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#because he has aspects of this all throughout the series
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Part I: The Prophecy — June 25, 2011
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Part I: On her daily morning run, Y/N wonders if she’ll ever have someone who wants her simply company. Spencer promises her just that, the only catch: she has to wait seven years.
Rating: Eventual smut, fluff and longing
Word Count: 3.5K
Series Masterlist | Tell Me What You Think!
My Mind Turns You Into Folklore: The Prophecy — June 25, 2011
Running, somehow, still made her feel like a child. Perhaps there was something unadulterated and carefree about losing yourself in the pounding of pavement. When Y/N felt the wind rush in her ears and the familiar burn throughout her body, she truly felt alive.
Her entire body ached— no, screamed— as she approached her fifth mile for the day’s session. Her smart watch beeped, altering her that she had maintained her 9 minute mile pace. For Y/N running wasn’t about getting to the destination fastest, but about finishing the race altogether.
She wished she could apply such wisdom to very particular aspects of her life. Namely, her love life. For Y/N, relationships with men were unpleasantly predictable. From terrible blind dates with friends who she honestly can’t tell if they meant well to men with habits so strange Y/N could only plead insanity by a drunken state as to why she entertained even a second glance. Unfortunately, for her the sea of men seemed to solely be comprised of rather the unfortunate sort of men that made her skin crawl.
Her knees burned as her mind ran through the five weddings and babies that were impending. Between cousins, college friends, and even her own sister all either, Y/N never more lonely than when she was surrounded by her people. There was something particularly voyeuristic about watching those you love move along the carousel while you’re left in the dust. She was a casual observer, marooned to the sidelines. And someone where along the way she forgot to even care.
Her chest burned as she wondered where her aunt, a woman born and forged from pure spite and hefty lack of tolerance for anything progressive, would sit her at her cousin’s wedding. Y/N heaved forward imagining what would be worse; the discarded old widow’s table with wives whose husbands’ expiration date had come and passed. Or with her unruly nephews who would have to be wrestled into a tiny tuxedo and bribed with fried food and the majesty of Red40 to maintain the semblance of civility.
Being 27, husbandless, boyfriendless, and childless didn’t usually bother Y/N. She loved her peace. But somehow it put her into this plane of existence where she straddled youth and adulthood. She had one foot jammed deep into the rich, sodden earth of childhood and one toe dipping too all too calm to be safe waters of adulthood. Yet being uncoupled was as if she purchased overnight shipping to the elephant graveyard.
It was antiquated. It was downright sexist, yet there was a small part of her heart and her entire being that craved to be taken care of by a man. She wanted someone to bring her flowers just because, to hug her from behind while she stirred soup for dinner on a chilly day, to brush her hair from her face as he brought her to the brink of pleasure time and time again.
There was only so much her vibrator could do.
But a heart that ached to be loved, that problem didn’t come with a WebMD link. There wasn’t a quick and easy fix to change something that defined her on a molecular level.
She savored the sweet breeze that reminded her of summer and childhood. The houses, various shades of blue, gray, and beige blurred past as she maintained her steady pace.
Y/N rounded the corner and pounded the pavement that led to Betsy’s Cape Cod. She was the Head Librarian and took Y/N under her rather Mother Goose-like wing three years ago when she took the position at the small, sleepy library. A suburb of Quantico, many of the patrons were families in public service.
She even stumbled across someone who quickly became her best friend, Spencer. He was some sort of former child prodigy turned adult wunderkid. After racking up more diplomas than most extended families collect, Spencer worked as a special agent for the FBI. But looking at him, you would never have guessed. He was timid and shy in a boyish way that made him seem much younger than 32. He was tall and lanky, yet despite his slender frame he seemed to completely light up every single room he walked into.
Both Betsy and Spencer buried themselves into the fabric of her life. Betsy sat on the front porch, slowly swaying on the large, wooden swing. A crocheted blanket lay over her lap, keeping her warm under the brisk morning’s chill.
“Y/N!” Betsy called, as she ascended the stairs with a bright smile, “Dearie, it’s far too cold for you to run out here.”
“I could say the same about you, Bets,”
Betsy dismissed Y/N with a coy smile and a wave of her hand. “It’s good for my old bones to get a little chill. Make sure everything is in working order.”
Betsy scooted over on the porch swing, making more than enough room for Y/N to sit.
“That tall kid? Hmm, Spencer? Yes. Spencer. Was in there looking for you yesterday. Poor kid’s entire day was ruined when I told him you were on a date. Now, is there a reason why you didn’t tell me you didn’t tell your best friend?” Betsy asked, not hesitating to ask a question that went straight for the jugular.
Y/N offered Betsy a weak smile. “There wasn’t anything to tell him. He’s not interested in my love life. We talk about books. And work. And… I don’t know…”
Betsy nodded, but her pointed look pressed Y/N to continue. There wasn’t anything romantic between her and Spencer, but that wasn’t to say the connection wasn’t the most important thing in her life. When she met him three years ago he simply waltzed into her life; a tall, gangly man with a large appetite for baked goods and an excellent taste in literature.
“Besides, he has a thing for his coworker. Even though she hardly acknowledges his existence.”
From the time she met Spencer, he constantly was talking about his teammates. Growing up, Spencer didn’t have a stable family life. His mother tried her best, while his father never tried at all. He grown up not knowing what it was like to belong anywhere and now he finally found something resembling a family.
JJ was blonde and skinny and perfect and Spencer was completely enamored with her. Y/N met her only a couple of times, the first after a football game. She shared a plate of cheese fries and gravy with Spencer’s other coworker, Penelope as Spencer attempted to spout an almanac’s worth of facts about football to JJ.
“Hmm,” Betsy murmured, swinging back and forth. “Well, he said he has to talk to you about something. Maybe he’s getting to his senses, finally.”
Y/N rolled her eyes, sipped some of the ice cold lemonade Betsy handed her, and gave her a pointed smile.
“This isn’t a romance novel, Bets. You’ve been sneaking too many of those bodice rippers.”
She stood up and felt some relief as her weary muscles stretched. Betsy waved another annoyed hand.
“Quiet down, Missy. I’ve had my chance at love. And I fully intend on you and Spencer being an item. My Arnold, may that old bastard rest in peace, never gave me children, so you and that boy are my only chance to fill this house with grandkids.”
“Oh my God, Betsy,” Y/N groaned, her head tossed back, “It’s not like that between us. And I promise you, it never will be.”
Y/N took off before Betsy had the chance to respond. But she couldn’t shake the funny feeling tugging at her heartstrings. She thought that maybe if she just focused her mind on feeling the wind blow her hair and her body burn as the third mile turned into a fifth, she could wash away the thoughts of one or two little children sitting on Betsy’s porch, sandwiched in between her and Spencer.
***
Gary, as it turned out, wasn’t a nice guy. First of all, he showed up precisely 23 and a half minutes late and hardly bothered to greet her as he sat down at their two seater table. He barked a drink order to the waitress, who graciously threw Y/N a sympathetic smile.
“So you work at Walter Reed?” Y/N asked, attempting to make conversation with the man seated in front of her. He was a couple years her senior and an Attending Emergency Room Doctor. On paper Gary seemed wonderful. He had a nice family; older sisters were always a green flag in Y/N’s book and seemed to have a basic grasp of personal hygiene practices.
Gary mumbled as the waitress brought him his drink: whisky on rocks. He downed it in about three minutes and signaled for the waitress to return.
“Sorry,” Gary apologized, his voice so close to resembling being embarrassed, but it, somewhere along the line, made a beeline in the opposite direction, “There was some bitch in the ER today complaining about how her boyfriend didn’t believe her when she told him she was pregnant. Took me a god damn hour to shut her up. Jesus, reminds me why I don’t date.”
Y/N felt her face freeze. It was like his harsh words poured ice water over her shoulders. Her skin practically crawled as Gary’s carelessness settled in. Wasn’t this a date? Or was this simply the means for Gary to get into her pants.
“Hold up,” Y/N said, gesturing with her hand held up to stop Gary’s rant, “I was under the impression this was a date. Is it not?”
Gary shrugged. “As long as there’s a happy ending with you, babe I don’t give a fuck.”
He was crass. Y/N was far from a prude. She enjoyed her time in college and didn’t mind the occasional quick one night stand when the opportunity presented itself, but there would be something completely debasing and revolting about sleeping with the man sitting before her.
“I think you’ve gotten the wrong impression.” Y/N said, her words clipped and stern: there wasn’t room for Gary to mix up any bit of her message. “I’m not looking for a fuck-buddy. And even if I was, it certainly wouldn’t be you. We’ve been sitting here for all of twelve minutes and you’ve already drank two whiskys, been rude to the waitress, insulted a patient, and offended me.”
Gary, in a lackadaisical way that could only be described as a fuckboy with the worst case of Peter Pan syndrome, shrugged his shoulders. He downed the rest of his second whisky, “You’re a frigid bitch anyway.”
He left.
And Y/N laughed. Then she ordered two slices of double chocolate cheesecake and asked the waitress where the closest liquor store was.
***
Silently, she cursed Spencer’s charming love of buildings with character. She bounded up the steps to his apartment, the plastic bag with the two slices of cheesecake banged against her leg. Her other hand clutched the neck of a cheap, screw top rose.
Her date, disastrous, was nearly comical, and she couldn’t wait to recount the details to Spencer.
They share a sort of sadistic penchant for relaying moments for their occasional first dates. Typically, Y/N had more than Spencer. On the rare occasion Spencer did have a date, Y/N found herself trying to explain that any girl in her right mind would attempt to flirt with Spencer, but he refused to see her points.
Not bothering to knock, Y/N opted to use the spare key Spencer gave her. She figured he’d either still be working at the office or would be too engrossed in his latest fantasy novel to bother answering the door.
Spencer’s apartment was painted a dusty, sage green. The farthest wall was lined with built-in bookshelves. A prewar relic, Spencer’s style mixed perfectly with the vintage quality embedded within the walls.
Up until recently, Spencer’s kitchen was hardly used. But Y/N had taken it upon herself to teach Spencer the basics in prepping meals. He was a quick study, as with almost everything he tried. And it gave her some peace knowing he would be able to provide himself something more satiating than granola bars and frozen lasagna.
“Spencer! Spence!” Y/N called out, dipping her head into Spencer’s second bedroom. There was a queen bed in there with a cream colored quilt splashed out on the bed.
On late nights spent watching old, black and white movies or binging episodes of The Twilight Zone and The X-Files, she would crash there. It was a fight for her to even concede to allow Spencer to purchase the queen bed. Y/N claimed that she was fine just sleeping on the couch, but Spencer insisted that she sleep in a bed.
And if Y/N had been born into a braver soul, she would’ve suggested they share his bed three years ago.
Spencer shuffled out of his bathroom, eyes red and weary. He wore a tattered Cal-Tech shirt and plaid pajama pants. He wore his glasses. They rested on the bridge of his nose and made him lose at least four or five years on his already young looking face.
“She’s pregnant.”
“I brought wine. And chocolate cheesecake.” Y/N replied, kicking her shoes off. “And you better have done laundry already because I am not sleeping in this dress. I feel ridiculous in it.”
Spencer’s eyes raked over Y/N’s frame, as if he was internally debating his thoughts on her outfit. His brow furrowed. “You’re date?”
“Asshole.” Y/N said, walking into the kitchen. She plucked two wine glasses from Spencer’s cabinet and two plates. “Arrogant and only wanted a quick fuck.”
His voice disappeared as he went into his room for a change of pajamas. They were freshly washed. She continued to listen to Spencer as she shut the bathroom door and changed behind. His voice was no longer muffled when she came out of the bathroom, but she did notice how Spencer’s eyes still were heavy with something unfamiliar when he looked over her baggy, old pajama-clad frame.
“You’re not the girl for that.” Spencer commented, reaching for the corkscrew. His large hands twisted around the device and the bottle of wine made a satisfying pop.
“You don’t know that.” Y/N countered, her defiance made a crop of red appear on Spencer’s cheeks. “Besides, that’s not the point. JJ’s pregnant. With that New Orleans guy’s baby?”
He nodded. It was as if grief washed over Spencer as Y/N changed the conversation. She knew that Spencer was harboring feelings for JJ. Jennifer was nearly perfect in every way. The only imperfect thing about her was that she didn’t realize how perfect Spencer was. He would’ve adored JJ if he got the chance. He nearly did.
“And how do you feel about that?”
Spencer groaned, pouring himself a healthy cup of rosé. “Unsure. It’s not like I’m going to confront her about this. She’s practically engaged to Will. And now there’s a baby in the picture? A baby who’s very well going to grow up seeing me as Uncle Spencer.”
He sounded exhausted. Y/N touched his hand and squeezed. She understood the pained loneliness that plagued Spencer’s voice. “I don’t love JJ anymore. It’s just, my whole life I felt like I was so far beyond my peers. And now? They all finally have caught up, this time the tables have turned. God, I’m excited when a girl smiles at me, let alone goes on a date with me.”
Weakly, Y/N smiled. She sipped her rose, “So it’s more of feeling like you’re far beyond in life? Despite having two PhDs and like three undergrad degrees? You’re one of the most accomplished men I know, Spencer. And we all move along at our own pace. Don’t compare JJ’s story to yours.”
He nodded, spooning a bite of the double chocolate cheesecake. “It’s just…I’m nearly 32. And now I’m watching JJ and Hotch and Morgan talk about babies and husbands and wives and houses. And I can’t help but wonder if I’ll be lucky enough to get that one day. Sometimes… I think I’m too me for anyone to fall in love with me.”
Y/N felt her heart shatter into a million little pieces as Spencer’s honest confession striked her entire system. She wanted to reach out and push away the stray curl that hooked itself in front of his eyebrow. She wanted to reach out and wipe away his tears. She wanted to tell her friend that if no one married him, she would.
She stalked off the to couch, needing a stable place to sit. Her chocolate cheesecake stuck to the roof of her mouth and the bitter rosé did nothing to remove it.
“Holy shit, Spencer. Do you not realize that you’d make any girl happy? You’ll find her one day, I know it. And if you don’t, we can just say fuck it and get married. I mean, I know it wouldn’t be romantic love, but we could at least live together. Through a big fancy party and get dressed up nice and getting drunk on mojitos with my best friend. My person? Sounds fun.”
“You mean that?” Spencer asked, half in disbelief and half in wonderment. “You mean that we’ll get married if neither of us have someone…say seven years from now?”
She must’ve drank more than she thought as she waited for Gary to ruin their date. “I meant it. But why seven?”
A smile toyed on Spencer lips. She noticed the way his eyes crinkled when he smiled.
“It’s my lucky number.”
Her lips were so loose that it threatened to crack open her heart. She had a nasty habit of wearing that on her sleeve.
She gave Spencer a sheepish look as his eyes met hers. He looked half between incredulous and hopeful. His fingers ran across the rim of his wine glass as the wine sloshed around. It mirrored Y/N’s stomach.
“Is this idea like bad shit crazy?” Y/N asked. “I mean it. I mean, why not. It’s not so different from what we do now. Just all the time. And I’d be thrilled to be spiritually required to spend more time with you.”
“Should we….shake hands or something. I’m not the biggest fan of that, but I think my wife would serve as an exception to the rule. To every rule I’ve got?”
Y/N laughed. She felt the wine creep up a nice, warm flush against her skin. It matched the light and easy way her limbs felt. It might have very well been the wine, but there wasn’t much of anything that could trump laughing with your best friend. Especially when that best friend slipped and called you his wife.
Her feet somehow ended up in Spencer’s lap. His thumb rubbed gently against her ankle, barely touching her bare skin. Yet it sent shockwaves that she didn’t quite understand.
The corners of Spencer’s eyes crinkled as he reciprocated that laugh. They shared it and Y/N had the strangest desire to bottle it up. She wanted to store this moment in her mind and come back to it. One day. Some day.
“We’ll get married,” Spencer started speaking as if it was a prophecy that he could set in stone, “if neither of us has anyone, we’ll enter this rather odd, rather complex, yet completely entirely normal and simple marriage in seven years?” His sweet, yet coy smile was boyish, it only reminded Y/N just how far away 35 was for her.
“Should we draft up a contract?”
“Have your lawyers contact my lawyers. I never sign documents without the proper legal support. In the meantime, could we settle on our first stipulation: never watching a new episode of our current favorite show without the other?”
“I agree to the terms and conditions you’ve set out.” Y/N said. She grabbed the blanket that rested on the back of the couch as Spencer turned off the lamp light.
“Oh and I washed the sheets in your room. I used the detergent you like. And your pajamas. The lavender vanilla one with the scent beads?” He flipped on an episode of The Twilight Zone.
She smiled from the way Spencer naturally called the guest room her bedroom. There was something very domestic and peaceful about him using her favorite detergent to wash the sheets in her room in his apartment. It resembled the exact something that she was craving: being taken care of.
She sipped her rose again, watching as her friend smiled at the gray scale painted on the screen. It was too bad she only had to weight over half a decade to feel it and not feel guilty and like she was lying to herself.
Taglist:
@reidsbookclub @boldlyvoid @mrs-dr-reid @reid-ingandweeping @candlesandsoftrain @foxy-eva @queermaxwooo
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bibibbon · 3 days
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MHA CH 421 rambles
Ok so this was a chapter ok. Iam personally not a fan of what happend here but you do you.
I hated AFO's little monologue. introspection thingy and to be honest sukuna does it better. Look Iam critical of both jjk and MHA as they fail in their own aspects on certain things but dam I couldn't care less for AFO and his monologue I seriously couldn't. Yoichi as already dead and if AFO's goal was to be a supervillain from a comic and to reunite with yoichi then why not just idk get the doctor to do it for him or just die to reunite with AFO 🤷‍♀️. His whole thing about tragedy making people stronger or him not feeling anything didn't even hit well because his development sucks and him coming back feels repetitive anyway
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Sero getting to respond to the things about tragedy felt so underwhelming I didn't like it. Sero throughout the whole and entire series lacked any screentime and development for him to be getting a big moment that should be given to another character feels like a horrible move. We seriously don't know of anything that has affected sero aka hurt him directly in the manga (aka something just him) so it all feels underwhelming and disappointing. Unironically, I feel like sero should of been one of those characters who left the story or just stayed as a minor character because hori is trying to develop and give him importance way too late into the story.
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Where is inko?!?!?! So we see everyone heck we see the civilians, gran Torino, Kota and Eri all comment and hope for izuku to do something but inko his own mother isn't present. Now this probably means something bad is happening or will happen to inko but if nothing happens and she isn't present then dam classic neglectful inko strikes again ig or if they make it a gag that she fainted out of stress i will just hate it even more
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I hate that this is something out of the endgame and if hori was trying to be like gege by making everyone join it felt rubbish. Iam not a fan and I mean it I HATE the whole everyone joining in to fight AFO together type thing and I just do. To me it's Izuku's time to shine and people take down villains and do their jobs in other areas at this point everyone is doing more damage to AFO than Izuku who hasn't even landed a hit on izuku. Also why is it that character like Todorokis who have had their big moments here?!?!? It seems like this is a fight where hori is trying to make everyone have a moment before Izuku lands the final hit which doesn't sit right with me. Like there are characters here who have already had their moments like jirou, camie, yuuga, asui, mina and way more but they're here to ... Assist in the fight have another big moment and make AFO more of a potato character then a proper scary villain
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present mic is back which I love. One of the good things is that present mic is alive, it's good to have confirmation of that
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Even though I think erasers writing is heavily flawed at least someone is holding Izuku. At least izuku is getting something , some comfort out here at least someone is holding him but dam this seems like a disservice all of this seems like a disservice to izuku. Like I wonder do the civilians feel guilty does anyone feel sad or guilty for having this 16 year old child fight something way bigger than him in the name of peace and other peoples safety?
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I think the whole thing with Izuku getting that guy's shirt is rubbish and underwhelming. It just doesn't sit right with me, that guy's shirt would of probably been dirty as hell considering it's the only thing we have seen him wearing. Like @mikeellee told me it would of been more impactful if the shirt was given to izuku and that guy had a healing quirk or helped izuku more directly. Now I get that this is supposed to make the guy more likable and show that he ahs developed which we can see and dam hori can actually give some decent development when he wants to but it all falls flat and doesn't do much for me. Also I have seen someone say that izuku wearing this shirt and it covering his upper half is showing how he is losing his ability to be a hero and dam that breaks me.
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I can't with the Izuku running to the battlefield and the parallels kill me (we haven't really developed/moved on from chapter one considering the story just loops around itself). Izuku running towards danger quirkless thinking that it's his job because people who were supposed to help and protect him failed. Izuku now quirkless with only the tiny and fading embers of OFA thinning trying to defeat OFA with the damage of kudos quirk still effecting him. All of this to protect others to help them something he never got during the past. This fight will probably parallel all might but all of this happening and I feel nothing all of it falls flat and I feel bad for izuku that's it.
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It was a chapter and considering how I hated previous writing decisions I was also gonna hate on the developed/expanded writing decisions either way
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turtleblogatlast · 1 month
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Something I love about Leo is that, canonically, he IS capable of cooking, he’s just completely incapable of using a toaster. He’s banned from the kitchen not out of an inability to make edible food, but because being within six feet of a toaster causes the poor appliance to spontaneously combust.
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xiaowhore · 3 months
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genshin men as shoujo tropes.
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characters. neuvillette, wriothesley, & alhaitham.
note. in celebration of the shoujo renaissance (and also bc im having a hard time finishing the drafts i left half a year ago) i present to you the ideas i had while half-asleep this morning. i dunno if this will ever be a consistent series but here are the first 3! (heads up: female pronouns will be used in this fic!)
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neuvilette ; the duke
it has to be said. he's the duke of the north.
you belong to an aristocratic family, but you're basically neglected due to being your father's illegitimate child with a maid and your younger sister is much better than you at every way there is. appearance, etiquette, and intellect—she is far more superior than you at these aspects. countless men ask for her hand in marriage, while none asks for yours.
but honestly, you didn't want to be wed to a noble. you dream of being a commoner, free from the clutches of your family who looks down on you and solely dotes on your sister. you could be a baker perhaps, since you've always had a hobby of making sweets.
yet your parents suddenly announce you're now engaged. and to the duke of the north, of all people! he has made a great contribution for the war against the monsters within the continent, but he is more known for his ruthlessness and harsh temperament. if you were to be his wife, what would happen to you? the duke holds a lot of power, but no one wants to marry him because they're all afraid of him, you included.
as you're being sent to his castle by carriage, you're already trying to comfort yourself. at least you're away from your family now. he couldn't possibly be worse than them. and as ruthless the rumors all say he is, duke neuvillette is not the type of man to beat a woman who has done no wrong.
your first dinner with him is completely silent. the clacking of cutlery pierces through the air, the only sound you can hear other than your heart rapidly pounding in your chest. your head is bowed, too fearful to meet him in the eye, but you can't help sneaking glances at him.
the duke doesn't appear in most events hosted by nobles, too busy defending his territory from monstrous creatures to attend. but you see now that those rumors about him being unsightly could not be any more false. his long hair drapes over his shoulders, not a strand out of place. his gaze is calculating, a fascinating blue you can't look away from, and his nose cuts a high angle—he'd look fetching if he wore glasses as he does paperwork. really... how could this man be your husband-to-be?
as you're busy worrying over how you shouldn't offend him and appreciating his appearance, neuvillette is trying his best to appear calm. the woman of his dreams is right in front of him, whose hand was promised to him if he won against the dragon slumbering in the northern mountains. the woman he had yearned for years on end, the woman who gave him strength as he was on the verge of death during the war, the woman who doesn't remember him anymore—
but he promised you long ago he'll make you the happiest woman in the world, and he's intent on keeping his vows.
neuvilette may appear stoic, but he's nothing but sweet to you. he accompanies you at every opportunity he isn't busy with work, spoils you rotten, and makes you want for nothing. word spread throughout the land that duke neuvillette couldn't be any more smitten with his wife, erasing all rumors that claimed he was heartless. you were intimidated by him at the start, but as you spent more time with him, you learned that there was no reason to be.
...however, that only applies to you. although you never said it outright, neuvillette can tell your family didn't care for you properly. he already had reservations with them, and now he has other reasons to be angry.
when your sister comes to his residence and claims there was a “mix-up” in the marriage, that she should be the one wed to him and not you, he is furious.
but there's really only one ending for this story—after all, his heart only belongs to you.
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wriothesley ; the bodyguard
you're the only granddaughter of a yakuza leader and wriothesley is your bodyguard who will protect you no matter what. (not claiming ‘a girl and her guard dog’ energy; there are plenty of other mangas who have this trope too.)
you're just an ordinary girl with a very extraordinary family but you want to live a normal life free of violence and keep your family background a secret. you beg your grandfather to let you attend classes at a normal school, and he allows you in one condition: wriothesley must be with you at all times.
so yeah. this tall and absolutely ripped guy is behind you every time you walk to school, in the corridors, on the way to the cafeteria, and the only time he isn't following you is when you go to the restroom.
very protective. never lets his guard down when you're talking to boys. doesn't understand what you see in the handsome guy that everyone likes when his looks aren't all that great (he's just jealous).
“let's go home. it's about time for the car to arrive... what do you mean you still have something to do? ...there's someone waiting for you at the rooftop? you found a love letter in your locker? ...i'll wait for you at the door.”
he does wait for you at the door, but he also tries to hear the conversation you're having. and maybe he scoffs a little when he sees the guy who's trying to vye for your attention, because clearly wriothesley worried for nothing.
there will be a lot of dangerous events involved (i.e. kidnapping for ransom, attempts to kill you as revenge, wriothesley's enemies trying to harm you because you're the person he loves etc.) but wriothesley will save you each time.
“i'm right here,” he says as he cradles you in his arms, hugging your trembling body. “you don't have to fear anything now.”
it's nothing serious. just a pathetic attempt at kidnapping by a bunch of idiots who want ransom money. you're safe and sound in the car, waiting for him to finish his business with the delinquents, but that fact doesn't make his anger fade at all. “if i see a single scratch on her, i'll kill you.”
his head is bleeding, dripping crimson over his right eye, but all he sees is your bound wrists, the bruise on your cheek, the blood on your lip. he's out of bullets. you're both surrounded by henchmen. he has a single blade in his pocket. still, he roars with uncontrollable rage, “no one touches her!”
(very important detail: he calls you “my lady.”)
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alhaitham ; the nonchalant male lead
he's definitely the cold guy who's (at first) rude and blunt to the female lead.
you've liked him since you were kids. your moms are best friends and you live next door to each other. both of your parents seem convinced you're going to end up together, but he rejects every single one of your advances—not that it discourages you from trying again next time.
you try to walk to school with him even though he always goes to the library too early and you're the furthest thing from a morning person. you offer him the best parts of the lunchbox you cook for yourself. you give him a cold drink after gym class. you invite him out to the mall during the weekends to hang out. you doll yourself up everyday with cosmetics and accessories in hopes that he'll think you're pretty.
but alhaitham always just looks... disinterested. especially during dinners where both of your families are present and his mother teases him about dating you for what seems like the nth time that night.
and you know he's not obligated to like you back or anything. but you still want to get his attention. you want to improve yourself to get him to like you.
alhaitham may come across as cold-hearted, but he buys you bread from the convenience store on the way to school because he knows you missed breakfast just to go with him. he keeps an eye out for any stray balls hitting you during gym class because for some reason you attract them like a magnet. he often declines your offer to go outside during weekends, but he's willing to tutor you for the test scheduled next week.
so you like to think of yourself as someone special. because surely, he doesn't do these things for anyone else, right? you must be one of the closest people to his heart, right?
but then the pretty girl from the class next door confesses to him, and you think you've lost your chance. she's tall and gorgeous, her clothes are always the latest fashion, and you're pretty sure she's around the same student rankings as alhaitham. they're talking by the cherry blossom tree, and no one can hear what they're saying behind the wall you're hiding from in your quest to eavesdrop on them.
but then alhaitham leaves first, not giving her a single glance after what you assume to be a swift rejection. the girl isn't crying, but she looks a bit shocked as she returns to school, not expecting the turn of events.
your classmates don't even pretend to be decent; all of them are asking her what happened. “he says he's not interested in dating, that's all.”
and at that, you sigh in relief. even if you're not special to him now, no one else is either.
you don't notice her looking at you, envy burning in her gaze. she didn't say any lies—but she did omit something important.
“i think... i like someone now. the most important person to me.”
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thankskenpenders · 4 months
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Sonic Prime Season 3: Final episodes, final thoughts
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Well, here we are. The final seven episodes of Sonic Prime are out on Netflix, concluding the story of Sonic's adventures in the Shatterverse. I've previously shared my thoughts on the first and second seasons, which I was pretty mixed on, but there were still glimmers of hope. The fluid animation, Shadow being fun in all his appearances, Nine being fairly interesting as a jaded alternate version of Tails, etc. There was enough to make me believe that after some highs and lows there was still the possibility that this show could end on a high note - or at least a decent note.
This did not happen.
Sonic Prime's final season sucks. The ending sucks, and the road to get there sucks. It's left me wondering what the point of all this even was. There are still moments I like that I'll try to highlight, and the animators and voice cast are still clearly giving it their all, but these efforts sadly don't outweigh the overwhelming mediocrity of the story. I would barely even recommend other Sonic fans who are on the fence go out of their way to finish it. I won't begrudge people who got more out of this show than I did, but I think overall I just really, really dislike Sonic Prime.
...The problem, of course, is that all other discussion of the show has been overshadowed by needlessly hostile arguments over its place in Sonic's canon. So we've gotta talk about that, too.
(This post will contain full spoilers for Sonic Prime.)
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The show's out of ideas but they've gotta stretch that shit out to hit the 23 episode mark somehow
Season 2 ended with the big twist that Nine decided to betray Sonic and Shadow, taking the Paradox Prism for himself so that he could go turn the empty world of the Grim into his own little paradise, since he doesn't believe he'll fit anywhere else. Nine has made himself the true big bad of the show.
The main impact this has is that now, instead of fighting endless identical Eggforcer bots and members of the Chaos Council over and over, the good guys and the Chaos Council have to fight endless Chaos Sonic-style robots sent by Nine while he goes "grrrrr I need Sonic's energy to stabilize the Paradox Prism." This continues for six whole episodes until the series finale, when the show decides it's time for Sonic and Nine to quickly make amends, fix everything, and send Sonic and Shadow home.
That's pretty much the whole season.
I cannot emphasize enough just how much of this final season is just fight after fight after fight against Nine's bots, and how fucking boring that gets. The season feels like one long, drawn out final battle that did not need to be nearly this long, but Nine had his big heel turn 2/3 of the way through the show and we've gotta fill up the rest of the time somehow. The novelty of the bots being based off of Sonic's friends (including the Chocobo-sized Birdie from the jungle world) really wears off quickly when they're just used as generic, silent mooks that the good guys have to fight by the dozen like it's the climax of an MCU movie. The first episode of the season with Sonic and Shadow fighting the new bots is pretty good, especially because Sonic and Shadow's dynamic is one of the few redeeming aspects of this show's writing, but after that it just gets boring. Three full episodes in a row are spent showing all the characters fighting robots in an empty wasteland while Nine scowls next to a big beam of energy. I found myself missing the in-your-face attitude of Chaos Sonic so much. He truly was one of the best parts of this show.
While the cast is busy fighting all these robots for what feels like an eternity, various things of varying levels of interest happen. There's a halfhearted attempt to have some kind of rivalry between Shadow and the main Grim Sonic throughout the final battle, but it completely falls flat because Grim Sonic has no personality whatsoever. It's like Shadow beefing with an above-average Egg Pawn. (Actually, no, that would be funny.) There's also a death fakeout with the two other versions of Tails, where they make a makeshift bomb and throw it a little too close to themselves on the battlefield and seem to get vaporized. If they had actually died there they would have had the funniest, most pointless deaths in the entire franchise.
I also realized at one point that they were trying to do the Avengers girl power fight thing with the three versions of Amy fighting a bunch of Rouge bots. This was very funny to me. Actually, so much of this is just following the tired MCU formula to the letter. Fighting over a macguffin, two armies just kind of running at each other and clashing in a big empty field, constant one-liner quips instead of actual jokes, the need to take out key targets to make the whole enemy army disappear, a villain who has a point but has to randomly hurt people so that there's an excuse for the heroes to fight him. When combined with how shit the multiverse stuff is, this whole show really is just Man of Action tackling some of the most played out storytelling tropes in modern pop culture in the most bland way possible. What a bunch of hacks.
By far, the one truly fun thing that happens in this protracted final battle is when a giant robot based on Big appears. It doesn't have arms or legs, but it can swing itself around to use its tail like a giant mace, and it can also shoot Froggy-shaped missiles out of its mouth. I wish the rest of the show was even half as fun as this. Again, Sonic Prime has just enough good moments to make you mad that the rest of the show isn't better.
The thing is, all this repetitive (but well-animated) action and the thin excuse plot would be totally serviceable if I just gave a shit about the characters involved. But I don't. I don't care what happens to the pirate version of Amy who goes "arrr." I don't care about what happens to Hipster Eggman. And unfortunately, by the end, I didn't really care about Nine, either.
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Nine as a villain
It's hard to criticize the story here without it coming off as a broad condemnation of the tropes at play. The thing is, I like many stories that try to do similar things. I love clashes between heroes and villains that are really just fantastical exaggerations of more personal conflicts. I love stories where a tragic, sympathetic villain lashes out at the world as an expression of the pain they feel, and a compassionate hero just has to get through to them. I eat that shit right up. Undertale is my favorite game ever made. Shit, I love other Sonic stories that do these exact things. And Sonic having to fight an alternate timeline version of Tails also has so much potential for drama!
So I can very easily imagine a version of the show where all this works for me. That just isn't the version we got.
Like I said last time, Nine's motivation is just too sympathetic and understandable for his sudden turn to supervillainy to make any sense. He just wanted to start over somewhere where he can be happy after a childhood filled with bullying and loneliness. Nine betraying Sonic and stealing the Paradox Prism to go make his own world? That tracks! Especially since we don't even know if Nine will still exist if Sonic goes through with his plan to restore his original world! But trying to kill everyone in New Yolk City by tilting the world 90 degrees, intentionally targeting the civilian population because it'll get to Sonic? Nope! Sorry, that's a bridge too far. I don't buy it. He's jaded and antisocial, but he doesn't strike me as cruel. Writing in an excuse about him needing Sonic's energy to fix the Prism does not make this make more sense.
This was really just one of those conflicts where it felt like everyone should stop and talk it out. Instead we got six episodes of fighting before one of Sonic's many, MANY attempts at reasoning with Nine throughout the season finally works. This isn't me pulling some Cinema Sins bullshit where I complain about characters in a work of fiction not always behaving rationally - the real problem is that it's just so damn repetitive waiting for this conflict to resolve. This could have been wrapped up in two or three episodes and instead it takes seven.
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A brief aside about that weird Dorkly-ass Sonic Advance 3 flashback scene hacked together with mismatched sprites where Gemerl happens to be present, presumably just because he's a part of the sprite for the Sunset Hill boss, and seeing him briefly makes me remember the extended cast from the games and how much I wish they had just made a cartoon about them instead of a bunch of stock characters wearing the skin of Sonic's friends, but then Gemerl just explodes with the boss machine at the end while Eggman is shown to get away so I guess Gemerl just dies in this flashback
Yeah that sure happened huh
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The ending
Despite having a final battle that felt like an eternity, Sonic Prime is a show that just kind of... ends. And that ending is weird and haphazard.
The understanding I had was that Sonic's normal world had "shattered" when the Paradox Prism was destroyed, and from those remnants these new worlds were created. This is why they use terms like "Shatterverse" and "Shatterspaces" and why there's shattered glass/crystal/whatever imagery everywhere. This is a broken, fragmented version of the real universe. Right? Right?? Isn't that the entire premise of the show? And therefore, if the universe has been shattered, then fixing it means putting all the shattered pieces back together. Which I would assume means that the Shatterspaces cease to exist.
So, in the ending... Sonic's world seems to just exist as another Shatterspace. Restoring the Paradox Prism doesn't seem to combine the worlds or anything, it just fixes the broken portal to Sonic's world that exists alongside all the others. So... what exactly was the point of all the shattered glass symbolism?
Things only get more confusing as the ending progresses. Shadow brings Sonic through the portal before the draining of Sonic's whatever energy makes him disappear, and they're transported back in time to right before Sonic broke the Paradox Prism. Only Sonic seems to remember what happened (Shadow might remember, but he doesn't say anything), and with the Paradox Prism never shattered, it's unclear if the Shatterspaces exist now.
I'm not particularly hung up on the time loop ending. It's very much in line with all sorts of classic morality tales like A Christmas Carol or It's a Wonderful Life, where the flawed protagonist goes through some kind of magical experience and then returns home with a new appreciation for the people in their life. It's always been pretty obvious that was the type of story they were telling. I'm more bothered by the fact that there's no time whatsoever spent on whether or not the other worlds and the characters in them continue to exist. Sonic seems to act like the worlds will go on without him before he leaves, but it's not like we get an ending scene that shows how the other worlds are doing, so they really truly might as well not exist anymore. Sonic just wraps up the adventure from the first episode when he gets home, and before he can explain what happened from his perspective he's interrupted by a mysterious energy wave from off-screen and it's off to the next adventure.
(Despite this odd cliffhanger ending, the show is extremely over and not coming back. I have to imagine this is just a "the adventures never end" type ending and not a hint that more shit is going on with the Paradox Prism.)
This ending is also a terrible resolution to Nine's whole arc, despite him being the driving force of so much of the show. The way I see it, there are are three possible fates for him:
The Shatterspaces continue existing, and things go as Sonic expects them to go. Nine is allowed to make the Grim into his own little utopia, and everyone else leaves him alone instead of punishing him for all the trouble he caused. Instead of finding love and acceptance so he can heal from a lifetime of bullying and loneliness, Nine is allowed to run away, isolating himself from every other living being in the multiverse, and live alone as the god of an empty world with only his own creations as company. Sonic was his only friend, and he's gone forever now.
The Shatterspaces continue existing, but because of the time travel ending, most of the events of the show never happened. Sonic never helped defeat the Chaos Council, so they still control New Yolk City. Nine is back to living in this dystopian city with no friends. He never met Sonic.
The Shatterspaces have been erased. After fighting so hard for his right to exist as his own person and not just a "wrong" version of Tails, when the timeline is altered, he just... stops existing. Along with almost every other character in the show.
Do I even need to explain why these are all unsatisfying?
Misc. thoughts
I skimmed over this, but a lot of the final season is just spent seeing Sonic's friends bicker with the Chaos Council and then Sonic has to beg them to get along to save the universe. It gets old.
We also never really got an explanation for why the Chaos Council exists. They can't have come from other Shatterspaces because there ARE no other Shatterspaces. If the original Eggman was just split into five guys or time travel was involved or whatever, it never comes up. I can live with this, but it seems like an odd omission for a children's show that's constantly bogged down in technobabble explaining the mechanics of its extremely small and finite multiverse.
I have no idea where Shadow was for the first part of the final battle. I figured Nine must have captured him off-screen after Sonic first left the Grim, but Shadow was just... hanging around until his cue in the script, I guess?
Sonic saying "help a brother up" to Shadow was funny
Hipster Eggman pointing to one of the few nameless extras who tagged along for the final battle and going "Who are you? Seriously, does anyone know who this is?" was the only funny thing he did in the entire show
Mangy Tails randomly pressing buttons on the Chaos Council's generator like a curious animal and managing to improve its output was cute
Rusty Rose randomly realizes that the Birdie in her chest actually isn't being used as a power source, and that the Chaos Council was just... using that to manipulate her, somehow? I don't really know how that works but whatever
The Sonic Advance 3 flashback uses the actual boss music from the game, but they can't use the real Sunset Hill theme because they didn't wanna pay Masato Nakamura for using the Green Hill motif, I guess
To my fellow fans of bad games: did you know that Man of Action wrote the story for the bizarre Square Enix game The Quiet Man? The one where the lengthy FMV cutscenes play out with muffled audio and no subtitles because the protagonist is deaf, so you can't tell what's going on? And you had to do a New Game+ playthrough to actually hear the audio and understand what's going on? The worst-reviewed game of 2018? That one? I only learned that recently and it blew me away
So yeah, that's the end of the show. I didn't like it, and I don't think I liked the show much as a whole. I am far from alone in this sentiment, but the reasons why people dislike the show... those vary a bit.
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The canon conundrum
More than anything else, it seems like most other discourse surrounding this show has been consumed by one talking point:
How can this be canon? Why is it canon?
I want to state very clearly up front that I, too, am a person who's noticed and complained about the inconsistencies with the games in Sonic Prime. Some of the characters are a bit off - or, you know, completely unrecognizable when discussing the writing of some of the AU counterparts. I think it's lame to say Sonic and friends all live in Green Hill and act like that's the entirety of their world. That sort of thing. But if Sega says it's canon to everything else? Sure. Fine. There's weirder shit in the canon.
Really, most of this can be explained away pretty easily. The show was written at a time when Sega was still figuring shit out and there were looser restrictions. Why does Sonic act a little more immature? Probably just because Prime is aiming for a slightly younger audience than the games or the IDW comics. (And also it's, y'know, written by Man of Action, who people have accused of only knowing how to write one kind of protagonist for years.) Why do Sonic and friends live in Green Hill? Because that's the most recognizable location from the games, and the game world doesn't get enough screentime to justify modeling multiple different environments, so they just focus on Green Hill. Why is this considered canon to the games? Because this is the first Sonic cartoon that outright references events from the games as things that have happened to Sonic in the past.
But announcing early on that Prime would be canon certainly let fans' imaginations wander. It was one of the few things we knew about the show before it premiered. People wondered if characters from the games and comics who had never made any appearances in Sonic cartoons might get their time in the spotlight. We wondered if it would tie into the lore or any existing storylines in interesting ways, like the IDW comics do. But above all else, we hoped that its canon status would mean that Sonic Prime would finally be the Sonic cartoon that was faithful to the source material with no catches. We've literally never seen the actual world of the games brought to life in a TV show. Sonic X came the closest, but that still took its liberties. And so hype built for this Canon Sonic Cartoon.
And then it actually came out, and after a brief intro in Green Hill based loosely on the games, it spent most of its running time focusing on things like "what if there was a version of Eggman who was a bratty teen who just wanted to play video games?" The disappointment among fans is understandable. I am disappointed. Look at how much I've bitched about this aggressively mid cartoon.
Some fans, however, came up with an elaborate theory about the series. You see, when asked about the show's place in the game timeline during a live Q&A, Ian Flynn (who only served as a consultant on Sonic Prime and did not write any of it) said this:
"I cannot answer because I know the answer, and you haven't finished watching the show yet."
A couple days later, when answering another question about Prime's place in the timeline and also about a writing discrepancy, he said this:
"As to where it fits on the timeline, I can't speak to it because that would spoil the show to a degree. So you're just gonna have to wait 'til it's done. Towards the other point, I don't know how much I can say, so it's probably better that I not comment. That's a really dissatisfying answer, I know, I'm sorry, but my hands are kinda tied on that one."
I feel the need to quote Ian directly here, because these very basic statements about how he can't talk about behind the scenes shit or anything from unreleased episodes was GREATLY misinterpreted by the fandom. People clung onto Ian's claim that we had to keep watching like a life preserver. Some took it as Ian saying that the ending would explain everything. Finally, we'd have a definitive answer for every little discrepancy and the apparent differences in worldbuilding. An explanation for why Sega and the producers repeatedly insist this show HAS to be canon.
And to these fans, the only explanation that made any sense... would be if the ending of Sonic Prime pulled a Flashpoint.
As this theory explained, the Sonic we were following in Sonic Prime wasn't the Sonic we know from the games and the IDW comics, and likewise the world he comes from isn't really the game world. This is a different Sonic who fights a different Eggman in a world that's literally just Green Hill. It was a hint that something was off all along! But in the end of the series, this Sonic would sacrifice himself to merge all of the Shatter Spaces together and form a brand new world, and that would be the more visually diverse world of the games and comics. According to this theory, Sonic Prime was canon because it was a new origin story for the entire franchise.
I want you to really stop and think about how asinine of an origin story this would be. Really drink this in. The idea that there was another, slightly different version of Sonic who went on a kinda shitty multiverse adventure and then sacrificed himself to create the real Sonic that we've known since 1991. People convinced themselves this made more sense than the simple explanation that a different team of writers got some stuff wrong and Sega didn't make them change it. Interviews where producers talked about drawing on Sonic's "mythology" (ie: they reference the games in the show) were taken very literally - they must be saying that Prime's story is mythological in nature, and that this show would be integral to the games' mythology. Why bother making a show that's canon if it's not going to be crucial to that canon, after all?
The final episodes dropped, and none of this happened. Because of course it didn't. It was all Sherlock fandom-level copium. But fans were left confused by the lack of a grand reveal of where Sonic Prime fits in the timeline, believing they had been promised this, and they turned to Ian for an explanation. Ian's answer:
It doesn't matter, b/c Prime wipes itself out. It's sometime after Advance 3*, but otherwise, it's moot. I didn't want to sour anyone's expectations or investment by spoiling how Prime resolves, that's all. If you enjoyed it, awesome. Savor it. If you didn't, then you can safely ignore it. Simple as that.
* About a trillion people have um, actually'd Ian to point out Orbot and Cubot briefly appear in the show, but if we're really being pedantic here we don't actually know how long before Colors Eggman built Orbot and Cubot, so it wouldn't be fully accurate to say a story featuring Orbot and Cubot couldn't be set before Colors. Either way, a story set anywhere around Colors, or at any point later than that, could still be described as "sometime after Advance 3." Advance 3 is just the most recent game that has specific in-game events referenced in the show. Yes I can feel myself morphing into the nerd emoji before your very eyes
Anyway, this is the latest reason Ian is getting death threats on Twitter. This time it's over a show he barely even had any input on!
I'll cut to the chase. It is truly wild to me that people are getting this heated over canonical inconsistencies in a series as historically inconsistent as Sonic, to the point that they think threatening Ian is justified. The aesthetics of the entire world Sonic inhabits change every other game. Sonic Chronicles may no longer be canon due to the Penders lawsuits, but it was canon at one point, and it took huge liberties with Sonic's world, moving Green Hill off of South Island and reinterpreting Station Square as a tiny outpost in a snowy alpine forest region. Characters' personalities change from writer to writer and based on what Sega wants at the time, with some being WILDLY different across different games. One game Sonic will be stoic and cool, the next he thinks "Baldy McNosehair" is the funniest thing ever. Sega's STILL trying to figure out what Amy's personality is supposed to be. We still don't have the explanation for how the two seemingly contradictory backstories for Blaze can fit together. There have been multiple huge, sweeping retcons, and retcons to those retcons. Sonic Forces claims that Classic Sonic is from an entirely different universe than Modern Sonic, and the plot only makes any sense if that's true - otherwise, Modern Sonic would have already known Eggman was going to beat him and take over the world when he did, because his younger self had already lived through that war. All of that makes no sense in the newly reunified timeline, but Forces is very much still canon.
For fuck's sake, we're talking about the series where Eggman blew up half the moon and then it looked completely normal in every other game after, explained away as "the moon just rotated so we can't see the destroyed side from Earth." This has never, ever, ever been a franchise where everything lines up perfectly with no issues. It's not that serious.
The real core problem with Prime isn't that things don't line up 100% with our current understanding of canon, or that Sonic's characterization means this can't be the real Sonic, or anything like that. The problem, as I've been saying this whole time, is that the story is bad. None of these discrepancies would truly matter if the story was better. They'd just be nitpicks. The fact that Sonic and friends live in Green Hill would be the farthest thing from my mind if the drama was more engaging, if the villains were better, if the jokes were actually funny, if more of the alternate universe counterparts of Sonic's friends had more than one generic character trait each, if the multiverse was more creative and varied, if the final seven episodes of this show didn't devolve into the third act of an MCU movie and then just arbitrarily end, if Nine's character arc actually had a satisfying conclusion instead of ending with either isolation or nonexistence. Maybe we'd be seeing people talk about more than just whether or not it should be considered canon if the writing was any good.
"Canon" is not real, and it sure as hell isn't worth sending people death threats over. It's a storytelling tool. Real human beings decide what does and doesn't go into that canon, or how much they do or don't want to draw on past stories, when creating a new story. Serving that canon is secondary to creating a story where the emotional truth resonates with the audience. And Sonic Prime failed to do that. That is its true failing.
And finally, to close out...
Since people will ask, here are my current ranking of the Sonic TV shows, now that Prime is finished.
Sonic Boom
Sonic SatAM
Sonic X
The Adventures of Sonic the Hedgehog
Sonic Prime
Sonic Underground
Yes, I'd say Boom is my favorite. It's far from my ideal Sonic cartoon, but it gets a lot of points for being as funny as it is. But the top four are all shows I'd say I like, more or less. They all have their pros and cons.
So now, uh... I guess let's hope the live action Knuckles show coming to Paramount+ is better than the underwhelming synopsis of "Knuckles helps deputy sheriff Wade train in the ways of the echidna warrior" would imply? Maybe we'll get lucky?
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minhosimthings · 4 months
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Symphony Smut Series Day 16: Todrick Hall's Both
Lyric: I can make you moist or I can make you fire.
Pairings: Minho × fem!reader × Chan
Warnings: Smut MINORS DNI, oral ( f recieving), poly relationship, dom! Minho, dom!Chan, sub!reader, fingering, double penetration, p in v sex, rough sex, dirty talk, mean dom Minho, edging, orgasm denial, overstimulation, anal sex eyy, dacryphillia
A/N: and it is the second threesome of this series. I love that you guys loved the first threesome so much so I made another one with Minho and Channie, aka my husbands.
THE SYMPHONY SMUT SERIES MASTERLIST
Living with two boyfriends had been a much livelier experience than you would had initially thought. Or maybe perhaps it was because they were Minho and Chan was what made it lively.
They were completely opposite to each other in all aspects. Which especially showed in the bedworks.
Minho was your drug for slavery while Chan was your poison for salvation.
Their duality was what turned you on, they could call you their little princess and give you as much pleasure as you wanted or they could tell you that you're their slut, with a pussy made only for them.
So it was no surprise that when you got mad with one, you went to another.
And on one fine Tuesday evening that's exactly what happened.
"Princess are you alright?" Chan peeked his head around the door, his eyes taking time to adjust to the dim light. His ears were working though, and your sobs broke his heart. He didn't like it when you argued with Minho. He knew both of you were competitive, and competition never lead to much success, it usually led to tears and ignoring.
"If he sent you here-" you hiccuped, looking up at Chan, "Tell him I'm never going to talk to him again."
"You're so adorable." Chan chuckled, leaning into you kiss you, his hands on your hips, "How about a little session hmm? To get your mind off things?"
"What if he hears?"
“Minho has in headphones in” he breathes out, slowly leaning in to kiss you. you meet him halfway, lips colliding against one another as his hand starts to trail down the curve of your waist. He pulls apart for a second, placing a quick peck before he speaks again. “He won't hear what he's missing.”
Chan makes quick work of the pants you had on, tearing them down your thighs as his primal instincts starts to kick in. In seconds, his head is buried in between your thighs, nose pressed against your clit.
“darling-“ he breathes out, absolutely in awe of how delicious you’re going to taste for him right now. “this is…” he trails off, unsure if words could describe how much this means to him.
“Never seen you so speechless before.” You tease, trying not to squirm under his gaze, his eyes locked onto the wet slick pooling at your entrance.
“What can i say?” he presses a kiss just above your clit, eyes darting up to yours. “I like having you all to myself.”
You open your mouth to retort but his tongue catches your throbbing nub first, sending a jolt throughout your body. After that first taste, he’s gone. completely lost in you and the frenzy begins.
He tosses your leg over his shoulder, angling himself to get deeper. His tongue delves back into you and you feel him everywhere. It’s enough to arch your back, your fingers clawing in his hair. He grunts approvingly into your messy cunt, licking up every little speck of drink he can get his mouth on.
Each precise stroke of his tongue has you unraveling in his hold, undoubtedly gushing more of your essence on his eagerly awaiting mouth. He was practically moaning now, the vibrations shooting throughout your body. He breaks for air for a moment, licking his lips and looking up to you.
It’s all too much and you’d be lying if you said his enthusiasm wasn’t the driving force towards your release. you’d never been with a man so desperate for your taste, especially when you were in this state.
Your back starts to arch off the bedroll, reeling in the pleasure that’s about to snap. The coil shatters into a thousand pieces as you dig your fingers into his curls once again. You don’t know if you were loud or not, you don’t know anything as a white veil had taken up your vision, pleasure coursing through your veins as your blood pounds within your ears.
It takes a few moments for you to come back down to reality, your head swimming in the pleasure Chan hurtled you in. You watch as he places one last kiss against your cunt, slowly backing up on his haunches.
"Having fun there aren't you?"
Oh fucking no
You snapped your head up to look at the doorway, where your eyes fell on the image of Minho, casually leaning against the door, shit eating smirk on his face.
"Want a taste? Im done." Chan got off the bed and plopped onto the nearby armchair.
"So the plan did work." Minho chuckled, taking off his jacket, and striding across the room, looking at your confused figure with bedroom plan.
"What fucking plan?" You spat with venom in your tone, making Minho click his tongue together.
"Chan offered to help me after our little 'argument'." Minho dipped the bed down with his weight, "And let's just say, now that you're all riled like our pretty princess-" he took off his belt, "You won't refuse my fingers will you?"
"Fuck you Lee Minho, and you too." You directed the last part at Chan who merely shrugged his shoulders, and lounged on the armchair.
You gasped as Minho cupped your pussy, involuntarily clenching around nothing and feeling a gush of wetness spilling as your body reacted in anticipation.
"Aww did you miss me that much?
“Use your fingers properly and find out.”
Your taunt didn’t go amiss. “Not even a sorry?,” he said, arrogance dripping from each word.
Much to your frustration, your hips rolled into his touch, silently wishing he would stop avoiding your swell. Minho's hands worked quickly to unbutton your shirt. You knew all too well that you’d feel his cock hard enough if he was already this eager to expose your breasts. Your nipples quickly hardened and you rolled your hips once more, causing one of his fingers to slide inside.
It was the vicious clenches around his finger that snapped him out of it and his lustful eyes met yours. “Give me one reason not to slide out of you.”
"Chan's cock is getting hard and you don't want to disappoint him do you? He is the favourite in this relationship right?" You grumbled, feeling Minho's finger slide across your pussy. You tried your hardest not to moan.
Minho threw a glance at Chan who was chuckling behind his fingers, his cock almost bursting through his trousers.
A second finger slithered past your tightness and he brought his lips to your ear. “you're right. He is my favourite, but he doesn't have a pussy like yours does he?”
Your whimpers increased in intensity and you looped your arms around his neck for added support, lifting one leg to wrap around his waist. The new angle allowed him to go knuckle-deep and you shuddered as his strained erection pressed against his hand nudged him even deeper.
He groaned first, clearly enjoying the newfound friction, and you clenched hard at how his face twisted in pleasure. His lips brushed against yours this time, dragging his fingers back as you clenched desperately around him.
“What happened darling?” he taunted as you tried to have him back inside, your hips following his retreating hand. “That desperate for my fingers?”
You whined in response, frustrated that you were now faced with an agonising emptiness.
“Look princess” he continued, sliding one finger back inside, but not quite deep enough to fully satisfy you. “I can be quite greedy when I want to.”
“But what?” you groaned, trying to have him sink deeper to no avail.
He placed a kiss to the corner of your mouth before pulling back. “But I am willing to share you with Chan for a bit.”
The moans and whimpers and gasps that slipped from you were being effectively muffled, the third finger nudged at your entrance and you could only roll your eyes shut as your bit hard around your tongue to not give him the satisfaction.
“Surely you can take one more,” he teased, his voice low. It slid inside painfully slowly and the stretch had you gasping.
The combination of being so full of him and how he allowed you to rub your clit on his palm was too much. The lewd sounds were almost too obscene and you gripped both hands together, holding onto the remainder of the sanity you had left.
For a brief moment, he allowed you to ride three of his fingers, giving you the illusion that you’d reach your peak easily and rather quickly. His generosity came to an abrupt halt just as you felt the familiar coil down below becoming more and more overwhelming, your body quickly reaching the point of no return.
And then you felt a painful emptiness as he pulled out from you at once.
He chuckled when you groaned in sheer frustration, looking over at Chan and giving him a smirk too.
Of course. He was a sadist.
“Now, now,” he tutted, caressing your flushed cheek with his thumb, a single tear streaming down your face. “You didn’t think I would be that generous , did you?” 
"Fuck you both so much."
"Well if you say so doll." Chan shrugged his shoulders again and got up, getting onto the bed as well.
"Only if she stays silent though." Minho chuckles like a madman. Fuck you, you thought, but you couldn't get the words out.
Chan removes his underwear, and you suddenly don’t feel so sure that you can take anymore. “i-I” you can’t get the words out as a moan slips from your lips, when he enters you in one thrust. Your head falls back and your eyes close at the feeling of his thick length inside you. Had he always been this big?
“Fuck you're tight” Chan groans. “oh fuck” you breath feeling too full and overwhelmed already, and he hasn’t even moved yet. “How does she feel?" Minho asks Chan “So. Fucking. Tight” he groan as he slowly starts moving.
“oh fuuuck” you moan, unable to stay silent. Your hands search for something to hold on to, and they reach Chan's dark curls “Does it feel good darling?” Minho whispers in your ear as he stretches your ass with his fingers.
“f-fuck y-yes” you breath out as Chan picks up speed. “hmm you like Chan fucking you while I stretch your ass?”. “Yes” you moan again. “Good girl, look how well you’re taking us”
Chan groans as he picks up speed, hitting that one spot inside you that makes you scream. Minho’s hand clamps over your mouth again “what did I say about keeping silent darling?” he says mockingly.
“Fuck you're ready to come again aren’t you, I feel you fucking clamping on my fingers” he groans. “please” you beg them, but the sound is muffles by Minho's hand. “what was that darling….you want it harder and…deeper?” Minho says mockingly. “I think she said she wants it harder Chan.” he says. you try to shake your head, it’s already to much but Chan picks up speed even faster and Minho pushes a third finger in your ass. You come so hard you see stars. But both men don’t stop. No, they continue their ungodly rhythm.
You close your eyes enjoying the feeling. Your eyes shoot open when you feel Chan’s cock move through your folds. "Channie..” you gasps as he puts himself against your entrance.
“you wanted us both, so you get us both” he says darkly before he slowly thrusts inside you. Your vision blurs at the overwhelming fullness you feel. “fuck I can fucking feel you” Minho mutters to Chan.
“fuck” Chan groans in response. You already feeling another orgasm rise. “please…please” you have no idea what you’re begging for, the stimulation overwhelming you. “cum for us” Chan orders as he starts moving in and out of you again. You’re so close, you’re almost there.
Minho lifts you up and you wrap your legs around him, kissing him deeply. “No, I can’t. please” you beg. “You can do one more darling”
“hmmhhmmm f-ffuuuckk” you have no idea where the sounds are coming from that leave you, and who might hear. But you’re too far gone to care. You only feel them. Chan and Minho as they thrust in and out of your holes in a brutal pace.
“oh fuck…FUCK!” you scream out as yet another orgasm breaks you. you feel Chan and Minho come inside you almost at the same time. You have no idea if your still coming or if it’s another orgasm.
The room is filled with sounds of heavy panting as Minho and Chan slowly pull out, leaving you empty and exhausted.
"Princess?" Minho asks uncertainly, "you alright?"
"I'll forgive you if both of you do that everyday." You breathe out, being wrapped safely into Chan's arms.
"Well if you say so." Minho chuckled and smirked at Chan, who smiled back and wraped both of you tighter into a cocoon of comfort and horniness.
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Taglist: @ramenoil @mynameisniya150 @demigodmahash + whoever wants to be tagged, send an ask my way!
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inbarfink · 7 months
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I wanna go a bit full-circle with a post I did right after the first two episodes of ‘Fionna and Cake’ dropped - about the nature of Simon Petrikov’s sense of identity. And more specifically, with how his titular episode centered around the ways his deteriorating mental state and the new context of his life has really torn away at everything Simon used to define himself as. 
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Because Simon Petrikov used to be a lot of things. He was an antiquarian and an archaeologist, a man deeply fascinated by the concept of Magic and the supernatural in a mundane world that ridiculed him for it at every turn, an adventurous outdoorsman, and a deeply caring and fatherly man.
But when we meet him at the start of “Simon Petrikov”, he has lost all the passion for his job - especially as he now has to perform it basically as a living museum exhibit. He is now stuck in a word filled with Magic and feels like the only mundane thing in it. He is unable to handle the sort of dangers you would find in an Oooian camping trip. And he made a little girl cry.
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And there’s one more thing Simon used to define his identity as, and that is the one he ended up clinging to more than anything in that one episode, even though it was just as decimated as every other facet of his old identity, and the one that ends up jump-starting the plot. And that is being Betty Grof’s other half.
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So now, looking back at this second episode at the end of the series, it really feels appropriate that throughout his adventures Simon managed to rediscover these old elements of his personality, that all these aspects of his identity managed to get reinforced and validated…
For most of the series he was basically doing his old job again - travelling around, trying to discover and uncover an ancient artifact.
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And you can really see how he regains his excitement for research. 
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And by the end of the show, he ends up really rediscovering a passion for his work (and also realized that this Living Museum Exhibit set-up is not conducive for his mental health, which is also a step in the right direction).
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And he gets to show-off his understanding of Magic
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And by the end of the show, Simon doesn’t feel like such an outsider in Ooo anymore. Probably helped by the fact his cellphone connection with Fionna gives him that little connection to 'normalcy' he was missing.
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And he got to go on an adventure again, and handle it better than his Camping Trip Funtimes with Finn. Probably because he was around Adventure Novices Fionna and Cake, who were a bit closer to his ‘level’ than a crazy-seasoned adventurer like Finn
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And by the end of the show, you can see him seeking thrills on his own terms.
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And his ability be kind and fatherly and comforting was validated both by his constant interactions with Fionna - who isn’t a child, but is still a younger person who often needed his emotional support
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And also by a very grim reminder of how truly important he was for Marcy.
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And by the end of the show, he has managed to make a connection with Astrid, despite them starting out on such a sour note.
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But 'Simon Petrikov, Betty Grof's beloved'? That aspect of himself did get some validation, via him getting to share their love story with Fionna
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But it was not entirely validated, was it? That was the one aspect of himself that was actually challenged - the one part of himself was clinging to like a lifeline when he felt like he was falling apart, that was the one part of himself that he had to both recontextualize in his head and eventually realized he had to finally let go off…
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aroaceleovaldez · 8 months
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actually one of the details that frustrates me the most from TSATS, relating to how much the book completely erases or absolutely bastardizes neurodivergence, is how Percy's cameo is characterized.
One of the consistent things aspects of Percy's relationship with the education system throughout the series is that Percy is smart, and he does try in school, but he has a learning disability. The only reason he gets bad grades is because he has a learning disability and the way the modern american education system is built is inherently at odds with that. In the first series we actually have explicit references to Percy doing better in school when he's in environments that actually accommodate for his disabilities! It's not that he's not trying, he's disabled.
So it is so disheartening and horrible to see Percy characterized in TSATS as just being disinterested in school, and his failing grades being made a joke about implying him ditching classes because he just doesn't care. That's the number one ableist thing ADHD/dyslexic students hear! Implying that they "just don't care" and dismissing their disabilities. It is so horrible to see that joke being made in the Percy Jackson series of all franchises. Especially when you add that on to the rest of the quite frankly ableist characterizations in TSATS and how much the book erases Nico and Will's disabilities/neurodivergence.
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exilepurify · 1 year
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I see people everywhere all the time raving about how flawless and satisfying MP100’s ending episode is, and I agree. But sometimes it kinda takes me aback exactly how well-planned the entire story is, especially because it began as a webcomic.
The individual relationships Mob has with the “Big Three” (Reigen, Teru, Ritsu) each follow their respective themes from start to finish, with the application of each theme to the story changing as it progresses but the major idea remaining the same—until the final arc, which is broadly split into three episodes, each featuring the culmination of the respective relationship.
Teru’s theme is strength, Ritsu’s theme is communication, and Reigen’s is acceptance.
More under the cut bc this got a little long.
We find each of the Big Three struggling with these concepts throughout the series. Teru grapples with what it really means to be strong, Ritsu struggles to open up and communicate his feelings with his brother (garnering resentment), and Reigen refuses to accept the self he hates, opting instead to build his career and his relationships out of lies to hide this despised identity.
These are also, coincidentally, things Mob is struggling most with. Mob’s terrified of his strength, he’s unwilling to open up about his guilt and self-hatred, and he outright refuses to accept his powers and his repressed self on many occasions throughout the story.
But the finale is structured to not only perfectly demonstrate and polish off the ways in which the Big Three have overcome the struggles of their themes, but also how that growth powers their love for Mob, subsequently helping Mob achieve the same growth.
In S3E10, Teru finds true strength by enduring pain and humiliation in order to save people and forge connections with others. Not only does he rescue Shigeo’s victims, but it’s his love and strength that allows him to push through Shigeo’s powers at any cost to wake Mob up internally and begin the process of ending the disaster. It’s because of Teru that Mob wakes up and realizes what he’s done, in much the same way that Mob helped Teru realize what he’d done at Black Vinegar.
In S3E11, Ritsu manages to communicate his unfiltered feelings to Shigeo for the first time and ends the tentative, repressive resentment boiling between them (both Ritsu and Mob harboring resentment for “Shigeo” specifically). He talks about how he hates this destructive side of him and how scared he’s always been, but this honest communication is what allows Ritsu to see the situation clearly beyond the scope of his repressed resentment and accept Shigeo as a part of his brother that’s not to be feared. It also opens the door from Shigeo’s end, finally knowing how his brother feels and not having to tiptoe ineffectually around the issue. Ritsu’s open and honest communication allows Mob to locate where Shigeo is being held in his psyche, opening up a channel of communication between him and his repressed self. This communication is what allows Mob to be confronted with the truth of the disaster he’s created, and this ability to talk it out with himself is crucial to ending his suffering.
Finally, in S3E12, the finale, Reigen is confronted with the ways in which he’s inadvertently worsened Mob’s condition with his inability to be genuine and makes the decision to drop the smoke screen and come clean about everything. The fear and gravity of it brings him to tears, but he bares his true self to Mob, admitting the things he’s done wrong and confronting the side of himself that he hates. He has to come to terms with this aspect of himself, even if it hurts him, and even if it hurts Mob. Self-acceptance is, in this moment, non-negotiable. Seeing Reigen’s true self in its entirety for the first time leads Mob to realize that everyone has flaws and a darker side to them, and it doesn’t make you a bad person to mess up, but you have to embrace it all unconditionally and own up to it honestly and without hesitation. Reigen, and everyone else, saw this ugly and angry side of Mob and continued to love him unhesitatingly and unfalteringly. And so, Reigen’s acceptance inspires Mob to accept Shigeo, ending the disaster and finally making Shigeo whole and happy again, unfettered.
It’s honestly fucking masterful. It makes my chest tight. ONE is genuinely something else.
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venussaidso · 4 months
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Vedic Astrology Observation (based on shows/films part 4)
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I'm watching the series Archer and I guessed three main nakshatra archetypes correct! This includes Uttarabhadrapada, which is so potent in the two of the most prominent female characters in the main character's life.
First of all, this series is about espionage. So immediately, I know there are moon nakshatras. The main character, Sterling Archer, embodies lunar qualities: being a secret agent, going undercover, using disguises/aliases, trickery etc. etc.
Another hint that supported my theory of the character being lunar is how the fandom literally compare his character design to Henry Cavill who is a Shravana Moon.
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As Henry Cavill is also famous for being in the espionage, spy film The Man From U.N.C.L.E.
Another hint is Archer being a huge fanboy for Burt Reynolds who he inspires after or quotes during his epic, spy missions. And Burt Reynolds is a Hasta Moon, Rohini Ascendant.
Burt Reynolds even guest starred in an episode as himself and we see our main character fanboying throughout.
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Burt Reynolds is famous for his spy film Operation CIA in which he plays a CIA agent who is undercover as a university professor.
The character Sterling Archer has to be voiced by a moon nakshatra native, right?
Finally, I went out to find the voice actor and calculated his vedic chart. Thank goodness the guy has his birthtime available; and accurate, at that. And I guessed right!!! 😭👇🏼
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Just like Henry Cavill, also Shravana, who was a highly voted candidate in the fandom to play the live-action version.
But, in the very beginning of watching this series, the character Sterling immediately struck me as a Sun nakshatra native. His inability to commit to a relationship or anything; having zero devotion to anything.
He improvises everything; not much of a planner which makes him come off more carefree. He is missing this cold, lunar quality to him of being a strategist or even just being highly intelligent. I've always believed that Sun men are quite... bimbos, to say the least. Claire Nakti explored this in her Sun dominant men video more articulately and respectfully; and Archer embodies this energy too.
So, in the beginning episodes of the series, I believed he was mainly Sun dominant before witnessing other aspects of the character expanding.
I also noticed that he is emotionally volatile and loud and extremely comedic, which is not really Solar or Lunar, but Rahuvian. And guess what? The voice actor is an Ardra Moon, which makes a lot of sense.
But, I was right, again, to assume him being a Sun nakshatra. Because the voice actor also has Krittika Sun. Ha!
The reason why his Sun nakshatra was more blatantly obvious in the beginning for me was because of his relationship with his ex girlfriend, Lana!
Lana, whose character design is quite literally inspired by Rihanna's physique.
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Rihanna, who I personally believe is an Uttarabhadrapada Ascendant, as her birthtime is rated C (unlikely to be accurate). And even if you don't think she's Uttarabhadrapada, fine, but the character Lana is.
She is the Saturn nakshatra archetype.
She's very kickass, warrior-like and has a masculine edge— which are the type of characters usually played by Saturnians/Uttarabhadrapadas.
I immediately noticed with how she butts heads with Archer. Uttarabhadrapada is a nakshatra in which its women are known for emasculating other male archetypes/even going head to head with men ruled by fiery-hot planets such as the Sun. Their chemistry in the series is the epitome of the Saturn woman x Sun man pairing.
Sun and Saturn are literally mortal enemies.
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But people with this planetary rulership tend to be intrigued by each other. It seems to be very similar to having an intense square synastry with someone, in my opinion, which might add sexual/romantic tension more often than not.
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Archer's mother is another important female figure in his life who is also Uttarabhadrapada.
She's a hardened woman who is in charge of a spy agency, a masculine job, and she acts or looks very similar to characters such as 1996's Cruella Deville or Miranda Priestly (both also played by Saturn nakshatras; both characters' hair are pale white).
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Malory Archer quite literally ruined her son's life since he was born; always emasculating him even in his adult life. She's had a very cold, (Saturn) oppressive nature towards him since he was young. Saturn nakshatras are either known to humiliate its natives, or natives under this nakshatra lord will further humiliate/abuse others into their cold grip.
A trope I've seen often with this nakshatra, which makes sense if you think of them being the literal ice dragon.
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I immediately noticed that she is Uttarabhadrapada not just from her masculine, commanding role in the series— but from the outfits she wears in every episode. She's always wearing cold colours, especially powder blue.
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Uttarabhadrapada characters almost always have something significant that is coloured blue, which you'll always associate with the character; as Claire Nakti brilliantly pointed out in her Uttarabhadrapada video. And that's how I knew.
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And her relationship with Lana, who is also very Uttarabhadrapada coded, is interesting. The same way Sun men tend to respect each other and always find each other from across the room, Saturn women always have a quiet air of respect for each other's strength.
The first time Malory met Lana, she pointed a gun to her head and Lana stubbornly stood her ground. It was like Malory immediately recognized herself in Lana. She was so impressed by her that she hired her to work at her agency as a top spy, just like that.
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I was so certain that they were Uttarabhadrapadas and finally had the courage to check their charts AND I WAS RIGHT! Both voice actors are Uttarabhadrapadas!!
Their dynamic features this very Ascendant-Moon synastry — I definitely couldn't have guessed that one. This synastry quite literally demonstrates seeing yourself (Moon) in someone else (the Ascendent person). I've been very into studying synastries lately and it's always interesting how it plays out.
Anyway, now it makes sense why Sterling has a connection with Lana. Even though Lana isn't half as worse as Malory, I've always noticed their similarities. Like Lana, Malory used to be a kickass, spy lady before Sterling was born. They both have very sharp, stern personalities and are frequently annoyed by Sterling's existence. And in Sterling's case, it is true that you'll subconsciously seek out traits in a partner that are similar to your parent's.
Also, Sterling's unhealthy relationship with women & sex (unsuccessfully) fills up the empty hole inside of him that was supposed to be nourished by his mother's love as a child. This makes him fearful of intimacy and closeness, which is common with Sun nakshatra natives.
Malory's neglect is still a running gag in the series — she's emotionally hardened which is a prominent theme for Uttarabhadrapada (especially for the female natives). Being the middle nakshatra in the Pisces segment, it truly is the only Pisces that can struggle with intimacy, vulnerability or melancholic fluff. Which makes sense as Saturn is there. Luckily in Revati, there is more freedom and unrestrained expansion. There is a reason why Venus exalts in 27° of Pisces, where Revati lies. Revati is everything love and philosophical. Uttarabhadrapada isn't always comfortable expressing sentimentality, as they tend to be very self-restraint or outwardly hardened.
Anyway. I'm not done with the characters. I'll make a part 2 once I have the energy.
Ugh I'm sooo good at guessing nakshatras! LMAOO 😭
Especially moon nakshatras. I'm still so intrigued by moon men.
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snixxlixx · 2 months
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thinking about percy and annabeth's different relationships with the concept of choice, and how perfectly they compliment each other
(spoilers for the percy jackson & the olympians book series and season one of the tv show below)
annabeth struggles throughout the series with making choices; when the sirens show her the idealized world her hubris makes her believe she can build, it's one where doesn't have to choose between her father's world and her mother's, or between luke's side and her own. this comes up again when janus asks her to make a choice in the labyrinth, and many more times as she wrestles with the decision to fully give up on luke or not. choice is something that feels daunting and foreign for annabeth, who has been burdened with the knowledge of the great prophecy and the consequences of fate since she was ten years old. i LOVE that the show subtly introduces this aspect of annabeth's character so early, with the scene in the convenience store where she takes every flavor of candy instead of choosing one, and her being the one to witness the string of fate being cut.
percy, on the other hand, embraces the concept of choice and actively makes choices, over and over, even when prophecies and authority figures and the rules of the godly world seem to indicate that he can't. i also LOVE how prominent they make this aspect of his character in the show; he immediately questions the idea of fate being certain and rigid when he learns about the thread being cut, adamantly stating that the choices he makes are important and can change the outcome of what's going to happen. he defiantly chooses his mother over everything in the godly world, and even tries to convince luke that he can still make the right choice after the betrayal.
their relationships with choice contrast in such a beautiful way, and it makes the end of the series all the more impactful. the final line of the prophecy requires them to make a choice together: to save olympus, annabeth must make the choice to let go of luke, and the idealized family she wished for, by telling percy to give the knife to luke. percy then has to make the same choice, the hardest choice he's ever had to make, by giving luke the knife.
in the end, annabeth, who has struggled the entire series to make difficult choices, is finally able to overcome it because percy is there to support her. and percy, who has made difficult choices throughout the series but has to make the hardest one, the one that determines the fate of the world, is able to do it because annabeth is there to support him.
all along, the two of them were fated to make a choice together, and it was the unwavering trust in one another that they'd developed over four years that allowed them to make the right one.
oh, the soulmates of it all.
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turtleblogatlast · 1 month
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Here’s a thought-
When Splinter says Leo’s the leader at the end of Season 2…pretty sure he was joking.
After so many high stakes and high emotions, he (a bit cluelessly) makes a joke to add some levity, just to make things a bit easier for he and his sons to digest everything that happened. It was a lot that happened, so it makes sense that Splinter wants to make things that much softer for everyone.
But- making a joke like that, after everything they all just went through…I can definitely see how the events of the movie pave out in response.
For example, by joking about Leo in particular having the responsibility of a leader, that puts him directly in the sight of Raph’s building anxieties. Because after everything, it’s clear that Raph really started taking the hero name seriously to the point that he started undermining his own fun and childhood in the process. So in the eyes of a Raph who is so worried about what could happen if they’re not prepared again, Leo in particular kind of stands almost as a point of danger in that aspect.
And with the joke of Leo “leading” in any capacity ringing out over them, it’s easy to blame Leo and Leo alone whenever he goes and goofs off with Mikey and Donnie. I think as well that the concept of a leader being spoken after the Shredder just pushes more weight on Raph’s shoulders and makes him realize how much goofing off they did before when they should have been better heroes (despite them all just being kids...)
Raph knows his brothers are good, he knows and has pride in them and himself in turn, but it terrifies him to know that they won’t be ready for the next big threat, and Leo directly going against this caution even more than usual just pushes Raph to want to try more.
As for Leo- keep in mind what happened all throughout “Many Unhappy Returns.” Keep in mind what happened all throughout the series in general. In the former, Splinter more than once points out how he would rather have his other sons with him than Leo, especially because they “would take this seriously”…even though Leo was taking it seriously. (Not that Splinter should be expected to read what Leo was doing when Leo wasn’t making his plans clear, but that wording sticks with kids.) Even after Leo’s plan pulled through, Raph’s the one who spoke in trust of Leo, not Splinter.
As for what happens in the series in general…well, we see Leo mess up a lot, apologize a lot, get his brothers out of messes a lot, and even when he does well or is responsible it’s either glossed over or still seen as goofing off (no I will never be over that moment where Leo almost got Gus’s tags and got screwed over out of pure bad luck.)
So imagine hearing a joke like that as Leo, who for a good chunk of especially the start of the series has been a lowkey voice of reason. The idea that Leo being responsible for the team is nothing but a joke…? It’s understandable that it could feel like a blow, that it could push him to want to try less.
Especially after everything they just went through.
They’re heroes. | They’re kids.
Why shouldn’t they care? | Why should they care?
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maychorian · 1 month
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Found Family Anime Recs
I recently reblogged a list of found family anime recs and was a bit surprised by how many reblogs and likes it got. I had really reblogged it just so I can find it later to watch the shows I hadn't already seen on the list, but apparently I have a lot of followers who are interested in this topic! Well, I've watched a lot of anime, so here are ten found family anime shows that I absolutely love. These are in no particular order.
Buddy Daddies
This show is similar enough to Spy X Family that you might be tempted to call it a rip-off. It's really quite different though. There's a lot less comedy (though there's still SOME comedy) and a lot more healing from past trauma. The animation is gorgeous, and the relationships really tug at my heart. It's more realistic than Spy X Family, in some ways, though it's still pretty ridiculous. The melodrama in the last couple of episodes did annoy me a bit, but it's still a very satisfying show. It's like a fanfiction I would write, which is really the highest recommendation I can give, haha, because that means it's exactly the kind of story I would like. 
2. Samurai Champloo
This show was made by much of the same team that created Cowboy Bebop, but for some reason it never got the same cult status, which is really too bad. I love Cowboy Bebop, but I love Samurai Champloo more. It's about two ronin and a teenage girl traveling through Edo-era Japan to find someone the girl is looking for. Throughout the series, the three form a very strong bond, despite all of their communication difficulties and past traumas. I've rewatched this show probably more than any other anime. It's brutal at times, but so very satisfying.
3. Natsume Yuujin-cho
Natsume lost his parents as a young child and was passed around from relative to relative, most of whom couldn't deal with him because his ability to see yokai (Japanese folk spirits) made him a freak in their eyes. As the series starts, he's finally taken in by an older couple in a rural village who actually want him, and he's finally able to start forming connections with other people and find a support system with his new caretakers, his peers, and the yokai he tries to help. It's a very sweet, sad series, much more sentimental than the first two entries on this list, but a very soothing and lovely watch when you are in need of some relaxation. Warning, though, the flashbacks to Natsume's past families can be truly gutwrenching. He was not treated well for a very long time, and it's hard to stomach.
4. Barakamon
Handa is a calligrapher who gets essentially exiled to a remote island after causing problems on purpose. He has a hard time connecting with people and is struggling with his art. Over the course of the story, he forms relationships with his neighbors, especially an adorable child with possibly the best child voice-acting I've ever heard, and slowly rediscovers his joy in creation again. It's cute and funny and beautiful, and it makes me want to live on a remote Japanese island.
5. My Roommate Is a Cat
Subaru is a young novelist who recently lost his parents, who were pretty much his only connection to humanity. While trying to recover from this massive loss, he adopts a stray cat who quickly becomes the most important creature in his life. Through the cat, he begins to form relationships with other people, as well. The show is unique in that the first half of each episode is from the human's POV and the second half is from the cat's POV. It's a very lovely and soothing show. Pets are family, too!
6. Haikyuu
Haikyuu was the show that opened my eyes to the aspect of found family in sports anime. I know a lot of tumblr enjoys Haikyuu for the shipping, but to me it's more satisfying to view it through the lens of found family. Each team is essentially their own found family, in their own unique way, and the relationships are particularly realistic and well-depicted by this mangaka. I love Tanaka being a big brother to the first years, Kuroo and Kenma's mutual protectiveness and support, all of it. 
7. Kuroko no Basuke
This is the silly basketball show, and in my opinion it's not as good as Haikyuu, but I love the relationships here as well. Especially between Kuroko and Kagami, of course. Their mutual protectiveness is just chef's kiss. But the whole Seirin team is really great. I love them so much. The teamy goodness is what makes the silliness watchable for me.
8. One Piece
What is there to say about One Piece? This is, like, the ultimate found family show. All of the pirate crews with any kind of goodness at their core are found families, but especially the Strawhats. Luffy is just going around looking at people and declaring, "Okay, you're in my family (on my crew) now." If you've never watched One Piece before, I'm going to make an unorthodox recommendation and suggest you watch the live action Netflix adaption first. It does a really good job of capturing the feel and aesthetic and just pure loveliness of this story in a much more compact and approachable way than the anime. However, if you like it, I do recommend that you watch the anime from the beginning, because there is a lot of expansion on the themes there, and the characterization is slightly different. Usopp in particular kinda got shorted in the live action, so you'll understand him a lot more if you watch his introduction arc in the anime. But honestly both versions are great. I'm on my third rewatch of the live action version already, and I will watch and rewatch the anime until I die, probably. One of my favorite stories of all time.
9. The Weakest Tamer Began a Journey to Pick Up Trash
I found this one slightly annoying in how it was obviously carefully designed to tug at my heartstrings, but it's working, so I don't have much right to complain. It's about a little kid driven out of her home who gradually gathers a found family of both monsters she tames and adult adventurers and guardsmen who take one look at this lonely child and go, "Well, guess I have a baby now." The isekai element is very lowkey, in that she basically just has a voice in her head giving her advice, and I like that it's about fighting local corruption instead of a demon army or what have you. I want more shows like this and less shows like every other generic isekai, haha.
10. Dungeon Meshi
This show is blowing up tumblr right now, so you've probably already seen it a billion times, but I'm going to make one more appeal for you to watch/read this story. It is so, so so good. And in my opinion, it is much MUCH more about family, both born and found, than it is about shipping. I could write a whole essay about Marcille and Falin's relationship that has nothing to do with romance, as I could for any other two (or three or four) characters in the main party, plus those outside. There is a LOT going on. I've been playing RPGs and LARPs for twenty years, and one reason I love the hobby so much is for the joy of creating found families with my best friends in new and different worlds, over and over again. This is the first piece of fiction I've found that really captures that particular aspect of party-based fantasy stories, the relationships that form and grow, the tight-knit bonds that keep everyone moving forward despite the monsters you must face (and consume). 
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agendabymooner · 10 months
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mamma mia (again) ! daniel r. x ofc (måneskin member! ofc)
“they ask me why i’m so hot, ‘cause i’m italiano.”
summary: a series of video clips, but it’s only just danny ric being in love with a certain lester alessandro.
content warning: hint or two of suggestive comments (nothing detailed or graphic), use of explicit language, filler blurb or something, danny being a simp for few videos straight (“have my kids” type beat), lester being an etsy and pinterest enthusiast, literally posted this blurb from my phone so they’re crazy about their image limits 😩
note: THANK YOU ALL SO MUCH FOR THE 105 FOLLOWERS?! UHM? seriously, i’ve never been so happy. i honestly only started posting these because i have them ingrained in my brain and won’t let go until i write or make something. just indulging my imagination you know? enjoy xx
masterlist
𝐘𝐎𝐔𝐓𝐔𝐁𝐄 𝐏𝐋𝐀𝐘𝐋𝐈𝐒𝐓: 𝐃𝐀𝐍𝐍𝐘 𝐑𝐈𝐂 𝐈𝐒 𝐀 𝐒𝐈𝐌𝐏
【VIDEO ONE — daniel ricciardo is a gatekeeper】
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[1st image: yeah, i dunno. everyone just found out that i made it official with my girlfriend and i’m pretty sure i just saw lando weeping in his room. max was the second to react to it and i’m so sure he recoiled. he did say that he didn't want to know what happened in imola few months ago.]
[2nd: interviewer: what happened in imola few months ago? daniel: *chuckles* wouldn’t you like to know - nah, i’m messing about. nothing happened in imola besides from me retiring to my bed early. i think we were both drunk when i posted that photo and i know it looks lewd but there's no way we could've done anything questionable.]
[3rd: d: but yeah. we didn't really want to catch that much attention until maybe i don't know... when we're married or something *chuckles* i: keep it a secret until the wedding? d: yeah. but charles, the absolute fool, posted videos during the concert with me in the background. It would've been real nice if no one caught onto it until we had a mini ric running and racing, you know? just to wreak havoc.]
【VIDEO TWO — daniel ricciardo talks about lester’s love language in his gq video】
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[1st: i got this journal from lori. it has my initials "DR" on it for daniel ricciardo*laughs* it's one of those many first gifts that i’ve gotten from her throughout our first few months of dating. her love language isn't just shitting on my life -she has every single aspect of love language within her and this is one of them.]
[2nd: when she gave this to me, all she said was "you can write out your thoughts if you can't let them out through your mouth. *giggles* "she clearly had her thoughts sorted out that time especially when she showed me a page with an embossed phrase or nickname, "tasso di miele" - it means honey badger. she apparently bought the custom embosser from etsy and almost fought tooth and nail just to get it in time. *laughs even more* i love her so much, i honestly wanted to cry that day.]
[3rd: lori actually has a laptop with *laughs* itunes on it and she still got some playlists from 2010-2014? yeah. she’s put a lot of old taylor swift songs in my ipod during the christmas break. my favourite album right now is speak now. she loves red.]
【VIDEO THREE — lester hates ashy hands confirmed】
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[1st: daniel: i think i should just cover my hands with gloves all the time. lando: that literally has nothing to do with anything that we're about to do. d: lori tells me that my hands are rough whenever she holds them.]
[2nd: l: or you know... you can just use a hand lotion all the time because your hands dry up real fast? d: ah that's true. i wonder if that's why lori just casually put a bottle of hand cream on my travel bag. the thing smells nice though. it’s chamomile.]
【VIDEO FOUR — it’s okay to spoil your partner; even if it’s an accent chair from her pinterest board】
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[1st: d: lori just sent me a picture of an armchair from ikea. l: why was she randomly in ikea, by the way? I saw the text. d: window shopping. but anyway, she saw this armchair that she had on her pinterest board. she asked "pretty or no?" with the green velvet chair. l: what did you tell her?]
[2nd: word to word? I texted her "LOL you should see the accent chair I've gotten you for our flat in monaco." l: are you serious? *laughs* d: she wouldn't tell me what she wanted for her birthday. I only got a brief idea when she left her phone in my pocket once and gave me a free access to her pinterest boards.]
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inbarfink · 1 month
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Okay, I’ve been considering it for quite a bit and I think that if Tumblr existed in Japanifornia… most of us would probably not be aware of the series’ main characters.
Like, lawyers just don’t tend to be high-profile publicly-known figures. Even within True Crime communities or the coverage of high-public-interest cases, people don’t tend to focus on the lawyers as much more than a representative of the defendant and the legal system as a whole. And yeah, you can say this is just because real-life lawyers are Boring and if they did the kind of Bonkers Shit AA Lawyers do we would pay attention to them… but we do actually have textual evidence that Japanifornia treats lawyers not-too-differently than real life.
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Mia’s murder, and probably the uncovering of all of Bluecorp’s dirty dealing, was highly talked about, but Phoenix’s actions in court went kinda ignored. And note that this is the case where Phoenix literally defended himself and broke the Demon Prosecutor’s five years winning streak, and that wasn’t enough to draw eyes to his part in this whole case. 
And that’s also generally consistent with how characters treat Phoenix throughout the rest of the games. By the AJ Trilogy era, it’s clear that Phoenix has made quite a name for himself… in the legal world. If you are yourself a lawyer or another sort of legal professional or just unusually interested in court proceeding, you know the name ‘Phoenix Wright’ 
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But if you’re just a regular person who cares about the law the Regular Amount, you probably have no idea who this is.
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So I’d guess most of Japanifornian Tumblr would probably be aware of a lot of the cases in the games, especially considering how many of them concern, like, corporate corruption and organized crime and legal corruption and international politics and the entertainment industry and other such stuff that makes it likely to get national/international news coverage. And also so many of them are so bizarre and wacky and are thus prime meme fodder…
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But most people wouldn’t necessarily know the name of the lawyer the Nickel Samurai blackmailed to defend him after he ordered an assassin to kill the Jammin’ Ninja, or even how involved that lawyer actually was in Matt Engarde’s downfall.
But there would probably be a small mini-fandom of Tumblrina Lawyers and other legal nerds who are ABSOLUTELY obsessed with the WAA, and trying to collect any piece of info they can find about their adventures. 
(That’s also another aspect to consider, the general public in Japanifornia does not have full knowledge of everything we get to see in the game. News coverage of the smaller cases would be extremely minimal and very regional - and even the bigger cases probably won’t give you a full line-by-line record of everything that happened in Court. Apollo Justice was, like, the Biggest Phoenix Wright Stan in the Universe and he had very choppy and partial knowledge of the Gramarye Trial. We have to consider that even folks who are trying to keep track of the AA Lawyers in-universe would not get the full picture from the media. And that’s before we get into fake news and rumors.)
And meanwhile, the rest of Tumblr would probably treat that Fandom the same sort of bemused delight we give to, like, the extremely dedicated gimmick blogs. Like, you’d probably see less posts about Phoenix and Co. as you’d see posts memeing about the fact there’s a Tumblr Fandom for ‘some random law agency in Japanifornia’, they’d be like five thousands people in the notes going “There’s a Tumblr Fandom for WHAT? WHY IS THIS THE FIRST TIME I’M HEARING ABOUT THIS??” and then one person from the WAA fandom going “NO YOU DON’T UNDERSTAND THIS IS THE GUY WHO UNCOVERED THE PHANTOM HE’S JUMPED OFF A BURNING BRIDGE ONCE YOU LITERALLY TALKED ABOUT A TRIAL HE DID YESTERDAY YOU JUST DON’T KNOW HE WAS INVOLVED”. 
Now, that’s all for the Defense Attorneys. The Prosecutors have a bit more publicity. I mean, Phoenix literally heard about Prosecutor Edgeworth on the news.
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But also… I do think this publicity is highly regional. Like, Phoenix ended up stumbling on newspaper coverage of Miles because he lives in the same city as him. I’m guessing that most of the series’ Prosecutors are at least casually known not just to Legal Folks, but also generally to people within Los Angetokyo and people involved in Japanifornian Politics… but also not much outside of that sphere either. Again, the series does establish that they are not that well-known amongst laypeople even when they are famous amongst other lawyers
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And are generally recognized by fellow legal professionals and journalists and people involved in criminal activity. So the situation with them won’t be that different than with the WAA, they might be a tad more high-profile, depending on how many Tumblr users are specifically from Japaniforina and wanna make memes about the local politics… but those who will get really invested in their misadventures won’t be that different from the kind of people who’d get really into Phoenix Wright. 
Klavier is the obvious exception. Like most Famous Lawyers, he’s actually primarily famous for something other than law. It’s just that in his case, instead of politics, it’s being a world-famous rock star. There’s plenty of textual evidence that the Gavinners are an actual household name and they’d probably have a pretty sizable Tumblr Fandom, but… well… while I assume any casual Gavinner fan knows that Klavier is also a Prosecutor, I’d guess only the insanely dedicated fans and the Haters looking for something problematic would actually start digging into the records of the cases he worked on. But then again, Tumblr does have a lot of insanely dedicated fans and Haters, so maybe Legal Misadventures Involving Klavier would be kinda mainstream on Japanifornia Tumblr.
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legitimateluffy · 8 months
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I was going to touch on this in my overall thoughts of the OPLA, but then I realised I had a lot to say about it.
This, to me, might have been my favourite moment in the One Piece Live Action:
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And here's why. OPLA spoilers under the cut.
Nami and her character arc are the things that got me really hooked to One Piece as a teen. I was 13 and at the time, I had no idea if I'd ever finish (at the time) a 600 episode anime. But Arlong Park cemented me in as an OP fan for the rest of my life.
Obviously the Help Me scene was the thing that really got me in for life. But as I grow, I think it was also the way Oda made each moment with each character feel small while also being grand. The small moments make this arc for me. It's complex, and purposefully so.
Throughout the arc, and even prior, Nami is built up with small throw away lines and actions. Questioning why people do things for others, her over generalisation of pirates, her belief that she has no freedom.
She's an exact opposing entity of Luffy. Luffy IS free. He's the concept of freedom. Nami, by default, is not. She not once ever felt free. Her original village was destroyed, her mother killed due to lack of money, having to work for Arlong to survive. She never had freedom.
There's cases like this all over the manga. She's materialistic due to her trauma of lacking freedom. She has to do what she has to to survive. She will put her desire for money (to save the village) FIRST. Because if she doesn't, she will never be free.
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I remember this moment so clearly when I saw this for the first time, the thought ingrained into my mind. When I saw she left and abandoned the crew, I was so MAD. I couldn't express my anger. But when I saw this scene, all I could think about was "I feel so bad for her."
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I didn't know what was coming, but this scene alone made me feel so sad. And I didn't even know WHY. I felt gut wrenched for her. Looking back, seeing her finally no longer have to do everything herself and allowing herself to break down and ask for help, it also struck me.
However, this moment, now as I've aged, doesn't hit just because it's a relatable feeling. Finally breaking down and getting hope after you've felt so helpless. So many people want that. I wanted that. And seeing it there in front of me hit me hard. The reason why I think this ultimately made this moment work for me was this theme of freedom. The strawhats made her feel like she was safe for even a short moment. She could forget. Nami, for the first time in her life, even for one second, WAS free. She was!
Nojiko highlights this. It's a small panel. It's less than 5 words but it highlights an important aspect of Nami's character. For one moment, she was free, and that's why leaving them hurt her so much.
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Usopp describing something as normal as having fun is something we take for granted. But Nojiko knew that this was an important moment for Nami. She knows she's never been free. Remember, Nojiko & the rest of the village KNOW what Nami is doing. Her sacrifice. Her lack of freedom.
So this bring me back to OPLA. There are so many short scenes of Nami where Usopp and Luffy are just goofing around and bantering with each other. Hell, she's not even participating! She's just watching! And then the moment happens.
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She laughs. She's free! This one small moment, this blink and you'll miss it scene. THAT, is pure and utter freedom. And to me, that's what One Piece is. It's freedom. Nami, for the first time in her life, is free.
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This scene hit me hard, because immediately I thought to that scene with Usopp and Nojiko. Everyone behind the live action understood the core aspect and themes of One Piece. It's freedom. It's always been about freedom. That has never changed. And seeing freedom be portrayed as such a small and humane action such as LAUGHING, for all of a few seconds, really encompasses what this series is, not just to the characters, but the audience.
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