
If you point it out he looks away bashfully
His cheeks go a little red and he mutters:
“Yeah. Don’t mention it.”
When you go back inside he lets you keep the jacket
(for now...)
It makes him happy to see you wearing it; it makes him feel like he’s providing for you :)
Eyeless Jack
He makes sure you’re fed & hydrated
Whenever you’re out together, he always buys you something to eat
Even if it’s just a little snack
He loves buying you your favorite food and surprising you with it
He knows all your likes and dislikes; he never gives you anything you won’t eat
Same with drinks
Though he usually just gives you a glass of water
He won’t pressure you to eat/drink though
He’ll just hand it to you with the expectation that you’ll get to it eventually
He might remind you that it’s there if you haven’t touched it in a while
“Hey, your food is in the bag on the counter. You can microwave it if it’s too cold.”
He just likes to know you’re healthy and hydrated, it makes him feel relaxed
Nina the Killer
Whenever you’re in public, she’s always touching you in some way
She prefers to be holding hands with your arms linked
She also likes locking pinkies if you’re not that into PDA
If your hands are occupied, she’ll just put her hand in the crook of your elbow
If her hands are occupied too, she walks shoulder-to-shoulder beside you
If you’re out together and you’re not touching, it doesn’t feel right
It makes her a little worried
“Y/n, is there anything wrong? Did I do something?”
Physical touch is her main method of communicating affection, so she feels blocked out when she can’t touch you
It’s also her way of showing people that you’re together
Not in a jealous way though; more in a “look at my partner!! Aren’t I lucky?” way
Clockwork
She sends you pictures of things that remind her of you
She isn’t materialistic enough to bring them to you (unless you ask), but she just likes to show them to you :)
A cool leaf, a pretty flower, a shirt, it could be anything
Sometimes it’s something weird like a dead wasp or small animal
“Saw this and thought of you <3”
Even if it’s weird, she never means it backhandedly
She’s always doing it out of affection
She genuinely does spend a lot of time thinking about you, so this is her way of showing it
The smallest of things reminds her of you, and she wants to let you know
Though she usually won’t give the object to you, she might hold onto it herself
Not forever; just until she finds something else that reminds her of you
She frequently has a pebble or something in her pocket for this purpose
She’ll pull it out when she wants to be reminded of you again
Brian/Hoody
He watches you
Not in a stalker way (though I might argue that he does that too)
When you’re together, he pays close attention to your body language
He uses it to discern your current wants/needs
Like if you’re at a party and you start to look a little bored/uncomfortable, he notices immediately and comes up with an excuse for you guys to leave
Or if you look anxious, he’s ready with a distraction for you
“Let’s not stress ourselves out. How about we watch your favorite show?”
He knows all your physical tells; he can read you like a book
Even when you’re verbally denying it, he knows you better than that
Sometimes he even catches things before you’re aware of them yourself
He gets cocky about it sometimes
He’s not trying to be condescending, he’s just really proud that he’s able to help you like that
Jane the Killer
She kisses your hand
It’s a greeting, a goodbye, and everything in between
She’ll reach over, grip your hand gently, and bring it to her lips
Sometimes it’s a quick peck, sometimes it’s a tender and soft kiss
It's usually when she's feeling especially adoring that she kisses you more tenderly
If she's feeling a little goofy she'll bend down in a low bow and say:
"My lady."
Either way, she can’t go long without giving your hand a smooch
It starts as a show of affection, but it quickly becomes a habit for both of you
When you meet, you’re both holding out your hands already for your little ritual
Same thing for when you’re saying goodbye, or when there’s a moment of quiet
It’s not too excessive, but it is pretty often
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Thank you so much for reading! Take care lovelies <33
(divider by saradika)
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poraphia · 9 months
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“PDA: Public Displays of Affection”
pairing • secret relationship!wilbur x reader 1448 words • 9.1.23 containing • secret relationship, sorry boys production, immense affection my masterlist ~! ღ mrs. mania ღ on Tumblr
“We’re about to film a new Sorry video. Want to give me a good luck kiss first?”
♡♡♡
There’s one thing about Tom Simons that everybody knows the moment you click on one of his videos.
Some viewers may find him annoying at first,
And frankly, it’s not like he’s wrong.
After Wilbur and I started dating we came to an agreement to keep our relationship a secret. There were a multitude of reasons for this. For one, we wanted to enjoy the relationship for ourselves and because of Wilbur’s music and streaming career, it would have been impossible to relish in such when there are hundreds of thousands of eyes on you. This leads to our next reason. Most of Wilbur’s friends are streamers, vloggers, gamers, you name it. That being said, most of the time we find cameras on us already. So, in order to keep up with our special secret, we tell our friends that we’re not dating so that it’s a much easier job keeping it on the down low.
So what happens when a younger boy who considers himself Wilbur’s brother constantly sees a woman constantly with Wilbur? Well, you’ll see for yourself.
I’m known to be Wilbur’s co-filmer and editor in his fanbase, meaning that even if we weren’t dating, I had to be constantly around him to help out with video planning and creating a digital diary as he was on tour. This week his friends were all coming to Brighton to shoot Chapter 2 for their Sorry! improv group.
It was the morning of, and I was met by the familiar, warming embrace of his arms slithering around my body. I scoot back a little bit, feeling his heartbeat steadily beat against my back. “Hey, are you awake?” He groggled out in a raspy morning face. I hummed in response, taking one of his hands to kiss the center of his palm. He pulled me closer to his chest as the fabric beneath us crinkled.
“I’m so sleepy…” I mumbled. With his hand, Wilbur smoothed my cheek, caressing my skin. I melted in his touch.
“I know, but we have to get up soon, darling,” He whispered. Gently, with his arm still wrapped around me, he sat us up in the bed. The morning sun peaked through the slightly open blinds, decorating our skin with streaks of light. He buried his face into the crook of my neck as the drowsiness slowly drained from me. His arms kept firmly around my torso, holding me as close as he could. Once we felt ready to get out of bed, we walked into the kitchen as I prepared a quick breakfast for the both of us.
“Do you want strawberry parfait for breakfast, my love?” I asked, looking inside the fridge.
“Yes, please.” He smiled. I nodded before grabbing the container of syrupy strawberries and Greek yogurt. Wilbur went inside the pantry to find the box of graham crackers. After he finished crushing them, he noticed me standing on my tippy toes to reach for the two glasses on the highest shelf. With a cheeky smirk, he walked behind me and lifted me up by the waist, earning a slight eep of surprise. Nonetheless, I was able to reach the glasses before he placed me back down with my feet touching the cold tile floor. I turned around, awarding him with a quick peck on the chin, before continuing on making our breakfast.
Sometimes, it was painful keeping this a secret, but I think it’s what makes moments like these more special.
Once we finished our breakfast and got dressed, we met up with the rest of the guys at a park in Brighton. Today’s film idea was to run a hotdog van of some kind, but instead, call them burgers. Honestly, don’t ask me, it was the guys’ idea. Most of the guys carpooled to the location, whereas Wilbur and I decided to take our own car. After some time walking to the park, we were both ambushed by Tommy and Charlie, who were already flopping around in hotdog costumes.
“WILBUR! (Y/N)! MY FRIENDS!” Tommy exclaimed, hugging the two of us. Wilbur pulled Tommy to the side, almost putting him in a headlock as they shared their own brotherly love. I hugged Charlie before stepping back to examine his outfit.
“You look… Meaty. You been working out?” I joked. He grinned before flexing one of his arms.
“Ah, so you’ve noticed my meaty and tender gains I see! I’ve been working on these babies just for this exact moment.” He said pridefully. Charlie flexed one of his muscles before kissing his bicep. I rolled my eyes before we both trailed back to the rest of the group. I greeted the rest of the team and even hugged Kristen to catch up with her since we last saw each other. Tommy and Wilbur then ran up to the group promptly as Russ explained exactly how the food truck was going to work. After some careful instructions, the film crew, which involved me, were told who was to record what. Per usual, I was directed to film Wilbur’s shenanigans.
“Alright, is everyone ready?” Russ asked, looking up from his clipboard. Everyone exclaimed their noises of agreement. I looked over to Will, who I noticed was patting down his pockets for something.
“Will, you okay?” Phil asked as he adjusted the scarf around his neck.
“Yeah, I just— I think I left my wallet. Uhh (y/n) can you come with me? It’s probably in the car.” He said, looking over to me.
“Oh— Yeah, sure.” I handed my camera to Russ in the meantime before walking with Wilbur to the car. I kept my hands in my pockets in the meantime to resist the urge to walk with fingers intertwined. It was far too dangerous now.
Once we made it to the car, I reached into my pocket to unlock it, but in return Wilbur just stood there, smiling at me. I tilted my head, a bit confused.
“Weren’t you going to go look for your wallet?” I asked. Instead, Will leaned on the car, smiling down at me with his chef’s hat a bit lopsided and his arms crossed.
“I actually did have my wallet. I just wanted to have a good luck kiss before we started filming.” He smiled. I rolled my eyes before grabbing him by the shirt collar so that he was now at my height.
“You know you can be annoying sometimes.” I scoffed, but a wide smile was plastered all over my face.
“I know. I just miss you.”
I placed a quick peck on his lips, but before I could pull away, Wilbur held me gently by the neck to keep me in place. Slowly, I felt my body melting by the touch of his soft lips as butterflies danced on my skin. I wrapped my arms around his neck, moving me closer to him. Tiny droplets soon started to drizzle down on us, but we weren’t leaving each other's lips anytime soon. That was until someone caught us.
“Wilbur? (y/n)? Guys it’s starting to rain and— OH MY GOD!”
We both immediately pushed each other away, only to meet with the shocked face of Tommy standing paralyzed in his hot dog outfit.
“OH MY GOD YOU GUYS ARE DATING! I KNEW IT. I FUCKING KNEW IT—”
“I— Uh— Tommy—!” I was rendered speechless as the poor boy rapidly glanced at the both of us. Wilbur ended up breaking the standstill as he walked up to Tommy, placing two hands firmly at his shoulders.
“Yes, me and (y/n) are dating.” He said firmly. “You’re not going to tell anyone, my boiled hotdog boy, alright?” All Tommy could do was nod in response, his mouth still open ajar. Wilbur patted him on the back before heading in the direction of the food truck. I jogged over to Tommy, shaking his shoulder a bit to snap him out of his thoughts. He turned to look at me, a hand running through his hair. I shrugged, a half-apologetic smile on my face before we both walked back to the park.
“To be fair, the reason I was so shocked was because last month I tried to set you two up on a date.” Tommy mentioned nonchalantly, playing with his fingers as he walked.
I chuckled a little bit. “That’s kind of funny—” until the realization hit. “WAIT HUH?”
♡♡♡
a / n ~ thought this was cute so I jotted it down like a couple mins before waking up lolol. Reblogs and likes are super appreciated mwahh
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