rapunzel's prehensile hair reminded me of entrapta from she-ra and uh. well i drew a bunch of the other princesses in that style lol

la bete's a bit out of place but i wanted to draw her a bit more "beastly" than in her official art

do you think they knew even then that it was gonna be forever

Alright here is the full sun ending finally for the mad scientist au

Was posted as the poll results on Twitter but I’ll finally share them here too

You can read the full saga here

Sorry you’ll have to scroll to the top of the tag

Maybe I’ll make a guide for it

best friendisms

bonus <3

Something I love about Leo is that, canonically, he IS capable of cooking, he’s just completely incapable of using a toaster. He’s banned from the kitchen not out of an inability to make edible food, but because being within six feet of a toaster causes the poor appliance to spontaneously combust.

Chilchuck analysis speedrun: As a hardworking half-foot who grew up poor and discriminated against and had his gullibility taken advantage of multiple times in his early adventuring days, Chilchuck thinks optimism is a dangerous flaw. He’s stressed and strict all the time because his job is noticing details like traps that could get everyone killed before anyone knows it, he takes the lives of everyone to be on his shoulders, and with the way he speaks about it that probably partly reflects how he felt about taking it upon himself to provide for his family too. His life’s always been pretty centered around work and has become even moreso now that his wife left and everyone is independent, and due to past events he’s very iffy with bonding with coworkers. He thinks feelings and job are a disaster mix. Like with his wife or with parties hiring him as sacrifice, being open or having good faith is vulnerability which can get you hurt, so he processes and shows all his stress as anger instead of worry. Doing strict dieting probably isn’t helping the irritability what with hunger, and on top of being a hunger suppressant alcohol might be the main stress reliever he has.

His grey hairs are so earned

people bitching and moaning about fob "turning mainstream" as if that was never the entire point of fall out boy. that's In the goddamn dna of the band, it's baked into the ethos of why the band started in the first damn place. to be accessible to kids and especially to girls, who were often ridiculed and shunted out of the hardcore community. to be a gateway to bands that aren't as mainstream. to comment on the society they live in, as they live in it. people act like fall out boy "turning mainstream" was some kind of "betrayal" when from the start they were seizing on the trends of the time, putting their unique, unhinged fall out boy spin on them, and shooting them back out as a funhouse mirror. take this to your grave capitalized on the pop-punk zeitgeist that was big in the late 90s and early aughts and put their own spin on it: enmeshed catchy choruses with high-dexterity lyrical & linguistic skewerwork. infinity on high was basically a massive critique of the scene they were in - this ain't a scene it's a goddamn arm's race is a fucking thesis statement on what it is to be catapulted into fame in an industry that wants nothing more than a thousand cookie-cutter copycat acts of a successful formula, and fall out boy WAS the formula everyone desperately wanted to emulate. american beauty / american psycho blended sampling and modern hip-hop stylings with polished pop-rock and pointed those songs back at the snapshot of the 2010s we all lived in: commenting on racial injustice and the freeze-frame nature of relevancy. but even then they weren't doing it quite right - because fall out boy never does things quite right, they're never quite conventional, whether it's wentz's darkly confessional lyrics double-bagged in metaphor or stump's distinctive clear tenor or trohman's inescapable rock 'n roll edge or hurley's thunderous hardcore-punk-rock soul.

this band has always been too clever for its own critics, is the thing. but then, they always knew that. they knew they had a thriving fanbase of largely female fans so they were going to be mocked and belittled and ridiculed. they weren't quite right. they weren't quite so easy to market. pete wentz had to have all his hard edges filed off and cut down to size, skin lightened, literally whitewashed ("i feel like a photo that's been overexposed") to hell and back, even as he was marketed as the pretty boy of the band. and the other three members never even bothered with the spotlight: the soft-spoken vegan straightedge anarchist drummer and the wry, wisecracking, whip-clever guitarist who was more concerned with being the connective tissue than anything and the reticent vocalist who sang the words and wrote an awful lot of music but wasn't really the guy fronting the band. wentz's charisma carried the band, because the rest of them were really just some guys and never aspired to be anything else.

fall out boy is too pop. fall out boy is too mainstream. fall out boy isn't the real poster child of the emo movement. other bands are better. even within fall out boy's own narrative, they are repeatedly ignored, sidelined, and belittled, as though they weren't one of the only acts from the big 00s emo-pop movement to successfully not just survive the transition from the aughts to the '10s, and then later from the '10s to the '20s, but to thrive in it without banking on nostalgia. this band was supposed to be a flash in the pan. they weren't supposed to last and they weren't supposed to get big. they started off in joe's parents' attic because joe and pete were sick of how exclusionary and homophobic the hardcore scene was.

i think it's high time that people acknowledge how fall out boy has repeatedly succeeded where most of their other peers failed. cunning, clever, capable, and hyper-aware of the space they occupy in the culture surrounding them. that they are just as powerful, important, and artistic as any of the other bands in the scene that others might deify at their expense. that they deserve a hell of a lot more respect than they get from critics or hardcore punks who think they sold out. i hope one day they get that recognition. because they've earned it, time and time again, and the more i see people pushing back against that, the more certain i become of its inevitability.

like the important thing you must keep in mind about ten when you see him do literally anything is that he's soooooooooo so so so bad at actually isolating himself from other people. so TERMINALLY bad at it. he thinks to himself "i don't need human connection because everything i do causes pain and destruction to those around me :(" but then he experiences a crumb of human connection and his heart starts to spill out of his chest

I uh. I’m. I don’t exactly know where the LonelyEyes mood came from but some things are definitely happening

Fishing Interlude

[First] Prev <–-> Next

framed villain

The escalation from "I'm going to graffiti motivational quotes" to "I'm going to play obnoxious sirens of my voice everytime you get close" to "I'm going to unite with the server to bury you alive with your home, and I'm going to plant trees so it looks like you were never there" is certainly something.

Im so enchanted by their cousin it swag. Cousin they. Or whatever

Damian Wayne stuck in a time loop.

It resets when someone dies, and since Damian is the youngest, it doesn’t matter how rocky his relationship is with the bat-siblings, each and everyone one of them sacrifices themselves for him.

And Damian is pissed off because he doesn’t understand why.

Grayson is obvious, he has made it clear that he feels affection for Damian and has made the most effort into integrating him into the family. Of course he would die for his little brother. And at first, Damian believes he finds this outcome to be the least acceptable.

There is also his Father, again, a logical expression of love. Damian can understand why his Father would die for him, even if he doesn’t want him to. Even if, in the first few loops, he wishes that anyone else would die instead. At least it’s a type of parental relationship he can understand in the abstract, even if it surprises him to see its true about himself. That even though he has several older brothers and is unsure of his place by his Father’s side, the man would do anything to protect him. It reminds him of his Mother, even though he’s sure if she were here she’d find a way for the both of them to live.

Brown is the first one to surprise him. They had worked together when Grayson was Batman and he recognized her competence, but he thought that’s all it was. A working relationship between professionals. A mutal, if grudging respect. He is shocked when she dies, how he had no clue she would go that far for him. How he refuses to let it happen again.

If Brown was a surprise, Cain was a shock. Damian thought of her as nigh invincible, unable to be touched. It was clear she was the best of all of them, that she had seen the hit miles ahead of him, had maybe even seen him brace for it. But she had chosen to let herself go down. He feels every bit his age as he begins to wonder if he’s even more powerless to stop this than he thought if his most competent sister chose to let herself fall.

Thomas was confusing. He was new, newer than Damian and not quite sure of himself. They rarely saw each other aside from school due to the mismatch in schedules. Thomas gave him a wide berth, respecting Damian’s space in a way his other siblings failed to do or intentionally disregarded. Damian didn’t think much of him. Couldn’t understand how Thomas hadn’t even paused, had taken the hit as if it was an unquestionable law of the universe. As if they were really brothers and not strangers. It was a sentiment Damian didn’t know how to return.

Todd was the worst. He had seen him, briefly, before he had come to Gotham from the league. His Mother spoke of him rarely, but with pride. He was skilled, if untamed. He avoided the manor and his brothers and their Father. The only one he usually sought was Pennyworth. That is why Todd was the worst. Because he avoided all of them. Because this family had already allowed him to die before and he had come back wrong. A painful reminder that their family has failed. And he fought so hard to remind them all of that failure, every way he chose to keep fighting to live, to prioritize his own life over their Father’s morality. Only to throw it away for Damian. To force him to watch how his brother’s second death shattered their Father and Pennyworth and Grayson in a way that Damian didn’t think they’d survive a second time.

Drake is incomprehensible. Antithetical. A cosmic error. Impossible. There is no love between them, no grudging respect, nothing. Damian can’t stand to look at the person who he feels is a disgrace to the costume Damian now wears. He is the one who dies for Damian the most. The one he can’t possibly understand. The brother he has the least time to question, who gives him the least answers as to his motivations. Who will both die for Damian and refuse to utter a word to him in the same loop. It is madness. Damian needs to prove himself above this embarrassment, and yet Drake chooses to be beneath him. To die for him. It is in spite of Damian’s skill that Drake dies, and Damian hates him for it.

fantasy laughingstock mawwiage but make it potc3 Flavor-

amen!